Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Reviews

Housekeeping Mage from Another World: Making Your Adventures Feel Like Home!, Vol. 7

by

By You Fuguruma and Nama. Released in Japan as “Kasei Madoushi no Isekai Seikatsu: Boukenchuu no Kasei Fugyou Uketamawarimasu!” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Heart. Translated by Hengtee Lim.

Generally speaking when you get a book in the current genre of “Cinderella”, be they a villainess or just a betrayed female lead in general, the actual betrayal part is rapidly overwritten by the good stuff. Our heroine finds a new life with those who love and care about her, and finds joys that she never had in the past. And that does happen in this story as well – Shiori is extremely happy with Alec and secure in her job as a housekeeping mage. But she’s also been through not one but two traumatic, world-shattering events over the course of just a year or two, and they still impact her every day. She’s been hiding her past in Japan from everyone for the very simple reason that she can’t prove it. As for her love for Alec, and his true identity as royalty, she’s very upfront about what she wants if she is forced to leave Alec forever – the mercy of death. This book can be chilling.

There’s a new visitor to Storydia – a merchant from the East and her bodyguard. This is bad news for Shiori, who has tried to wave off her background by claiming that she comes form the East. Now that there are actual people from Mizuho here, her story is not going to hold up. Especially as she can’t read the written language they have, meaning that her last desperate hope – that she merely went back in time, and this was some unheard of historical period – is dashed to bits. After a mild nervous breakdown, she finally confesses everything to Alec and Zack, and they do believe her – even through her fears that she’ll be abandoned and left for dead, which understandably still haunt her. That said, Alec’s true past also comes out in this conversation, and now that it’s out in the open, it can’t be ignore anymore – Shiori is going to have to have conversations with the local lord. And the king.

Honestly, over the course of this volume it becomes clear that this adventurer’s guild is essentially an isle of misfit toys for nobles with tragic pasts. We already know about Alec. We’d heard about Zack earlier, but it’s fleshed out more now. And now it turns out that Nadia was meant to marry one of the older princes who ended up dying, and that Clemens was also a noble with a promising future who, after being tricked by a woman, had to flee nasty rumors in order to save his family. That said, I don’t think anyone can quite top Shiori. As I said before, having “magically transported from Japan with no language skills, money or belongings” OR having “my adventuring party/family all grew to dislike me and eventually left me to die in a dungeon” would be good enough tragic backstories. Together… look, normally I would criticize the relationship between Alex and Shiori as being too codependent to be healthy. But after this book? Heck, go nuts.

This is not quite happily ever after yet – Alec and Shoiri are together for now, and the lord approves, but there is still the King to think about. And, um, the little matter that folks are starting to consider Shiori a literal Saint. Ridiculous. Her magic power isn’t even omnipotent! In any case, this was an excellent volume in an excellent, if heavy, series.

Anime NYC 2023: Remote Musings, Saturday

by

The second day of Anime NYC, were I there (which I am not), would have likely begun with me feeling very awkward at the Ize Press panel. I will admit, I don’t cover Ize Press much in the Manga the Week of posts. There are a few normal reasons for this (I have enough trouble adding all the Japanese releases; I just don’t vibe with the Korean romances as much; I never got the “long strip” webtoon format), but the real reason is likely far more nerdy. See, I started the Manga the Week of lists on Livejournal so that I could point to which series were in Hana to Yume, or Weekly Shonen Jump, or “whatever Wings is”. And, y’see… I can’t do that with the Korean titles! Basically, I suck, and this is why I would be feeling awkward at the panel.

But I’ll still point out what they announced. The big one, which even I have heard of, is Beware the Villainess!, an insanely popular webtoon title that’s been translated into umpteen languages. As for the plot, well, imagine if Bakarina decides to beat the crap out of all the male leads instead.

The Villainess Is a Marionette is a webtoon about, well, a villainess who’s now died multiple times, and decides to be the puppeteer, not the puppet.

Marriage of Convenience is a loop novel, where the horrible villainess realizes, right before she’s killed, the error of her ways, and gets sent back in time to try to do it right.

My Secretly Hot Husband is in the genre of “I was married off to a scary man, but he turns out to be really nice”.

SSS-Class Revival Hunter is NOT a villainess book, but it does involve the hero gaining the power to go back in time after he’s killed, so it’s sort of Re: Zero meets dungeon crawler.

Tied to You is a BL title, a first for Ize Press, and is a “red string of fate” book – except the red string is going to the wrong brother!

After this we get Yen Press’s panel. First of all, they announced three “media tie-in” manga the day before, as a treat. Days with My Stepsister manga, based on the light novel (Shonen Ace plus), Sword Art Online Re:Aincrad, which seems to be an attempt to reboot the (very rushed) original manga adaptation (Dengeki Daioh), and The Kept Man of the Princess Knight, the manga based on the upcoming light novel, also from Yen (Comic Walker).

At the actual panel, they started with the Bungo Stray Dogs Official Comic Anthology. These have been around in Japan since forever, but rarely get released over here. It’s by various artists.

Goblin Slayer: A Day in the Life is a manga spinoff of the main series that adapts short stories from the light novels that were skipped in the main adaptation. It runs in Big Gangan.

No Game, No Life Chapter 2: Eastern Union reminds us that this manga runs on a “one arc every ten years” schedule, so adapts the 2nd arc of the light novels. It runs in my nemesis, Comic Alive.

We then got some light novels. Guillotine Bride (Dantōdai no Hanayome: Sekai o Horobosu Futsutsukana Tatsuki Desu ga) is from the creator of Demon Lord 2099. A dragon princess on her way to execution finds herself blown up and lands in front of a young man. He’s even more startled when she asks him to marry her.

Brunhild the Dragonslayer (Ryū-goroshi no Brunhild) was probably the biggest “name” of the panel – it’s a very acclaimed series, and J-Novel Club recently got the rights to release it in German. A girl is raised by a dragon to never harbor hatred in her heart… then her dragon parent is killed by humans. Will she fall to vengeance?

The God of Nishi-Yuigahama Station (Nishi Yuigahama-eki no Kami-sama) is a novel about a train disaster that claims many lives… or rather it’s about what happens after, as a rumor of ghosts of the dead passengers has brought their loved ones there to see if they can see them once more.

Back to manga for She Likes Gays, but Not Me (Kanojo ga Suki na Mono wa Homo de Atte Boku de wa Nai), a manga based on a critically acclaimed novel that ran in Comic Bridge. A gay high school boy hiding his sexuality discovers a young woman with a huge love of BL manga. Can he have a “normal” life with her?

Friday at the Atelier (Kinyōbi wa Atelier de) is probably the manga announcement that most interested me. It runs in Harta, and features a bored woman who agrees to be a nude model for a famous painter. Indeed, she agrees a little too easily. What’s up with her? This honestly looks pretty cute.

Yen Press also announced some new audiobooks, for Reign of the Seven Spellblades, Bungo Stray Dogs… and Baccano!. The last one has me delighted, as the Baccano! fandom is small but fierce.

After this, I would have gone to Dark Horse’s panel, but it appears they didn’t license any new titles. They did say they’re reprinting some Berserk volumes, so that’s nice.

Kodansha Manga began with a big announcement: a new manga, The Spellbook Library, from the creator of Is Love The Answer. And it’s coming out in English first, on the Kodansha app. It kind of sounds like a cuter version of Magus of the Library.

Speaking of that same creator, coming out digitally next month is Sayabito: Swords of Destiny, a post-apocalypse drama about human weapons. It ran in good! Afternoon.

Also out digitally in December is Don’t Tempt Me, VP! (Amayakasanaide Fuku Shachou: Danna-sama wa SSR), a josei title from Ane Friend about an OL, deep in debt thanks to her horrible ex, getting a proposition from her company’s vice-president: marriage.

Next we get a bunch of new licenses out next year. Versus has a story from the creator of One-Punch Man, and runs in Shonen Sirius. A group of humans try to make a stand against the evil demon lords.

Pupposites Attract (Seihantai na Watashitachi) is from Comic Pool, and is a romance between two humans of opposite personalities who have two dogs that are also very dissimilar.

The Boy I Loved Became the Jaded Emperor (Mukuchi na Koushaku Reijou to Reitetsu na Koutei – Zense Hirotta Kodomo ga Koutei ni Natte Imashita) is from Comic Zero-Sum. A prince whose life was saved as a child by a mysterious woman grows cold when she’s killed, however, he discovers her reincarnation is a duke’s daughter.

Snow & Ink (Yuki to Sumi) is a seinen title from Comic Days. A criminal accused of murder is purchased by the daughter of a rich family, and takes him on a journey to the north. Can they both escape their sordid pasts?

Home Office Romance (Telework Yotabanashi) is a one-shot from the creator of Sweat & Soap. It ran in Weekly Morning. A man whose life has been turned around by remote work falls for his grad student neighbor. But what about the poor office building landlords?

Kusunoki’s Flunking Her High School Glow-Up (Kusunoki-san wa Koukou Debut ni Shippai shite Iru) is a josei title from Comic Pool, about two high school students who each completely redid their look and personality for high school. Will they be able to hide everything?

Spoil Me Plzzz, Hinamori-san! (Amaesasete Hinamori-san!) is a yuri title from Comic Yuri Hime. Our heroine looks up to the “perfect maiden” of the school… only to find she’s a childish brat who needs to be spoiled or else.

Sheltering Eaves (Koboreru Yoru ni) is a josei title from Kiss (!) from the creator of Perfect World. A young boy who was abused by his mother ended up at an orphanage, cared for by another orphan. Now they’re both in high school, and he’s trying to wrestle with his past and his feelings.

Lastly, they’re doing an omnibus release of Your Lie in April, for those who just like to cry a lot.

Today has just two Industry panels I’d be attending – Azuki Manga and Star Fruit. Hope the last day is a good one!

I’m Giving the Disgraced Noble Lady I Rescued a Crash Course in Naughtiness: I’ll Spoil Her with Delicacies and Style to Make Her the Happiest Woman in the World!, Vol. 2

by

By Fukada Sametarou and Sakura Miwabe. Released in Japan as “Konyaku Haki Sareta Reijō o Hirotta Ore ga, Ikenai Koto o Oshiekomu -Oishi Mono o Tabesasete Oshare o Sasete, Sekai Ichi Shiawase na Shōjo ni Produce!-” by PASH! Books. Released in North America by J-Novel Club. Translated by Yui Kajita.

Last time I said that how much you liked this series depended on how much you could put up with its one joke, that of the protagonist using the word “naughty” to mean things other than sex. Thankfully, there is far less of that in this second book. That said, there’s still a caveat here. How much you like this series now depends on how much you can deal with the syrupy sweetness of it. This is clearly not meant to be a long-runner, as Allen and Charlotte realize their feelings and confess to each other over the course of the fist half of this book. There are, in the words of one of the other characters, the “pure” sort of couple, the kind where you have to look away when they hold hands as the light is too blinding.

Things are much the same in Allen’s mansion… even if he finds out that its previous owner is not quite as vanished as he would like. That said, there is still the issue of Charlotte being wanted by her kingdom, dead or alive. And the fact that he sees a legendary bounty hunter and his goons hanging around the town, waiting for her. Still, all that pales in comparison to the most important thing: confessing to her. Can he do so smoothly and lovingly? Or will it accidentally come out in the heat of the moment when she’s kidnapped by a monster? And even if they do become a couple, what about Charlotte’s sister? The only one of her abusive family who truly cared about her? Is she doing all right? Or has the stress of the whole situation made her become… a delinquent?

This is definitely a book that gets better as it goes along. The first chapter, with the elf who’s also a novelist, had me groaning and rolling my eyes, and was not all that fun except in the places where it focused on the couple’s cuteness. Better was the “let’s have a date while avoiding assassins” chapter, which has a very obvious punchline, but it’s a punchline we don’t mind, because the purity of the heroine is just that good. The best part of the book is the back half, where Allen and Charlotte return to his old school, where his father has asked him to deal with a little problem: Natalia, Charlotte’s younger sister. This had a lot of great comedy and character building, and Natalia is adorable in a “she can beat me up and she’s only 7 years old” sort of way.

This isn’t going to win any awards, but it’s inoffensive enough, and the next volume is, I think, the final one. Still have that pesky wanted poster to deal with. If you are the sort to buy a sugar donut and sprinkle more sugar on it, this might be for you.

Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 5: Avatar of a Goddess, Vol. 7

by

By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America by J-Novel Club. Translated by quof.

Covers always spoil of course, but this one perhaps spoils a bit more than most. That said, we were due. Given that Rozemyne keeps being engaged to various people, as well as the clear “we are each other’s destined forever” relationship she has with Ferdinand, keeping her looking nine years old forever is a non-starter. That said, this is only one of the huge things to happen in this book. The time for set up volumes is done, we’re now ready to fire off all the guns on the wall. Fourth year? What fourth year? Instead we get war, or “true ditter” as the book calls it, with Rozemyne being forced to choose between the life of one man and the fate of the entire kingdom and chooses the one man, because really what has the kingdom ever done for her? And honestly, she has a point. In other news, Letizia manages to pass Hannelore for “most unlucky person in the series”, though that naivete costs her a lot more.

The book starts off relatively normally. Rozemyne is headed back to school for her fourth year, and there’s a lot to do. She has to prepare for the move to the sovereignty, investigate the giant magic circle only she can see above the school, and of course get everyone to pass all their exams and get first in her year again. Sadly, that last one won’t happen, as while praying to the odd statue on the 2nd floor of the library, she is whisked away to meet the Gods. There she gets a book!… forced into her head, with so much knowledge that it’s painful. Worse, it’s not even the entire book – about 30% is with someone else. (Ferdinand. Come on, it’s Ferdinand, we all know.) In addition, after seeing that her “vessel” is far too tiny for all the mana she has, they get the God of Growth to give Rozemyne the body to match her age at last… which, unfortunately, means a lot of PAIN.

She gets back (yes, this is still a summary, it’s that kind of book) to find that the school year has come and gone without her (no first in class for her… heck, she may have to redo the year) and that Georgine’s plans are far more advanced than anyone realized. Everyone prepares to combat Georgine, but Rozemyne is mostly going to leave that to others. Then, um, Ferdinand is poisoned. And is slowly dying. And crying out to Rozemyne via a psychic link (we actually saw this before like 25 books ago, with Myne calling out to Lutz to save her, so kudos there) so that she knows exactly what’s going on. Now they have to go to war IMMEDIATELY, which means they need more manpower. Gosh, if only Rozemyne was best friends with a girl whose father was head of the most war-happy duchy around…

So yeah. It’s a lot. Oddly, despite the poisoning and general dire things going on, the Rozemyne sections are still the light-hearted part, if only as whenever we cut to someone else’s POV it’s much worse. Letizia is totally schnookered into being an attempted murderer, and might be executed, and she also essentially had the corpse of her closest ally thrown at her feet. Meanwhile, Detlinde is 100% OK with a foreign invasion as long as people continue to praise her and kowtow to her, though she perhaps is unaware that it’s all massively phony. (Her attendant isn’t, but sorry attendant, pretty sure you are also going to die by the end of this.) And then there’s Ferdinand, who still expects Rozemyne to have the common sense of this world, and also have an ounce of romance in her body, and she has neither of these things. Consciously, at least. Even if you don’t ship them, you have to feel bad for him.

Next time, TO WAR! Bookmaking will be taking a back seat for a while. Also, this series may end with Rozemyne as the supreme ruler of everyone. Be afraid.

A Royal Rebound: Forget My Ex-Fiancé, I’m Being Pampered by the Prince!, Vol. 3

by

By Micoto Sakurai and Kuroyuki. Released in Japan as “Konyakusha ga Uwakiaite to Kakeochi Shimashita. Ōji Denka ni Dekiaisarete Shiawase nanode, Ima sara Modoritai to Iwarete mo Komarimasu” by DRE Novels. Released in North America by J-Novel Heart. Translated by A. M. Cola.

I’m afraid the law of diminishing returns is hitting this series very hard. I was surprised there was a second book after the first seemed self-contained, and was also surprised that there was a third after the second seemed to run out of things to talk about. And now here is the third, and we’re told in the afterword this is the final book. It stars Amelia. She’s very nice. She’s engaged to Sarge. He’s also really nice. He has three brothers. They’re all swell guys. They have fiancees. All the fiancees get along and have sleepovers together. But wait, didn’t this series start with her getting bullied at the academy? It’s OK, they’re reforming the academy so this sort of thing never happens again. Fortunately, there is a country next door where everything is still terrible, because otherwise this might be 210 pages of just wedding prep.

Unfortunately for Sarge and Amelia, the magical devices they gave to the Beltz Empire are not working the way that they work back home – in fact, in some cases they’re making the drought worse. Going to the Empire to try to figure things out, they find that the issue seems to be the Empire itself, which causes magic to drain at a much faster rate than back in Bedeiht. While there, they get caught up in a succession war and foil an attempted assassination, but honestly neither of those events seems to have much of an impact on our two leads, who are basically concerned with weather, crops, and nothing else. They need to track down what is draining all the magic, and do this before the Empire becomes too hot to live in – or before a war is started.

Honestly, that paragraph makes this sound a lot more exciting than it is. The closest we get to actual danger is when Sarge accidentally gets locked in a magical basement while trying to investigate it, but even when when they break in and get to him, he’s basically fine and far more concerned with magic circles. We also have to deal, throughout the book, with Amelia’s massive case of Imposter Syndrome, which verges on self-loathing. She absolutely refuses to take a compliment to the face, and insists that everyone else around her does the cool things, all she does is have the odd idea or two, not realizing that the ideas are the spark of inspiration that everyone is looking for. It’s meant to be adorable, instead I want to strangle her. In any case, we do finally resolve things and get the pile of weddings I suspected would take the entire book. We then get a honeymoon… which involves going back to Amelia’s hometown to do crop samples some more. Once a nerd couple, always a nerd couple.

This was probably two books too long, but didn’t do anything hideously wrong, apart from needing to take in conflict from an outside source because things are super lovely at home. I wish the cast a happy, dull as dirt life.

Saving 80,000 Gold in Another World for My Retirement, Vol. 3

by

By FUNA and Touzai. Released in Japan as “Rōgo ni Sonaete Isekai de 8-Man-Mai no Kinka o Tamemasu” by K Lanove Books. Released in North America by Kodansha Books. Translated by Luke Hutton.

(A reminder that the English Vol. 3 is the equivalent of the Japanese Vol. 4.)

I feel a certain regret in my past choices. When I started to review I Shall Survive Using Potions!, I had only read the first volume of 80K Gold, and given Kaoru’s, um, tendency towards war crimes, I described 80K Gold as “beginning” FUNA, Make My Abilities Average as “intermediate”, and Potions as “hard”. The thing is, though, all of these series are essentially exactly the same. You could take Mile, Kaoru and Mitsuha and swap them into each other’s books and not much would have to change, except the Potions cast would wonder where their grumpy cuss went. They are all basically “a girl who looks younger than she really is wreaks havoc on a fantasy landscape, collecting other young girls along the way”. And boy, is much havoc wreaked in this volume. Mitsuha is going on a world tour, and she’s brought a camper van and her own barrel of war crimes.

Having vanquished the invading country with their newfangled ships and weapons, Mitsuha and company now have to tell the neighboring countries about the same danger. While also trying to get them to form an alliance, and possibly sell them some cool guns. A diplomatic team is put together… with Mitsuha as a supernumerary, not part of the actual team, so she can do whatever the hell she wants. She takes Sabina and Colette with her, and, after introducing the two of them to Japan and the wonders of Japanese food (and, after overeating, the wonders of Japanese toilets), she buys an RV that she names the Good Ship Lollipop and sets off in style and comfort… while occasionally waiting for the diplomatic party to catch up to her.

There are always a few light novel series that make me uncomfortable with where they sit on the political spectrum, and this is one of them. The author and the main character love their guns, and we get more discussion of them, along with which ones are best to use in which situation. The diplomatic mission amounts to blackmail most of the time, as basically the other countries have to give in or they won’t get any of Mitsuha’s armaments… and, after observing the effect of one rifle on their standard suit of armor, they HAVE to give in. It can feel a bit mean. She also wins over a new princess and solves the succession crisis for her (good) but also gets her addicted to gambling (bad). This series never gets too serious, unlike Potions, but there is some melancholy as Mitsuha realizes that her unaging self means that in a couple of years she will have to give up her Japanese life for good to avoid unwanted questions. It depresses her.

That said, it doesn’t depress her enough that she’s not rolling through a fantasy world in a camper van with her two child soldiers… erm, assistants at her side. As always, if you like FUNA, you’ll like this. If you don’t, you’ll hate this.

The Troubles of Miss Nicola the Exorcist, Vol. 2

by

By Ito Iino and Kinokohime. Released in Japan as “Haraiya Reijō Nicola no Komarigoto” by DRE Novels. Released in North America by J-Novel Heart. Translated by Joshua Douglass-Molloy.

DRE Novels is a relatively recent imprint, and they don’t have any series longer than three volumes. So it’s no surprise that when they get a series that does really well – such as winning the Gold Medal in their light novel awards, as the first volume of this did – they’re going to tell them “hey, write more” even when the series wrapped up perfectly fine in the first book. It’s not all that hard. Nicola is, after all, a grumpy cuss, and the lack of life experience other than “exorcist” in her previous life and noble politeness in this one have left her ill-equipped for feelings of love. So she spends a bit of this book asking the other members of the cast what they think love is. That said, that’s not enough to sustain a second book. What is enough, though, is doubling down on the ‘exorcist’ part of the series and turning a lot of this into straight-up horror.

We pick up right where we left off at the end of the last book. Olivia is dead, Nicola and Sieghart like each other but she’s too embarrassed to own up to it on her end, and supernatural things still love Sieghart to death – and in some cases are trying to make that literal. Olivia’s death, unfortunately, means that Alois needs a new fiancee, and Nicola is one of only three candidates – and the top one, at that. The group decide to go on a trip to meet the other two fiancee candidates – Charlotte, daughter of a marquess and a maid who grew up starving on the streets till they were taken in and made an heir; and Elfriede, another marquess’ daughter who has been so sickly no one has seen her in years. There are a few surprises, as you might guess. Charlotte’s identity is a major shock. And what’s really happened to Elfriede is beyond the pale.

This isn’t quite as good as the first book, which makes sense given that it’s a sequel the author had to be talked into writing. Emma, Charlotte’s older sister, is far too underdeveloped a character given her role in the book’s plot, and there is a “I don’t want this to be TOO depressing” bit near the end that takes suspension of disbelief and tosses it out the window. The book excels, as you might expect, with Nicola, who remains very grumpy throughout, even as she tries to figure out what these feelings she has for Sieghart are and why everyone else already knows that she has them. There’s also the horror, especially in the back half. This book comes with a big old “child death” warning, and we see the brutality of some of these deaths. But it’s not done to shock but to horrify, and is handled very well. If the series ends here, I would not mind the author writing more horror.

Will the series end here? Well, Nicola has actually put a name to her love, but they’re still not actually married, so who knows? Till then, this doesn’t have as many dead children as Roll Over and Die, but it makes the deaths count more. (Also, why do I keep bringing up Roll Over and Die in my reviews lately?)

Marriage, Divorce and Beyond: The White Mage and Black Knight’s Romance Reignited, Vol. 1

by

By Takasugi Naturu and kieshi akaz. Released in Japan as “Saishō Hosa to Kurokishi no Keiyaku Kekkon to Rikon to Sonogo: Henkyō no Chi de Futari wa Fūfu o Yarinaosu” by DRE Novels. Released in North America by J-Novel Heart. Translated by Olivia Plowman.

Generally speaking, when I am supremely irritated with a book, it tends to be for a few basic reasons. “Your attempts at comedy aren’t funny” is a good one. Also “your attempts to be horny are merely deeply misogynistic”. And occasionally “your violence is so ridiculous it’s stopped being horrifying”. It’s very rare, however, that we get “your desire to show how bad things are for the heroine are so amazingly over the top that it verges on torture porn”. This book is theoretically a romance, and you do sort of get that in the last third or so. And yes, I understand that the author has an agenda, and that agenda is “hey, husbands and wives need to actually talk to each other”. But oh my god, getting through the middle third of this book was like punching myself in the face over and over again. Sheer misery. I read books to enjoy them, remember?

The book opens with the lovely wedding of Lina, a Black Knight whose job it is to fight against dragons due to the old magic she has, and Joshua, a white mage who can use his compatible magic to protect her before she goes out to fight dragons. We then cut to four years later, when she’s just received grievous wounds from a dragon because her white magic protection was inadequate – and her injuries are so bad she’s been fired. The rest of the front half of the book traces he steps before and between those points, as we see Lina struggle with a nobility that despises commoners and a tendency to suffer nobly, and her husband Joshua contends with work never allowing him time with his wife and a tendency to not be overly expressive. The result is disaster.

We’ve had evil nobility in many light novels before, but they’ve tended to be cartoon evil nobles. The prejudice and disdain in this book is played 100% for drama (there may not be a funny line in the entire book) and you just want Lina to go apeshit and start stabbing everyone. Then there’s the end of the book. Not to spoil TOO much, but essentially everything that’s been happening to Lina and Joshua since their marriage has been engineered. We find this out right near the end. The evil mastermind was… a guy we met towards the start of the book, who gave friendly advice, and who I had completely forgotten about. He references his past history with Joshua at the academy, which sure would have been nice to see in flashbacks, but no. Oh yes, and on realizing that the man who he’d asked to reform the nobility and stop the hatred of commoners is in fact an evil noble, the prince’s first reaction is “welp, I tried, guess I’d better stop reform” and he has to be talked back into it.

Lastly, it’s never a good sign when you realize that all the heart-wrenching scenes you’ve written aren’t enough, and you have the heroine dream of scenes that are exaggerated parodies of these scenes, just to make her more miserable. Fortunately, this wraps up nicely and neatly in one book, so I can cheerfully ignore the “1” on the cover and go on to read more happy, upbeat things, like Roll Over and Die.

Making Jam in the Woods: My Relaxing Life Starts in Another World, Vol. 1

by

By Kosuzu Kobato and Yuichi Murakami. Released in Japan as “Mori no Hotori de Jam wo Niru: Isekai de Hajimeru Slow Life” by Kadokawa Books. Released in North America by Cross Infinite World. Translated by Jade Willis.

If this author sounds familiar, there’s a good reason. We’ve already seen The Apothecary Witch Turned Divorce Agent, as well as I’d Rather Have a Cat Than a Harem, and True Love Fades Away When the Contract Ends will be out next year. So it makes sense to circle round and pick up one of the author’s earlier works. This one is definitely on the “slow life” end of the scale, as the author freely admits in the afterword. Not a heck of a lot happens here. Hell, we don’t even get to see all that much jam making. But this book basically fulfills everything you want from a a slow life title: pleasant, likeable protagonist, friends around her who help and care for her, and the daily reward of basic tasks. Our heroine is living in the woods, and her host prefers to live fairly low-tech, so it’s all just very… relaxing. That’s the vibe here. Dull? A bit. But not much.

Our heroine (who doesn’t even get a Japanese name) works at a department store, and has come in on one of her few days off, despite exhaustion from overwork, to help out in an emergency… which makes it unfortunately when a runaway truck in a parking garage kills her. Yes, that’s right, we get both “death by working too hard” *and* “truck sends me to another world”. She’s found on the side of a riverbank by a dog, but sadly being sent to another world did not heal any of her injuries. Fortunately, there’s a doctor nearby, and this world has healing magic. As she recovers at the home of the dog’s owner, a former Countess, she’s informed that she’s a Spirit Caller, meaning she can interact with fairies. Unfortunately, this also means she can’t do any magic. And also, for some mysterious reason, she can’t speak. Still, she makes do.

Our heroine being mute is an interesting idea, though I honestly feel that the conversation flows a little too well despite this, even before she gets her magical writing pad. But essentially, this falls into the standard isekai plot for women readers. For male readers, it’s all about accumulating cool powers and multiple wives, while for women it tends more towards “now I can finally relax and not be working myself to death”. Like Sei from The Saint’s Magic Power Is Omnipotent, Margaret is said to look a lot younger after she’s recovered, and the running gag in the book is everyone giving her headpats, as she thinks they’re treating her like a child. As for her love interest, well, he’s a sullen young man with a tough upbringing who has become stoic and taciturn, but warms up to Margaret and falls in love with her pretty quickly. These are still romances.

This is apparently three volumes total, and I imagine the next one will have her actually visit the royal capital and finding out more about what Spirit Calling entails. Till then, let’s watch her make jam and get headpatted.

Kuma Kuma Kuma Bear, Vol. 16

by

By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by Lorin Christie.

Every few volumes, the series needs to have Yuna go somewhere she’s never been before, partly because otherwise the series would get even more boring than it already tends to be (sorry, Yuna, I really don’t care about you making omelettes from giant eggs), but also so that the audience can remember that a girl walking around in a bear onesie is not normal and does, in fact, make people think Yuna is either a child or deeply weird. They’re not wrong on the second part, but the bear suit is, of course, absolutely essential for Yuna – and she can’t actually explain why. Some folks have seen obliquely that when Yuna is not in the suit (such as the beach scenes two books ago) she’s super weak, but I don’t think they’ve connected it to “the bear stuff gives her all her power”. Honestly, if this series ever ends, that may be the final boss. Someone who steals her bear suit/gear and forces her to rely on others.

After a few introductory chapters like “let’s make pressed flowers” or “let’s make ice cream”, Yuna decides to do something she’d been meaning to do for a while: go visit the dwarves’ village. She takes Fina, because shed get lonely otherwise, and ends up picking up Luimin from the elves’ village as well. (Elves and dwarves get along fine here, confusing Yuna, who is used to fantasy cliches.) While there, they also meet Jade’s party, who are there because Toya is finally going to get his mithril sword… or at least, he would be if the blacksmith didn’t reject him for not being good enough. As for Yuna, she’s busy buying pots and pans for everyone she knows, as well as talking with the mentor of the dwarf blacksmiths she knows, who is currently refusing to make swords.

It is interesting sometimes to imagine the audience for this series. It’s filled with cute girls, so you’d think that “guys who like to see cute girls” would be the #1. That said, the book really does like to hammer home how useless the guys in it are. Yuna sometimes forgets that Fina also has a stepdad in addition to her mom. Toya is basically a punching bag for everyone else in the cast until right at the end of the volume, and his story is still going to have to wait for the next book to get resolved. Is the book for yuri fans? The author is definitely writing in more yuri tease, with both Shia and Fina indicating they’d be very happy being Yuna’s bride. Unfortunately, like a lot of yuri tease series, Yuna is always there to say things like “but I don’t like girls that way” or “that’s not happening”. Is the book fans fans of grumpy 15-year-old girls in a bear suit who constantly worry about her flat chest? That seems most likely.

This book ends in the middle of the dwarf plot, so I’d expect the next book to resolve it. Till then, this sure was a volume of Kuma Bear.

Third Loop: The Nameless Princess and the Cruel Emperor, Vol. 1

by

By Iota AIUE and Misa Sazanami. Released in Japan as “Nanashi no Ōjo to Reikoku Kōtei: Shītagerareta Yōjo, Konse de wa Ryū to Mofumofu ni Dekiai Sarete Imasu” by M Novels f. Released in North America by Cross Infinite World. Translated by JCT.

So there is a trend in fiction in general… honestly it’s always been a trend… to mine the tragic backstory of the protagonist for emotional trauma in the reader. We are shown how utterly, utterly TERRIBLE their life has been to date. Usually this ends up becoming “but then this happened and suddenly all my karma reversed at once”, be it meeting the prince of your dreams or just buying a Super Cub. Third Loop, of course, is one of those books. Honestly, the reason I was so looking forward to it was the sheer over the top ludicrousness of the backstory in question. Our heroine does not have a name. She’s just called “That”. That said, this particular book, while it does not minimize all of the abuse she’s gotten, is more of a Cinderella story than anything else, and most of the abuse stems from a very real place: grief.

Not only is Princess That despised by her father (who says if he ever sees her he will have her executed) and servants (her head maid is trying actively to destroy her life), but this isn’t even her first life: this is now the fourth time she’s been through this. In previous lives she’d never really experienced enough love from anyone to realize the extent of her abuse, but now, having lived in one life long enough to escape the royal estate and be taken in by a commoner family, she knows what actual love is. As such, she now decides to fight back, be it using her past memories to appear to be a genius or “messenger of heaven” or just looking really sad and crying in front of sympathetic maids and knights. And, as it turns out, she’s really quite powerful, and in this fourth life, things finally start to go her way.

For the most part I really enjoyed this. The Emperor, Feilong, was deeply in love with his wife, to the point where it actively caused political issues. (Honestly, the backstory of the previous generation sounds more interesting than the main one being told here.) Unfortunately, she died giving birth to her daughter, and in his crushing despair, he decided that his daughter killed her. That said… it does not really take much to change his mind. Honestly, everyone in this book, with the exception of the head of the inner palace, Mion (who is aiming to be the Emperor’s new wife), is relatively easily won over by the princess, because it turns out that she is not, in fact, a monster but is plucky, smart and cute. The one drawback in the book is that once her father and brother are won over, they start to have “jealous of other men who are close to her” rage, which is used comedically but made me sigh, especially since in this life, the princess is three years old for the majority of the book.

This is another one of those books that feels complete in one volume, but there’s apparently at least two more. Fortunately, the nameless princess gets a name before the end of this book. I bet they don’t change the title, though. A rewarding read if you can get past the traumatic backstory of everyone.

The Tatami Time Machine Blues

by

By Tomihiko Morimi and Yusuke Nakamura, based on the play “Summer Time Machine Blues” by Makoto Ueda. Released in Japan as “Yojōhan Time Machine Blues” by Kadokawa. Released in North America by HarperVia. Translated by Emily Balistrieri.

I had mixed feelings about The Tatami Galaxy as a novel, as I appreciated the story, the writing, and the other characters, but the nameless protagonist drove me nuts. We honestly spent far too much time inside his head, to the detriment of my enjoyment. If only, I probably did not think at the time but should have, there could be a book with the same cast but where events happen so fast and require so much action that the protagonist does not have all that much time to be a pretentious ass? I was probably yearning for a book just like this one. Taking a pre-existing play written by frequent collaborator Makoto Ueda before The Tatami Galaxy was written (it has a famous live-action film of its own) and putting the Tatami Galaxy characters in it is a fantastic idea, mostly as it turns this into a comedic farce. And boy do these characters work well in that genre.

This is not a sequel to the original, but more an “alternate story”. The setup is the same. The narrator lives in a dilapidated apartment complex, he has his terrible best friend, his cool beauty crush, and the annoying guy who’s been a college student for at least ten years now. The plot starts when the remote for the complex’s one air conditioner, in the narrator’s room, is broken and it’s the hottest time of the year. This is a problem, as they’re busy doing things like making Akashi’s movie about a time traveler going to the Shinsengumi period and turning them all into slackers. Then a *real* time machine shows up, and they get the bright idea to go back in time and grab the air conditioner remote before it gets broken. But… doesn’t this create a time paradox?

The discussion of time paradoxes and closed time loops is interesting, but honestly it’s just an excuse for madcap antics and the narrator freaking out at said madcap antics. The narrator has the same problem he had in Tatami Galaxy – he wants to ask Akashi out but is too much of a coward – but aside from one section in the middle he is not allowed to dwell on this, and honestly his problem ends up being solved by the time loop and Akashi, who (as in the first book) has the patience of a saint. There’s also a time traveler from the future, whose identity is so obvious that even spoiling it here would feel lame, but who allows the plot to happen. And there’s Ozu being terrible, and Higuchi being annoying, and Hanuki being a free spirit, etc. This doesn’t have the grand feel of the last quarter of Tatami Galaxy, but it’s not aiming for that. And honestly, it may be the true canon. The narrator and Akashi come up with the plot for The Tatami Galaxy towards the end, and even name it. So perhaps that’s the fiction and this is the reality.

If you enjoyed the first book, or the anime, this is a must read, and go watch the anime too. Honestly, maybe Morimi should use pre-existing plots more often.

I Guess This Dragon Who Lost Her Egg to Disaster Is My Mom Now, Vol. 1

by

By Suzume Kirisaki and Cosmic. Released in Japan as “Saigai de Tamago o Ushinatta Dragon ga Nazeka Ore o Sodate Hajimeta” by M Novels. Released in North America by Cross Infinite World. Translated by Jordan Taylor.

I wasn’t sure whether I’d enjoy this new series, which I mostly decided to read because, well, I was reading CIW’s other two debuts this month, so hey. It begins with the old chestnut of “adventuring party doesn’t see the value in strategy so gets rid of the weak guy who’s actually the pillar of their support”, though most of the time those people are merely thrown out, not butchered and left for dead. The “I’m being raised by a dragon but we can’t communicate well, can we become a real mother and daughter?” plot is arguably the main one, and it’s a lot better, reaching a few levels of heartwarming along the way. That said, the big reason I enjoyed this book as much as I did was the ghost story. Not a literal ghost, but the idea that everyone is haunted by the presence of this guy, but they can’t remember his name. That’s fantastic.

Our nameless protagonist is, as noted above, murdered by his party members. They’re on a very dangerous mountainside and decide to use his corpse as bait to get away from monsters. As he crawls towards his inevitable death, he is picked up by a dragon. Back in the dragon’s lair, she finds she’s now a 10-year-old girl, and has lost most of her memories of her past. The dragon is clearly trying to raise her as a daughter, but has no idea what humans need in terms of food, etc., so they both struggle for a bit. That said, the previously magic-less protagonist, now named Lushera, can now breathe fire and manipulate lightning and other dragon-ey things. Meanwhile, back in the town the adventuring party came from, they’re highly disturbed by his old guild badge, which has his name blocked out but has stats that are out of this world.

The other important thing about this book is that the author calls it a “transsexual fantasy”, as the male protagonist, on being nearly killed and then reborn as a dragon’s child, is now a different gender. This is handled pretty well, mostly through subtext, as we see Lushera’s discomfort when having to wear girl’s underwear for the first time, and her constant astonishment at the fact that her new body is “cute” and “pretty”. But yes, it was the “ghost story” that fascinated me. Lushera’s old life is erased by (presumably) dragon magic, but it was just her name, and everything she did – which was a lot more than the stupid party that killed her thought – is still heavily influential on those in the town. We also learn the tragic reason she and the party were there in the first place, which neatly ties in to the new relationship she has with her dragon mother, one where she struggles to admit that it’s love for a parent.

This is another one of those “there’s more to the story, but it also could easily end in this volume” sort of books. I’d definitely put it in the “better than expected” category.

Stuck in a Time Loop: When All Else Fails, Be a Villainess, Vol. 2

by

By Sora Hinokage and Tsukasa Kiryu. Released in Japan as “Loop kara Nukedasenai Akuyaku Reijō wa, Akiramete Sukikatte Ikirukoto ni Kimemashita” by DRE Novels. Released in North America by J-Novel Heart. Translated by Andria McKnight.

There is apparently a 3rd and final volume of this coming soon, which surprises me, as right until the end I thought that this book was the equivalent of that new Shonen Jump series that is told “you have 3 chapters to wrap up all your plotlines”. This volume hits the ground running and does not let up in terms of reveals, backstories, and monster fights. Thankfully, Selene is no longer stuck in a time loop, as at least in this book she manages to make it all the way through without resetting. Unfortunately, bad things keep trying to happen to her, leading to a change in her goal: escape this time loop’ is now secondary to ‘live freely and happily and screw everyone else’. Well, everyone else except Dier, of course. The romance in this series is so mild as to be almost nonexistent, but it is there, and deep down Selene is probably “quite fond” of Dier. Just don’t ask her to say it.

Unfortunately, Selene, Dier, and the king find that even taking all the other powers from the guardians is not enough to change the mystery stone tablet. Fortunately (?) for Selene, a solution presents itself fairly quickly: her little sister Soleil has finally gained the powers of the sun, and her mother is now telling Selene to step down. Selene says no, and so the two of them have to have a fight to determine who gets to be head of house. Which… makes little sense, given that Selene is a master of shadow and Soleil just came into her power last week. What’s stepmom’s real agenda here? Well, it’s a big one, and is tied deeply into their family, the past of this country, and Selene’s own late mother. Unfortunately, none of these revelations are particularly good news, and Selene spends most of the book in battle.

I was pleased to see that little sister was not evil as I’d theorized at the end of my first review. She just has an evil mom. That said, Soleil is not all that interesting, being the standard “yes, mother” daughter who must break free of her shackles, etc. Selene is the star of the show, and the reason we’re here. I’ve mentioned her emotional walls before, and they’re still very high, making the narrative sometimes feel as if she’s reading off a phone book when she’s actually facing off against monsters who have possessed her family. The best part of the book is probably Selene’s father, who I had written off as a minor part of the series, returning and showing that, like his daughter, he does actually feel things but has tremendous difficulty expressing them. This forces Selene to have her one and only major emotional moment in the book. That said, it’s only about halfway through the book, so she doesn’t “change for the better” or anything.

The cover to the third volume, due out in Japan next month, has the characters walking into the twilight but looking back at the reader with a smile, and you know what that means. I’ll be back, and continue to hope Selene has a love epiphany or something.

A Misanthrope Teaches a Class for Demi-Humans, Vol. 1

by

By Kurusu Natsume and Sai Izumi. Released in Japan as “Jingai Kyōshitsu no Ningen-girai Kyōshi: Hitoma-sensei, Watashi-tachi ni Ningen o Oshiete Kuremasu ka……?” by Media Factory. Released in North America by Yen On. Translated by Linda Liu.

Look, I appreciate a surprise as much as the next person. I love it when a book I thought was going to be one thing turns out to be something totally different. But sometimes there is also joy in picking something up because you know what it’s going to be, and have it be exactly that. This is one of those books. The plot description made it sound exactly like the Japanese sub-genre of “new teacher enters the lives of their students and changes them for the better”. Now, Hitoma is never going to come close to Onizuka, or even Kumiko Yamaguchi. But that’s OK, because these series live and die on the strength of their student cast, and these students are fun, and they do have one or two big surprises. It helps that we don’t have to deal with a huge cast herd. This is a school for demi-humans, and there’s only four in their “senior year”.

Hitoma is a man in his late twenties, and he’s been holed up in his family home ever since a traumatic experience when teaching led him to quit. But he spots an ad for a teacher at an all-girls school in the middle of nowhere in the mountains, with great pay and benefits. He arrives for the interview, and discovers the catch: this is a school for non-humans trying their best to become human. He’ll be in charge of the advanced class, which has upbeat mermaid girl Minazuki, teasing bird girl Haneda, sullen rabbit girl Usami, and shy wolf-girl Ohgami. Each have a wish that can only happen if they learn how to be human and graduate, and Hitoma is here to help them. That said, the graduation rate is very low…

As you might guess, there are individual chapters dedicated to each girl and her circumstances. Minazuki is descended from Poseidon, and really should be mermaid nobility, but wants to be a dancer. Ohgami has a different personality every full moon, one that is her polar opposite, and also is a reverse werewolf. Both sides have suicidal tendencies and a desire to sacrifice. As for Usami and Haneda, the spoiler is the point there, so I won’t go into detail. They’re all fun. As for Hitoma, “misanthrope” is not really all that accurate, “depressed” fits better. This does not stop him for earnestly helping all the girls – he’s a good teacher. (They tease him about teacher-student relationships, but he never rises to the bait – he IS a good teacher). Given the cover of the 2nd book has three different girls, I wondered if the entire cast would leave the series at the end of this volume. That’s not true, but it shows just how much everyone has grown that it’s totally plausible.

So yeah, Book 2 is the latest out in Japan, and as noted, there are different girls on the cover. I’ll be here for it, though. This is heartwarming and life-affirming, and I greatly enjoyed it.