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Manga the Week of 9/6/23

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SEAN: School days, school days, dear old golden rule days. Also, manga.

ASH: Manga is always a welcome distraction from the chaos of a new semester.

SEAN: We start with Airship, which has two print books. There’s No Freaking Way I’ll be Your Lover! Unless… 2 and The Weakest Tamer Began a Journey to Pick Up Trash 4.

And in early digital we see Free Life Fantasy Online: Immortal Princess 4 and Reborn as a Space Mercenary: I Woke Up Piloting the Strongest Starship! 7.

Dark Horse Comics has the 12th volume of Mob Psycho 100.

ASH: I should probably catch up with this series at some point.

SEAN: From Ghost Ship, we get a 7th volume of The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You.

ASH: This one, too, from what I’ve heard.

SEAN: It’s a quiet week for J-Novel Club, though they are debuting three manga series digitally. An Archdemon’s (Friend’s) Dilemma: How to Babysit a Crybaby Knight (Akuyuu no Ore ga Ponkotsu Kishi wo Miterarenain da ga, Dou Sewa wo Yakya Ii? – Madome Gaiden) is a manga spinoff from the Archdemon’s Dilemma series, focusing on the pathetic not-quite-romance between Barbatos and Chastille. I think it’s in Comic Fire?

The Conqueror from a Dying Kingdom (Horobi no Kuni no Seifukusha – Maou wa Sekai wo Seifuku suru you desu) is based on the light novels also released by J-Novel Club. A Japanese NEET is reincarnated in a kingdom as a commoner boy, but quickly realizes this Kingdom doesn’t have much longer to go. This runs in Comic Gardo.

I’ll Never Set Foot in That House Again! (Nido to Ie ni wa Kaerimasen!) is based on the light novels also released by J-Novel Club. It also runs in Comic Gardo. It’s for people who think My Happy Marriage is too depressing.

ANNA: Who are those people?

SEAN: And they also have the 11th and final volume of Culinary Chronicles of the Court Flower.

Apologies to Kaiten Books, as I missed this last week: Welcome to the Outcast’s Restaurant!’s 3rd manga volume should have been on that list.

Kodansha’s print debut is The Moon on a Rainy Night (Amayo no Tsuki), a Comic Days series about a deaf high school musician and the girl who gets closer to her despite her best efforts. I have heard VERY good things about this series.

ANNA: OK, this does sound intriguing.

ASH: Oh, my interest is piqued!

SEAN: Kodansha Manga, in print, also has 10 Dance 7, Don’t Toy With Me, Miss Nagatoro 15, Noragami Omnibus 7, and Noragami: Stray God 26.

MICHELLE: Yay for more 10 Dance!

ASH: Yes, indeed!

SEAN: And for digital titles they have Blue Lock 21, How to Grill Our Love 4, Life 7, My Wife is a Little Intimidating 3, Shangri-La Frontier 12, Those Snow White Notes 9, Tying the Knot with an Amagami Sister 10, and Wandance 6.

One Peace Books gives us the 8th volume of Multi-Mind Mayhem.

Seven Seas debuts Soara and the House of Monsters (Soara to Mamono no Ie), a Shonen Sunday S series. A girl who spent her childhood preparing to fight monsters is now at a loss since the kingdom and monsters came to an agreement. Can she find a new career building monster homes?

Seven Seas also has Dinosaur Sanctuary 3, Free Life Fantasy Online: Immortal Princess 5, Magical Angel Creamy Mami and the Spoiled Princess 5, Otaku Elf 6, Tokyo Revengers 13-14, Trapped in a Dating Sim: The World of Otome Games is Tough for Mobs 8, and What He Who Doesn’t Believe in Fate Says 2.

Square Enix has My Clueless First Friend 3.

Tokyopop has a 4th volume of Our Not-So-Lonely Planet Travel Guide.

Udon has a third volume of Record of Lodoss War: The Crown of the Covenant.

The debut from Viz is Blade of the Moon Princess (Gekka Bijin), a Jump Square series from the author of Spy x Family. This was his debut. A bratty young moon princess is sent to Earth in order to avoid a coup on the moon, and must learn to grow up.

There’s also two anime coloring books out from Viz, one for Bleach and one for Naruto Shippuden.

ASH: Is there still the same demand for coloring books that there used to be?

SEAN: We also see Blue Box 6, Dragon Ball Super 19, The Elusive Samurai 8, Ima Koi: Now I’m in Love 7, Kubo Won’t Let Me Be Invisible 9, Like a Butterfly 2, and My Hero Academia 35.

Yen On debuts Liar, Liar. A school where everything depends on your rank has a new top dog, entering the school with the highest academic rank! There’s just one problem… this is all a lie. For fans of light novel covers that look like this one.

ASH: Ha!

SEAN: Yen On also has Your Forma 4.

On the Yen Press side, we see two debuts. Game of Familia (Game of Familia: Kazoku Senki) is from Dragon Age, so you know it’s trash of the highest order. A high school student moves in with his new family, including three stepsisters. But then the entire family is isekai’d!

The Witches’ Marriage (Majo no Kekkon) is a yuri series from Comic Newtype. A witch gets married to another girl in order to gain more power… but finds that the other girl is adorable.

And there is also Tales of Wedding Rings 12 and Trinity Seven 28.

It’s always September somewhere on the mangasphere! What are you buying?

My Dear Detective: Mitsuko’s Case Files, Vol. 1

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Have you seen The Law According to Lidia Poët? It’s a period drama that’s loosely inspired by the career of Italy’s first woman lawyer. Though the series explores the real-life Poët’s long, lonely battle for professional recognition, it also makes plenty of room for romance and adventure, portraying her as a free spirit who solves mysteries with the aid of a handsome male journalist. The show’s breezy tone is more Remington Steele than Masterpiece Theater, but it never shies away from acknowledging that nineteenth-century Italy was truly a man’s, man’s world.

If Lidia Poët sounds like something you’d watch, you might like My Dear Detective, which also features a plucky heroine in a male-dominated field. The setting is Taisho-era Japan, where twenty-something Mitsuko Hoshino works for the Ginza Detective Agency as an investigator. Though Mitsuko is a natural, she faces skepticism and condescension in her day-to-day work that sometimes shades into outright hostility; early in volume one, for example, local hooligans vandalize the agency with slogans accusing her of “stealing men’s jobs.” Her boss is unfazed, however, and remains quietly but kindly supportive of her desire to be, in her words, “a working woman.”

Through one of those only-in-manga contrivances, Mitsuko crosses paths with Satou Yoshida, a handsome young man who turns out to be the scion of a prominent family. (The Yoshidas own one of the poshest department stores in Tokyo.) He soon joins the agency as Mitsuko’s assistant, chauffeur, and bodyguard, dropping the Yoshida name whenever it expedites their investigation, and swooping in to save Mitsuko whenever she’s in danger. Mitsuko—ever the consummate professional—won’t admit to herself that she likes Satou, and puts up a blustery front any time he flirts with her.

Though the script is lively and the pacing brisk, the artwork is a little plain. The costumes, hairstyles, and props are just detailed enough to give a sense of the period, but the backgrounds are a little too sterile and generic to really evoke Tokyo in the 1920s. More appealing are the character designs: Natsumi Ito does an effective job of conveying each cast member’s age, social standing, and personality through small but meaningful details. Mitsuko, for example, sports a sleek, modern bob and knee-length skirts, while the older women she interacts with favor Nihongami and kimono, evoking the transitional spirit of the Taisho era.

Taken as a whole, however, My Dear Detective is the manga equivalent of The Law According to Lidia Poët. One the one hand, it’s a fizzy, fun series that offers solid mysteries with interesting twists solved by impossibly good-looking people. On the other hand, My Dear Detective gently reminds the reader how many practical barriers professional women faced a century ago, acknowledging the degree to which misogyny made it all but impossible for smart, ambitious women to chart a course for themselves outside of traditional gender roles. These two sensibilities don’t always mesh harmoniously, but most of the time My Dear Detective toes the line between escapism and didacticism in a highly entertaining fashion. Lidia Poët would undoubtedly approve. Recommended.

MY DEAR DETECTIVE: MITSUKO’S CASE FILES, VOL. 1 • BY NATSUMI ITO • TRANSLATED BY SAMUEL R. MESSNER • LETTERING BY BARRI SHRAGER • COVER DESIGN BY GLEN ISIP • AZUKI • 183 pp. • NO RATING

Guardian: Zhen Hun, Vol. 1

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By Priest and Marmaladica. Released in China on the JJWXC website. Released in North America by Seven Seas. Translated by Yuka, Shry, amixy. Adapted by Ealasaid Weaver.

Its always tricky when you come at a series after everyone else. The hype can sometimes be too much to bear. I was being told about Guardian years ago by friends who had seen the live-action drama loosely based (fans always emphasize the “loosely based”, wanting you to be sure to know how many liberties the TV show took from the source) on this online novel series. When Seven Seas announced it a year or so ago the excitement was greater than almost any other danmei title they’d announced before. Hell, even the cover art draws you into the hype. Just look at those two! That said, the question as always is: is this any good or not? I’m delighted to say that it is. Guardian is a compelling supernatural police procedural mystery, with a great protagonist who’s a classic “jerk with a heart of gold”, and even a lot of the “jerk” is for show. As for the other guy on the cover… well, he’s the mystery.

Zhao Yunlan is head of a special department in the police that deals with supernatural crimes, and he and his somewhat pathetic newbie underling are called upon to investigate the scene of a very grisly disemboweling on the street. This leads him to a university, where he meets Shen Wei, a handsome young professor who Zhao Yunlan is immediately very, VERY attracted to. He proceeds to try to get to the bottom of the case while also flirting heavily with the awkward Shen Wei, who is giving off somewhat mixed signals. As they uncover missing underworld artifacts, a young woman desperate to keep her grandmother alive, and an anthropology field trip that gets somewhat hijacked by ghosts from the past, Zhao Yunlan is determined to find out why Shen Wei is so compelling to him… and so familiar.

BL is not really my wheelhouse, so I will simply note that the chemistry between these two is amazing and those who are here for that will not be disappointed. As for the rest, Zhao Yunlan is an excellent protagonist and a good detective, combining human psychology with a knowledge of the netherworld and various tricks up his sleeve. He tends to put himself in harm’s way a lot, as you’d expect from a “jerk who’s not really a jerk” guy, but he’s savvy enough that it comes off well. The supporting cast are mostly good, though it took me a while to get used to Guo Changcheng, who is the very definition of “comedy relief”, but does vaguely grow over the course of this book. The cases were also well done, though I am hoping when we hit the second book we’ll get a mystery that does not revolve around a woman being the cause of most of this. And the writing was extremely good (and, of course, that means the translation and adaptation as well), despite the need for lots of footnotes for Chinese terminology.

Basically: readers will enjoy this. Go get it. I give it a 9/10, minus one point for falling down right at the end and mentioning the dreaded word “cultivation”.

Haibara’s Teenage New Game+, Vol. 4

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By Kazuki Amamiya and Gin. Released in Japan as “Haibara-kun no Tsuyokute Seishun New Game” by HJ Bunko. Released in North America by J-Novel Club. Translated by Esther Sun.

This is another one of those books where, after I had finished it, I had to double check the publisher’s website to confirm that yes, there is a 5th book in the series, and it doesn’t end here. It wouldn’t be surprising if it did. So many romcom series end with the main couple getting together, and not to spoil, but that’s what happens in this volume. I’m not too worried about spoiling it because everyone reading this series knows who the girl he loves is, and who the girl he has to reject is. It was all just a question of how long the series would drag things out. The good news is that it’s not that long. This series, despite its “back in time” premise, tends to err on the side of realism, and these sorts of “waffling guy can’t decide between two girls” situations don’t last as long as they do in manga or anime. Now, there is one spoiler left (also not much of a surprise), but we’ll get to that.

It’s back to school for our cast, and preparation for the school festival. Natsuki is still trying to decide between Hoshimiya and Uta… or so he says, but not only do we know that he’s fooling himself, HE knows it as well. He likes the girl that he’s liked since this series began. So it’s just a matter of working up the courage to confess to her, and to reject the other as best he can and hope it doesn’t destroy the friendships he’s come to love. Into this waltzes Serika, the emotionally weird girl we met in the last book, and she has a suggestion for Natsuki, especially after hearing him perform at karaoke: join a band. Join her band, in fact. He did try playing a guitar in his previous life (as well as practice karaoke), so it’s feasible. Is it what he wants to do going forward, though?

There’s a lot going on here given that it’s basically “when will he finally stop vacillating” as the main plot. We get a lot more development from Serika, who is incredibly talented and even writing her own songs. If this were a different series she’d be a new “harem member”, and she does admit to liking Natsuki, but knows that he’s in love with Hoshimiya. Indeed, everyone knows it. Including Hoshimiya, because he literally asks her to help him write the lyrics to the song he’s going to use to confess to her – something so brazen that she has to laugh, and so did I. I also liked Shinohara, the bass player, who allows Natsuki to try to help out someone who is exactly like he was the first life around. That said, the biggest surprise of the book was not that Miori was also in love with Natsuki – we guessed that – but that Reita actually *has* fallen in love with her, even knowing that she loves Natsuki. And Miori is far unhappier than she’s trying to sound about his new love being a success.

So yeah, there is a fifth book, and I assume it will delve deep into that, as well as “wait, how do these books work if we’re a couple?’. This is one of the stronger romcoms out there now. I really enjoyed it.

Spy Classroom: Pandemonium, Thy Name Is Sybilla

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By Takemachi and Tomari. Released in Japan as “Spy Kyoushitsu” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Nathaniel Thrasher.

The author mentions in the afterword to this volume that they were worried about Avian’s impact on the reader, and in particular whether Avian would be likeable enough. It’s a good point. From the moment we met them, they felt like the unpleasant, annoying mirror to our heroines, and it was not helped by the fact that they were better than all of them at everything. Of course, the ending to the previous volume also seemingly cut off any further development there… or so you’ think. But the author’s main strength has always been manipulating the written word and literary tricks (this is one reason the anime failed so hard for me), and so we get judicious use of flashbacks here to show off that really, Avian weren’t as bad as all that. In the end, they’re another bunch of wacky, eccentric spies. Of course, another way of helping to make your new characters sympathetic is to introduce even more new characters and make them worse. The spies we meet in this volume are worse.

The book starts off with Sybilla getting captured by these new characters. Belias are an English team of spies (OK, it’s the “Spy Classroom” version of England, but come on, this is sort of like Tanya the Evil’s version of England) who are trying to find the one surviving member of Avian, who are accused of trying to assassinate the Prince. Sybilla has also been trying to find Lan in order to discover how Avian were all killed so easily. The two have wildly different ends, but the same goal, so they agree to team up – or rather, Belias forces Lamplight to team up with them. This will involve going to an exclusive ball where they will have to dance to attract attention – meaning that Sybilla and Klaus will have to be on the same page, something they’ve been failing at since the series began. Then things get worse, as the Prince really is assassinated.

As I mentioned in the last review, this series can get pretty damn dark. The girls all being flakes is probably the best way to distract from that. I had been wondering if Avian being dead was another fakeout, but no, all but Lan are indeed dead. What’s more, Belias aren’t the real bad guys either, being a classic example of “we were only following orders” spies who don’t bother to question things lest it lead them to realizing that they’re being manipulated. Which naturally makes it easy for them to get manipulated by Lamplight. Avian may be dead, but before they died they managed to train the girls in ways that Klaus has entirely failed to, and they’re now really coming into their own. They clean Belias’ clocks and get the intel Avian left for them before dying. Good end! I mean, provided they aren’t betrayed by one of their own, of course. That would be terrible.

So yeah, another vicious cliffhanger. And a longer than usual wait for the next volume, because we’ve got a second book of short stories coming first. Till then, enjoy a world that is so tragic that Sybilla has to create a happy backstory to keep her going.

The Princess of Convenient Plot Devices, Vol. 3

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By Mamecyoro and Mitsuya Fuji. Released in Japan as “Watashi wa Gotsugou Shugi na Kaiketsu Tantou no Oujo de aru” by B’s-LOG Bunko. Released in North America by Yen On. Translated by Sarah Moon.

Again, my favorite part of this series is just out of my reach, which is everything that is happening in it, minus Octavia’s internal blathering. Don’t get me wrong, her narration is not all that annoying once you get used to it, and helps to drive home the fact that 95% of the time she’s improvising desperately rather than having a grand master plan. But I do love seeing her from the outside. Without that narration, she looks exceedingly crafty, mysterious, powerful, and possessed of knowledge that she just should not have. She does not behave the way than anyone thinks she should, her support for her older brother leaves much to be desired, and she comes across as… well, as a villainess. She’s trying to get a fake boyfriend so that she isn’t used as a womb to give her older brother an heir, but to others, she’s… well, trying to become Queen. Which is worrying, given the kingdom’s secret history.

After the revelations of the previous book, Octavia is a lot less keen to make Rust Byrne her fake boyfriend, given who he resembles. Unfortunately, he’s now very interested in her, in particular because she doesn’t react the way almost everyone else has when they see his face. To her surprise, the King is another one who reacted the same way that she did. Unfortunately, as they try to have a chat, traitors are trying something at the party, and have to be put down by armed guards. What are they after? And why is Sil now missing? The answer will draw Octavia into (pardon me, I’m so sorry) a web of mayhem and intrigue. Because there’s a secret room that has a passage to a different, even more secret room. And there are even more traitors there… including Sil? Maybe?

So many villainess books have some variation of “you can’t fight fate” built into them, with the villainess trying hard to change her destiny and the story itself fighting back as much as it can, even when that makes no sense in terms of how reality actually works. Here we see the past starting to repeat itself, despite Octavia’s intentions. And there’s no denying that Queen Idealia, the queen who was written out of history, has a lot in common with her. Hopefully not including being murdered by her brother. And of course there’s also the past of Klifford’s family, which everyone is still boiling mad over. What this means, I suspect, is that at the end of the day everyone’s going to see Octavia finding the tomb of the missing powerful and beloved Queen, discovering the *real* royal crown, and asking her uncle to present it to the King himself but say that she found it, as a massive power ploy. Not exactly what she’s intending.

Basically, if you like gambit pileups and a lot of handsome men, this is a fun little series. I read it for the bits in between the text.

The Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Vol. 5

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By Piero Karasu and Yuri Kisaragi. Released in Japan as “Tensei Oujo to Tensai Reijou no Mahou Kakumei” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

The last three volumes of MagiRevo have all had that feeling of “this is the final volume of the series” without it actually being true. It felt as if the author was not sure if it would be a success or not – very common in this medium. This is the first book where I believe that they wrote it knowing that the books were going to be going on longer, as it’s very transitional. There’s looking towards the future, as Anis and Euphie’s road trip is to survey the kingdom and look for new resources, plus they also end up learning of a number of new nations/races/possible enemies. At the same time, the entire book is also about coming to terms with everything that has happened in the previous four. Euphie’s on the throne, but this has not magically settled everyone’s hearts. Particularly Anis, who runs into Euphie’s brother at a ball and ends up projecting her own brother on top of him.

Anis is out of sorts, having essentially been told “try not to be too innovative for a bit, we need everyone to get used to the chaos you’ve already created”. But she can’t exactly turn that part of herself off. So Euphie plans to have the two of them tour the Eastern part of the kingdom, inspecting the damage caused by the previous monster stampedes and also trying to find new areas that they can harvest spirit energy. Of course, as Anis notes, this is a chance to go on a Love Love Honeymoon with her beloved – well, a honeymoon that involves two maids, two aides and a guard – and the guard is Navre, one of the men who was tied up in Lainie’s plotline in the first book. Then, to top things off, Anis had not really been listening when all of this was explained to her (because honeymoon fantasizing), and missed that they are, in fact, going to see her brother as well.

If I were to sum up this book, it would be “not bad, but not as good as the other books”. Part of the problem is Anis, who is still dealing with a pile of repressed guilt about what happened with Algard. (She is also, frankly, still not used to the fact that she is absolutely not the top in this relationship, and Euphie’s frank desires leave her a bit twitchy.) The heart to heart she has with her brother near the end was much needed, if only as I want her to move on from this as quickly as possible. There’s also a new character introduced who isn’t too bad, but seems designed to tick several “isekai cliche” boxes at once, so I was rolling my eyes at her arrival. On the bright side, Anis and Euphie get to have an awesome fight that I’m sure will look terrific if it ever gets animated in a theoretical Series 2.

So yeah. Mezza mezza. Still, we now have the promise of beastmen, and more vampires, and a bunch of other potential new plots. I just hope Anis will be back to being a fun ball of chaos next time around.

Sword Art Online, Vol. 27: Unital Ring VI

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By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

Last time I said that it was a good book but the plot progression was minimal, and I’d say that the plot progression is even more minimal here. It’s also not quite as good a book. Stuff happens, don’t get me wrong. Lives are put in danger, especially in the Underworld, and there is a return there of a villain that I really didn’t care about when they were around in the main Underworld arc and care less about now that their descendants have returned. On the Unital Ring side, we’re headed up to a new level, and we’re interacting more with players from different games, but I sort of feel like Kirito is a metaphor for what Kawahara is trying to do with the series. He’s trying to juggle 3-4 plots at once and can’t devote all his attention to any of them. Frankly, I’d rather that he and Asuna try to figure out if Kizmel has been magically brought back to life (clearly implied near the end) than anything with dragon spaceships.

We pick up where we left off, with Ronie and Tiese staring at Eolyne and wondering if he’s just Eugeo wearing a mask, but the answer to that is still – so far – that he is not. They all then bond in a big bath scene, but then Kirito and Asuna are dragged back to Japan while Alice gets to stay and bond with her sister some more. They head back to Unital Ring to find that everyone else is tacking the floor boss, with Lizbeth staying behind so that someone can bring them up to speed. They then arrive on the new floor… the third “game” to do so, after Asuka Empire (which Yuuki and her friends played) and Apocalyptic Date (where the players are anthro). Unfortunately, these new gamers know Kirito’s reputation, and they’re also desperate because of some poor decision making, so they decide to kidnap Yui. Also a poor decision. And back in Underworld, Alice’s reunion is interrupted by a full-blown invasion.

There were a few scenes in this book I enjoyed. The entire sequence with the robot kitten was not only adorable but also showed off the issues that AI is running into – I loved it when we were told that, if it ran on AI, the kitten would start walking around on two legs like a human. I also liked Asuna and Kirito’s brief panic on returning to Unital Ring, which was sort of darkly funny – was everyone killed off while they were gone? But honestly, the main issue with this book was that there was simply too much going on, and it didn’t give me enough depth to really care about one thing over the other. This is especially true on the Underworld side, where we still don’t quite know who the main villain is, but the ones behind the invasion are frankly a group I would have been delighted to never see again. At least it wasn’t the return of Gabriel Miller. Yet.

If you’re still reading SAO, I’d say keep going. Eugeo payoff looks like it will be coming next time, and hopefully we get some dark elves as well. Just… not in this book.

Manga the Week of 8/30/23

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SEAN: As August sinks slowly in the West, what manga is left over?

Yen has a few more leftovers than usual. The debut from Yen On is Looks Are All You Need (Kao Sae Yokereba Ii Kyōshitsu), from the creator of My Friend’s Little Sister Has It In for Me!. A shut-in girl can’t deal with people, so how can she possibly attend the looks-oriented prestigious arts school she wants to get into? By utilizing her VTuber skills.

ASH: Seems like that could work.

SEAN: And there’s also I’m the Villainess, So I’m Taming the Final Boss 6, where Aileen is about to be executed. Again.

In manga, the first debut is Associate Professor Akira Takatsuki’s Conjecture (Junkyouju Takatsuki Akira no Suisatsu), based on the light novel that came out a month or two ago. It runs in Comic Gene.

ASH: I’m still interested in folklore studies and this title; I haven’t managed to find time to read the novel yet, but maybe I’ll have the chance to fit the manga in.

SEAN: I Don’t Need a Happy Ending: A collection of short stories (Mikanuji Tanpenshuu: Happy End wa Iranai) is a yuri collection from the creator of Assorted Entanglements. Expect spiciness.

The Illustrated Guide to Monster Girls (Kaibutsu Shoujo Zukan) is a shoujo manga from Asuka. Monsters are supposed to scare people. Sadly, this manga concerns itself with a group of poor monster students who get scared instead.

And Mieruko-chan Official Comic Anthology is what it sounds like.

Also from Yen: Doomsday with My Dog 3, I’m Quitting Heroing 3, and Pandora Seven 2.

Viz has the digital-only WITCH WATCH 7. I will die on this hill.

Square Enix Manga has Grimoire NieR: Revised Edition, which… is a game guide, so not sure why I have it here.

And they also have SINoALICE 4, which is merely a death game manga.

Seven Seas has a big danmei debut: Guardian: Zhen Hun. A supernatural detective comes across a mysterious professor in his investigations. Is he connected? Are they both really hot? Of all the danmei series I’ve heard about, this is the one I’ve heard about the most.

MICHELLE: *Kermit flail*

ASH: I have heard good things and an looking forward to this one, too.

SEAN: The manga debut is The Knight Captain is the New Princess-to-Be (Himegimi wa Kishi Danchou), a shoujo series from LaLa about the Knight Captain agreeing to pretend to be the Prince’s fiancee for political reasons, but finding being a royal more difficult than she expected.

Also from Seven Seas: Does it Count if You Lose Your Virginity to an Android? 2, Don’t Call it Mystery Omnibus 3-4, How Heavy are the Dumbbells You Lift? 12, This Is Screwed Up, but I Was Reincarnated as a GIRL in Another World! 8, and The Valiant Must Fall 2.

MICHELLE: *further flailing* (for Don’t Call It Mystery, specifically)

ANNA: *joins in on the flailing* for Don’t Call It Mystery

ASH: Didn’t the first volume just come out? I’m behind already!

SEAN: One Peace Books has the 3rd volume of The Death Mage.

From Kodansha Books, we get My Unique Skill Makes Me OP Even at Level 1 3.

From Kodansha Manga, the big news is the 11th volume, and the return, of Nichijou! We haven’t had a volume since the series ended in 2017. Cannot wait.

ASH: Oh, wow!

SEAN: Also in print: Blue Lock 8, EDENS ZERO 24, Go! Go! Loser Ranger! 6, I Was Reincarnated as the 7th Prince so I Can Take My Time Perfecting My Magical Ability 7, Real Account 23-24 (the final volume, at last), the 2nd Saving 80,000 Gold in Another World for My Retirement manga volume, and Shangri-La Frontier 7.

ASH: Real Account lasted longer than I thought it would.

SEAN: The digital debut is Blade Girl (Blade Girl: Kataashi no Runner), a josei manga from Be Love with a familiar premise – it’s the exact same as Run On Your Two Legs. A girl who lost a leg a year ago is frustrated and angry… but what if she finds the answer with prosthetics meant for the paralympics?

ANNA: Yay for josei!

ASH: Oh! Maybe this one will eventually be released in print, too!

SEAN: Also digital: Guilty 12, Wandance 6, and With You and the Rain 5.

J-Novel Club has a new digital light novel debut. Moon Blossom Asura: The Ruthless Reincarnated Mercenary Forms the Ultimate Army (Tsuki Hana no Shōjo Asura: Gokuaku Hidō no Yōhei, Tensei Shite Saikyō no Yōheidan o Tsukuru ) is a dark fantasy about a soldier of fortune who finds herself reincarnated into a fantasy world… so now she’s killing people WITH MAGIC. For those who like evil protagonists.

They’ve also got Cooking with Wild Game 22, the 2nd Dragon Daddy Diaries: A Girl Grows to Greatness manga, Enough with This Slow Life! I Was Reincarnated as a High Elf and Now I’m Bored 3, the 5th Isekai Tensei: Recruited to Another World manga, Lady Rose Just Wants to Be a Commoner! 4, My Quiet Blacksmith Life in Another World 7, and Record of Wortenia War 20.

Ghost Ship has World’s End Harem 15 – After World.

Cross Infinite World has a debut. Rising from Ashes: My Dear Emperor, You’re Putty in My Hands! (Torotoro ni Shite Sashiagemasu, Kōtei Heika. Moto Konyakusha ni Ie o Yakareta Tsuihō Miko wa, Ringoku Kōtei ni Chōai Sarete Sainō o Hanahirakaseru), a novel which has otome game villainess, ex-fiancée finds love in the neighboring kingdom, AND Inner Palace politics all in one. This is the 3rd series by this author licensed by CIW.

They’ve also got The Dragon’s Soulmate is a Mushroom Princess! 3 and Revolutionary Reprise of the Blue Rose Princess 2.

Lastly, no print light novels from Airship, but they do have an early digital: Loner Life in Another World 7.

Sic Transit August. All manga must pass.

The Manga Review: The Dog Days of August

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Pour one out for Comic Book Resources: on Wednesday, a staff member hijacked CBR’s official Twitter feed to decry parent company Valnet for firing editorial staff and abandoning the site’s commitment to in-depth reporting and thoughtful criticism. Heidi MacDonald has the details. In other news, Kadakowa’s recent efforts to remove pirate manga apps from Apple and Google went unheeded, so the publisher is taking steps to find out who created those apps… the production of Susumu Higa’s Okinawa was delayed after the original printer demanded editorial changes to the book… the live-action version of Rohan at the Louvre arrives on Amazon Prime next month… Titan Manga has rescued Speed Grapher from publishing limbo… ABLAZE announced its fall 2023 publishing plans… Harta will publish the final chapter of Delicious in Dungeon next month… Yuki Kaku has collaborated with Givenchy on a one-shot story for UOMO magazine… and Nami Sano, the creator of Haven’t You Heard? I’m Sakamoto passed away at age 36.

AROUND THE WEB

Marion Pena sits down with former NBA player Johnny O’Bryant to discuss his latest venture: Noir Caesar. The company just released two news series, XOGENASYS and Primus7, and has several other projects in development, including an adaptation of Osamu Tezuka’s Alabaster and a live-action version of Me and the Devil Blues. [The Beat]

In the latest installment of My Fave Is Problematic, Rebecca Fleeman puts JoJo’s Bizarre Adventure under the microscope, noting the degree to which the series often conflates queerness with villainy. [Anime Feminist]

Anime Feminist polls its readers for the best beginner yuri manga. [Anime Feminist]

Jon Holt and Saki Hirozane translate manga scholar’s Hiroshi Miyamoto’s essay on Happy Mania. [The Comics Journal]

Job alert: VIZ Media is hiring two manga editors. N.B. to prospective job seekers: you must be willing to relocate to the Bay Area. [VIZ MEDIA]

Cat nip for translators—that’s how Jocelyne Allen describes Smoke Blue, a “a bewildering and yet entirely satisfying mix of translation tips and hot guys getting hot and heavy.” [Brain vs. Book]

Masha Zhdanova weighs in on three recent VIZ releases: My Special One, Akane-banashi, and Cat-Eyed Boy. [WWAC]

Kara Dennison offers a helpful list of swoon-worthy shojo manga you can read on the VIZ app. [Otaku USA]

Trevor Van As explains what why Junji Ito is a “master of the genre,” capable of producing “imaginative, visceral” stories filled with “shocking concepts” that stay with you long after you finish reading. [How to Love Comics]

That Manga Hunter sifts through the VIZ Signature catalog in search of good manga for older readers. “If you’re looking for alternative manga, mature non-smut manga, and manga intended for adults, then Viz Signature isn’t a bad place to start,” they opine. “The imprint contains series from a wide range of manga of various art styles and genres. If you’re coming from American comics and graphic novels, of superhero origin or otherwise, this is also the imprint for you.” [That Manga Hunter]

LISTENING IN

Join the Mangasplainers for an in-depth conversation about Pluto: Urasawa X Tezuka, Naoki Urasawa’s re-telling of the classic Astro Boy story “The Greatest Robot on Earth.” [Mangasplaining]

The Manga Machinations gang just finished a three-part series on Tatsuki Fujimoto’s breakthrough series Fire Punch. [Manga Machinations]

For spoiler-free commentary on Kyoko Okazaki’s River’s Edge, tune in to the Spiraken Review. [Spiraken Review Podcast]

Alain and Kate highlight Mermaid Scales and the Town of Sand in their first-ever Manga of the Month podcast. [Reverse Thieves]

Gee and Ray unpack Moto Hagio’s groundbreaking boys’ love saga The Heart of Thomas. [Read Right to Left]

Which manga did Andy and Elliot dub “Salaryman Cardcaptor Sakura“? Find out on the most recent episode of Screentone Club! [Screentone Club]

In the latest installment of Manga In Your Ears, Kory, Apryll, and Helen compare notes on Mizuno and Chayama and What Did You Eat Yesterday? [Taiiku Podcast]

REVIEWS

Paging Mushishi fans! This week’s must-read review comes from OASG contributor Helen, who shines a light on When a Cat Faces West, an overlooked gem from Yuki Urushibara. “When a Cat Faces West is a lovely, quiet series about supernatural happenings and the myriad ways that they can be both harmless and deeply unsettling,” Helen notes. “I never felt like the series crossed the line into soft horror but it’s definitely ‘softly unsettling’ at points… a difficult mood to pull off well but it does so splendidly.”

Shall we gather at the river? TCJ posts two reviews of Kyoko Okazaki’s River’s Edge: one by Helen Chazan, and one by Brian Nicholson, while WWAC contributor Kathryn Hemmann offers their own insight into the story’s “gritty millennial malaise”… Johanna Draper Carlson sings the praises of Why I Adopted My Husband… Megan D. revisits Kia Asamiya’sSilent Möbius… and Rebecca Silverman reviews Nazuna Saito’s Offshore Lightning, calling it “one of those books that you find yourself thinking about long after you’ve finished reading it.”

New and Noteworthy

Complete, OOP, and Ongoing Series

Otherside Picnic, Vol. 8

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By Iori Miyazawa and shirakaba. Released in Japan as “Urasekai Picnic” by Hayakawa Bunko JA. Released in North America by J-Novel Club. Translated by Sean McCann.

For the most part, this book is an emotional journey. It’s about Sorawo, a woman whose emotions have always been something of a foreign country (to herself, not necessarily to others) learning about what love is, what it means to love someone, and how that can change a relationship. And she has perfectly normal fears. She has a great relationship with Toriko now, one defined in the first book: they’re accomplices. But Toriko wants something more, and Sorawo knows it. That said, in case you were worried that this book would be all fluff and lack the sheer horror of the previous books, fear not. The middle of the book is here for you. What’s more, given that the book is about Sorawo’s feelings about Toriko, it makes sense that the horror is all based around Toriko. Let’s just say I hope this is never animated – I deal far better with horror as a written word than I do with horror as a visual medium.

Toriko has confessed to Sorawo, and says she wants a response. But she knows Sorawo is who she is, so she’s giving her a week to come up with this answer. This allows Sorawo to do a minor tour of the supporting cast to get some advice. College friend Benimori gives probably the most sensible advice, and seems delighted to find Sorawo, who has a bit of a reputation at their college, going through a real relationship. She talks with Natsumi, whose advice seems to be more about Natsumi than it is about Sorawo. She talks with Kozakura, who points out that their desire to go to the Otherside constantly, something almost everyone else would find terrifying, is what unites them – but that Toriko would stop doing it without Sorawo. And then finally, after a bus ride home that devolves into a series of Toriko-related visions, she goes to her apartment and confronts the girl she loves but barely knows.

I emphasized the horror, but rest assured there’s a lot of funny stuff here as well. The entire scene with Natsumi is amazing, complete with Natsumi calling Sorawo a “raging lesbian”, which is projecting if ever I saw it. Kozakura’s talk with Sorawo goes off the rails thanks to the presence of Kasumi, and leads to a self-help guide from hell. And the last part of the book, with Toriko and Sorawo opening up to each other, while also filled with sweet, touching moments, has its share of hilarity. We’ve known for a while that Sorawo is an unreliable narrator, but Toriko describing how Sorawo is ogling her constantly ever since they first met drives that home very well. Of course, we the reader have also seen that, but it’s been in the context of her internal monologue, so it hadn’t been apparent that it was written all over her face as well.

The sweet emotional bits are there as well, of course. I loved Toriko trying to do research into what she feels Sorawo’s issues might be – it’s a sign of how much she’s prepared to devote to their relationship, but also a sign of how little Sorawo opens up about her past – her matter-of-factness is disturbing, not edifying, even when she has to bluntly say “my family did not sexually assault me”. We also finally get a long look at Toriko’s mothers, what they did and who they were, as Sorawo finally realizes that in order to be Toriko’s lover, she needs to know who Toriko is and where she came from. And then there’s the part of the book that I think everyone will be talking about, the sex scene. At first disappointing, though very true to what Sorawo has told us, the reader, about her sexuality so far, it then rapidly moves in a very different direction. What follows is not only fulfilling for both of them but also 100% in character – both for them and the book. Kozakura would be completely unsurprised. They’re freaks, of course they have freaky sex.

We’re caught up once again, so I’m not sure where the series goes from here. We were introduced to a new character, who I didn’t have room to talk about, so it may do something with her. That said, this book is for those who’ve been waiting forever for these two to get together.

Accel World: Conqueror of the Sundered Heavens

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By Reki Kawahara and Hima. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jocelyne Allen.

There’s more spoilers than usual for the last third of this book, so if you avoid them FYI.

It’s been a while since we last checked in with Accel World. The previous volume was supposedly the end of the long, long, LONG arc and the start of another one, but that turns out to not quite be true, as most of this is setup for a massive cliffhanger. There was also a bit of frustration, as Haruyuki’s sacrifice felt like it was going to lead to a lot of angst for everyone. Which is kind of does, but that angst is mostly kept off the page. One of the more frustrating aspects to Accel World is that so many of the exciting scenes, or battles, or much needed group meetings happen away from Haruyuki, so we don’t really learn as much as we’d like. And the first two thirds of this book is much the same, really. Get ready, though, as the last third is THE PAYOFF.

Things have been happening since the end of the last book. Tezcatlipoca has been running amuck, and everyone in the Accelerated World is blaming the traitor, Haruyuki. Thus they’re challenging him to duels constantly. Haruyuki being who he is, he’s accepting all of them, but he’s really good by now, so he usually wins. Then, after briefly dropping by to make sure the owl is taken care of during the summer, and possibly recruit fellow owl caretaker Reina to join the student council, he goes off to a meeting of his new allies, White Cosmos. For the most part, they’re exactly what everyone but Haruyuki would expect – a bunch of normal, if somewhat eccentric, people with their own agendas. Admittedly, some of those agendas include forcing Haruyuki to total point less, but hey. After all that, though, he’s forced to do something he’s been avoiding all this time: talk to Kuroyukihime.

Or rather, to Sayuki. Yes, Accel World finally gives in and admits one of its biggest mysteries since the start of the series. Haruyuki has known her name since the start, but he hasn’t actually said it till now, and we also get the name of her sister as well. And there’s a very good reason for all of this: we finally get a mutual confession and a kiss. The idea that Haruyuki is not only in an enemy group now but may be forced to fight against all his friends – and possibly get pushed to lose his points/memories, as well as the same anger for Kuroyukihime, leads them to finally take that big step. Unfortunately, any additional progress (as well as the long postponed trip to see Haruyuki’s family) will have to wait, because the mid-range guilds have been trying to take out Tezcatlipoca and have instead unleashed something much worse… more new characters to have to remember. Oh, and a new game. So long, Brain Burst, it’s been nice.

I admit that this book started a bit slow for me, as it had a lot of scenes I didn’t really care about and was putting off scenes I wanted to see. But when it got to the payoff, it was quite good. Also, hey, a portal! Who doesn’t like portals?

Safe & Sound in the Arms of an Elite Knight, Vol. 2

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By Fuyu Aoki and Minori Aritani. Released in Japan as “Doinaka no Hakugai Reijо̄ wa О̄to Elite Kishi ni Dekiai Sareru” by DRE Novels. Released in North America by J-Novel Heart. Translated by Dawson Chen.

This series continues to be excellent in terms of how it handles its heroine, who has spent most of her life being terribly abused. In the first book Chloe successfully ran away (after avoiding an attempted murder) and settled in as Lloyd’s “housekeeper”, but the trauma does not magically go away. She notes that she’s gotten better with knives now, but attempting to tell Lloyd about her past sends her into a huge panic attack. What’s more, when she runs out of house to clean and wonders what to do, it becomes apparent that being worked like a dog as a child has left her with no room for any hobbies. She doesn’t know how to do downtime. Fortunately for Chloe, she comes across the same answer that so many of us do: reading books. Indeed, she’s reading romance novels, ones with a lead man who is very, very reminiscent of Lloyd. Unfortunately for Chloe, family is hard to get away from completely.

The first part of this book is relatively light and fluffy. Chloe discovers the world of books. She’s also getting along very well with everyone in town, and even the bookseller is starting to fall in love with her. Unfortunately for him, she only has eyes for Lloyd… even if the two of them are both still a bit too broken to actually confess these feelings. Meanwhile, Lloyd is having to deal with new recruits, including a noble who has good skill but unfortunately is also an asshole who feels he’s above everyone else. This would normally not be that big a deal, but Lloyd forgot his lunch, so Chloe goes to the castle to bring it to him, and the new recruit menaces her. Cue boss music.

I’ve talked before about how a lot of these light novels have “cartoon villains”, which is to say bad guys with no redeeming features who are there to be as evil as possible. Don’t given them pets, they would kick a puppy. The interesting thing in this book is that we get two definite antagonists, but one of them is, when it comes right down to it, just a massive jerk. He’s abusing his privilege, looks down on everyone, and expects the world to be handed to him. But that’s fine, as he’s also a knight candidate with skill, so he can have the jerk beaten out of him by Lloyd. Lily, however, Chloe’s sister, is not going to get an out. This is why Luke merely menaces Chloe (and gets Lloyd destroying him in a duel for his troubles), while Lily beats the crap out of Chloe until help arrives to arrest her and throw her in prison. Now, Luke invited Lily to the town to begin with, something she tries to take advantage of near the end. But he’s not an evil villain. Just a jerk.

There’s a third volume of this, and I wonder if Mommie Dearest will show up. But definitely a wedding regardless, I think. Good romance novel fluff/angst.

Bookshelf Briefs 8/21/23

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Blue Box, Vol. 5 | By Kouji Miura | Viz Media – Sometimes trying to be kind can just look like mixed signals. That’s what Taiki’s having to deal with in this volume of Blue Box. He takes Hina to the festival, but ends up spending most of it with Chinatsu, as they try to help a child find their mother. The two clearly have the chemistry of a main couple. Taiki doesn’t want to say anything because they’re living together, and it would be awkward if he confessed his feelings or not. But it’s pointed out to him that by doing so, he just makes it seem to Chinatsu that he’s going out with Hina—who is clearly interested in Taiki, something he doesn’t get either. Basically, for a sports manga, there’s sure a lot of romcom in this. – Sean Gaffney

Frieren: Beyond Journey’s End, Vol. 8 | By Kanehito Yamada and Tsukasa Abe | Viz Media – Generally speaking, you can’t always save everyone. Unfortunately, even when you don’t save them, sometimes the problem still remains. That’s what we see with the bulk of this volume of Frieren, as the traveling main characters come across a village where most everyone is already dead. The reason they’re dead is a demon that’s been using multiple swords, and the demon is still there. Opposing it is the grumpy Genau, who’s already seen everyone around him die, so is very unimpressed with Stark’s comparative low abilities. You know, for a slow life manga, this series sure has a lot of battle scenes. Which will probably make it flow better when the anime is out this fall. Still recommended. – Sean Gaffney

In/Spectre, Vol. 18 | By Kyo Shirodaira and Chashiba Katase | Kodansha Manga – This arc wraps up with Kotoko’s story-spinning abilities in full flight, as she tells the story of the “yuki onna” first as if it’s not true and everything can be explained by humans, and then as if it is true and there definitely was a yuki onna. We, of course, having met said yuki onna’s sister, know which version is actually the case. But it’s presented, as always, as just another story that may or may not be the truth. (And Kotoko really, really seems taken with the idea of our swordsman hero being impotent for some reason.) After the heavy angst of the previous arc, this was a mild and relaxed arc by comparison, with the death happening long ago. Next time we’re promised some shorter stories. Good times. – Sean Gaffney

Issak, Vol. 1 | Story by Shinji Makari, Art by DOUBLE-S | Kodansha (digital only) – If you’re jonesing for some old-school manly man manga, Issak might be your cup of tea. The story follows a Japanese marksman who travels to Europe—in 1620, no less!—to avenge the death of his mentor by joining a band of Protestant mercenaries. Issak has a nifty gun, a lethal sword, and an almost supernatural ability to get the upper hand in every situation. Alas, the script is kind of a drag, as most of the dialogue takes the form of dull history lessons delivered with all the flair of Ferris Bueller’s economics teacher. About the best I can say for Issak is that it captures the brutality of seventeenth century warfare in realistic detail, so if you want a better sense of how miserable it was to fight in the Thirty Years’ War, this manga is for you. – Katherine Dacey

Kubo Won’t Let Me Be Invisible, Vol. 8 | By Nene Yukimori | Viz Media – Most of this volume is dedicated to the Kubo family, plus Shiraishi, at the beach. There’s the usual sorts of things you’d expect: blushing at swimsuits, swimsuits malfunctioning in the water, Shiraishi helping out at the cafe they run, etc. Throughout this, Shiraishi has a minimal amount of “no one can see me” gags—he’s starting to get noticed by people other than Kubo. The other subplots, near the start of the book, are about exams, and the goal of trying hard when you’ve never bothered to try hard before. This is not Kubo or Shiraishi but Tamao, who is the “dumb” character in the series so gets this subplot to prove she can do it if she tries… and is forced. Still cute fun. – Sean Gaffney

Like a Butterfly, Vol. 1 | By suu Morishita | Viz Media – As with the author’s other series, whether you like this book depends on how you like long pauses in conversation, people having difficulty communicating, and feelings developing very rapidly but being figured out very slowly. Unlike A Sign of Affection, Suiren doesn’t have any hearing issues. She is bad at communicating, though, mostly as she’s so beautiful everyone treats her as an object rather than a person, so she’s just turned inward. When she meets shy but earnest Kawasumi, she finds him fascinating and can’t stop looking at him, but isn’t quite sure why. Or why it bothers her that an upperclassman is throwing herself at him every single day. If you liked A Sign of Affection and Shortcake Cake, get this too. – Sean Gaffney

My Girlfriend’s Child, Vol. 2 | By Mamoru Aoi | Seven Seas – This series is not here to give you easy, magical answers. Sachi, after being shown how far along her child is now, is starting to walk back on wanting to get an abortion. But she’s too young to make that decision, it has to come from her parents. The good news is that her boyfriend is in her corner no matter what she decides (the author says he was deliberately written to be a great guy as an inspiration for other guys reading this). Sadly, his mother is basically furious, openly at him but privately at her, and she demands that they break up—and that she get an abortion. This is extremely well done, but also not for the faint of heart—there aren’t any jokes or lighter moments here. – Sean Gaffney

Kuma Kuma Kuma Bear, Vol. 15

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by Lorin Christie.

Spoiler for my last review: she shrugged everything off. Yes, this author loves to play in the psychological trauma kiddie pool but knows which side his bread is buttered on, so instead of dealing with the possible dissociative idea of Yuna and “Miss Bear” being two distinct people, they have decided instead to just have Yuna feel vaguely uncomfortable about it for a bit and then get distracted by a giant floating island. This is one of the lighter and fluffier books in the series, which is unfortunate for me in that normally I’d have far less to write about, but there’s a bit more this time. The author has seen this series’ yuri fandom, and has decided they do not like it. In this volume, despite being propositioned by a girl her own age and having a mother offer her daughter up to Yuna for marriage, Yuna insists a) girl’s can’t get married, and b) she’s never getting married anyway. So if you had “ace Yuna” on your bingo card, congrats!

So yes, identity crisis is quickly forgotten, as the worst Yuna has to deal with in this book is the fact that she’s being forced to wear a different swimsuit every day to please the designer. She does various beach activities with the kids in this one, such as making a water slide, creating ice cream, or shooting off fireworks (without sound, alas). But the big news is the mysterious island, forbidden to go near, that appears and disappears randomly and has appeared once more. Yuna wants to explore that island, and unfortunately due to her lack of stealth Fina, Shuri, and Shia are along or the ride. The island ends up having historical interest, but also being a bit of a spoiler. Let’s just say there are monsters, and Yuna is tented as much as she ever is in this series (which is to say, not much). Then the vacation is over and it’s time to take everyone home.

I have to admit, taking Fina and Shuri to the island surprised me – Yuna is usually a bit more sensible than that. I get why they were taken along, as they totally would have tattled otherwise, and the goal here was to avoid having the “explore the island” secret come out. And yes, Yuna can just throw everyone into her basement via a bear door to play cards, so there’s no actual danger. But still… wait, why the hell am I complaining? This is a series where common sense is useless and you just have to accept we’re in the author’s strange mentality. This is also why Yuna is praised to the skies for giving all the 4-5-year-old orphan kids jobs with a paycheck, and vows to have more child labor in future. Yes, yes, fantasy world, orphans starve otherwise, but come on. At least she doesn’t buy any slaves. We have not quite reached that low point.

So yes, bear series is still “itself”, and aside from infuriating those who ship Yuna with… well, anyone… this is a typical volume in it. When do we get to go to “the land of Wa” anyway?