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Reviews

Durarara!!SH, Vol. 4

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By Ryohgo Narita and Suzuhito Yasuda. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

Apologies to those wanting to know what this specific volume is like, but I need to briefly get a little meta. Ryohgo Narita, a ludicrously prolific writer from 2003-about 2015, has been dealing with a chronic illness. It’s made writing on a regular basis very difficult for him. What’s more, when he is well enough to write he has other projects that take precedence, because they’re owned by people other than him. The Bleach light novels. The as yet unlicensed Fate/Strange Fake novels. What does all this mean? It means that this volume of Durarara!!SH came out in 2016, and there has not been another one since. I will be writing the same thing about Baccano! in a few months time. As with Hunter x Hunter’s long hiatuses, it feels wrong to blame Narita for this extended absence. It does mean, though, that this volume was one where I hoped there might be, if not a definitive ending, at least a good stopping place. Alas, no. This is just another day in the life of these violent idiots.

Despite the presence of Anri on the cover of this volume, she’s mostly a supporting role in the book, and Mikado is mentioned but does not appear. Instead, once again, the lead role pretty much goes to Celty, who is grasping for a new purpose in life and wants to try going back to her old courier job, minus the complications that always hounded that job back when Izaya was around. Sadly for her, Izaya may be gone but complications remain. The drug that was going around two books ago is still around, despite the folks behind it having moved on. She’s being asked to locate the eldest son of a rich family, who is, as a lot of eldest sons do, getting involved with a bad crowd. And even though she’s a supporting player in this book, everything seems to revolve around Anri’s antique shop.

I admit that I was very amused about the subplot with the guy who was upset at Ikebukuro in general for treating him like a nameless character, not even someone important enough to be called a weak loser. I was amused because I had trouble remembering who he was as well. Honestly, in addition to the various references to Narita’s other series that litter this volume (Firo and Ennis, though unnamed, get a mention, and there’s a Vamp! subplot in here too), I feel as if I’m missing something in regards to the Natsugawaras, and would not be surprised if the backstory we hear about happened in an unlicensed side story. Other than that, this volume is a lot of fun. Narita calls it lighter than the others, and I agree. It also features the return of Kujiragi, who gets my favorite line in the whole book.

So yeah, good volume, and for now… that’s the end of Durarara!!. Unless Yen licenses the Izaya side novels. Which I highly doubt. Let’s hope that we eventually get some more and perhaps some closure.

Secrets of the Silent Witch, Vol. 1

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By Matsuri Isora and Nanna Fujimi. Released in Japan as “Silent Witch” by Kadokawa Books. Released in North America by Yen On. Translated by Alice Prowse.

A book can get away with a lot if it has a really strong main character. With that already in the bag, you can feel free to set a book at a university filled with arrogant nobles and petty bullying without worrying about the audience going “oh no, AGAIN?”. You can afford to make your love interest a sort of generic nice Prince dude who only gets vaguely interesting in the final page of the volume. You can even afford to make your book, a mystery, have an incredibly obvious villain, making the denouement a bit flat. You can do this because your main character is why everyone is going to be reading more of this. And Silent Witch (Yen On added the Secrets part, possibly to avoid a copyrighted title) is one of those series. Monica is terribly shy, terrible powerful, and most importantly terribly easy to love as a protagonist. We want to see her succeed, we want to see her very, very slowly get better at simple communication, and we want to see her kick eight kinds of ass.

Monica Everett is one of the Seven Sages, mages so powerful that they can take out a black dragon capable of destroying cities all by themselves. Unfortunately, she brings new meaning to the word “introverted”, so she normally holes up in a cabin in the middle of nowhere with only her familiar Nero for company. Then one day another of the Sages arrives and blackmails… sorry, asks Monica to help him with a task. She’s to go to Serendia Academy to be a bodyguard/minder for Prince Felix, who is currently part of a faction war regarding who will inherit the throne. The idea of going back to school (she already went to magic academy) and having to deal with people every day fills Monica with horror. But it’s probably a good thing that she’s there, as the problems at school don’t just involve magic, they involve math. Which is Monica’s other specialty.

Monica is wonderful. Prince Felix compares her multiple times to a squirrel, and you can see why. She tends to be a wreck around people, and essentially is the Silent Witch because speaking incantations out loud would be too difficult for her. But put her in front of anything to do with math or magical circles and she flips on a dime, becoming laser focused and determined to the point where you could hit her in the face with a fan and she would barely react. (Admittedly, part of that is that she doesn’t want to deal with whoever would be hitting her in the face with a fan.) I also loved Isabella, part of Monica’s cover story, who gets to play the villainous ojou-sama who bullies Monica at school and is SO HYPED, having read a ton of villainess books to bone up on this. The rest of the cast are also fun, and I look forward to Monica slowly winning them over in future books.

I think everything in this series will depend on how long Monica can keep her true identity as the Silent Witch a secret. Because I think if that gets out, several big things will happen at once. But till then, I am delighted to watch this math squirrel run through the academy of arrogant noble jerks in search of cookies and places with no other people.

The Holy Grail of Eris, Vol. 2

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By Kujira Tokiwa and Yu-nagi. Released in Japan as “Eris no Seihai” by GA Novels. Released in North America by Yen On. Translated by Winifred Bird.

The most frustrating thing about this volume is pretty much the same issue I had with the first one: the author is not telling the story I want to read most. Don’t get me wrong, I’m greatly enjoying seeing Connie sort of fumble around and slowly work out what happened ten years ago and why there’s a big chance it’s going to happen again. But frankly, I want the teenage years of Abigail O’Brian. I want a pirate adventure story, I want to see how she ended up at the center of everything and also a madam, I want to see how she inspires absolutely everyone around her. But I suspect all I will get will be the crumbs of backstory I get here, because the author does not want to tell an adventure story, they want to write a mystery. And this volume gives us a lot of answers in the main mystery, though the resolution is still a long ways away. And depends, most likely, on Connie, not Abigail.

Connie is getting closer to the truth, and that’s making a lot of people angry. They try to kidnap and kill her best friend to get her to stop. They murder several witnesses who would have undone all their careful planning. And they have a pesky reporter girl who, sadly, is very much an antagonist in this series. Fortunately, Connie does have a few allies. She has Scarlett, of course, who can still occasionally possess Connie when it’s for the greater good, and whose complicated backstory we learn here. She also has Randolph, her love interest, though both of them being the sort of person that love just bounces off of means that the romance part of the book is more frustrating than anything else. That said, the real selling point is what we find out here: exactly why Scarlett was executed.

I will, of course, not reveal that here – I like spoilers but am trying to get better at not saying them. Nevertheless, it turns out to be a far larger plot than Connie, Randolph, or indeed the reader had planned. It can sometimes be a bit of a stretch to realize that everyone we meet seems to be connected to everyone either in the present, the past, or both, but that’s mystery novels for you. And we also get a few detours that are tense, mostly as while the author is unlikely to kill off Connie or Randolph, they’ve shown they’re perfectly happy to kill off other characters. There actually may be a bit TOO much going on here, as there’s also the subplot of a powerful hallucinogenic drug once again becoming available among the nobility. Everything points to somebody trying to undermine the country. And the biggest bombshell is what some people are prepared to do to save the country. But again… spoilers.

The series has 4+ volumes out in Japan, but I have a suspicion that this arc, at least, will end with the next book. I definitely look forward to seeing what happens – just because the mysteries are solved doesn’t mean the problems have gone away.

The Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Vol. 2

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By Piero Karasu and Yuri Kisaragi. Released in Japan as “Tensei Oujo to Tensai Reijou no Mahou Kakumei” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

This is one of those books that starts slow but picks up speed as things go along. It’s essentially the second half of the first “arc” in this series, and we see Anisphia and Euphyllia dealing with the two remaining dangling plot threads: the man who kickstarted everything by publicly denouncing Euphie, and the young woman who was theoretically the cause of that. And any fan of villainess books will know that both of those plotlines are things that we’ve seen before. That said, this book does have an interesting twist that I don’t think we’ve really come across in regards to the “heroine” role. As for Anis’ brother, that’s a lot more serious plotline, and both he and Anis are forced to face up to the fact that the actions they take have far broader consequences than either of them would have liked. Although I think Algard already knew that, since… well, he has an agenda.

The book starts with Anis being forced to do a lot of things she doesn’t want to do. This includes having a conversation with her mother, who is determined enough to break past Anis’ eccentric behavior, as well as the Ministry of the Arcane, who know that Anis took down a dragon recently and want the dragon’s remains for their own use and not hers. In addition, Anis is trying to clear Euphie’s name, which means figuring out why otherwise sensible young nobles were so willing to go along with this public shaming, and what sort of hold Lainie, the former commoner who everyone has an opinion on, has over them. This will involve consulting one of Anis’ “bad friends”, Tilty, a noble who is essentially just as eccentric as Anis, if not worse.

The book’s first really good scene is at Tilty’s place, where we work out what’s up with Lainie and why she inspires the people around her to do emotionally unstable things when she’s around. It’s the sort of plot twist I’d have been incredibly impressed with if the color pages at the start of the book had not 100% spoiled it. Lainie herself is more sympathetic than I was expecting, especially once she comes to terms with the sort of person she is now. As for Anis and her brother, that’s the other really strong part of the book. Algard’s behavior is nightmarish, but it all stems from Anis’ hands-off, “I don’t want anything to do with royalty I just want to study magic” attitude, and even as she points out that he can’t act the way he is because he’s the prince, she understands that she essentially did the same thing. The question of succession is very much up in the air at the end of this book, and I hope it somehow gets resolved in a way that does not remove the yuri from this title, even if so far that’s pretty slight.

So yes, solid second volume, and it suggests that Anis is going to have to get more involved in the lives of those around her, even if it means less magical research. That said, I do hope we get a bit more “magic nerd” stuff between Anis and Euphie in the 3rd book.

The Bride of Demise, Vol. 1

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By Keishi Ayasato and murakaruki. Released in Japan as “Shūen no Hanayome” by MF Bunko J. Released in North America by Yen On. Translated by Jordan Taylor.

Sometimes an author, regardless of the material, simply reaches out, grabs you by the throat, and starts to throttle you with evocative prose. Keishi Ayasato is one of those authors. Torture Princess, their previous series, contains just about every type of thing that I normally avoid in fiction, and yet it’s one of my favorite LN series. Likewise, when I first saw the solicit for The Bride of Demise, my first thought was “ooooh, not my thing”. But then I saw the author and knew I would have to buy it. And I was right. As with Torture Princess, this series has a certain loving fascination with grand guignol horror in its writing, but this one is, and I can’t believe that I’m even typing this, a magical academy series. That almost cheapens it, and I would hate to see it compared with things like the various “Demon King Went to School and Was Super Badass” books. This is the story of a young man and his fated meeting with a living weapon.

Kou, an orphan whose parents were killed when he was young, is a Magical Research student at the academy. He and his fellow researchers learn about the Kihei, monstrous creatures who were essentially the reason this is a somewhat post-apocalyptic world. Then one day, while he ad his team are exploring a supposedly safe area to harvest kihei corpses for material, they’re attacked by some very strong kihei. Kou decides to sacrifice himself to save the others, and falls trough a glass ceiling into a garden… which is convenient, as this is very much like the dream that he keeps having during his waking hours. In that dream, he meets someone who promises she will be at his side for all eternity. Now it’s come true. She’s White Princess, she is his “bride”, and it feels like he’s known her for years.

This review will very much be talking about the first half of the novel, because the second half is a nest of spoilers that I do not want to be responsible for you learning. All the “holy shit!” moments are there, and they are fantastic. That said, the rest of the book is a lot of fun. Kou is now part of a special team of elite students, all with their own “bride”, and taught by a classic badass teacher with a dark side to him. Kou manages to befriend most of the group pretty quickly, partly because it turns out that he’s a lot better at combat against the kihei than anyone really expected. But really it’s Kou’s relationship with his bride that is the emotional core of this book. Their love for each other is very quick to develop and very strong, and also, again trying not to spoil, the cause of the entire second half of the book.

I rarely have to say “trust me” in my reviews, as everyone knows I spoil like a mad fiend. But trust me on this one. Unless you can’t abide blood and gore (you should steer clear in that case), The Bride of Demise is a fantastic debut. Indeed, my one complaint is that it feels finished in one volume. Where else does this series go? Vol. 2 is coming soon to tell us.

Sasaki and Peeps – That Time I Got Dragged into a Psychic Battle in Modern Times While Trying to Enjoy a Relaxing Life in Another World: ~Looks Like Magical Girls Are on Deck~

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By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan: Isekai de Slow Life o Tanoshi Mou Toshitara, Gendai de Inou Battle ni Makikomareta Ken” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

This book is a mess. Saying that right off the bat, confident that even those who loved the title will agree. It’s trying to be a mess, after all. I’m not sure what the meeting of the author and their editor was like, but it feels very much like “I have four different ideas for a light novel, but I can’t decide which one to write.” “Why not write all of them?” “Four different books?” “No, no, the SAME book!”. It’s the sort of thing that requires a delicate hand and solid worldbuilding, and the series that comes closest to this, A Certain Magical Index, still can’t quite pull it off a lot of the time. Sasaki and Peeps doesn’t even try, content to simply revel in its mishmash qualities. It does eventually settle into one of its genres near the end, which makes it both better written and less interesting. I think we’re here for the car crash.

Plot 1: A salaryman in his late thirties, Sasaki, buys a pet Java sparrow, Peeps, who turns out to be a powerful macician from another world. Sasaki goes to this world, trading Japanese tech for gold and also learning magic. Plot 2: Learning magic means he gets in the way of a battle (in Japan, he and Peeps go back and forth) between rivals espers, and he is forcibly recruited into an esper organization trying to control those with powers. This goes far less well than you’d expect. Plot 3: His middle school next door neighbor, unnamed but abused and always sitting outside her front door, has a twisted crush on Sasaki that wars with her despair and suicidal thoughts. Plot 4: There’s a magical girl digging in the trash outside his apartment. This is the magical girl on deck from the subtitle, I assume.

Smoothness is not the selling point of this book. Which is a shame, as the last third of the book, which dedicates itself entirely to the isekai plotline, is the best written part, containing several excellent plot twists and a few cool battle scenes. That said, after watching the author and Sasaki flit around like… well, like a sparrow for most of the book, it feels wrong somehow. Sasaki should be a “potato” protagonist, but there’s a certain broken quality to him that shines through on occasion. His treatment of his neighbor like a stray cat that he keeps feeding is at least not as bad as, say, Higehiro, and I appreciate he did call social services, but he’s not helping there either. The book has no real romance as of yet, which is probably a good thing, as the female cast consist of a high school girl, a middle school girl, and two children.

Mostly the main problem with this book is it cannot settle down as to what it wants to be. That’s baked into the plot so it won’t get better, but I thought I’d mention that I think the plot is bad. The plot with the neighbor and the magical girl barely feature in the book, they’re just there as flavortext so far. That said, I may read a second volume, just to see if the author can keep this up. Or to see if the neighbor kills him.

Higehiro: After Being Rejected, I Shaved and Took in a High School Runaway, Vol. 1

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By Shimesaba and booota. Released in Japan as “Hige wo Soru. Soshite Joshikousei wo Hirou” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Marcus Shauer (Medibang, Inc.).

I was not originally going to be reading this at all. What I’d heard from reviews of the anime did not really appeal to me. Kadokawa’s license of the light novel made me ask “are you going to use Mediba–yes, you are”, and sure enough, their original version did not read great, from what I’ve been told. But then Yen On licensed the actual books (Kadokawa releases only chapters), and they promised actual editing. Which, to the credit of Emma McClain and Jordan Blanco, works well; the book may be unreadable to me for several reasons, but the translation and adaptation is not one of them. So I waffled. I read a lot of these romance books lately. It stars actual adults. Fine, I’ll give it a try. Lesson learned? Trust your instincts, Sean. I want to bill the author for the dental work I’ll need after grinding my teeth through this first volume, which tries to clear a low bar but forgets about all the other bars.

Yoshida is a corporate worker who has just confessed to his boss, who promptly rejects him because bosses should not date their employees… no, wait, it’s because she says she has a boyfriend already. In despair, he gets incredibly drunk and goes home, where he finds outside his house a high school girl who has run away from home. She asks if she can stay with him in exchange for “certain favors”, he rejects the favors and notifies the police… no, he does not in fact do that, he lets her stay at his place. As the days wear on and she continues to stay, clean the house, and cook his meals, he suddenly finds that he’s sleeping better, looks more put together, and is leading a sensible life. He’s even getting attention from his cute underling… and from the boss who rejected him. Is the secret to success having a runaway underage wife?

Let’s start with my pettiest objection: I expected shaving to have far more impact on the narrative given that it’s in the title. He doesn’t even have a real beard, just… scruff that he probably shaved every third day. Moving on, one of the reasons that high school romances with a dimwit protagonist who has 8 different women who love him because he’s actually not a terrible person works is because he’s a dumb teen who’s still growing up. It works far less well with a 27-year-old salaryman. The majority of this book is from his POV, and I will admit that when the book finally switched to Sayu it got more interesting, though we never do learn why she’s run away. The book tries to critique the tropes it’s wallowing in, too, pointing out the dangers of “kind” people and also when to learn how to trust, but I still can’t get over the premise of “wow, I just need a girl to be my wife in all ways except sexual ones, and suddenly I’m a harem protagonist!”.

If this book was going to be about found family, and about Yoshida and Sayu’s relationship being more like an older brother/younger sister, I might be vaguely interested. But I have zero confidence that the author is not setting things up for her to be part of the love interests one the “high school” part is done. In the end, this is a giant cavalcade of NOPE for me.

The World’s Strongest Rearguard: Labyrinth Country’s Novice Seeker, Vol. 7

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By Tôwa and Huuka Kazabana. Released in Japan as “Sekai Saikyou no Kouei: Meikyuukoku no Shinjin Tansakusha” by Kadokawa Books. Released in North America by Yen On. Translated by Alexandra McCullough-Garcia.

Last time I suggested that things might get a lot more interesting now that bad things have happened to our heroes. Sadly, I was overoptimistic there, and I forgot how, no matter how bad things may get, the general tone of this series remains “cozy”. Yes, Theresia was cursed by the Shinimg Simian Lord, but she’s not immediately turned evil, it’s a slow-acting evil curse, so she spends most of this book merely being herself and occasionally shuddering as it corrupts her. And Elitia is of course devastated that she got everyone into this in the first place, but after a suitable period of angst and wallowing she’s allowed to be reborn as a far better person and swordswoman. And, of course, nothing can ever take away from the true purpose of this series: watching everyone ask Arihito what new skills they should buy. Even the author says that this is more a video game than a book at this point. That said… I’m still reading it, so something must be going right.

On the cover are two new characters, Ivril and Viola, who introduce themselves but not much else. But they look cool, right? As for Arihito’s party, after the disastrous battle in the Blazing Mansion they have a new problem; they not only have to rescue Elitia’s comrade but also cure Theresia from her curse. This requires research, as well as battling some undead horrors, in order to reach a curse-breaker who reminds everyone of Ceres (they’re not related, apparently, but have a past history). They also join another battle to help out two wayward seekers who got separated from their party during a retreat, and they take on yet another sentient weapon at the end of the book, which pops up when trying to open a black treasure chest. Do they go back and fight the simian lord? Not yet. See you in Book 8.

Again, these books meander. Chapter 2 goes from Page 54 to 122 in my copy, and it’s nothing but looking at Expedition Results, Level Ups, and choosing new skills. I also left out the delicious meals they eat (including a chef who wants to cook food with the rare fruits they got recently) and of course all the sexual innuendo, as this remains the filthiest G-rated book in light novels. (Kyouka has a dream she’s married to Arihito and is wearing a naked apron for him.) That said, as noted above, it was nice to see Elitia finally figure out how to master her blade, which essentially turns out to be “trust that I won’t use it to murder allies”. We get a bit more of her backstory here, and see that her brother has been manipulating it – after the Simian Lord his group may be the next fight.

No one is reading this for depth, and if you’re reading it to see when anyone will have sex, despite all the innuendo, you should also find some other series. But if you’ve enjoyed rearguard so far, you’ll enjoy this.

Chitose Is in the Ramune Bottle, Vol. 2

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By Hiromu and raemz. Released in Japan as “Chitose-kun wa Ramune Bin no Naka” by Gagaga Bunko. Released in North America by Yen On. Translated by Evie Lund.

I’m enjoying the Chitose series a great deal, but if there’s one thing that worries me it’s that I don’t know what the series’ overall plot is. Other series have ‘each volume has a girl in distress” about them, most notably Rascal Does Not Dream Of (insert girl here), but we know by the end of Book 2 what the basic thread of the series is (the supernatural manifestations of psychological trauma). I suppose it veers closest to My Youth Romantic Comedy Is Wrong As I Expected, which also features a lead guy who will throw himself under the bus to solve a problem, but I think if I tried comparing Chitose with Hachiman the latter would be very angry with me. The question is, are we meant to be figuring out who is “best girl” in a romantic sense? Is this about ripping Chitose’s mask off? Or is it just a series where a group of high schoolers give an excuse for a plot of the week, like many TV shows?

As you might have guessed, the girl on the cover is the main girl of this book, Yuzuki Nanase. She’s lately been worried that she has a stalker, and asks Chitose to pretend to be her boyfriend in order to either drive them off or draw them out. He’s the obvious choice as the two of them are extremely similar, and so she knows he won’t be getting any misconceptions about what this relationship is about. Unfortunately, her fears turn out to be quite justified, as delinquents from a different school are forcing her to revisit an incident from her past that she’s been trying to bury. In the meantime, the fact that he’s now dating Nanase has Chitose in a spotlight he’d rather avoid, and he ends up having ANOTHER guy that he tries to give life advice to.

The other similar series I didn’t mention in the first paragraph is Bottom-Tier Character Tomozaki, and there is an element of that here in Chitose’s trying to hammer home the idea that girls are not pure fantasy creatures and fart and masturbate and everything else that’s normal. But, as with the first book, one of the big draws here is that the popular kids are the leads, allowing the ability to tell a different kind of story. Even something like Tomozaki relies on the outsider who has a past where he always thought “goddamn normies” to get past. Kenta, the nerd from the first book, is still here and is now part of their group, but he’s not the narrator and doesn’t drive the plot. This is a story of popular kids dealing with a specific popular girl problem in a way that, say, Hachiman would be unable to pull off. Good thing, too, as this book also gets more serious towards the end, with suggestions of sexual assault in both past and present.

So I’m still not sure where this series is going, but I’m greatly enjoying the ride. That said, I suspect that all the potential romantic interests for Chitose, including Nanase, are going to have to take a back seat to his upperclassman crush, and the cover for Vol. 3 suggests we’ll get a lot more of her next time.

Bofuri: I Don’t Want to Get Hurt, So I’ll Max Out My Defense, Vol. 6

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By Yuumikan and KOIN. Released in Japan as “Itai no wa Iya nano de Bōgyoryoku ni Kyokufuri Shitai to Omoimasu” by Kadokawa Books. Released in North America by Yen On. Translated by Andrew Cunningham.

The Bofuri series does have a pretty good supporting cast, and I enjoy reading about them. That said, most people who picked this up are here for one reason and one reason alone, and that’s Maple breaking the game by doing awesome unpredictable shit. Good news, the 6th volume is here to help you. It definitely doesn’t hurt that this 6th book involves the 6th level of the game, which is entirely related to ghosts and the supernatural. As such, except for one disastrous attempt to get over her terror, Sally is pretty much absent, grinding on other floors so she can avoid being Shaggy in an episode of Scooby-Doo. This allows Maple to solo several events, or team up with Mii, or experiment with rewards in strange and brilliant ways. It’s the sort of thing that will look great animated if Season 2 ever happens, but that’s still sadly far in the future at this point.

We start by Maple getting her new favorite toy, which is a literal throne that she can sit on while attacks do nothing to her. (The downside being that she can’t use “evil” attacks while on it – i.e. most of her repertoire). She uses it a lot in the next stratum, which as noted above is one based around ghosts. Sally, who sees there are lots of cool things she could get if only she got over her fear, tries… and fails miserably. So Maple tries to get some nice rewards that she can give Sally, as well as some rewards that will specifically benefit her build. Finally, we get the Seventh Event, which fortunately does NOT involve ghosts, and so Maple wants to go old-school on it: only her and Sally vs. the toughest opponents.

A lot of the humor in this volume comes from the occasional times we cut back to the developers, who have either designed things to be anti-Maple that she proceeds to win out over by doing something bonkers, or else they’ve designed things that would be lethal difficulty for anyone else that Maple strolls through even though it wasn’t designed to get her interest at all. The rest of Maple Tree, of course, have simply given up on being surprised, with Chrome just sighing and helping Maple to control her ghostly hands that can wield other shields, etc. It helps that Maple’s not doing this for any reason other than “it’s fun”. She’s gotten better at thinking things through… just… but most of her gaming still seems to be “do whatever the hell I like”. This includes lunching with Mii, who can drop her roleplay facade around her, or fending off Frederica, who’s trying to duel Sally and wondering why she’s not on the 6th floor. Maple is simply too nice to get angry with.

This isn’t essential reading, and fans of the anime can probably wait for whenever it continues, but I still quite enjoy Bofuri. It’s a relaxing, quick read.

Walking My Second Path in Life, Vol. 3

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By Otaku de Neet and Kurodeko. Released in Japan as “Watashi wa Futatsume no Jinsei wo Aruku!” by SQEX Novels. Released in North America digitally by J-Novel Club. Translated by Andrew Schubauer.

Frequently we find that we, as readers, do not want what the author, as a writer, is writing. This is especially true as the series goes on. Any glance at AO3 fanfiction will see a graveyard of incredibly popular fanfics that got abandoned because the author got very angry at the source material. As such, I should not be annoyed that a romance novel turned out to end with a romance novel ending. But I am, a bit. It doesn’t help that even the author kind of realizes that this is the wrong move, with everyone second guessing the big reveal and wondering if it might have been better just to let Heath stay a squire after all. Oh yes, and there’s the fact that this book came out four years after the others and with a different publisher. We should probably be grateful we got anything at all, but what we got is… well, somewhat less than satisfying.

For those who may have forgotten what’s been happening, Heath is the disguised Princess Fie, training as a squire and hanging out with her buddies. There’s fighting! There’s circuses! But then, right as she is jumping through a hoop of REAL FIRE in an effort to create a circus of their own, the kingdom’s chancellor happens to be walking by… and recognizes her. That’s it, she’s toast. That said, at least she’s not exiled to the cottage of starvation any more, and everyone lines up to apologize to her, from the King to her sister (yes, we finally meet her sister). Unfortunately, there’s a slight problem, which is that Fie has been dating Queen, and now she can’t. This will require strategy, as well as a long think to try to figure out if she actually is in love.

This reminded me a bit of Bloom Into You as well, as we get a “will they make a character who doesn’t really get love or romance asexual?…no, they won’t” sort of vibe to it. That said, this mostly feels like a book trying to do too much. We get separate subplots explaining Fie’s sister (who is in love with a Prince from a different kingdom) and King Roy (who is trying to be a good king but his desire to completely avoid women has led to tremendous problems. But, again, the main issue is that this is the story of a woman who empowers herself and goes out to create her own life and career… and in the end finds that she can’t actually do that, so resolves to become a wife and mother. Queen gets to be a knight, though. It’s not that badly written, and Fie is still a great character to read about, but it feels like we made the wrong choice and got the bittersweet ending in a visual novel.

Perhaps this will inspire someone to write a fanfic where Heath isn’t caught and becomes a knight? Mmmmmm… probably not. But, again, authors should not call attention to the bad choices they’ve made by having other characters saying “maybe this was a bad choice”.

Slayers: The Demon Slayers!

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By Hajime Kanzaka and Rui Araizumi. Released in Japan by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Elizabeth Ellis.

And so, we come at last to the end of the Slayers novels. Well, not really. This volume came out in May 2000, and after 18 years, a new volume appeared in 2018, and another the year after that. But this book has a feel of “final” to it nevertheless, wrapping up the plot points from the second arc, bringing back a few familiar faces, and even throwing in a hint of romance that doesn’t really go anywhere (which is a step up from the series’ usual no romance at all). It has the usual strengths of the series – the fights are snappy and well-paced, Lina’s narration is fun – and the usual weaknesses – emotional depth from this author feels like he’s reading aloud from a piece of paper. Actually, the most interesting part may be one of the familiar faces. Slayers rarely goes back to look at its survivors, so seeing Rubia again was something of a surprise. Even if it feels like she’s just there to contrast with someone else. Which is true.

Lina and Gourry are finding that demons are popping up more and more often, and their attack patterns are very weird. Indeed, one of the demons seems to be … stopping the other demons from killing the two of them? Then Lina discovers that there’s a doppelganger of herself walking around, and all signs point to (for the third time) the doomed city of Sairaag as being the place to go. They’re helped here by… no, not Amelia and Zelgadis, they’re still absent, but Xellos does show up, and he is his usual self. Milgazia and Mephy are there as well. But the final battle between Lina, Gourry, and whatever it is that’s causing all this will have to be a lone one… if only as they’ve been transported to another dimension!

If you’ve been reading these books, the identity of the villain should not surprise you, and some decent effort is made to remind you of the hints from previous volumes. That said… this is a book which ends with an assisted suicide, with Lina seemingly devastated by having to be the one to do it, but again, it feels very emotionally weak. Rubia, as I noted above, was a surprise, but she’s meant to be there to show what happens when you’re able to let go and move on… even if the answer is “I’m still sad and there’s no one in my life, but I have a greenhouse now”. Possibly the biggest surprise in the book is at the end, where Gourry says he wants to go and meet Lina’s family, which is very much the equivalent of a proposal in this world. That said, it has to be undercut with him talking about wanting to taste the grapes her town is famous for, and sad trombone noises ensue.

Slayers is a series that is very much of the 1990s, and judging it by 2020 standards can seem harsh at times. It’s a classic 90s series in that it was exciting and funny and also made for a much better anime, when the emotional heft could be fleshed out and left to other writers. I wonder what the newer books feel like, with 18 years’ more experience between them? Perhaps we’ll see one day.

The Princess’ Smile: The Body-Double Bride Searches for Happiness with the Reclusive Prince

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By Yuuri Seo and m/g. Released in Japan as “Hidenka no Bishou – Migawari Hanayome wa, Hikikomori Denka to Shiawase ni Kurashitai” by M Novels f. Released in North America by Cross Infinite World. Translated by Jenny Murphy.

I’ve said before that I don’t mind cliches, or books which start with the same things happening, but I will admit that I have my limits, and The Princess’ Smile was pushing them as we got about 3/5 of the way through the book. The main issue is that every major plot point plays out in the most predictable way possible. The actual princess turns out to be a terrible person, check. Schlub of an ex-boyfriend who doesn’t speak up, check. New husband is reclusive, truculent, and clearly hiding a secret, check. The secret is immediately obvious to the reader because we looked at the cover art, check. It can be a bit frustrating. Fortunately, once our heroine is nearly poisoned, things really start to pick up, and the last part of the book – with one exception – is a lot of fun to read. But getting there is a bit of a hike.

Sara is a servant for Princess Hermine, having been taken in after the death of her parents in a carriage accident. The two of them look very similar – you could almost get them confused! Then one day the King explains that Sara is going to swap places with the Princess and go get married to a prince from another country… one that recently won a war between the two nations. Sara is a bit upset about this. Then she discovers that Princess Hermine has already met her boyfriend and slept with her boyfriend. Several times. That, plus the fact that you can’t really refuse the king, means Sara is off to nearby Ferrier, there to meet her new husband. Sadly, her new husband wants nothing to do with her. And also has a dark secret.

…which is that he’s a werewolf. Sorry, but.. LOOK AT THE COVER! So it’s in that genre of books. That said, he softens up into a shy but nice young man pretty quickly, and Sara is a good protagonist. Seeing the two of them slowly grow closer if nice, even if it does not tick any boxes that have not been ticked before. Then once the rest of the plot kicks in things get better. I was pleased to see a Queen Mother who turned out not to be secretly evil, and the scenes showing the final battle with Salielles, Sara’s home country, do not hold back in showing the bloody violence of war. That said… while “selfish princess” is a well-worm trope, at the very end of the book Princess Hermine leaps off a cliff and straight into “unrealistically deranged princess”. Sara’s jaw drops and so did mine. It was so bad my suspension of disbelief was utterly broken.

That said, overall this wasn’t too bad. If you enjoy werewolf romance or women who resolve to take their life into their own hands after spending most of it being manipulated, you may appreciate this. It’s also complete in one volume.

Private Tutor to the Duke’s Daughter: Saving the Kingdom Over Summer Break with Ladies of Ice and Fire

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By Riku Nanano and cura. Released in Japan as “Koujo Denka no Kateikyoushi” by Fujimi Fantasia Bunko. Released in North America digitally by J-Novel Club. Translated by William Varteresian.

I appreciate that the author, in the afterword to this volume, acknowledges the main issue with this as a modern “harem” genre series, which is that Lydia is such an obvious winner that it’s irrelevant to read about the others. The only other one with any chance at all is Tina, and that’s because she’s in the title. That said, I don’t think that “write Lydia out of the story for a while” is really going to help much, mostly as I’m pretty sure Lydia is simply not going to ALLOW herself to be written out for any length of time. This volume does wrap up one plotline while continuing another, and it’s looking very likely that impending civil war might be a good reason to stop having cute harem antics… or it would if this series didn’t run on harem antics half the time. You need to balance your cool battles and attempted murders with headpats and snuggles, after all.

Exams are finished, and the girls have finished terrorizing their teachers with their raw power. Tina and Lynne are the top scorers, but Ellie wins Allen’s challenge as she improved the most. Now everyone is off to Allen’s home, where he has to finally confess to his parents that he failed his Court Sorcerer exam. Now, given that he only failed because the examiner insulted his parents, I think they understand. His parents are exactly as you’d expect. Lydia not so much, as she spends much of this book in “prim and proper” mode, to the horror of everyone else but Allen. Unfortunately, capturing that rogue Prince has not gone as well as hoped. Worse, they’ve finally finished decoding the book Allen gave them, and it’s clear there’s multiple great spells involved. A big fight is needed.

The main draw and also main flaw of this series is that most of the really amazing stuff I want to read about happened already, and we only hear about it tangentially. Allen and Lydia’s school days, whatever tragedy befell them in Allen’s hometown, etc… these are dangled in front of us and then whisked away, to be replaced with scenes of who gets to be the one to sit next to Allen at the table that meal. The harem is somewhat unbalanced, as noted above, but not just because Lydia is so obvious. The other girls simply act far too young to really be thought of as competitors. They’re all little sisters, not romantic partners. This does make things awkward in the final battle, as it’s one of those series where a kiss-powerup is sometimes needed, and Allen gets one from both Tina and Lydia. Tina’s is very “I’m sorry about this”, Lydia is the aggressor, and loves it. Also, it’s nice to see Allen struggle in a battle and get seriously injured. He’s seemed a bit too impervious lately.

So, the next book promises no Lydia. And apparently no Tina, Ellie, or Lynne as well. That leaves the actual little sister, so I’m not sure how much hareming we will get – I expect more of the “the kingdom is in danger” plotline. Till then, still enjoying this harem fantasy series, despite its awkward harem.

Arifureta Zero, Vol. 6

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By Ryo Shirakome and Takaya-ki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou Rei” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen.

My biggest fear with this 422-page final volume was that it would be one long fight scene, and thankfully that is not the case, though the first third of the book is one long fight scene. My second fear was that it would be unrelentingly grim, and while it is grim, with lots and lots of deaths of people we care about, it’s not unrelenting, and there are moments of silliness and humor in the middle of the book. Heck, even some of the main characters survive, because I’d forgotten the main series talks about their descendants. But for the most part this book is “Miledi tries her hardest but fails”, as we knew it would be – it’s a prequel, after all. It also helps to set up the final volume of the main series, coming soon I hope, which will likely feature her showing up to save the day. At least I hope she does, because the day is certainly not saved here.

The first chunk of the book, as I said, is one big fight, and goes fairly well for our heroes right up until the very end, when they’re forced to retreat. They then take the time to try and gather a few more allies – the dragons are now ready to help them, and even the vampires are willing to pitch in… that is, after we discover their long-lost royal daughter (who is closer than you’d think) and resolve the issue of the missing heir to the throne. We also discover that you can access the most powerful magic ever if you get really, really drunk. Unfortunately, Ehit has finally had enough, and decides to force the hand of Miledi by brainwashing everyone who is not a Liberator to kill all their allies. This takes up most of the rest of the book.

As always with Arifureta, this book had a lot of things I enjoyed and some things I could really do without. The main issue with the last third of the book is that this cast is simply too damn large, especially with the books coming out every year or so, and it’s hard to get sad when a character who you can’t really remember well dies. I needed a guide at the start. Also, Naiz marrying one of his emotional support 8-year-olds once she came of age is not something I wanted at all. On the bright side, Miledi and Oscar are handled perfectly, and her execution and subsequent golemification are also done well. There’s even some good horror here, as one of the few bad guys who’s likeable has her soul destroyed so that the big bad can take over her body.

So yeah, not everyone dies, but the majority of the cast die, and Ehit still rules. It’s gonna be up to Hajime and company to fix things. In the meantime, this was a fun yet annoying prequel, just like its heroine.