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Reviews

The Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Vol. 5

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By Piero Karasu and Yuri Kisaragi. Released in Japan as “Tensei Oujo to Tensai Reijou no Mahou Kakumei” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

The last three volumes of MagiRevo have all had that feeling of “this is the final volume of the series” without it actually being true. It felt as if the author was not sure if it would be a success or not – very common in this medium. This is the first book where I believe that they wrote it knowing that the books were going to be going on longer, as it’s very transitional. There’s looking towards the future, as Anis and Euphie’s road trip is to survey the kingdom and look for new resources, plus they also end up learning of a number of new nations/races/possible enemies. At the same time, the entire book is also about coming to terms with everything that has happened in the previous four. Euphie’s on the throne, but this has not magically settled everyone’s hearts. Particularly Anis, who runs into Euphie’s brother at a ball and ends up projecting her own brother on top of him.

Anis is out of sorts, having essentially been told “try not to be too innovative for a bit, we need everyone to get used to the chaos you’ve already created”. But she can’t exactly turn that part of herself off. So Euphie plans to have the two of them tour the Eastern part of the kingdom, inspecting the damage caused by the previous monster stampedes and also trying to find new areas that they can harvest spirit energy. Of course, as Anis notes, this is a chance to go on a Love Love Honeymoon with her beloved – well, a honeymoon that involves two maids, two aides and a guard – and the guard is Navre, one of the men who was tied up in Lainie’s plotline in the first book. Then, to top things off, Anis had not really been listening when all of this was explained to her (because honeymoon fantasizing), and missed that they are, in fact, going to see her brother as well.

If I were to sum up this book, it would be “not bad, but not as good as the other books”. Part of the problem is Anis, who is still dealing with a pile of repressed guilt about what happened with Algard. (She is also, frankly, still not used to the fact that she is absolutely not the top in this relationship, and Euphie’s frank desires leave her a bit twitchy.) The heart to heart she has with her brother near the end was much needed, if only as I want her to move on from this as quickly as possible. There’s also a new character introduced who isn’t too bad, but seems designed to tick several “isekai cliche” boxes at once, so I was rolling my eyes at her arrival. On the bright side, Anis and Euphie get to have an awesome fight that I’m sure will look terrific if it ever gets animated in a theoretical Series 2.

So yeah. Mezza mezza. Still, we now have the promise of beastmen, and more vampires, and a bunch of other potential new plots. I just hope Anis will be back to being a fun ball of chaos next time around.

Sword Art Online, Vol. 27: Unital Ring VI

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By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

Last time I said that it was a good book but the plot progression was minimal, and I’d say that the plot progression is even more minimal here. It’s also not quite as good a book. Stuff happens, don’t get me wrong. Lives are put in danger, especially in the Underworld, and there is a return there of a villain that I really didn’t care about when they were around in the main Underworld arc and care less about now that their descendants have returned. On the Unital Ring side, we’re headed up to a new level, and we’re interacting more with players from different games, but I sort of feel like Kirito is a metaphor for what Kawahara is trying to do with the series. He’s trying to juggle 3-4 plots at once and can’t devote all his attention to any of them. Frankly, I’d rather that he and Asuna try to figure out if Kizmel has been magically brought back to life (clearly implied near the end) than anything with dragon spaceships.

We pick up where we left off, with Ronie and Tiese staring at Eolyne and wondering if he’s just Eugeo wearing a mask, but the answer to that is still – so far – that he is not. They all then bond in a big bath scene, but then Kirito and Asuna are dragged back to Japan while Alice gets to stay and bond with her sister some more. They head back to Unital Ring to find that everyone else is tacking the floor boss, with Lizbeth staying behind so that someone can bring them up to speed. They then arrive on the new floor… the third “game” to do so, after Asuka Empire (which Yuuki and her friends played) and Apocalyptic Date (where the players are anthro). Unfortunately, these new gamers know Kirito’s reputation, and they’re also desperate because of some poor decision making, so they decide to kidnap Yui. Also a poor decision. And back in Underworld, Alice’s reunion is interrupted by a full-blown invasion.

There were a few scenes in this book I enjoyed. The entire sequence with the robot kitten was not only adorable but also showed off the issues that AI is running into – I loved it when we were told that, if it ran on AI, the kitten would start walking around on two legs like a human. I also liked Asuna and Kirito’s brief panic on returning to Unital Ring, which was sort of darkly funny – was everyone killed off while they were gone? But honestly, the main issue with this book was that there was simply too much going on, and it didn’t give me enough depth to really care about one thing over the other. This is especially true on the Underworld side, where we still don’t quite know who the main villain is, but the ones behind the invasion are frankly a group I would have been delighted to never see again. At least it wasn’t the return of Gabriel Miller. Yet.

If you’re still reading SAO, I’d say keep going. Eugeo payoff looks like it will be coming next time, and hopefully we get some dark elves as well. Just… not in this book.

Otherside Picnic, Vol. 8

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By Iori Miyazawa and shirakaba. Released in Japan as “Urasekai Picnic” by Hayakawa Bunko JA. Released in North America by J-Novel Club. Translated by Sean McCann.

For the most part, this book is an emotional journey. It’s about Sorawo, a woman whose emotions have always been something of a foreign country (to herself, not necessarily to others) learning about what love is, what it means to love someone, and how that can change a relationship. And she has perfectly normal fears. She has a great relationship with Toriko now, one defined in the first book: they’re accomplices. But Toriko wants something more, and Sorawo knows it. That said, in case you were worried that this book would be all fluff and lack the sheer horror of the previous books, fear not. The middle of the book is here for you. What’s more, given that the book is about Sorawo’s feelings about Toriko, it makes sense that the horror is all based around Toriko. Let’s just say I hope this is never animated – I deal far better with horror as a written word than I do with horror as a visual medium.

Toriko has confessed to Sorawo, and says she wants a response. But she knows Sorawo is who she is, so she’s giving her a week to come up with this answer. This allows Sorawo to do a minor tour of the supporting cast to get some advice. College friend Benimori gives probably the most sensible advice, and seems delighted to find Sorawo, who has a bit of a reputation at their college, going through a real relationship. She talks with Natsumi, whose advice seems to be more about Natsumi than it is about Sorawo. She talks with Kozakura, who points out that their desire to go to the Otherside constantly, something almost everyone else would find terrifying, is what unites them – but that Toriko would stop doing it without Sorawo. And then finally, after a bus ride home that devolves into a series of Toriko-related visions, she goes to her apartment and confronts the girl she loves but barely knows.

I emphasized the horror, but rest assured there’s a lot of funny stuff here as well. The entire scene with Natsumi is amazing, complete with Natsumi calling Sorawo a “raging lesbian”, which is projecting if ever I saw it. Kozakura’s talk with Sorawo goes off the rails thanks to the presence of Kasumi, and leads to a self-help guide from hell. And the last part of the book, with Toriko and Sorawo opening up to each other, while also filled with sweet, touching moments, has its share of hilarity. We’ve known for a while that Sorawo is an unreliable narrator, but Toriko describing how Sorawo is ogling her constantly ever since they first met drives that home very well. Of course, we the reader have also seen that, but it’s been in the context of her internal monologue, so it hadn’t been apparent that it was written all over her face as well.

The sweet emotional bits are there as well, of course. I loved Toriko trying to do research into what she feels Sorawo’s issues might be – it’s a sign of how much she’s prepared to devote to their relationship, but also a sign of how little Sorawo opens up about her past – her matter-of-factness is disturbing, not edifying, even when she has to bluntly say “my family did not sexually assault me”. We also finally get a long look at Toriko’s mothers, what they did and who they were, as Sorawo finally realizes that in order to be Toriko’s lover, she needs to know who Toriko is and where she came from. And then there’s the part of the book that I think everyone will be talking about, the sex scene. At first disappointing, though very true to what Sorawo has told us, the reader, about her sexuality so far, it then rapidly moves in a very different direction. What follows is not only fulfilling for both of them but also 100% in character – both for them and the book. Kozakura would be completely unsurprised. They’re freaks, of course they have freaky sex.

We’re caught up once again, so I’m not sure where the series goes from here. We were introduced to a new character, who I didn’t have room to talk about, so it may do something with her. That said, this book is for those who’ve been waiting forever for these two to get together.

Accel World: Conqueror of the Sundered Heavens

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By Reki Kawahara and Hima. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jocelyne Allen.

There’s more spoilers than usual for the last third of this book, so if you avoid them FYI.

It’s been a while since we last checked in with Accel World. The previous volume was supposedly the end of the long, long, LONG arc and the start of another one, but that turns out to not quite be true, as most of this is setup for a massive cliffhanger. There was also a bit of frustration, as Haruyuki’s sacrifice felt like it was going to lead to a lot of angst for everyone. Which is kind of does, but that angst is mostly kept off the page. One of the more frustrating aspects to Accel World is that so many of the exciting scenes, or battles, or much needed group meetings happen away from Haruyuki, so we don’t really learn as much as we’d like. And the first two thirds of this book is much the same, really. Get ready, though, as the last third is THE PAYOFF.

Things have been happening since the end of the last book. Tezcatlipoca has been running amuck, and everyone in the Accelerated World is blaming the traitor, Haruyuki. Thus they’re challenging him to duels constantly. Haruyuki being who he is, he’s accepting all of them, but he’s really good by now, so he usually wins. Then, after briefly dropping by to make sure the owl is taken care of during the summer, and possibly recruit fellow owl caretaker Reina to join the student council, he goes off to a meeting of his new allies, White Cosmos. For the most part, they’re exactly what everyone but Haruyuki would expect – a bunch of normal, if somewhat eccentric, people with their own agendas. Admittedly, some of those agendas include forcing Haruyuki to total point less, but hey. After all that, though, he’s forced to do something he’s been avoiding all this time: talk to Kuroyukihime.

Or rather, to Sayuki. Yes, Accel World finally gives in and admits one of its biggest mysteries since the start of the series. Haruyuki has known her name since the start, but he hasn’t actually said it till now, and we also get the name of her sister as well. And there’s a very good reason for all of this: we finally get a mutual confession and a kiss. The idea that Haruyuki is not only in an enemy group now but may be forced to fight against all his friends – and possibly get pushed to lose his points/memories, as well as the same anger for Kuroyukihime, leads them to finally take that big step. Unfortunately, any additional progress (as well as the long postponed trip to see Haruyuki’s family) will have to wait, because the mid-range guilds have been trying to take out Tezcatlipoca and have instead unleashed something much worse… more new characters to have to remember. Oh, and a new game. So long, Brain Burst, it’s been nice.

I admit that this book started a bit slow for me, as it had a lot of scenes I didn’t really care about and was putting off scenes I wanted to see. But when it got to the payoff, it was quite good. Also, hey, a portal! Who doesn’t like portals?

Safe & Sound in the Arms of an Elite Knight, Vol. 2

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By Fuyu Aoki and Minori Aritani. Released in Japan as “Doinaka no Hakugai Reijо̄ wa О̄to Elite Kishi ni Dekiai Sareru” by DRE Novels. Released in North America by J-Novel Heart. Translated by Dawson Chen.

This series continues to be excellent in terms of how it handles its heroine, who has spent most of her life being terribly abused. In the first book Chloe successfully ran away (after avoiding an attempted murder) and settled in as Lloyd’s “housekeeper”, but the trauma does not magically go away. She notes that she’s gotten better with knives now, but attempting to tell Lloyd about her past sends her into a huge panic attack. What’s more, when she runs out of house to clean and wonders what to do, it becomes apparent that being worked like a dog as a child has left her with no room for any hobbies. She doesn’t know how to do downtime. Fortunately for Chloe, she comes across the same answer that so many of us do: reading books. Indeed, she’s reading romance novels, ones with a lead man who is very, very reminiscent of Lloyd. Unfortunately for Chloe, family is hard to get away from completely.

The first part of this book is relatively light and fluffy. Chloe discovers the world of books. She’s also getting along very well with everyone in town, and even the bookseller is starting to fall in love with her. Unfortunately for him, she only has eyes for Lloyd… even if the two of them are both still a bit too broken to actually confess these feelings. Meanwhile, Lloyd is having to deal with new recruits, including a noble who has good skill but unfortunately is also an asshole who feels he’s above everyone else. This would normally not be that big a deal, but Lloyd forgot his lunch, so Chloe goes to the castle to bring it to him, and the new recruit menaces her. Cue boss music.

I’ve talked before about how a lot of these light novels have “cartoon villains”, which is to say bad guys with no redeeming features who are there to be as evil as possible. Don’t given them pets, they would kick a puppy. The interesting thing in this book is that we get two definite antagonists, but one of them is, when it comes right down to it, just a massive jerk. He’s abusing his privilege, looks down on everyone, and expects the world to be handed to him. But that’s fine, as he’s also a knight candidate with skill, so he can have the jerk beaten out of him by Lloyd. Lily, however, Chloe’s sister, is not going to get an out. This is why Luke merely menaces Chloe (and gets Lloyd destroying him in a duel for his troubles), while Lily beats the crap out of Chloe until help arrives to arrest her and throw her in prison. Now, Luke invited Lily to the town to begin with, something she tries to take advantage of near the end. But he’s not an evil villain. Just a jerk.

There’s a third volume of this, and I wonder if Mommie Dearest will show up. But definitely a wedding regardless, I think. Good romance novel fluff/angst.

Kuma Kuma Kuma Bear, Vol. 15

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by Lorin Christie.

Spoiler for my last review: she shrugged everything off. Yes, this author loves to play in the psychological trauma kiddie pool but knows which side his bread is buttered on, so instead of dealing with the possible dissociative idea of Yuna and “Miss Bear” being two distinct people, they have decided instead to just have Yuna feel vaguely uncomfortable about it for a bit and then get distracted by a giant floating island. This is one of the lighter and fluffier books in the series, which is unfortunate for me in that normally I’d have far less to write about, but there’s a bit more this time. The author has seen this series’ yuri fandom, and has decided they do not like it. In this volume, despite being propositioned by a girl her own age and having a mother offer her daughter up to Yuna for marriage, Yuna insists a) girl’s can’t get married, and b) she’s never getting married anyway. So if you had “ace Yuna” on your bingo card, congrats!

So yes, identity crisis is quickly forgotten, as the worst Yuna has to deal with in this book is the fact that she’s being forced to wear a different swimsuit every day to please the designer. She does various beach activities with the kids in this one, such as making a water slide, creating ice cream, or shooting off fireworks (without sound, alas). But the big news is the mysterious island, forbidden to go near, that appears and disappears randomly and has appeared once more. Yuna wants to explore that island, and unfortunately due to her lack of stealth Fina, Shuri, and Shia are along or the ride. The island ends up having historical interest, but also being a bit of a spoiler. Let’s just say there are monsters, and Yuna is tented as much as she ever is in this series (which is to say, not much). Then the vacation is over and it’s time to take everyone home.

I have to admit, taking Fina and Shuri to the island surprised me – Yuna is usually a bit more sensible than that. I get why they were taken along, as they totally would have tattled otherwise, and the goal here was to avoid having the “explore the island” secret come out. And yes, Yuna can just throw everyone into her basement via a bear door to play cards, so there’s no actual danger. But still… wait, why the hell am I complaining? This is a series where common sense is useless and you just have to accept we’re in the author’s strange mentality. This is also why Yuna is praised to the skies for giving all the 4-5-year-old orphan kids jobs with a paycheck, and vows to have more child labor in future. Yes, yes, fantasy world, orphans starve otherwise, but come on. At least she doesn’t buy any slaves. We have not quite reached that low point.

So yes, bear series is still “itself”, and aside from infuriating those who ship Yuna with… well, anyone… this is a typical volume in it. When do we get to go to “the land of Wa” anyway?

The Ideal Sponger Life, Vol. 13

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By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

As I’ve mentioned before, this series was originally a webnovel, which ended around the events of the 4th book. Then it became a light novel series, Freya was added to the mix starting with Book 5, and has, frankly, become the main female lead. Sorry, Aura, you just aren’t in this series enough to count anymore. Even in this book, her role consists mostly of either finding out about stuff and telling other people about stuff. Now, to be fair, in this volume Freya does not exactly perform great feats, though you could argue that convincing her family to let her marry Zenjirou counts as one. She is part of the best moments of the book, though, as she has to confess to everyone how this marriage came about – which is this society of fantasy feudalism, is the equivalent of walking up to a married man and saying “I’m down, wanna bang?”. The reactions of everyone else to this news is hilarious, and worth the price of the book alone.

Freya and Zenjirou finally arrive in Uppasala, and get ready to inform the royal family of their betrothal. This goes about as well as you’d expect. That said, Zenjirou revealing that he has the power to teleport shuts up a number of people, and leads to a deal: if Zenjirou can take the traditional coming of age rite that everyone does and succeed, he will earn the right to ask for Freya’s hand. Since Zenjirou is, to put it mildly, not a physical powerhouse, everyone finds this hilarious. They find it a lot less so after they realize exactly how he’s going to win – even if it does end up taking a lot of physical labor as well. As for the other members of the family, the first prince is sent to Capua, there to meet with Aura – but, more importantly, to have a test of strength with Pujol. As for the second Prince, Yngvi, he’s basically Freya, only a guy. No, really, they’re twins.

There’s a lot of good humor in this book. Zenjirou’s plan to survive getting to the hunting site for the coming of age rite is hilarious and also something we should have seen coming. Eric’s reaction to Aura describing Freya arriving in Capua is also highly amusing, as is Pujol’s reaction on seeing the sword that was given to Aura as a gift by Uppasala. There are a few plot points that could carry over to the next volume, such as the fact that Margarette the maid seems to have secret parentage, and the ongoing war between the deeply religious church knights and the less religious rest of the continent. So far the holy wars seem very one sided against the holy, to be frank. And yes, Zenjirou and Freya are now married, and he goes off to spend the wedding night with her – which we do not see. We don’t even get a kiss. They snuggle a bit. These books are now the opposite of horny.

That said, we come to the end of this arc. And good news for Aura fans, the next cover has her on it… and also Freya, because hey, she’s the lead character now. Should start a new arc, though, which is fantastic news provided the series hasn’t ground to a halt in Japan or anything…

I’m Giving the Disgraced Noble Lady I Rescued a Crash Course in Naughtiness: I’ll Spoil Her with Delicacies and Style to Make Her the Happiest Woman in the World!, Vol. 1

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By Fukada Sametarou and Sakura Miwabe. Released in Japan as “Konyaku Haki Sareta Reijō o Hirotta Ore ga, Ikenai Koto o Oshiekomu -Oishi Mono o Tabesasete Oshare o Sasete, Sekai Ichi Shiawase na Shōjo ni Produce!-” by PASH! Books. Released in North America by J-Novel Club. Translated by Yui Kajita.

How much you enjoy this volume will likely depend entirely on how much you can tolerate the series’ one joke. This is a comedic romance, despite a dark premise, which has a basic shtick, and it’s that the characters describe things as “naughty” when they’re not actually talking about sex. Allen keeps telling Charlotte that he’s going to force her into experiencing all sorts of naughty delights… but it’s things like eating a cake for dinner, or going to a hot springs, or sleeping in. “I’m Spoiling the Disgraced Noble Lady” would be a much snappier title, but it would probably get fewer clicks. That said, if you can get past the overdone joke, this is a rather sweet book about a misanthrope with a kind heart who takes in a typical villainess heroine and turns her life around – for the better.

Allen is a sorcerer who lives in a remote mansion because dealing with people is a hassle. His sole contact with the outside world are daily visits by the mailwoman and occasional visits from his sister. Then one day he finds a young woman collapsed right by his doorstep – and several guards who tell Allen she’s a wanted woman and they’re to bring her back dead or alive. Allen doesn’t trust them, and with good reason – after getting rid of them and taking the woman inside, he discovers she is Lady Charlotte Evans, the fiancee of a nearby nation’s price. Supposedly a wicked woman who is accused of countless crimes, she is actually an abused child who has been treated like a servant for years and is now being treated as a scapegoat. There’s only one thing for Allen to do now – show her what the good things in life really are!

The main plot is fluffy because the backstory is so horrid. Charlotte’s life, especially after her mother died, has been an absolute misery, and she has trouble standing up for herself or even having actual wants and desires. You could argue that she is not ready for a romance with the awkward yet very powerful Allen, and you’d be right, but this is a romance series, so you’re going to have to lump it. And they are very cute together, especially in the back half once both start to realize that they’re developing feelings. This is especially baffling for Allen, who’s not nicknamed “demon overlord” because of his kind smiles, and who is having trouble separating family, friend and lover in his head. If you’ve read An Archdemon’s Dilemma, this is a very similar vibe, and will likely appeal to the same people who read that.

All this plus a petting zoo filled with monsters. Despite its cruel backstory, at heart this is a fluffy romantic comedy. Just get ready for its one joke. It’s a naughty joke.

Housekeeping Mage from Another World: Making Your Adventures Feel Like Home!, Vol. 6

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By You Fuguruma and Nama. Released in Japan as “Kasei Madoushi no Isekai Seikatsu: Boukenchuu no Kasei Fugyou Uketamawarimasu!” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Heart. Translated by Hengtee Lim.

I’ve talked before about how we’ve been edging closer and closer to Alec and Shiori confessing each other’s tragic backstory, and while we’re not QUITE there yet in this volume, we get the next best thing, which is an extended flashback showing us what happened with Alec, his brother, and his first love. Unsurprisingly, it turns out to involve emotionally immature people making poor decisions, and feels almost nostalgic. It also helps the reader to understand how much more balanced and mature Alec and Shiori’s relationship it – indeed, while it dances around being explicit, the two of them bathe together, and it’s implied some other activities happen. If you define lovers as “stick it in”, they’re not there yet, but they are in every way that actually counts. And they’re also there to help each other with mental trauma, which is good, as this is a very bad book for Alec on that account – and that’s not counting the flashback.

Alec and Shiori have moved in together, and experimented with the “There Is Only One Bath” AO3 tag, but there’s an issue. The hand cream that Shiori uses to make her scarred hands less stiff needs mandrakes, and Nils is out of them. So a group of adventurers goes to a cave to find some mandrakes, avoid their horrible shrieks, and also deal with – I swear I’m not making this up – Brain Suckers, monsters that apparently look like aliens form Mars to Shiori, but who also cause traumatic hallucinations if they touch you. Alec gets touched. After this, Alex makes a decision to finally set up a meeting with his brother (and former lover if she’ll come) so they can bury their past together. That said, he and Shiori have something big to deal with before that can happen: a ridiculously long extra story at the back.

I appreciated the flashback, as it showed us how much Alex suffered, and what’s led him to tend towards “everything is my fault” in his post-royal life (to be honest, a trait he shares with Shiori). I also liked that Rebecca was not some stock villainess but a teenager who sees a chance to get everything she wants and forgets all about what that would mean other than “be with the man I love”. I appreciated that her punishment was, in many ways, the best thing that ever happened to her. As for the side story at the end, it reminds you that ghosts, wraiths and phantoms are very real things in this world, and need to be dealt with – but it also reminds you that nothing in this world is quite as scary as the average Japanese ghost story, and Shiori’s imaginative yokai is pants-wettingly terrifying.

I’m pretty sure the next volume is, if not the final book in the series, at least the payoff, with Shiori finally admitting she’s from Japan and Alec finally admitting he’s a runaway prince. This remains a nice romantic fantasy.

Hell Mode ~ The Hardcore Gamer Dominates in Another World with Garbage Balancing, Vol. 3

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By Hamuo and Mo. Released in Japan as “Hell Mode – Yarikomi Suki no Gamer wa Hai Settei no Isekai de Musō Suru” by Earth Star Novels. Released in North America by J-Novel Club. Translated by Taishi.

This book is a very different beast from the first two, which is both a good thing and a bad thing. it’s good in that we get a lot less of Allen, on his own, spending pages and pages experimenting with different combinations of summons while fighting off monsters, which was in my opinion the weakest part of the books to date. He’s gotten so strong that the narrative can either quickly elide his tests, or else it shows him just instinctively knowing what to do. On the down side, this volume is a combination of two of the isekai fan’s least favorite genres: dungeon crawl AND magical academy. On the up side, this means the rest of the cast, especially Krena, has more to do. On the down side, Allen really is the standard OP protagonist now, so scary he can take out the most powerful hero in the land and terrify royalty. Basically, yeah, this is a light novel, all right.

Allen and Cecil are now ready to head off to the Magic School that they need to attend before being sent off to fight in the war against the Demon Lord. Joining them are Krena and Dogura, newly arrived from Allen’s hometown. On arrival, after yet another “your stats are all E, you fail, get out!” fakeout, which is a bit tedious by now, they settle in and buy a 20-room mansion that’s close to their real goal: dungeons. School itself is an afterthought here, what they want is to go through each dungeon, level up, gain skills, and get stronger and stronger. By the end of the book the cast, Allen and Krena especially, are so powerful that only the best in the world can really take them on. Which is good, because, having terrified the aforementioned royalty, they’re being sent off in Book 4 to the front lines.

It’s rather astounding (and honestly welcome) how this series does not care about romance at ALL. You could argue the kids are 12/13 years old, but that hasn’t stopped other books in this genre. Krena and Cecil meet up, and just become friends and allies, no issues. Later in the book they add an elf who I thought might have a crush on Allen, but no, she’s just worshiping him as the one chosen by the prophecy. Romcom is just not what this author is here for. Gamer nerdery *is* what they’re here for, and I assure you that despite what I said above, there’s lots of “let’s look at everyone’s stats here” for those who adore it. The party expands rapidly here from “Allen and a token girl” in the first two books to “Allen and his party of the most powerful students in the country”, including an elf princess, the son of the antagonist of the second volume, and a dwarf girl who gets nothing to do, but we’re explicitly told that she will eventually. And Allen, who COULD do all this by himself, but thankfully does not.

So yes, better than the first two books, and recommended for those who enjoy all the things that the louder light novel fans say they don’t enjoy. Next time: Allen Goes To War.

Hazure Skill: The Guild Member with a Worthless Skill Is Actually a Legendary Assassin, Vol. 2

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By Kennoji and KWKM. Released in Japan as “Hazure Skill “Kage ga Usui” o Motsu Guild Shokuin ga, Jitsuha Densetsu no Ansatsusha” by Kadokawa Books. Released in North America by Yen On. Translated by Jan Mitsuko Cash.

Oh my God this book is garbage. This is not necessarily me saying the book is bad, though I would not recommend it to anyone except the most ridiculous fan of OP bullshit. But it’s like criticizing a sex comedy for having sexual humor in it. Garbage is what the writer is aiming for. In fact, I’m a bit more impressed with this writer than I was when I read the first in this series a year and a half ago. He also writes The Girl I Saved on the Train Turned Out to Be My Childhood Friend, which is a dead-on high school romcom sort of book. I haven’t read Drugstore in Another World: The Slow Life of a Cheat Pharmacist, but I assume that it’s a fantastic example of a slow life series. And then we have this, which is a fantastic example of “what if the lead was always cool and awesome and all the girls wanted him and the men envy him?”.

The book mostly is a series of “ZOMG Roland is awesum!!1!”, with two larger stories that help to show that in greater detail. The first has the king asking Roland to accompany the Princess (who was party of the demon lord hunting party, and is madly in love with Roland but is one of the few women he hasn’t slept with) to a neighboring kingdom for a marriage interview, which goes about as expected till the prince of that kingdom tries to mind control his way to a marriage deal. In the other larger story, we meet one of Rila’s old demonic allies, Dey, a vampire. She seems nice-ish, and Rila vouches for her, but at the same time adventurers have been disappearing. Is Dey responsible? Or is it that smug-looking noble with a torture basement using (again!) mind control?

I emphasize once more – this book is garbage. I laughed a lot while reading it, but trust me, I was always laughing at it. Roland solves the mind control problem in the first and second instances by simply dispelling it, which works almost instantly but is amazingly anticlimactic. The prince’s aide just seems to sleep with Roland for no real reason other than the book needed another sex scene here. (I say sex scene, but it’s not – this book is full of sex that is elided but not shown, so it’s not even good for horny masturbation material.) We also get (surprise, surprise) slaves! Roland frees them by killing the man who broke their spirits, but the slaves (all hot young women of various races) decide they’re going to stick around and try to get into Roland’s pants. This series really just BOGGLES THE MIND. Oh yes, and he resolves the vampire plot by discovering that the noble with a torture basement is torturing people in the basement, so he decides to torture the noble to show him what’s what.

Roland’s deadpan, somewhat baffled “what is normal” attitude is part of his charm, the other part being he treats women as actual people despite his tendency to fuck everything that moves. The book ends with the guild getting blown up, meaning the next volume will be going to a different kingdom. Bet I know what’s going to happen, though.

My Daughter Left the Nest and Returned an S-Rank Adventurer, Vol. 9

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By MOJIKAKIYA and toi8. Released in Japan as “Boukensha ni Naritai to Miyako ni Deteitta Musume ga S-Rank ni Natteta” by Earth Star Novels. Released in North America by J-Novel Club. Translated by Roy Nukia.

For a while I thought that this was going to wrap up all the plots, and that the 10th volume would just be an epilogue/victory lap. Alas, one of the villains got away, so we’re going to have a final confrontation back in Belgrieve’s village. Which makes sense, as that will allow us to bring in the rest of the cast who have been absent for this arc. This arc definitely wraps up here, though, solving most of the problems by hard work and sword/magical battles. We get to see Ange using the smarts she was taught by her father, and we also get to see her and her father fighting back to back, something that fills both of them with glee even though it’s a life-or-death situation. That sort of sums up the book, really – even though there’s a lot of gore and death, you end up feeling good. Everyone’s back together.

When we left off, everyone was headed to where Ange and company is, there to try to rescue Satie. This involves splitting up, of course. Touya and Maureen handle their own subplot, taking on Hector and revealing the true reason behind Touya’s revenge. More importantly, Ange is captured by the fake Prince, getting thrown in a time space prison where escaping her cell is quite easy but escaping the prison itself proves much harder. As for Satie… well, she’s captured, because this is the sort of book where the message is “you can’t do it alone, rely on others to help you”, so her philosophy of “I have to do this all on my own” is not going to work. Will Bell be able to save Satie? And is Satie finally the woman that Ange has been looking for… someone to be Belgrieve’s wife?

There is a plot twist near the end that is so stunningly schmaltzey that I would be annoyed if it weren’t so sweet. It also helps tie in to Ange’s own birth – we’ve known for a while that she’s part demon, but it’s never really been clear just how that is going to tie into the overall story. The earlier books implied that it would slowly turn her evil, but honestly, apart from being a bit jealous of her dad’s easy way of making friends with everyone, Ange simply is not going to go that route. As for Belgrieve and Satie, their plot resolution is “blink and you’ll miss it”, but that fits the two of them. These are two people who have wanted to reunite and admit repressed feelings for years, so while it’s frustrating that we don’t get a more explicit confession, hey, at least they’re definitely married now.

That said, we have one final book to go. This one will be coming out after the anime starts, so it will be interesting to see what people who are new to the series think of it all. Honestly, I suspect we’ll be back to where we were at the start of this series: reassuring fans that this one ISN’T going to turn into incest.

Death’s Daughter and the Ebony Blade, Vol. 5

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By Maito Ayamine and Cierra. Released in Japan as “Shinigami ni Sodaterareta Shoujo wa Shikkoku no Tsurugi wo Mune ni Idaku” by Overlap Bunko. Released in North America by J-Novel Club. Translated by Sylvia Gallagher.

This series does have, amidst its themes of “war is hell” and the like, a love triangle at its core. This is part of the series’ annoying sub-theme of “all the aides are in love with their commanders” that I dislike, but I’ll ignore that for the moment. Claudia is easiest to understand, she’s a classic tsundere who’s in love with Ashton but refuses to admit it to herself or others. Ashton is in love with Olivia, though it’s not clear if it’s romantic or just a shining ideal, but he is otherwise a classic romcom harem lead, with a few “could these women actually like me?… naaaah” monologues under his belt. And then there’s Olivia, who loves Ashton and Claudia, but I suspect the author is not intending us to be thinking “yay, polyamory”, but rather that we’re supposed to think that Olivia is not quite human and doesn’t understand romantic or sexual attraction. It’s a bit of a mess.

The start of the book features Olivia and company headed to the Holy Land of Mekia, there to meet up with its leader, who has taken a shine to Olivia. They try to lure her to their side with promises of using their resources to find out where Z is, which makes Claudia curse, as this had never even occurred to her to try to offer Olivia, and Fermest can’t do it very well as they’re at war. Still, an incident involving Ashton’s near-death… again… convinces Olivia that she’s not going to change sides for now. In the meantime, the empire continues to have a very bad time, which is what happens when your grand vizier… pardon me, chancellor… is evil and your empire is secretly run by a death god. When the Kingdom comes calling, with Olivia at its vanguard, who will rise up to meet her? And will it be enough?

We get a nice little flashback in this book to Olivia’s parents (though she was originally called Caroline) and are reminded that her mother is of Deep Folk descent, which is leading to a lot of subplots converging. Still, she may have human/deep folk as birth parents but her upbringing is all Z, and that’s what really makes her as inhuman as she seems at times in the series. She has no real fear of monsters that would kill anybody else, and when asked where she grew up, points to the middle of a forest that has a reputation so bad that anyone who tries to investigate it finds their investigators dead. That said… Olivia is also gradually getting more humanity in her, and that’s entirely due to Ashton and Claudia, who are definitely a calming, soothing influence on her, even if they can’t actually stop her from doing what she wants. This series is not going to end with polyamory, but if it *did*, it would be great.

It might also end with most of the cast dead, admittedly. After all, war is hell.

Peddler in Another World: I Can Go Back To My World Whenever I Want!, Vol. 4

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By Hiiro Shimotsuki and Takashi Iwasaki. Released in Japan as “Itsudemo Jitaku ni Kaereru Ore wa, Isekai de Gyōshōnin o Hajimemashita” by HJ Novels. Released in North America by J-Novel Club. Translated by Berenice Vourdon.

It’s pretty astonishing how much authors think they can get away with provided their hero is mild-mannered and polite. Shiro already has the ability to go back and forth between his world and Japan – something most isekai’d folks don’t get. He gets magical translation, teleport abilities (sort of), and currency conversion. He doesn’t need to learn how to make mayonnaise because he can just go buy it at the local Inageya. He has, hovering around him at various points: his grandmother, who looks like a young girl; his twin high school age sisters who alternate between being mean to him and sucking up to him; a young girl who worships him and her hot widowed mom; a powerful fairy who’s tsundere for him; the mayor of the town; and (in this book) we add a dragon. He has to have little to no personality for this to work. If he had any notable character traits at all we’d despise him.

We pick up right where we left off last time. Shiro’s twin sisters Shiori and Saori have found the door to the other world, and there’s no way they aren’t going through it. To his surprise, instead of leading to his shop it drops them in the middle of the forest where he started way back when. While there, he finds a huge egg, which the twins insist he carry with him. Eventually, all is explained and the twins decide to start their OWN store dedicated to clothing and makeup, the egg finally hatches… and inside is not the minor monster they expected, but a dragon. A very powerful dragon. Who quickly morphs into a young girl and imprints on Shiro heavily. Now they have to figure out what to do with her… especially because demons are also apparently looking for the egg, and would likely destroy the entire town to get at it.

As with previous books, this is not great. Elianna the rabbit girl continues to be the most annoying character ever, and not in a fun way as the author is clearly intending. The twins are also annoying but that works better because it’s in the typical bratty sibling way. As for the plot itself, despite the threat of imminent death and the supposed murder of 3/4 of the cast, everyone is fine. This remains a slow life book at heart, so it’s no surprise that this manages to be one of the murderous demons who knows that murdering humans is not the right thing to do now. Not to mention that she has a very good reason to want the egg… and the whole thing ends up being undercut massively, because the whole reason for this plot turns out to be something she could just have bought at Shiro’s store. The sad trombone noise is almost audible.

All this plus we finally get “I am your slave” in this isekai. Shiro’s not going to be down with the whole slave thing, but I doubt he’ll really protest too much, because mild-mannered and all. If you like beautiful twins, cute dragon children, and hot demons… there are still probably better books with them in it.

My Friend’s Little Sister Has It In for Me!, Vol. 10

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By mikawaghost and tomari. Released in Japan as “Tomodachi no Imouto ga Ore ni dake Uzai” by GA Bunko. Released in North America by J-Novel Club. Translated by Alexandra Owen-Burns.

This is a flashback volume, as Akiteru explains to an increasingly despairing Mashiro exactly how he first met Iroha and started the game company. As such, as you can imagine, Mashiro barely appears in it, though she does get many of the funniest moments. Just as the “main” series ends each chapter with a conversation between Akiteru and Ozuma, this one ends them with a conversation between Akiteru and Mashiro… as Mashiro stares in disbelief at the fact that the boy she loves was starring in a wacky harem comedy long before she ever came back into his life. I’ve talked before about how the series seems to abuse her for the laughs, especially since she’s clearly not the winning girl, but there’s no denying it’s funny. Also funny are Akiteru’s deadpan reactions to all of this. Past or present, Akiteru is hopelessly, incurably earnest – and as the cliffhanger ending shows us, that may end up being his downfall in the long run.

As you might be able to tell by that cover, Iroha was not always the teasing girl in love with her sempai that she is today. Akiteru has become friends with Ozuma, which means he naturally meets his little sister as well. The siblings… don’t NOT get along, but definitely seem off – they barely interact with each other. Unfortunately, Akiteru also finds out that Iroha might be interested in joining a gang, and, because that’s the sort of person he is, resolves to try to stop this so she can stay on the straight and narrow. Things immediately go wrong when he runs into the gang’s leader… Otoi, who obviously has a deeper meaning to what she’s doing but finding out what that is will require more investigation… as well as pretending to be Otoi’s boyfriend.

The big surprise here might be that we meet a brand new supporting character, she plays a major role, and then we basically never see her again, as she does not appear in the main series. Asagi is a girl with major musical talent but comes from a very poor family, and being in Otoi’s “gang” allows her to be loaned an expensive guitar with which she can ply her trade on the streets busking. Her personality seems very familiar… deliberately, as it turns out, and she makes a nice contrast with Iroha, who is (rightly) very mistrustful of this friend of her brother’s who seems to be stalking her and far too invested in her life. That said, you can also clearly see why she falls for him – his earnestness is attractive as well as creepy, and also he’s basically found a way to make her dream come true (with the help of Otoi, who fills the deus ex machina role in this book handily). Iroha has genuine talent, and I think even her mother has to admit it.

The question is, will her mother destroy Akiteru’s dreams in order to advance her daughter’s? Stay tuned, because we’re caught up with Japan, and there’s no new volume there just yet.