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Manga the Week of 11/22/23

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SEAN: Duck or bump, folks.

No debuts for Yen On, but a lot of ongoing titles. We see 86 ~Eighty-Six~ 12, Chitose Is in the Ramune Bottle 5, The Misfit of Demon King Academy 2 (in their J-Novel Club print series), The Genius Prince’s Guide to Raising a Nation Out of Debt (Hey, How About Treason?) 11, Higehiro: After Being Rejected, I Shaved and Took in a High School Runaway 5, High School DxD 12, Our Last Crusade or the Rise of a New World 12, Rascal Does Not Dream of His Student (the 12th in the series), Sabikui Bisco 6, Sword Art Online Alternative Gun Gale Online 13, Wandering Witch: The Journey of Elaina 12, and You Can Have My Back 2.

ASH: That is a fair amount! I’m not sure I’m actively reading any of the relevant titles, but I’m still glad to see the collaboration with J-Novel.

SEAN: For Yen Press, we start with 15 Minutes Before We Really Date (Maji de Tsukiau 15-funmae), which ran in pixiv Ace. Two childhood friends have grown up together, and everyone assumes they’re a couple, except they aren’t. What if they tried it?

ASH: What if, indeed.

SEAN: Higurashi When They Cry: GOU Comic Anthology is what it sounds like, an anthology of comic manga by various artists based around the modern retool of Higurashi, Higurashi GOU.

Kiss the Scars of the Girls (Shoujo-tachi no Kizuato ni Kuchizuke wo) is a yuri title from Comic Newtype that is basically “what if the cast of Maria-sama Ga Miteru were vampires?”.

Lord Hades’s Ruthless Marriage (Hades-sama no Mujihi na Konin) is a shoujo series from Asuka about Lord Hades, king of the underworld, who sadly now has an arrow in his head from Eros. Only true love can remove it… and there are many candidates.

ANNA: Hmmmmmm.

ASH: Count me curious!

SEAN: One More Step, Come Stand by My Side (Ato Ippo, Soba ni Kite) is a collection of one-shots that ran in Comic Beam. They’re apparently very good.

ASH: I like one shots; they’re harder to fall behind on reading.

SEAN: Rascal Does Not Dream of Logical Witch (Seishun Buta Yarou wa Logical Witch no Yume wo Minai) is another two-volume omnibus of the manga adaptation of the 3rd light novel of this series. It ran on Comic Walker.

Reborn to Master the Blade: From Hero-King to Extraordinary Squire (Eiyuu Ou, Bu o Kiwameru Tame Tenseisu – Soshite, Sekai Saikyou no Minarai Kishi) is also from their J-Novel Club in print imprint. The manga runs in Comic Fire.

The Shiunji Family Children (Shiunji-ke no Kodomotachi) is a seinen title from Young Animal. Do you like “incest but not really?” then you’ll love this.

MICHELLE: …

ANNA: I do not like it!

SEAN: When I Became a Commoner, They Broke Off Our Engagement! (Kizoku Kara Shomin ni Natta no de, Konyaku wo Kaishou Saremashita!) is a shoujo title from Flos Comic. A young woman finds out that she was switched at birth by a fairy! You know what that means. Disowned, engagement broken, left to starve in the streets, etc. Those are some lovely cookies on the cover.

ASH: They really are.

SEAN: Also from Yen Press: Associate Professor Akira Takatsuki’s Conjecture 2, Banished from the Hero’s Party, I Decided to Live a Quiet Life in the Countryside 6, Bungo Stray Dogs 23, Bungo Stray Dogs: Wan! 6, Call the Name of the Night 3, The Demon Sword Master of Excalibur Academy 4, The Eminence in Shadow 8, Goblin Slayer 13, Honey Lemon Soda 4, I Kept Pressing the 100-Million-Year Button and Came Out on Top 4, Is It Wrong to Try to Pick Up Girls in a Dungeon? On the Side: Sword Oratoria 21, Let This Grieving Soul Retire 7, Love and Heart 9, [Oshi No Ko] 4, The Reformation of the World as Overseen by a Realist Demon King 2, Saint? No! I’m Just a Passing Beast Tamer! 2, Shadows House 5, Sugar Apple Fairy Tale 2, Sunbeams in the Sky 3 (the final volume), Touge Oni: Primal Gods in Ancient Times 2, Tsubaki-chou Lonely Planet 5, Val x Love 15, Yokohama Station SF 3 (the final volume), and Your Turn to Die: Majority Vote Death Game 4.

MICHELLE: I should check back in with Honey Lemon Soda and Tsubaki-chou Lonely Planet.

ANNA: Oh yeah, I have some volumes stacked up in my house. Gotta catch up!

SEAN: Debuting from Viz Media is Takopi’s Original Sin (Takopii no Genzai), a done-in-2-in-1 omnibus from Shonen Jump +, and an award-nominated work. A naive alien here to spread happiness meets a depressed, abused girl.

They’ve also got Choujin X 4, Dark Gathering 4, Heart Gear 2, Jujutsu Kaisen 21, Mobile Suit Gundam Thunderbolt 20, Seraph of the End 28, and Zom 100: Bucket List of the Dead 12.

Udon Entertainment debut Team Phoenix, a Bessatsu Shonen Champion series that asks the question “what if the most iconic characters in Tezuka’s manga became space pirates?”.

ANNA: This sounds like a good question to ask.

ASH: Huh! I hadn’t thought to ask it myself, but I’m glad that someone did!

SEAN: Square Enix has Beauty and the Feast 11 (the final volume), Ragna Crimson 11, and SINoALICE 5.

Seven Seas has three debuts. ENNEAD is a BL webtoon inspired by Egyptian mythology, and comes in two versions: paperback (Teen rated), and hardcover (mature rated).

ASH: Now, that’s an interesting approach!

SEAN: Lonely Castle in the Mirror (Kagami no Kojou) appears to be a death game manga without the death. It runs in Ultra Jump.

ASH: Oh, I hadn’t realized that Mizuki Tsujimura’s novel had a manga adaptation!

SEAN: Orb: On the Movements of the Earth (Chi – Chikyuu no Undou ni Tsuite) is a Big Comic Spirits title that’s won oodles of awards. It’s about the age of reason meeting heresy. This is an omnibus of the first 2 volumes.

ANNA: OK, I’m curious about this.

ASH: Oodles of awards, you say? I am likewise intrigued.

SEAN: Orange Complete Series Box Set contains the 5 main volumes, plus the two that came after, in one handy box.

ASH: Very nice.

SEAN: Also from Seven Seas: Anti-Romance 2 (the final volume), Delinquent Daddy and Tender Teacher 2, The Dragon Knight’s Beloved 6, I’m the Evil Lord of an Intergalactic Empire! 3, The Knight Captain is the New Princess-to-Be 2, Last Game 3, School Zone Girls 5, Tokyo Revengers 15-16, and The Two of Them Are Pretty Much Like This 4 (the final volume).

MICHELLE: I enjoyed Anti-Romance volume one, so looking forward to the conclusion.

ASH: I should really give that one a read.

SEAN: One Peace Books has Parallel World Pharmacy 2.

Kodansha Books has a 4th volume of Am I Actually the Strongest?.

Kodansha Manga debuts in print ORIGIN, which comes from the artist of Dr. Stone and creator of Sun Ken Rock. I think it will be more like the latter than the former. In the near future, a space railroad has a serial killer running amok. Trying to stop them… is Origin. This ran in Young Magazine.

Also in print: A Condition Called Love 5, Fire Force Omnibus 7, The Great Cleric 6, I’m Giving the Disgraced Noble Lady I Rescued a Crash Course in Naughtiness 2, Medaka Kuroiwa is Impervious to My Charms 3, Wandance 7, Wave, Listen to Me! 10, and When Will Ayumu Make His Move? 14.

MICHELLE: Also gotta catch up on Wandance!

SEAN: The digital debut is How to Treat a Lady Knight Right (Ima Made Ichido mo Onna Atsukaisareta Koto ga Nai Onna Kishi o Onna Atsukai Suru Manga), which might seem familiar – it’s another rescue from everyone’s favorite punching bag, Sol Press. This ran in Suiyoubi no Sirius, and is basically for anyone who loves blushing, because god, this series is riddled with it.

ASH: Ha!

SEAN: Also digital: The Café Terrace and Its Goddesses 10, A Condition Called Love 13, A Couple of Cuckoos 14, Gamaran 15, Issak 4, Searching for My Perfect Brother 2, and Those Snow White Notes 11.

Four J-Novel Club debuts next week: two manga, two light novels. 8th Loop for the Win! With Seven Lives’ Worth of XP and the Third Princess’s Appraisal Skill, My Behemoth and I Are Unstoppable! (Loop 8-shume wa Shiawase na Jinsei wo: 7-Shuubun no Keikenchi to Daisan Oujo no “Kantei” de Kakusei shita Ore wa, Aibo no Behemoth to Tomo ni Musou suru) is the manga adaptation of the LN also out from J-NC. It runs in Comic Pash!.

Fake It to Break It! I Faked Amnesia to Break Off My Engagement and Now He’s All Lovey-Dovey?! (Konyaku Haki wo Neratte Kioku Soushitsu no Furi wo Shitara, Sokkenai Taido datta Konyakusha ga “Kioku wo Ushinau Mae no Kimi wa, Ore ni Betabore datta” to Iu, Tondemonai Uso wo Tsuki Hajimeta) is a light novel about a woman who is tired of her seemingly uncaring fiance, so fakes amnesia to break off the engagement. The trouble is, he tells her that she was madly in love with him!

From Old Country Bumpkin to Master Swordsman: My Hotshot Disciples Are All Grown Up Now, and They Won’t Leave Me Alone (Katainaka no Ossan, Kensei ni Naru: Tada no Inaka no Kenjutsu Shihan Datta noni, Taisei Shita Deshitachi ga Ore o Hōttekurenai Ken) is a light novel series about a humble sword instructor who is now invited to the royal capital by his former students. What can they learn from an average guy like him? I’m getting S-Ranked Daughter vibes from this.

The Oblivious Saint Can’t Contain Her Power: Disgraced No Longer, I’m Finding Happiness with the Prince! (Mujikaku Seijo wa Kyou mo Muishiki ni Chikara wo Tarenagasu – Koushaku-ke no Ochikobore Reijou, Totsugisaki de Shiwase wo Tsukami Toru) is a manga based on an unlicensed light novel. Disgraced daughter with no magic power, abused by her family, married off to another kingdom, turns out to have a ton of power really. You know the drill.

There’s also the third Dragon Daddy Diaries: A Girl Grows to Greatness manga volume, DUNGEON DIVE: Aim for the Deepest Level 5, Haibara’s Teenage New Game+ 5, I Want to Escape from Princess Lessons 2, I’m Not the Hero! 2, The Ideal Sponger Life 14, Reincarnated Mage with Inferior Eyes: Breezing through the Future as an Oppressed Ex-Hero 4.5, The Retired Demon of the Maxed-Out Village 2, and Villainess Level 99: I May Be the Hidden Boss but I’m Not the Demon Lord 3.

ASH: A strong showing from J-Novel this week.

SEAN: Dark Horse Comics debuts Innocent, a legendary manga that ran in Young Jump about 10 years ago. The story of Charles-Henri Sanson, the executioner of the French Revolution, it’s coming out in three omnibuses, this contains Vol. 1-3. It’s an absolute must read.

ANNA: This was not on my radar before, but now I’m curious!

SEAN: The creator also wrote #DRCL Midnight Children, out recently from Viz. Their art is amazing.

ASH: This is a series I’ve been waiting for!

SEAN: No print from Airship, but we do get an early digital debut. Easygoing Territory Defense by the Optimistic Lord: Production Magic Turns a Nameless Village into the Strongest Fortified City (Okiraku Ryōshu no Tanoshii Ryōchi Bōei: Seisan-kei Majutsu de Na mo Nakimura o Saikyō no Jōsai Toshi ni) is another one of those “reincarnated with a useless skill that’s really super awesome” books.

Are you thankful for manga? I’m thankful I finished typing this up. It took two hours.

ASH: Only two?!

A Royal Rebound: Forget My Ex-Fiancé, I’m Being Pampered by the Prince!, Vol. 3

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By Micoto Sakurai and Kuroyuki. Released in Japan as “Konyakusha ga Uwakiaite to Kakeochi Shimashita. Ōji Denka ni Dekiaisarete Shiawase nanode, Ima sara Modoritai to Iwarete mo Komarimasu” by DRE Novels. Released in North America by J-Novel Heart. Translated by A. M. Cola.

I’m afraid the law of diminishing returns is hitting this series very hard. I was surprised there was a second book after the first seemed self-contained, and was also surprised that there was a third after the second seemed to run out of things to talk about. And now here is the third, and we’re told in the afterword this is the final book. It stars Amelia. She’s very nice. She’s engaged to Sarge. He’s also really nice. He has three brothers. They’re all swell guys. They have fiancees. All the fiancees get along and have sleepovers together. But wait, didn’t this series start with her getting bullied at the academy? It’s OK, they’re reforming the academy so this sort of thing never happens again. Fortunately, there is a country next door where everything is still terrible, because otherwise this might be 210 pages of just wedding prep.

Unfortunately for Sarge and Amelia, the magical devices they gave to the Beltz Empire are not working the way that they work back home – in fact, in some cases they’re making the drought worse. Going to the Empire to try to figure things out, they find that the issue seems to be the Empire itself, which causes magic to drain at a much faster rate than back in Bedeiht. While there, they get caught up in a succession war and foil an attempted assassination, but honestly neither of those events seems to have much of an impact on our two leads, who are basically concerned with weather, crops, and nothing else. They need to track down what is draining all the magic, and do this before the Empire becomes too hot to live in – or before a war is started.

Honestly, that paragraph makes this sound a lot more exciting than it is. The closest we get to actual danger is when Sarge accidentally gets locked in a magical basement while trying to investigate it, but even when when they break in and get to him, he’s basically fine and far more concerned with magic circles. We also have to deal, throughout the book, with Amelia’s massive case of Imposter Syndrome, which verges on self-loathing. She absolutely refuses to take a compliment to the face, and insists that everyone else around her does the cool things, all she does is have the odd idea or two, not realizing that the ideas are the spark of inspiration that everyone is looking for. It’s meant to be adorable, instead I want to strangle her. In any case, we do finally resolve things and get the pile of weddings I suspected would take the entire book. We then get a honeymoon… which involves going back to Amelia’s hometown to do crop samples some more. Once a nerd couple, always a nerd couple.

This was probably two books too long, but didn’t do anything hideously wrong, apart from needing to take in conflict from an outside source because things are super lovely at home. I wish the cast a happy, dull as dirt life.

Saving 80,000 Gold in Another World for My Retirement, Vol. 3

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By FUNA and Touzai. Released in Japan as “Rōgo ni Sonaete Isekai de 8-Man-Mai no Kinka o Tamemasu” by K Lanove Books. Released in North America by Kodansha Books. Translated by Luke Hutton.

(A reminder that the English Vol. 3 is the equivalent of the Japanese Vol. 4.)

I feel a certain regret in my past choices. When I started to review I Shall Survive Using Potions!, I had only read the first volume of 80K Gold, and given Kaoru’s, um, tendency towards war crimes, I described 80K Gold as “beginning” FUNA, Make My Abilities Average as “intermediate”, and Potions as “hard”. The thing is, though, all of these series are essentially exactly the same. You could take Mile, Kaoru and Mitsuha and swap them into each other’s books and not much would have to change, except the Potions cast would wonder where their grumpy cuss went. They are all basically “a girl who looks younger than she really is wreaks havoc on a fantasy landscape, collecting other young girls along the way”. And boy, is much havoc wreaked in this volume. Mitsuha is going on a world tour, and she’s brought a camper van and her own barrel of war crimes.

Having vanquished the invading country with their newfangled ships and weapons, Mitsuha and company now have to tell the neighboring countries about the same danger. While also trying to get them to form an alliance, and possibly sell them some cool guns. A diplomatic team is put together… with Mitsuha as a supernumerary, not part of the actual team, so she can do whatever the hell she wants. She takes Sabina and Colette with her, and, after introducing the two of them to Japan and the wonders of Japanese food (and, after overeating, the wonders of Japanese toilets), she buys an RV that she names the Good Ship Lollipop and sets off in style and comfort… while occasionally waiting for the diplomatic party to catch up to her.

There are always a few light novel series that make me uncomfortable with where they sit on the political spectrum, and this is one of them. The author and the main character love their guns, and we get more discussion of them, along with which ones are best to use in which situation. The diplomatic mission amounts to blackmail most of the time, as basically the other countries have to give in or they won’t get any of Mitsuha’s armaments… and, after observing the effect of one rifle on their standard suit of armor, they HAVE to give in. It can feel a bit mean. She also wins over a new princess and solves the succession crisis for her (good) but also gets her addicted to gambling (bad). This series never gets too serious, unlike Potions, but there is some melancholy as Mitsuha realizes that her unaging self means that in a couple of years she will have to give up her Japanese life for good to avoid unwanted questions. It depresses her.

That said, it doesn’t depress her enough that she’s not rolling through a fantasy world in a camper van with her two child soldiers… erm, assistants at her side. As always, if you like FUNA, you’ll like this. If you don’t, you’ll hate this.

The Troubles of Miss Nicola the Exorcist, Vol. 2

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By Ito Iino and Kinokohime. Released in Japan as “Haraiya Reijō Nicola no Komarigoto” by DRE Novels. Released in North America by J-Novel Heart. Translated by Joshua Douglass-Molloy.

DRE Novels is a relatively recent imprint, and they don’t have any series longer than three volumes. So it’s no surprise that when they get a series that does really well – such as winning the Gold Medal in their light novel awards, as the first volume of this did – they’re going to tell them “hey, write more” even when the series wrapped up perfectly fine in the first book. It’s not all that hard. Nicola is, after all, a grumpy cuss, and the lack of life experience other than “exorcist” in her previous life and noble politeness in this one have left her ill-equipped for feelings of love. So she spends a bit of this book asking the other members of the cast what they think love is. That said, that’s not enough to sustain a second book. What is enough, though, is doubling down on the ‘exorcist’ part of the series and turning a lot of this into straight-up horror.

We pick up right where we left off at the end of the last book. Olivia is dead, Nicola and Sieghart like each other but she’s too embarrassed to own up to it on her end, and supernatural things still love Sieghart to death – and in some cases are trying to make that literal. Olivia’s death, unfortunately, means that Alois needs a new fiancee, and Nicola is one of only three candidates – and the top one, at that. The group decide to go on a trip to meet the other two fiancee candidates – Charlotte, daughter of a marquess and a maid who grew up starving on the streets till they were taken in and made an heir; and Elfriede, another marquess’ daughter who has been so sickly no one has seen her in years. There are a few surprises, as you might guess. Charlotte’s identity is a major shock. And what’s really happened to Elfriede is beyond the pale.

This isn’t quite as good as the first book, which makes sense given that it’s a sequel the author had to be talked into writing. Emma, Charlotte’s older sister, is far too underdeveloped a character given her role in the book’s plot, and there is a “I don’t want this to be TOO depressing” bit near the end that takes suspension of disbelief and tosses it out the window. The book excels, as you might expect, with Nicola, who remains very grumpy throughout, even as she tries to figure out what these feelings she has for Sieghart are and why everyone else already knows that she has them. There’s also the horror, especially in the back half. This book comes with a big old “child death” warning, and we see the brutality of some of these deaths. But it’s not done to shock but to horrify, and is handled very well. If the series ends here, I would not mind the author writing more horror.

Will the series end here? Well, Nicola has actually put a name to her love, but they’re still not actually married, so who knows? Till then, this doesn’t have as many dead children as Roll Over and Die, but it makes the deaths count more. (Also, why do I keep bringing up Roll Over and Die in my reviews lately?)

Marriage, Divorce and Beyond: The White Mage and Black Knight’s Romance Reignited, Vol. 1

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By Takasugi Naturu and kieshi akaz. Released in Japan as “Saishō Hosa to Kurokishi no Keiyaku Kekkon to Rikon to Sonogo: Henkyō no Chi de Futari wa Fūfu o Yarinaosu” by DRE Novels. Released in North America by J-Novel Heart. Translated by Olivia Plowman.

Generally speaking, when I am supremely irritated with a book, it tends to be for a few basic reasons. “Your attempts at comedy aren’t funny” is a good one. Also “your attempts to be horny are merely deeply misogynistic”. And occasionally “your violence is so ridiculous it’s stopped being horrifying”. It’s very rare, however, that we get “your desire to show how bad things are for the heroine are so amazingly over the top that it verges on torture porn”. This book is theoretically a romance, and you do sort of get that in the last third or so. And yes, I understand that the author has an agenda, and that agenda is “hey, husbands and wives need to actually talk to each other”. But oh my god, getting through the middle third of this book was like punching myself in the face over and over again. Sheer misery. I read books to enjoy them, remember?

The book opens with the lovely wedding of Lina, a Black Knight whose job it is to fight against dragons due to the old magic she has, and Joshua, a white mage who can use his compatible magic to protect her before she goes out to fight dragons. We then cut to four years later, when she’s just received grievous wounds from a dragon because her white magic protection was inadequate – and her injuries are so bad she’s been fired. The rest of the front half of the book traces he steps before and between those points, as we see Lina struggle with a nobility that despises commoners and a tendency to suffer nobly, and her husband Joshua contends with work never allowing him time with his wife and a tendency to not be overly expressive. The result is disaster.

We’ve had evil nobility in many light novels before, but they’ve tended to be cartoon evil nobles. The prejudice and disdain in this book is played 100% for drama (there may not be a funny line in the entire book) and you just want Lina to go apeshit and start stabbing everyone. Then there’s the end of the book. Not to spoil TOO much, but essentially everything that’s been happening to Lina and Joshua since their marriage has been engineered. We find this out right near the end. The evil mastermind was… a guy we met towards the start of the book, who gave friendly advice, and who I had completely forgotten about. He references his past history with Joshua at the academy, which sure would have been nice to see in flashbacks, but no. Oh yes, and on realizing that the man who he’d asked to reform the nobility and stop the hatred of commoners is in fact an evil noble, the prince’s first reaction is “welp, I tried, guess I’d better stop reform” and he has to be talked back into it.

Lastly, it’s never a good sign when you realize that all the heart-wrenching scenes you’ve written aren’t enough, and you have the heroine dream of scenes that are exaggerated parodies of these scenes, just to make her more miserable. Fortunately, this wraps up nicely and neatly in one book, so I can cheerfully ignore the “1” on the cover and go on to read more happy, upbeat things, like Roll Over and Die.

Making Jam in the Woods: My Relaxing Life Starts in Another World, Vol. 1

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By Kosuzu Kobato and Yuichi Murakami. Released in Japan as “Mori no Hotori de Jam wo Niru: Isekai de Hajimeru Slow Life” by Kadokawa Books. Released in North America by Cross Infinite World. Translated by Jade Willis.

If this author sounds familiar, there’s a good reason. We’ve already seen The Apothecary Witch Turned Divorce Agent, as well as I’d Rather Have a Cat Than a Harem, and True Love Fades Away When the Contract Ends will be out next year. So it makes sense to circle round and pick up one of the author’s earlier works. This one is definitely on the “slow life” end of the scale, as the author freely admits in the afterword. Not a heck of a lot happens here. Hell, we don’t even get to see all that much jam making. But this book basically fulfills everything you want from a a slow life title: pleasant, likeable protagonist, friends around her who help and care for her, and the daily reward of basic tasks. Our heroine is living in the woods, and her host prefers to live fairly low-tech, so it’s all just very… relaxing. That’s the vibe here. Dull? A bit. But not much.

Our heroine (who doesn’t even get a Japanese name) works at a department store, and has come in on one of her few days off, despite exhaustion from overwork, to help out in an emergency… which makes it unfortunately when a runaway truck in a parking garage kills her. Yes, that’s right, we get both “death by working too hard” *and* “truck sends me to another world”. She’s found on the side of a riverbank by a dog, but sadly being sent to another world did not heal any of her injuries. Fortunately, there’s a doctor nearby, and this world has healing magic. As she recovers at the home of the dog’s owner, a former Countess, she’s informed that she’s a Spirit Caller, meaning she can interact with fairies. Unfortunately, this also means she can’t do any magic. And also, for some mysterious reason, she can’t speak. Still, she makes do.

Our heroine being mute is an interesting idea, though I honestly feel that the conversation flows a little too well despite this, even before she gets her magical writing pad. But essentially, this falls into the standard isekai plot for women readers. For male readers, it’s all about accumulating cool powers and multiple wives, while for women it tends more towards “now I can finally relax and not be working myself to death”. Like Sei from The Saint’s Magic Power Is Omnipotent, Margaret is said to look a lot younger after she’s recovered, and the running gag in the book is everyone giving her headpats, as she thinks they’re treating her like a child. As for her love interest, well, he’s a sullen young man with a tough upbringing who has become stoic and taciturn, but warms up to Margaret and falls in love with her pretty quickly. These are still romances.

This is apparently three volumes total, and I imagine the next one will have her actually visit the royal capital and finding out more about what Spirit Calling entails. Till then, let’s watch her make jam and get headpatted.

Kuma Kuma Kuma Bear, Vol. 16

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by Lorin Christie.

Every few volumes, the series needs to have Yuna go somewhere she’s never been before, partly because otherwise the series would get even more boring than it already tends to be (sorry, Yuna, I really don’t care about you making omelettes from giant eggs), but also so that the audience can remember that a girl walking around in a bear onesie is not normal and does, in fact, make people think Yuna is either a child or deeply weird. They’re not wrong on the second part, but the bear suit is, of course, absolutely essential for Yuna – and she can’t actually explain why. Some folks have seen obliquely that when Yuna is not in the suit (such as the beach scenes two books ago) she’s super weak, but I don’t think they’ve connected it to “the bear stuff gives her all her power”. Honestly, if this series ever ends, that may be the final boss. Someone who steals her bear suit/gear and forces her to rely on others.

After a few introductory chapters like “let’s make pressed flowers” or “let’s make ice cream”, Yuna decides to do something she’d been meaning to do for a while: go visit the dwarves’ village. She takes Fina, because shed get lonely otherwise, and ends up picking up Luimin from the elves’ village as well. (Elves and dwarves get along fine here, confusing Yuna, who is used to fantasy cliches.) While there, they also meet Jade’s party, who are there because Toya is finally going to get his mithril sword… or at least, he would be if the blacksmith didn’t reject him for not being good enough. As for Yuna, she’s busy buying pots and pans for everyone she knows, as well as talking with the mentor of the dwarf blacksmiths she knows, who is currently refusing to make swords.

It is interesting sometimes to imagine the audience for this series. It’s filled with cute girls, so you’d think that “guys who like to see cute girls” would be the #1. That said, the book really does like to hammer home how useless the guys in it are. Yuna sometimes forgets that Fina also has a stepdad in addition to her mom. Toya is basically a punching bag for everyone else in the cast until right at the end of the volume, and his story is still going to have to wait for the next book to get resolved. Is the book for yuri fans? The author is definitely writing in more yuri tease, with both Shia and Fina indicating they’d be very happy being Yuna’s bride. Unfortunately, like a lot of yuri tease series, Yuna is always there to say things like “but I don’t like girls that way” or “that’s not happening”. Is the book fans fans of grumpy 15-year-old girls in a bear suit who constantly worry about her flat chest? That seems most likely.

This book ends in the middle of the dwarf plot, so I’d expect the next book to resolve it. Till then, this sure was a volume of Kuma Bear.

Third Loop: The Nameless Princess and the Cruel Emperor, Vol. 1

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By Iota AIUE and Misa Sazanami. Released in Japan as “Nanashi no Ōjo to Reikoku Kōtei: Shītagerareta Yōjo, Konse de wa Ryū to Mofumofu ni Dekiai Sarete Imasu” by M Novels f. Released in North America by Cross Infinite World. Translated by JCT.

So there is a trend in fiction in general… honestly it’s always been a trend… to mine the tragic backstory of the protagonist for emotional trauma in the reader. We are shown how utterly, utterly TERRIBLE their life has been to date. Usually this ends up becoming “but then this happened and suddenly all my karma reversed at once”, be it meeting the prince of your dreams or just buying a Super Cub. Third Loop, of course, is one of those books. Honestly, the reason I was so looking forward to it was the sheer over the top ludicrousness of the backstory in question. Our heroine does not have a name. She’s just called “That”. That said, this particular book, while it does not minimize all of the abuse she’s gotten, is more of a Cinderella story than anything else, and most of the abuse stems from a very real place: grief.

Not only is Princess That despised by her father (who says if he ever sees her he will have her executed) and servants (her head maid is trying actively to destroy her life), but this isn’t even her first life: this is now the fourth time she’s been through this. In previous lives she’d never really experienced enough love from anyone to realize the extent of her abuse, but now, having lived in one life long enough to escape the royal estate and be taken in by a commoner family, she knows what actual love is. As such, she now decides to fight back, be it using her past memories to appear to be a genius or “messenger of heaven” or just looking really sad and crying in front of sympathetic maids and knights. And, as it turns out, she’s really quite powerful, and in this fourth life, things finally start to go her way.

For the most part I really enjoyed this. The Emperor, Feilong, was deeply in love with his wife, to the point where it actively caused political issues. (Honestly, the backstory of the previous generation sounds more interesting than the main one being told here.) Unfortunately, she died giving birth to her daughter, and in his crushing despair, he decided that his daughter killed her. That said… it does not really take much to change his mind. Honestly, everyone in this book, with the exception of the head of the inner palace, Mion (who is aiming to be the Emperor’s new wife), is relatively easily won over by the princess, because it turns out that she is not, in fact, a monster but is plucky, smart and cute. The one drawback in the book is that once her father and brother are won over, they start to have “jealous of other men who are close to her” rage, which is used comedically but made me sigh, especially since in this life, the princess is three years old for the majority of the book.

This is another one of those books that feels complete in one volume, but there’s apparently at least two more. Fortunately, the nameless princess gets a name before the end of this book. I bet they don’t change the title, though. A rewarding read if you can get past the traumatic backstory of everyone.

Manga the Week of 11/15/23

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SEAN: The leaves are dropping like flies, and so is the manga.

ASH: Ah, my favorite time of year.

SEAN: We start with Airship, which has two print books: Adachi and Shimamura 11 and Reincarnated As a Sword 13.

Early digital titles are Free Life Fantasy Online: Immortal Princess 5 and I Swear I Won’t Bother You Again! 4.

Denpa Books… sure, let’s go with this week, though I may be wrong… has Mobile Suit Gundam: Char’s Counterattack: Beltorchika’s Children (Kidou Senshi Gundam Gyakushuu no Char – Beltorchika Children). This is an alternate telling of the famous movie story that ran in Gundam Ace about a decade ago.

ASH: Denpa books come out whenever Denpa books come out.

SEAN: Ghost Ship has a 6th volume of Ayakashi Triangle.

And in “not quite Ghost Ship, but it’s Mature so let’s put it here”, there’s The Dangerous Convenience Store, a manwha webtoon about a part-time convenience store worker and the gangster who protects him.

ASH: Even if it’s mature, it looks pretty cute; I love the color palette on the cover.

ANNA: I mean, it does sound cute but Mature can mean many different things.

SEAN: J-Novel Club has some print editions next week, as we see An Archdemon’s Dilemma: How to Love Your Elf Bride 15, Ascendance of a Bookworm 21, and I Shall Survive Using Potions! 8.

ASH: Bookworm, you say? (I am so far behind, but still excited to see it coming out in print.)

SEAN: The digital debut for J-Novel Heart is Jeanette the Genius: Defying My Evil Stepmother by Starting a Business with My Ride-or-Die Fiancé! (Kakure Saijo wa Zenzen Megenai: Gibo to Gimai ni Ie wo Oidasareta no de Konyaku Haki Shite Moraou to Omottara, Shinshi datta Konyakusha ga Hageshiku Dekiai Shitekuru Yо̄ ni Narimashita!). The title is the plot.

We also see Ascendance of a Bookworm 28, Housekeeping Mage from Another World: Making Your Adventures Feel Like Home! 7, I’m Giving the Disgraced Noble Lady I Rescued a Crash Course in Naughtiness: I’ll Spoil Her with Delicacies and Style to Make Her the Happiest Woman in the World! 2, the 6th Isekai Tensei: Recruited to Another World manga volume, and To Another World… with Land Mines! 8.

No new titles for Kodansha Manga, but we get Cardcaptor Sakura: Clear Card 14, Hitorijime My Hero 14, SHAMAN KING: FLOWERS 5, and A Sign of Affection 7 in print.

ASH: I really need to give A Sign of Affection a try.

ANNA: It is so good!

SEAN: And digitally we have Ace of the Diamond 46, Cells at Work! Lady 3, The Fable 20, Gang King 11, The Great Cleric 11, and That Time the Manga Editor Started a New Life in the Countryside 2.

One Peace Books has the 5th volume of Captain Corinth.

Before we get into actual Seven Seas debuts, it’s time for Christmas Present buying, so we get a lot of box sets next week. The Ancient Magus’ Bride – Season 1 Box Set (Vol. 1-9), Dai Dark – Vol. 1-4 Box Set, and Made in Abyss – Season 1 Box Set (Vol. 1-5). They’ve also got a 2nd full color edition of Miss Kobayashi’s Dragon Maid.

ASH: Oooh, The Ancient Magus’ Bride and Dai Dark sets come with posters.

SEAN: Actual debuts. 365 Days to the Wedding (Kekkon Surutte, Hontou Desu ka? – 365 Days to the Wedding) is a Big Comic Spirits title from the creator of one of the great unlicensed Shonen Sunday titles, The World God Only Knows. Two employees of a travel agency are horrified to find they may be transferred to Russia. To avoid this, they’ll have to get fake married!

MICHELLE: Hm.

ASH: People have gotten married for worse reasons.

ANNA: Alright!

SEAN: Cat on the Hero’s Lap (Yuusha no Hiza ni wa Neko ga Iru) is an Ura Sunday title that’s another cat manga. A hero needs to defeat the demon lord… or would if he could get up. But he’s petting a kitty!

MICHELLE: Additional hm.

ASH: Cat gravity manga!

SEAN: Sheep Princess in Wolf’s Clothing (Ookami no Kawa o Kabutta Hitsujihime) is a yuri title from Manga Life Storia. A wolf-eared butler saves the life of a sheep-eared princess, and becomes her tutor. Can love bloom?

ASH: Signs point to yes.

SEAN: We also see The Duke of Death and His Maid 9, Lazy Dungeon Master 6, The Tale of the Outcasts 8 (the final volume), Time Stop Hero 8, and The Weakest Tamer Began a Journey to Pick Up Trash 4.

From Square Enix we see Mr. Villain’s Day Off 2, The Strongest Sage with the Weakest Crest 15, and Tokyo Aliens 5.

SuBLime debuts Love Nest 2nd, which is, well, a sequel to Love Nest. It ran in Dear+.

They also have the 4th and final volume of Megumi & Tsugumi.

The debut from Tokyopop is Lullaby of the Dawn (Yoake no Uta), a BL title that runs in the magazine from RED. Cursed young man doomed to be corrupted and die meets pure young lad.

Tokyopop also has Dead Company 2 and Ossan Idol! 7.

Viz debuts a new shoujo title, Sakura, Saku, the latest work of Io Sakisaka, so naturally it runs in Betsuma. A girl is trying to thank a boy who helped her once, so tries to give a thank you note to his younger brother. This does not work. Described as a “bittersweet” love story.

MICHELLE: I’m all for bittersweet!

ASH: Passing along notes through a younger sibling never works.

ANNA: I am HYPE for this!!!!!

SEAN: We also see Blue Exorcist 28 (the first volume in 18 months), D.Gray-man 28 (the first volume in 28 months), Disney Twisted-Wonderland 2, Fly Me to the Moon 20, Helck 6, Mao 14, Sleepy Princess in the Demon Castle 22, and Wolf Girl and Black Prince 4.

ASH: I should read more Sleepy Princess in the Demon Castle; it’s a fun series.

ANNA: Me too!

SEAN: Lastly, Yen Press has an artbook, AidaIro Illustrations: Toilet-bound Hanako-kun 2.

ASH: Nice!

SEAN: Don’t worry, Yen Press will smash us in the face next time. In the meanwhile, what are you getting?

The Tatami Time Machine Blues

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By Tomihiko Morimi and Yusuke Nakamura, based on the play “Summer Time Machine Blues” by Makoto Ueda. Released in Japan as “Yojōhan Time Machine Blues” by Kadokawa. Released in North America by HarperVia. Translated by Emily Balistrieri.

I had mixed feelings about The Tatami Galaxy as a novel, as I appreciated the story, the writing, and the other characters, but the nameless protagonist drove me nuts. We honestly spent far too much time inside his head, to the detriment of my enjoyment. If only, I probably did not think at the time but should have, there could be a book with the same cast but where events happen so fast and require so much action that the protagonist does not have all that much time to be a pretentious ass? I was probably yearning for a book just like this one. Taking a pre-existing play written by frequent collaborator Makoto Ueda before The Tatami Galaxy was written (it has a famous live-action film of its own) and putting the Tatami Galaxy characters in it is a fantastic idea, mostly as it turns this into a comedic farce. And boy do these characters work well in that genre.

This is not a sequel to the original, but more an “alternate story”. The setup is the same. The narrator lives in a dilapidated apartment complex, he has his terrible best friend, his cool beauty crush, and the annoying guy who’s been a college student for at least ten years now. The plot starts when the remote for the complex’s one air conditioner, in the narrator’s room, is broken and it’s the hottest time of the year. This is a problem, as they’re busy doing things like making Akashi’s movie about a time traveler going to the Shinsengumi period and turning them all into slackers. Then a *real* time machine shows up, and they get the bright idea to go back in time and grab the air conditioner remote before it gets broken. But… doesn’t this create a time paradox?

The discussion of time paradoxes and closed time loops is interesting, but honestly it’s just an excuse for madcap antics and the narrator freaking out at said madcap antics. The narrator has the same problem he had in Tatami Galaxy – he wants to ask Akashi out but is too much of a coward – but aside from one section in the middle he is not allowed to dwell on this, and honestly his problem ends up being solved by the time loop and Akashi, who (as in the first book) has the patience of a saint. There’s also a time traveler from the future, whose identity is so obvious that even spoiling it here would feel lame, but who allows the plot to happen. And there’s Ozu being terrible, and Higuchi being annoying, and Hanuki being a free spirit, etc. This doesn’t have the grand feel of the last quarter of Tatami Galaxy, but it’s not aiming for that. And honestly, it may be the true canon. The narrator and Akashi come up with the plot for The Tatami Galaxy towards the end, and even name it. So perhaps that’s the fiction and this is the reality.

If you enjoyed the first book, or the anime, this is a must read, and go watch the anime too. Honestly, maybe Morimi should use pre-existing plots more often.

I Guess This Dragon Who Lost Her Egg to Disaster Is My Mom Now, Vol. 1

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By Suzume Kirisaki and Cosmic. Released in Japan as “Saigai de Tamago o Ushinatta Dragon ga Nazeka Ore o Sodate Hajimeta” by M Novels. Released in North America by Cross Infinite World. Translated by Jordan Taylor.

I wasn’t sure whether I’d enjoy this new series, which I mostly decided to read because, well, I was reading CIW’s other two debuts this month, so hey. It begins with the old chestnut of “adventuring party doesn’t see the value in strategy so gets rid of the weak guy who’s actually the pillar of their support”, though most of the time those people are merely thrown out, not butchered and left for dead. The “I’m being raised by a dragon but we can’t communicate well, can we become a real mother and daughter?” plot is arguably the main one, and it’s a lot better, reaching a few levels of heartwarming along the way. That said, the big reason I enjoyed this book as much as I did was the ghost story. Not a literal ghost, but the idea that everyone is haunted by the presence of this guy, but they can’t remember his name. That’s fantastic.

Our nameless protagonist is, as noted above, murdered by his party members. They’re on a very dangerous mountainside and decide to use his corpse as bait to get away from monsters. As he crawls towards his inevitable death, he is picked up by a dragon. Back in the dragon’s lair, she finds she’s now a 10-year-old girl, and has lost most of her memories of her past. The dragon is clearly trying to raise her as a daughter, but has no idea what humans need in terms of food, etc., so they both struggle for a bit. That said, the previously magic-less protagonist, now named Lushera, can now breathe fire and manipulate lightning and other dragon-ey things. Meanwhile, back in the town the adventuring party came from, they’re highly disturbed by his old guild badge, which has his name blocked out but has stats that are out of this world.

The other important thing about this book is that the author calls it a “transsexual fantasy”, as the male protagonist, on being nearly killed and then reborn as a dragon’s child, is now a different gender. This is handled pretty well, mostly through subtext, as we see Lushera’s discomfort when having to wear girl’s underwear for the first time, and her constant astonishment at the fact that her new body is “cute” and “pretty”. But yes, it was the “ghost story” that fascinated me. Lushera’s old life is erased by (presumably) dragon magic, but it was just her name, and everything she did – which was a lot more than the stupid party that killed her thought – is still heavily influential on those in the town. We also learn the tragic reason she and the party were there in the first place, which neatly ties in to the new relationship she has with her dragon mother, one where she struggles to admit that it’s love for a parent.

This is another one of those “there’s more to the story, but it also could easily end in this volume” sort of books. I’d definitely put it in the “better than expected” category.

Stuck in a Time Loop: When All Else Fails, Be a Villainess, Vol. 2

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By Sora Hinokage and Tsukasa Kiryu. Released in Japan as “Loop kara Nukedasenai Akuyaku Reijō wa, Akiramete Sukikatte Ikirukoto ni Kimemashita” by DRE Novels. Released in North America by J-Novel Heart. Translated by Andria McKnight.

There is apparently a 3rd and final volume of this coming soon, which surprises me, as right until the end I thought that this book was the equivalent of that new Shonen Jump series that is told “you have 3 chapters to wrap up all your plotlines”. This volume hits the ground running and does not let up in terms of reveals, backstories, and monster fights. Thankfully, Selene is no longer stuck in a time loop, as at least in this book she manages to make it all the way through without resetting. Unfortunately, bad things keep trying to happen to her, leading to a change in her goal: escape this time loop’ is now secondary to ‘live freely and happily and screw everyone else’. Well, everyone else except Dier, of course. The romance in this series is so mild as to be almost nonexistent, but it is there, and deep down Selene is probably “quite fond” of Dier. Just don’t ask her to say it.

Unfortunately, Selene, Dier, and the king find that even taking all the other powers from the guardians is not enough to change the mystery stone tablet. Fortunately (?) for Selene, a solution presents itself fairly quickly: her little sister Soleil has finally gained the powers of the sun, and her mother is now telling Selene to step down. Selene says no, and so the two of them have to have a fight to determine who gets to be head of house. Which… makes little sense, given that Selene is a master of shadow and Soleil just came into her power last week. What’s stepmom’s real agenda here? Well, it’s a big one, and is tied deeply into their family, the past of this country, and Selene’s own late mother. Unfortunately, none of these revelations are particularly good news, and Selene spends most of the book in battle.

I was pleased to see that little sister was not evil as I’d theorized at the end of my first review. She just has an evil mom. That said, Soleil is not all that interesting, being the standard “yes, mother” daughter who must break free of her shackles, etc. Selene is the star of the show, and the reason we’re here. I’ve mentioned her emotional walls before, and they’re still very high, making the narrative sometimes feel as if she’s reading off a phone book when she’s actually facing off against monsters who have possessed her family. The best part of the book is probably Selene’s father, who I had written off as a minor part of the series, returning and showing that, like his daughter, he does actually feel things but has tremendous difficulty expressing them. This forces Selene to have her one and only major emotional moment in the book. That said, it’s only about halfway through the book, so she doesn’t “change for the better” or anything.

The cover to the third volume, due out in Japan next month, has the characters walking into the twilight but looking back at the reader with a smile, and you know what that means. I’ll be back, and continue to hope Selene has a love epiphany or something.

A Misanthrope Teaches a Class for Demi-Humans, Vol. 1

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By Kurusu Natsume and Sai Izumi. Released in Japan as “Jingai Kyōshitsu no Ningen-girai Kyōshi: Hitoma-sensei, Watashi-tachi ni Ningen o Oshiete Kuremasu ka……?” by Media Factory. Released in North America by Yen On. Translated by Linda Liu.

Look, I appreciate a surprise as much as the next person. I love it when a book I thought was going to be one thing turns out to be something totally different. But sometimes there is also joy in picking something up because you know what it’s going to be, and have it be exactly that. This is one of those books. The plot description made it sound exactly like the Japanese sub-genre of “new teacher enters the lives of their students and changes them for the better”. Now, Hitoma is never going to come close to Onizuka, or even Kumiko Yamaguchi. But that’s OK, because these series live and die on the strength of their student cast, and these students are fun, and they do have one or two big surprises. It helps that we don’t have to deal with a huge cast herd. This is a school for demi-humans, and there’s only four in their “senior year”.

Hitoma is a man in his late twenties, and he’s been holed up in his family home ever since a traumatic experience when teaching led him to quit. But he spots an ad for a teacher at an all-girls school in the middle of nowhere in the mountains, with great pay and benefits. He arrives for the interview, and discovers the catch: this is a school for non-humans trying their best to become human. He’ll be in charge of the advanced class, which has upbeat mermaid girl Minazuki, teasing bird girl Haneda, sullen rabbit girl Usami, and shy wolf-girl Ohgami. Each have a wish that can only happen if they learn how to be human and graduate, and Hitoma is here to help them. That said, the graduation rate is very low…

As you might guess, there are individual chapters dedicated to each girl and her circumstances. Minazuki is descended from Poseidon, and really should be mermaid nobility, but wants to be a dancer. Ohgami has a different personality every full moon, one that is her polar opposite, and also is a reverse werewolf. Both sides have suicidal tendencies and a desire to sacrifice. As for Usami and Haneda, the spoiler is the point there, so I won’t go into detail. They’re all fun. As for Hitoma, “misanthrope” is not really all that accurate, “depressed” fits better. This does not stop him for earnestly helping all the girls – he’s a good teacher. (They tease him about teacher-student relationships, but he never rises to the bait – he IS a good teacher). Given the cover of the 2nd book has three different girls, I wondered if the entire cast would leave the series at the end of this volume. That’s not true, but it shows just how much everyone has grown that it’s totally plausible.

So yeah, Book 2 is the latest out in Japan, and as noted, there are different girls on the cover. I’ll be here for it, though. This is heartwarming and life-affirming, and I greatly enjoyed it.

Re: ZERO ~Starting Life in Another World~, Vol. 23

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan as “Re: Zero Kara Hajimeru Isekai Seikatsu” by MF Bunko J. Released in North America by Yen On. Translated by Dale DeLucia.

Do you enjoy Re: Zero but feel that it’s gotten a bit too complacent? Are you upset that everyone now tends to get along and talk through their problems like reasonable adults? Do you miss the early volumes when flipping each page felt like crawling through broken glass? I have terrific news for you! Subaru’s lost his memories, and we’re starting all over from zero! , Now, to be fair to Subaru, he actually IS pretty good about things, at first. My worry was that he would immediately try to hide that he’ lost his memory and try to fake it, which absolutely would not work with this crowd. So he confesses right away. Sadly, he is unaware of Return by Death, but he very quickly finds out, and also very quickly leads to him realizing that someone keeps killing him. So he DOES then try to hide that he’s lost his memory. Which does not go well, because see above.

So yes, going back to the start of the book, Subaru has lost his entire memory of this world, thinking he just got here from Japan. He tells Emilia and Beatrice, who are clearly upset but are used to bullshit, so they cope as best they can. And Subaru is not the only one confessing secrets. “Anastasia” finally comes clean and decides to admit that she’s Echidna (no, not that Echidna, the other Echidna) and that she’s trying to save Anastasia before her life runs out. Unfortunately, as he wanders around trying to figure out what to do next, Subaru is pushed off a staircase to his death. At first thinking this was some sort of dream precognition, he makes another attempt to wobble through the same events… and suddenly finds half the cast also dead. As he realizes that this book just became a locked room mystery, Subaru reacts in a nostalgic way: by completely losing his shit and being 100% paranoid.

I admit, this book hurt to read and I wanted it to be over with as fast as possible. (It does help that it’s one of the shorter Re: Zero volumes to date.) I appreciate everyone’s character development, and seeing it removed it not ironic, it’s just mean. That said, this is very well done. Julius’s frustration, Rem’s furious disbelief, and Emilia’s unwavering love are all done incredibly well. The final scene with Emilia and Subaru is like a reward for the rest of the volume, and it will touch your heart. (Also, thank goodness that Re: Zero is one of those books that uses honorifics, because the moment Subaru says “Emilia-chan” when he’s trying to hide his memory loss you can see everyone go “WTF”.) And then there’s Meili, who spends half the book as a corpse but might get the most development of all, and whose backstory is both grotesque and a bit heartwarming, like most of the cast.

We end the volume with another death, but at least this time Subaru has decided, memories or no, to start fighting back. Which is good, as the culprit is clearly inside the house, and is also not any of the cast we see in this book. A great Re: Zero volume, despite the pain.

My Daughter Left the Nest and Returned an S-Rank Adventurer, Vol. 10

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By MOJIKAKIYA and toi8. Released in Japan as “Boukensha ni Naritai to Miyako ni Deteitta Musume ga S-Rank ni Natteta” by Earth Star Novels. Released in North America by J-Novel Club. Translated by Roy Nukia.

As I write this, we’re a little under halfway through the anime version of this series, which is quite enjoyable provided you don’t mid that it has the animation budget of one peanut. It’s clearly an advertisement for the books, which just wrapped up in Japan. Unfortunately, despite my saying in my review of 9 that 10 is the last, it turns out that I am wrong, and there’s another book on the way. That said, this definitely has the feeling of an epilogue, and I think that’s fine. Yes, one of the bad guys got away, but honestly I’m OK with ignoring him for now and concentrating entirely on everyone going back to Bel’s hometown and settling into in their new huge mansion to match all the daughters that Bel has accumulated throughout this series. And, of course, his new wife. As for Ange, well, she’s had a lot of dad lately, and believe it or not does love being an adventurer more, so she’s headed back to Orphen, with one extra team member.

We’re back in Turnera! There are lots of kids to play around with and train to hunt and fish. There’s Belgrieve and Satie, who are now married but honestly seem far too comfortable and passionless for others in their group, so a secret second wedding is decided on so we get a real love confession. And then there’s Mit. His mana is still an issue, and the best way to deal with it is to build a dungeon that uses the excess mana to spawn fiends that can then be killed by adventurers. Of course, the question is where to put a freshly built dungeon? Should it be Orphen, which has the guild and is used to this sort of thing? Or Bordeaux, which has been growing rapidly but could use a dungeon to become a city unto its own. Or… should it be Turnera? Can we really turn Bel’s sleepy village into a dungeon tourism industry?

There were some moments in this I really liked. I appreciated that it took Helvetica’s crush on Belgrieve seriously, and also that it was not something that she could just give up on when seeing Bel and Satie being all mild and sedate at each other. (Satie spends a lot of this book acting like a standard housewife, but given the last twenty years of her life before this, I’d say she’s due.) They needed to overtly love each other to make it easier for her to back off. I also liked Angelica telling Maria about her own demonic heritage. She’s not only come to terms with it, but is OK with being used as a guinea pig if it will mean helping to solve the problem. Though Maria doesn’t really believe her. There’s also a great short story at the end showing us how Angeline, Anessa and Miriam first teamed up, and how incredibly awkwardly things started off. It was sweet.

This series runs on good vibes, and if we get more of those in the finale, I’m find with it.