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Reviews

Since I Was Abandoned After Reincarnating, I Will Cook With My Fluffy Friends: The Figurehead Queen Is Strongest At Her Own Pace, Vol. 2

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By Yu Sakurai and Kasumi Nagi. Released in Japan as “Tenseisaki de Suterareta no de, Mofumofu-tachi to Oryouri Shimasu: Okazari Ouhi wa My Pace ni Saikyou desu” by M Novels F. Released in North America by Cross Infinite World. Translated by Emma Schumacker.

Having spent most of the first book giving us the setup for the series in general, I was surprised at how quickly this second volume maneuvers to ‘slow life cooking novel’. Don’t get me wrong, there’s still political intrigue galore, but for the most part Laetitia is not being attacked herself, and she only has to break out her ‘scary smile’ once. She’s happy and content, and that means she has real smiles now. True, she’s still not managed to figure out the true identity of His Majesty, but that’s not really her fault, and all of the lessons that her brothers pounded into her about anything and everything come in very handy. Indeed, the only time she actually gets upset is when she realizes that she’s starting to lose her Japanese memories – she can no longer recall her own name, and various other things are going as well. This is a one-way isekai street.

The book is essentially a) Laetitia makes food, and b) Laetitia makes peace. We se her trying endless strawberry menu items, as well as inventing sandwiches, which she gives out to all the workers helping build a clearing a dog house… erm, griffin house, as well as to King Glenreed, who is finally learning to enjoy the wonders of food, especially once the queen brings the equivalent of a hotplate so the food hasn’t gotten cold by being tested for poisons before he eats it. Elsewhere, she’s helping Natalie, the disgraced queen candidate from the first book, slowly recover her status and learn how not to behave like a robot. She also meets two more candidates – Kate, a fiery catgirl who is every stereotype you could imagine when I say that, and her scheming sister Sienna, as well as I-Liena, who is savvy, smart, knows when to hold em and when to fold em, and is apparently lying about something, though we may need another book to find out what that is.

Laetitia is, for those who try to avoid this sort of thing, a bit too perfect here, if we’re being honest – but frankly, I think that’s what most readers want to read about. She’s kind to Natalie and Kate, she figures out Sienna’s tricks and helps to take her down, and she even exchanged one word with the mysterious 4th Queen candidate, who shows up in this book but does nothing and then disappears. I suspect her of being final boss material. She also gets to go riding on her griffin at one point, and is the very definition of “living the dream”. That said, she still thinks of herself as a figurehead queen, as does the nation, though I suspect very soon folks are going to guess that the King is starting to fall hard for said figurehead… which will lead to a lot of political fallout.

So yes, if you enjoy slow life cooking, this is a good read; if you enjoy women being polite to each other while scheming, this is also a good read, and if you just like seeing a sweet woman be really sweet to everyone around her who love her in turn, then it’s that as well. All the major angsty drama seems put off for future books – this is a comfy blanket sort of volume.

Oh yes, she invents pizza too.

Reincarnated as the Piggy Duke: This Time I’m Gonna Tell Her How I Feel!, Vol. 2

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By Rhythm Aida and nauribon. Released in Japan as “Buta Koushaku ni Tensei shita kara, Kondo wa Kimi ni Suki to Iitai” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Zihan Gao.

When one is reincarnated as the villain in one’s favorite anime or manga, of course, the natural desire is to change things so that the appalling fate is avoided. This is how most villainess stories go, and it’s how Piggy Duke goes as well. Slowe knows how this ends for him, and he’s determined to try to a) lose a bit more weight, and b) confess to the girl he loves. Neither of those things really happen in this volume, though it is occasionally remarked that he is a bit slimmer. That said, Slowe seems to be just as prone as other light novel protagonists to not realizing that changing a personal timeline might mean that other things get changed as well… which makes the anime that his past self watched pretty useless. In this case, he already knows that one knight will turn traitor down the road… and is thus rather surprised when it comes early.

After the events of the last book, Slowe’s reputation is… well, mostly the same, as no one can quite believe their ears when they hear it and he’s spent a lot more time being appalling then he has being awesome. That said, the headmaster knows what’s really going on, so calls him and Alicia, his former fiancee, to his office. A bandit group that killed one of Alicia’s relatives is still at large, and Alicia, along with two royal knights, are going to try to put them down. Why is Slowe there? Well, he’s been asked to participate in the selection process of becoming a Guardian Knight… despite the fact that his family and the Church don’t get along. Still, politics being politics, Slowe accepts. Now all he has to do is try to stop Alicia taking a dangerous risk while also seemingly acting lazy and uncaring. And then there’s Charlotte…

Honestly, I’m a bit amazed that Slowe and Charlotte have been able to keep her secret for as long as they have, particularly given that she comes close to spilling it to one of the knights in a drunken conversation. (She and Alicia are likely too young to have been drinking themselves into a stupor, but at least the narrative says that.) This also leads to the change in events from the anime… fortunately, Slowe is stupid powerful, so he takes care of things anyway, but I hope he now realizes he can’t coast on what he thinks is going to happen down the road. As for Alicia, her feelings are super obvious to everyone but Slowe, no matter how much she acts like she’s voiced by Rie Kugimiya. It’s clear as day that she was deeply in love with him as a child, and has never gotten over the feelings of disappointment and betrayal she felt. Well, except now that he’s literally saved her life twice, she’s getting over it. That said, she’s now in a pack of 3, along with the girl he supposedly loves and the busty commoner. (I mention busty because the book can’t go two pages without mentioning her chest, so best work it in on my end as well.)

This continues to be the definition of a solid enjoyable light novel that doesn’t wow but, aside from still fat-shaming as a running theme, doesn’t put too many feet wrong. Fans should enjoy it.

Otherside Picnic, Vol. 5

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By Iori Miyazawa and shirakaba. Released in Japan as “Urasekai Picnic” by Hayakawa Bunko JA. Released in North America by J-Novel Club. Translated by Sean McCann.

This may be the least horror-themed volume to date, with the stories in this book, with the exception of the final one, more focused on either a) the relationship between Sorawo and Toriko, or b) the nature of the Otherside as a world in which it is possible to stay, be it animal or person, and manage to avoid too much weird creepiness. The Otherside does not necessarily have to turn anything and everything into an urban legend or creeping horror… it’s just that is what it seems to do when Sorawo is around. A lot of the Otherside that we’ve seen to date seems to be very focused on her in particular, so it’s interesting to see it when it’s either literally reflecting on the relationship between her and Toriko or just showing a happy old woman and her dog staying at a swank Otherside estate. That said, there are still some scary moments in this book, particularly the final story, where, as the subtitle suggests, our heroines run into an old foe.

We get four stories this time around. In the first, Sorawo is desperately trying to recall what happened the night of a love hotel girls’ party that she and Toriko (and Kozakura, Akari and Natsumi, because Sorawo is a big chicken) were at. Was it really just “I got too drunk and did something stupid?” Or did she put the whammy on her friends with her Eye of Power? The second story, and my favorite, has Sorawo hunt down Toriko, who has been avoiding her after the party, at Toriko’s college. She finds her, but shortly afterwards becomes trapped in interstitial space, and gets a good look at how Toriko sees Sorawo. Then it’s back to the Otherside, where they spot the most terrifying Otherside denizen yet… Sorawo’s self-confidence. Oh yes, and a borzoi. Finally, the two are hired by the wife of the first man they met in the Otherside to find him… never mind the fact that he was there to find her, or that they saw him killed. Who’s the child they’re seeing hiding in a pile of garbage? And why is Hasshaku-sama behind this?

Not to spoil too much, but in the fourth volume we finally had Toriko make it as explicit as possible that she loves Sorawo, and in this 5th volume Sorawo is finally able to say it back, after literally seeing herself through Toriko’s eyes, and also realizing that Toriko is actually a normal, fallible human being and not a flawless goddess of beauty. There’s little of Sorawo’s descriptive Toriko prose here, and she seems to be (well, leaving aside the first story) more accepting of their relationship. She still has a tendency to hate herself as much as humanly possible, and I suspect the relationship is not going to get much further unless she can clear that hurdle, but hey, baby steps. We also get a good look at what the Otherside is like when it’s simply… accepted. Not leaving one spot too much, avoiding dangerous areas, etc. Turns out… it’s pretty nice. The third story was my second favorite, and I wonder if we’ll see the woman and her dog again.

That said, my big question, and the book ends with it being very much up in the air, is what’s up with that kid? (For a while I thought she was literally Sorawo as a child in some sort of time breaking shenanigans, but apparently not?) In any case, there hopefully will be less wait for the 6th volume. If the anime didn’t impress you, try the novels, they’re much better.

Bottom-Tier Character Tomozaki, Vol. 6.5

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By Yuki Yaku and Fly. Released in Japan as “Jaku Chara Tomozaki-kun” by Gagaga Bunko. Released in North America by Yen On. Translated by Winifred Bird.

As you can tell by the volume number, this is a short story collection. That said, definitely don’t read it till you’ve read the 6th book, as a lot of the back half of this volume deals with what happens in that book. For the most part, Tomozaki is not the focus of this book either, though of course a lot of it has his presence. Instead we get each heroine getting approximately a quarter of the book to get short stories giving us insight into how they think and interact with others. (The exception to this is Suzu, who’s barely mentioned here, and it feels odd she’s left out, especially as this volume is rather short.) The good news is that they’re very good stories, with one exception, and Aoi and Mimimi in particular come off with added insight into their character. Indeed, Aoi continues to worry me. I’ve said before that I find her the most interesting heroine, and that hasn’t changed, but boy, she’s set up for a breakdown somewhere down the road if she keeps this up.

The stories are: Aoi in middle school, slowly becoming the perfect girl we know and are wary of, and dealing with her first boyfriend; Aoi and Tomozaki shopping for winter clothing and learning more about fashion; the girls’ side of the cabin conversation from Book 3 (where we saw the boys’ side); Kukichi in middle school, where she discovers Michael Andi and learns to open up to others – slightly – with the help of a kind librarian; Izumi worrying that her boyfriend is cheating on her; Mimimi feeling at a loss and left behind shortly after she quits the track team, and realizing that just because she quit track does not mean she has to stop running; two other Mimimi POV stories from Vol. 6 that give us her side leading up to and right after her confession; and Tsumugi and her friends spotting Takahiro dressed as a bartender and following him… and indeed, he is working at a bar (to help his brother).

First of all, the Izumi story is the one I didn’t enjoy. “I have little self-esteem so am worried my guy is cheating on me but it all turns out to be a big misunderstanding” makes me roll my eyes at the best of times, and this one has no surprises at all. Other than that, this was quite a good book. Aoi’s “how can I manipulate this situation to my advantage” mindset is exactly as you’d expect, and is even more “impressive” given that she hasn’t even gotten into gaming yet at this point in the story. That said, we do also see a nervous middle-schooler at the core of her actions, and are reminded that being a popular girl has its own dangers. Mimimi’s stories are also fantastic, and I feel the most for her, I think, as she also tends to “put on a persona” around others, but isn’t sure how to move on or grow up the way everyone else is. Indeed, Tomozaki’s growth and development both impresses and annoys her, and likely leads to her confession… and immediate complete panic afterwards.

So yes, I do think this is not the usual irrelevant short story collection, but actually has good plot and character beats. The voices of the girls in their narratives all sounded very different as well, so kudos to the author and translator for that. Next time, presumably, we finally resolve the love triangle? Maybe?

Baccano!: 1711 Whitesmile

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By Ryohgo Narita and Katsumi Enami. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Taylor Engel.

For those who may have been expecting this book to be partly an adaptation of the 1700s episode of the anime, ht’s not. We do see everything up to the Advena Avis sailing off, though, so you can go right from this book to watching Episode 7 and depress yourself even more. That said, apart from one character, this book is fairly light on depression. Monica is still dead and a lot of people have feelings about that, but for the most part this is a standard Narita “have everything get more and more chaotic till it explodes” style book. Its best aspects are those focusing on Fermet, who continues to remain the absolute worst and you’d think the author would be tired of showing him doing even more evil shit, but no; and Elmer, who is Fermet’s kryptonite, as we discover here, and is not someone I can describe as evil but is also someone I cannot really describe as a human being, either. Elmer is disturbing. As for Huey, well… also disturbing, frankly.

It’s been a year since Monica’s death. Huey and Elmer have both vanished, but a lot of alchemists have come to Lotto Valentino for one reason or another, including Szilard Quates, who thinks all this immortality stuff is a load of crap; and Victor Talbot, who is a lot less angry and bitter than he would eventually become. Unfortunately, the town is under the control of the Dormentaires after the events of 1710. Equally unfortunately, there’s been a string of explosions and fires going on. Is someone trying to get the town to destroy itself? If so, they’re doing a pretty good job. Amidst all this, we also meet Maiza’s brother Gretto, who is basically “young dumb teenager in love”, and Sylvie, a maid at their household, who is less dumb but no less in love. Can they manage to have their forbidden love by escaping on the Advena Avis? Indeed, does the ENTIRE cast need to escape on the Advena Avis?

I’d mentioned this was a happy ending for most everyone in that they don’t have really bad things happen to them till they’re on the ship, which we saw in the anime. The exception to this is Niki, who is back and deeply in love with Fermet, which is both terrible (as Fermet is, well, Fermet, and gets off imagining her most despairing face) and also terrible in a different way (because she’s still, even after all these years, idealizing suicide). Her fate is horrible but also doesn’t make much sense timeline-wise if you look at it closely, but that’s not uncommon for Narita, who has never been good about keeping track of stuff he wrote and/or how long something is supposed to take. That said, the best scene in the entire book is right at the end, when Fermet gleefully tells Elmer and Huey about Niki’s fate… and the response he gets from Elmer makes him completely flip out. Elmer is the one person who cannot be emotionally manipulated at all by Fermet, and honestly more people should have this reaction to Elmer. It’s great.

This brings the 1700s books to an end, and we’re in the home stretch now. Narita calls the next arc the last 1930s one, and it’s the longest arc yet (and indeed still unfinished). Back to 1935 next time. Till then, enjoy the author saying “gee, what would piss off the reader more than what I did to Monica?”.

Can Someone Please Explain What’s Going On?! ~A Sign-on-the-Line Wedding Story~, Vol. 6

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By Tsuredurebana and Rin Hagiwara. Released in Japan as “Dareka Kono Joukyou wo Setsumei Shite Kudasai! ~Keiyaku Kara Hajimaru Wedding~” by ArianRose. Released in North America by J-Novel Club. Translated by Emily Hemphill.

The previous five books in this series have all had me writing fairly positive reviews, but they’ve all had me turn around like Lieutenant Columbo and say “there’s just one thing that bugs me”. The constant focus on Viola being thin is telling. The use of the word “fatso” in a previous book. The fact that this book is very much on the side of the rich nobles doing whatever they want – even to other countries. Everyone keeping things from Viola “for her own good”. And it all comes to a head here, in the final book in the series. Except it’s not the final book – there are three more, which seem to be of the “side story” variety. But the author talks about how the books end here, and the tacked-on epilogue almost reads like a cancellation. Not that I’d blame the editors. Viola is still a wonderful character, but this book in particular belongs in the pit of shame.

Most of the main dilemmas of the series have now been resolved, with the possible exception of Viola’s superhuman inability to realize that she is loved and cherished by all around her. That will be fixed with this book, which sees the arrival of The Crown Prince and Princess of Aurantia. A country bordering their own, they’re here looking for husbands and wives, and have their hearts set on Viola and Cersis – despite the fact that Viola and Cersis are already married! Unfortunately, they’re also sort of cartoonishly evil. It’s up to Viola’s newly mastered martial arts skills and 100-meter dash abilities to try and save herself from a nasty kidnapping and a definite international incident. Once she does this… perhaps a re-wedding is in order?

So let me get this out of the way. Both of Aurantia’s royalty (also darker-skinned, but I won’t even go into that) are described negatively by Viola and everyone around her. The prince seemingly looks like a linebacker, being described as “burly” and “2 1/2 times as wide as Mr. Fisalis”. Funny, in the illustrations he looks as handsome as all the other men. This does not apply to the princess, who is called “fat”, “plump”, etc. and mocked and belittled by all Viola’s noble friends through the entire book. It’s really grating, and I’d also like to remind readers that just because a character is bad does not mean we get to start in on fat shaming them. They really are pathetic villains, and I will admit it was fun to see slim Viola shoulder throw the Crown Prince, but it still irked me. Also irking me was the constant “we’ll keep this a secret from Viola”, either due to not wanting to worry her, or wanting to surprise her, or just to tease her. I mean, literally in this book we see that not telling Viola leads to bad things in their relationship, and yet everything is STILL kept from her. Viola herself is still the best part of the book, but even she grated on me when all her friends were attacking the royal visitors in their best “catty” way and all Viola could do was inwardly say “Eek, girls are scary!”.

The book ends with Cersis and Viola having a “second wedding” now that Viola has finally admitted she is no longer a wife in name only. Then, to my great surprise, we jump forward several years for a quick epilogue, which shows Viola’s child (and another on the way) and reads very much like a Jump series that got cancelled at 3 volumes. If this were the final volume, I’d think it was the publisher’s doing, but there’s definitely more coming, so it just reads as super abrupt. I admit I will be reading the next book in the series – I like Viola’s inner narrator – but boy howdy, this book took everything wrong with previous books and put it together in one big cocktail. Recommended for those who love to see rich white men winning the day.

She Professed Herself Pupil of the Wise Man, Vol. 1

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By Ryusen Hirotsugu and fuzichoco. Released in Japan as “Kenja no Deshi o Nanoru Kenja” by GC Novels. Released in North America by Seven Seas. Translated by Wesley O’Donnell. Adapted by Adam Lee.

Sometimes I take a flyer on a book that has a premise that sounds meh and am happily surprised… but not always. Sometimes it just presses all the wrong buttons. Sometimes it goes ways I’d rather it didn’t. Sometimes it’s just Not For Me. This is different from a book being actively bad, where I have no idea who it’s being written for. She Professed Herself Pupil of the Wise Man (which, spoilers, I did not care for) has a very defined audience. It’s for gamers who enjoy fantasizing about their game becoming real. This is old hat by now in light novel land, but the webnovel for this series came out almost 10 years ago, so it may be suffering from “I came after all my imitators”. It loves discussing mechanics of the game and how they’ve changed. It enjoys having fun with gender confusion, which can be quite interesting, but is written here from a very “guy” perspective. The battle was OK. It’s just… not my thing.

To be honest, I should have known where this was going when our protagonist takes the name “Danblf Gandador” as his wizard character. I think we’re supposed to mock this, but… In any case, one day he spends an evening designing an alternate character skin of a young, cute girl, then passes out. When he wakes up, he finds that he’s now in a world that resembles his game… but in the body of the cute girl. Fortunately she still has all of Danblf’s skills and powers, but she’s going to have to do some careful lying in order not to get found out… especially since 30 years have passed since she was online last! Now calling herself Mira, she spends the rest of the book trying to find other gamers who may also have been trapped here (there’s quite a few, though we only meet two here), taking out the odd lesser demon with her overpowered summons, and dealing with how to use the bathroom or get dressed now that she’s a cute young girl.

For propriety’s sake I’ve tried to avoid mentioning it in reviews before this one, but dangit, Japan has far too much of an obsession with young women wetting or about to wet themselves. There’s a reasonable explanation in this book – Mira is getting used to being a girl AND being a non-game character, so isn’t really thinking about toilets till it’s almost too late – but it still reads like a fetish and I hate it. Other than that, if you read the plot description and thought “this sounds an awful lot like In the Land of Leadale, you’re right, it does. This definitely came first, but sorry, I read Leadale before it, and it comes off second best in most areas. One thing I did like was the camaraderie between the gamer characters once they’ve reunited – they really do seem like good gamer buddies, and it reads naturally. The big battle was also pretty good, with a nice scary cockatrice. I just… wasn’t enthused about much of the rest, especially the cast’s tendency to want to either dress or undress Mira as if she were a mannequin.

If you’re a gamer who enjoys this type of genre, there’s a lot to like here, and I think you’d enjoy future volumes of the series. I’m not that, so I’ll be stopping here.

The NPCs in This Village Sim Game Must Be Real!, Vol. 1

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By Hirukuma and Namako. Released in Japan as “Murazukuri Game no NPC ga Namami no Ningen to Shika Omoe Nai” by Enterbrain. Released in North America by Seven Seas. Translated by Alexandra Owen-Burns.

One of the more interesting surprises of 2018 was a light novel series that, on the face of it, looked like the stupidest premise in the entire world. It was called Reborn as a Vending Machine, I Now Wander the Dungeon, and its plot was exactly as you’d expect. And yet it not only proved far, far more entertaining than anyone could imagine, but also very good at keeping this a realistic and well-thought out world starring a guy who is a literal, non-moving, vending machine. The reason I bring this all up is that I was not planning on giving The NPCs in This Village Sim Game Must Be Real! the time of day till I saw that it was by the same author as the vending machine story. Can lightning strike twice, I thought? Well, good news there. It wasn’t just a fluke, this is a very good author. This book, about a 30-year-old NEET bum watching a group of five ex-villagers trying to survive, is excellent.

Our protagonist is Yoshio, a man who’s spent the past ten years living at home with his family holed up in his bedroom. He won’t leave the house, he won’t get a job, his parents and sister are seemingly disgusted with him. Then one day he gets a game in the mail, asking him to watch over a sim group of villagers fleeing from monsters trying to survive in the wild. There’s Gams, the soldier defending them all; his sister Chem, a healer; and a normal not-very powerful family: Rodice, Lyra and their 7-year-old daughter Carol. As Yoshio plays the game, he begins to notice that these NPCs are far too natural and well-written to actually be computer generated. What’s the game part? Well, he’s God, and once a day he can write them a prophecy, as well as perform a miracle if he amasses enough Faith Points… which mostly come from spending real-life money. Well, typical game.

As you can see, the plot description makes a reader go “meh”, but as always the execution is where it matters. We spend just as much time concentrating on Yoshio’s home life as we do on the NPC villagers, and it turns out there are multifaceted layers as to exactly WHY he gave up on life and is being a NEET in his room. His family, too, are all dealing with their own issues. The game, therefore, serves as a way to get Yoshio to start caring about life and other people again, and it works quite admirably. By the end of this first volume, he’s opened up to his parents, re-bonded with his sister, and gotten a regular job (if only to pay for the game). The villagers are not quite as interesting as the Yoshio side (the one bit of humor in the book, which features Chem being a brocon and competing with a 7-year-old girl for her brother’s attention, I could have done without) but they also have their nuances, and I appreciates that they really do need Yoshio’s help to survive, but not because they’re innately weak or anything – this world is dangerous.

There are several hints that this may not quite be a “game” at all, mostly due to the offerings the villagers send him by sacrifice every day being then mailed to Yoshio from an address in Hokkaido. I expect the end two books in the series will go deeper into that. (Like Vending Machine, this seems to stop at Book 3.) Still, once again this writer takes a seemingly flat premise and expands on it beautifully. I will absolutely be reading more.

Slayers: The Mystic Sword of Bezeld

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By Hajime Kanzaka and Rui Araizumi. Released in Japan by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Elizabeth Ellis.

At long last, we are reading Slayers novels that are new to North America… though honestly, sales for the Tokyopop version of later novels in the series were pretty tiny, so I suspect it was new stuff for a lot of readers. This arc also was not adapted into an anime, as they did their own anime-original arc with Slayers Try, a decision not loved by the author, who hated the relationship between Xeloss and golden dragon Filia in particular. Instead, here we see Lina and Gourry, now a twosome again, trying to find a replacement for the late Sword of Light. Sadly, swords like that cannot be found just lying around, and so they’re reduced to chasing after rumors. This leads them to the titular sword, and also to a young girl being menaced by two mercs, two assassins, and seemingly the narrative. Will the sword turn out to be real? Will the sword turn out to be a trap? Will Sean once again spin out 500 words on super short novels that are fun to read but hard to review?

As noted, Lina and Gourry are by themselves at the start of this arc. That said, somehow Amelia and Zelgadis manage to get the biggest laugh in the book, as Gourry’s seeming inability to remember them leads to the illustrator drawing a spectral version of the duo stomping on his head. Instead we’re introduced to two mercenaries who, while they part ways with our heroes at the end of this book, one suspects we’ll be seeing them again soon, if only as they take up far more space on the cover than the supposed victim being attacked. Luke is, to put it bluntly, an asshole, but his heart seems to be in the right place, and honestly, snarking at Lina, the Queen of snark, is something that she could probably use. Mileena is a mage who seems somewhat stoic and mostly is there to be the sensible one and to shoot down Luke’s romantic overtures, though there’s implication that it’s not a complete lost cause.

As for the plot itself, boy, the average life expectancy of anyone in Slayers who is not a main character must be insanely low, and even if you live, you usually end up being homeless, villageless, or cityless. There’s a lot of wholesale destruction here, with villages set on fire, innocent assassins (erm, well, semi-innocent) getting possessed by mystic swords, and a monstrous demon with insane regenerative ability and also the ability to kill folks and keep them in a sort of perpetual zombie state. Good thing Lina has Dragon Slave… which is not good enough this time. And there’s also Gaav Flare, which… no longer works without Gaav, who was killed off in the last volume. Whoops. That said, the way that they do get rid of the big bad at the end is the second funniest part of the book, and also oh so very Lina Inverse.

So yeah, the usual Slayers novel. Good fights, good laughs, lotsa death, super short. Can’t wait for the next one.

I Shall Survive Using Potions!, Vol. 7

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By FUNA and Sukima. Released in Japan as “Potion-danomi de Ikinobimasu!” by K Lanove Books. Released in North America by J-Novel Club. Translated by Hiroya Watanabe.

After essentially rebooting the series last volume, possibly the biggest surprise here is how little Kaoru has to survive using potions. They come up a few times, notably when some of the cast need to be healed ASAP, but they aren’t the running gag of “make me an ‘x’ that’s really a potion bottle’ that they used to be. Mostly her abilities have become similar to Mile’s Storage, which is to say she can whip out transport or food when needs must. This is not to say that she’s just sitting around and doing nothing however; she and Reiko are getting a business off the ground, using their two new ex-orphans as employees, and there’s also the occasional muttering about finding a husband, though even Kaoru seems to have realized it won’t happen as long as she looks that young. Indeed, most of the first quarter of the book is about starting the business… and Kaoru finding loopholes to avoid paying taxes. Then they go looking for more employees…

Kaoru, of course, always seems to think that she can disguise her absolutely ludicrous abilities and just be an average, everyday businesswoman, and Reiko seems to be going along with this. Both of them seem to have forgotten what happened 70-odd years ago, and how Kaoru was literally enshrined into myth and legend. The running gag for this book, which is quite amusing, is how all of the young kids working for her know who she is but try not to say anything because she’s clearly avoiding the subject… even as she once again does something that only the legendary Kaoru could do. Speaking of the kids, this is a fantasy world isekai, so I will warn there is a lot of child labor here. That said, they’re paid well, and it’s an improvement on the virtual slavery they were stuck with before. As with Kuma Bear, you’re supposed to regard it as heartwarming.

The other subplots in the book feature Leia, another goddess who has essentially come down to Kaoru’s country so she can see why Celes is so fascinated with it. For the most part, she acts like a somewhat naive ojou, but there’s a very nice scene at the end of the book where she starts to realize what living actually means, and it’s well-handled. The other big event, right at the end of the book, is Kyoko’s arrival, the third of the “KKR” trio from Japan. As far as I can tell, the rule of thumb of their lives in Japan was that, while Kaoru threatened her way out of trouble, and Reiko blackmailed her way out of trouble, Kyoko seems to have simply gotten into trouble – she’s presented so far as a bit of a fluffhead. She shows up in a UFO, as her ability is to be able to create literally any ship – sadly, she can’t create crew for these ships, so she’s reduced to crafts that can be used by one person. She promises to add even more chaos.

For those who miss the old supporting cast, there is a brief after story showing what Francette and Roland are up to… and the answer is “raising kids so powerful that no one can defeat them, along with a Red Sonja-esque desire to marry only someone who can defeat them”. Still, while this wasn’t as world-shattering as the last book, it was a good solid volume.

Accomplishments of the Duke’s Daughter, Vol. 2

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By Reia and Haduki Futaba. Released in Japan as “Koushaku Reijou no Tashinami” by Kadokawa Books. Released in North America by Seven Seas. Translated by Andria Cheng.

It’s not always easy trying to reform something. First of all, how much can you really do? Iris is the acting governor of her land, and is doing a great job of building it up and modernizing it. But what about the next domain over? What about the entire Kingdom? What about the Kingdom next door, which is not nearly as well off as you are? These are not questions one can easily answer, and Iris has trouble coming up with answers either, though she’s doing her best to try to make changes that everyone is going to want to emulate. Fortunately, as I noted in my previous review, she has a ridiculous number of allies who are there to help her make those changes. Unfortunately, she also still has a large number of enemies. The villainess otome game aspect of this continues to be a very small part, while the politicking and intrigue are definitely at the forefront. Which is for the best, really.

Iris may be the glory of Armelia, but that means little to the Kingdom as a whole, which does not know she’s behind the Azuta Corporation and thinks of her as the noble who got shunned by the second prince. That said, an invitation by the Queen Dowager to a major function helps her start to reintegrate into high society, helped along by the prince, who is being an absolute dick, and also Yuri, the protagonist of the otome game that this supposedly is based on, who is at best ridiculously unaware of everything and at worst an actual enemy agent. Then, just when things seem to be going really well, word comes from the Church that Iris has been excommunicated! With employees leaving her company and neighboring domains refusing to allow trade, is there anything Iris can do to possibly get herself out of this? If only she had a really hot assistant who was secretly the first prince…

As I said earlier, the otome game aspect of these books is minimized, but I do want to come back to the character of Yuri. I’m not sure if the author of Duke’s Daughter read My Next Life as a Villainess before starting this (there are many other examples of the genre, but Villainess did begin on the web about 8 months before this title), but it’s hard to look at Yuri and not see Evil Maria. Which makes sense, given that Iris is essentially Good Original Catarina, without the personality of the Japanese girl overwriting her. I appreciate that Iris can’t be sure if Yuri is a spy that is seeking to have the kingdom collapse simply because if she is, she’s so bad at it. There are many other ways to go about doing this rather than acting like a cliched otome game heroine trying to get all the Good Ends with the various boys. I doubt we’ll ever get anything from Yuri’s perspective, but it would be interesting.

With another crisis solved, you’d think the series would be wrapping up quickly. But alas, the first Prince absolutely does not want to marry Iris, as he’s far too content seeing her “flying free” and changing the entire world. it’s hard to disagree with him. That said, I hope Dean sticks around, if only for her own mental health. This was an improvement on the first volume, though it has the same flaws.

Rascal Does Not Dream of a Sister Home Alone

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By Hajime Kamoshida and Keji Mizoguchi. Released in Japan as “Seishun Buta Yarou wa Orusuban Imouto no Yume wo Minai” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

The first four books of the series had its main character, Sakuta, helping out a different girl each time who had what he termed “Adolescence Syndrome”, where an inner issue they were suffering from showed itself in an exterior way. Mai was turning invisible, Tomoe was time looping, Rio twinned herself, and Nodoka bodyswapped herself with her sister. Through all this, though, we were also learning of Sakuta’s own past – both his encounter with a high school girl named Shouko (who he rediscovers but not in high school) and his sister, whose reaction to bullying, and his frustration and reaction to her own pain, is what jumpstarted all of this. Now, at last, in this 5th book, we finally get to focus on Kaede. She’s more determined than ever to leave the apartment and go to school, to the point where she has a list of tasks in her diary. Together with Sakuta, can she succeed? Well, yes, but that’s not necessarily a wonderful thing for all involved.

Much of this book is about moving forward and trying to take a next step. For Sakuta that means actually applying himself. Mai, despite her celebrity, is going to college, and Sakuta wants to follow her there a year later. For Kaede, this means a whole lot of things. Just going to school is fraught with tensions, given that whenever she sees someone she doesn’t know, especially someone wearing her school uniform, she has a panic attack. She’s also re-exhibiting signs of her adolescence syndrome, which is definitely not a good thing. (Given that when this happened before, the authorities thought her mother abused her, I worried they might zero in on Sakuta, but thankfully this does not go there.) And there’s another, even larger issue: Kaede, as we discover here, has no memories from before two years ago. Given the way amnesia works, there’s a danger that she might lose herself no matter what the outcome.

There is a large chunk of this book that is very heartwarming. Seeing Kaede’s determination is great, trying to take small steps despite her terror. Sakuta strikes exactly the right notes, knowing when to push and when to retreat. The scenes at the zoo were magical, and brought a smile to your face… which of course makes the last fifth of the book all the more tear-jerking. It’s startling to see not just Kaede but also Sakuta re-develop symptoms from adolescence syndrome, and of course it happens when Mai is out of the city and can’t help him. Fortunately, he has Shouko – the older version – to help him once again. That said, she’s not Mai, and I wish that Mai had been there to talk him out of it. Mai remains the best part of this series. In any case, I’m not sure where Sakuta’s family relationship will go from here, but hopefully his romantic relationships will survive the cliffhanger. They probably will, she’s eminently sensible.

I joked on Twitter that the next two books would be light and fluffy – trust me, I saw the movie reviews, and while I don’t know what’s going to happen I know it’s a tear jerker. But so is this, in its own way, as we take a look at what makes up a person’s identity, and how fragile that can really be.

The Executioner and Her Way of Life: Whiteout

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By Mato Sato and nilitsu. Released in Japan as “Shokei Shoujo no Virgin Road” by GA Bunko. Released in North America by Yen On. Translated by Jenny McKeon.

The second volume in this series picks up right where the first one left off, with Menou and Akari arriving in the Port City Libelle. Akari is here to have a vacation, Menou is here to try to kill her, and makes an attempt, but it fails as the others have. More worryingly, the terrorist organization we saw on the train in the first book has also got a hook into this city, and it appears to actually have the approval of the royal family – or at least the royal princess, who seems somewhat… detached from life. Menou’s not getting any help from the Church – they loathe her. The fight-loving princess finally meets her, but, unsurprisingly, just wants to fight. And Momo is doing her best to help, but things might be a little more difficult than any of them had assumed. Why is one of the four Human Errors out of her fog prison? Why does she know Akari? Even more chillingly, why does she know Menou?

So, first of all a warning: while this is not quite as bad as, say, Roll Over and Die 4, it is a very gore-filled and violent book. Pandæmonium is our villain here, and she’s a little girl who can essentially resurrect herself from her own body and blood – meaning that she can be killed endlessly and literally crawl out of her dead body. This is, needless to say, disquieting, both as a concept and as prose. She’s a classic type – the killer little girl – but that does not make her any less difficult to deal with. Akari’s own subplot is also rather chilling, as we get a lot more time in the head of the original Akari, the one who is not an airhead (though both are in love with Menou – indeed, that’s pretty much the one trait they share). The revelation from Book 1 is gone into further, and I wonder if a happy ending is truly possible for her – or if death is the only solution.

Not that the world has really had a solution to the isekai’d heroes before. We don’t get much more backstory, and a lot of it is filtered through Pandæmonium, who sees everything in terms of a movie, but it’s pretty clear there’s more going on here than just “the four human errors turned evil and were all destroyed”. For one thing, the one who put them down has also vanished from history… maybe. We get hints here and there as we go through this book that Menou’s past is tied to the human errors more than she’s aware of. (She’s also mostly figured out what Akari is doing, so it’s not simply making her ignorant on purpose.) As with the first book, everything ties back to her mentor Flare, who she gets her nickname (Flarette) from. Good news! They may reunite soon! That is the end of the good news.

Apologies for being somewhat oblique, but this is the sort of book that runs on mysteries, and I’m not ALWAYS a giant spoiler factory. If you’re reading this for the yuri, you may be disappointed – it’s there but isn’t a focus. If you’re reading this for lots of cool action, dark mysteries, and a bit of existential horror… OK, more than a bit… then this should serve you quite well. If you got off the Roll Over and Die train after Book 4 caught up to Japan, pick this up.

In the Land of Leadale, Vol. 3

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By Ceez and Tenmaso. Released in Japan as “Leadale no Daichi nite” by Famitsu Bunko. Released in North America by Yen On. Translated by Jessica Lange.

As we get more and more into this series, I am starting to wonder if it may be more connected to Keina’s life than I had thought. I had assumed that the general horribleness of her life before getting trapped in this “game world” was basically for drama purposes, and indeed we get a flashback to the car accident that saw her permanently on life support and killed her parents here, as well as showing why she’s so much more ludicrously ovepowered than everyone else – she literally had nothing else to do but lie in the hospital and game. That said, the narrative also notes that she’d been ill her entire life, and also offhandledly says her family were somehow involved with Leadale’s production. And we also heard form some other players who got trapped in the game that its shutdown was a huge surprise, and no one could work out why. Things that make you go “Hmmm”. That said, most of this book is not concerned with that at all.

That’s not to say that the book is not concerned with the interweaving of “game world” and this world with real, actual people, as it very much is. Cayna starts to find that old “game events” are seeming to reactivate years later… only now killing all the NPCs is far less easy to shrug off. With the help of two other players, she helps to clear out one of them, but the villages that were wiped out remain very much wiped out, and Cayna ends up adopting the one survivor, a little girl. There’s clearly ominous stuff happening. That said, the other half of the book is pretty much just Cayna being Cayna. She’s creating beer and whiskey, she’s battling dark elves with ease, and she’s basically about 200 levels above everyone else. That said, social interaction is still an issue, especially now that she has to be a mom. Keina did not emotionally mature much in hospital… and it shows in Cayna.

Given we’re seeing a few more gamers who have ended up in this world (and woe betide them if they try to explain “well, see, 200 years ago” to the authorities) we get an answer to a question that was bound to crop up eventually: what about players who gamed as the other gender? Turns out the game did not let you do that… but that did not stop one player, who used an illegal mod to play as a woman. Now she’s in the game, and is having troubles. Fortunately, this book is almost entirely service-free, so the troubles are more “I talk like a brash guy in this body”, something Cayna finds amusing. We also get two more servants that Cayna calls upon (and then keeps around, since it’s unclear what happens to them when unsummoned). They’re a cat butler and cat maid, and they both hate each other a whole lot. Comedy ensues. Sometimes it’s even funny. Mostly, though, the laughs come from Cayna and her ludicrous power.

So yes, this remains a slow life series with a potentially dark, chewy center. I’m enjoying it quite a bit.

Is It Wrong to Try to Pick Up Girls in a Dungeon?, Vol. 16

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By Fujino Omori and Suzuhito Yasuda. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?” by GA Bunko. Released in North America by Yen On. Translated by Dale DeLucia.

Look, I know the spoiler. You know the spoiler. Most readers following this series have long since figured out the spoiler, if only as they googled the name and were redirected in a spoilery way. But yeah, this review is gonna talk about Syr, so if you say to yourself “oh, the shy but also sly waitress who likes Bell!”, I’d advise not reading this till you’ve read the book. We’ve seen Syr in action in one of the spinoff books, where she and Lyu go to a casino and she absolutely destroys a group of gamblers. But we’ve never quite seen Syr like this. This is Syr’s Last Stand. In the last volume we had a festival of remembrance, and in this one, hot on its heels, we have a festival of harvest. It’s meant to be a happy, joyous occasion, and is very popular with couples. As such, when Syr asks Bell out on a date, all hell breaks loose.

Admittedly it’s hard to pretend you’re avoiding a spoiler when the cover also heavily references the spoiler. So yeah, Syr is Freya. We all had guessed this by now, especially if we knew any mythology, and the derivation of the name Syr. That said, there’s another twist to it (hinted at in the Freya spinoff that came out last year) that makes things more interesting. For a good 3/4 of this book, however, this is really a cute romcom – something the author admits they were going for. Syr is, for obvious reasons, protected by the Freya Familia, and if she’s going to be dating Bell Cranel, then by God, she will be dating the BEST Bell Cranel, leading to a hilarious 5-day training from hell trying to teach Bell how to be a sexy boyfriend. (Poor Cassandra.) At the same time, Hestia is flipping out, and she and Aiz team up to follow Bell… as do Lyu and the rest of Syr’s co-workers. There’s funny moments, there’s sweet moments, there’s touching moments.

…and then it all goes to hell. Another slight spoiler, but the end of this book absolutely sets the table for the next arc, which I suspect is going to be “Freya Familia tries to kill all of Hestia Familia over and over again”. It has nothing to do with Bell figuring out Syr is Freya – he doesn’t. It’s simply that Syr left all her emotions and love on the table, begged Bell to accept her, and he CAN’T. He loves Aiz. (This is not stated explicitly with her name, but, um, see the previous 15 books). And it’s devastating and tragic until the last five pages or so, when you realize that oh shit, no, it’s going to be “fuck it, burn it all down” for Freya as she decides to have Bell Cranel By Any Means Necessary. It’s a stunning ending, and made me appreciate the comedy in this book all the more – I doubt we’ll see it in 17.

As with the wait between 15 and 16, 17 is not yet on Yen On’s schedule. Still, I hear 17 isn’t the end of the story arc either, so if you want to wait to binge, I’d advise against it. This works well as a stand-alone showing us what happens when someone who can get anyone she wants falls hard for the boy who won’t sleep with her because it would be wrong.