Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Features & Reviews

Bofuri: I Don’t Want to Get Hurt, So I’ll Max Out My Defense, Vol. 10

by

By Yuumikan and KOIN. Released in Japan as “Itai no wa Iya nano de Bōgyoryoku ni Kyokufuri Shitai to Omoimasu” by Kadokawa Books. Released in North America by Yen On. Translated by Andrew Cunningham.

Good news! This is a far stronger volume of Bofuri than the previous two were, and I think I can see why: the last book I really enjoyed was also pretty much just Maple and Sally, with the others barely appearing. I definitely enjoy the rest of the guild, there’s nothing wrong with them. But something about the main duo of the series causes the author to up their game. Now, don’t get me wrong, there’s no major character development for Maple here or anything, she’s pretty much the same. (Sally… well, I’ll get to Sally.) But it’s simply fun and relaxing watching these two besties steamroll through the dungeons on earlier floors that they missed just to be able to see a really great view, or have a picnic, or learn about new ludicrous techniques. Well, only Maple gets that last one, as she manages to turn dark angel (scary) and also make her weird Atrocity ball do a Katamari Damacy (scarier).

Everyone’s still on the 7th level, and there’s no sign we’re seeing the 8th right away. So Maple and Sally decide to go sightseeing, going back to the earlier levels and taking in things they didn’t get to the last time around. They also meet new characters while they’re at it, because you can’t JUST have Maple and Sally and no one else, alas. Appropriately, of the two pairs they meet, one feels very Maple (Velvet, a brawler pretending to be an ojou, and Hinata, her introverted backup) and the other feels very Sally (Wilbert, an insanely powerful archer, and Lily, his maid backup… except when Lily is the powerful warrior and Wilbert is the butler backup). These two pairs make Sally worried, as she knows that they’ll be doing PvP before long, and she is concerned that she and Maple don’t have the synergy of the other two pairs… despite the entire book being evidence to the contrary.

The first anime had finished when this was being written, and I’m not sure if the author noticed the Maple/Sally yuri fans and decided to play it up a bit, or if this was always the case. Regardless, there’s a lot more yuri subtext than usual here, almost all of it on Risa/Sally’s end. Risa is a gamer girl who has struggled with the fact that her best friend has never really been able to keep up with her in any of them. Now they have this game, which plays to Kaede’s eccentric strengths, and it’s like heaven. She notes that she wants to keep playing with Maple like this forever (romantic, but hopefully not a death flag – I can’t see Bofuri ever getting dark), but she also wants to FIGHT Maple directly, even as she knows that Maple really isn’t into that sort of gameplay. It’s a combination of competitive tension and romantic tension, and it makes me wonder if the final book in the series will be Maple and Sally duking it out.

That said, pretty sure Maple will win. It’s her series. This was a terrific volume, though, and next time the rest of the cast should be back as well.

A Pale Moon Reverie, Vol. 2

by

By Kuji Furumiya and Teruko Arai. Released in Japan as “Tsuki no Shirosa o Shirite Madoromu” by DRE Novels. Released in North America by J-Novel Club. Translated by Jason Li.

This is very much a book of two halves – literally, of course, because this author’s books are always 2-in-1 omnibuses, but also figuratively. The first half of the book is very much in the horror vein, as Sari and Xixu try to figure out why all of a sudden courtesans are closing their businesses and moving out of the city – and why everyone seems to be 100% OK with it. It’s an “eerie mind control” mood. Then we get the second half of the book, which runs on pure frustration at the two leads. I’m used to book where the romantic couple aren’t a couple because neither of them bother to communicate with each other, but here it’s weaponized, as Xixu’s heroic-but-dumb need to put Sari’s desires above literally everything else leads to Sari abandoning her humanity entirely, and it will take a huge shock to get her back to an equilibrium. and no, the huge shock is not going to be a kiss. This is a far darker series than that.

There’s finally a new shadeslayer in town to take some of the workload off the others. He’s… nice. Very nice, but a bit weird. And also obviously super evil? Sadly, the denizens of Irede are very quick to open up to him, and worse, to listen to what he suggests. This includes Sari, much to Xixu’s dismay. It will take outside help to try to fix this problem… and unfortunately, the outside help may end up being even more of a problem. Then Sari turns 17, and she seems to be growing into her godhood by the day. Something that is accelerated when a new courtesan arrived at the pale Moon, and she turns out to be Xixu’s childhood friend and first love. But Sari doesn’t care about that, not at all. She’s a god, after all, she has no need for pesky human feelings.

As you’d expect, this is a very good book, if difficult to read at times. I am starting to wonder if any of the cast bar Xixu are going to live through the series. I like that we don’t snap back to normal at the end of a crisis – the villain essentially brainwashes a large number of courtesans to leave Irede and go to other cities, and… they don’t return when everything is resolved. Likewise, we find that the villain is a normal shadeslayer who was possessed… but unfortunately, the possession “overwrote his ego”, so there’s no saving him. Hell, even the first book ends up having some of its minor victories overwritten here, as one of the characters sacrifices themselves, and another is ALSO possessed by evil. That said, I think in the end most readers will be agreeing with Thoma: if only these two had simply gone to bed with each other and not been considerate to a hellish degree, everyone would be MUCH better off.

The author indicates that the next volume will be the last, which is good, as the books are worth reading but also exhausting. Definitely recommended, though.

The Manga Review: Didn’t It Rain

by Leave a Comment

Congratulations to Lianne Sentar, who was just promoted to a new position at Seven Seas Entertainment: publisher! She’s done a little bit of everything in the manga industry—writing Sailor Moon novels for Tokyopop, freelancing as an editor, starting her own publishing company—and seems like a perfect fit for the job. In other news, Scholastic will be launching its Graphix Manga line with an adaptation of Unico… Studio Ghibli has been acquired by Nippon TV… and a Delaware parent took a public stand on behalf of her kids’ after-school manga club. At issue was the principal’s decision to limit members’ access to manga rated “T” or older, which he felt were inappropriate for middle-school readers. Jennifer Antonik disagreed, and started a petition at Change.org to pressure the school to reverse course.

AROUND THE WEB

If you’re a fan of I’m in Love with the Villainess in any of its incarnations—light novel, manga, anime—you’ll want to check out Erica Friedman’s conversation with inori.-sensei; Mari Morimoto translates. [Okazu]

Toni Sun interviews Kyoko Aiba, author of I Love You Enough to Tie You Up, Derail, and Invisible Me. [ANN]

Muraktama Rodrigues explains why you should check out Rooster Fighter. [How to Love Comics]

In her latest Pubwatch, Masha Zhdanova pans Like a Butterfly, praises DRCL#, and rounds up the latest news from VIZ. [WWAC]

Joe McCulloch, Katie Skelly, and Sally Madden delve into the complexities of Kazuo Umezz’s Cat-Eyed Boy, which has just been reissued in a “perfect edition.” [Thick Lines]

Party like it’s 1985! The Mangasplainers tackle the ultimate 80s cat manga: Makoto Kobayashi’s wonderful, weird, and oh-so-slightly dated What’s Michael? [Mangasplaining]

REVIEWS

SKJAM! reviews Blade of the Moon Princess, an early series from the creator of Spy X Family… Adam Symchuk praises Suzuki Just Wants a Quiet Life, a new mystery series from Hirohisa Satou… and Jon Holt and Teppei Fukuda translate Natsume Fusanosuke’s review of Otomo: The Complete Works.

New and Noteworthy

Complete, OOP, and Ongoing

Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town, Vol. 13

by

By Toshio Satou and Nao Watanuki. Released in Japan as “Tatoeba Last Dungeon Mae no Mura no Shonen ga Joban no Machi de Kurasu Youna Monogatari” by GA Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

There have been quite a few antagonists over the course of this series, but, with the exception of a few, they’ve mostly been pathetic mooks whose job it is to get humiliated and destroyed by Lloyd. That said, this is not a series that is really interested in killing off its villains, for the most part, so something had to happen to them. Why not a high-security prison? Because, of course, Last Dungeon Kid also enjoys making fun of various types of cliched plotlines, and “prison break story” is certainly one of them. The only problem there is that imagining Lloyd breaking out of prison is… ridiculously easy. He wouldn’t even break a sweat. Especially if he’s not even aware that it’s a prison at all. Ah well, it’ll lead to some good comedy. Well, right until the end, of course, when Eve makes sure we have a dramatic twist.

Rinko and Alka are trying to research all the evil things Eve has been doing, and have noticed that she seems to be getting a lot of experimental corpses from somewhere. A likely place is Hell’s Lock, the prison for those who commit the worst crimes in the kingdom. Clearly they need to send in someone to investigate, and they do… but somehow, because this is that sort of series, Lloyd ends up taking their place. Unaware he’s investigating, or even in a prison, Lloyd thinks this is essentially a training camp for mental fortitude. The evil warden does not take kindly to his cavalier attitude, and decides to torture and kill him on the sly, because (of course) the warden is the one supplying Eve with bodies. Still, killing Lloyd may prove a challenge…

This took a while to get going, like a lot of books in this series. It tends to run on “farce” principles, and thus is always better when everything is fast and chaotic, rather than providing setup. It didn’t help that I had honestly forgotten a few of the recurring villains, though some of them came back to me more easily than others. (Phyllo’s continued rage at the man who destroyed her family is both in character and very funny. She also gets the best joke of the book.) That said, as I noted last time, there is still a vague serious component to this series that occasionally rears its head. The warden’s sudden realization of who he really is is somewhat chilling, but it’s Eve taking off the bunny suit to reveal her face that’s the payoff. Well, OK, it’s probably the payoff for next book, which I assume will be Selen-based. I also liked Lloyd’s rage and fury, which given his normal attitude was quite refreshing.

All in all, a pretty good volume. More madcap next time, maybe?

The Saga of Tanya the Evil: Mundus Vult Decipi, Ergo Decipiatur

by

By Carlo Zen and Shinobu Shinotsuki. Released in Japan as “Youjo Senki” by Enterbrain. Released in North America by Yen On. Translated by Richard Tobin.

As we get to the beginning of the end of this series, it’s worth looking at something we’ve discussed before: which world war is this? Tanya states clearly in this book she thinks she’s still in “the first war”, but is also very much fighting communism of a Stalinist rather than Leninist vein. We also have a clear Churchill analogue, as well as Lavrentiy Beria, who remains easily the most disturbing of all of Tanya the Evil’s disturbing villain characters. That said, given that this is a war fought with magic, I perhaps should not worry about it too much. In this particular war, the Unified States have finally entered the fray – at the behest of Ildoa, which the Empire is currently toying with. Given that the Empire is on its last legs, and the Unified States are a juggernaut of money and endless weaponry, you’d expect this to be bad news. You’d reckon without Zettour, though, who has decided to drag this entire war down into the gutter, to the point that even Tanya is aghast.

We pick up where we left off, with the Empire’s forces, including Tanya and company, in Northern Ildoa. Ildoa is not particularly worried about this – after all, they have far more manpower than the Empire, and the US is also now there. In addition, Colonel Drake’s international forces are told to leave the Federation and head there as well, which is incredibly aggravating for him, but that’s politics for you. That said, Ildoa and the US are not prepared for the Empire’s definition of war, which has changed tremendously over the course of the last few years. They still believe in things like honor and reason. The Empire has forgotten all that. Of course, given that Tanya keeps getting directed by Zettour into situations where she’s lucky to survive, she’s not worrying that much about this yet – and honestly would agree anyway.

I always enjoy seeing our heroes actually have to try a bit in the “military” part of this book. For all that Tanya’s attempts to escape this war have always failed on a political scale, there’s no denying her and her mage company are almost impossible to beat. Note the almost – Colonel Drake is in town, and not only are he and the Unified States using shotguns (which are supposedly banned, and Tanya gets so angry about this she literally writes a letter to the enemy in protest), but they also have Lieutenant Mary Sue, whose name may or may not be intentional, but if it is it would not surprise me. Tanya calls her a “bull” several times, and it fits – none of her company can even put a scratch on her, whereas Mary Sue nearly kills Tanya. The end of this series is going to have to have a final battle between these two, mano a mano.

The next books in the series are a two-parter, with the second due out in Japan in a few days. Given how long each Tanya book is to begin with, that’s sobering news. Still, I’ll always be hear to watch Tanya desperately try to figure out how to defect before everyone in the Empire is killed or executed. Also, kudos to the artist for that Mary Sue picture, which is hilarious and not remotely patriotic.

Manga the Week of 9/27/23

by , , and Leave a Comment

SEAN: Better wake up, September’s ending.

ASH: Somehow I thought it was both October already and too early for October…

SEAN: No debuts for Yen, but a few “got bumped one week” books. Yen On has The Angel Next Door Spoils Me Rotten 5.5, Defeating the Demon Lord’s a Cinch (If You’ve Got a Ringer) 5, The Girl I Saved on the Train Turned Out to Be My Childhood Friend 4, and Maiden of the Needle 2.

And Yen Press have No Longer Heroine 4, The Princess of Convenient Plot Devices 3, Sasaki and Miyano 9, and Shy 4.

MICHELLE: I should get back to No Longer Heroine.

SEAN: Viz has the Chainsaw Man Box Set, a collection of the first 11 volumes with a color poster.

And almost 15 years after its original release, Viz now have Pluto: Urasawa x Tezuka available digitally.

MICHELLE: Ah, Pluto is so good.

ANNA: Glad it is available digitally!

ASH: This is one of the series that truly hooked me on manga.

SEAN: They’ve also got Demon Slayer: Kimetsu no Yaiba—Corps Records (a guidebook) and Fist of the North Star 10.

ASH: Always glad to see more Fist of the North Star!

SEAN: Tokyopop has some stuff for us. Confessions of a Shy Baker 3, Sengoku Youko 3, and We Can’t Do Just Plain Love 2.

Steamship debuts I Can’t Refuse S (Watashi wa S ni Sakaraenai). A woman has become mistress of a creditor to pay her father’s debt… but he only likes experienced women, and she’s a virgin. It’s up to the handsome butler to teach her. This runs in Mobafura, a josei magazine for plots that sound exactly like that one.

ANNA: It sounds like quite a conundrum.

ASH: Oh, myyyyy.

SEAN: Seven Seas has some manga debuts. Plus-Sized Elf: Second Helping! (Shin Elf-san wa Yaserarenai) has exactly the same plot as the first series – she hasn’t gotten any better at dieting.

The World’s Fastest Level Up! (Sekai Saisoku no Level Up!) is based on the light novel also released by Seven Seas, and runs in Shonen Ace. It’s another “everyone hates me for my useless talent, but it’s actually SUPER AWESOME!” series.

And Seven Seas has a danmei title, The Husky and His White Cat Shizun: Erha He Ta De Bai Mao Shizun 3.

We also see Even Dogs Go to Other Worlds: Life in Another World with My Beloved Hound 2, The Girl From the Other Side: Siúil, a Rún Deluxe Edition IV (the final volume), Homunculus 3-4, Killing Stalking: Deluxe Edition 4, The Legend of Dororo and Hyakkimaru 6, and Reincarnated as a Dragon Hatchling 4.

ASH: Overall a strong week for Seven Seas series I’m interested in for one reason or another.

SEAN: One Peace Books has a 4th volume of Usotoki Rhetoric.

MICHELLE: Yay! Looking forward to this.

ASH: Yes, indeed!

SEAN: Kodansha has a print debut: I’m Giving the Disgraced Noble Lady I Rescued a Crash Course in Naughtiness (Konyaku Haki Sareta Reijo wo Hirotta Ore ga, Ikenai Koto wo Oshiekomu Oishi Mono wo Tabesasete Oshare wo Sasete, Sekaichi Shiawasena Shojo ni Produce). Based on the light novel released by J-Novel Club, a wrongly accused and abused princess winds up at the home of a powerful but misanthropic sorcerer. Sweet romance ensues. This runs in Comic Pash!.

Also in print: Fire Force Omnibus 6, Go with the Clouds, North-by-Northwest 6, Interviews with Monster Girls 11 (the final volume), and When Will Ayumu Make His Move? 13.

ANNA: I need to read North-by-Northwest! I have volumes stockpiled in my house.

ASH: It’s not always what I expect it to be, but I have been enjoying the series.

SEAN: The digital debut is Drops of God: Mariage (Mariage – Kami no Shizuku Saishuushou), the 26-volume sequel to the 44-volume original Drops of God. No, the Mariage is not about a wedding, it’s about the mariage between good food and good wine. This also ran in Weekly Morning.

ANNA: Woah.

ASH: Nice!

SEAN: Also out digitally: Am I Actually the Strongest? 9, Blade Girl 2, Boss Bride Days 9, A Couple of Cuckoos 13, DAYS 37, Gamaran: Shura 12, The Great Cleric 10, My Home Hero 8, Our Bodies, Entwining, Entwined 6, and That’s My Atypical Girl 10.

Debuting from J-Novel Club is The Retired Demon of the Maxed-Out Village (Kansuto-mura no Goinkyo Demon-san). A powerful knight is sent to a village to slay an evil demon… but she finds the demon is a retired old man. What’s more, everyone else in the village is ludicrously powerful. Why is she even here?

They’ve also got Accidentally in Love: The Witch, the Knight, and the Love Potion Slipup 2, Campfire Cooking in Another World with My Absurd Skill 14, the 3rd A Cave King’s Road to Paradise: Climbing to the Top with My Almighty Mining Skills! manga volume, Full Clearing Another World under a Goddess with Zero Believers 9, An Introvert’s Hookup Hiccups: This Gyaru Is Head Over Heels for Me! 4, A Late-Start Tamer’s Laid-Back Life 7, Monster Tamer 15, Perry Rhodan NEO 15, the 5th Rebuild World manga, You Like Me, Not My Daughter?! 2, and the 4th Young Lady Albert Is Courting Disaster manga volume.

Ghost Ship has Ayakashi Triangle 5 and Might as Well Cheat: I Got Transported to Another World Where I Can Live My Wildest Dreams! 6.

Cross Infinite World debuts Fluffy Paradise (Isekai de Mofumofu Nadenade Suru Tame ni Ganbattemasu), a light novel about another dead office lady who reincarnates in a fantasy world. The cheat God gives her is that everyone OTHER than humans adores her. Good thing this world is filled with beastpeople and powerful animals she can hug and pet.

They also have The Do-Over Damsel Conquers the Dragon Emperor 3, The Drab Princess, the Black Cat, and the Satisfying Break-up 3, and Surviving in Another World as a Villainess Fox Girl! 2 (the final volume?).

In print, Airship gives us Irina: The Vampire Cosmonaut 6 and Raven of the Inner Palace 3.

And in early digital it’s Raven of the Inner Palace 4.

ASH: I really need to catch up with this series.

SEAN: The leaves are falling, as are the shelves overstuffed with manga. What are you buying?

Fake Saint of the Year: You Wanted the Perfect Saint? Too Bad!, Vol. 2

by

By kabedondaikou and Yunohito. Released in Japan as “Risō no Seijo? Zannen, Nise Seijo Deshita! Kuso of the Year to Yobareta Akuyaku ni Tensei Shitanda ga” by Kadokawa Books. Released in North America by J-Novel Club. Translated by Rymane Tsouria.

“Would you exchange a walk-on part in the war for a lead role in a cage”, philosophers once said. It’s something that feels very relevant to this second volume of Fake saint, where a large chunk of it is taken up with locking Ellize in her bedroom forever because that way she won’t defeat the witch, won’t become the next witch, and the kingdom can be at peace. It’s a transparently stupid decision that ends up failing almost immediately, but the book at least shows us why so many people are making this stupid decision. It’s not only because everyone loves Ellize and is terrified at the thought of losing her, though that’s certainly part of it. It’s that this world was SO BAD prior to her birth. People starving, royal family dying in battle, misery and despair everywhere. Going back to that would be a horror show. That said, yeah, don’t lock up your one weapon.

Things are going relatively well for Ellize, who has negotiated most of the “bad end” parts of the plot that her “evil” game self did, and given that the witch is still refusing to come out and show herself, she gets to attend classes and try to figure out how to get rid of the witch without Eterna dying or turning evil. Unfortunately, the royal family, as I noted above, decide to lock her in her room forever so that everything can remain nice. They’re helped in this by her personal guard, including Layla, who feels exactly the same way. Sadly, “almost completely at peace” does not mean “completely at peace”, and the monsters decide that now is a perfect time to do one last huge assault on the capital, intending to massacre everyone. Can Ellize manage to get there in time? And just what is going n with this “game” anyway?

For the most part, if you’re reading this for the “fantasy” parts of the book, I’d say to just read Tearmoon Empire, which is funnier and has a more likeable heroine. That said, this series is doing interesting things with its “isekai” bit. Ellize may still be sounding like a cynical, selfish guy on the inside, but her actions are slowly starting to belie her attitude. She’s not attracted to Verner yet, but… Meanwhile, her actual Japanese self back home, even while slowly dying (every time Ellize appears in front of him for a status update/strategy meeting, another piece of his soul moves to her) is trying to find out why this is happening, and that involves going to see the creators of the game… and confirming that the game is rewriting reality both here and in Ellize’s world. I’m interested to see what’s really happening.

Everything is set up for the next volume to be the big climax, which makes it a bit of a shame that this series has 4 books and counting. Still, this is worth it for all the bits that aren’t done better in other, similar novels.

Private Tutor to the Duke’s Daughter: The Savior’s Day of Rest

by

By Riku Nanano and cura. Released in Japan as “Koujo Denka no Kateikyoushi” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by William Varteresian.

I’ve talked before about how at times I am unhappy with the story the author is telling, preferring that he tell the story of Allen and Lydia’s awesome life in the past, which we have been getting dribbled onto us in bits and babs, making us confused but also making us long to have been there. There’s more of that here, including Lily talking about her own past with Allen (and the implications of why she is super duper uber powerful and talented and yet is so determined to be a maid). But of course, the protagonist of this series is not merely Allen, though he’s certainly the primary one. The secondary protagonist is Tina Howard. And we’re seeing events as Tina would see them. She’s just as frustrated and annoyed that she isn’t able to know Allen as well as Lydia does, simply because she didn’t meet him till the first book, which Lydia has known him for years. Sadly, more bad news for Tina: Lydia starts her comeback here.

Well, OK, she doesn’t get the cover – she’ll have to wait till next time. The majority of this book is the epilogue to the arc we’ve been having for some time now, which means there’s less fighting (though we do get some awesome fights) and a lot more political finagling and wrangling. Allen is clearly the hero of the hour, and this time everyone is finally determined to give him the recognition – and title – and wife – he so richly deserves. This can be rather difficult, given that Allen seriously regards himself as powerless compared to everyone around him and deeply unworthy of most of his love interests. He even blows off a major meeting to go and stop Gil from trying to commit suicide by “it’s all my fault, please execute me but spare the others”. That said, the royal family also has its reasons they do not want Allen to get honored – and once they fail at preventing it, they try for the next best thing.

Lydia, theoretically, should be at a low ebb here. She hasn’t killed anyone, but she’s committed massive amounts of property damage, went mad when she thought for a moment that Allen might have been dead, and ended up becoming so overpowered that she has less mana than even Allen, at least temporarily. But none of that actually matters, because it’s clear that when Lydia and Allen are in the same room, she has such self-confidence and swagger that no one else matters at all. Don’t get me wrong, everyone else gets their chance to show off in front of Allen and also try to get him to pet them/snuggle them/other safe kinds of affection. But all Lydia really does is grumble mildly at these, she doesn’t regard any of them as real threats. Because she’s Allen’s partner. Even if that means helping him in the duel to prove he deserves the glory he’s being given. And even if it means fleeing the country with him. In fact, she packed in advance.

So yes, we now get what is jokingly referred to as the “honeymoon” arc, though there’s still no “he chose this girl” romance yet, and honestly the ongoing war would likely get in the way anyway. This remains one of my favorite light novel series.

The Asterisk War: The Grand Finale

by

By Yuu Miyazaki and okiura. Released in Japan as “Gakusen Toshi Asterisk” by MF Bunko J. Released in North America by Yen On. Translated by Haydn Trowell.

The Asterisk War has always been a series that not only speaks in cliches, but revels in them. There is not a single original bone in its body, and I think the author knows that and is unapologetic. That applies very much to this final volume, which is half a volume of fighting and half a volume of epilogue, complete with a “where are they now?” flashforward. We get Ayato saying that he won’t kill Madiath Mesa as that would mean becoming like him. We also get Madiath Mesa committing suicide, because the author is not Ayato. We get to see Saya casually disarm six bombs set along the entire arena… offscreen. Of course. We get to see the final fight between Julis and Orphelia literally end with an Ashita no Joe reference, right down to the art. And we get to see the author trying to pick between two harem endings despised by fans, and somehow managing to pick BOTH of them. It’s near genius, I loved it.

Never let it be said the cover doesn’t give things away. In any case, good news, the artist is well again, so there’s actual art to go with this book. We’re down to two main fights: Ayato and Saya vs. Madiath Mesa, which quickly just becomes Ayato when it is revealed that there is are bombs due to destroy everyone watching the final arena battle unless Saya gets off the pages of the book immediately, which she does. Meanwhile, Julis shows off the results of her ludicrous training with a ludicrous fight against Orphelia, one which features being able to briefly see into other dimensions, gravity vs. fire, and in the end just beating the shit out of each other like sensible people. After that we get “everyone’s in the hospital”, and then the aforementioned flashforward, as Julis has finally had to give in and become royalty.

So yeah, let’s get to that ending, the only reason anyone would still be reading this series. I had heard spoilers that everyone confessed to Ayato but he rejected them all and ran away. That turns out to be true, though we only hear about it in passing during the three-year flashforward. Most of the flashforward involves every main cast member making their way to Lieseltania, where Julis is the new Queen, after her older brother decided to pull a Samson act and take out most of the corruption in the country. Also invited is Ayato, who has a moment with Julis where he’s clearly about to confess before being interrupted by the other girls. But even the author admits in the afterword “Yes, Julis wins”. Also, please look at that cover again. So, for those fans of angry tsunderes who are first girl winning, congrats. Though honestly Julis hasn’t been that angry for a while now.

The Asterisk War was a series that knew how to do one thing well: fight scenes. It made it to 17 volumes by focusing almost entirely on those scenes, and the rest of the plot and characterization were like pastry puffs. Still, I’m happy I read it, even if best girl didn’t win. Possibly as she was sent away to disarm more bombs offscreen. Not that I’m bitter.

Lucia and the Loom: Weaving Her Way to Happiness, Vol. 1

by

By Hisaya Amagishi and Esora Amaichi. Released in Japan as “Fukushokushi Lucia wa Akiramenai: Kyō kara Hajimeru Kōfuku Keikaku” by MF Books. Released in North America by J-Novel Heart. Translated by Osman Wong.

When you have a hit series, there’s always the temptation to do the exact same thing. Most publishers do this by having a different writer do something with a very similar plotline, or the same vibe. But there’s also the spinoff route. If you have a character who’s flitted in and out of the series so far, supporting our hardworking heroine, why not write the same sort of book only focusing on her? It would mostly deal with her career but there would also be the potential for romance! That said, Dahlia in Bloom, the parent series, is very much a one-man book. Dahlia may be surrounded by handsome men, but there’s only one man she’s prepared to be in denial over. That may be an issue with Lucia as well, as she’s clearly set up to be the love interest of Forto, her employer and clear frontrunner in the handsome man sweepstakes… and also married. Fortunately, the books always put career first.

Lucia is a young couturier with dreams of owning her own boutique, but at the moment still helps out at her parents’ gloves and socks business. All that changes when Hurricane Dahlia hits the city and the family is approached by Fortunato to go to the Merchant’s Guild with him to see if they can help with Dahlia’s new “toe socks” invention. Since the men of the family are all massive cowards, Lucia is the one who goes, and this ends up leading to her becoming head manager of Forto’s magical garment factory. As the book goes on, we see her overcoming adversity and handling the fashion dilemmas of an old man who wants to look less scary to his granddaughter, twins who have always been treated the same wanting to look different, and a man feeling awkward about wanting his clothes to be a bit more flamboyant. Lucia handles this all with aplomb.

Most of this book takes place at the same time as the second Dahlia in Bloom novel, and we see one scene from that book from Lucia’s perspective. That said, this was clearly meant to be read between the 6th and 7th Dahlia books, which means that sadly licensing difficulties have struck once more, and the book has lost a lot of its impact, because we know what Lucia’s reaction to “will you become my second wife?” will be from that book. The other odd thing in this book is a running theme of the city Dahlia and Lucia live in being LGBT-friendly. Lucia discusses wedding dresses for two brides, says to one of the twins that her partner might be a man or a woman, etc. That said, in terms of the main characters and the romances, the series sticks to what its audience wants and remains very heterosexual. I was sort of expecting the guy who wanted flamboyant clothes to be secretly gay, but no.

That said, this is a very solid spinoff, obsessed with clothes as much as the main series is obsessed with alcohol. It’s a must read for Dahlia fans.

The Manga Review: Cliff Notes Edition

by Leave a Comment

It’s been a slow week news- and reviews-wise, so this installment of the Manga Review is short ‘n’ sweet.

Netflix announced earlier this week that it would be renewing One Piece for a second season. The live-action adaptation of Eiichiro Oda’s hit series is currently Netflix’s top-ranked show in 73 countries around the world… the Blue Giant film is coming to North American theaters in October… Ablaze just licensed Choi Gyu-Seok’s award-winning series The Awl… Brigid Alverson breaks down the August Circana Bookscan numbers… and the Mangasplainers unveiled their latest projects: Search and Destroy, a “fresh take” on Osamu Tezuka’s Dororo, and Wandering Cat’s Cage, a new series from the creator of Sensei’s Pious Lie.

AROUND THE WEB

Over at ANN, James Beckett reassures One Piece fans that Netflix’s adaptation is “really good.” “For all of the (rightly deserved) praise that has been heaped onto the series’ pitch-perfect set designs and costume work—which perfectly evoke Oda’s original vision while still feeling at least mostly plausible when applied to living human beings—One Piece is a story that lives and dies on the strengths of its characters, and if we didn’t immediately fall in love with this iteration of the Straw Hat Crew, things would have been very dire indeed,” he notes. “Somehow, though, the show managed to exceed expectations by finding performers that fit so well into their respective roles that it is virtually impossible not to fall in love with them” [ANN]

Kara Dennison explains why you should be reading MamaYuyu, which just debuted on the Shonen Jump app. [Otaku USA]

Vrai Kaiser interviews artist Aiba Kyoko about the evolution of the BL market over the last ten years. [Anime Feminist]

Letterer Aidan Clark joins the Manga Machinations gang for a celebration of Naoki Urasawa’s work. [Manga Machinations]

The latest installment of Manga in Your Ears focuses on The Gay Who Turned Kaiju and Frieren: Beyond Journey’s End. [Taiiku Podcast]

Let the Mangasplainers convince you to read Not All Girls Are Stupid, “a blistering look at the difficulties of being a woman in your late teens and early 20s.” [Mangasplaining]

Should you add the KMANGA app to your phone? Justin lists the pros and cons of Kodansha’s digital manga platform, praising it for the selection and good image quality, and panning it for its point system: “There’s no getting around the fact that the points structure is an obstacle to really enjoying the service, especially if you’re not a fan of playing games to get points.” [The OASG]

REVIEWS

To honor the start of the academic year, Megan D. has a review of Zero’s Familiar, a high school harem comedy. “Honestly, I debated whether to even bother with a plot summary for Zero’s Familiar because if you’ve read a single magic school harem series before, then you know pretty much all the story beats you’re going to see and all the character types you’re going to meet,” she notes. “You’ve got the everyman Potato-kun protagonist, whose only distinct quality he possesses is his annoyance with his status as a servant and the social class system in general.  You’ve got the primary love interest whose personality begins and ends with ‘tsundere,’ and because this work came out in the mid 2000s she’s also comically tiny… She in turn is surrounded by a horny girl with big boobs, a stoic girl, a comic relief playboy, a perfectly ordinary maid/secondary love interest who is possibly even more boring than Saito, a handful of teachers, and the occasional disposable villain.”

New and Noteworthy

Complete, OOP, and Ongoing

Manga the Week of 9/20/23

by , and Leave a Comment

SEAN: It’s Yen Week, but there’s more than that. Everyone’s got stuff.

ASH: Let’s go!

SEAN: We’ll start with Airship, which has a print edition of Trapped in a Dating Sim: The World of Otome Games is Tough for Mobs 10.

There’s a debut in early digital: Modern Dungeon Capture Starting with Broken Skills (Koware Skill de Hajimeru Gendai Dungeon Kōryaku) is, as you can see by the title, one of THOSE series. Dungeon crawls. Guy with awesome skills. Pixie showing her butt to the reader on the cover.

Dark Horse has the first new manga for Emanon in nearly 4 years, with the fourth volume.

ASH: Oh, that’s great news! I’ve really been enjoying this series.

SEAN: From Ghost Ship we get Do You Like Big Girls? 8.

J-Novel Club has three debuts once more. Hell Mode is a title whose light novel J-Novel Club has been releasing for some time. Now we have the manga, which runs in Comic Earth Star Online. Hardcore gamer finds himself in a world where he’s the only one who has to grind ridiculously hard – and he can’t be happier.

I Want to Escape from Princess Lessons (Kisaki Kyōiku kara Nigetai Watashi) is a J-Novel Heart series about a fiancee who’s determined to break off her engagement, and a prince who’s determined to win her back. Very “shoujo manga” vibes from this one, it had some DISCOURSE on forums.

ASH: Heaven forbid! (Though, now I’m tempted to go see what the fuss was about…)

SEAN: My Magical Career at Court: Living the Dream After My Nightmare Boss Fired Me from the Mages’ Guild! (Black Madōgushi Guild o Tsuihō Sareta Watashi, Ōkyū Majutsushi to Shite Hirowareru: White na Kyūtei de, Shiawase na Shinseikatsu o Hajimemasu!) is also a J-Novel Heart title, featuring a guild worker who loves magic but hates her job. Then she’s fired, and blacklisted. What now? Cinderella story? Cinderella story.

MICHELLE: Heh.

SEAN: Also from J-Novel Club: Ascendance of a Bookworm 27, Black Summoner 14, Chillin’ in Another World with Level 2 Super Cheat Powers 11, The Conqueror from a Dying Kingdom 5, D-Genesis: Three Years after the Dungeons Appeared 4, the 6th Doll-Kara manga, Earl and Fairy 3, Fake Saint of the Year: You Wanted the Perfect Saint? Too Bad! 2, Invaders of the Rokujouma!? 42, Isekai Tensei: Recruited to Another World 5, the 7th The Master of Ragnarok & Blesser of Einherjar manga volume, A Pale Moon Reverie 2, Reincarnated Mage with Inferior Eyes: Breezing through the Future as an Oppressed Ex-Hero 4, and Survival Strategies of a Corrupt Aristocrat 2.

ASH: I’m glad that Ascendance of a Bookworm starts with an “A” and therefore is at the beginning of this list.

SEAN: No debuts from Kodansha in print (I triple checked), but we do see The Great Cleric 5, Sailor Moon 4 (Naoko Takeuchi Collection), The Seven Deadly Sins Manga Box Set 5, and Shaman King: Flowers 4.

No digital debuts either, but we do see Doing His Best to Confess 5 (the final volume), Gamaran 13, Issak 2, Medalist 8, Our Fake Marriage 12, Teppu 3, We’re New at This 14, and Ya Boy Kongming! 13.

MICHELLE: I really gotta read more Medalist.

SEAN: One Peace Books has the 21st manga volume of The Rising of the Shield Hero.

No debuts for Seven Seas, but we see CALL TO ADVENTURE! Defeating Dungeons with a Skill Board 6, the 3rd Grandmaster of Demonic Cultivation: Mo Dao Zu Shi manhua volume, Headhunted to Another World: From Salaryman to Big Four! 5, Hitomi-chan is Shy With Strangers 6, Kemono Jihen 7, Magika Swordsman and Summoner 16, The Most Notorious “Talker” Runs the World’s Greatest Clan 5, My Sister the Cat 3, and ROLL OVER AND DIE: I Will Fight for an Ordinary Life with My Love and Cursed Sword! 4.

ASH: I’ve been meaning to give the Grandmaster of Demonic Cultivation adaptation a try.

SEAN: Square Enix debuts Final Fantasy XIV: Eorzea Academy (Final Fantasy XIV: Shiritsu Eorzea Gakuen), a comedy high school AU of the popular game. It ran in Manga Up!, and is complete in one volume.

They also have Beauty and the Feast 10.

The debut from Viz is #DRCL midnight children, a Grand Jump title (not often we see anything from that magazine) by the artist known for Innocent (which means I am paying attention). It’s a modern-day, but still very goth, take on Dracula.

ASH: This one has my attention, too, for similar reasons.

SEAN: They also have Alice in Borderland 7, Dark Gathering 3, Hayate the Combat Butler 42, Insomniacs After School 3, One-Punch Man 26, and the 2nd and final volume of Until I Love Myself.

ASH: I’ve heard good things about Until I Love Myself.

SEAN: And now it’s Yen Time. Debuting is I May Be a Guild Receptionist, but I’ll Solo Any Boss to Clock Out on Time (Guild no Uketsuke Jō Desu ga, Zangyō wa Iyananode Boss o Solo Tōbatsu Shiyou to Omoimas). A guild receptionist finds herself working overtime because the adventurers can’t get the jobs done. Clearly it’s easier to do them all herself.

ASH: Okay, I find that to be an amusing premise.

SEAN: And Studio Chizu’s BELLE is another title from the creator of The Girl Who Leapt Through Time and Summer Wars, about a girl in the boonies who is dealing with the death of her mother, but finds a new life in the virtual world.

ASH: The Girl Who Leapt Through Time, you say?

SEAN: Yen On also has Associate Professor Akira Takatsuki’s Conjecture 2, Bofuri: I Don’t Want to Get Hurt, so I’ll Max Out My Defense 10, Death March to the Parallel World Rhapsody 19, The Demon Sword Master of Excalibur Academy 9, Hazure Skill: The Guild Member with a Worthless Skill Is Actually a Legendary Assassin 6, Hell Mode: The Hardcore Gamer Dominates in Another World with Garbage Balancing 2 (print for the JNC title), The Hero Laughs While Walking the Path of Vengeance a Second Time 6, King’s Proposal 3, Magical Girl Raising Project 16, My Instant Death Ability Is So Overpowered, No One in This Other World Stands a Chance Against Me! 2 (another print for the JNC title), Reign of the Seven Spellblades 9, The Saga of Tanya the Evil 12, Sugar Apple Fairy Tale 4, Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town 13, and The Vexations of a Shut-In Vampire Princess 5.

ASH: So many!

SEAN: Debuting from Yen Press we have The Deer King (Shika no Ou: Yuna to Yakusoku no Tabi), the manga adaptation of Yen’s novel release, which runs in Young Ace. A slave finds himself and a young girl the only survivors of a mining disaster, and he now has to figure out how to live… and why he has super strength.

The Do-Over Damsel Conquers the Dragon Emperor (Yarinaoshi Reijou wa Ryuutei Heika wo Kouryakuchuu) is a manga version of the Cross Infinite World light novel, and runs in Comp Ace. A girl goes back in time to try to avoid her horrible death and ends up proposing to exactly the wrong person!

The Ephemeral Scenes of Setsuna’s Journey (Setsuna no Fuukei) is a manga adaptation of a Yen On light novel, and also runs in Comp Ace. An isekai’d hero finds he can’t do anything because his poor health came with him, and is shut up in a tower till they can summon someone else. Then the ghosts of past heroes visit him.

Glitch is a Comic Beam title from the creator of Lost Lad London. Siblings move to a town and find it far weirder than they expected… time to investigate!

MICHELLE: Ooh. Having loved Lost Lad London, I’ll definitely be checking this out.

SEAN: Jungle Juice is a Korean webtoon title about a boy who grows insect wings, then has to hide himself from the world.

Maiden of the Needle (Hariko no Otome) is based on the light novel Yen is also putting out, and runs in Young Ace Up. A reincarnated in a fantasy world girl struggles with family abuse when she apparently fails to inherit magical gifts. Hrm, this story seems familiar…

ASH: It does, doesn’t it?

SEAN: Stray Cat & Wolf (Noraneko to Ookami) runs in The Hana to Yume, and is from the creator of Cheeky Brat. Girl who is running away from a small town ends up in Tokyo, and now is living in a hot guy’s house?

Also coming out from Yen Press: The Abandoned Empress 6, Apparently, Disillusioned Adventurers Will Save the World 3, Assorted Entanglements 3, A Bride’s Story 14, Chained Soldier 5, Chitose Is in the Ramune Bottle 4, Daughter of the Emperor 5, The Devil Is a Part-Timer! 20, The Essence of Being a Muse 2, The Executioner and Her Way of Life 3, The Girl I Saved on the Train Turned Out to Be My Childhood Friend 4, Handyman Saitou in Another World 2, The Holy Grail of Eris 5, The Horizon 2, I Want to Be a Receptionist in This Magical World 2, I’ve Been Killing Slimes for 300 Years and Maxed Out My Level 11, Is It Wrong to Try to Pick Up Girls in a Dungeon? Familia Chronicle Episode Freya 2, Magical Girl Incident 2, Manner of Death 2, Mieruko-chan 8, Monthly Girls’ Nozaki-kun 14, My Dear, Curse-Casting Vampiress 2, No Matter How I Look at It, It’s You Guys’ Fault I’m Not Popular! 21, A Reincarnated Witch Spells Doom 2, The Remarried Empress 4, So What’s Wrong with Getting Reborn as a Goblin? 3, SOTUS 3, Spirits & Cat Ears 11, Sword Art Online Progressive: Scherzo of Deep Night 2, Tomb Raider King 4, and Words Bubble Up Like Soda Pop 2.

MICHELLE: Oh, a new Nozaki-kun buried amongst all the rest!

ASH: Always happy to see a new Nozaki-kun volume released!

SEAN: So tired. Whadya got?

Villainess Level 99: I May Be the Hidden Boss but I’m Not the Demon Lord, Vol. 2

by

By Satori Tanabata and Tea. Released in Japan as “Akuyaku Reijō Level 99: Watashi wa Ura Boss Desu ga Maō dewa Arimasen” by Kadokawa Books. Released in North America by J-Novel Club. Translated by sachi salehi.

Sometimes I am surprised when a book is not QUITE as cliched as I expected. This is a Villainess book, and the first novel had the supposed heroine of the game as the antagonist, so I was naturally expecting her to break out of prison and be an antagonist again. But no, she’s still there, still not recovered from mental trauma, and isn’t in this book at all. (As it turns out, the webnovel version of this book simply killed her off, but I assume the Kadokawa editors asked the author not to do that.) Instead, the “heroine” role is filled by Yumiella’s “friend” Eleanora, a girl so naive that you can sometimes hear the wind whistling through her head, and that works fine. Plus it’s not like we don’t have other cliches waiting in the wings. Eleanora’s father is trying to topple the kingdom, and he’s gathered all the evil nobles together to do so. What a bad guy… OR IS HE?

Yumiella and Patrick have graduated, and she is now returning to her county in order to run it now that her evil parents have been exiled. Patrick, of course, comes along, and seems to be trying to tell her something about the nature of their relationship – what, she can’t possibly guess. Unfortunately, the county is a mess, with poor roads, high taxes, and unhappy people. Fortunately, Yumiella may have very little common sense but she is quite compassionate and also ludicrously powerful, so she sets about fixing things immediately. Minus a few eccentricities. Like selling wooden swords. Unfortunately, she also happens to come across the evil plan I mentioned above, and has to tell the King about it and deal with the fallout – the fallout mostly being that, as the one behind all of this, Eleanora’s father is probably going to be executed. Which would make Eleanora sad.

The core of this book is the classic “two characters think they are having one conversation, but they are really having two conversations that do not interact”. Yumiella can be surprisingly obtuse, and it takes the entire book – during which she walks around with an engagement ring on her finger and also during which invitations to her wedding are being mailed out – to realize that Patrick is in love with her. We get a bit more of her past in Japan this time around – namely, that she was a massive chuuni, and in middle school she used to wave around wooden swords and also wore an eyepatch. If you think of Yumiella as Megumin from KonoSuba, you won’t be too far off. Thankfully, Patrick is NOT Kazuma, and therefore can be there to stop her worst ideas, like regarding the barrier stopping the church from dark magic attacks as a rival she has to destroy. Though, um, later she does indeed destroy it.

This remains fun if you like this sort of character, with the only real issue being that it was far too long. Hopefully the next volume will be a bit snappier.

Culinary Chronicles of the Court Flower, Vol. 11

by

By Miri Mikawa and Kasumi Nagi. Released in Japan as “Ikka Kōkyū Ryōrichō” by Kadokawa Beans Bunko. Released in North America digitally by J-Novel Club. Translated by Hunter Prigg and piyo.

I was a fan of Fruits Basket back in the day, when the manga was still running. When we got to the chapters where Yuki and Tohru define their actual relationship, I remember being somewhat baffled at the negative reaction by Yuki/Tohru fans. (Yes, I still use slashes. I’m old.) But of course I didn’t get it, I was a Kyo/Tohru shipper. There’s a reason people ship one pairing and not another, it’s because they don’t GET the other pairing. Now, to be clear, that’s not really what happens with Culinary Chronicles of the Court Flower. I absolutely get Shusei/Rimi, it’s the primary pairing. But the last couple books have had Shohi have to assure both himself and everyone around him that Rimi ends up being just like a mother to him, and I found myself thinking “Ah, yeah, that’s why they were mad”. In the end, there really isn’t a choice between two love interests. It’s fate aligning so that one love interest can win and nothing else matters.

We begin with the action-packed finale, as Shohi’s forces do battle against Shusei’s forces, who (no surprise) turn out to have far more men than everyone thought. Fortunately, things work out for two reasons. One, the consorts finally realize what the Quinary Dragon thing means, and two, reinforcements arrive from Saisakoku out of nowhere, having been told to come by… well, gosh, it’s a mystery. After all of this, unfortunately, they do sort of have to execute Shusei, who was behind the entire traitorous revolt. That said, they immediately begin to waffle when it turns out that Shusei was in fact behind the ENTIRE traitorous result. On both sides. Meaning they’ve caught up with the reader, who probably realized what Shusei was doing a few books ago.

Despite my gripes, this is a decent finale. Rimi’s feelings for Shusei had been cast away as she was certain that “Lord Ho” had killed the Shusei she knew; once she realizes that it was all a massive trick, they come roaring back full force. Shohi will have to content himself with 2.5 of the 4 consorts (Ho is still going to remain loyal to Hakurei, and Yo hates men, but is starting to waffle). As for the solution of how to get out of the execution, it’s pretty clever, and relies very much on one of the past mysteries of the series also requiring a definitive execution to end it. I also liked hearing of Saigu near the end. Rimi’s one touchstone from her old country has never been seen in the series, but her presence has influenced Rimi’s maturation greatly. Still, I think the best part of the book was Keiyu, whose last middle finger to everyone was very clever.

So yeah, the shipper in me is grumbling, as I felt Shusei burnt too many bridges to have Rimi forgive him so easily. But that’s first love for you, I guess. In the end, I enjoyed this series about romance, mystery, and food.

Bookshelf Briefs 9/11/23

by and Leave a Comment

I Don’t Know Which Is Love, Vol. 1 | By Tamamushi Oku | Yen Press – If you have been reading all those ridiculous harem comedies, the sort where it gets more and more ridiculous with each new love interest, and wished that there was a version for the yuri fan, I have good news for you. Our heroine is going to college to find a girlfriend after getting rejected in high school. She finds a number of girls, all of whom fall for her immediately. The harem members themselves include an up-and-coming idol, her roommate, her teacher, a drama student trying to lure her into acting (with a fetish for voices), and one girl who simply wants to have sex with her and is prepared to get very aggressive, full stop. The entire series would be questionable if it weren’t taken at such a fast pace and if it weren’t clearly designed for comedy, not romance. – Sean Gaffney

Kaguya-sama: Love Is War, Vol. 26 | By Aka Akasaka | Viz Media – This isn’t the final volume of the series—there’s two more after this—but this is the resolution of all the plots we’ve had going forward; the rest is a victory lap. It’s a good resolution. Rescuing Kaguya and resolving her family issues is shown to be hard enough that it requires everyone working together to solve it (as well as a few frankly ludicrous physical feats on the part of Miyuki), but not too hard—after all, everyone survives even after having been shot at, chased over cliffs, etc. And, of course, we get the most dramatic confession of love ever, flying over the trees while dangling from a rope ladder under a helicopter. Of course, there are still a few loose ends, notably Ishigami’s love life, but that can probably be saved for later. Let the main couple have this. – Sean Gaffney

Medalist, Vol. 7 | By Tsurumaikada | Kodansha Comics (digital only) – Medalist will finally get a print release soon. It deserves it so much. One of the reasons it’s so great is that it balances its look at figure skating between its two leads. Yes, Inori is learning fast (a bit TOO fast, worryingly) about fantastic new moves that might help her catch up to her rival, including the biggie, the quadruple salchow. On the other hand, we also follow Tsukasa as well, who is leaning how best to coach her, when to recognize that she’s pushing herself too hard… and when to realize that he can’t help her and to call for help. All this combines with some truly stellar artwork, showing off the fast, gracious and athletic moves of these athletes to the hilt. It’s probably only getting print because an anime was announced, but I’ll take it. Read this. – Sean Gaffney

Offshore Lightning | By Nazuna Saito | Drawn & Quarterly – “Being alive is so much stranger than we think. More complicated, too. And it doesn’t make a lick of sense.” Collecting eight short manga from the early 1990s, two from the early 2010s, and an accompanying essay by Mitsuhiro Asakawa, Offshore Lightning is a brilliant introduction to the work of Nazuna Saito. Working within the gekiga tradition, the humanity present in Saito’s stories is remarkable, demonstrating great insight as well as empathy. There is an ever-present desire for human connection within Offshore Lightning, a deep sense of longing which still recognizes the absurdity of life with both humor and grace. Taking as her subject ordinary people, their lives, and their often fraught relationships, Saito shows that even the common can be interesting, engaging, and meaningful. It’s wonderful to see more alternative manga created by women make its way into translation; I would read more of Saito’s work in a heartbeat. – Ash Brown

The Saga of Tanya the Evil, Vol. 20 | By Carlo Zen and Chika Tojo | Yen Press – I read the Tanya manga but don’t usually review it, since I leave that for the light novel. But the manga is its own thing, especially in its treatment of Visha, who gets a far larger role in the manga than she does in the novel (or even the anime). Indeed, there’s even a third, new recruit in the manga who is also a woman (unnamed as of yet), so the manga is making it so it’s not ONLY Tanya and Visha in an all-male group. On the bright side, Visha’s adoration of Tanya and willingness to overlook her more evil moments are funny and a bit disturbing. That said, her love for Tanya actually DOES seem romantic in the manga, and so you need to do the weird “35-year-old man in the body of an 11-year-old girl = ???” but mostly just ignore it. The manga is fun but odd. – Sean Gaffney