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Greetings from Charlotte!

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It’s a beautiful, sunny morning in Charlotte, though I’m still enjoying it through the window of my hotel room, as I lazily prepare for our first day of auditions here. I’ll just be watching our callbacks all day, so I don’t have to rush around to get to the general auditions when they start this morning. I suppose I’ve achieved something when I get to hire other people to do all the rushing around.

Charlotte is really a lovely city, though I admit I’ve only seen about three blocks worth of it so far. After arriving yesterday, our assistant production manager and I walked over to the theater where they were doing registrations, and there was an Indian cultural festival of some kind going on in the street. Multiple booths with delicious, spicy-smelling food, and lots of women walking around in colorful saris, it was really a nice welcome to the city.

For anyone who might be wondering, I ended up not taking any of the advice I was given on what manga to bring on the plane, though I did try. Our local bookstores and the comic shop were unhelpful in my search for volume 1 of Dororo (though I could get volumes 2 & 3 at one Barnes & Noble), which was what I’d most strongly considered. I’m happy with my choice, though. I ended up getting the first three volumes of Nana (which I’ve meant to read for a long time, finally cemented by Johanna Draper Carlson’s recent review of volume 9), and wow, what a charming series! Now of course I’m wishing I’d bought more of it, but the volumes I had effectively dulled the horror of my two flights yesterday, so I’m very grateful to them.

Time to start rallying myself to the day’s cause. More later, perhaps. In conclusion: Banana Fish. :D

Kare Kano 6 by Masami Tsuda: B

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From the back cover:
It’s not long before Soichiro’s back from a very successful tournament, much to Yukino’s delight. Now they can spend some time with each other before school starts again. Yukino notices that Soichiro’s matured a lot, which stirs up new feelings in her and makes her fall in love with him even more. Soichiro’s feelings for Yukino deepen as well, and he has some difficulties dealing with that and some family issues.

Review:
This volume was strangely unaffecting. Although I loved Yukino’s struggles to confess her feelings to Arima in the first couple of volumes of the series, her problems here with telling him that her feelings have grown and her eventual confession scene just weren’t all that interesting. Arima’s obnoxious family also made an appearance, but their horrible treatment of him came across as unrealistic rather than upsetting.

This was also the volume where Arima and Yukino do the deed. I knew they would, having seen the anime, but it was still so out of the blue story-wise. In one chapter, Yukino was freaking out ‘cos he touched her boob, and just a few days later, they were consummating their relationship. For teen couples, isn’t there usually an interval of gradually intensifying fooling around between these two occurrences?

The aftermath of this event totally reminded me of Buffy the Vampire Slayer and what happened after Angel and Buffy slept together. After Yukino had gone home, Arima had a nightmare in which a cruel version of himself showed him an instance of early childhood abuse he suffered. When Arima wondered why he was remembering this, the nightmare him said, “Because you dared to think you could be happy… I’m a part of you. I’m half of who you are on the outside. I’m the shadow under your feet.”

Dun dun dunnnnn.

7SEEDS 5 (Japanese) by Yumi Tamura: B+

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Book description:
With the rest of Team Summer B settled nearby the shelter at Mt. Yufudake in Kyushu, Arashi and Natsu decide to journey to Kanto to see what has become of their homes and families. Joined by Semimaru, they soon encounter Team Autumn, who were released three years ago and who have built a secure village. The only problem is that a tyrannical couple treats the others like slave labor, and the team’s guide is too weak to put a stop to it. Is this the kind of desperation Team Summer B will eventually experience?

Review:
It becomes apparent in this volume that we’re not only bouncing around in time a little, but that the various teams were released at different times, as well. The story of Team Winter recounted in the last volume actually took place fifteen years ago, while Team Autumn has been working to survive for three years. Also, in the last volume Hana found a note in a stockpile that was actually left by Natsu in this volume, if that makes sense.

Anyway, there’s a lot of traveling going on in this volume. Although I was looking forward to the teams meeting up, it kind of amuses me that Arashi, Natsu, and Semimaru suddenly seem to run into every team but Hana’s on this outing. Like, in the whole of an empty and desolate Japan, they just happen to walk in the direction where Team Autumn has built their village. I suppose having common clues for where to look for the stockpiles helps a little, but still.

Team Autumn is pretty horrible, and the Summer B folk are scarred by the experience, so when they meet gentle and kind Taka from Team Winter, they end up suspecting him and slipping away in the night. Just a few days later, he runs into Hana from Team Spring, and she (who has met no one else yet) accepts him. It’s very sweet. It also shows just how close Arashi and Hana are to each other without knowing it.

Alas, not much more than this really happens in the volume. Walking, angsting, big dangerous animals, reckless puppies. That about sums it up.

7SEEDS 4 (Japanese) by Yumi Tamura: A-

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Book description:
It’s been confirmed that the desolate land is indeed Japan, though the teams still don’t know what happened or what year it is. Team Spring—having lost their guide, Yanagi—travels to Mt. Fuji to look for another of the stockpiles, only to find that the volcano has erupted and is no longer there. Just as their hope is flagging, Hana notices some manmade signs directing them to another mountain to the east. The members of Team Winter face their own hardships from the start—between equipment failures, man-eating tigers, and Hokkaido’s bitter cold, some of them will not survive.

Review:
The majority of the chapters in this volume featured Team Winter. I’m a little torn about the introduction of other teams into the story. On the one hand I want to see them and what they’re doing, and on the other, there are already tons of characters as it is. Right from the start, Team Winter’s story is a bit more grim than the others, however, as a few of their number do not survive the thawing process, and I got into it more than I thought I would.

More shocks and twists in the story follow, and since I’m not the kind to go around suspecting such things, I really enjoyed the various surprises. The main protagonist of this group is Taka, who believed himself to be weak until inspired by the example of boisterous Fubuki, another member of the group. It was good to see how Taka had progressed by the end of the story, though the appearance of a couple of precious puppies at a crucial point was a bit silly (but sniff-inducing nonetheless).

So, as it stands, each of the teams has now located a stockpile of goods and is camped out nearby. Arashi and Natsu have passed through where Hana’s team is and left a note, though Hana, of course, still has no idea that Arashi is alive. I’m eager for the teams to meet up, especially since I have no idea what to expect from the story after that happens. I have faith that it’ll be something really cool.

Boys Over Flowers 16 by Yoko Kamio: A

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From the back cover:
Tsukasa’s 18th birthday doesn’t go smoothly at all! Tsukushi is introduced to Kaede, Tsukasa’s mother, by way of falling over a table and causing a scene. Kaede tells her to get out, but Tsukasa defends her by declaring that she is precious to him. Thus begins a three-sided war between the three most headstrong people you’ve ever seen! Tsukushi and Tsukasa get away for a while and spend some time on Tsukasa’s boat, but they can’t hide from Kaede forever…

Review:
A lot of awesome stuff happens in this volume!

Firstly, Kaede is such a great antagonist. Not only does she create strife for the two leads, she also sets off the sorrow in the lives of the other rich characters around. In the previous volume, Soujirou talked about how he cannot choose his own spouse, and now it seems that Tsubaki might have a lost love of her own. I hope that gets explored in future volumes.

Secondly, so many of the supporting cast get awesome things to do. Tsubaki has now completely redeemed herself for her bizarre actions of the past and is acting as Tsukasa’s champion of sorts, helping him get away from the party and then expressing concern at what their mother has planned for him. Tsukushi’s mom is also (very briefly) cool, showing for an instant a strong resemblance to her daughter.

Lastly, I loved the scenes with Tsukushi and Tsukasa on the boat, especially the part where they’re fishing and discussing their families. She also finally gives him the homemade cookies she made as a birthday gift; the awesome thing is that he’s still proudly showing them off two chapters later.

Kaede’s plot involves accelerating plans for Tsukasa’s arranged marriage with Shigeru, a tomboyish girl who is the first serious rival for Tsukasa’s affections that Tsukushi has faced. She’s likable and also seems to be amenable to the arrangement, not letting Tsukasa off the hook so easily.

All in all, a very solid volume through and through. Alas, I’m now caught up with my original reading plan (two per month, finishing just as the final volume comes out next June) so here’s where I’ll be pausing until next month. It’s soooo tempting to just keep plowing on, as this series is seriously addictive, but I expect I’ll regret it afterwards during the long wait between volumes.

Boys Over Flowers 15 by Yoko Kamio: B+

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From the back cover:
Junpei has promised to protect Tsukushi and always be there for her. His promise comes just in time, since Tsukushi has been given another of the infamous “red slips,” the mark of someone targeted for abuse. Meanwhile, Akira and Soujirou are desperately looking for Tsukasa, who has been gone for days. It turns out that Junpei harbors a terrible grudge against Tsukasa and is using Tsukushi as bait to get him! This has shockingly violent results. Later, Tsukushi gets dressed up and attends Tsukasa’s birthday party. Little does she realize the implications that attendance has!

Review:
Um, thanks for ruining any surprise anyone might’ve had regarding Junpei’s intentions, back cover blurb!

Anyways, the most important thing to come out of Junpei and his grudge is that Tsukasa submits to a beating from several guys he could’ve handily defeated because to fight back would’ve put Tsukushi in jeopardy. I love that when he arrives, she tearfully cries, “Why did you come?!” and he advises her to keep her eyes shut so she won’t have to witness the beating.

There follows a chapter that must’ve been a lot of fun to read in its serialized form. Tsukushi has a dream that Tsukasa has died from his injuries, and the next few pages seem to support this notion, with the F4 pretending to grieve, et cetera. She’s furious at the jest, of course, but it leads into another sweet scene between the two leads. Then the other members of the F4 try to convince Tsukushi again to give him a chance as a boyfriend, but she blurts out something derogatory and flees.

The effort to flesh out Akira and Soujirou continues, as well. When Tsukushi is invited to Tsukasa’s birthday party and is freaking out about possibly being introduced to his scary mother as his fiancée, Soujirou points out that sons of rich families are never allowed to marry a girl of their own choosing, so she should just relax because there’s no chance she’d ever be able to marry Tsukasa anyway. I thought that was a neat, kind of subtle way to place a new obstacle in the path of their relationship. And then, of course, Tsukasa’s mom becomes the physical embodiment of said obstacle.

These middle volumes are showing quite a consistent level of quality. Gone are the things like basketball showdowns and I hope they never return. We’re also heading into what was the final arc of the anime, so soon I’ll be into material that I’m completely unspoiled on.

My final thought comes in the form of a favorite quote. Tsukasa has, once again, gotten himself fired up over something at the drop of a hat, and one of the other F4 (possibly Akira) quips, “I wish my water heater worked like him.” Hee. So do I.

Bakuman ch. 2, yikes.

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Well, a friend warned about the sexism in chapter 2 of Bakuman, but I didn’t realize how strong it was until I saw it for myself today. I’ll keep reading the series, and I’ll buy the books when they come out, because I’m a Takeshi Obata fangirl and there’s nothing to be done about it. But, wow.

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Boys Over Flowers 14 by Yoko Kamio: B+

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From the back cover:
Tsukasa’s raucous behavior at Tsukushi’s middle school class reunion has her fed up with him once again. Tsukasa is crushed by this but is too stubborn to apologize. Later, Tsukushi is assaulted by two schoolgirls and then rescued by a “young nerdy boy” who turns out to be Junpei, a famous male model who has been dying to meet Tsukushi! Her dumb luck then gets her involved in a photo shoot with him, and she ends up on the cover of a famous magazine. This causes quite a scene at school, but not nearly as big a scene as when Tsukasa finds the two of them together!

Review:
Setting aside my dislike of Tsukasa’s overreaction concerning Tsukushi’s middle school admirer, it actually sets up some pretty good stuff in this volume. Junpei (the younger brother of the admirer) is introduced, and though he seems yet another potential love interest for Tsukushi, he also provokes Tsukasa into admitting that he loves Tsukushi so much it makes him insane.

That confession is certainly wonderful, but even better is how Tsukushi can’t get his words and expression out of her mind. She had said she wanted him to leave her alone, but when a red slip appears in her locker, she sees it as a farewell from Tsukasa and it makes her sad.

Also good are Akira and Soujirou’s continued efforts to get Tsukushi and Tsukasa on the right track, this time by coaching Tsukasa on how to apologize for ruining her middle school gathering. My favorite panel in the whole volume features Akira and Soujirou eyeing Tsukasa warningly as Tsukushi approaches, Tsukasa glowering, and Kazuya waving doofily in the background. There are lots of other lovely panels, too; I particularly love how Tsukushi is drawn for her magazine photo shoot.

I’m uncertain how I feel about Junpei. So far, he’s okay, but I have some vague memory from the anime that I didn’t end up liking him very much. Sakurako is suspicious of him, too, which makes me think he’s up to something. Speaking of Sakurako, she seems to becoming more of a friend to Tsukushi, or at least helps her out when, spurred on by the red slip, the other students are chasing her.

It’s a little bit full circle now, with Tsukushi the victim of persecution again, but at least she finally knows how Tsukasa feels about her.

Hurray for plugins!

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I have nothing of real substance to share, but I did want to share my glee over a few functional updates. After much wailing and gnashing of teeth, I have finally got a few things working over here that I’ve admired on other blogs. First of all, this blog will now be cross-posted to Livejournal, for those over there who fear to stray from their friends pages.

What I’m more gleeful about, however, is that I can now offer something like LJ-style commenting over here. When commenting here, you will now be given the option to use your LJ, IJ, JF, whatever icon in your comment, simply by entering your name as “username@yourljclone” when you are filling out the comment field. This also supports gravatars. If you don’t have an avatar, the default (for the moment, at least) is Lucydog. :) Also, though I’ve had threaded comments working for a while, I’ve also now got reply notifications working, so when someone replies to a comment you’ve made, you’ll get an e-mail telling you so.

Let me know if you have any trouble! I’m off to check my daily blogs, now, so perhaps soon I’ll have something to say!

Tears of a Lamb 3 by Banri Hidaka: B

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The greatest strength of this series is the relationship between its two lead characters. After getting off to a rough start—with Kei badgering Kanzaki to allow her access to his apartment so she can search for a lost ring—it has developed into a solid friendship, with each able to confide in the other about their problems. I particularly like how Kanzaki’s consideration of Kei is shown through his actions rather than told in mere words. The best scenes are when they are engaged in heartfelt conversation.

Unfortunately, such moments do not happen often in this third installment of the series. The standout chapter actually focuses on the school doctor and her own experiences in high school. A nice character piece, it also provides a glimpse of the mysterious Suwa, the older man upon whom Kei is fixated and the owner of the ring for which she is searching.

Hidaka’s art is cute (I love the fleecy lambs sprinkled throughout) but my enjoyment is marred by the continual reliance on violence as a source of humor. Poor Kanzaki takes a pounding on practically every page and it’s really beginning to disturb me. If you can get past that, however, Tears of a Lamb definitely has something unique to offer.

ETA: As I read the galley copy in preparation for the review above, I noticed quite a few instances of dialogue appearing in an incorrect bubble (and thusly being attributed to the wrong character). I didn’t mention it then in the hopes that it would be corrected in the official release. Having just obtained said release, however, I am sad to see that they have not been corrected. Does nobody read the galley with an eye for mistakes? Isn’t that what it’s for? Did it not strike anyone as strange that the character jumping in the air jubilantly is not the one whose dialogue reads, ‘Yay!!’?! Grumble grumble.

Review copy provided by the publisher. Review originally published at Manga Recon.

Tears of a Lamb 2 by Banri Hidaka: B+

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From the back cover:
It’s “Sports Day” at school! Coincidentally, it’s also the last day Kanzaki has a chance to make it onto the basketball team. He faces an old rival who knows about his past failures, and when an accident puts his ability to play in jeopardy, it shakes up his confidence even more. It’s up to Kei to pump him up and help him get his game face back on.

Review:
Usually, I find school events like festivals or sports days to be a bit of a cop-out story-wise, but in this case, its approach was actually mentioned in the first volume, and there’d been enough build up that it actually had some narrative importance.

Kanzaki hadn’t played basketball since near-blindness in his left eye caused him to commit an error that cost his junior high team an important game. He’d been avoiding the game since. With the help of Kei and others, he finally realized that he’d forgotten the fun that could be had in simply playing, versus the attitude that winning is everything. This might sound kind of lame, but it was really handled pretty well over the course of several chapters. I swear I got kind of verklempt at one point.

The main goodness, however, was the growing friendship between Kei and Kanzaki. I especially liked how Kanzaki was sensitive to her eating disorder (she’s a recovering anorexic) and didn’t put her in situations where she’d feel compelled to accept food. He did this completely nonchalantly, and it was an excellent way to show (not tell) his caring side. In return, she bolstered him when his confidence flagged. I’m very pleased that this relationship is shown with such a firm foundation of regard and consideration and isn’t based on love-at-first-sight theatrics.

The not so good stuff:
* The over-the-top humor from the last volume was toned down slightly, though I was annoyed when Kanzaki’s overbearing sisters visited and one had fun smacking him around. I’ve encountered that from time to time (like in Boys Over Flowers) and I dislike it thoroughly.
* There were further errors in overlays, mostly with the original not being completely removed before the translation was applied atop it. I noticed a couple of typos and weird symbols, too.

Add some mystery about Kei’s past (and one panel that hints to something in Kanzaki’s, as well) and the second volume of Tears of a Lamb works out to be a satisfying read.

Ultimo. A rant?

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September’s issue of Shonen Jump arrived in my mailbox today, nicely timed, as it contains “Chapter 0″ of Stan Lee and Hiroyuki Takei’s Ultimo, which I’d just been reading about in yesterday’s comic-con reports. Sadly, my reaction to it has been distressing.

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Tears of a Lamb 1 by Banri Hidaka: B

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From the back cover:
Freshman Kei has one thing on her mind: getting into fellow classmate Kanzaki’s apartment. She won’t tell him why at first, but she’s searching for something that she lost in there two tenants ago. Starting with this strange connection, a friendship grows between two students who have each suffered their own separate trauma. Can Kei and Kanzaki help each other get over the secrets that are tearing them apart?

Review:
At first, I was pretty bored by Tears of a Lamb. There wasn’t anything obviously wrong with it, but neither was there anything really special. Additionally, the main characters reminded me of some in Fruits Basket: Kei was kind of like Tohru, with a never-give-up attitude and an ability to understand others’ problems; Kanzaki was kind of like Kyo, gruff on the outside but caring within; and Takama-sensei (who’s also Kei’s cousin) was kind of like Shigure, with a silly/playful side as well as a more serious one. I have no idea which series came first, but these similarities made the setup here seem awfully familiar.

In one of her columns, Hidaka-sensei mentioned that, when she conceived of the tale, she was eager to introduce a character from Kei’s past and wasn’t dwelling a lot on the introductory bits with Kei and Kanzaki at school. The difference showed, as when the story delved into the more serious territory of Kei’s past, my enjoyment of it markedly increased. The personalities of Kei and Kanzaki were fleshed out more and there were some really nice scenes between them as they very slowly started to become friends and to confide in each other about their problems. The progression of the relationship was well done, especially in comparison to some shoujo I’ve recently read, where love declarations came after only a few pages.

I was less enamored of the “funny” parts of the story, since I didn’t find them particularly humorous. I guess some folks might enjoy spazzing older brothers who hurl forks at boys who criticize their sisters, but not me. Honorifics were maintained, which I appreciated, but there were a couple of other problems in the translation. At one point, Kanzaki was referred to with an incorrect first name, and there were other small things like weird symbols where apostrophes should be and odd placement of overlays. Hidaka’s art is clean and cute; in fact, that’s what initially attracted me to her works.

After a slow start, Tears of a Lamb wound up finding an original story after all. I’ll be continuing with the series.

Time Stranger Kyoko 1 by Arina Tanemura: B-

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I’m thrilled to announce that I’ve been invited to contribute reviews to the Manga Recon section of PopCultureShock. This is my first review for them, and it was originally published here. Carlos Santos from ANN has also written a review of this title, and brings up some points left out of mine, so you may want to check his out, as well.

It’s the 30th century and all of the nations of Earth have united to form a single kingdom. The treasure of the people is their princess, Kyoko, but she’d rather attend school like a normal girl than fulfill any of her royal obligations. Her sixteenth birthday is approaching, however, and along with it the celebration at which Kyoko must finally appear before her subjects, putting an end to her incognito scholastic career.

Kyoko resigns herself to her fate, but her father offers her an alternative—if she can awaken her younger twin sister, who has been asleep since birth, and turn princess duties over to her, Kyoko can have her freedom. To do this, she must locate twelve godstones scattered around the planet and the twelve telepaths who can use them. When gathered, they can set into motion the giant clock upon which Princess Ui sleeps and use its power to awaken her.

I was pretty put off initially by the notion that Ui was to be awoken for the sole purpose of foisting princess duties upon her. Even though Kyoko intends to give her sister a choice in the matter, it’s still a thoroughly selfish aim. Quickly, though, Kyoko ends up revealing her identity anyway (to thwart a band of thieves who’re menacing her schoolmates) and her goal becomes simply meeting her sister.

Adventure ensues, with Kyoko gradually acquiring more powers and, eventually, locating the first of the telepaths. She’s often tempted to use her powers for selfish reasons, but usually ends up helping others in the end. Other hobbies include requiring rescue by her bodyguards and behaving irrationally.

There are some comedic elements to the story, though not all of them are a success. I giggled at the instructions for the issuance of a royal greeting (step 5: gesture flamboyantly!) and I like that Kyoko’s magic cane has a personality and dialogue, but I can’t stand the character of Chocola. She’s the King’s cat android pet, and I reckon I’m supposed to find her unbearably cute, but instead she just creeps me out.

As usual, Tanemura’s artwork features big eyes, lots of screentone, and a plethora of flowers. I was a little disappointed that she didn’t avail herself of the opportunity to draw the kirito—humans whose DNA has been combined with that of plants or animals—in a new and different style. Mostly, they just get things like pink hair or gold eyes. Kyoko herself has pointy ears, but no one has commented on them thus far, so I’m not sure if she’s supposed to a hybrid or not.

While I didn’t love this volume, I didn’t absolutely hate it, either. It’s true that neither the story nor the characters particularly engage me, but because the series is only three volumes long, it’s really not that much of a commitment to see it through to the end. I expect that I will do so.

As a final thought, I leave you with a topic: Arina Tanemura is the manga equivalent of Meg Cabot. Discuss.

Review copy provided by the publisher.

Seduce Me After the Show by est em: A

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From the back cover:
A stylish, tempestuous dance of anguish and passion. Seduce Me After the Show contains seven short stories which take place within the artistic worlds of dance, painting, and music. Overall themes focus on the dichotomy of hope and despair as well as the relationship between pleasure and longing. In the title story, devastated by the death of his world famous dancer mother, Theo Gallardo abandons his own dancing career to become an actor and co-stars in a film with popular Hollywood idol Darren Fergus. What should have been a joking kiss shared between them takes a sudden turn when Darren asks, “So what now?” Theo answers, “That depends on the script.” As lustful passions boil over, will Theo be able to regain the fire that he once possessed and return to the dancing world?

Review:
The back of this book is doing a lot of my (self-appointed) job for me! Though, to be honest, I probably never would’ve written about the “dichotomy of hope and despair” anyway.

Right up until I read the last story, I thought my favorite tale would end up being the two-parter starring Theo and Darren (details above). It’s wonderfully told, with an ending I adore even as I wish there were more to read about these two. The final story has a similar feel and tells the story of a man returning to Kyoto after a long absence. He’s come back to attend a festival and, while there, asks about an old friend of his. Gradually, the details of their parting are revealed and, I swear, the final page makes me sniffly.

I really like the art—the use of screentone and backgrounds is minimal, resulting in a largely black and white style. Some of the character designs are quite original, too. Theo looks more like Severus Snape than he does a typical manga character. One of the couples includes a guy in his fifties, and when’s the last time you saw that happen in this genre? Lastly, I appreciate that est em takes the “artistically suggestive” route with the pair of love scenes; depicting things in exacting detail would detract from the emotional element.

Usually, I don’t notice things like paper or print quality, but the production values from Deux (the yaoi imprint of Aurora Publishing, a fairly new player on the American manga scene) are good enough to attract my notice. The translated dialogue seems natural and though I had trouble a couple of times working out exactly what Theo meant, I think that’s just a facet of his character. There was one fairly glaring grammatical error, though. “You’re work has really matured.” Nails on a chalkboard, that one.

My only real complaint is the surfeit of ambiguity. There are times when it isn’t easy to determine which character spoke a line, whether two characters actually slept together, or how one really feels about the other. I’m sure all of this is intentional, but to quote Davy Keith from Anne of Green Gables (‘cos where better to do that than in a yaoi review?), “I want to know!”

Seduce Me After the Show is a character-driven collection featuring grown-up men dealing with their feelings for each other. There’s no blushing or glomping here, and though the stories may be short, they’re also original, thoughtful, and memorable. If you buy one yaoi title this year, buy this one. There’s another book by est em due in December, though, so maybe make it two.

A slightly different version of this review was also published at Manga Recon.