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Reviews

Yuri Tama: From Third Wheel to Trifecta, Vol. 3

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By Toshizou and Kuro Shina. Released in Japan as “Yuri no Ma ni Hasamareta Watashi ga, Ikioi de Futamata Shite Shimatta” by Overlap Bunko. Released in North America by J-Novel Club. Translated by Tristan K. Hill.

Either this book is wearing me down or I have an undiagnosed concussion injury, because I did not find this third volume of Yuri Tama nearly as annoying as I did the previous two. There are a couple good reasons for that, of course. The godawful incest plotline that plagued the second book seems to have been quietly shelved, and Yotsuba’s sisters, while still overly affectionate, have dialed themselves back. Yotsuba’s self-loathing is still very, very prevalent in everything she says, but at least her girlfriends are now telling her to stop doing that, so we’re getting there. Koganezaki continues to represent the reader’s frustrations, and is awesome. And, of course, there’s a ridiculous new love interest, but frankly, it’s handled about as well as can be expected, given that the premise of this series is Yotsuba doing something amazingly foolish and every other woman in the cast thinking “God, I can’t not fuck her”.

Yotsuba has only just managed to recover from the events of the second book and is trying to quietly enjoy the rest of her summer break, but then her sisters bring stunning news: the idol Maki Amagi is taking a leave of absence from show business. Her sisters are devastated, Yotsuba is nonplussed. Who? Then suddenly a new girl moves into the house next door. No prizes for guessing who it is. It turns out that Maki Amagi is really Makina Oda, who was childhood best friends with Yotsuba before she had to move away. As Yotsuba tries to process this, Makina asks a favor: the paparazzi think she’s dating a guy, so to throw them off the trail, can she pretend to be dating Yotsuba? Yotsuba is immediately taken in by this story that does not sound remotely fake, but how will her actual girlfriends react?

I’ve mentioned this before, but given it’s one of the most notable things about her, I’ll mention it again. When Yotsuba turns off her self-doubt and constant second guessing brain and just goes with the flow, she manages to be a fantastic romantic partner. On her date to the aquarium with Makina, we see this in action, and we also see what’s obvious to everyone but Yotsuba: the “paparazzi” thing was just an excuse, she’s been in love with Yotsuba since she was five years old. The series revels in its cliches (we get the good old “childhood marriage promise” here), but honestly things are handled about as well as I could have expected them to be. Yotsuba has a heart to heart with Rinka and Yuna (followed by offscreen sex with Rinka and Yuna – Yotsuba worries she’ll be terrible in bed, but honestly, given her personality and general vibe when moving on instinct, I think she’ll be a natural) and is still in love with them, but Makina is very much still in the picture.

There’s no fourth book yet, but the author is hopeful, and says it will focus on Koganezaki (who might get to be part of the only yuri pairing in the book that doesn’t involve Yotsuba). Till then, this is very silly but fun, especially if you ignore Yotsuba’s parade of insecurities in her narration.

A Royal Rebound: Forget My Ex-Fiancé, I’m Being Pampered by the Prince!, Vol. 2

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By Micoto Sakurai and Kuroyuki. Released in Japan as “Konyakusha ga Uwakiaite to Kakeochi Shimashita. Ōji Denka ni Dekiaisarete Shiawase nanode, Ima sara Modoritai to Iwarete mo Komarimasu” by DRE Novels. Released in North America by J-Novel Heart. Translated by A. M. Cola.

Villainess books (and I’m including the separate subgenre of “not reincarnated but still a noble lady whose engagement is broken” there) tend to fall into “hard mode” or “easy mode”. “Hard mode” are books like I’m the Villainess, So I’m Taming the Final Boss, where our heroine is constantly threatened with death and execution if they put even one foot wrong, and each volume is flying by the seat of the pants. Easy mode is generally the Cinderella sort of story, where our heroine’s prearranged marriage was really dreadful and she’s immediately snapped up by a much better catch, and the rest of the book is just “how much happier she is now”. A Royal Rebound is definitely in the easy category, to the point where it may even be the “here’s how you play the game” tutorial. Even when we get our heroine put into mortal danger here, her fiance comes along and can fix things relatively quickly.

Amelia is still in seventh heaven as we start Book 2. She’s now engaged to Sarge, the third prince, and the two of them can spend all day (and night… and some of the next day) doing nothing but research agriculture till they drop. Yeah, it’s that kind of relationship – these two don’t even kiss. Nevertheless, she has Sarge, and the royal family, all of whom adore her. Being part of the royal family also means that she is now being asked to go on diplomatic missions, including one to the nearby kingdom of Janaki, who are also having agricultural issues but lack the magic powers that most folks in Bedeiht have. Of course, the kingdom of Janaki is dangerously close to the Beltz Empire, where Amelia was almost kidnapped to last volume by her ex-fiance. But surely there won’t be a second kidnapping, right?

Again, this book is super relaxed. The princess of Janaki, who is the fiancee of one of the other princes, appears like she might be a spoiled brat who’s fallen in love with someone else… but no, it’s OK, she’s just being brainwashed. In reality, she’s like every other woman in this book, sweet as pie and ready to dedicate everything to the nation. Hell, even the bad guy, who comes in with a hate on for the entire nation state, ends up being convinced that her mother really didn’t abandon him out of choice and that he really was loved, and turns around. Even Reese, Amelia’s ex-fiance… well, OK, no, Reese still stays in prison. There are limits. But Amelia thinks about what a shame it is his Earth magic can’t be of use to the country going forward. This is a nice series to read, but its main fault is that it’s so idealistic it squeaks.

But again, that’s probably why folks bought it. I suspect this is the final volume (if there is a third, it might just be a pile of weddings in a row), but if so it’s just really… nice. In a good way. Mostly.

Endo and Kobayashi Live! The Latest on Tsundere Villainess Lieselotte: Disc EX

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By Suzu Enoshima and Eihi. Released in Japan as “Tsundere Akuyaku Reijou Liselotte to Jikkyou no Endo-kun to Kaisetsu no Kobayashi-san” by Kadokawa Books. Released in North America by J-Novel Club. Translated by Minna Lin.

The “Disc EX” should tell you exactly what you’re getting with this volume. This is not a new volume in the series per se, nor is it a sequel or a side story. Even as a collection of short stories, that description feels inadequate. It’s the sort of bonus content you get when a game has done well and the creators are taking a victory lap. It’s not going to have any drama or threats – indeed, the one scene where there is a brief threat of actual consequences is quickly resolved by simply deciding to ignore the problem. Instead, you get exactly what you want from a fan disc – more of the cast being themselves. More of Lieselotte being tsundere, more of Sieg being overwhelmed by how cute she is, more of Endo and Kobayashi narrating out loud (even when they’re in the actual world itself). You don’t have to read this. But it will bring a smile to your face.

The goddess Lirenna has made things so that Endo and Kobayashi can be there on the day that Lieselotte and Siegwald’s wedding day, as we saw in the final scene of the 2nd book. They have most of the whole day there, so while there they ask about various things they didn’t see or missing pieces from the first two books. We hear about Lieselotte’s Memoir, which here is a simple diary of her last few years but in the fan disc at the end of the game Endo and Kobayashi played it was a dark chapter that showed you what Lieselotte was really like and drove home the tragedy. (We don’t get excerpts from the bad diary, that would be depressing, and against the premise of this book). After various short stories show off the supporting cast, the two are wed, and Endo and Kobayashi return to Japan permanently – except the game now has a video epilogue from its cast.

As I hinted above, the most interesting part of the book is where Endo and Kobayashi express surprise that Fiene gave in and got engaged so fast, as they know that she’s suffering from subconscious trauma due to being Eve and having her husband (Adam, aka Baldur) murdered in front of her by Kuon. They debate telling her about this, but realize that there’s really no good reason to do so, and a few good reasons they should not, so they just… don’t. I appreciated this. No need to lift lids off cans of worms. I was also amused at the side story devoted to Leon, and why he showed up with everyone at the final battle. The cast are all frustrated that they don’t know why, but we all know why – he’s madly in love with Fiene’s mother. I suspect he might eventually wear her down, but this is – again – a fun little bonus that readers know about but most of the cast don’t, which fits the fan disc theme.

I’d have liked more about Endo and Kobayashi’s relationship – they’re on first name basis now, but that’s about it – but this is fine. As a volume likely only commissioned because of the anime, it does its job quite well, and fans should be pleased.

An Archdemon’s Dilemma: How to Love Your Elf Bride, Vol. 16

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By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America by J-Novel Club. Translated by Hikoki.

These books are getting increasingly hard to review, as there’s simply not much that’s left in terms of “dangling plotline” beyond one or two minor things introduced here. Zagan has gotten to the point where he’s ready to propose to Nephy, and has a ring, but a) is waiting for Nephy to be emotionally prepared for a proposal, and b) has to use the ring as a magic tool when battling a demon. Barbatos and Chastille are still trapped in tsundere hell, but are at least able to go out on dates now, and it won’t be long before they manage to somehow get married while denying it to the last breath in their bodies. The only real ongoing new plot of interest is Asmodeus, who, as predicted, is trying to pretend that the whole Lily thing didn’t affect her, but it totally did.There’s also getting spirits out of angelic swords, but unless we meet any of these spirits, I don’t care.

Chastille’s birthday is coming up soon, and Barbatos is *so* bad at romance that Gremory actually asks another archdemon for help, Vepar. Vepar would rather chew glass, as he regards Barbatos as evil and thinks Chastille is being forced into this, but after a while hanging around Barbatos he starts to get the picture – Barbatos is just lame. Vepar, meanwhile, wants a chance to fight his former master Asmodeus. While this is going on, Barbatos is also approached by Astrologian Eligor, who is trying to recruit Barbatos to switch sides and fight against Zagan. Most of what follows is a string of wacky misunderstandings. While this is going on, actual demons have been appearing in the country more and more, and both Zagan and Asmodeus are trying to stop it. Though Zagan’s may be hard, as it’s 10.000 demons standing on each other wearing a trenchcoat.

There’s nothing really wrong with this volume. The humor is funny if you like tsunderes. The couples are cute, though I’m less fond of Selphy, Lilth and Furcas’ love triangle, possibly as I suspect Selphy will end up on the losing side of it. Zagan gets to do cool things, Nephy gets to do cool things. And another innocent kid walks down an alleyway when they hear a noise, which has happened in this series already about four times, and I feel the need to remind the populace about taking basic safety lessons. But while there’s nothing wrong with the book, it’s not exciting either. It’s there to incrementally move things along, but it has the air of “I can drag this out as long as my publisher lets me”, and it’s starting to show. The manga spinoff that just started probably isn’t helping.

So fans of the series should read this, but don’t be surprised if you, like me, feel a bit tired of the whole thing.

The Apothecary Witch Turned Divorce Agent, Vol. 2

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By Kosuzu Kobato and Yasuyuki Syuri. Released in Japan as “Kusushi no Majo Desu ga, Nazeka Fukugyō de Rikon Daikō Shiteimasu” by DRE Novels. Released in North America by J-Novel Club. Translated by Satoko Kakihara.

When reviewing the 2nd volume of The 100th Time’s the Charm, I talked about all the ways that it was a good example of how NOT to do a 2nd novel for a series that seemed pretty wrapped up with the first, and suggested that it might be because DRE didn’t want a lot of one-shots to start their novel line. Feeling a bit guilty about that, I’m happy to say that the 2nd volume of The Apothecary Witch Turned Divorce Agent is a good example of how the author SHOULD do this. It gives us a lot more details about Carla’s past, but also leaves us a lot of mysteries still to solve. It also touches on Thane’s past, and why he has such a mad-on about witches. Both characters still flirt by being sarcastic at each other, and are mostly unaware of their own feelings – at least Carla is. Basically, if you read the first book and thought “more of this, please”, good news.

It’s the time of the year when all witches have to convene at a secret spot for their annual convention, and much to Carla’s annoyance that includes her. Thane wants to go with her, as he wants to ask the Fortune-Telling Witch, who used to be the Foresight Witch, about his past – as the Foresight Witch was supposedly related to the death of his father and downfall of his family. He can’t go to the convention itself, but Carla mentions it, and said witch agrees to meet with Thane after Carla does a job for her – and yes, it’s another divorce request. A noblewoman is not only puzzled why her husband and father-in-law are conspiring late at night, but lately she’s been unable to move out of bed at night to check. Is this a genuinely bad marriage that will allow Carla to successfully negotiate a divorce at last? What do you think?

There’s a subplot here involving the Queen from the first book, and how she turns out to be tied to Carla’s past far closer than we’d imagined. We do learn a lot about it, but it’s mostly along the lines of “this was no accident, it was murder”, which honestly is such a non-surprise I’m not even worried about spoilering it. It does help us get a lot more insight about why Carla is the way she is. On the magic side, it’s fairly clear that her magic is suppressed in some way, likely due to emotional trauma and memory loss, and no doubt when she regains her memories she will become a lot more powerful. On the personality side, everything I like about Carla’s attitude is also a major flaw – she has almost no regard for her own person or safety, barely eats at the best of times, and does not understand why this is odd at all. It’s no surprise that Thane’s sullen personality is explained very well in this book, while Carla is the ongoing story.

I really enjoyed the first book in this series, and I enjoyed this book just as much. I’m really hoping for more, this is one of the best DRE licenses.

The 100th Time’s the Charm: She Was Executed 99 Times, So How Did She Unlock “Super Love” Mode?!, Vol. 2

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By Yuji Yuji and Nami Hidaka. Released in Japan as “99-kai Danzaisareta Loop Reijō Desu ga Konse wa “Chōzetsu Aisare Mode” Desutte!?: Shinno Chikara ni Mezamete Hajimaru 100-kaime no Jinsei” by DRE Novels. Released in North America by J-Novel Club. Translated by Stephanie Liu.

Despite what a lot of writers will tell you, it’s pretty easy to write some more of what you’ve already written. When you’ve done a volume, introduced the character, the situation, etc. you can think of some ways to extend it out, add another subplot, new villain, etc. This is especially true if your publisher is brand new to the light novel market and does not want to have a bunch of single-volume series lest people think they’re failing. But honestly, sometimes the author has to take a step back, look at what they’ve already wrapped up in a satisfying manner, and say “I could write more. But do I *need* to write more? If I write another volume in the series, will it actively damage everything that I’ve created to date?” Unfortunately, we have a textbook example of that here, in a second volume of a series that really should have been a one-shot.

This is a book of two halves. The first half is fine. Alphina, who has mostly succeeded in running away from her suitors, infiltrates the school her brother Carl is attending to make sure he’s doing all right. She disguises herself as an assistant teacher, and the biggest problem she has is a classmate of Carl’s, Hipper, who seems to hate Carl for reasons that go beyond simple “jealousy” or the like. Alphina ends up uncovering a plot by religious cultists, which she is fortunately able to stop. Unfortunately, in doing so she reveals her identity, and has now been captured by the royal family and will be marrying the prince, someone that absolutely delights everyone except Alphina. This leads to the second half of the book, which is not fine.

I have complaints. The first volume found a good balance between “funny” and “annoying”, this second one tips it too far towards the latter. The comedy is so broad in places as to beggar belief. The use of the time loop, which frankly I thought was a gimmick we were done with after the first 10 pages of the first book, could actually have been clever were it not attached to the aforementioned annoying comedy, so it seems like a wasted opportunity. Most importantly, though, isn’t this supposed to be a romance? It’s a J-Novel Heart title, am I right? Why is it then, after two volumes, that every single love interest remains shallow at best and creepily possessive at worst? The book thankfully ends with a marriage averted for the moment, but the reader can’t help but agree with Alphina – marrying any of these zeebs would be a nightmare. Even the cover art has that “this is the final volume of a romance, let’s end on a wedding shot” art, except Alphina’s sweatdrop shows us she really, really doesn’t want to be here.

All this plus the return of a character I never wanted to see again. There’s room left for a third book in the series, and it wouldn’t surprise me to see one, but man, if you want to give Alphina a happy ending, try making the guys more than cardboard cutouts for the sake of the comedy.

My Stepmom’s Daughter Is My Ex: “Just a Bit More Like This”

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By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

I’ve talked a lot about the fact that this is in many ways a very typical Japanese high school romcom. There’s an obvious winning couple. But there’s also a second, losing love interest who is far more interesting than the main one, mostly because she has no filter whatsoever. Isana would be a nightmare to deal with in real life, as Mizuto and Yume have both observed, but as fiction she’s wonderful. And there’s also the fact that these are all teenagers, about 17 years old, and they are seriously horny. And this series has never been shy about its fanservice, having a very, very high “count the number of times the main characters think about breast size” ratio. This only increases with this book, as we get a new supporting cast when Yume joins the student council. There’s a cute-first year who’s short but stacked. There’s a spunky second-year who’s also… seemingly… top-heavy. Yume’s not small. Isana is very large. You get the ideqa. This book is for guys.

Yume is now on the student council, and is dealing with several things at once. The most normal is that the sports festival is coming up, and the council have to help out there. Also, one of the council members regards Yume taking first place as offensive, and declares herself a rival who will take first place in the next exams… even if that means studying a bit TOO hard. But most importantly, there’s Yume’s desire to try to break down Mizuto’s emotional walls. There’s humorous ways to try (which I’ll discuss below) and heartwarming ways, such as their joint birthday party, where we also learn that their parents actually met much earlier than either of them knew. That said… all of this may be for naught when Isana’s bra breaks during the sports festival and creates misunderstandings galore.

The funniest part of the book, if only as it has the most characters acting completely ludicrously, is where Yume gets advice on seducing Mizuto by taking a bath with him. This idea comes from Akatsuki, who does just this sort of this with Kawanami, but Yume does not really realize that Akatsuki is a TERRIBLE person to get seduction advice from. The scene almost turns heartwarming, but is also seriously funny, especially when Mizuto’s towel drops and… well, Yume’s not disappointed, at least. Other than that, Isana has pretty much resolved herself to being as blatantly forward as possible until Mizuto stops her, and most of the sexual humor in the book is hers. (Most of the painful comedy is hers as well – falling on your breasts while not wearing a bra and getting dragged along HURTS.) As for the main romantic relationship… baby steps. The presents were nice, but Mizuto is still not quite ready yet. This may take till graduation.

So yeah, another decent volume in this series. It won’t light a fire under you, but it’s cute and fun and has likeable leads.

The Do-Over Damsel Conquers the Dragon Emperor, Vol. 2

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By Sasara Nagase and Mitsuya Fuji. Released in Japan as “Yarinaoshi Reijō wa Ryūtei Heika o Kōryaku-chū” by Kadokawa Beans Bunko. Released in North America by Cross Infinite World. Translated by piyo.

When I reviewed the first volume I mentioned that Cross Infinite World was putting it out a lot faster than they normally do their series, and the reason for that became apparent shortly after the release of the first volume over here: it’s getting an anime. It’s a good choice: I’m the Villainess, So I’m Taming the Final Boss got a decent if not dazzling anime as well, and the audience for the two series is exactly the same. Not just because of the author, but the same basic themes are here as well. iris may be a Villainess reincarnated into a game, and Jill a young woman who travels back in time to fix her past mistakes, but as protagonists they’re both doing the exact same thing: improvising and being badass as the universe does its best to kill them over and over and over again. And in this second book we get another think it has in common with Final Boss: for every Villainess there’s a Heroine, and heroines in these series tend to be evil.

Hadis and Jill are on their way to the capital to meet the rest of his family. Sadly, on arriving there, he’s attacked, accused of being a fake, and his magic and Jill’s is sealed. Hadis is mostly fine with this, and tries to make the series into a Slow Life book, gardening and cooking delicious meals. Jill is not particularly happy with his, so she and Zeke (half of her bodyguard duo) go into a nearby town so that she can join the Dragon Knights and gain intel. Easier said than done – she’s got the combat skills, even without magic, but the reaction of dragons to her means that she’ relegated to squire duties – which also means getting bullied. We also meet Hadis’ siblings, who turn out to not be as bad as she thought… at first.

Reading this book can be a struggle. Not because it’s bad, I really enjoyed it, but because Jill’s life is such a high wire act that at any moment you expect her to die and for this to become a Re: Zero sort of time loop story. Things are not helped by the introduction of Princess Faris, Gerald’s younger sister. In the first book she had merely been one half of the “ew” part of the story, as we knew Gerald was sleeping with her and that she was frail but not much else. Here we see her younger self, who turns out to be doing much the same thing Jill is – and for many of the same reasons. Alas, this makes them mortal enemies, and the two pretty much hate each other on sight by the end of the book. Final Boss also had its “heroine” antagonist, but Faris looks to be a lot nastier than Lilia ever was.

This really is “if you like Final Boss, it’s more of the same”. But that’s good, as it means it’s just as addictive. Roll on Volume 3.

Re: ZERO ~Starting Life in Another World~, Vol. 22

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan as “Re: Zero Kara Hajimeru Isekai Seikatsu” by MF Bunko J. Released in North America by Yen On. Translated by Dale DeLucia.

When I was reading this book, I mentioned on Twitter that if you removed all scenes where Subaru is essentially acting as the “tsukkomi” to every else that the book would be 100 pages shorter. That said, I know that one of the reasons we enjoy Subaru so much is that this is how he copes with things. He’s always had three ways of dealing: overcompensating, trauma response, and sarcasm, and he’s gotten much better on the first two but the third is ingrained. You’d think this would make him very one-note, but it doesn’t, because each of the characters that he reacts this way to is so different. The way Subaru responds to Emilia, mocking her while also acknowledging his adoration, is very different from how he has to deal with Shaula, the new character, which is a mix of disgust and “what the hell is going on?”. He has a type, but the range is larger than you’d think… until the cliffhanger, which promises to upend this a lot.

Having finally arrived at the tower, and gotten the comatose Rem and the injured Patlash to the medical bay, our heroes now have to deal with the fact that the Sage they’ve been seeking is… probably NOT the sage. And also a bit of an airhead. They also have to pass a test to get access to the upper floors of the tower at all. The first no one is able to pass until Subaru, who is from Japan and suspects the creator of this test is as well, finds a solution to. Unfortunately, the floor they get to has a bunch of “book of someone’s life” books, and they’re in random order. So they need to get to the next floor… which requires another test. Unfortunately, not only is this one much harder, but they all have to pass it individually. Bad news, since the test giver is an insanely powerful swordsman.

This has the feel of a book that is a time-marker, to be honest. I never felt bored, but there’s a sense that we’re waiting for the other shoe to drop, and since it doesn’t drop till about page 280, that’s a lot of waiting. There are some very nice scenes between Subaru and Julius, which shows off their friendship (Julius is kind of put through the wringer in this book), and EMT fans will be eating very well, as the relationship between her and Subaru has never been more romantic, even as she wins a fight by letting her opponent grope her tits, not understanding why she should feel offended at that. (Emilia’s “sexual innocence” continues to be at 120%.) And we’re also getting more of an idea about what Anastasia/Echidna is really after, and trusting them a wee bit more. Not much plot happens here, but a lot of good character stuff occurs.

Next book, judging by that cliffhanger, should be far more plot-driven, though I suspect it will also remain inside the tower. And hey, no death loops this book!

The Reincarnated Princess Spends Another Day Skipping Story Routes, Vol. 8

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By Bisu and Yukiko. Released in Japan as “Tensei Oujo wa Kyou mo Hata o Tatakioru” by Arian Rose. Released in North America by J-Novel Heart. Translated by Esther Sun.

Last time I wondered if this final volume in the series would be a victory lap, or if we would have one last plot twist for Rosemary to deal with in order to save her life. As it turns out, there’s nothing to worry about, this is pure fluff, an absolute victory lap that consists entirely of everyone praising Rosemary to the skies while she herself acts like a lovestruck teenager and frets that she’s about to screw everything up at any moment. Spoiler: she doesn’t. There’s always been an element of “everyone thinks of the best possible reasoning for our heroine’s behavior” to this series, but it’s tended to be balanced by action sequences or suspense. Here there’s none of that, and even the romance is handled fairly early, so it really is just wedding prep, wedding, and having all the other love interests get a narrative bit about how sad they are but how happy they are for Rosemary. The word “schmoopy” was invented for books like this.

After the events of the last book (and reassuring herself that her cat is not in fact dead), Rosemary spends the bulk of the first half of this book recuperating. Of course, that does not mean that she’s not doing things. First of all, she and Leonhart finally confess to each other with words and everything, and get across that, rather than merely tolerating the other’s presence, they are in fact giant dorks in love. This means there’s a wedding coming!… in two years time. While we wait for that, she says a final farewell to Kanon (who goes back to Japan, though she’ll return for the wedding itself) and concentrates of learning how to become a duchess, because the status gap between princess and count is too large, so they’re giving her a duchy to solve the problem. And, of course, there’s the hospital and medical schools. Plus, y’know, the rest of her harem.

As with prior volumes, the books alternate between Rosemary and various other characters. Most of this is what you’d expect, but we do meet Leonhart’s family, the most interesting part of the book. They’re husband, wife, and three sons, Leonhart being the eldest, and the men in the family all have the quirk of being uninterested in romance till they meet the one woman who they will love the rest of their days. As such, they’re a bit worried about Leonhart, as the princess might be trying to selfishly coerce him. Then they meet Rosemary, who is practically perfect in every way, and are quickly adoring her like everyone else. If you are the sort of person who is bothered by this, I assume you dropped the series long ago, but with no serious plotline to balance out the praise, it gets to be a bit too much even for me.

In the end, they get married and the book ends. I was wondering if we’d get a flash forward to the future, which we don’t in terms of Rosemary, but I did like the epilogue, which shows what her real legacy will be. So yes, I enjoyed this series, a good one for a combination of “avoid my fate” reincarnation and suspense thriller.

Private Tutor to the Duke’s Daughter: The Second Coming of Shooting Star and the Final Showdown in the Eastern Capital

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By Riku Nanano and cura. Released in Japan as “Koujo Denka no Kateikyoushi” by Fujimi Fantasia Bunko. Released in North America digitally by J-Novel Club. Translated by William Varteresian.

OK, I will admit, the author cleared the bar that I had set up for them. I’ve already grumped quite a bit about Lydia’s character arc during the last two to three books, and I had certain expectations of how it would resolve itself. I did not like those expectations, but I had them. Lydia was going to go berserk, everyone would make the terrible decision to kill her, and then Allen would return and talk her down. Thankfully, that is NOT what happened – at least not the last part. Lydia manages to get talked down by all the other love interests yelling “snap out of it, you idiot” at regular intervals till she does. This allows her to be part of the final battle, which I appreciated. Of course, I might be less grumpy if we ever learned more about Lydia and Allen’s past than anecdotes. Surprisingly, Tina doesn’t get much to do here either. Honestly, the love interest with the most focus is Lynne, as Narrator #2.

The rebellion is going very badly for the rebels, who decide to stake it all on one last battle for the Great Tree. Fortunately for those defending it, reinforcements are coming from all over the land. Unfortunately, Allen is still missing and presumed dead, meaning that most of the love interests are moping, and Lydia is… well, not in her right mind, we’ll put it that way. As for Allen, he’s trying to get the approval of an ancient ghost, and then has to battle the real enemy behind all this – the Church. (I know, the church, evil, in a Japanese light novel? Try to contain your shock.) Unfortunately, he may have finally come across something which really IS too much for him, as opposed to all the things he handles with ease while saying they’re too much for him. He may be forced to… ask for help.

Yeah, the final part of the book is basically “what if we all battled the final boss together?”, though the boss in this case is just a created monster thing. There was decent stuff in this book, but I won’t lie, I’m happy to see the back of this arc. In addition to Lydia running amok, I was also not fond of a death fakeout near the end, which was done purely to give Allen the rage and despair to fight even harder, but if you’re going to do that, don’t just do a “just kidding” afterwards. In the end, honestly, no one we care about died, or was even injured. One minor character’s father was kidnapped, which may be what starts the next arc, but other than that everyone does fine. A bit more than fine, honestly – Stella has become so overpowered I may have to start calling her Allen soon.

So yeah, good riddance to this arc, but I still enjoy the series. Next volume apparently stars Lily, the “Maid” of the Leinster family, and I am hoping will let her do something other than be comedy relief, because that’s all she’s done so far.

My Happy Marriage, Vol. 4

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By Akumi Agitogi and Tsukiho Tsukioka. Released in Japan as “Watashi no Shiawase na Kekkon” by Fujimi L Bunko. Released in North America Yen On. Translated by David Musto.

There is generally a habit in books, whether they’re “mysteries” or not, of trying to conceal a surprise twist. Keep the audience guessing, don’t let them figure out what the twist is until it’s too late. In practice, this is quite hard to pull off, and tends to lead to rolling of the eyes once the big reveal happens. As such, I always appreciate when a book doesn’t bother to do that and just says “let’s give it away on page 1”. Which is exactly what happens here, as there’s a traitor in the group that’s trying to protect Miyo, and the number of people tat it could possibly be amounts to one person. So we see that person approached by the villain immediately, in a prologue, and know who it is. Which is good, as it can then help with that this author really IS good at, which is giving readers an ulcer as they wait for the bad things to inevitably happen.

We pick up where we left off last time, with Miyo and Kiyoka beset by a man who claims to be her real father, and is also really, really smugly evil. Now Miyo can’t be left on her own , so she starts going to work and coming home with Kiyoka every day. She also gets a bodyguard, Kaoruko, one of the few women in the military in what is a very misogynistic unit. This means that Miyo has to deal with a) all the other members of the unit badmouthing Kaoruko and telling her to stay in the kitchen, and b) the fact that Miyo is associated with a family no one trusts and everyone seems to despise. You get the sense that the title of the series is getting further and further away, especially as they’re still not actually married yet.

So yeah, this book runs on dread. Not the dread of a horror novel, but the dread of a book about an abused daughter who is still viewing herself as the absolute worst being attacked on all sides. She has Kiyoka, who does the best he can, but she really needs more allies. Sadly, the one friend she makes, Kaoruko, turns out to be one of Kiyoka’s former potential fiancees, and clearly still has feelings for him, which sends Miyo into another spiral of self-loathing. Now, she does get one scene late in the book where she stands up and lets the sexist soldiers have it, but it’s sort of like eating a riceball made of needles in order to get to the tasty plum inside. Why read the series at all? The needles are also VERY tasty. This author knows how to write depression, anxiety, and melancholy, and Miyo is an extremely well-drawn woman.

So yes, we’re still not happy, and one subplot hints that we may see more double (triple?) agents. But this is still really good angst. The anime debuts next week, and should be exquisitely painful.

An Introvert’s Hookup Hiccups: This Gyaru Is Head Over Heels for Me!, Vol. 3

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By Yuishi and Kagachisaku. Released in Japan as “Inkya no Boku ni Batsu Game de Kokuhaku Shitekita Hazu no Gal ga, Dō Mitemo Boku ni Beta Bore Des” by HJ Bunko. Released in North America by J-Novel Club. Translated by Satoko Kakihara.

It would appear that this series is going to be four volumes long, so if you were waiting for the payoff where they both finally confess to each other the one secret that is mentally destroying them both, well, you’ll have to wait a bit more. That said, almost everything else gets wrapped up here. Having finally confessed to both sets of parents that they’re going out, and getting approval from both of them, there’s not really much standing in Yoshin and Nanami’s way. Well, OK, there are a few things. Yoshin is still getting advice from his gaming group friends, and feels bad he hasn’t told Nanami about them. And on a more serious note, when Nanami asks him to drop the honorific when he talks to her, he chokes up and can’t quite do it. Is it repressed trauma? Or is it just another case of kids being jerks?

After dealing with the rumor mill at school, which says that either Yoshin has broken up with Nanami, is cheating on Nanami, or is in a harem relationship, we get to the bulk of the plot. Yoshin and Nanami’s parents have decides to take both families on a trip to a hot springs. That… really is the bulk of the plot, these aren’t complicated books. They go to the hot springs several times. They dress up in kimono/yukata and get a rickshaw ride around the town. There’s a few “whoops, I fell asleep and my hand is touching your stomach” moments, the punchline being that she’d prefer if he was groping her boob as she worries about her weight. There’s a cherry blossom viewing. And there’s what I mentioned above, as Nanami is convinced she’s done something to hurt Yoshin, but really it’s … well, as I said above, kids being jerks.

Sorry to spoil the one plot twist in this book, but it turns out that when he was in elementary school he asked a girl if he could call her by her name without an honorific, and she mocked him for it, then the whole class did. This seems mild, but it reminds you that they’re called formative years for a reason, as it led to him basically shutting himself off from other people for years. And, of course, not telling anyone about it. Sadly, I understand those feelings very well. That said, because this is the series it is, by the end of the book he’s managed to get over it, mainly because Nanami is sweet as pie and will forgive him anything. Oh yes, the other minor conflict from previous books is also mentioned – yes, the girl on his gamer group had a crush on him, but once she meets Nanami she pretty much gets over it.

So all that’s left is admitting “I did it for a dare”/”I know”, and the series is over. That will take another book, thoguh I’m pretty sure that book will also be filled with sweet, adorable moments. Which are basically the reasons that people read this series.

YashaHime: Princess Half-Demon, Vols. 1-2

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YashaHime: Princess Half-Demon epitomizes what I dislike most about IP-driven entertainment. It’s a manga adaptation of an anime sequel to a popular series, made with little involvement from the original author. Though the scriptwriters have created new characters and plot lines for the sequel, YashaHime feels more like the product of a focus group than an organic continuation of the story.

Like InuYasha, YashaHime begins in present-day Tokyo, where one of Sesshomaru’s twin daughters is living with the Higurashi clan. There are a few hints that Towa is troubled—she’s bounced from school to school, never really fitting in with her peers—but she valiantly tries to be a normal teenager. The sudden appearance of a demon at the Higurashi’s shrine sets the plot in motion, whisking Towa back to the feudal era and reuniting her with Setsuna, her fraternal twin, and Moroha, her cousin. Once back in her own time period, Towa joins Setsuna and Moroha on a quest to locate a set of “mystical pearls” and solve the mystery of what happened to their families.

There’s real potential in building a sequel around Sesshomaru and InuYasha’s daughters, but the authors skimp on meaningful character development. Setsuna, for example, is stoic and surly like Sesshomaru, while Moroha is boastful and loud like InuYasha; only Towa feels like a fully realized character. Towa is depicted as a shojo prince, decked out in a white pants suit and cropped haircut that lend her an aura of gender-bending cool—a point reinforced in the early chapters of volume one, when Towa is showered with notes from adoring female classmates. Beneath her cool exterior, however, Towa is haunted by the gaps in her memory, as she struggles to fit in with her adoptive family.

The other big drawback to YashaHime is that the authors lack Rumiko Takahashi’s gift for imaginative, economical storytelling. They shamelessly mine the original series for ideas, staging several action sequences that recall the earliest chapters of InuYasha. (Remember the three-eyed crows? Or the centipede demon who kidnapped Kagome? They’re back for another turn in the spotlight.) In between the demon-wrangling and the unfunny sight gags, the authors fall back on long-winded conversations to reveal how the three girls were separated from their parents, over-explaining everything to such a degree that the story groans under the weight of expository dialogue.

About the best I can say for YashaHime is that Takashi Shiina has done an admirable job of capturing the charm of InuYasha‘s character designs while making them look a little more up-to-date. Though Shiina’s linework is more angular than Rumiko Takahashi’s, the characters strongly resemble Takahashi’s original creations. All three leads have features that recall their famous fathers—Setsuna’s fluff is a particularly nice touch—while the human characters from InuYasha have aged in a naturalistic fashion. The demons, too, are drawn with care; Myoga, Jaken, and Kirara are all immediately recognizable.

I wish I enjoyed this series more, as I’ve been an InuYasha fan for almost twenty years. Part of the reason I loved the original series was that it felt like a real work of imagination, with odd flourishes of horror and genuine moments of pathos. YashaHime, by contrast, is so beholden to Takahashi’s original text that it never takes the kind of creative risks that would elevate it beyond the level of corporate doujinshi. There’s nothing as deeply unsettling as the sight of Naraku’s flesh bubbling in a cauldron, or as poignant as Kikyo and InuYasha’s final conversation; everything has a warmed-over quality, even when Shiina and Katsuyuki Sumisawa’s script explores new ground. Not recommended.

YASHAHIME: PRINCESS HALF-DEMON, VOLS. 1-2 • STORY AND ART BY TAKASHI SHIINA, MAIN CHARACTER DESIGN BY RUMIKO TAKAHASHI, SCRIPT COOPERATION BY KATSUYUKI SUMISAWA • TRANSLATED BY JUNKO GODA • ADAPTED BY SHAENON K. GARRITY • LETTERING BY JAMES GAUBATZ • VIZ MEDIA • 200 pp. • RATED TEEN (Fantasy violence, horror)

Rascal Does Not Dream of a Nightingale

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By Hajime Kamoshida and Keji Mizoguchi. Released in Japan as “Seishun Buta Yarou wa Nightingale no Yume wo Minai” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

When I first saw the title, I wondered why we were getting two “singer” books in a row, and wondered if we’d be hitting all of Sweet Bullet. But no, this is not “Nightingale” as in “sang in Berkeley Square”, it’s “Nightingale” as in “Florence Nightingale”. I’m not sure if the author is TRYING to hit every single fetish, but it’s certainly true that, after commenting on the miniskirt Santa he met last time, he has to deal with several nursing school students this time around. Including, unfortunately, his old nemesis Saki. Fortunately, both of them have grown up to the point where they can actually tolerate each other in short bursts. As for the actual person who stars in this volume, we’ve seen her before as well. She was briefly in Sakuta’s high school in the “other universe” in Book 9, and he briefly saw her at college last book. And, as it turns out, she’s heavily connected to his past.

After briefly meeting up with Yuuma and Rio for a day outing, and confirming that Yuuma is quite happy being written out of the series, Sakuta goes back to trying to solve the problem of Touko Kirishima and the resurgence of Adolescence Syndrome. Of course, this being Sakuta, “trying” is perhaps too strong a word. What he ends up finding is that Ikumi Akagi, his old classmate from junior high, has been going around doing good deeds. Horrifying, right? It turns out that these good deeds are connected to a social media tag where people confess prophetic dreams, and Ikumi has been using that to try to stop the bad prochecies from coming true. This bothers Sakuta, who has first hand experience about why doing that can be a terrible idea. That said, what’s more bothersome is the fact that she’s making him remember what happened back in junior high, i.e. the events that led to the main plotline of this series.

This isn’t a harem series. Really. Sakuta has remained faithful to Mai the entire time, and the two have several lovey-dovey scenes together. It’s just that Sakuta has that combination of a bad-boy personality combined with good-boy actions that leads everyone to be drawn to him. Ikumi is no exception, and I actually want to be circumspect here, because I thought a lot of the aspects of her syndrome, as well as the cause and resolution, were very clever in a series that’s already pretty clever, so I don’t want to give it away. At heart, this is about how hard to can be to live up to your own expectations. Ikumi feels she failed Sakuta in junior high, and has never been able to get over it. Sakuta always feels like he’s doing the wrong thing, especially after going to the other world and finding a Sakuta who seemingly did everything right. We are our own worst critics.

Good stuff, even if it still feels like a series that ended at Book 9 and the publisher is locking the author in a room until they write more because it’s got movies coming out.