Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Reviews

I’m the Villainess, So I’m Taming the Final Boss, Vol. 6

by

By Sarasa Nagase and Mai Murasaki. Released in Japan as “Akuyaku Reijo Nanode Rasubosu o Katte Mimashita” by Kadokawa Beans Bunko. Released in North America by Yen On. Translated by Taylor Engel.

So I have very good news for fans of this series: not once in this volume is Aileen threatened with execution as a result of something happening out of her control. Which makes a nice change from the first five books. Indeed, there’s a very “final volume” to this, despite the fact there are at least five more books coming. All the major subplots are tied up, most of the romantic couples are now together… well, mostly (try harder, Serena), Claude is no longer being forcibly possessed and turned into a dragon, and everyone gets something to do. Indeed, that may be my biggest complaint of the volume: this cast is too big, and I hate having to go back to the cast list at the start of the volume to remember who is who. Oh yes, and perhaps the most important part of all this: Aileen and Claude are finally allowed to consummate their marriage! Offscreen, of course. This isn’t Loner Life in Another World.

We pick up right where we left off, with everything having gone wrong and Amelia having won. That said, Aileen doesn’t know the meaning of the word quit: indeed, to everyone’s shock, she notes that if she can’t rescue Claude she’s going to have to kill him. In order to save the day everyone will have to do their best, despite the fact that one heroine is in a coma, one heroine is being a tsundere, and one heroine is still convinced that this is a game and that she doesn’t have to care about anyone as a person at all – though you get the sense she’s lying through her teeth. As for Aileen and her faction, well, she handles things like she always does, with brute force and blunt objects. Indeed, looking back to the past of Amelia and her sister, we meet Grace Dark, Claude’s mother, who turns out to be a lot like his current wife.

As with the previous few volumes, I’m fascinated with Lilia, possibly the best “heroine” in a villainess book not named Maria Campbell. Out loud, she’s the same as always, talking about backstories and routes opening up (Aileen does this as well, and the two are frankly far more alike than Aileen would like). Deep down, her feelings for Cedric are wavering, not enough that she’ll confess to him or anything (honestly, you get the sense she’d rather be in a bisexual relationship with Aileen and Claude), but because she’s going off to be brutally murdered by Amelia, and knows that saying “I’ll marry you when I return” is the biggest death flag there is. Unfortunately for Lilia, she’s surrounded by much better people than her, who can also work miracles, so rumors of her death become the reality of her wedding. Which, honestly, she’s a bit bitter about.

So, the end! Aileen is married and has now consummated her marriage! What could be next? Oh, short story volume? Right. Short story volume.

Looks Are All You Need: Shiika’s Crescendo

by

By Ghost Mikawa and necomi. Released in Japan as “Kao Sae Yokereba Ii Kyōshitsu” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Evie Lund.

There’s a lot here that reminds me of other light novels, even though the premise itself is somewhat unique. If anyone remembers the old movie/TV Series Fame they will find this a bit familiar. But the two series it reminded me of most are No Game No Life and Spy Classroom. The former is obvious: it’s about a brother and sister, both eccentric, who have skills but have dealt poorly with social interaction in the past, being forced to socially interact. The good news is that, thankfully, there is precisely zero incest subtext in Looks Are All You Need, and Gakuto and Shiika feel like actual siblings rather than a weird fetish. As for Spy Classroom, this is another book that relies heavily on it being on the page. What this series does with music is something that can’t be conveyed aurally without losing the magic. Which makes me worry that, if it ever gets an anime, it’ll be Erna under the table all over again.

Seeker is a fairly popular virtual idol, who does mostly cover versions but has quite a following. In reality, Shiika is a shut-in who cares little for her appearance or social cues, who lives in an apartment with her brother, who is much the same but doesn’t have Shiika’s singing ability. One day they’re approached by a talent company, who were able to find out her real identity. They have a suggestion: go to Ryouran Academy and learn how to become a famous star. It’s tempting – Gokuto’s goal in life is to earn a ton of money without actually doing any work. Unfortunately, Shiika is a virtual idol for a reason. That said, they agree to have Shiika enter the academy and give it a try, provided that Gokuto can enter with her, as a sort of “supernumerary”. It ends up being the best thing that happened to the school.

I enjoyed this much more than I expected. I know the author from the series My Friend’s Little Sister Has It In For Me!, which is also very good. But this hit a lot of buttons that I resonated with personally. Shiika is not only a talented singer, she’s also synesthetic, seeing sounds as colors, and that’s a huge part of how she handles people – when she sees a rival girl who has a 6-octave range, she’s not impressed but horrified, as her falsetto range is “ick” – it has bad colors. Speaking of which, I was in a high school chorus where an alto was forced to sing soprano doe to lack of good voices in the higher registers, and it did destroy her voice, so I feel for Erio, who’s all technique but no soul. I hope she and Shiika become friends. And then there’s Gokuto, who gives off that air of “I am just a clever shlub” the entire book, until the unseen climax, where we get to see his inner warrior peek out.

Basically, Shiika and Gokuto give off “I am a cliche” vibes, but are deep enough that I want to read more of them, especially Shiika. Definitely a strong start.

My Dear Detective: Mitsuko’s Case Files, Vol. 1

by

Have you seen The Law According to Lidia Poët? It’s a period drama that’s loosely inspired by the career of Italy’s first woman lawyer. Though the series explores the real-life Poët’s long, lonely battle for professional recognition, it also makes plenty of room for romance and adventure, portraying her as a free spirit who solves mysteries with the aid of a handsome male journalist. The show’s breezy tone is more Remington Steele than Masterpiece Theater, but it never shies away from acknowledging that nineteenth-century Italy was truly a man’s, man’s world.

If Lidia Poët sounds like something you’d watch, you might like My Dear Detective, which also features a plucky heroine in a male-dominated field. The setting is Taisho-era Japan, where twenty-something Mitsuko Hoshino works for the Ginza Detective Agency as an investigator. Though Mitsuko is a natural, she faces skepticism and condescension in her day-to-day work that sometimes shades into outright hostility; early in volume one, for example, local hooligans vandalize the agency with slogans accusing her of “stealing men’s jobs.” Her boss is unfazed, however, and remains quietly but kindly supportive of her desire to be, in her words, “a working woman.”

Through one of those only-in-manga contrivances, Mitsuko crosses paths with Satou Yoshida, a handsome young man who turns out to be the scion of a prominent family. (The Yoshidas own one of the poshest department stores in Tokyo.) He soon joins the agency as Mitsuko’s assistant, chauffeur, and bodyguard, dropping the Yoshida name whenever it expedites their investigation, and swooping in to save Mitsuko whenever she’s in danger. Mitsuko—ever the consummate professional—won’t admit to herself that she likes Satou, and puts up a blustery front any time he flirts with her.

Though the script is lively and the pacing brisk, the artwork is a little plain. The costumes, hairstyles, and props are just detailed enough to give a sense of the period, but the backgrounds are a little too sterile and generic to really evoke Tokyo in the 1920s. More appealing are the character designs: Natsumi Ito does an effective job of conveying each cast member’s age, social standing, and personality through small but meaningful details. Mitsuko, for example, sports a sleek, modern bob and knee-length skirts, while the older women she interacts with favor Nihongami and kimono, evoking the transitional spirit of the Taisho era.

Taken as a whole, however, My Dear Detective is the manga equivalent of The Law According to Lidia Poët. One the one hand, it’s a fizzy, fun series that offers solid mysteries with interesting twists solved by impossibly good-looking people. On the other hand, My Dear Detective gently reminds the reader how many practical barriers professional women faced a century ago, acknowledging the degree to which misogyny made it all but impossible for smart, ambitious women to chart a course for themselves outside of traditional gender roles. These two sensibilities don’t always mesh harmoniously, but most of the time My Dear Detective toes the line between escapism and didacticism in a highly entertaining fashion. Lidia Poët would undoubtedly approve. Recommended.

MY DEAR DETECTIVE: MITSUKO’S CASE FILES, VOL. 1 • BY NATSUMI ITO • TRANSLATED BY SAMUEL R. MESSNER • LETTERING BY BARRI SHRAGER • COVER DESIGN BY GLEN ISIP • AZUKI • 183 pp. • NO RATING

Guardian: Zhen Hun, Vol. 1

by

By Priest and Marmaladica. Released in China on the JJWXC website. Released in North America by Seven Seas. Translated by Yuka, Shry, amixy. Adapted by Ealasaid Weaver.

Its always tricky when you come at a series after everyone else. The hype can sometimes be too much to bear. I was being told about Guardian years ago by friends who had seen the live-action drama loosely based (fans always emphasize the “loosely based”, wanting you to be sure to know how many liberties the TV show took from the source) on this online novel series. When Seven Seas announced it a year or so ago the excitement was greater than almost any other danmei title they’d announced before. Hell, even the cover art draws you into the hype. Just look at those two! That said, the question as always is: is this any good or not? I’m delighted to say that it is. Guardian is a compelling supernatural police procedural mystery, with a great protagonist who’s a classic “jerk with a heart of gold”, and even a lot of the “jerk” is for show. As for the other guy on the cover… well, he’s the mystery.

Zhao Yunlan is head of a special department in the police that deals with supernatural crimes, and he and his somewhat pathetic newbie underling are called upon to investigate the scene of a very grisly disemboweling on the street. This leads him to a university, where he meets Shen Wei, a handsome young professor who Zhao Yunlan is immediately very, VERY attracted to. He proceeds to try to get to the bottom of the case while also flirting heavily with the awkward Shen Wei, who is giving off somewhat mixed signals. As they uncover missing underworld artifacts, a young woman desperate to keep her grandmother alive, and an anthropology field trip that gets somewhat hijacked by ghosts from the past, Zhao Yunlan is determined to find out why Shen Wei is so compelling to him… and so familiar.

BL is not really my wheelhouse, so I will simply note that the chemistry between these two is amazing and those who are here for that will not be disappointed. As for the rest, Zhao Yunlan is an excellent protagonist and a good detective, combining human psychology with a knowledge of the netherworld and various tricks up his sleeve. He tends to put himself in harm’s way a lot, as you’d expect from a “jerk who’s not really a jerk” guy, but he’s savvy enough that it comes off well. The supporting cast are mostly good, though it took me a while to get used to Guo Changcheng, who is the very definition of “comedy relief”, but does vaguely grow over the course of this book. The cases were also well done, though I am hoping when we hit the second book we’ll get a mystery that does not revolve around a woman being the cause of most of this. And the writing was extremely good (and, of course, that means the translation and adaptation as well), despite the need for lots of footnotes for Chinese terminology.

Basically: readers will enjoy this. Go get it. I give it a 9/10, minus one point for falling down right at the end and mentioning the dreaded word “cultivation”.

Haibara’s Teenage New Game+, Vol. 4

by

By Kazuki Amamiya and Gin. Released in Japan as “Haibara-kun no Tsuyokute Seishun New Game” by HJ Bunko. Released in North America by J-Novel Club. Translated by Esther Sun.

This is another one of those books where, after I had finished it, I had to double check the publisher’s website to confirm that yes, there is a 5th book in the series, and it doesn’t end here. It wouldn’t be surprising if it did. So many romcom series end with the main couple getting together, and not to spoil, but that’s what happens in this volume. I’m not too worried about spoiling it because everyone reading this series knows who the girl he loves is, and who the girl he has to reject is. It was all just a question of how long the series would drag things out. The good news is that it’s not that long. This series, despite its “back in time” premise, tends to err on the side of realism, and these sorts of “waffling guy can’t decide between two girls” situations don’t last as long as they do in manga or anime. Now, there is one spoiler left (also not much of a surprise), but we’ll get to that.

It’s back to school for our cast, and preparation for the school festival. Natsuki is still trying to decide between Hoshimiya and Uta… or so he says, but not only do we know that he’s fooling himself, HE knows it as well. He likes the girl that he’s liked since this series began. So it’s just a matter of working up the courage to confess to her, and to reject the other as best he can and hope it doesn’t destroy the friendships he’s come to love. Into this waltzes Serika, the emotionally weird girl we met in the last book, and she has a suggestion for Natsuki, especially after hearing him perform at karaoke: join a band. Join her band, in fact. He did try playing a guitar in his previous life (as well as practice karaoke), so it’s feasible. Is it what he wants to do going forward, though?

There’s a lot going on here given that it’s basically “when will he finally stop vacillating” as the main plot. We get a lot more development from Serika, who is incredibly talented and even writing her own songs. If this were a different series she’d be a new “harem member”, and she does admit to liking Natsuki, but knows that he’s in love with Hoshimiya. Indeed, everyone knows it. Including Hoshimiya, because he literally asks her to help him write the lyrics to the song he’s going to use to confess to her – something so brazen that she has to laugh, and so did I. I also liked Shinohara, the bass player, who allows Natsuki to try to help out someone who is exactly like he was the first life around. That said, the biggest surprise of the book was not that Miori was also in love with Natsuki – we guessed that – but that Reita actually *has* fallen in love with her, even knowing that she loves Natsuki. And Miori is far unhappier than she’s trying to sound about his new love being a success.

So yeah, there is a fifth book, and I assume it will delve deep into that, as well as “wait, how do these books work if we’re a couple?’. This is one of the stronger romcoms out there now. I really enjoyed it.

Spy Classroom: Pandemonium, Thy Name Is Sybilla

by

By Takemachi and Tomari. Released in Japan as “Spy Kyoushitsu” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Nathaniel Thrasher.

The author mentions in the afterword to this volume that they were worried about Avian’s impact on the reader, and in particular whether Avian would be likeable enough. It’s a good point. From the moment we met them, they felt like the unpleasant, annoying mirror to our heroines, and it was not helped by the fact that they were better than all of them at everything. Of course, the ending to the previous volume also seemingly cut off any further development there… or so you’ think. But the author’s main strength has always been manipulating the written word and literary tricks (this is one reason the anime failed so hard for me), and so we get judicious use of flashbacks here to show off that really, Avian weren’t as bad as all that. In the end, they’re another bunch of wacky, eccentric spies. Of course, another way of helping to make your new characters sympathetic is to introduce even more new characters and make them worse. The spies we meet in this volume are worse.

The book starts off with Sybilla getting captured by these new characters. Belias are an English team of spies (OK, it’s the “Spy Classroom” version of England, but come on, this is sort of like Tanya the Evil’s version of England) who are trying to find the one surviving member of Avian, who are accused of trying to assassinate the Prince. Sybilla has also been trying to find Lan in order to discover how Avian were all killed so easily. The two have wildly different ends, but the same goal, so they agree to team up – or rather, Belias forces Lamplight to team up with them. This will involve going to an exclusive ball where they will have to dance to attract attention – meaning that Sybilla and Klaus will have to be on the same page, something they’ve been failing at since the series began. Then things get worse, as the Prince really is assassinated.

As I mentioned in the last review, this series can get pretty damn dark. The girls all being flakes is probably the best way to distract from that. I had been wondering if Avian being dead was another fakeout, but no, all but Lan are indeed dead. What’s more, Belias aren’t the real bad guys either, being a classic example of “we were only following orders” spies who don’t bother to question things lest it lead them to realizing that they’re being manipulated. Which naturally makes it easy for them to get manipulated by Lamplight. Avian may be dead, but before they died they managed to train the girls in ways that Klaus has entirely failed to, and they’re now really coming into their own. They clean Belias’ clocks and get the intel Avian left for them before dying. Good end! I mean, provided they aren’t betrayed by one of their own, of course. That would be terrible.

So yeah, another vicious cliffhanger. And a longer than usual wait for the next volume, because we’ve got a second book of short stories coming first. Till then, enjoy a world that is so tragic that Sybilla has to create a happy backstory to keep her going.

The Princess of Convenient Plot Devices, Vol. 3

by

By Mamecyoro and Mitsuya Fuji. Released in Japan as “Watashi wa Gotsugou Shugi na Kaiketsu Tantou no Oujo de aru” by B’s-LOG Bunko. Released in North America by Yen On. Translated by Sarah Moon.

Again, my favorite part of this series is just out of my reach, which is everything that is happening in it, minus Octavia’s internal blathering. Don’t get me wrong, her narration is not all that annoying once you get used to it, and helps to drive home the fact that 95% of the time she’s improvising desperately rather than having a grand master plan. But I do love seeing her from the outside. Without that narration, she looks exceedingly crafty, mysterious, powerful, and possessed of knowledge that she just should not have. She does not behave the way than anyone thinks she should, her support for her older brother leaves much to be desired, and she comes across as… well, as a villainess. She’s trying to get a fake boyfriend so that she isn’t used as a womb to give her older brother an heir, but to others, she’s… well, trying to become Queen. Which is worrying, given the kingdom’s secret history.

After the revelations of the previous book, Octavia is a lot less keen to make Rust Byrne her fake boyfriend, given who he resembles. Unfortunately, he’s now very interested in her, in particular because she doesn’t react the way almost everyone else has when they see his face. To her surprise, the King is another one who reacted the same way that she did. Unfortunately, as they try to have a chat, traitors are trying something at the party, and have to be put down by armed guards. What are they after? And why is Sil now missing? The answer will draw Octavia into (pardon me, I’m so sorry) a web of mayhem and intrigue. Because there’s a secret room that has a passage to a different, even more secret room. And there are even more traitors there… including Sil? Maybe?

So many villainess books have some variation of “you can’t fight fate” built into them, with the villainess trying hard to change her destiny and the story itself fighting back as much as it can, even when that makes no sense in terms of how reality actually works. Here we see the past starting to repeat itself, despite Octavia’s intentions. And there’s no denying that Queen Idealia, the queen who was written out of history, has a lot in common with her. Hopefully not including being murdered by her brother. And of course there’s also the past of Klifford’s family, which everyone is still boiling mad over. What this means, I suspect, is that at the end of the day everyone’s going to see Octavia finding the tomb of the missing powerful and beloved Queen, discovering the *real* royal crown, and asking her uncle to present it to the King himself but say that she found it, as a massive power ploy. Not exactly what she’s intending.

Basically, if you like gambit pileups and a lot of handsome men, this is a fun little series. I read it for the bits in between the text.

The Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Vol. 5

by

By Piero Karasu and Yuri Kisaragi. Released in Japan as “Tensei Oujo to Tensai Reijou no Mahou Kakumei” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

The last three volumes of MagiRevo have all had that feeling of “this is the final volume of the series” without it actually being true. It felt as if the author was not sure if it would be a success or not – very common in this medium. This is the first book where I believe that they wrote it knowing that the books were going to be going on longer, as it’s very transitional. There’s looking towards the future, as Anis and Euphie’s road trip is to survey the kingdom and look for new resources, plus they also end up learning of a number of new nations/races/possible enemies. At the same time, the entire book is also about coming to terms with everything that has happened in the previous four. Euphie’s on the throne, but this has not magically settled everyone’s hearts. Particularly Anis, who runs into Euphie’s brother at a ball and ends up projecting her own brother on top of him.

Anis is out of sorts, having essentially been told “try not to be too innovative for a bit, we need everyone to get used to the chaos you’ve already created”. But she can’t exactly turn that part of herself off. So Euphie plans to have the two of them tour the Eastern part of the kingdom, inspecting the damage caused by the previous monster stampedes and also trying to find new areas that they can harvest spirit energy. Of course, as Anis notes, this is a chance to go on a Love Love Honeymoon with her beloved – well, a honeymoon that involves two maids, two aides and a guard – and the guard is Navre, one of the men who was tied up in Lainie’s plotline in the first book. Then, to top things off, Anis had not really been listening when all of this was explained to her (because honeymoon fantasizing), and missed that they are, in fact, going to see her brother as well.

If I were to sum up this book, it would be “not bad, but not as good as the other books”. Part of the problem is Anis, who is still dealing with a pile of repressed guilt about what happened with Algard. (She is also, frankly, still not used to the fact that she is absolutely not the top in this relationship, and Euphie’s frank desires leave her a bit twitchy.) The heart to heart she has with her brother near the end was much needed, if only as I want her to move on from this as quickly as possible. There’s also a new character introduced who isn’t too bad, but seems designed to tick several “isekai cliche” boxes at once, so I was rolling my eyes at her arrival. On the bright side, Anis and Euphie get to have an awesome fight that I’m sure will look terrific if it ever gets animated in a theoretical Series 2.

So yeah. Mezza mezza. Still, we now have the promise of beastmen, and more vampires, and a bunch of other potential new plots. I just hope Anis will be back to being a fun ball of chaos next time around.

Sword Art Online, Vol. 27: Unital Ring VI

by

By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

Last time I said that it was a good book but the plot progression was minimal, and I’d say that the plot progression is even more minimal here. It’s also not quite as good a book. Stuff happens, don’t get me wrong. Lives are put in danger, especially in the Underworld, and there is a return there of a villain that I really didn’t care about when they were around in the main Underworld arc and care less about now that their descendants have returned. On the Unital Ring side, we’re headed up to a new level, and we’re interacting more with players from different games, but I sort of feel like Kirito is a metaphor for what Kawahara is trying to do with the series. He’s trying to juggle 3-4 plots at once and can’t devote all his attention to any of them. Frankly, I’d rather that he and Asuna try to figure out if Kizmel has been magically brought back to life (clearly implied near the end) than anything with dragon spaceships.

We pick up where we left off, with Ronie and Tiese staring at Eolyne and wondering if he’s just Eugeo wearing a mask, but the answer to that is still – so far – that he is not. They all then bond in a big bath scene, but then Kirito and Asuna are dragged back to Japan while Alice gets to stay and bond with her sister some more. They head back to Unital Ring to find that everyone else is tacking the floor boss, with Lizbeth staying behind so that someone can bring them up to speed. They then arrive on the new floor… the third “game” to do so, after Asuka Empire (which Yuuki and her friends played) and Apocalyptic Date (where the players are anthro). Unfortunately, these new gamers know Kirito’s reputation, and they’re also desperate because of some poor decision making, so they decide to kidnap Yui. Also a poor decision. And back in Underworld, Alice’s reunion is interrupted by a full-blown invasion.

There were a few scenes in this book I enjoyed. The entire sequence with the robot kitten was not only adorable but also showed off the issues that AI is running into – I loved it when we were told that, if it ran on AI, the kitten would start walking around on two legs like a human. I also liked Asuna and Kirito’s brief panic on returning to Unital Ring, which was sort of darkly funny – was everyone killed off while they were gone? But honestly, the main issue with this book was that there was simply too much going on, and it didn’t give me enough depth to really care about one thing over the other. This is especially true on the Underworld side, where we still don’t quite know who the main villain is, but the ones behind the invasion are frankly a group I would have been delighted to never see again. At least it wasn’t the return of Gabriel Miller. Yet.

If you’re still reading SAO, I’d say keep going. Eugeo payoff looks like it will be coming next time, and hopefully we get some dark elves as well. Just… not in this book.

Otherside Picnic, Vol. 8

by

By Iori Miyazawa and shirakaba. Released in Japan as “Urasekai Picnic” by Hayakawa Bunko JA. Released in North America by J-Novel Club. Translated by Sean McCann.

For the most part, this book is an emotional journey. It’s about Sorawo, a woman whose emotions have always been something of a foreign country (to herself, not necessarily to others) learning about what love is, what it means to love someone, and how that can change a relationship. And she has perfectly normal fears. She has a great relationship with Toriko now, one defined in the first book: they’re accomplices. But Toriko wants something more, and Sorawo knows it. That said, in case you were worried that this book would be all fluff and lack the sheer horror of the previous books, fear not. The middle of the book is here for you. What’s more, given that the book is about Sorawo’s feelings about Toriko, it makes sense that the horror is all based around Toriko. Let’s just say I hope this is never animated – I deal far better with horror as a written word than I do with horror as a visual medium.

Toriko has confessed to Sorawo, and says she wants a response. But she knows Sorawo is who she is, so she’s giving her a week to come up with this answer. This allows Sorawo to do a minor tour of the supporting cast to get some advice. College friend Benimori gives probably the most sensible advice, and seems delighted to find Sorawo, who has a bit of a reputation at their college, going through a real relationship. She talks with Natsumi, whose advice seems to be more about Natsumi than it is about Sorawo. She talks with Kozakura, who points out that their desire to go to the Otherside constantly, something almost everyone else would find terrifying, is what unites them – but that Toriko would stop doing it without Sorawo. And then finally, after a bus ride home that devolves into a series of Toriko-related visions, she goes to her apartment and confronts the girl she loves but barely knows.

I emphasized the horror, but rest assured there’s a lot of funny stuff here as well. The entire scene with Natsumi is amazing, complete with Natsumi calling Sorawo a “raging lesbian”, which is projecting if ever I saw it. Kozakura’s talk with Sorawo goes off the rails thanks to the presence of Kasumi, and leads to a self-help guide from hell. And the last part of the book, with Toriko and Sorawo opening up to each other, while also filled with sweet, touching moments, has its share of hilarity. We’ve known for a while that Sorawo is an unreliable narrator, but Toriko describing how Sorawo is ogling her constantly ever since they first met drives that home very well. Of course, we the reader have also seen that, but it’s been in the context of her internal monologue, so it hadn’t been apparent that it was written all over her face as well.

The sweet emotional bits are there as well, of course. I loved Toriko trying to do research into what she feels Sorawo’s issues might be – it’s a sign of how much she’s prepared to devote to their relationship, but also a sign of how little Sorawo opens up about her past – her matter-of-factness is disturbing, not edifying, even when she has to bluntly say “my family did not sexually assault me”. We also finally get a long look at Toriko’s mothers, what they did and who they were, as Sorawo finally realizes that in order to be Toriko’s lover, she needs to know who Toriko is and where she came from. And then there’s the part of the book that I think everyone will be talking about, the sex scene. At first disappointing, though very true to what Sorawo has told us, the reader, about her sexuality so far, it then rapidly moves in a very different direction. What follows is not only fulfilling for both of them but also 100% in character – both for them and the book. Kozakura would be completely unsurprised. They’re freaks, of course they have freaky sex.

We’re caught up once again, so I’m not sure where the series goes from here. We were introduced to a new character, who I didn’t have room to talk about, so it may do something with her. That said, this book is for those who’ve been waiting forever for these two to get together.

Accel World: Conqueror of the Sundered Heavens

by

By Reki Kawahara and Hima. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jocelyne Allen.

There’s more spoilers than usual for the last third of this book, so if you avoid them FYI.

It’s been a while since we last checked in with Accel World. The previous volume was supposedly the end of the long, long, LONG arc and the start of another one, but that turns out to not quite be true, as most of this is setup for a massive cliffhanger. There was also a bit of frustration, as Haruyuki’s sacrifice felt like it was going to lead to a lot of angst for everyone. Which is kind of does, but that angst is mostly kept off the page. One of the more frustrating aspects to Accel World is that so many of the exciting scenes, or battles, or much needed group meetings happen away from Haruyuki, so we don’t really learn as much as we’d like. And the first two thirds of this book is much the same, really. Get ready, though, as the last third is THE PAYOFF.

Things have been happening since the end of the last book. Tezcatlipoca has been running amuck, and everyone in the Accelerated World is blaming the traitor, Haruyuki. Thus they’re challenging him to duels constantly. Haruyuki being who he is, he’s accepting all of them, but he’s really good by now, so he usually wins. Then, after briefly dropping by to make sure the owl is taken care of during the summer, and possibly recruit fellow owl caretaker Reina to join the student council, he goes off to a meeting of his new allies, White Cosmos. For the most part, they’re exactly what everyone but Haruyuki would expect – a bunch of normal, if somewhat eccentric, people with their own agendas. Admittedly, some of those agendas include forcing Haruyuki to total point less, but hey. After all that, though, he’s forced to do something he’s been avoiding all this time: talk to Kuroyukihime.

Or rather, to Sayuki. Yes, Accel World finally gives in and admits one of its biggest mysteries since the start of the series. Haruyuki has known her name since the start, but he hasn’t actually said it till now, and we also get the name of her sister as well. And there’s a very good reason for all of this: we finally get a mutual confession and a kiss. The idea that Haruyuki is not only in an enemy group now but may be forced to fight against all his friends – and possibly get pushed to lose his points/memories, as well as the same anger for Kuroyukihime, leads them to finally take that big step. Unfortunately, any additional progress (as well as the long postponed trip to see Haruyuki’s family) will have to wait, because the mid-range guilds have been trying to take out Tezcatlipoca and have instead unleashed something much worse… more new characters to have to remember. Oh, and a new game. So long, Brain Burst, it’s been nice.

I admit that this book started a bit slow for me, as it had a lot of scenes I didn’t really care about and was putting off scenes I wanted to see. But when it got to the payoff, it was quite good. Also, hey, a portal! Who doesn’t like portals?

Safe & Sound in the Arms of an Elite Knight, Vol. 2

by

By Fuyu Aoki and Minori Aritani. Released in Japan as “Doinaka no Hakugai Reijо̄ wa О̄to Elite Kishi ni Dekiai Sareru” by DRE Novels. Released in North America by J-Novel Heart. Translated by Dawson Chen.

This series continues to be excellent in terms of how it handles its heroine, who has spent most of her life being terribly abused. In the first book Chloe successfully ran away (after avoiding an attempted murder) and settled in as Lloyd’s “housekeeper”, but the trauma does not magically go away. She notes that she’s gotten better with knives now, but attempting to tell Lloyd about her past sends her into a huge panic attack. What’s more, when she runs out of house to clean and wonders what to do, it becomes apparent that being worked like a dog as a child has left her with no room for any hobbies. She doesn’t know how to do downtime. Fortunately for Chloe, she comes across the same answer that so many of us do: reading books. Indeed, she’s reading romance novels, ones with a lead man who is very, very reminiscent of Lloyd. Unfortunately for Chloe, family is hard to get away from completely.

The first part of this book is relatively light and fluffy. Chloe discovers the world of books. She’s also getting along very well with everyone in town, and even the bookseller is starting to fall in love with her. Unfortunately for him, she only has eyes for Lloyd… even if the two of them are both still a bit too broken to actually confess these feelings. Meanwhile, Lloyd is having to deal with new recruits, including a noble who has good skill but unfortunately is also an asshole who feels he’s above everyone else. This would normally not be that big a deal, but Lloyd forgot his lunch, so Chloe goes to the castle to bring it to him, and the new recruit menaces her. Cue boss music.

I’ve talked before about how a lot of these light novels have “cartoon villains”, which is to say bad guys with no redeeming features who are there to be as evil as possible. Don’t given them pets, they would kick a puppy. The interesting thing in this book is that we get two definite antagonists, but one of them is, when it comes right down to it, just a massive jerk. He’s abusing his privilege, looks down on everyone, and expects the world to be handed to him. But that’s fine, as he’s also a knight candidate with skill, so he can have the jerk beaten out of him by Lloyd. Lily, however, Chloe’s sister, is not going to get an out. This is why Luke merely menaces Chloe (and gets Lloyd destroying him in a duel for his troubles), while Lily beats the crap out of Chloe until help arrives to arrest her and throw her in prison. Now, Luke invited Lily to the town to begin with, something she tries to take advantage of near the end. But he’s not an evil villain. Just a jerk.

There’s a third volume of this, and I wonder if Mommie Dearest will show up. But definitely a wedding regardless, I think. Good romance novel fluff/angst.

Kuma Kuma Kuma Bear, Vol. 15

by

By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by Lorin Christie.

Spoiler for my last review: she shrugged everything off. Yes, this author loves to play in the psychological trauma kiddie pool but knows which side his bread is buttered on, so instead of dealing with the possible dissociative idea of Yuna and “Miss Bear” being two distinct people, they have decided instead to just have Yuna feel vaguely uncomfortable about it for a bit and then get distracted by a giant floating island. This is one of the lighter and fluffier books in the series, which is unfortunate for me in that normally I’d have far less to write about, but there’s a bit more this time. The author has seen this series’ yuri fandom, and has decided they do not like it. In this volume, despite being propositioned by a girl her own age and having a mother offer her daughter up to Yuna for marriage, Yuna insists a) girl’s can’t get married, and b) she’s never getting married anyway. So if you had “ace Yuna” on your bingo card, congrats!

So yes, identity crisis is quickly forgotten, as the worst Yuna has to deal with in this book is the fact that she’s being forced to wear a different swimsuit every day to please the designer. She does various beach activities with the kids in this one, such as making a water slide, creating ice cream, or shooting off fireworks (without sound, alas). But the big news is the mysterious island, forbidden to go near, that appears and disappears randomly and has appeared once more. Yuna wants to explore that island, and unfortunately due to her lack of stealth Fina, Shuri, and Shia are along or the ride. The island ends up having historical interest, but also being a bit of a spoiler. Let’s just say there are monsters, and Yuna is tented as much as she ever is in this series (which is to say, not much). Then the vacation is over and it’s time to take everyone home.

I have to admit, taking Fina and Shuri to the island surprised me – Yuna is usually a bit more sensible than that. I get why they were taken along, as they totally would have tattled otherwise, and the goal here was to avoid having the “explore the island” secret come out. And yes, Yuna can just throw everyone into her basement via a bear door to play cards, so there’s no actual danger. But still… wait, why the hell am I complaining? This is a series where common sense is useless and you just have to accept we’re in the author’s strange mentality. This is also why Yuna is praised to the skies for giving all the 4-5-year-old orphan kids jobs with a paycheck, and vows to have more child labor in future. Yes, yes, fantasy world, orphans starve otherwise, but come on. At least she doesn’t buy any slaves. We have not quite reached that low point.

So yes, bear series is still “itself”, and aside from infuriating those who ship Yuna with… well, anyone… this is a typical volume in it. When do we get to go to “the land of Wa” anyway?

The Ideal Sponger Life, Vol. 13

by

By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

As I’ve mentioned before, this series was originally a webnovel, which ended around the events of the 4th book. Then it became a light novel series, Freya was added to the mix starting with Book 5, and has, frankly, become the main female lead. Sorry, Aura, you just aren’t in this series enough to count anymore. Even in this book, her role consists mostly of either finding out about stuff and telling other people about stuff. Now, to be fair, in this volume Freya does not exactly perform great feats, though you could argue that convincing her family to let her marry Zenjirou counts as one. She is part of the best moments of the book, though, as she has to confess to everyone how this marriage came about – which is this society of fantasy feudalism, is the equivalent of walking up to a married man and saying “I’m down, wanna bang?”. The reactions of everyone else to this news is hilarious, and worth the price of the book alone.

Freya and Zenjirou finally arrive in Uppasala, and get ready to inform the royal family of their betrothal. This goes about as well as you’d expect. That said, Zenjirou revealing that he has the power to teleport shuts up a number of people, and leads to a deal: if Zenjirou can take the traditional coming of age rite that everyone does and succeed, he will earn the right to ask for Freya’s hand. Since Zenjirou is, to put it mildly, not a physical powerhouse, everyone finds this hilarious. They find it a lot less so after they realize exactly how he’s going to win – even if it does end up taking a lot of physical labor as well. As for the other members of the family, the first prince is sent to Capua, there to meet with Aura – but, more importantly, to have a test of strength with Pujol. As for the second Prince, Yngvi, he’s basically Freya, only a guy. No, really, they’re twins.

There’s a lot of good humor in this book. Zenjirou’s plan to survive getting to the hunting site for the coming of age rite is hilarious and also something we should have seen coming. Eric’s reaction to Aura describing Freya arriving in Capua is also highly amusing, as is Pujol’s reaction on seeing the sword that was given to Aura as a gift by Uppasala. There are a few plot points that could carry over to the next volume, such as the fact that Margarette the maid seems to have secret parentage, and the ongoing war between the deeply religious church knights and the less religious rest of the continent. So far the holy wars seem very one sided against the holy, to be frank. And yes, Zenjirou and Freya are now married, and he goes off to spend the wedding night with her – which we do not see. We don’t even get a kiss. They snuggle a bit. These books are now the opposite of horny.

That said, we come to the end of this arc. And good news for Aura fans, the next cover has her on it… and also Freya, because hey, she’s the lead character now. Should start a new arc, though, which is fantastic news provided the series hasn’t ground to a halt in Japan or anything…

I’m Giving the Disgraced Noble Lady I Rescued a Crash Course in Naughtiness: I’ll Spoil Her with Delicacies and Style to Make Her the Happiest Woman in the World!, Vol. 1

by

By Fukada Sametarou and Sakura Miwabe. Released in Japan as “Konyaku Haki Sareta Reijō o Hirotta Ore ga, Ikenai Koto o Oshiekomu -Oishi Mono o Tabesasete Oshare o Sasete, Sekai Ichi Shiawase na Shōjo ni Produce!-” by PASH! Books. Released in North America by J-Novel Club. Translated by Yui Kajita.

How much you enjoy this volume will likely depend entirely on how much you can tolerate the series’ one joke. This is a comedic romance, despite a dark premise, which has a basic shtick, and it’s that the characters describe things as “naughty” when they’re not actually talking about sex. Allen keeps telling Charlotte that he’s going to force her into experiencing all sorts of naughty delights… but it’s things like eating a cake for dinner, or going to a hot springs, or sleeping in. “I’m Spoiling the Disgraced Noble Lady” would be a much snappier title, but it would probably get fewer clicks. That said, if you can get past the overdone joke, this is a rather sweet book about a misanthrope with a kind heart who takes in a typical villainess heroine and turns her life around – for the better.

Allen is a sorcerer who lives in a remote mansion because dealing with people is a hassle. His sole contact with the outside world are daily visits by the mailwoman and occasional visits from his sister. Then one day he finds a young woman collapsed right by his doorstep – and several guards who tell Allen she’s a wanted woman and they’re to bring her back dead or alive. Allen doesn’t trust them, and with good reason – after getting rid of them and taking the woman inside, he discovers she is Lady Charlotte Evans, the fiancee of a nearby nation’s price. Supposedly a wicked woman who is accused of countless crimes, she is actually an abused child who has been treated like a servant for years and is now being treated as a scapegoat. There’s only one thing for Allen to do now – show her what the good things in life really are!

The main plot is fluffy because the backstory is so horrid. Charlotte’s life, especially after her mother died, has been an absolute misery, and she has trouble standing up for herself or even having actual wants and desires. You could argue that she is not ready for a romance with the awkward yet very powerful Allen, and you’d be right, but this is a romance series, so you’re going to have to lump it. And they are very cute together, especially in the back half once both start to realize that they’re developing feelings. This is especially baffling for Allen, who’s not nicknamed “demon overlord” because of his kind smiles, and who is having trouble separating family, friend and lover in his head. If you’ve read An Archdemon’s Dilemma, this is a very similar vibe, and will likely appeal to the same people who read that.

All this plus a petting zoo filled with monsters. Despite its cruel backstory, at heart this is a fluffy romantic comedy. Just get ready for its one joke. It’s a naughty joke.