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Reviews

Kuma Kuma Kuma Bear, Vol. 9

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by M.B. Hare.

Well, I did wonder in my last review if Yuna could solve problems by hitting things again soon. More to the point, we’re back at the dark end of this series again. Japanese media in general does not shy away from putting dark things into a show that’s ostensibly for children, as anyone who’s seen the end of the first season of Sailor Moon can tell you. That said, Kuma Bear is clearly written more for light novel adults than it is for kids the same age as the girls in it. As such, it can be very surprising to see things like “please come with me to investigate my master’s torture and murder chamber”. I mean, Non Non Boyori rarely deals with the death of everyone’s entire family, nor does K-On! have a string of child kidnappings. But something about “isekai”, putting something in a fantasy world that is not “modern”, makes the authors want to show us just how dark things can get. We’ve seen it here before. It’s still dissonant.

We wrap up the plot from the previous volume here. The party went well, so our evil noble’s evil grandson decides to solve the problem by having Misa kidnapped, and the kidnapper also punches Fina and Noa in the face while he’s at it. To be fair, evil kid’s dad is also kidnapping children of merchants as blackmail. That said, we really haven’t seen Yuna as mad as she is at the start of this book. She’s so furious that the entire city is terrified of her and her two bears tearing through going after the nobles, and its only Ellelaura that manages to stop her enough that she does not commit murder… something that Yuna, as per usual, only really recognizes and dwells on after the fact. The noble house here is pretty much what Yuna feared after playing so many cliches games and reading all these light novels like … well, like this one. The side stories are 100% serious, dealing with a maid who was blackmailed into working for the noble and her current mental state, which is not great.

After this, we have scenes of Yuna finally getting her ingredients from Wa and making mochi. Because of course we do, it wouldn’t be Kuma Bear without switching from serious to happy on a dime. We get warnings about the dangers of eating too much sugar, and we get piles and piles of stuffed bears given out. (Yuna seems to finally have come to terms with the bear onesie and her bear lifestyle in general.) The second half of the book has the guildmaster’s little sister Luimin come to get them because there’s a crisis at the elf village… a crisis which will presumably wait for Book 10, as the rest of this book is the journey there, which involves a group of adventurers and merchants who appear to be crooked, as well as Yuna showing off that crossing a raging river at high tide is nothing to a girl and her bears.

If you enjoyed the light novels, this will please you just fine. If you enjoyed the anime… be aware they cut the darker bits. And if the mood swings bother you… please just bear with it.

My Youth Romantic Comedy Is Wrong As I Expected, Vol. 13

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By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Gagaga Bunko. Released in North America by Yen On. Translated by Jennifer Ward.

As I mentioned last time, My Youth Romantic Comedy Is Wrong As I Expected is not a love story between the dour cynic Hachiman and the bubbly optimist Yui. You know it. I know it. Heck, even Yui knows it. But the series ends with the 14th book rather than the 13th, so this volume is devoted to giving our third protagonist as much screen time as it can get away with given that Hachiman is still its first person narrator. She’s on the cover, and she’s also helping Hachiman with his plan, which can basically be summed up as “do dumb Hachiman stuff in order to draw all the consequences to him”, only by now everyone’s savvy enough not to fall for it – not to mention it’s pretty half-assed to begin with. She and Hachiman make a very good team. Unfortunately, everything he does in this book is for Yukino’s sake. There’s a technical cliffhanger here, but no one in their right mind would believe it. Poor Yui.

Yui suffers mostly from being a bright-eyed optimist in a world of bitter cynics. This includes Haruno, who can’t even drink herself into oblivion; Hayama, who likens himself to a scratching post and has a streak of self-hatred a mile wide; Shizuka, who’s being transferred to a different school (as frequently happens in Japan) and desperately wants to see her manipulations actually pay off and not be destroyed; and even Iroha, our little agent of chaos, who spends much of this book boggling at Hachiman still trying to throw himself against the wall that is Yukino over and over again. He can’t help her with prom, mostly because of that bullshit co-dependence thing Haruno spewed out (Yui needing this explained to her was a highlight). What he can do is serve as a distraction, and honestly, that’s what most of this book is; it’s tap dancing in front of us trying to wait till the resolution in the 14th volume.

While I’m still irritated with Haruno, I will grant that her muttered aside in front of Hachiman did save the day, as he quickly realized what was going on with Yukino’s mother… well, quickly realized it after she tore apart his plan like tissue paper. The running gag in this book is that Hachiman’s plan is rather half-assed and pathetic, and no one seems to think it’s good enough – not even the business minded president of their neighboring high school, who is as annoying as ever but has also earned the punishment of having a crush on Orimoto, which I would not wish on anyone. As for Yukino, well, mostly absent, except for a few very important scenes. Words still need to be said. They aren’t. They’re implied – we have BUCKETS of implication in this book. But “a man’s pride” is not good enough.

All this and we still have enough time for the best written sibling relationship in light novels. This is a strong volume in the series, despite the fact that it feels like delaying tactics. Can’t get away with that next time.

A Tale of the Secret Saint, Vol. 2

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By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu” by Earth Star Novels. Released in North America by Airship. Translated by Kevin Ishizaka. Adapted by Matthew Birkenhauer.

At least I can respect its consistency, as the 2nd volume of Secret Saint has exactly the same flaws as the first volume did. It can be a lot of silly fun, especially when Fia is forced to be the straight ma in the group despite the fact that she is an airhead 100% of the time. This even holds true, mostly, for the fighting scenes when our heroes are battling the most deadly monsters they’ve ever seen before and Fia reacts the same way you would if you spotted a blue tit in your bird book. On the other hand, it does mean that when we get to the more serious stuff involving the pasts of both Fia and Zavilia, it feels out of place. It’s written well, don’t get me wrong, but out of place. Also not helping things is that this book is technically only 130 pages – the other 80 or so are side stories, interludes and bonus stories, meaning we don’t get much of the main plot.

After the events of the first book, it’s clear that Quentin, at least, has figured out who Fia’s tamed familiar really is. Unfortunately, that makes him into goofy airhead #2, as when he’s talking about powerful monsters he gets obsessive and over the top. The knights are going to set out on a mission to try to drive out the black dragon that is presumed to be in the forest and send it back to its lair, thus solving the “why are so many monsters hovering around here lately?” problem. There are two issues with this plan: 1) the reason the powerful monsters are coming around is they’re drawn to Fia; and b) the powerful black dragon is in fact the familiar that she’s putting bows on to make it look cuter. Still, I’m sure nothing will go wrong, even if it means forcing all the soldiers to deny everything they just saw.

While they feel awkwardly out of place, I will admit that the more serious parts of the story are also the most memorable. Zavilia’s past is the Ugly Duckling gone horribly wrong, and its moral is basically “people are assholes even if they’re dragons”. Far more impactful is Zackary, the most sensible of the captains, trying to get Fia to confess who she really is. She almost does, and feels like she can trust him, but when she starts to do so she has a complete panic attack. This is quite well handled, and Zackary does a good job of helping her recover and backing off, but it’s clear that the trauma of her past life is not remotely something she has gotten over, and therefore allies are going to need to either rely on good faith or assume that the world has turned weird.

I’d argue that if you’re looking for fun overpowered dimwitted swordswomen, Reborn to Master the Blade is probably a better choice. This is still pretty good, thogh, I do hope volume 3 gives us a bit less “let’s pad out the book with other people’s POV”.

Bond & Book: The Long, Long Good-Bye of “The Last Bookstore”

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By Mizuki Nomura and Miho Takeoka. Released in Japan as “Musubu to Hon: “Saigo no Honyasan” no Nagainagai Owari” by Famitsu Bunko. Released in North America by Yen On. Translated by Nicole Wilder.

If you are reading and enjoying Bond & Book, as well as the author’s prior series Book Girl, then I am going to assume that you are a fan of books. Not just “Oh hey, I like reading” or “I always get the new release of Index when it comes out”, but someone whose entire life is tied up in reading and the titles that have impacted them. Certainly this series is both about and for those people, and while it takes the time to explain the books that it focuses on, there’s a greater depth if you’ve already read the stories in question. Not that I expect too many light novel readers will rush out to buy The Field Guide to Extinct Animals, but certainly The Seagull and The Scarlet Letter are very important to this volume, and being familiar with both stories lends them an added emotional impact. Which is surprising, as the author already knows how to pack quite an emotional punch without the references.

After introducing us to what seemed like our main cast in the previous book, this volume sees Musubu on his own. the reason for that is that he’s gone to a distant town where the bookstores have been shutting down one by one. Only one is left now, and its owner just died in what was seemingly a tragic accident. Now it too is going to close, and Musubu is there to make sure that the books are cared for in their final days there. This irritates Minami, the bookstore’s longest-serving part-timer, who not only felt a close kinship with the former owner but is creeped out by this teen who says that he can talk to books – and they talk back. As the days pass and the closing of the bookstore becomes a major event in the town, will we find out about the owner’s past history and secrets?

Unlike the first volume in the series, this one is more of a novel than a short story collection – in fact, the afterword makes me think the author wrote this one first. It overflows with the love that you can get from reading a beloved book, and how that love can also lead to different things. A couple who loved each other from afar when they were teens reunite years later thanks to The Tomb of the Wild Chrysanthemum. A boy who has become terrified of earthquakes is given a fun series about aliens to read that will calm his mind. And, in the main plotline, an actress and a writer both have ties to this bookstore and its owner, and they’re more than just the Chekhov and Hawthorne stories that wrap around their lives. The ending of the book is incredible, wringing emotions out of you, and making you think that, years from now, maybe Bond and Book will be the series that lodges itself in your heart.

There’s two more volumes out in Japan, and this delights me. I just want to read more from this author, whatever it is. And I want to go back and re-read The Seagull. (Not The Scarlet Letter, though. Sorry, Nomura-san, your work can only take me so far.)

Chitose Is in the Ramune Bottle, Vol. 1

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By Hiromu and raemz. Released in Japan as “Chitose-kun wa Ramune Bin no Naka” by Gagaga Bunko. Released in North America by Yen On. Translated by Evie Lund.

Manga and light novel trends tend to feel into each other, with parodies, homages, and deconstructions of the hot new thing happening three years later and becoming the next hot new thing. Nowhere is this more apparent than the halls of Gagaga Bunko, home to the cover art where every series looks exactly the same. Gagaga, I’m sure, must also have fantasy and isekai titles… but those aren’t licensed here. Instead we started with My Youth Romantic Comedy Is Wrong As I Expected, where a cynical so-called loner psychoanalyses the nature of high school cliques. Then we saw Bottom-Tier Character Tomozaki, easily the most popular of the subgenre of “the popular kids can even turn you, a loser, into one of their own”. And now we get Chitose Is in the Ramune Bottle, where the main character IS the popular kid, and you will be surprised and shocked that he too has something to say on the nature of popular kids and high school cliques. Everyone’s riffing on someone else.

No, that’s not Chitose on the cover – Chitose Saku is our hero, a handsome cool high school kid who enjoys school and hanging out with his equally popular friends. He has several girls who are interested in him. He’s almost immediately made class president. He’s living the good life. And now he has a job to do, as the teacher has asked him to try to get Kenta, an otaku nerd type, to come back to school – he’s stopped going after getting shut down by a girl he confessed to. Chitose goes along with this, managing to get Kenta out of his room with a nice combination of encouragement, hot girl and good old fashioned violence. But Kenta, who whines about how Chitose gets everything handed to him and an easy life as a popular kid, decides to show Kenta how to actually make an effort.

As you can see, this synopsis bears more than a little resemblance to Tomozaki (Kenta is even named Yamazaki), and we do indeed get the “let’s shop for clothes that are not otaku schlub” and “here is how to actually converse with another person” scenes. At the same time, it also mocks that trend of “self-help” books as unrealistic, showing how difficult it can be to try to change your image and personality and not immediately get attacked. There’s a whole lot of jerks in this book, and the way Chitose and his friends handle them is a good look at “don’t punch down”. As for Chitose himself, he’s a protagonist who cries out for more than one book, so it’s a good thing this won an award and got a series. There’s hints of his past as well as his need to live up to his reputation that might get darker in later books. But overall, he and his friends are very likeable, fun people. If you’re reading this as you heard it was “romcom starring the popular kids”, you won’t be disappointed.

I will note that Chitose can come across – deliberately, he’s clearly doing it on purpose – as smug much of the time, and this may grate on readers who are more used to cynical sad sack narrators. That said, I am very curious to see how this handles being an ongoing series and how much we can peel back Chitose’s hero complex.

Goodbye Otherworld, See You Tomorrow: The Traveled Path and the Box of Hope

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By Kazamidori and Nimoshi. Released in Japan as “Sayonara Isekai, Mata Kite Ashita” by Fujimi Fantasia Bunko. Released in North America digitally by J-Novel Club. Translated by MPT.

There’s a wonderful moment in this book where someone points out to Keisuke one of the big reasons that he’s constantly identified as someone from another world, and it’s because he actually has optimism and positivity despite the fact that the world has ended. It’s an important thing to have, especially going forward as there are fewer and fewer people. Fortunately, that’s not quite true, as Keisuke coming into her life has made Nito a massive ball of sunshine and cuteness, to the point where it’s practically weaponized to use against the rest of the cast in this book. That said, the book is not all good times and fluffiness. As you read you will feel a war going on between positivity and hope on the one hand, and melancholy and regrets on the other. One side does win, but it’s a struggle, and while we don’t have suicide attempts like the first book, this book has some people who have mostly given up on life.

While the previous book had Keisuke and Nito traveling around to various places and interacting with the folks they find there, this book mostly centers around one area. Arriving at a village temple, they stay there for a few days with the old woman who cleans it when she’s not busy running her shoe workshop. Also there is Charolles, a young woman who is searching for the ending of an incomplete book that she once read. A little ways away, in a more built-up area, is a theater containing Paula, a wannabe dancer, and Jill, a very shy singer, as well as Monty, a guinea pig the size of a man who smokes a pipe. Naturally, over the course of this book, Keisuke and Nito find that all these characters have pasts with each other in some way, and are also consumed by fears. There’s only one way to solve this: have a festival!

There is some terrific trans representation here, with the reunion of Paula and Fago hitting the reader hard. I also enjoyed seeing the terminally introverted Jill force herself to interact with the others and even sing in public in order to help Paula. That said, my favorite character here was Charolles, who gets the most screen time and also most of the art within the book. (I was vaguely annoyed we did not get art of Paula and Jill.) Charolles’ journey is very similar to Nito’s, but she’s older and more cynical, and she’s the one who I was most worried about finding dissolved in a pile of crystals by the end of the book. Fortunately that does not happen, but she also very pointed does not join Keisuke and Nito on their travels (possibly sensing their relationship is a lot more romantic than either wants to say.) I hope things work out for her.

This volume has an open ending, but there’s no more volumes out in Japan, so if it does continue it will be a while. Still, I definitely recommend it. Great characters, great moody writing, and emotional.

Private Tutor to the Duke’s Daughter: Creating a New Legend with the Unbeatable Lady of the Sword

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By Riku Nanano and cura. Released in Japan as “Koujo Denka no Kateikyoushi” by Fujimi Fantasia Bunko. Released in North America digitally by J-Novel Club. Translated by William Varteresian.

This book does not particularly advance much of the plot we saw in the first volume, and in fact reads a bit like “oh crap now it’s a series what do I do”, but I don’t think I care because this was so much fun to read. Apologies to the titular duke’s daughter, Tina, but Lydia is a delightful ball of tsundere cliches. We only saw a bit of her in the first book, but here she’s in full flower, bullying Allen, attacking him, defending him, beating nobles to death for him, and generally doing everything except saying “I-it’s not like I did it for you or anything!”. Wait, no, she does that too. Tina and Ellie, joined by Lydia’s little sister Lynne, are clearly infatuated with Allen, but they’re starting from so far back in the race that it’s kind of sad. And yes, I realize that a series like this is setting itself up to have Tina as the winning girl, but I’m not sure, at this point, how that is going to happen.

Allen is faced with a bit of a dilemma this volume. Lydia is having her ceremony to welcome her as a royal sorcerer at the same time that Tina and Ellie are having THEIR opening ceremony at the academy. There’s really no good way out of that (get used to me saying that about Allen and his romantic dilemmas), but he chooses the academy. There we meet his younger sister Caren, who only has a bit of a brother complex, and Tina’s older sister Stella, who has spent years proving her family wrong and making a name for herself at school only to have Tina waltz in and be better at everything. I expect her to snap and turn evil in Book 3 or 4. Unfortunately for Allen, without him at Lydia’s side, her investiture has gone to hell in a handbasket. the second prince, who is the reason why Allen is not also a royal sorcerer, has returned to claim what he feels is his, and… yikes.

Lydia may spend most of this book rather angry, as fits her character type, but it’s not without cause. The second prince is a cartoon villain, the sort of arrogant snot that has a face made for punching. Indeed, one of the climactic battles has as its main difficulty NOT killing him, as a living prince who can answer for starting it all in the first place is vastly preferable to a dead prince who will just lead to exile form the kingdom. But Lydia also has more important things to worry about. Allen seems far too close to Tina, as well as her sister, and let’s not leave out dark horse Ellie, who gets more head rubs than anyone else. Hell, even Lydia’s MOTHER is hitting on him constantly. Fortunately, Allen may still have the sexuality of a bowl of cold oatmeal, but even he knows that Lydia is in love with him. He’s just ignoring that.

Allen’s headspace may make this book too annoying for harem fans (who will also dislike Lydia’s cliched tsundere ways), but I find it equally hilarious. And we even get the standard head maid/assassin/spy” type here. Despite the presence of multiple 13-year-olds hitting on our hero, this series is simply hella fun.

Reflection of Another World, Vol. 1

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By Haruko Kurimoto and Vinegar. Released in Japan as “Yugami no Kuni Monogatari” as a webnovel. Released in North America by Cross Infinite World. Translated by Amber Tamosaitis.

When it comes to light novels, especially ones that have ‘another world” in the title, there is usually a certain blueprint that gets followed, and this goes for those written for a men’s marketplace as well as a women’s marketplace. But isekai has been around long before its rise to popularity in the 2010s. Most older fans who disparage the cliches and characters of modern isekai are quick to say “El Hazard and Rayearth don’t count!”. And then there’s Fushigi Yuugi, which I suspect more than a few people are going to think of then they read Reflection of Another World. The main character and the basic plot beats are not the same as that iconic series, but it has a sort of Fushigi Yuugi-ish veneer that permeates it. It helps the book to feel more like a shoujo manga being novelized than an isekai book. Which is good… and also bad, as it features the best and worst of the genre.

Our heroine is Yura, an introverted girl who is best friends with Tomoko, a lively and outgoing girl who’s also smart and good at sports. The other girls can’t really bully her – but they can bully Yura, who’s quiet and never speaks up for herself. One day, while she’s visiting after school at an antique store owned by one of Tomoko’s relatives, she sees a huge and mysterious mirror with writing on the sides. After a bit more suffering through the Japanese school system, including the classic “get blamed for stealing by your bullies who are the actual perpetrators”, when even Tomoko is upset that she always folds like a card table at any sign of conflict, she runs off to the shop and looks closer at the mirror… and gets pulled through it! Now in another world, she must deal with accidental marriage, everyone calling her the most beautiful thing ever, and a handsome man who is called ugly and kicked and abused. What is going on here?

I’ll be honest, a lot of this book was a struggle to get through. Yura, unfortunately, does not get called to another world for any reason we can see, so she rarely gets explanations when she does things wrong or doesn’t understand what’s going on. Also, the King seems to be a jerk, and most of the rest of the cast who are not Yura or her assumed love interest Sei are also not very likeable. The good news is that Yura, while not always likeable herself, is a very compelling character, and the writing does an excellent job of taking us into the head of an introvert who is forced every day to confront things that she really does not want to. Becoming everyone’s center of attention is her worst nightmare, and it felt very realistic that it took till near the end of the book – and, more importantly, for the danger to be to someone else rather than herself – for her to actually take a stand.

There’s a lot unanswered at the end of this book, so we’ll see what happens next. If Tomoko somehow joins Yura in Book 2, I will raise another Fushigi Yuugi eyebrow. Till then, recommended not for isekai fans, but for shoujo fans.

The NPCs in This Village Sim Game Must Be Real!, Vol. 3

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By Hirukuma and Namako. Released in Japan as “Murazukuri Game no NPC ga Namami no Ningen to Shika Omoe Nai” by Enterbrain. Released in North America by Seven Seas. Translated by Alexandra Owen-Burns. Adapted by Aysha U. Farah.

I imagine that a dream that a lot of mystery writers have is to be able to write a book that’s all mystery and no solution, where you can just coast on being cool and baffling the reader. For the first two volumes of The NPCs in This Village Sim Game Must Be Real!, that’s pretty much where we’ve been with each book giving us a few hints here and there but making up for it with exciting battle scenes, heartwarming character development, and awesome lizards. Unfortunately, we only get two of the three in this third volume, as the rest of Yoshio’s family and his childhood friend-turned-wannabe-girlfriend are shuffled to the side so that he and Carol can figure out what the heck is going on. The result is… I dunno, it’s explained well enough, I just really didn’t like it. Then again, I’m not sure, with this kind of setup, there was an answer that I *would* like.

After surviving the attack from his co-worker and Player Two, Yoshio now has to deal with the fact that Carol has, through the power of the Gods, managed to mail herself to him. Fortunately, his family is away the next few days, and Seika is giving him at least a bit of the benefit of the doubt. That said, he not only needs to get her back into the “game”, but also figure out what’s going on. This is not helped by other people continuing to attack him, as a hit has been put out: attack Yoshio and get the Book of the Gods and Carol, and get a big reward. So he’s got to try not to get killed, protect Carol, and find the creators of the game, who are in a small town in Hokkaido. When he finally gets there, the answer is not what he expected. More importantly, though, can he get Carol back to her game world? Did anyone else survive that last monster rush? And can Yoshio protect them himself?

I don’t want to get too deep into the mystery reveals that we get here, but I think the main issue is that I find it a bit tonally jarring with the rest of the series. It feels as if the author decided to take some characters from another series they’re working on and have them make an appearance as the cause of everything we’ve seen. Which is fine, and I’m sure that series has lots of yuri antics from what we see here, but it feels like it has nothing whatsoever to do with Yoshio and his struggles. His journey has been so personal in the first two books that it doesn’t work when he’s meant to sit there and passively hear what’s going on from a third party. I admit I was amused, though, when Yoshio has to explain that no, he actually does NOT want to stay in the other world with cool powers, he just wants to go home and confess to his long-suffering sweetheart. (We don’t get to see that either, also to my irritation.)

The author hints that if this is popular enough there might be more, but there’s no more of the webnovel it was based on, and I suspect this is it. It’s a bit of a misstep, in my opinion, but those who enjoyed the first two should still read it.

Housekeeping Mage from Another World: Making Your Adventures Feel Like Home!, Vol. 1

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By You Fuguruma and Nama. Released in Japan as “Kasei Madoushi no Isekai Seikatsu: Boukenchuu no Kasei Fugyou Uketamawarimasu!” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Heart. Translated by Elanor Sakamoto.

Sometimes, when you have a story you want to tell, you have to remember to tell it and not get distracted by other things. Indeed, sometimes the other things are completely unnecessary. You want to have an isekai with a love story between your heroine and a handsome adventurer, but urgh, isekai. That means you have to do the whole “why have you been summoned here/level up” stuff. But… do you NEED to have all that? As for your heroine, there’s a long sequence where she gets involved with the wrong party and is slowly ground down until she’s damn near suicidal. It’s needed setup for the romance to come… but do you NEED to have all that? Flashbacks are your friends! By jettisoning its tragic backstory to the very start of the book and keeping it in flashback, and by having the isekai be reduced to “it just happened, no reason”, the author of Housekeeping Mage is able to focus on telling the story they want. And that’s a good thing.

After a brief “I’m walking home from my grueling office lady job oh hey, isekai whooooosh” prologue, we meet our hero, Alec, an adventurer who’s just gotten back from a long job away from the capital. This means he has not met the capital’s new adventurer Shiori, whose magic power is minimal but who makes up for it in brilliant technique. No one is sure how she ended up there, at first unable to even speak their language. However, they know that when they take her on a multi-day quest, they get hot meals, hot baths, and reasonably soft beds, plus laundry service. Alec is, frankly, smitten pretty fast. There’s just one problem. Shiori was with a party previously who treated her like… well, like a maid, and drained her of her will to live… then abandoned her in a dungeon when forced to by greedy nobles. Frankly, Shiori has PTSD. But Alec, who has his own secret past and his own tragic backstory, wants to get to know her better anyway.

The book tries very hard to not have this be “Magical Maid”, to the point where her first party that does treat her like that are held up as the scum of the earth. (I was expecting to meet them towards the end of the book, but no, though they may show up later.) The rest of our main cast are quick to emphasize not only that what Shiori’s doing is a huge mental and physical help to adventurers, but also that it requires a fine technique that few mages possess – her mixing of different spells works for her because she DOESN’T have huge amounts of mana, those with more would likely be unable to do it. And later on she saves the day with both housekeeping knowledge AND knowledge from Japan. That said… Shiori is pretty broken in this first book. Alec realizes that, I think, and pursues her firmly but slowly, waiting for her to start to open up to him. Which she does, eventually.

There’s more of this in Japan, though as of this review the second book hasn’t begun on J-NC’s site. If you enjoy isekai written for women, or shoujo romance, this is a definite must read. It doesn’t skip the boring bits per se, but they’re shuffled to the side or left for dessert.

Dragon Daddy Diaries: A Girl Grows to Greatness, Vol. 3

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By Ameko Kaeruda and Sencha. Released in Japan as “Totsuzen Papa ni Natta Saikyou Dragon no Kosodate Nikki: Kawaii Musume, Honobono to Ningenkai Saikyou ni Sodatsu ” by GC Novels. Released in North America by J-Novel Club. Translated by Nathan Macklem.

This series, and really all series that star protagonists who start out as the strongest in the land and stay that way, has a basic problem: there’s really not a lot of places for their growth to occur. The titular dragon daddy has an advantage here over his daughter as he’s still learning about how humans (and indeed demons) react to things and what their value systems are. But Olivia… sigh. I love this series, but if it has a weak point it’s Olivia, who is the best kid and the most powerful kid and not much else. She can’t really start the drama. She can’t make mistakes. The most she can do here is to suggest that their quest for magical items amount to a summer visit to her friend’s houses, because no one has any idea where these items are. Fortunately, we do have a character in this book who screws up all the time and it a bit of a mess. She shines here.

School’s out for summer, but the Queen has a project for Olivia and her father. There are several magic artifacts that need to be drained every 30 years or so, with the added bonus of granting a wish. Unfortunately, almost all of them have been missing for about a thousand years. They need to be found, despite no one knowing anything about them. So Olivia visits all her friends, and one by one she and her father see different sorts of miscommunication between parents and their children and teaching them a valuable lesson. It’s actually pretty heartwarming. Meanwhile, our resident Dark Queen is… sulking in her castle, wanting to hang out with everyone but also wanting to be a lazy shut-in. That said, she also has an idea where one of the magical googaws is… but it would involve returning to the demon realm and facing her comeuppance.

I’ve said before that I enjoy the wacky antics of Maredia and Clowria, but I enjoyed them even more here when things got more serious. OK, only a tiny bit more serious – we meet the rest of Maredia’s family, and it turns out they’re all chuuni NEET shut-ins just like her. But a lot of the behavior that she’s been trapped in a vicious cycle for was brought on by crushing expectations from the demon world, and she blames herself for failing them all. The trial that the ruler of the demon world must pass is in two stages, and the first is easy, as she elects to take it with her friends, two of whom are well-nigh indestructible. But the final test is her on her own, facing her worst fears. It can drive a person mad. Fortunately, Maredia is an old hand at screaming at herself in her own head.

As with the previous books, there’s no explicit yuri here, but I mean, Maredia and Clowria give each other rings, with Maredia even going down on one knee to do it. That’s near as dammit. I’m not sure when the next book in the series is coming out, but it’s likely the final one. I liked this a lot.

My Daughter Left the Nest and Returned an S-Rank Adventurer, Vol. 3

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By MOJIKAKIYA and toi8. Released in Japan as “Boukensha ni Naritai to Miyako ni Deteitta Musume ga S-Rank ni Natteta” by Earth Star Novels. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

This third volume returns to the same structure we saw in the first, moving back and forth between Angelica’s life in the big city and her father’s life back in the sticks. Of course, neither one of them lack for things to do. On Angelica’s end, she runs into Charlotte and Byaku, the child villains from the previous book, who are trying to repent but perhaps going about it the wrong way. On Belgrieve’s end, the forest next to his little village is getting increasingly dangerous, to the point where there has to be something behind it. He goes investigating with the help of Duncan, his battle-hungry new friend, Graham, a legendary elf warrior, and Marguerite, a not-so-legendary elf who’s more of a hothead than anything else. Their paths don’t intersect this book, but rest assured Belgrieve is always on Angelica’s mind: she’s trying to find him a wife!

I compared Charlotte to Ilya from Fate last time, and it’s pretty clear that this is the Ilya from the first route. Not that Charlotte is dying from being a homunculus anytime soon (though hold on to that thought) but more that she needs a stable family life in order to be able to recover from her tragic past and her present misdeeds. Angelica provides that for now, and is a pretty decent big sister, but it’s clear that she’s going to need Belgrieve to step in, as Angelica just can’t be doing this AND taking down the strongest enemies at the same time. I also enjoyed the discussion of how Charlotte is trying to apologize for her past religious scams – giving everyone their money back and saying the amulets are phony – and the others taking the time to explain to her why that’s not working and why people are angry with her, as well as what she can do to actually become a better person.

Now, back to the homunculuses. There is a plot to this book beyond cute daddy-daughter antics, and the villains seem to be creating supervillains, though how villainous they are is a matter for future books. Certainly Byaku is one of them, and they seem to be able to remove his super powers at will, leaving him mostly just a grumpy teen. That said, he can also see what we’ve suspected since the start of the series – Angelica is no normal kid, but more like him. She, of course, doesn’t want to believe this, because her being a foundling doesn’t really matter as all her strength comes from her father. Now, it may be true that her TRAINING comes from her father, but her strength certainly seems to be something more. This should be a very interesting plot going forward.

All this and a cute elf girl, though not the cute elf girl that Belgrieve has been pining for from his past. (Sorry, Angelica, your dad has a lost love that likely needs to be resolved before you can hook him up with anyone.) This remains a very enjoyable fantasy series, with a fun and slightly airheaded lead.

The Saint’s Magic Power Is Omnipotent, Vol. 6

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By Yuka Tachibana and Yasuyuki Syuri. Released in Japan as “Seijo no Maryoku wa Bannou desu” by Kadokawa Books. Released in North America by Seven Seas. Translated by Julie Goniwich.

One of the better things about this new volume of The Saint’s Magic Power Is Omnipotent, aside from waiting till near the end of the book to justify that title, is that it’s committed to trying to figure out how the magic in this world works, rather than just seeing it as a stat. Of course, it IS a stat here, and we get lots of talk of HP and MP, But Sei realizes here that potions and medicine are not the same thing, and that in fact the use of potions may mean that diseases and maladies that might otherwise have been researched and analyzed are completely glossed over. That said, medicine takes years of testing and watching for side effects, and may not be all that potent, whereas potions are a magic cure-all that you just need to drink down. I don’t see one supplanting the other, especially given that Sei manages to invent the bestest potion of them all. The secret? Apples.

The bulk of this book concerns itself with the arrival of a visiting dignitary from the nation where Sei got her Asian food last volume, which continues to be very much not-China. One of the many princes in this country, he is here to study herbs and medicine, and despite the best efforts of the kingdom to hide Sei whenever he’s around, it’s pretty inevitable that they eventually run into each other. While she’s able to conceal her identity as the Saint to a certain degree, she can’t help but find a kindred spirit in the Prince, who really seems to know his herbs… and is also searching for a specific kind of cure. Can Sei manage to figure out what it is that the Prince’s mother has wrong with her? And if not, is there a way that she can weaponize her OPness to save the day?

The cover art shows off Prince Ten’yuu as a handsome bespectacled young man, but what I noticed more was the internal illustration, which showed him with the “spiral coke-bottle glasses” common to Chinese stereotypes in Japan (see Ranma 1/2 for the most famous instance). Fortunately the stereotypes seem to end there, with the main plot instead revolving around him as a sort of villain (everyone’s trying to stop him seeing Sei and figuring out who she is) who eventually becomes sympathetic (when we find the reason he’s there in the first place). It also reminds us that keeping Sei under wraps just is not going to fly as a long-term plan for much longer. Marrying her off to keep her in the Kingdom seems like the obvious answer, but again, she’s still in the ‘blushing maiden’ stage, and Albert is not inclined to push the matter. The politics remain boiling quietly in the background.

This is apparently one of the top ten light novel franchises in Japan right now, and I can see why. It’s solid and has likeable characters, and Sei is overpowered without being boring about it. She puts in the work.

The Most Heretical Last Boss Queen: From Villainess to Savior, Vol. 1

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By Tenichi and Suzunosuke. Released in Japan as “Higeki no Genkyou Tonaru Saikyou Gedou Rasubosu Joou wa Tami no Tame ni Tsukushimasu” by Ichijinsha Bunko Iris NEO. Released in North America by Seven Seas. Translated by Emma Schumacker. Adapted by Michelle McGuinness.

I suppose it had to happen eventually. There can only be so many light novels brought over here with the exact same premise before you find yourself thinking “this is really a lot like the previous dozen or so villainess novels I’ve read this year”. Heroine tries to change her fate while at the same time convinced that her fate is inevitable. Everyone around her is gobsmacked by her skills and her emotional sensitivity, but she doesn’t see it as anything but normal friendship. Everyone her age falls in love with her, including her adopted brother. We get events from her POV, and the events are then repeated from the love interest’s POV. And this one started in 2018, a good four years after My Next Life As a Villainess, so it doesn’t get the excuse some others have. What’s more, this is 100% serious, so we don’t even get the parody of the genre that Bakarina has become. It’s certainly readable – and had one bit I found quite interesting – but still… been there, done that.

Our heroine doesn’t even get half a page in Japan before she’s hit by a car. She wakes up as Princess Pride Royal Ivy, the daughter of the Queen and first in line for the throne (a rare matriarchy in light novels). There’s just one slight problem – Pride is the evil Queen from our protagonist’s otome game Our Ray of Light, and after years of foul misdeeds she’s killed off at the age of eighteen. Pride, who is eight, only has ten years to fix things. She gets off to a good start, rewriting relationships with her adopted brother and younger sister-in-hiding, while also showing off the “precognition” unique to her family line… though in her case it’s just remembering the plot from the game. Unfortunately, there are people behind the scenes determined to portray her as a selfish evil princess. And the cast keep getting these nightmares…

Without a doubt the most interesting parts of this book are the parts of the “game” where we see the Evil Queen Pride. Generally speaking when we get otome game villainesses in these books they tend to be bullies who go after the main character for not knowing her place, etc. Pride goes above and beyond, ordering her adopted brother (who has signed a contract forcing him to obey her every order) to murder his own mother, and casually admitting to her guard knight that she let his father die because it was more important to kill the bad guys who were after her. She really does live up to her name, and it’s easy to see why THIS Pride is doing her absolute best to avoid going there. Unfortunately, the other side of the coin – why is everyone having nightmares of the game, and why is one of the characters secretly evil – is not answered here, so we’re unfortunately left with the main flaw of many villainess books, where the heroine simply cannot get it in her head that she’s not a bad person anymore. It’s frustrating.

I’m not sure if I’ll get Book 2 in the series, but I do see that, judging by the webnovel content, this is going to be at least 7 or 8 books in Japan, and I don’t think I can last that long. For villainess completists only.

The Demon Sword Master of Excalibur Academy, Vol. 5

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By Yu Shimizu and Asagi Tosaka. Released in Japan as “Seiken Gakuin no Maken Tsukai” by MF Bunko J. Released in North America by Yen On. Translated by Roman Lampert.

Before The Asterisk War went on hiatus here due to no new volumes in Japan (the artist has been sick), I was frequently asked by fans why I kept reading it given how generic and cliched it was. And granted, it absolutely is that. But my answer was, simply, “It hasn’t done enough wrong for me to stop reading it”. And The Demon Sword Master of Excalibur Academy feels a lot like that. There’s really nothing here you can’t get in other magical academy series, and they likely don’t have “lol, he’s in the body of a 10-year-old” dragging down the harem premise. But I dunno, it all feels so harmless. There’s goofy fun, there’s cool battles, there’s the occasional dribble of plot, and the girls are all beautiful. It is a series that you can read and immediately forget about, but when the next volume rolls around you’ll grab it and read it because it’s there. Plus, pool battle!

After the events of the last book, Leo now has to deal with the fact that a Dark Lord has been resurrected… albeit, like Leo, with only a fraction of her power. Also like Leo, that’s mostly irrelevant, because Veira is hella powerful even muted, and the first half of the book is mostly her getting a tour of the modern world and running our heroes ragged. That said, the second half gets more serious, as the Mysterious Organization that is behind all this has decided that the deadliest Dark Lord is the next one they want to bring back… the Undead King, Leonis. I, um, have some bad news for them about their timing. More seriously, there is also a problem of Holy Knights getting corrupted by a mysterious “voice of the goddess” and having their Holy Swords turn into Demon Swords. Which, unfortunately, also seems to send them into a rage.

Not gonna lie, I was startled to see the minor villain from the first novel come back to be a minor villain in this one as well. Arrogant jerkass shows he’s even worse is good only in small doses, so it’s absolutely fine that he gets taken down immediately. If there is a “focus heroine” beyond Riselia here it’s Elfine, who is suffering from PTSD from prior battles causing her sword to lose some of its power, and decides to go on the front lines with our team this time to do something about it. Good thing, too, as the other teams they’re paired up with to explore Leonis’ old underground tomb are being led by demon sword users. Elfine is able to get over her trauma and emerge victorious, but there’s a lot of others who also try hard but either get turned into demon sword users or lose their swords to said users, and unfortunately I don’t see a really good reason why Elfine is different from them other than “main character syndrome”. I wonder if we’ll ever see any of them again.

So yeah, if you like this series, this is a decent volume of it, and if you don’t, you dropped it ages ago. It’s still not doing enough wrong for me to stop.