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Reviews

Kuma Kuma Kuma Bear, Vol. 7

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda.

Last time I talked about how one of the most interesting aspects of the Kuma Kuma Kuma Bear series for me was the fact that it kept getting dark, despite being about cute girls doing cute things. Naturally, this new volume therefore has none of that, with no dark moments and very little real conflict at all. It is almost pure fluff. Fortunately, I am at a point right now where I need pure fluff, so this book was like a nice balm to my soul. If there’s any conflict in the volume it comes from Fina, who is still terrified whenever she has to be around nobility, and here is passed off the Ellelaura and the actual King. She’s convinced that she’ll do something to screw up and get herself executed, and spends the entire time in a froth. Yuna, of course, does not understand this at all, not even when Fina spells it out for her later in the volume. Yuna has no issues interacting with anyone, of course.

We start off with Yuna going into the mines to deal with the pesky respawning golems. She’s joined by the friendly adventurer party we’ve seen before, and also opposed by a rival adventurer party, whose leader is quite a jerk. (Yuna, amusingly, compares the rival party to the Power Rangers.) Unfortunately, most of the things Yuna does to defeat enemies would also cause a cave-in, so trying to get to the golem that’s the cause of all of this is going to need a bit more strategy. After this, Yuna manages to score mithril knives for Fina and her sister (who is seven, but it’s never too early to give a child a knife) and some mithril weapons for herself. The rest of the book is made up ,mostly of cooking, as Yuna finds one of Morin’s relatives in the capital who wants to be a baker and sends her to Cremonia to meet up, and then invents strawberry shortcake.

In general, the funniest parts of this series involve either a) Yuna getting belittled for wearing the bear onesie, or b) Yuna having no concept of social customs, mores, or ethics. We get both of those here, with the highlight being when Yuna gives Fina the mithril knife – for free – and then tries to give her another one for her sister, and Fina simply loses it, berating Yuna in the middle of the street about how much mithril costs normally, and that Yuna cannot simply live her life not giving a crap about the economy, giving away all this and expecting nothing in return. This is especially true of Fina, a very serious girl who is unfortunately saddled with Yuna for a best friend. Other highlights include Yuna visiting the royal family with her bears in cub form, and finding it very hard to get Flora and the Queen herself from letting go of them.

So yeah, nothing much happens, but it’s cute. This is what folks think every volume in the series is like. That’s not really true, but this is fine too.

Memoirs Most Charming, Part 1

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I’ve read a handful of charming memoirs lately, and more are on the way!

luckyguyI’m a Lucky Guy by Frank B. Gilbreth, Jr.
This was a reader suggestion from Anne!

Here, Frank B. Gilbreth, Jr. (writing without sister Ernestine, his sometime collaborator) recounts various happenings and misadventures from his early adulthood, beginning in 1929 when he’s headed off to college and ending somewhere around 1946, when he has returned from serving in the Navy and resumed his career as a newspaperman. These include things like going out for football whilst scrawny, being mistaken for a gun-toting gangster whilst attempting to hide booze (prohibition was still on) from the cops, pranking an odious professor (and, later, an odious superior officer), and repeatedly failing to live up to the standards of a demanding admiral to whom he has been assigned as aide.

On the whole, I found all of these stories entertaining, though the sole moment that made me laugh out loud was when Frank’s soon-to-be wife and mother-in-law completely excused the lascivious behavior of his friend, which a moment before had scandalized them, upon learning he was Methodist (their preferred denomination).

“You don’t think he’s a Ten Commandment breaker?” I asked.
“Why, I’d trust him any place,” Liz said indignantly.
“So would I,” said her mother. “I’ve always said that people shouldn’t be judged by circumstantial evidence.”
“You’re so right,” I assured her.
“Probably,” she continued, fishing around for a likely excuse, “probably—well, probably the doctor sent that girl over to your apartment to change the boy’s bandage, again, before he went to bed.”
I was tempted to break into a high-pitched giggle, but I looked at Liz and caught a warning.
“That’s probably just the way it happened,” I nodded gravely.

Unfortunately, it does seem Frank shares a little of the antipathy toward overweight people that his sister possesses. I don’t mind when he accurately describes a person’s physical characteristics—if a bosom is ample and an abdomen abundant, there’s really no getting around that—but when he makes comments about fellow student Sallye—whom he later proclaims to be “a real friend”—like no “male student in his right mind” would give her their fraternity pen, it’s just unnecessarily mean. True, Sallye has a tendency to be loud and overbearing, and I’m fairly sure that’s part of what he meant, but not the whole of it.

That criticism aside, I did enjoy this book and I’m glad I read it. Thanks, Anne!

Always Look on the Bright Side of Life: A Sortabiography by Eric Idle
Initially, although it was an enjoyable read, I wouldn’t have classified this “sortabiography” from the Monty Python co-founder as charming. Idle recounts his childhood, school days, introduction to the world of comedy, the formation of Monty Python, the run of the original series, and the Python movies without a tremendous amount of detail. He does elaborate more about his independent endeavors, and I especially appreciated learning more about the creation of The Rutles. Using the song “Always Look on the Bright Side of Life” as a sort of framework, Idle chronicles the various circumstances after The Life of Brian where he was called upon to sing it, ranging from Graham Chapman’s funeral to the Royal Variety Performance to the closing ceremony of the 2012 Summer Olympics.

As is common for a book of this type, there is a lot of name-dropping, but in this case a lot of the names were people I genuinely like, like Harry Nilsson, George Harrison, David Bowie, Stephen Fry, Peter Cook, Robin Williams, and Eddie Izzard. And, too, Idle toots his own horn rather frequently, which is admittedly justified when you’ve accomplished as much as he has, and makes sure readers know there were times in his life when he was having loads of sex.

Where he really shines, though, is penning touching tributes to friends who are no longer with us. My husband and I listened to Idle read the unabridged audiobook version together, and by the end of the chapter entitled “George,” we were both in tears. The chapter about Robin Williams is no less lovely. I cannot stress enough how wonderful these two chapters are; they alone are worth the price of admission. It does make one wonder why he doesn’t delve so deeply into the character of his comedy partners, and only makes a few mentions of Terry Jones’ dementia, but perhaps it is because they were all still living in 2018, when the book was published. I shall have to find out whether Idle penned any tributes to Jones on the sad occasion of his passing last year.

savagesLife Among the Savages and Raising Demons by Shirley Jackson
I’d heard such good things about these books, but my reaction to Life Among the Savages wasn’t what I expected. True, some of the “lightly fictionalized” anecdotes Jackson relates are somewhat amusing, like the family’s struggle to find a house to rent in Vermont, or insisting to the hospital intake person that her occupation is “writer” as opposed to “housewife,” or her son’s fascination with all the gory details after he gets hit by a car. But the vast majority of the stories involve her children behaving badly, and I had very little patience with these at all.

I imagine that other mothers sympathize with these episodes. Perhaps they see their own experience reflected, and so they laugh but also feel all warm inside, in a loving, maternal way. Not so me, I’m afraid. No, whenever the son showed arrogant condescension toward his mother, or her daughter became intolerably fixated on proper decorum, or one kid or the other was insolent and disrespectful, it just made me angry. In fact, I might have said “Shut the fuck up!” aloud a time or two. This is why it is probably a very good thing that I am not a parent.

Thankfully, Raising Demons contains less of that sort of thing (though significantly more than none). I really loved the section in which Jackson waxes nostalgic about her adolescent obsession with making clothespin dolls and her snarky description of life as a faculty wife (who is expected to have “hemming dishtowels” among her hobbies). The story of how she got a new refrigerator was a highlight, as well.

You’ll Never Believe What Happened to Lacey: Crazy Stories About Racism by Amber Ruffin & Lacey Lamar
Having seen and adored whimsical clips from The Amber Ruffin Show, I was very excited to see that Amber Ruffin and her older sister Lacey Lamar had written a book together. Although the topic is racist incidents the sisters have endured (mostly Lacey, who lives and works in Omaha), the approach at least attempts to be light-hearted. These aren’t stories where someone gets hurt or dies; instead, they elucidate the kind of crap Black people are just expected to swallow or forget.

I did laugh a few times, particularly at Ruffin’s effervescent line delivery—I listened to the unabridged audiobook read by the authors—but after a while, the unrelenting wave of absolutely flagrant ignorance and hate becomes overwhelming. The commentary on the stories is funny, but the situations themselves are stressful and horrible and eye-opening in the most abject, despair-inducing kind of way. I have never been one to deny that racism exists, but I admit to being surprised and horrified by a lot of these stories, espcially the awful things done to kids. A beautiful drawing torn to shreds, a group of teens accused of stealing car keys when none of them is old enough to drive, kids threatened at gunpoint by a crazy neighbor but nobody calls the cops because who will the cops believe… I also feel terribly naive for being surprised.

I’m glad I read this.

nutsinmayOur Hearts Were Young and Gay and Nuts in May by Cornelia Otis Skinner
Note: The former was co-written with Emily Kimbrough.

Our Hearts Were Young and Gay recounts the three months in the early 1920s that two young American women spend abroad in Europe, written when they are older (“Emily and I have now reached the time in life when not only do we lie about our ages, we forget what we’ve said they are.”) and nostalgic for more innocent days. It’s written in Cornelia’s voice, though Emily provides many of the details, and tells of the time their ship ran aground, the time Cornelia caught the measles and evaded quarantine, the time they met H. G. Wells and Emily made an embarrassing first impression, the time they mistook a brothel for a boarding house, the time bedbugs gave Cornelia a swollen lip “shining like a polished tomato,” the time their dogs piddled in a swanky Parisian restaurant, etc. For the most part, it’s quite amusing, but there are a few comments that expose the girls’ ignorant attitudes regarding people of other races and sexual preferences.

Rather than focusing on one particular adventure, Nuts in May is a collection of humorous yet unrelated anecdotes Skinner wrote for publications like The New Yorker. Topics include but are not limited to: actors being asked to lend their talents in aid of charitable organizations, a Protestant family’s audience with the Pope, people who laugh at anything, dizzying real estate transactions, and being interviewed by Dr. Kinsey. Occasionally, the tone turns more domestic and reminds me some of Shirley Jackson, such as in “Bag of Bones,” when Skinner’s son insists that the bones they find on a Colorado trail belong to a dinosaur, or “Those Friends of His,” about her son’s reticence on the origins of his friends who come to visit. The latter also makes reference to a car “teeming with hamsters,” which is a phrase and a visual that I adore. Indeed, there were quite a few giggles to be had, and I reckon I might seek out more of Skinner’s work in the future.

High School DxD: Vampire of the Suspended Classroom

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By Ichiei Ishibumi and Miyama-Zero. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

To a certain degree, all “harem” series (at least those with multiple girls all in love with the same guy) all suffer from the same major flaw, which is that the guy has to be fairly normal and dull. It might seem surprising that I’m saying this about Issei, someone who literally cannot go three pages without talking about tits some more. but it’s true. All the girls love Issei. They get jealous when he’s with another girl. They fight over him. They offer up their virginity to him. And why? Well, he’s nice to them? I mean, with Asia I get it, he literally is her savior. You could say the same for Rias, though it’s a higher bar to clear. But Akeno? Xenovia? Why does this lecherous dipshit who won’t even grope anyone without passing out offer such temptation? Well, frankly, it’s probably what he’s got inside him. The sacred gear, and the dragon that comes with it, make Issei an important player in the battle between the angels, fallen angels, and demons. That is… if there is a war.

No, Akeno is not the titular vampire (and I apologize for having to use the word titular when discussing High School DxD). I thought this might be her “focus” book, but while we do get some hefty revelations about her past, it’s clear her time is still to come. No, the new character here is Gasper Vladi, who is the vampire of the title, and who ticks off several more “light novel cliche” boxes. He’s a boy who everyone mistakes for a girl; he’s got cripplingly low self-esteem and a fear of interacting with others, and he’s ludicrously overpowered, as he can cause people to freeze in time… though, like Issei, his power has more weaknesses than strengths right now. That said, while trying to coax Gasper out of his shell, Rias’ group also have to deal with a peace conference, which risks blowing up before it begins.

Despite the previous paragraph, there’s not a lot that happens in this book compared to the previous three – it’s a lot of setup for the next few books, as we introduce a couple of major players who look like they’ll give Issei trouble (though one of them turns out to be more of a mecha otaku than anything else). Indeed, I was more surprised at things that didn’t happen. The book starts off by telling us about parent-teacher conferences, which will not only feature Issei’s parents going but also Rias’. Any other light novel series would make this a book of its own, but here it takes fewer pages than the pool battle between Rias and Akeno to see whose breasts get to be groped by Issei. The series manages to work for its target audience because it not only assumes its readership are horny teenage boys who don’t have the guts to cop a feel, but that all the women in this series are essentially ALSO that. It’s… weird.

Still, the one fight we got was pretty cool, and if there’s any series you can’t get mad at for staying on brand, it’s this one – there are breasts in High School DxD? Who knew? Recommended for those who read the fan translated PDFs years ago.

Unnamed Memory, Vol. 3

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By Kuji Furumiya and chibi. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Sarah Tangney.

After a first volume where I had trouble with the characters, and a second volume where I had trouble with the way the story was laid out, here I didn’t have trouble with either, and as a result we get our strongest volume to date, a truly compelling read. Indeed, if it weren’t for the last fifth of the book, you might think that this was also the final volume. It certainly has a wedding on the cover art, but this is a light novel, not a shoujo manga, and I believe we still have three more books to go after this. The question is whether those books will star Oscar and Tinasha, who seems to get a fate that’s going to be hard to overcome at the ending. Before that, though, there’s everything you want in an Unnamed Memory book, and for once that includes requited love and some real sweetness – along with a bunch of sudden death battles, of course. I mean, Oscar and Tinasha can’t escape their own pasts. Or can they?

Tinasha has truly settled into life at the castle now, to the point that she’s truly startled when some little kids try storming her castle (she’s able to dissuade them). That said, villains we’ve seen before and villains who we do not yet know continue to try to make life terrible for her, and after yet another nearly fatal attempt on Oscar’s life, she is willing to give up and admit that OK, she may have feelings for this big lug and sure, they can get married I GUESS. This is actually a bigger deal than you might expect, as spiritual magic works by the age-old rules of “no virginity no strong magic” – fortunately Tinasha is strong enough that she still has strong magic, it’s just not LUDICROUSLY strong anymore. Bad timing on that front, too, as she has to fight another Witch, this one with a grudge.

The back half of the book is taken up to a great extent by one big battle, and it’s very well written, showing off how things go back and forth and also giving us a bit of the backstory of the Witch Who Cannot Be summoned, the one trying to take out Oscar and Tinasha. She’s the classic “I want to manipulate people because I get bored” sort, but her backstory is surprising and also touching. Then there’s that final story, where Oscar picks up an orb that he shouldn’t and is sent back into the past, to Tinasha’s old kingdom, before she becomes a witch. While there’s a bit of the classic time travel dilemma here, and in fact it drives the ending, the main reason this is cute is getting to see Oscar and teenage Tinasha interact, and seeing her falling for him hard despite the fact that this changes history. It’s adorable and bittersweet.

So, not to give away the ending, but now what? The afterward suggests we’ll be looking at some other people in the history of Oscar’s family, but I can’t really believe the author would choose to end things here, so I’m raising an eyebrow at that. That said, no matter what future volumes do, you should read this one.

A Certain Scientific Railgun, Vol. 16

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By Kazuma Kamachi and Motoi Fuyukawa. Released in Japan as “Toaru Kagaku no Railgun” by ASCII Media Works, serialization ongoing in the magazine Dengeki Daioh. Released in North America by Seven Seas. Translated by Nan Rymer.

The beloved and sadly very out of print Even a Monkey Can Draw Manga had one of its chapters dedicated to the subject of “power creep” in shonen manga, which Railgun definitely falls under, despite its magazine technically falling under the seinen umbrella. (Dengeki Daioh’s readership is basically “otaku, of any genre”.) If you have a bad guy that you defeat, then the next villain has to be slightly more powerful, and so on and so forth till you’re eventually fighting against the biggest threat in the entire universe, and it all gets a bit silly. Railgun has that issue, but not for its villains – instead, it’s the heroines who struggle with it. We’ve already seen Misaka nearly go out of control when they tried to force her to evolve to Level 6. Now here we see Uiharu, who is supposedly a Level 1 “thermos”, force-evolving her hacking powers to literally rewrite reality in order to save the day, which… I suspect we won’t be seeing down the road.

Of course, that is not the only thing that Uiharu does in this volume. This is her arc, after all, and after spending most of the last volume on ice, she’s back in command here, showing us the same strength that allowed her to stare down Kakine and suffer only a broken collarbone. We even see her – gasp! – use her ability, rather than her hacking, in order to escape from her guards, and it’s a very clever usage as well. That said, the bad guys also know what her weak spot is. Railgun’s yuri poster child may be Kuroko, but I suspect the number of fans who think Misaka and Kuroko will end up together is zero. But Uiharu and Saten have just as much if not more subtext, and this volume really hammers it home. Uiharu is so dedicated to Saten that she’ll suffer great pains to get to her. And when told Saten has been fatally poisoned, Uiharu almost turns evil, to the point where she is literally just a cloud of blackness… until Saten, who is dying but not dead, snaps her out of it, saying that’s not the path she should follow. The Fullmetal Alchemist fan in me was recalling a similar scene, let me tell you.

On the down side, it’s not that I dislike any of the young kids who are being forced by Academy City’s evil science department to become supervillains, it’s just… we’ve seen this backstory about eight different times in Railgun alone, and it’s hard not to have the first thing I think be “here we go again”. Honestly, it’s something of a wonder that Mikoto ended up as well-adjusted as she is, and she’s the one with a super fiery temper. The other problem is that the arc doesn’t end in this book – there’s one epilogue chapter to go… which means we’ll have to wait till (presumably) 2022 to see if Saten survived (signs point to yes) and if Uiharu remains the most powerful being in the world (signs point to no). That said, this volume is quite strong and fans of the series should love it.

Adachi and Shimamura, Vol. 6

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By Hitoma Iruma and Non. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Molly Lee.

(I try not to spoil much, but honestly, if you read this you’ll guess what happens in it. Be warned.)

I’ve spent five volumes talking about Shimamura and her tendency to try not to feel too hard about things, which contrasts nicely with Adachi’s feeling very, very hard about everything… well, everything to do with Shimamura, that is. And if there’s any change that’s going to be happening, it’s going to have to be from Shimamura herself. Honestly, Adachi is expending all her energy not simply exploding in a giant cloud of gay. That said, good news: this is a big breakthrough volume for Shimamura, and probably the one that deals with her and her emotional reserve best. I don’t know that it works as well as it should – the author really relies on the reader connecting a lot of dots, and sometimes I don’t think they connect – but by the end of the book Shimamura is far more willing to reach out and deal with everything, including Adachi. Especially Adachi. Shimamura may not have worked out how she feels about Adachi just yet, but she’s definitely stopped ignoring the fact that Adachi is madly in love with her.

Sadly for Adachi, the first half of the book has Shimamura going to her grandparent’s place out in the country, so she’s going to have to suffer for a while on her own. Going back there, a place she’s spent many summers, fills Shimamura with memories, especially since the puppy which she played with when she was a little girl is now old and having trouble moving around like they used to. This causes Shimamura to think hard about her life, in particular the way that she’s chosen to close herself off from caring too much recently. When she returns (the return is the highlight of the book, for reasons I won’t spoil), she’s quick to phone Adachi, and they then agree to go out to another festival (I mean, it’s summer in Japan, there is always a festival somewhere). Oh yes, and before that they bathed together, which was… weird, but also led to Adachi confessing when she overheated. Will Shimamura finally face this fact and give Adachi a response? And will the response be something other than “well, OK, whatever”?

First off, I am spoiling one thing that does NOT happen in the book – the entire front of the book is setting the reader up for the dog to die. Hell, every time Shimamura sees the dog she herself is thinking that it’s going to be dead. But Adachi and Shimamura did not win the Newbery Medal, and therefore the dog does not die. I was relieved. As for Adachi and Shimamura, well, this is a turning point, certainly. I’m not sure it’s necessarily a good move all around – Adachi is worse than ever this volume, and I think if they ever animate it she’s going to have to simply be vibrating in place by the end. Shimamura has made great strides, and I was actually impressed with her through most of the book, but her response to Adachi still is more “sure, we’ll try that” rather than a big emotional investment. Which makes sense – honestly, even getting a small emotional investment is a victory.

So how will things progress from here? Will it be cute and teen romancey, or will it get realistic and have everything fly apart because these two are far too emotionally scattered to really connect right now? Still, Shimamura trying is infinitely better than the Shimamura we’ve had until now, so I’m in favor overall.

So I’m a Spider, So What?, Vol. 12

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By Okina Baba and Tsukasa Kiryu. Released in Japan as “Kumo Desu ga, Nani ka?” by Kadokawa Books. Released in North America by Yen On. Translated by Jenny McKeon.

With this volume we have almost, but not quite, caught up with Shun’s “present” that we left off in the 6th volume. This book is the huge human/demon war that led to Shun becoming the Hero, with huge casualties on both sides. The book is essentially a war diary from various points of view, showing off the various battles going on around the world. We see the demons use revenge monkeys to completely destroy one fort; another demon army wiped out by Ronandt’s long-range magic; the cute childhood friend couple from Japan being a cute childhood friend adventurer couple here; Sophia saying “well, well, well, if it isn’t the consequences of my own actions”; Wrath basically winning easily; and the big final battle with Julius versus several demons, including Bloe and Agner, and White trying to cut the thread (so to speak) by bringing in a Queen Taratect to ruin everything. Which it does, but not quite in the way that she’d planned…

I talked about this last time as well, but I think the author has been trying their best to make sure that the reader cares about the human side and the demon side equally, and from what I’ve seen, that’s just not happening. In fact, honestly, the readers don’t want to see the demon side EITHER. The readers want spider. Lots of spider. Sorry to say, White is still a minor character in this book. She gets cute little sidebars explaining each battlefield in her usual hyperactive way, and we see her interactions with the demon lord, Bloe, and Sophia and the 10th unit. None of them really see White as we know her, though I think the demon lord is starting to figure it out. She’s also getting far more talkative and better at actually explaining her actions. Basically, White is maturing. This will be handy when they inevitably run into the giant pile of reincarnations we left off with ages ago, but can be frustrating right now.

The battles are well handled. As you might guess, this is mostly tragedy… with one exception. The story of Sophia’s adventures at school, complete with her version of the handsome jerk and the class president, are absolutely hilarious, especially given they all end up in the same military unit anyway. I hope we see more of them being absolute bitches at each other. And as I hinted above, everything about Kunihiko and Asaka’s relationship is adorable and heartwarming, and I don’t THINK they’re dead yet… (crosses fingers). But there’s lots of depressing stuff we knew was coming here, as all but one of the hero party gets wiped out, and it also takes out several major parts of the demon party as well. What’s more the demon lord and White didn’t even achieve their main objective – the one-kill anything sword is still around, and can now be used by the new hero against the demon lord. Annoying, that.

This is an excellent book, but the overall impression I get at the end is “can we PLEASE get back to the main storyline we started in Volume 1?”. Recommended for those who like war memoirs and cute lovesick girls getting crushed to death by giant spiders.

Last Round Arthurs, Vol. 5: Once King & Future King

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By Taro Hitsuji and Kiyotaka Haimura. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Jan Cash.

Yeah, that really did not stick the landing, did it? After a series that mixed up wacky romcom “shout at the appalling girl being appalling” stuff with Shonen Jump battles, the series goes all in on the latter here at the end. Which is fine – given the glimpse of Kay and Emma *still* in fetishwear in the epilogue, I’m quite happy to have a final volume of serious fighting. The trouble is that the fighting is not all that great, and the beats are very, very predictable. I’ve compared it to Jump before, but here it sort of reads like one of those Jump series that gets cancelled 2-3 volumes in and told to wrap things up here. We meet the final boss, who is exactly who you’d expect, and our heroes are almost defeated, as you’d expect, except Luna simply! will! not! give! up!, as you’d expect. What about Rintarou, you ask? Well, he’s trapped in another dimension. Will he make it back just in the nick of time? Take a guess.

We pick up where the last book left off, as our merry crew (minus Rintarou) have gotten back from their Holy Grail Quest to find that New Avalon has been overrun by monsters, and that evacuation of the island is being cut off by magic. Someone wants a massacre here. (Casualties are implied, but we never see or hear about dead bodies, so…) There’s also a massive dark evil castle in the center of the city now. Making their way there, our heroes split up to take on the bad guys: the original King Arthur, who has been corrupted into evil, his two companions, and Morgan Le Fay, who we find in this book would like the entire world to end so that she can be reunited with a nebbish ordinary knight she fell in love with back in the day. Luna may declare herself to be the next King Arthur, but can she go up against the original without Rintarou’s help?

Well, no, because the entire point of the series is that you get a partner for your quest and rely on them. Plus, again, Jump-esque series. When Rintarou showed up to save Luna in the nick of time, all I could think was that she’s going to hit him and tell him “You’re late!”, and sure enough, that’s exactly what happens. There’s a lot of discussion of what makes a king here, especially when Luna gets all the other candidates to basically give up and join her as subordinates. Luna says that being a king is about determination and never giving up, which certainly defines her, though give the fights in this book I sometimes get the sense she’s a Tex Avery dog slamming against a door over and over till it opens. Rintarou basically had his character development finish last time, so he essentially is absent for most of this book until he comes to save the day.

And so we end with Luna in charge, a new Round Table, and a world that is now aware of magic and monsters, which means that we’re seeing more of them across the globe. You get the sense that Luna’s going to turn the new Round Table into a modern-day Avengers. Fortunately, the series ends here, so I don’t have to worry about it. There wasn’t anything really bad with Last Round Arthurs, unless you dislike obnoxious women, but it never really rose above “yeah, it went there” in terms of narrative thrust.

Tearmoon Empire, Vol. 5

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By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America digitally by J-Novel Club. Translated by David Teng.

The structure of this book is slightly off, as the author admits that the story got away from them and the island arc that should have concluded the 2nd “arc” of this story ended up being the first third of this 5th book as well. Still, it works out, as we get to see Mia turn a corner and fend off another of her fates written in a long history book… or at least it was long. Yes, sometimes when you’re trying to stop the bad guys who can mess with the fates, you end up finding that your fate can sometimes get even worse. Now Mia’s not being executed at the guillotine or cut down in her adult years for not being Empress, the history books say she’ll be killed in a few scant months. Can she avoid this fate while continuing to work hard to save her kingdom from famine, win over more allies by being kind and charming, and also eat delicious sweets? The answer should be obvious.

The one thing I took away from this book is that I think Mia handles plots against her, or large conspiracies, much better than sudden random events conspiring against her. When she has to deal with a cave-in, a seemingly deadly fish attacking her, or even just horses sneezing in her face, she seems to always end up on the wrong foot. But the larger, more epic scenarios are where she shines – and yes, by now even the narrator is having trouble saying EVERYTHING she does is due to her selfishness and need to eat sweets, although god knows they try to say so anyway. In her confrontation with Esmeralda, where she sees the traitorous past of their nation as found in a secret underground ruin, stares destiny right in the face, and says “to hell with that”, she really is learning to be a good person – and yes, it’s framed as her having to “deceive” Esmeralda by saying they’re best friends, but I don’t doubt it’s actually going to come to pass. Mia is no longer as passive or luck-driven as she was in past books.

The 2nd half of the book, back at school, is even better. Finding from Bel’s now-changed history book how she’s going to die, she takes steps to avoid it, the first of which is getting even better at riding horses. The way she does this is actually quite clever. You see, she gets up early, practices really hard, learns to read the movements of the horse, and treats them well, even going so far as to help save the life of the pregnant horse that she had been eyeing up as a replacement mount (as opposed to the horse that keeps sneezing on her). See? I told you it was clever. Mia is doing things correctly and doing them well. This culminates in the highlight of the book, where she races Ruby, the daughter of the House of Redmoon, in a Belmont Stakes with one of her retainers at stake. The race is fantastic, with Mia being both very much in character (she’s screaming and whining the entire time) but also incredibly awesome. And we also see her changing history once more, as one reason she was executed her first go-round is that she pissed off Ruby so much she persuaded her father not to support them with military might… something that ended up being fatal to them both. This time around, everyone wins, and Mia’s solution to what to do about Ruby is brilliant. I don’t even care if she wasn’t thinking long-term here. It’s still brilliant.

There are, of course, a few plotholes with the new arc, but they’re acceptable. Miabel did not vanish when Mia’s fate changed, despite the fact that she did not live long enough to have kids, much less grandkids. Even the author acknowledges this is a handwave, but it’s fine, as we also get sweet scenes of Miabel managing to stay her innocent, sweet self even in a bad future where she has to be hidden from the world. That said, Mia is still the star, not her granddaughter, and Mia is the reason that these books keep getting better. I can’t wait for the next one, and I would say that this is essential light novel reading.

Culinary Chronicles of the Court Flower, Vol. 2

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By Miri Mikawa and Kasumi Nagi. Released in Japan as “Ikka Kōkyū Ryōrichō” by Kadokawa Beans Bunko. Released in North America digitally by J-Novel Club. Translated by afm.

Last time I talked about the similarities between this series and The Apothecary Diaries, but hey, at least Rimi does no go around solving crimes… oh wait, yes, she does. In this volume, there’s a large chunk in the middle with a precious treasure being stolen, and Rimi, being the foreign girl who made food out of “wood”, is suspected of having magicked it away. So, um, yeah. Fortunately, the two books do have one major thing separating them, and that’s the heroine’s personality. Rimi and Maomao could not be more different, with Rimi being a more Usagi Tsukino sort of character, who may not be the sharpest knife in the drawer (though her emotional maturity is developing by leaps and bounds), but who knows just the right things to say to people to earn their trust. Of course, the delicious food helps as well. In fact, Rimi’s biggest problem may be that she’s so lovable that there may be civil war in the future, if the two men who’ve fallen for her don’t work things out…

Rimi is temporarily working with Shusei in the culinary department, and there’s an important assignment. The four consorts have to stand with the emperor soon for an important ceremony, and one must stand next to him and hold the Scattering Lotus, a highly valuable treasure. Needless to say, the competition to be that consort is high, and previous consort battles have even led to death. Shusei and Rimi have to work to pacify the consorts and get them to make a decision about what order to stand in without it coming to blows – even though everyone fears it will. And then, as I noted above, the Scattering Lotus is stolen and Rimi is the prime suspect. Is every book doomed to have her fighting to not be executed? Oh yes, and also the Emperor is far more interested in sleeping with her than any of the Four Consorts. That’s probably going to be a thing.

Rimi remains funny in this story, continuing to speak the language of the country she now lives in slightly off-center, so that things she says sound slightly to very rude. (The Emperor suggests she’s doing it on purpose, which I do not think she is… yet.) But she’s also the nicest person in the book, her life not really damaged by political schemes because she’s been raised entirely apart from everyone else. Sometimes this works against her, but it also allows her to see past the fronts that the other four consorts throw up and see what they truly have in common. I also love the concept of the treasure itself and what the solution was. That said, there’s more concerning things here as well. Someone high up seems to have it in for her, and while she escapes his grasp here I will not be surprised if he’s back in the next book, especially as he seems to regard her as some sort of sorceress.

This isn’t a great light novel, but it’s solidly good, and Rimi is a fun protagonist who I think is not as airheaded as she seems… though admittedly, that’s a low bar to clear. I’m happy to read more.

My Friend’s Little Sister Has It In for Me!, Vol. 3

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By mikawaghost and tomari. Released in Japan as “Tomodachi no Imouto ga Ore ni dake Uzai” by GA Bunko. Released in North America by J-Novel Club. Translated by Alexandra Owen-Burns.

Someone needs to tell Japan that “having the rest of the cast being creeped out about the appalling character” is not a get out of jail free card for everything the character does. I’ve said in the previous books that the shotacon tendencies of Sumire are not funny but awful. Well, she’s the main character of this book, and so we get a lot more of it than even the previous two, and it’s still awful. Saying that a guy would be the perfect husband if only he were 5 years old is not a “LOL” moment. So be aware as I write the rest of this that this is a big black mark, and made me not enjoy this book nearly as much as the previous two. That said, I’m still reading it, because I do like the cast and the romantic comedy situations. With, well, one exception. Fortunately, this is not We Never Learn, so the teacher has precisely zero chance of winning the romantic sweepstakes.

We pick up right where the cliffhanger left off, as Sumire begs Akiteru to marry her. As expected, her family has decided enough is enough, and is going to arrange marry her soon… which means she won’t be able to draw anymore. This is basically the only reason Akiteru agrees to the scheme. After some “wacky” date situations, which I will not go into as they are dumb, a trip that’s supposed to be to the beach becomes a trip to her remote mountain village, where her father wants to meet Akiteru… and force them to get married immediately. Can they possibly get around the marriage ceremony with a 100% success rate? Can Iroha continue to try to cleverly juggle all these relationships in the air, given sempai is a dense MF and won’t do it for her? And can Mashiro finally admit she’s secretly their star writer?

Again, this series leans pretty hard on the Higurashi pastiche. Their game is subtitled “When They Cry”, and Sumire’s home village essentially turns out to be Hinamizawa, complete with terrifying elders and obscure rituals. Having already mentioned the volume’s big weaknesses, I do want to applaud its really good moment, when Mashiro’s editor (who we meet here, ad boy does it take some fancy footwork to explain her presence) points out to Akiteru that he needs to be able to offer his fellow game creators a reason to stay on with him, or else they’re going to look for other opportunities. What can he personally offers them? (Other than, of course, being the romantic lead who has no idea half the cast are in love with him.) It’s not a question that’s answered here, but I do appreciate it was brought up. Iroha also remains quite enjoyable, a bit less “annoying” than the first two volumes, probably as she’s trying harder to have him “get” her feelings.

That’s unlikely to happen soon, and a cliffhanger means we don’t even get this one resolved in one volume. Still, hopefully it won’t take up all of Vol;. 4. I think two volumes starring Sumire is two too many.

Oresama Teacher, Vol. 29

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By Izumi Tsubaki. Released in Japan by Hakusensha, serialized in the magazine Hana to Yume. Released in North America by Viz Media. Translated by JN Productions.

Though it’s not an explicit canon pairing, be warned I do talk about the IMPLICIT canon pairing in this review, so ‘ware spoilers.

The final volume of Oresama Teacher, a series that ran for thirteen years, and one of my own favorites, even though it will likely always be overshadowed by the still-running gag comedy Monthly Girls’ Nozaki-kun. It’s a shonen manga that ran in a shoujo magazine, and certainly had shoujo art, but one look at the plot and characters told you this was essentially a “gang” manga at heart, and featured a lot of “new bad guy arrives -> slowly win them over through being nice and/or beating the crap out of them -> now they’re friends! -> new bad guy arrives” in a circle with Mafuyu as its pivot. We’ve had so many ridiculous situations, so many awesome fights, so many cool teenage girls and dorky teenage guys. The journey to get here was wonderful. So, should I still be disappointed if the ending is not one I personally wanted? I mean… if you exist in fandom, yes, it ruins everything. Fortunately, Oresama Teacher only has 29 fanfics on AO3.

First of all, despite the cover art, this is not an OT3 ending, alas, and we do not see Mafuyu getting married. We start off resolving the cliffhanger from last time, and if it feels a bit like it’s undercutting and mocking the drama, well, that’s what this series has always done best. Adfter this we deal with the last remaining open plot hook – what happened to Mafuyu’s memories when she was a kid? The answer, as Takaomi warns her, is not only something she will regret knowing when he tells her, but also something far less dramatic than you’d expect. It is, however, very in character for her. It even ties into the ending, as it turns out even Mafuyu can get into college if she applies herself… in the wrong way. We then get an extended “where is everyone off to after graduation” chapter, and end with a brief epilogue showing our main characters as adults.

So yeah, surprise, once again Japan loves teacher/student and jerk pairings more than the West. I always suspected that we were going with a Takaomi endgame, particularly when Hayasaka’s past only turned out to be the end of Part II rather than the whole series. Mafuyu’s memory loss ties in to her obsession with him – she couldn’t imagine living without him after he had to leave her to go to educational college, so she literally erased her own memories, somehow, to forget him. That is both in character and EXTREMELY frustrating, frankly. As for Takaomi himself, he’s far less effusive, but honestly, he hasn’t stopped her chasing after him her entire life, so why would he stop now? The epilogue shows he’s started a company (it’s unclear what it does, but it’s implied it’s a “we fix your problems” sort of company) and both Hayasaka and Mafuyu are employees there. And again, while the implication is the “they’ll always be friends!” was meant to be the emotional heft, there’s also his implication he’ll propose to her in three more years. Eh.

So yeah, not the pairing I wanted, but I enjoyed everything else about it. In the end I’ve enjoyed every single Izumi Tsubaki series. Sometimes I am alone in this (I will defend The Magic Touch to my dying day), sometimes I am part of a much larger horde (Nozaki-kun 2nd season WHEN?). Oresama Teacher fits squarely in the middle. Its fans love it, but it’s still a bit of a cult. Its huge, huge cast can give readers a headache. And you’d better love dimbulbs, because this series runs on them. I’ll miss it dearly.

Altina the Sword Princess, Vol. 9

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By Yukiya Murasaki and himesuz. Released in Japan as “Haken no Kouki Altina” by Famitsu Bunko. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

I’ve been waiting for plot developments like the end of this volume to happen for some time. Regis is a bit of a Golden Boy throughout the series – that’s the point, he uses his brains and Altina’s brawn and royal presence to help seize the day, even when it’s involving a bubbling under civil war. And now he’s been noticed enough that he’s forced from her side to Latrielle, the heir apparent, and is giving him the best advice fictional books can buy. Now, we’ve seen him lose troops based on his decisions before, to the point where he almost passed out, but the advice was correct and they won the day. Here, though, not to spoil too much, his advice is good but they do not win the day. Someone has anticipated him. They lose, and there are many casualties. And this is when you realize that, for all that the country is supposed to be on the same side fighting Britannia, Regis is very much surrounded by enemies.

Of course, the book is not just about Regis. Jessica, Franziska and Martina want to rescue their brother, but can’t, and they’re deep in enemy territory. So they accept the kind offer of the man who saved them last time to stay at his place. His place, of course, turns out to be the castle, much to their shock. (Elize is there as well, but one senses the author is not really sure what to do with her.) Altina is back at her fortress, dealing with Eric’s game-breaking injury, and finds that even though Regis is away from her side he can still come up with advice to win the day – in this case, suggesting a career change for Eric that would still allow them to remain a soldier protecting Altina. We get a brief glimpse of the enemy, which is dealing with a major problem – Queen Margaret is bored with all this and therefore doesn’t care what happens.

And then, as I noted, we get Regis’ plan to defeat the enemy, which is anticipated and rebuffed. He does get in one small triumph, which allows us to meet yet another new cast member and promises to take up a chunk of Book 10, but it also involves the deaths of a LOT of men – and these are not his own troops of the Fourth Division, which is back at Altina’s side. The generals were already annoyed with Regis for sacrificing their units earlier, they’re now livid. Fortunately for Regis, Latrielle is not stupid, and knows that the plan could have worked and exactly who was clever enough to anticipate it. The generals may be angry, but they know not to argue with their future King. As for Regis, I think it’s a good lesson for him, especially mentally. Now if he can only work on his physical stamina, which is laughably pathetic.

The author already admitted the final part of this book got so long it has to finish in the next book, so we’ll see what happens then. In the meantime, this is a solid volume of Altina that shows events moving along slowly but surely – will we see the end of the war with Britannia next time?

Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town, Vol. 6

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By Toshio Satou and Nao Watanuki. Released in Japan as “Tatoeba Last Dungeon Mae no Mura no Shonen ga Joban no Machi de Kurasu Youna Monogatari” by GA Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

The previous volume showed us that there really is a long-running plot arc to this book, and gave us hints that it might actually be headed in that direction. The trouble is that even the people who are trying to manipulate the plot the way they want are big goofy flakes. Our two villains are mostly big Lloyd stans, especially in this book, where you get the sense that they came up with the entire plot not to force Lloyd into his hero role but to get Lloyd’s autograph. As for Alka, we do here a BIT more about her past here, but again it takes a back seat to shanigans… as does Alka, who is thankfully absent for most of this book, though I give her credit for showing up at the end and getting the best part of the book to herself. As for the main cast… there’s here to make movies.

Despite the fact that normally technology would not be nearly advanced enough to do this, there is a burgeoning film industry in the next country over. Sending the army to investigate by disguising them as extras and crew, Lloyd is also looking a bit older. After several comments on his cuteness have him depressed about his manly status, Alka gives him a rune that makes him look in his mid-20s… and SMOKING HOT, to the pleasure of everyone in the room. As for the movie itself, the director is the King, who has a few secrets, and the lead actor… has quite a few more. Then there’s the fact that the lead actress seems very familiar to some of the cast, and also the assassin who seems to want to kill Lloyd, though clearly against her will. Can all this converge and make sense?

Well, yes, it can. It makes sense in a wacky comedy plot sense, but it all does come together. The best thing about Last Dungeon Kid is it will not ever back down from being silly. Even titles like Bakarina have the occasional dramatic moment slipped into the book to make the reader tear up, but this book subverts al that with the finest comedy timing. Fortunately, the comedy is pretty good. Alka and Maria are absent most of the book, so there’s less humiliating fanservice this time around, and Selen is honestly behaving herself as much as she ever will. The exception to this is Micona, who I almost wish was still possessed by evil, as her one-note attacks on anyone who gets near Maria are the most tiresome part of the book. I did also enjoy the serious subplot in the book all the way through, including when it had its seriousness yanked out from under it and mocked.

At the start of the book we also met a lot of kings and nation leaders, and next time around we’ll see mo0re of them. For the moment, though, this is quite good comedy, especially if you don’t expect anything more from it, like romantic resolution. That’s not happening.

ROLL OVER AND DIE: I Will Fight for an Ordinary Life with My Love and Cursed Sword!, Vol. 4

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By kiki and kinta. Released in Japan as “Omae Gotoki ga Maou ni Kateru to Omou na to Gachizei ni Yuusha Party wo Tsuihou Sareta node, Outo de Kimama ni Kurashitai” by GC Novels. Released in North America by Seven Seas. Translated by Jason Muell. Adapted by Brock Wassman.

So I am putting a content warning before this review, something I rarely do. This review will be talking about the plot of the 4th Roll Over and Die novel, and will be describing scenes of graphic horror involving children and infants. If this will upset you, I definitely recommend skipping the review, and the book.

You know, I’m beginning to get the sense that the cute relationship between Flum and Milkit is not really a priority in the mind of the author. Oh, don’t get me wrong, there’s a few cute scenes here. The two emotionally stunted young women are clearly in love with each other but lack the vocabulary or experience to do anything about it. We get a kiss on the cheek. Milkit gets a bit jealous. But really, if you want cute yuri there are so many other books you could read that are not this one. This book is here for one thing and only one thing: detailed descriptions of graphic horror. If you know what an Italian giallo film is, or enjoy the works of Herschell Gordon Lewis, this gore-spattered action novel might be for you. For the rest of us, it is a very long slog through endless pages of mutilated corpses, body possession, and towards the climax of the book infants literally rain from the sky and have to be butchered. It’s a lot.

The majority of this book deals with the rest of Mother’s second-generation children. Ink, the first-generation, is happy with Eterna (and, let’s face it, despite the age difference their relationship is clearly swinging romantic as well). Nekt, the child from the previous book, is dealing with her heel-face turn, and trying to get the other children in her group to join her in becoming human. Unfortunately, they’re far too tied to Mother, and would much rather perform this world’s version of “suicide by cop”, i.e. killing as many innocent people as they can before getting killed. Also unfortunately, the person who might be able to help them turn human also seems to be secretly evil. Honestly, everyone’s a little secretly evil in this book, except our main cast. Can Flum manage to save anyone? Or will the children have to be put out of their misery?

This book is not without its merits. As always, the author can write an excellent fight scene, and is very good at painting a picture of exactly what’s happening, for good and ill. The Hero’s Party (minus Jean, still deliberately left out of the plot except for one scene) are reunited, and falling over themselves to apologize to Flum, who is far more gracious about it than they perhaps deserve. There is an interesting revelation in this volume that suggests that, far from being a generic fantasy world, this world is closer to home than expected. Unfortunately,. I couldn’t enjoy any of this because I was drowning in blood and gore. Men die, women die, children die, babies die. Babies especially die, as Mother’s final battle tactic is to create babies that attack and try to possess our heroes, and have to be killed. They are butchered, hurled against walls, and blown up by magic. And by the end of the book I found it hard to really care about anyone.

There may be more in this series to come – this is the last book in Japan, and it came out 18 months ago, but there’s still lots of content from the webnovel left to go. But I think I’m done here. I prefer my yuri to not be drenched in so much blood that I can’t see the romance.