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Reviews

Bleach: Can’t Fear Your Own World, Vol. 3

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By Ryohgo Narita and Tite Kubo. Released in Japan by Shueisha. Released in North America by Viz Media. Translated by Jan Mitsuko Cash.

The first half of this book is, to put it bluntly, a slog. It’s the giant fight against Tokinada that I’d been expecting, but for the most part it’s content to not be “Bleach, only well written” like the first two books but “actual Bleach”, which means that everything moves at the pace of a lethargic snail who’s having trouble getting going in the morning. Tokinada shows off his zanpakuto, whose gimmick is that it can copy the attacks of other Zanpakutos, which also means that he is Monoma from My Hero Academia and thus we can hate him even more. Fortunately, around about the halfway point, several things happen that make the book better. We get some lore we actually care about, Hisagi shows up to remind us he’s the star of these books, and we get some truly interesting characterization from one of the minor big bads I mentioned last time, who finally finds a thing to care about. That said, Nanao is still useless. It is Bleach after all, I guess.

The fights pretty much divide up how you’d expect. The super overpowered kid takes on Zaraki, and Tokinada takes on literally everyone else. Tokinada reveals his motivations for being the biggest smug asshole in all of Bleach (and given this is a series whose villains are ALL smug assholes, that’s a high bar), and these motivations will be very unsurprising to anyone who has read Baccano!, also by this author, as Tokinada and Fermet really do have an awful lot in common. Meanwhile, Hisagi has a chat with our overpowered child before all this begins, and reasons that the way that they’ve been raised means that they’re unable to decide anything on their own or have a moral center. He thus decides to make it his goal to raise this child right. And it turns out that he’s got a solid ally on that one, too. Now if only they could somehow stop Tokinada. Perhaps… if Hisagi finally figured out his bankai?

Bleach tends to run on cool moments, with everything in between just filler while you wait for the next one, so it’s good to see that there are a few here, the best of which is Hisagi stopping Zaraki from fighting Hikone – stopping Zaraki from a fight he’s pumped up for is damn near suicidal, but his reasoning is excellent, and even Zaraki has to agree, to the astonishment of everyone else. Hisagi’s fight with Hikone, using his newly discovered bankai, is also pretty damn cool. And I was pleased to see less death in this book than I expected, though given this is a book that resurrected damn near everyone killed off in the last Bleach arc to show they aren’t really dead, I should not be all that surprised. I also liked the lore that was given to us (which should have been in the actual manga, as is mentioned in the afterword) about the past of the Soul Society and what terrible things keep it going.

That said, Christ, this book is too long. It’s not as long as the 2nd book, but it’s still 285 pages when 185 could have easily sufficed. It’s essential reading for Bleach fans, but everyone else can easily skip it.

Oh yes, love to see Grimmjow shipping IchiHime.

A Mysterious Job Called Oda Nobunaga, Vol. 3

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By Kisetsu Morita and Kaito Shibano. Released in Japan as “Oda Nobunaga to Iu Nazo no Shokugyou ga Mahou Kenshi Yori Cheat Datta Node, Oukoku o Tsukuru Koto ni Shimashita” by GA Novels. Released in North America by Yen On. Translated by Noboru Akimoto.

When I reviewed the first volume in this series, I mentioned that it was by the same author of I’ve Been Killing Slimes for 300 Years, but was its polar opposite. After finishing the series, I’ve realized that may not be entirely true. The books are both written for male audiences, but very different kinds of audience. One emphasizes masculinity, the glory of battle and the constant conquest of women. The other barely has any men in it at all, is relaxed and laid-back, and very deliberately has its heroine trying not to work hard at anything. But they are both, in the end, stories about ridiculously powerful people, who we do not really see lose a fight over the course of their series, amassing a string of young women who adore them. They’re found family in the case of Azusa, and concubines/wives/lovers in the case of Alsrod, but really, all Azusa needs now is a massive fortress to defend.

If you are here for surprising twists late in the narrative, I advise you to find some other series, as you could have predicted every single plot beat in this book before you picked it up. Alsrod puts down a rebellion against him – composed of his brother in law and his father in law – and rewards them as traitors deserve. He then pauses, as the king has decided that it’s now time for him to do the fighting, and spends time on his own demesne waiting for the inevitable failure of the royal army to do anything and their pathetic call for help. When this occurs, he is quick to fight, breezing along towards the enemy and having so few issues that his fellow soldiers remark on how easy this is. Inevitably, the king grows terrified of his power and brands him a traitor. But that’s OK, because he has a badass group of women he’s bedded, who are ready to fight wars, argue politics, and even become queen for him. (And then abdicate, because let’s face it, one can only go so far.)

I will mention to horny readers looking for sex that, while there are at least a dozen if not more scenes mentioning Alsrod getting it on with his many women, there are precisely zero that go into the act beyond “and then we did it. Afterwards, in bed, we discussed…” etc. This book is not here to arouse it is here to show you what an awesome, virile man Alsrod is. And oh yes, there’s also Oda Nobunaga. He still offers the occasional bit of advice, mostly on how to build a really good castle. But, as Nobunaga himself admits, he was murdered before he could get to the “conquer the kingdom” part, so Alsrod has gone further than him. Indeed, that might be the purpose of this book. Look, here’s our hero, and he did what Oda Nobunaga could not. And they all lived happily ever after.

The author admits that, while there might be more tales to tell, he’s not going to be doing it, so this is the last book. Which is a very good thing, as I think the book wears out its welcome exactly at this point. It is absolutely the perfect length for what it is. I recommend it to fans of Oda Nobunaga… well, OK, maybe for those who play the Nobunaga’s Ambition game.

The Invincible Shovel, Vol. 4

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By Yasohachi Tsuchise and Hagure Yuuki. Released in Japan as “Scoop Musou: “Scoop Hadouhou!” (｀・ω・´)♂〓〓〓〓★(゜Д゜ ;;) .:∴DOGOoo” by MF Bunko J. Released in North America by Seven Seas. Translated by Elliot Ryoga.

This was, to be a shovel, a much shovelier shovel than the previous shov… urgh. Sorry. But frankly, after reading the latest volume of this series you just start to do it naturally. This 4th volume has over 1000 uses of the word shovel in some way, shape or form. It begins with a half-failed attempt to make an anti-shovel device, and towards the end ends in a world that is literally made up of millions of shovels, representing Lithisia’s somewhat misguided desires. That said… and despite the continued threat of tentacle shovels molesting the female cast… this was a much better volume than the previous one. For one thing, it actually now seems to be headed for its endgame, and admitting that it has to have Alan and Lithisia talk to each other in a way that does not involve talking past each other. Secondly, the book admits that Catria is the best heroine we’ve got, and that we have the most laughs when watching her suffer.

We begin with our heroes having derailed most of the villain’s plans. They’ve already collected all the necessary orbs. The four deadly mini-bosses have all been either killed or made into Lithisia’s toy shovels. That said, there are still a few problems. The first is Catria’s continued attempts to remain vaguely normal, despite her ability to use Alan’s shovel powers getting better and better. With the help of a hellish artifact (literally), she now has to keep her shovel and anti-shovel thoughts balanced, or else had things will happen. That said, things may be worse for Lithisia, who has already noticed that Alan and Catria are bonding, and is basically a bundle of jealous insecurities. This ends up becoming a disaster of monumental proportions when the orbs grant Lithisia’s wish of a shovel world… one where even the sun itself is forced to have a shovel in it. Is this truly the end?

Lithisia has been the broadest of broad characters since about halfway through Vol. 1, and recently had been verging into actual mental disorders. At heart, though, she remains a maiden in love, and the core conflict of this series, beyond even the need to rescue her kingdom from evil, is her and Alan misunderstanding each other’s wishes. He wants an apprentice in regards to his mining. She wants love… and, perhaps even more importantly, a child. She ends up getting the first, amazingly, as Alan is able to come down from obliviousland in order to admit that he would be perfectly happy to spend the rest of his life with her. That said… this does lead to a very funny situation, as after 4 volumes of Lithisia using the word ‘shovel’ to mean sex, the idea of making a baby the normal way never even occurs to Alan. And that’s not even getting into the last-minute swerve that makes your jaw drop and also your forehead get smacked by your hand.

Despite my thinking that it was leading to an ending, this is not apparently the final book in the series. That said, it is the most recent to date, with Vol. 5 not out in Japan yet. If, like me, you were hoping to temper the shovel humor with actual character development, this is a good one to pick up. And it’s still pretty shovelly fun too.

Der Werwolf: The Annals of Veight, Vol. 11

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By Hyougetsu and Nishi(E)da. Released in Japan by Earth Star Novels. Released in North America by J-Novel Club. Translated by Ningen.

The last couple of books have been trying to explain why Veight is as successful and beloved as he is, and that it’s not simply “he is an incredibly strong and powerful werewolf”. As Veight notes in this volume, he could immediately solve the problem in the kingdom of Kuwol if he simply killed Zagar. He’d be justified in doing so. Zagar killed the king and framed Veight for it. But doing that would plunge the country into chaos, which is absolutely not what Veight wants. Zagar is certainly strong, and can kill anyone who is suddenly no longer useful to him. But all he wants is combat, which means he’ll never be satisfied. Veight, on the other hand, has spent the last ten books making the kingdom safe for both humans and other races, and all he wants to do is settle down with his wife and child. He investigates thoroughly. He takes the opinions of commoners into advisement, but also thinks of the nobles and their pride. He’s just really good at this.

No, don’t worry, that’s not Veight’s unborn child on the cover, but the late king’s, who it turned out had a favorite consort. This volume picks up where the last left off, as Veight tries to figure out how best to unite the nobles, stop Zagar, and not have everything explore into war. He’s helped by the return of Parker, who may have gone missing but was never really in danger, and who is perhaps at his least silly in this book. With the help of a mountain tribe and a cleverly placed fake… as well as, admittedly, the power of modern laser guns… Veight is able to win the day. This allows him to hurry home, as he’s gotten an unfortunate prophecy about Airia, who it turns out needs to have a cesarean section (completely unknown in this world) or else the touch of death may strike her and their child. Can Veight and company save the day? And will the prophecy come true anyway?

This is not the final book in the series – J-Novel Club has licensed at least through Vol. 13, and the rights to the novels were just sold to Square Enix, who will be releasing more. But it’s the end of the “main story”, and the author says that the rest of the books are essentially going to be side stories. (They’re even changing the illustrator to reflect the books “lighter feel” starting next time.) Certainly this seems like the “end of one age, stat of a new one” sort of book, especially with the last few pages of the main story showing off Veight and Airia’s child as well as the return (sort of) of a very old friend. This is why Veight is not Zagar. Zagar cannot be satisfied unless he’s fighting an enemy. Veight, though, once he’s managed to protect what he wants to, and helped others to thrive as a nation… he’s ready to relax and be a husband and father. In fact, he looks forward to it. Well, and a simple vice-commander, of course. He’ll always be that.

I have perhaps enjoyed this series a bit more than it really deserves (it might be the medium – J-NC has licensed the manga and I find it near unreadable), but I do think it rewards readers who like this kind of thing. I look forward to a more relaxed tale going forward.

Slayers: Gaav’s Challenge

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By Hajime Kanzaka and Rui Araizumi. Released in Japan by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Elizabeth Ellis.

Slayers is Lina Inverse’s series, and that goes doubly for the original novels. The story is told from her first-person perspective, and while we’ve had a supporting cast around her for most of the books, I’d argue only Gourry is the one that can’t be replaced… as we’ll find out in a couple book’s time. Thus, it should not particularly be a surprise to find that this one sorcerer is actually on the mind of almost all the demons in the world, being it wanting to kill her as part of some as yet unknown plan, wanting to kill her because the plan is unknown, wanting to kill her because she killed some of their friends earlier, etc., Lina’s got a lot on her plate right now, to the point where “find out why everyone is trying to kill me” is number one on her bucket list. And yet, I’ve got to say, it’s STILL a shocking moment when an elder dragon casually asks Lina if she’s a fragment of the Biggest of Bads in the series, even Lina is shocked. (Note we never find out if this is the truth.)

This may be the most hilariously inappropriate cover art ever. First of all, Slayers does not have a lot of romance in it. Second, almost all the romance it DOES have, including any crushes Amelia might have on Zelgadis, stem from the anime – the author has stated he avoids romance as he’s bad at it. Thirdly, Amelia is actually pretty badass in this book, punching a demon till it explodes, so I’m not sure why we get the “fair maiden” shot here. (Any Amelia fans who were always grumpy about how she was overused for comedy in the anime should definitely check out the novels.) Likewise, Zelgadis does occasionally get angry in this book, particularly when he discovers Xellos’ actual identity and the fact that Lina knew about it, but I can’t see him making this face in the novels ever – like Amelia, he’s simply far more sedate and put together.

The Slayers novels are not exactly what I would call fluffy, but this one in particular is pretty grim, with the city Lina and company are in getting devastated. Early on Lina is hunting down rumors and meets a little thief kid, who lays out some bits of plot for her. He even gets interior art, and I was wondering how he’d show up later on. Then, while fleeing the burning city, she comes across the boy’s body – he’s dead. It’s the sort of thing you rarely see this blatantly in Slayers, but it helps to show off one of the book’s main points – in a battle between demons, humans are irrelevant. When an elder dragon protects Lina from being killed, the demons trying to do it are stunned that he would bother, as humans are there to be meat shields, allies or no. This is a very dangerous world to live in – particularly if you’re Lina.

The next volume wraps up the first major arc in this series, and should be a lot of fun, as our crew tries to defeat Gaav – who I didn’t even mention in my review, despite his being in the title. Plus we’re almost at the books that never came out in English before!

The Ideal Sponger Life, Vol. 2

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By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

I get the sense that the author is well aware that his core audience may not yet be here for the politics. Sure, in a volume or two the readers will be into that, but here in the second volume there’s still a lot of horny guys taken in by the premise and the title. What’s worse, Aura is pregnant throughout most of this book, so we can’t even write in her and Zenjirou making love. As a result, there are, frankly, a heck of a lot of descriptions of Aura’s large breasts, to the point where it gets to be vaguely annoying. Indeed, it’s almost a plot point – to the typical reader of this series, Aura’s tall, red-haired muscular and stacked body is exactly what they like, but in her own country, she’s not considered attractive compared to the more willowy and mild women that Zenjirou gets introduced to here. Even her own trusted aide is amazed how much Zenjirou is attracted to her. It’s hard being the Queen.

Still, while the audience may not be here for the politics, that is what they are going to get. Aura’s position is still very precarious. Zenjirou begins to emerge into actual public appearances, and the moment he does various factions try to manipulate him so they can gain power and influence. Usually this involves offering him women to be his concubine, something which is not only common here but actually expected, which leads to friction in many ways. Zenjirou is not comfortable with taking on another lover, Aura knows it’s necessary but isn’t happy with it, and then there’s the fact that he likely has the blood of two different kingdoms in him, which means their child might also have two different kinds of magic powers – a big deal in this world. Get ready for negotiation madness!

Zenjirou is far more adept and clever at this than he likes to admit to himself, but he does find it exhausting, and I don’t blame him. He’s offered a military bow, which naturally he can’t use, and is able to finagle himself out of it but comes off looking weak. Then there’s all the concubine business, which is off the table for now due to the multiple magics problem, which is ALSO solved by making him look weak and pitiful. Aura is unhappy with this, as she has rapidly come to fall in love with Zenjirou for real, but sadly, politics. that’s almost the motto for this volume, honestly. Fortunately, Zenjirou does have a few aces up his sleeve. Glass marbles, which he brought from Earth, are considered immensely valuable here (though learning how to make glass proves a bit more difficult), and his abilities at contract negotiation help when the Queen has to negotiate with another country regarding the life of their child and how they will be brought up going forward.

Fortunately, at the end of the book the child is born, healthy and hearty. I’m not sure where we go from here, but I will continue to read the light novel series with the biggest dissonance between its title and what actually happens.

Since I Was Abandoned After Reincarnating, I Will Cook With My Fluffy Friends: The Figurehead Queen Is Strongest At Her Own Pace, Vol. 1

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By Yu Sakurai and Kasumi Nagi. Released in Japan as “Tenseisaki de Suterareta no de, Mofumofu-tachi to Oryouri Shimasu: Okazari Ouhi wa My Pace ni Saikyou desu” by M Novels F. Released in North America by Cross Infinite World. Translated by Emma Schumacker.

I always appreciate it when a series takes the effort to do convincing setup… well, convincing enough. This is still a reincarnated as an otome game villainess series, so I’m not asking for 100% realism, or even a thing I haven’t seen before. But you want the book to be interesting enough that you will say “yes, I will add this to my stack of villainess novels to follow”, and that’s where Fluffy Friends delivers. (If you think I’m typing out that full title again, you’re crazy.) It’s definitely a series in things for the long haul – we don’t even get to cooking with the fluffy friends till halfway through the book, and by the end of the book she still doesn’t know her husband’s big secret. But it sets out its worldbuilding, it explains why Laetitia is the way she is and why everyone thought she was evil, and her life does not magically get super easy after the memories come back.

When we first meet Laetitia,. she’s been shoved into a fountain by her fiancee, and things don’t get better from there. Despite making perfectly rational explanations for her behavior, everyone seems to be hating her and loving the other girl who’s accusing her of bullying. And so our heroine decides to simply retreat, and her father (who is 100% in her corner) arranges for her to marry the king of a nearby area, who has a reputation for hating women but needs a figurehead queen to fend off fiancees. That’s fine with Laetitia, who, now that she can recall her past life, wants to start doing what she did while in Japan: cook! That said, the cooking may also get her in trouble, as her new home not only is home to a combination of humans and beastkin, but they are at political loggerheads with each other, and even a chiffon cake can be a lethal weapon.

First off, I said “otome game villainess” was the arc, but there’s no game involved here – this isn’t a thing the heroine played in Japan or anything. That said, the way that her memories of her former life and her current life mesh together is possibly the smoothest we’ve ever seen it in these sorts of books. Laetitia does not suddenly have a different personality, nor does she have to deal with confusing new customs. Instead, it’s as if her Japanese life was unconsciously with her all along, and now she can access it. She’s also pretty overpowered for a book like this – she lacks the ability to automatically make everyone fall in love with her that a lot of these type of heroines do, but that’s OK, as she’s smart, powerful at magic, and very good at political mindgames. And, of course, there’s the relationship with her new husband, which is still mostly hypothetical here, but it’s clear that he’s going to be falling for her first.

This is mostly a serious minded slow-life romance, with the one bit of great humor coming when Laetitia’s father has to explain to her how she, like he, has a complete inability to fake a smile and just looks evil. Still, Laetitia is a terrific character, and there are a few others I found more interesting than I expected, such as Natalie, one of the king’s four marriage candidates. I realize that the pile of villainess titles to read is getting pretty high, but you should be adding this one to the stack.

Banner of the Stars: Thunder of the Empire

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By Hiroyuki Morioka and Toshihiro Ono. Released in Japan by Hayakawa Bunko. Released in North America by J-Novel Club. Translated by Giuseppe di Martino.

And so we finally catch up with Banner of the Stars, a series whose last three volumes have come out over the course of the last twenty years, so I’m not sure when the next one in the series will be. This book takes place ten years after the last one, though honestly it took the author telling me that to actually make me understand it. The Abh are long-lived and don’t really age, so there’s a certain stasis to their lives, and it makes it hard to get a real sense of time. As for this book in particular, it’s very good news for those who love long, detailed descriptions of space battles, though as always these are somewhat remote, vaguely realistic space battles taken on by dry, sarcastic space elves, so don’t expect dramatic pew pew laser fights and heroes screaming out as they are killed. What we get instead is the Abh slowly trying to take back what they lost, and to regain contact with the other half of their split Empire, which is also trying its best.

Unlike the last book, Lafier gets quite a bit to do, as she’s promoted from training the new troops (which she’s been doing since the end of the previous book) to having a fleet of her own, whose job it is to retake the capital!… wait, no, that’s not its job, much to Lafier’s irritation. Instead they’re going after a different strategic site, trying to gauge the strength of the enemy, take out the enemy, force the enemy’s leaders to surrender, and seize the day. This is not quite as easy as it sounds… but it mostly is, with the Abh winning fairly one-sidedly. The drama comes from, as I said, Lafier not being a very happy camper. She’s still inexperienced for an Abh, and knows she would not have her own fleet if she weren’t Crown Princess. She has a minder on board, with orders to relieve her of duty if she screws up. And Jint, who is still by her side, is, well, starting to look older than her.

While talking about this book on Twitter, I noted that folks who started the series reading about the adventures of Jint and Lafier, who were hoping for more scenes of them together like we saw in Crest, are probably very disappointed by now, as it’s clear that’s not remotely what the author wants to write about at the moment. It was also pointed out to me that I don’t think like an Abh, and by their standards Jint and Lafier are sickening sweethearts, which is also true, I suppose. (We do see some good shots of Sporr and Cfadiss, which is the only other relationship we see in this series anything like the one Jint and Lafier have, and I appreciated it.) That said, Lafier does think about the fact that, as the years go on, Jint is going to look older and older and she isn’t. I’m not sure that makes her happy, but not much she can do about it. Still, any furthering of the romance will likely have to wait for the end of the war.

When will that end? Well, we’re not sure, as the next book isn’t out in Japan yet. This came out in 2018. I am hoping the gap between books will be more like the 5 year gap between 5 and 6, rather than the 9-year-gap between 4 and 5. till then, this is recommended for science fiction readers who like reading about military tactics.

The Matchmaking of Marielle Clarac

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By Haruka Momo and Maro. Released in Japan as “Marielle Clarac no Kyuuai” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Philip Reuben.

The author describes this book as a “calm and gentle” story, and I suppose, given that the previous book involved Marielle getting involved with pirates and her wedding had her kidnapped, falling into a river, etc. that that is correct. In reality, all it means is that all the action and danger to our heroine is packed into the last quarter of the book. Heck, even the main storyline in the book has Julianne, Marielle’s friend and BL reader, accused of attempting to poison the royal family. When you are the light novel equivalent of Murder, She Wrote, calm and gentle seems like a long time ago. That said, this novel also serves as a reminder that the only thing worse than the attitude of nobles towards commoners is the attitude of greater nobles towards lesser nobles. Marielle had to deal with this as well, of course, but at least Simeon was only an Earl. When the Prince of the Realm is head over heels in love with you, and your parents are social climbers, it can be quite the headache…

Marielle is happy as a clam as the book starts, but inevitably gets dragged into this mess. After all, Simeon and the Prince are friends, and she and Julianne are friends. She’s the reason the two even met in the first place. And the Prince is now doing his best to not act like a pathetic drip. Mostly. So it’s time to meet the parents, who are worried that a girl from a lesser barony winning over their son means she has intentions other than love. This is not helped by Julianne herself, who is firmly convinced that their classes are too far apart, and is in general far too practical to simply leap into something like this. The answer, of course, is to have Marielle around, as she is both very much a part of the royal world now and also frequently the opposite of practical. Can she get Julianne to admit her own feelings, get the King and Queen to learn what type of person she is, and not get stabbed preventing an assassination attempt? Note: the answer to the last question is no.

Yeah, as noted, this book leaves all its thriller aspects for the last quarter, and spends most of the time in mystery and romance mode. The King and Queen are both very likeable people – indeed, the whole royal family is pretty great – and the moral of the first 3/4 of the book might just be “don’t assume everyone loves dogs”. But there has always been the threat of war and politics lurking at the edge of this series, if not directly involved with it, and there is a definite anti-monarchist faction, which decides to take more decisive action. It is rather startling to see Marielle, who I have previously described as a flibbertigibbet sustain a serious injury in this book, though in best action heroine style this does not stop her from sticking around till everything is resolved before passing out. Heck, she even does the “I can’t run in this dress” clothing rip!

So yes, another strong volume, and fans of Marielle who notice that she doesn’t fangirl QUITE as much in this book will, I suspect, get more of what they want to balance it in Book 7. Will the nation go to war? And can Marielle find a way to write romance novel about it?

An Incurable Case of Love, Vol 7

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An Incurable Case of Love Volume 7 by Maki Enjoji

Especially in these pandemic times, sometimes I just want to read something light and fairly predictable. I don’t want surprise plot twists or social commentary, but seeing a couple work through and resolve all the impediments to their romance and end up with a happy ending is often just the diversion that I’m looking for. The Shojo Beat “stealth josei” titles like An Incurable Case of Love tend to be limited, with only one or two coming out at a time but I really enjoy them.

An Incurable Case of Love Volume 7

This is the final volume of An Incurable Case of Love! I’ve been feeling like the past couple volumes have been stretching out the story a little too much, this would probably have been a very tight 5 volume series as opposed to a slightly meandering 7 volume series, but I very much enjoyed it overall. I’m a sucker for repeated plot tropes and anything in shoujo manga that reminds me of a k-drama, so I was delighted when there was a time skip involved when Dr. Tendo had to study abroad for a number of years only to finally reunite with Nanase at the end. I do not feel like I’m even revealing any major spoilers as all of this has been telegraphed to the reader all along. Still, by the end of the manga the Dark Lord and the Valiant One have become an adorable couple and it is nice to see Nanase win in her steadfast goal of bagging the one doctor that she feel in love with at first sight so many years ago. For fans of predictable workplace romance, An Incurable Case of Love absolutely delivers. I’m hoping to get some more josei titles that are set in places beyond offices, because this series was amusing and the medical setting gave the author plenty of opportunities to explore extra drama.

Fushi no Kami: Rebuilding Civilization Starts with a Village, Vol. 3

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By Mizuumi Amakawa and Mai Okuma. Released in Japan as “Fushi no Kami: Henkyou kara Hajimeru Bunmei Saiseiki” by Overlap. Released in North America by J-Novel Club. Translated by Maurice Alesch.

It’s rare that you suspect that an author feels that his series has too many readers, but that seems to be the case with Fushi no Kami, which is really going to be pushing the limits of reader tolerance here in just how much the cast can praise every single thing Ash does. It really is ridiculous, and that’s not even counting Maika and Arthur, who are in love with Ash, or the maid that he gains in this book, who clearly is also falling in love with Ash. Now, to be fair, in their eyes Ash is this weird combination of Thomas Edison, Abraham Lincoln, and God, so I suppose it is perfectly reasonable in some ways. Adn yes, Ash is trying to bring back many of the ancient civilization’s conveniences, as well as ruthlessly fending off assassination attempts. Still, I would love it if in future books he gets a complete failure or two under his belt.

We start off with Ash finding a new outlet for his creativity, and this time he isn’t alone. Fellow study group friend Hermes turns out to have an obsession with planes, and has built a model that is being made fun of by the local bullies. Naturally, Ash is over the moon about this, and decides to help him build, if not a full-sized passenger plane, at least a working model. Ash is also getting rewarded, as he gets a medal for taking out the demon monster in the previous book… which promptly gets stolen, leading a vengeful Maika to do some investigating. In the most serious story in the book, some spies have been snooping around from the capital city, and they are looking for a girl. Given this is happening at the same time as Ash’s class is doing survival training, he has to protect said girl while also drawing away the spies turned assassins who have been ordered to kill her. Which… sounds like a fairly sedate book for Ash, given the previous two.

Frustratingly, we still don’t quite get all of Arthur’s backstory here, but we get enough to know why they have to unfortunately return to the capital, though I’m sure we’ll be seeing them again in the future. Much is made near the end of their rivalry with Maika, and I agree they share wonderful moments of closeness, but let’s face it, Maika is going to be married to Ash eventually, he just doesn’t know it yet. I would not necessarily call her a yandere, as she doesn’t really fit the criteria, but she’s certainly obsessed with Ash to the point where it’s almost disturbing, and moves heaven and earth to make sure that he stays by her side for future books. The book’s chapter titles all deal with planes, which makes it a bit frustrating that we only get proper plane building in the first section – I hope they return to this again. More to the point, the cast have now graduated and are essentially adults… how much more can Ash actually pull off now?

As noted, these books require a lot of patience in terms of the cast calling Ash the greatest thing since sliced bread. There’s also what amounts to a torture scene about 3/4 through the book, and the fact that Ash does not realize what he’s doing does not really make it any less (deliberately) creepy. That said, Fushi no Kami remains resolutely readable, which is one of the best qualities in a book.

Outbreak Company, Vol. 17

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By Ichiro Sakaki and Yuugen. Released in Japan by Kodansha Light Novels. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

One thing that has always remained reliably on brand about this series is how all in it goes on its otaku evangelism. The author is clearly just as bad if not worse than his lead character, and it shows, as the books are littered with references to anime, manga, books, films, games, etc. And what’s more, this is shown in a (mostly) very positive light, with people who would otherwise be indifferent to if not hate each other bonding over their shared obsessions. This particular volume seems to really lay the references on thick – it trusts that readers will not only know what Area 88 is, but also buy into the extended Star Wars riff that comes at the climax of the book. It even affects the plot, as the Americans who show up in Eldant towards the end are somewhat stunned to see the princess swearing at them, as she’s quoting the cliched stock American from Japanese media. That said, the guys who show up in Eldant very much DO feel like stock characters – Outbreak Company is not only a huge fan of cliches, it’s also a client.

We pick up where the last book left off, after a brief prologue from the POV of Shinichi’s family showing how things are going back in Japan. Not well. The hyperspace tunnel is starting to really go to pieces, which is leading to lots of natural disasters. As such, Japan has decided to punt, and tells Shinichi and company they’re pulling out of Eldant in five days. Needless to say, the cast are varying levels of upset by this – Minori is pretty cool with just going back, Hikaru suddenly realizes his own feelings for someone else in the cast, and of course Shinichi is still waffling about what love really is and if he’s in it with anyone. If he stays behind, lacking any ability to either import or create anime and manga, isn’t he just useless? If he takes a girl back with him to Japan, won’t they just be captured and experimented on? And then suddenly the USS Nimitz appears on top of a forest in rival nation Bahairam, and everything gets blown to hell.

As is typical of this series, Shinichi can be thick or clever when the situation demands it, as with his being unable to understand why Petralka seems to be OK with him leaving forever, missing the subtleties of her response as well as her own true feelings. We’ve still got one volume to go, and it’s possible that he won’t pick anyone, but I’d still lay odds on Myusel, who also has a bit of a love revelation in this book. As for the subplot, it’s basically pure action movie – the book makes many references to the 1980 movie The Final Countdown, as our heroes have to infiltrate Bahairam – again – and try to stop the war breaking out between their country, already upset about losing the Dragons Den, and some very jumpy naval officers. Can Shinichi talk everyone down? Can they figure out how to return a battle carrier to its proper place in the world? And can we actually get anyone to confess their love at all without being under the influence?

The next volume is the last, though there’s also a short story collection that I’m not sure is licensed. Fans of the series should enjoy it, though I suspect, like me, they’re happy it’s finally drawing to a close.

Tearmoon Empire, Vol. 4

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By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America digitally by J-Novel Club. Translated by David Teng.

We’ve now had three books filled with Princess Mia doing something for either selfish or silly reasons (or, increasingly, because she is a very nice person) that ends up misinterpreted by everyone around her as pure brilliance, and we get plenty of that here as well. But we’re starting to also see the rest of the cast accomplish things away from Mia and have their own subplots. No, alas, I don’t mean Miabel, who’s still pretty much the mascot character of the series, and gets left behind for the second half of the book while the rest of the cast have a cruise. Instead, it’s Ludwig, thinking of some offhand remarks of Mia’s as well as what he thinks she would be doing in his place, that leads him to uncover a web of political intrigue that could end up crippling the Empire if things do end up happening the way that Mia predicts they will. His investigation and detective work is a refreshingly sedate part of this book. That said, rest assured there’s still a lot of Mia vs. reality here to love.

As with a couple of other Tearmoon books, the main plot is divided into two large chunks. The first picks up where the previous book left off: the school Mia had planned to start up is floundering, as ,most of the teachers and the headmaster have left. The answer is sadly obvious: Mia may be a very atypical noble now, but most nobles are far more like what Mia was in her previous “life”, and they are not having which this school where horrible farmers will be taught. To solve this, Ludwig suggests bringing in his former mentor, an eccentric old man whose grumpy tendencies and dislike of most nobles play right into Mia’s hands. After this, she is invited on a sea cruise to a tropical island by fellow noble Esmeralda, who IS like most nobles are – you will expect her maid to stab her in the face before the book finishes. Accompanied by Sion, Abel and Keithwood, all of whom supposedly go to “guard” Mia, they sadly run into a typhoon, leaving them stranded on an island that no longer looks as fun.

To get a big negative out of the way first, there is a subplot here about Mia getting a swimsuit for the cruise and realizing that she has tummy bulge, which unfortunately leads to a bunch of fat jokes, though Mia does end up losing most of the weight before the cruise itself. It’s not welcome. The rest of the book is filled with Tearmoon shenanigans, as most of the cast are content to listen to what she says and then make the most amazingly wrong conclusion imaginable, usually to the benefit of everyone involved. The semi-exception here is Keithwood, who knows Mia can be a flake, and is irritated with her mushroom obsession (especially as most of them are poisonous), but still regards her as a force for good. Which, honestly, she is. The narrative may frame Mia’s actions much of the time as self-interest or cowardice, but more and more we’re seeing Mia just be really nice to everyone – and get irritated when other nobles are not, as her anger towards Esmeralda’s treatment of her servant shows. Mia may be no Great Sage, but if things continue to go like this, she may make a very good leader.

The books are getting quite popular in Japan – the author talks about a stage play being made, and a 2nd one is due out this year – and it’s not hard to see why. Mia is fun, the books are exciting, there’s some good politics, and each book is long enough that you get a lot of bang for your buck. Hopefully fewer fat jokes next time, but otherwise still essential.

Holmes of Kyoto, Vol. 4

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By Mai Mochizuki and Shizu Yamauchi. Released in Japan by Futabasha. Released in North America by J-Novel Club. Translated by Minna Lin.

Rarely have I had to eat my words quite so much as I have in the gap between my review of the third volume and this one, and I urge readers to absolutely not go back and read it. Still, it does mean we have to confront the elephant in the room, though admittedly the book is doing it as well. This series features a man just out of college in love with a girl still in high school, and Japan sure has no issues with this whatsoever given the sheer number of titles out lately featuring age-gap romances, but Western readers tend to dig in their heels a lot more. Now, let’s not kid ourselves, things are not going anywhere anytime soon. Indeed, I will be very surprised if anything happens before Aoi turns 18. Mostly as Aoi continues to delude herself about Holmes’s feelings towards her, which are not only obvious to the reader but are starting to be obvious to everyone else as well. Fortunately by the end of the book, Aoi has at least come to a different realization.

As with other books in this series, we get a short story and three longer ones. The short story is simply Holmes taking Aoi on a date, though she doesn’t actually realize that’s what it is. We then get to meet Holmes’ grandmother, who has a bisque doll that strangely is the distaff counterpart to one they have in the antique shop… and one which might be haunted! After that, despite the author’s assurances in previous afterwords, we get what amounts to a murder mystery, albeit one where the victim survived, and Holmes is forced to deal with a case whose only artwork is the books of an author. Lastly, we meet the owner’s stepson Rikyu, who idolizes Holmes and who clearly is NOT loving Aoi at all. Will she be able to win him over by being a quasi-appraiser at an event thrown by Rikyu’s grandfather to determine who gets his inheritance?

As noted, the second case, while quite well done, feels a bit different to the other “cases” we’ve read, even though we’ve dealt with death and attempted assault in previous books. Possibly for this reason, it also feels a bit overdone, with Holmes’ talents not feeling as natural as they do when he’s looking at antiques. The third story was the best, as Rikyu is a fun addition to the cast, basically being a sullen teen who’s unhappy that his favorite relative is being taken away from him by another woman. I will admit that Aoi’s preternatural progress in learning about artwork and antiques is almost as unrealistic as Holmes turning into Hercule Poirot, but the moment is set up really well and you feel so happy for her I’ll grant it. And we do get an awful lot about Holmes clear feelings for Aoi and mistrust of other men (he’s right, she is awfully naive) as well as Aoi’s tendency towards self-loathing cropping up, thinking that Holmes is “far beyond her”… but at least, right at the end, she can admit to herself she’s fallen in love with him.

So yes, last time I said this wasn’t one for romance fans, and I will have to take that back, but I do think that mystery fans will get more out of this. We’ll see what happens in the next volume, this is a long-running series.

Call of the Night Vol 1

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Call of the Night Volume 1 by Kotoyama

I’m always a little curious about Shonen Sunday titles, as they tend to be a little more sophisticated than Shonen Jump manga so I was intrigued by the idea of a shonen vampire romance like Call of the Night. Ko Yamori starts out by being the typical hapless shonen protagonist but he’s isolated and has just started having terrible insomnia. He’s not attending school regularly and one night he slips out of his house and starts wandering around in the middle of the night while searching up ideas for insomnia cures on his phone. Seeing many people posting about the benefits of alcohol he stands in front of a vending machine contemplating buying a beer when he’s suddenly accosted by a mysterious blond girl in a cloak who says she can help him if he’s having trouble sleeping. She brings Ko back to her place to crash, and he quickly discovers that his new acquaintance is a vampire named Nazuna.

Call of the Night

Ko finds the idea of becoming a vampire immediately intriguing but Nazuna finds the topic incredibly embarrassing because the only way for a human to become a vampire is to fall in love with one and let that vampire drink from them. Ko is determined to make this happen, and while Nazuna likes to joke about sex, the idea of any type of emotional intimacy is something that she shies away from. Ko and Nazuna keep finding each other in the middle of the night and hanging out. There’s an undercurrent of loneliness to this manga that makes it a little more interesting and poignant than I was expecting, as Ko and Nazuna keep seeking each other out. Ko’s not done with the human world though, as he reconnects with an old friend of his who encourages him to go back to school. Kotoyama’s art is stylized and angular, making the world of the night seem more mysterious. I definitely felt intrigued by the end of the first volume and I’m curious to see how this relationship will develop over time.