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Reviews

In Another World with My Smartphone, Vol. 13

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By Patora Fuyuhara and Eiji Usatsuka. Released in Japan as “Isekai wa Smartphone to Tomo ni” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Andrew Hodgson.

Smartphone continues to be a series with two very different types of interlocking plots. The first is the “main” plot, showing Touya battling the Phrase, deducing what’s actually going on in this world, and traveling to other worlds and having adventures. The second is Touya basically wandering around, goofing off, and leisurely talking with everyone in his kingdom. The problem is that the author is very good at the second thing but consistently falls down on the first. Oh, the Phrase battle was pretty good, except for one consequence which I’ll get to later. But when Touya comes back to the Reverse World, he promptly runs into a villain. Stop me if this surprises you… the villain is insane to the point of mad laughter, gleefully kills tons of innocents, and is also a bit of a sexual deviant. Touya learns that her personality might be degraded due to the golem she’s contracted with… but then undercuts it by saying “no, I think she’s like that anyway” so as not to upset readers with that fetish. Guh.

Sorry to say that despite the cover we do not get to see Touya and his fiancees racing early 20th century cars around the kingdom here. The majority of the book is supposed to be the Festival that Touya set up last time, and we do get to see the front end. It’s pretty fun, with baseball tournaments, shogi tournaments, lots of shops, lots of food. Touya gets to walk around with a fiancee or two, chat, and just be his usual bland self. It’s refreshing, and it makes it more entertaining when he has to actually try hard NOT to be his bland self. The best joke in the book has him walking with Hilde, one of his more insecure fiancees, and having to reassure her that he loves her by saying it out loud. This gets back to the others… and he now has to say it to all of them, something which causes him to nearly break down in embarrassment. It’s really cute.

Unfortunately, despite setting up for an entire festival (and even bringing God down from Heaven), the Phrase show up somewhere in the smoking remains of not-China and Touya and his mecha army have to go take them out. The plot here is actually interesting. The Phrase seem to be having a civil war, with Phrase that have been infected by the evil God killing the non-infected Phrases in a way that reminds me of the old Dalek civil war in Doctor Who. We also see the return of Gila, the arrogant Phrase construct who looked to be a reoccurring villain… till Touya killed him here, cutting that off pretty rapidly. Touya also has to use God powers to do it, meaning afterwards he falls unconscious… and we miss the entire rest of the festival as a result. This really irritated me, especially as Touya rattled off all the stuff that happened in a couple of paragraphs.

So, cute but also frustrating, bad villains but good fiancees and a bland hero who is at his best (and worst) when he tries not to be bland. In other words, typical Smartphone.

5 Centimeters per Second: one more side

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By Makoto Shinkai and Arata Kanoh. Released in Japan by Enterbrain. Released in North America by Vertical, Inc. Translated by Kristi Fernandez.

(This review is based on a review copy provided by the publisher)

I hadn’t initially planned to review this, mostly as I’ve never seen the 5 Centimeters per Second movie, and if I read the manga it was so long ago I’ve forgotten it. But I’m familiar with the author from the your name spinoff he wrote, which I enjoyed, and he also has a Voices of a Distant Star novel coming out over here this summer. So I gave it a try, and I’m glad I did. I knew going in from the start that the overall mood of the book would be ‘wistful verging on bleak’, of course. This is Makoto Shinkai we’re talking about, the creator who surprised everyone by NOT giving your name a bittersweet ending. 5 Centimeters per Second tells the story of a boy, Takaki, and a girl, Akari, who meet as kids, fall in love, separate, try to stay in touch, meet one more time in an ultra romantic scene… and then never meet again. This book tells the story from different perspectives.

I’ll be honest here, I liked Akari a lot more than I liked Takaki. This is deliberate, I suspect. It’s one reason why I think my favorite part of the book was the start, showing us Akari’s perspective of life as a shy, introverted child who had to transfer schools. Her emotions are raw, and mention is made of wanting to “disappear” but not actually having the wherewithal to kill herself, which is really bleak given she’s about nine. Transferring schools is a lot more common in Japan than it is in the West, and the lessons given here on how to fit in – and how hard it is – read very true. Takaki is at his best here, helping Akari with some sound advice and an ear to lend, but even at this age we can see how he tends to withdraw from her when things get too close.

The second part of the book is Takaki’s, showing his middle school life after he moves down South to Tanegashima. He meets a nice girl who falls for him hard, and he clearly likes her, but is also deliberately not doing anything. This compares nicely to the third part of the book, which has interlocking POVs, where he meets a nice woman as an adult who falls for him hard and he clearly likes her but is also deliberately not doing anything. Takaki seems trapped in that one moment he had with Akari at the station when they were thirteen (twelve? Around there), and it’s only at the very, very end of the book that he seems to grow past it. Akari, on the other hand, blossoms into a confident, happy young woman, marries a nice guy, and has a wonderful life. Seeing this made the ending less bittersweet than I’d expected. Sure, young love didn’t work out. That happens all the time. But, helped by Takaki’s advice as a child, Akari has become a wonderful young woman.

I’m not sure how this complements the movie, but I’m pretty sure fans of it will want to pick this up. The prose is gorgeous and evocative, worth the price of the book alone. I’ll definitely want to get more of this author’s take on Shinkai’s works.

Skip Beat! vol 42

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Skip Beat! Volume 42 by Yoshiki Nakamura

With such a long running series like Skip Beat! once it has caught up with Japan, the wait between volumes is long enough that I temporarily lose track of of the plot. But within just a few panels, my memory gets triggered and I’m back in the story again. In this case seeing Ren’s reaction to learning that Sho kissed Kyoko made the wait between volumes all worthwhile. It is always amazing how well Nakamura can portray someone attempting to be stoic when they are filled with turbulent emotions.

Skip Beat 42

Kyoko meanwhile has her own battles to fight, and Skip Beat! always excels when she has to fight for a role. She’s in the middle of a rigged contest, trying to get a role alongside her beloved Moko. Kimiko, the niece of the producer, is determined to use any advantage against Kyoko and she plays up an imaginary relationship with Ren just enough that Kyoko becomes totally distracted and forgets to focus when she’s receiving directions for the next stage of her audition. Moko ends up saving Kyoko by altering her body language just enough that Kyoko is able to intuit the rest of the scene, and she ends up turning in an impressive performance.

One of the most entertaining part of this volume was seeing Ren’s manager accompany Kyoko throughout the audition process. His interior thoughts as he observes Kyoko’s reactions and starts building up theories about Ren and Kyoko’s relationship are priceless. As the audition progresses, Kyoko is able to battle through her emotional turmoil and fully inhabit her character. One of the things about Skip Beat! that I enjoy so much towards the start of a story arc is being able to look forward to all the impending drama. Kimiko seems to be engaged in a strategic retreat, I’m guessing that she’ll return to cause even more chaos. Ren and Kyoko haven’t met yet since Sho kissed her, so I’m looking forward to that scene, I’m guessing in two more volumes or so? Skip Beat! always manages to draw the reader in, and even though the big confrontations and resulting emotional growth for the characters doesn’t happen right away the series always delivers.

Captain Harlock: The Classic Collection, Vol. 3

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By Leiji Matsumoto. Released in Japan as “Uchuu Kaizoku Captain Harlock” by Akita Shoten, serialized in the magazine Play Comic. Released in North America by Seven Seas. Translated by Zack Davisson. Adapted by Snati Whitesides.

In many respects this is Daiba’s story more than Harlock’s, and we’ve been following his journey and not really going back to show how Harlock got started, got the crew together, etc. That said, just because we started with Daiba doesn’t mean we get a satisfying ending for him – or anyone. A lot of Matsumoto series, I’ve found, tend to best be described as “a cutout of a larger, more epic tale”, even when they’re being epic tales themselves. And so this volume wraps up with not much having changed, except that we’ve possibly found the Mazon are more similar to humanity than anyone expected – except, of course, the reader. The Arcadia, with its main cast all intact, set sail to further adventures and battles, which we, as a reader will not see, because Matsumoto wrapped up the manga at this point, probably so he could concentrate more on Galaxy Express 999.

A lot of the back half of this volume is concerned with the life and death of Tochiro, who frequently appears posthumously in the Harlockverse (he was in Queen Emeraldas as well) but rarely shows up in the flesh. His death looms over everyone, and is handled with such reverence and dignity that when a rogue Mazon tries to attack Arcadia while they’re at his gravesite, the Queen literally throws her off the ship, where she falls to her death, because let’s face it, these are pirate ships more than spaceships. It’s a bit ridiculous, but fits with the overall mood of the book, which is brooding, somber, and oh so serious. Aside from the occasional stab at humor, such as everyone’s collections falling over in a battle, or Kei getting fall down drunk at one point, the laughs of the last two books are mostly gone. (There is a short Harlock/Emeraldas story added after the main events here, which is meant to show them as almost Rule 63 versions of each other. I didn’t enjoy it much, but it DOES have humor.)

As for Daiba, well, he’s trying hard to grow and learn everything as fast as possible, and that’s not going very well, though he is rather clever. Harlock seems to be grooming him as a sort of heir at times. He also helps to discover the Mazon’s involvement with the Ancient Pyramids, as the Wagnerian myth takes a slight detour and also shows off the Mazon as sort of dandelion spores that will gradually infect everything in the galaxy. Not the world’s most original plot, but that’s fine, as you’re reading a story about space pirates, so originality is not why you’re here. The dialogue continues to be ripe, even with the seriousness, and I think it may actually work even better if you read it aloud in a stentorian voice, sort of like William Daniels as Captain Harlock.

The modern-day reboot of the series, Dimensional Voyage, is still going strong, and adding a bit more depth and characterization that isn’t in this original. But if you want the definitive mood for Harlock, it’s hard to beat this three-volume set, which is dramatic and stentorian to the last. A classic slice of manga history.

Amagi Brilliant Park, Vol. 4

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By Shouji Gatou and Yuka Nakajima. Released in Japan by Enterbrain. Released in North America by J-Novel Club. Translated by Elizabeth Ellis.

I’m still trying to figure out why I find Amagi Brilliant Park so hard to like but difficult to drop. Part of it may simply be an issue that I have with several light novel series, notably Index: the author is trying to be funny but I’m not laughing. As with the third volume, this book consists of one long story and several shorter ones. The long story gives us a deeper look at Bando Biino, one of the part-time staffers we’ve met before, whose gag was that she always wound up bloody due to accidents. The story behind this could actually be very depressing and chilling if the author wanted to (and the afterword hints that he was talked out of doing so), as it turns out that she’s under a very nasty curse that influences all of those around her. The trouble is that the resolution to this is a) a sexually harassing doctor who isn’t as funny as the author imagines, and b) a ritual that is really a parody of TV quiz shows, which is DIRE.

The problem is that when the author isn’t trying to be funny, this is actually rather good. Biino’s situation is horrible, and seeing her perky optimism slowly break down is devastating. We even get some depth added to Tiramii, the lecherous dog mascot thing, who takes a non-lecherous (mostly) shine to Biino and resolves to help her. There’s also some intriguing stuff with Seiya, who spends much of the story irritated at Biino but not to the extent that he actually does anything about it, which is hinted to be due to his strong resolve – the curse can’t make him abuse her. And then we see Biino’s brother, who has now been released from an institution he was put into after trying to kill her, now out, recovered, and ready to love his sister – they’re not really related! – and you just have to facepalm. It feels like I’m reading something where the dials are set in precisely the wrong positions to be fun.

The rest of the short stories run along the same lines. The best shows a curious (and possibly jealous) Isuzu tailing Seiya as he goes to a meeting with what turns out to be his stepsister, who is trying (unsuccessfully) to patch things up between him and his father. Seiya is normally default obnoxious, and it’s nice to see that this comes from a very real difficult childhood, which is not simply easily resolved by a cute little sister type. The one story played entirely for comedy involves one of the park’s staff (a dinosaur mascot thing) trying to make a promotional video of the park, and being told to make it less dull. This is done for pure comedy, which sometimes does actually work (Isuzu’s ongoing reactions) and sometimes doesn’t (everything else).

It’s possible that I’m just a grumpy cuss, and certainly those who watched the anime and enjoyed it should like this. But I really think the author’s strengths lie in more dramatic writing, and all Amagi Brilliant Park does is make me miss Full Metal Panic.

The Ideal Sponger Life, Vol. 1

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By Tsunehiko Watanabe and Neko Hinotsuki. Released in Japan as “Risou no Himo Seikatsu” by Kadokawa Shoten, serialization ongoing in the magazine Young Ace. Released in North America by Seven Seas. Translated by Wesley Bridges. Adapted by Jessica Cluess.

Well, here we are again with another isekai. They tend to be male power fantasies, but this one’s even more blatant about what it is than most. Based on an (as yet unlicensed) light novel, our hero is a Japanese salaryman working for a shady company and not enjoying his life, until he’s transported to another world! (Not hit by a truck, which is honestly what I was expecting.) There he meets the beautiful and busty Queen, ho explains why he’s there. Due to plot reasons, he has royal blood from the other world in him, so he needs to marry the queen and get her producing an heir. That’s all he has to do. Despite this world being pretty patriarchal, he’s not required to rule the land a la Realist Hero or anything. He’s savvy enough to realize that’s the catch (she wants to rule herself, not pass a baton), but decides to go for it anyway. Of course, this being an isekai, he immediately is an influence regardless.

It has to be said, even for a male power fantasy this one’s pretty nice to the hero. He’s briefly threatened by guards when he approaches the queen, but that’s about it. She happily explains everything to him, and even allows him to return to Earth for a month so he can settle his affairs and say goodbye to his family, which is more than 90% of isekai heroes get. He also thinks ahead, taking a portable generator and tons of books/CDs/DVDs/a fridge with him when he goes, as he knows this is standard fantasy world. I’m assuming there will be the typical adventure things later on in the series, but for the moment he is there to marry and knock up the queen. Which he does, or at least presumably. He also needs to learn the language, as it turns out that while he can hear everyone in Japanese, they aren’t really speaking it – it’s a magic ability he has. This means learning to read and write, and also teaching Excel Spreadsheets to the kingdom, which I suspect may win him enemies.

Given that we see it on Page 1 (in a sort of premonition), it should not be a surprise that there IS sex in this, which isn’t 100% explicit but gets as close as it can to that line. I’ll be honest, I was expecting more plot to interfere in the actual consummation, since I’ve seen this type of thing before, but no, this time both hero and heroine are actual adults, and the whole point is to produce an heir, and so coitus ensues. This also allows us a brief look at the queen, Aura, when she isn’t wearing the queenly mask, as we see her on the wedding night trying to act smooth and seductive, but once she’s alone in the bedroom she shows off a blush that suggests she’s just as innocent as he is. Nor is he a majestic lover, either – while they both seem to have happy sex, the line “I guess this means you’ve finished” seems to imply it was better for him than for her.

I’ve heard this series described as “come for the boobs, stay for the political intrigue”, and that seems accurate. Certainly the latter is what motivates me to try another volume. There’s some good setup here, assuming you can get past the sex scenes and objectification of the queen that’s also in these pages.

Division Maneuver: A Hero Reincarnated

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By Shippo Senoo and Nidy-2D-. Released in Japan by Kodansha. Released in North America by Seven Seas. Translated by Andrew Cunningham. Adapted by Dayna Abel.

I’ll freely admit, I had not originally planned to read or review this at all. We have come to a point in the North American light novel market where you simply can’t read absolutely everything. And that cover made me say “Oh boy, another masturbatory aid for teenage boys!” But I had a gap in my schedule before Yen’s March light novels hit like a bat to the head, and I thought “OK, I guess.” In the end, it balances out that I’m pleased that I read the book, and I’ll likely pick up the second (and final) volume. So I’m here to tell you about why yet another book with teens in powered suits at a magical academy is something that you might want to take notice of, rather than, say, Infinite Stratos, or Seirei Gensouki, or The Asterisk War, etc. And I will also warn you that my first impression of the book is ALSO very true. If you’re reading this book, hope you like endless descriptions of boobs.

So once there was a hero. He was a bit headstrong and stubborn. He fought to save the Earth from hideous tentacle monsters (who thankfully only want to eat humanity, not do anything else with it) and he sacrificed himself to take out the evil queen monster. Unfortunately, she’s not quite dead. So he’s reincarnated back into the world as a young man and resolves to get stronger and try again. The big problem there is his new self has virtually no magical aptitude. Fortunately, he runs into his old teacher, who also happens to be the headmaster of the magical academy for awesome magical students. She trains him in fencing, martial arts, and the like to the point where even though he has virtually no magic, he can still beat most everyone. When he arrives at the school, he joins an elite unit, learns to actually use teamwork (something his former self was bad at), and falls in love with his sempai, who is also the little girl saved by his former self right before he died.

I’ll start with positives. Hanabi, the heroine, is not the sort of heroine I was expecting when I picked up this book – cool, hands off, tsundere, constantly yelling at the hero, etc. She’s a bit battle hungry, actually, and falls in love with Kuon faster than he does with her. He’s 13, by the way, which makes this relationship a bit “ergh” (she’s 18), but nothing seems to happen beyond making out. I also liked her best friend, who is a standard character type, but it’s one I like. Honestly, by the end of the book I was thinking that some of the cast were going to die – it gets fairly brutal at times. Now for the downside… well, you saw the cover. The color illustrations merely exacerbate it. Hanabi is a walking pinup and the author and illustrator want you to know it. Kuon thinks about her breasts all the time. It gets very aggravating for anyone over the age of 19. Oh yes, and our hero has no magic aptitude – except that he can STOP TIME. Which is apparently a martial art? I dunno.

So I liked the character relationships and plot enough to read more, but unfortunately, the fanservice and the questionable romance mean we once again have a light novel that I can only recommend to its intended audience. Teenage boys, go get it.

Takane & Hana, vol. 7

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Takane and Hana Volume 7 by Yuki Shiwasu

This volume continues to explore how Takane and Hana deal with his changed circumstances as he adjusts to live as an ordinary businessman. It is a slightly more serious volume than usual, but there’s some great character development.

Takane and Hana 7

Hana continues to show up at Takane’s shabby apartment to feed him dinner, although he’s started to get a little better about fending for himself without the advantages of his former wealth. They share a genuine moment of connection when Takane says “Thank you” without his usual posturing and bizarre grimaces. Hana immediately checks to see if Takane might be coming down with a cold because she’s stunned at his behavior. One thing that this descent into poverty confirms is that Hana is indifferent to Takane’s wealth and status. She’s been commenting all along that his over the top gifts and lifestyle doesn’t impress her, and her willingness to hang out with him in poverty just reinforces everything she was saying earlier. Takane might not totally internalize this shift in their relationship, but he actually starts acting less arrogant in his job, and starts making moves to pull off some complex business deals independently. Takane and Hana eventually achieve a sort of new normal in their relationship, and the roles get reversed a little bit when she gets sick and he has to take care of her. This continues to be an entertaining series, and I’m finding this shift away from over the top wealth-related shenanigans to have more emotional depth and resonance than I was originally expecting. I’m curious to see if the series continues to have more of this emphasis on the character relationships or if it goes back to more broad comedy. Shiwasu is executing this series so well, I’d be fine with either option!

My Youth Romantic Comedy Is Wrong As I Expected, Vol. 7

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By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Shogakukan. Released in North America by Yen On. Translated by Jennifer Ward.

After the bleakness of the last volume, it’s good to see that this one is at least slightly more light-hearted, though as always the author can’t seem to resist ending on a downhearted note. That said, things are a lot warmer here, and the extra side-story that adapts a drama CD even tries to retcon the last book by showing that Hachiman was eventually roped into an after party anyway. This brings together most of the main protagonists, and features what may be the funniest part of the book, where Hachiman’s “hobbies” are found to be wanting (people watching doesn’t count) and they try to find him some new ones. It does reinforce a running theme of this series, though, which is that as much as Hachiman wants to push everyone as far away from him as possible, there is a growing core of people who worry and care about him. The trouble is, some are also falling for him, and at this point, that’s not a good thing.

It’s time for the traditional trip to Kyoto, with temple visits galore, something that has most people excited, even Yukino, who seems to be far more into the trip than she pretends. That said, the Service Club also has a new request, and it puts the “romantic comedy” back in the spotlight. Tobe, best known so far as “Hayama’s #2”, is in love with Ebina, best known so far as “that BL fangirl”, and wants to ask her out, but is nervous, so wants to enlist the help of Hachiman’s group. Needless to say, given this group, this involves 2/3 crushing verbal abuse and 1/3 sympathy, and even Yui is finding it hard to bring the sympathy. The trouble is, as it becomes apparent, Ebina does not want that sort of relationship – not now, and not with Tobe. And that makes everyone nervous, because the way Hayama and Miura’s cliques are set up, if a confession results in awkwardness and pulling away, it will destroy both groups.

If you guessed the solution to this was “Hachiman taking things on himself so as to deflect everything to him”, then congratulations, you are familiar with how this series works. That said, much as it was interesting to see a more serious and even poignant side to Ebina, the “main” romance is mostly there to highlight the main love triangle of Hachiman, Yukino and Yui. There’s plenty of ship tease between him and both girls here, as he holds Yui’s hand as they go through a dark and creepy temple set, and sneaks out for ramen with Yukino and Shizuka (a chapter that features Yukino at easily her cutest and most vulnerable in the series to date). But, just as everyone knows with Ebina and Tobe, the reader is aware that if the love story advances further, the core friendship of these three is going to be broken. Especially if Hachiman keeps up his “please crucify me” solutions to everyone’s problems.

So the question is, what’s next? Can the Service Club maintain its status quo? Well, my guess is yes, as the next volume is “7.5”, and is a collection of short stories. (Note that unlike, say, Devil Is a Part-Timer, these .5 volumes were not released as DVD extras, and are therefore able to be licensed here.) That said, this seventh volume of OreGairu is a bit less bleak, but you’re starting to see that the train is rushing forward towards a final destination that may simply be “crash”.

Der Werwolf: the Annals of Veight, Vol. 3

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By Hyougetsu and Nishi(E)da. Released in Japan by Earth Star Entertainment. Released in North America by J-Novel Club. Translated by Ningen.

The author described this as being a “slow” volume, which is a bit of a stretch given that one third of the way in our heroes are fighting a kraken. The plot of this book is essentially “Veight goes around to the rest of the Southern Territories and convinces them to join forces”. One area has the aforementioned kraken that needs to be taken out. Another, a town made of labyrinths designed to trap enemies, is already being targeted by the villainous Senate, and Veight and company have to convince people that a) they’re not responsible for the assassination of the ruler, and b) stop all the assassins who are. Fortunately he has help from a number of old friends as well as a new character, Parker, who is… well, he’s Brook from One Piece. Though he can at least disguise himself as “not a skeleton”. The puns, unfortunately, are still there. That said, does Veight even need help?

Veight continues to be the best reason to read these books. We’re used to harem protagonists that are clueless about the girls who like them, but Der Werwolf has little to no romance as of yet, so with Veight it’s more “he is unaware of his nature”. It’s not clear if he’s doing this deliberately to avoid the issue or not, but Veight’s tendency to pick the most dangerous solution has been noticed by most of his subordinates, and they aren’t very happy. It’s especially funny when he chastises others for the exact same thing, and is somewhat amazed when called out on it. To be fair, Veight probably COULD take out everything that goes against him by himself. We see more of his ludicrous “I can use magic and am also a werwolf” combos here, and they’re enough to get an enemy army to run away in fear.

The rest of the characters are not as good as Veight, sadly. I’d mentioned Parker was Brook from One Piece, and am wondering if “undead skeleton + puns” is a thing in Japan. There’s also a viceroy who decides, to make himself stand out, to act flamboyantly gay, and all the little stereotypical tick boxes are checked there, but fortunately he only shows up near the end. And we also get a glimpse of the Senate, which seems evenly divided between “evil” and “stupid AND evil”. Probably the best new character was Shatina, the daughter of the murdered viceroy, who starts off as a terrified teenager but, by the end of the book, has to be talked down from turning her city into a tool to get monstrous revenge on all those who have wronged her. The author would seem to agree, as the short story after the main book has her and Firnir, the centaur girl, bonding as they explore the underground labyrinth below Shatina’s own labyrinth of a city.

Der Werwolf’s most impressive feature continues to be its readability – you never get bogged down in prose the way you do in so many other light novels. I look forward to seeing more of Veight being ridiculously overpowered and totally unaware of it.

Aria The Masterpiece, Vol. 1

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By Kozue Amano. Originally released in Japan by Enix, serialized in the magazine Stencil. This edition released in Japan by Mag Garden. Released in North America by Tokyopop. Translated by Alethea and Athena Nibley.

Third time’s the charm? This is definitely the year of lost causes getting another break. First we had Urusei Yatsura, cancelled over and over by Viz back in the 90s, getting a deluxe omnibus treatment. And now Aria, beloved by bloggers and a cult classic, but cancelled when ADV Manga collapsed and then cancelled again when Tokyopop hibernated, is getting its own deluxe treatment. These editions came out in 2016 in Japan, and this volume has the “Aqua” volumes, i.e. the start of the series before the Enix split that led to Kozue Amano moving to Mag Garden. It is a standard Japanese omnibus, meaning that it looks great but also eliminates most of the author’s end comment pages and extra side stories. What you get here are the first nine chapters, looking significantly better in this format than they did on first release here. The translation is the same, I’m fairly sure.

The series is a LOT more popular than it was back in the day, though, mostly as the anime was a bigger hit than expected. For those still unfamiliar, the series takes place on Mars, now renamed Aqua, sometime in the future. It’s been terraformed to be a water planet, and Neo Venezia is one of its stunning cities, done up to be just like Venice. This means they need gondoliers, and that’s where our heroine, Akari, comes in. She’s flying up from Earth… erm, Manhome… to join Aria Company, one of three companies in the city that are considered the cream of the crop. Of course, when she gets there she discovers that the company is just her and her mentor, Alicia. Plus President Aria, who I will discuss later. Even worse, her rowing technique, while awesome in terms of speed and flair… is less awesome as she’s rowing backwards. Fortunately she quickly gains skill, and also acquires a best friend/rival (who has a crush on Alicia) and a teasing guy friend/rival (who also has a crush on Alicia).

That said, as Aria fans know, the plot and characters are great, but they’re secondary to the scenery. Neo Venezia is the star here, and the larger format shows off the art to an even better degree. I especially loved the chapter that introduced Cait Sith, the huge, vaguely supernatural cat that will also, in a way, mentor Akari throughout the series. I was also very amused at how quickly everyone falls for Akari’s shining optimism and love of life. Aika attempts to be grumpy, with “no sappy lines allowed!” being a running gag, but it doesn’t work at all. It’s also not hard to see why everyone (including me) loves Alicia… she’s a fantastic gondolier, clearly cares for those around her, especially Akari, but most importantly, is the very definition of “ara ara”, the phrase that she spouts constantly in the original Japanese.

Manga or anime, Aria is the equivalent of a peaceful breeze running through your hair as you go down the river in a slow boat. It’s worth buying again.

Kokoro Connect: Michi Random

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By Sadanatsu Anda and Shiromizakana. Released in Japan by Enterbrain. Released in North America by J-Novel Club. Translated by Molly Lee.

A running theme of both Kokoro Connect and Book Girl, a series I’m finding it very easy to compare to, is that, unlike your typical anime or manga, problems and traumas are not magically “solved” or gotten over just because the characters now realize they exist. The first volume of this series had Iori talking about how she’s never been able to really figure out who her true self is, and theoretically she had moved past that. But it’s not that easy, especially when you’re a teenager, and Kokoro Connect is pretty much using a sci-fi plot to examine the mindset and foibles of emotional teens. And the phenomenon this time around, where the five protagonists occasionally broadcast their thoughts to each other, is the absolute worst for someone like Iori who’s hiding her darker self. As a result, everything blows up after Taichi decides to finally confess to her on Valentine’s Day. The confession does not succeed, but that’s only the start of everything being terrible. Oh, and they also have to save their club from losing its advisor.

The rest of the cast also gets a good look in. Yui and Aoki both have POV scenes, which is important as they both individually meet Heartseed, something that’s unusual. Yui in particular is getting a lot more aggressive and natural, and is slowly coming to terms with liking Aoki, though despite her inner thoughts she’s not ready to act on it yet. And of course Taichi confessing means Inaba is on the losing end… but let’s be honest, most readers never saw Taichi and Iori as the main couple, mostly as, due to her core issues, Iori is a lot less developed than Inaba is. I think Taichi is better off with Inaba, particularly if he’s going to remain as stupid as he is in this volume, sacrificing first his reputation and then his body in order to solve the issues. Sure, Inaba’s main character description is basically “hot mess”, but at least the two are sure of themselves. That said, we aren’t even halfway through this series of books, so who knows?

I was not all that enamored of the dramatic ending, which featured Inaba getting kidnapped and tied up by thugs (somehow I doubt THAT fear will linger into future books) and everyone coming to the rescue. Better was confronting Iori, which amounted to Inaba basically yelling at her until she broke down. It’s something that should be obvious, but the entire book talks about how it’s easier to think of solutions than to actually put them into action. The book also amusingly has a lot of “but this isn’t fiction, this is real life” references, which I might have appreciated more were it not for the rescue from thugs fictional drama. That said, the dialogue (wonderfully translated as always, though with Inaba in this book it’s at least an R rating just for language) is fantastic and quotable, and I really like these kids. Next book is short stories, so perhaps we can take a break from teen angst and move into teen comedys being SNAFU.

Oh yes, and “Random Paths” seems to be the translation of the title.

Maiden Railways

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By Asumiko Nakamura. Released in Japan as “Tetsudou Shoujo Manga” by Hakusensha, serialized in the magazines Melody and Rakuen Le Paradis. Released in North America by Denpa Books. Translated by Jocelyne Allen.

We’ve seen the occasional short story volume in North America, but they’re still a rarity compared to picking up long-running series. Sometimes, though, you’re in the book for quick bites… or in this case, short trips. As the title might suggest, this volume’s short stories revolve around trains and train stations. Except for one chapter, they’re not interested in makes and models in a trainspotting sort of way. The train is a vehicle into the heart, as we see various couples and singles meet, interact, and move forward around the train setting. The author is known for being skilled in the shoujo and josei world, and also has some noteworthy BL to her name, including Doukyuusei, which came out digitally here eons ago and which Seven Seas is finally putting out in print this summer. There’s no need to worry about the engineer here – this train is in good hands.

The stories are interconnected only in the setting, though there is a final chapter that shows all the protagonists of the previous stories moving past each other in a nice callback. The first story is mostly from the POV of a young wannabe pickpocket as she gets involved with a husband who thinks that his wife is cheating on him with his younger brother. It’s honestly probably a good thing she’s there, as I found the husband really aggravating (deliberate, of course, but still…) and the story works better from her semi-detached POV. Things work out well, mostly as she’s very familiar with the schedules. (OK, not so well for her, but don’t pick pockets, OK?) The second story involves a love triangle/square among high school students who are graduating, and also involves catching a lover by knowing the timetables- I was reminded of the Monty Python skit about murder and train schedules.

The third story, if I’m honest, may be what a lot of readers are here to see, as it’s the “yuri” story in the book. A high school girl who’s getting romantic attention but isn’t interested… at least not in that person… runs into an older woman who’s breaking up with her lover. Loudly. The difference between the two personalities is the reason to read this (though the height difference is also cute). The fourth story may have been the one I enjoyed the most, as a husband buys cakes every Thursday from a shop, but is hiding a deep, dark secret. Is he cheating? His wife resolves to follow him, but we know the answer isn’t that. This is the story in the book most closely related to trains and their makes and models, and I found it rather sad and sweet. The last story is also sweet and sad, and has two women bonding at the station after the last train leaves about their boyfriends. This is really the only story with a spoiler, so I’ll leave it at that, but it was also quite good.

As noted, the book ends with a story that interconnects all the other ones (though I could have done without the implication that the pickpocket might be romantically involved with the security guy) and shows that this sort of thing happens all the time on this train. It’s a nice gimmick that leads to some well-told stories. Definitely worth a read, and I’d love to see more by this author.

An Archdemon’s Dilemma: How to Love Your Elf Bride, Vol. 4

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By Fuminori Teshima and COMTA. Released in Japan by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Hikoki.

De-aging characters is an old and honored narrative tradition, usually used to show how characters who are currently emotionally broken/closed off were adorable little sweeties when they were kids. And that’s exactly what happens here, as during a visit to her abandoned hometown, Nephy runs afoul of a mystery villain and is turned back into a five-year-old girl. Much of this is played for comedy, as you might expect – Nephy as a child is “adowable”, and when you combine the effect with Foll as a “big sister” and Gremory, who has shown that she can not only turn into a young woman but also a little kid, the “cuteness” factor is overwhelming, especially to Zagan. That said, there’s a serious point being made here: Nephy was once a sweet and optimistic child, and years of abuse at the hands of everyone she knew made her emotionally dead. It’s why Zagan ends up wanting to burn the entire town to the ground as a sort of belated revenge.

The main cast continues to increase. Nephteros returning is not really a surprise, but we also see Gremory and Kimaris, the two most visible sorcerers from the previous book, stick around. Nephteros is mostly there to be a grumpy tsundere, which she excels at. It does make you wonder about Chastille, whose role that was originally supposed to be but it quickly went off the rails when the author realized that he just liked her freaking out and crying all the time. That said, the author has realized this and actively points it out in this book, where Zagan sees Chastille “on the job”, so to speak, and she’s revealed to be quite competent and analytical. This is mostly used for comedy, with Zagan repeatedly asking why she can’t just be like that all the time, but is a semi-serious attempt to do something with her. There’s also one or two hints of ship tease with her and Barbatos, which might end up going somewhere, because lord knows she’s not getting anywhere with Zagan.

Elf Bride is not meant to be a harem book, I think, despite the increasing number of women in the cast. Age4 regression or no (and thankfully Nephy is treated purely as a little girl when she is a little girl), Zagan and Nephy are both over the moon for each other, and the only thing holding them back has been their awkward personalities. Seeing what Nephy had to go through as a child has galvanized Zagan, though, and the two finally confess to each other in a scene that would be the most heartwarming in the book if it weren’t for the rest of the cast watching and undercutting it. As to whether this will lead to them going any further romance-wise in future books… I doubt it, somehow. This kind of series runs on adorable.

The cliffhanger implies that next volume will focus once more on Nephy’s dark twin, who’s rapidly coming to be a second protagonist, possibly as she has a more varied emotional response than our favorite repressed elf. I look forward to seeing what happens.

Today’s Menu for the Emiya Family, Vol. 1

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By TAa, based on Fate/Stay Night by TYPE-MOON. Released in Japan as “Emiya-san Chi no Kyou no Gohan” by Kadokawa Shoten, serialization ongoing in the magazine Young Ace Up. Released in North America by Denpa Books. Translated by Ko Ransom.

In the beginning there was Fate/Stay Night, a visual novel with three routes, a whole lot of dead cast members, and infinite anime and manga spinoffs. Then there was Fate/Hollow Ataraxia, a sequel to the visual novel which asked the question “what if everyone in the cast was still alive?”. That too has a manga. This… is not that manga. Sorry, Bazett. Instead we have Today’s Menu for the Emiya Family, which asks the pertinent question “what if we adapted FHA but removed everything that wasn’t making food and sweet, heartwarming scenes?”. This also had an anime, which was just as heartwarming. Now we have the original manga, which is kind enough to not only give us the recipes, but also still has Shirou talking himself/the reader through each meal. The result is the perfect Fate adaptation for those who want to see everyone stop dying and just being really nice to each other. It’s as sweet as pie.

The “Emiya Family”, at its core, are the five who tend to eat dinner at Shirou’s house almost every evening: Shirou, Saber, Sakura, Rider, and Taiga. That said, worry not if you’re a Rin fan, she’s all over this volume and a frequent visitor, as are Illya, Lancer and Caster. Heck, even Assassin gets a chapter devoted to him and delicious sandwiches. Archer is around as well, though for most of the volume the joke is that we never see his face. Each chapter follows a similar trajectory: we set up a situation, find the perfect food for the situation, and the food is made over the course of the next few days. This could be salmon Lancer recommended, sweets celebrating Hinamatsuri nd Illya growing strong and healthy, Chinese food to celebrate Rin and Sakura’s new bond, etc. Even when there’s a brief hint there may be conflict, such as when Saber sees Shirou teaching Caster how to cook, it’s quickly defused.

The manga does, I will let you know, assume that you are familiar with the original Fate visual novel and what happens in it. (Though my guess is that, in regards to the chapter with Shinji, they’d rather we forget about it. It’s the only chapter that left an unpleasant taste in my mouth, though at least it’s less “Sakura is trying to please her abusive brother” and more “Shinji is the pickiest eater around.) In particular, if you don’t know the relationship between Rin and Sakura, you might wonder why they’re flirting with each other. They’re embarrassed for a different reason. That said, apart from that, the manga can be read by anyone who enjoys Fate and doesn’t mind a complete lack of conflict. Even Caster is on her best behavior here.

Most importantly, as every good foodie manga should, this volume made me hungry, and wanting to try some of the recipes. If you are like Shirou, Rin and Sakura and love to cook, or are just like Saber and love to eat, this is a terrific pickup. And for anime fans, there are one or two things here that weren’t animated, though future volumes should have even more of that.