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My Happy Marriage, Vol. 6

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By Akumi Agitogi and Tsukiho Tsukioka. Released in Japan as “Watashi no Shiawase na Kekkon” by Fujimi L Bunko. Released in North America Yen On. Translated by David Musto.

Reading this volume of My Happy Marriage felt so different from all the previous volumes, it was absolutely like a breath of fresh air. Oh, don’t get me wrong, the other volumes are also excellent. But there’s always been this sense of suffocation to the events, a feeling that we’re waiting for the other shoe do drop. Frequently it has dropped, so we’re absolutely correct on that stage. Here, though? It’s only at the start, where Miyo is about to ,make a very dumb decision. Once she’s warded off that, though, everything unfolds exactly the way that it should. She seeks out allies, gets them to help her, researches her powers so she can use them better, makes peace with her mother, and heads off to go rescue her man from the hellish prison that he’s incarcerated in. And this works, because the climax is not “will Usui win or will the good guys prevail”, it’s “will Miyo stop hating herself and let love into her heart?” Spoilers: she does.

Miyo starts off this book by thinking the only way to do things is to just walk up to Usui so that she can get Kiyoka somehow. Fortunately, he’s powerful enough, even in prison, while being tortured, and with gift suppression all around, to create a familiar to stop her and tell her that she should actually go and gather allies to do this properly. The familiar also looks like Kiyoka as an 8-year-old boy, which leads to the cute moments of this book, as she finds him adorable, calls him Kiyo, and even lets him sleep in her bed – something I fear she will regret later when she realizes how familiars work. In any case, she goes to visit the Usuba patriarch and gets the complete story about what happened with Usui and her mother, then she goes to Kiyoka’s parents to ask his father to help her gather gift-users, and she gets Kiyoka’s military crew. Then it’s time to go do a prison break.

As I said, if you’re reading this for the thriller aspect, you may be a bit disappointed. Everything goes almost embarrassingly well, due to a combination of Miyo’s dream powers and Kazushi’s ability to hit people very hard. They literally walk into the prison because, due to everything that’s happened in the last couple books, there aren’t enough soldiers Usui trusts to guard it and also beat off the diversion that’s being fought outside. Even the one bit where things look bad happens exactly as expected – if you’re surprised at what Arata did, I’m so sorry, you must not read very many of these series. But the true climax of the book was Usui trying to talk Miyo into joining him in ruling the world, and Miyo snapping and screaming at him. That was wonderful, I will be so happy if it gets animated. Miyo may also have super powers and come from a terrible family life, but she is using her powers to make herself happy, not impose herself on others. Something Usui doesn’t get.

This isn’t the last book, and the author promises the happy marriage is imminent (though the blurb for the next volume suggests a snag). Fans of this series will love this.

I’ve Been Killing Slimes for 300 Years and Maxed Out My Level, Vol. 14

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By Kisetsu Morita and Benio. Released in Japan as “Slime Taoshite 300 Nen, Shiranai Uchi ni Level MAX ni Nattemashita” by GA Novels. Released in North America by Yen On. Translated by Jasmine Bernhardt.

I had been wondering what we’d see at the end of this new volume. For most of this series, the main storyline has taken up the first 2/3 of the book or so, and the last 1/3 was taken up by a side story about another character. First it was Beelzebub, and that ended up getting its own genuine spinoff. Then it was Halkara, which did not get a spinoff but at least allowed her to be something other than “the drunk with big boobs”. And then there was Laika, probably the best of the three spinoffs, and that also got a manga adaptation. That said, we are starting to run out of characters that can carry a side series. As such, it’s probably a good idea, given that the CD dramas themselves are long out of print in Japan, to add the original CD drama scripts. The unfortunate problem with this, of course, is that CD dramas, by their nature, cannot affect anything. Unlike the side stories, there’s no character development here.

As always, this is basically a short story volume, as there isn’t an ongoing plot. We start off by Azusa and company heading to an underground city as the demons have discovered that an elder god might be released if a seal comes undone… which of course it promptly does. They then attend a demon-run exhibition about apples, showing off varieties and different scientifically grown apple-related things. They go to a cat cafe run by the ghost city, and a ghost cat ends up possessing Azusa. And then it’s time for them to run their cafe again, but since the word about the cafe has gotten out so much, they worry that it’s gotten completely out of hand and will be too big. Fortunately, the pine spirit is able to step in and help them out, and we then see the cafe (now moved to a different location) doing well with its star waitress (Laika) there. And we then get the two CD drama stories, where Azusa discovers that this world has curry, and Azusa discovers this world has ramen.

There’s not really anything to really dig into here, and I don’t think readers really want there to be. A serious, life-threatening plotline would feel grotesquely out of place at this point in the series. It’s all fluff all the time, and this volume certainly provides it. It does perhaps pretend that there’s a major crisis with the first story, but the elder god turns out to be about as threatening as all the other gods we meet in this series, and by later in the book is wandering around the town like a tourist. As for the CD dramas, it’s nice to see the scripts, but god, they’re slight. There was a bit of yuri tease that the author has been pulling away from ever since they first wrote this and realized a yuri fandom they really did not want had glommed onto it. Other than that? It’s cute, it’s sweet, it’s funny.

The previous volume of this came out in 2022, and it’s been a long time ill we got this one. The next one should be much sooner. If you wanted more of it, this certainly is that.

Bookshelf Briefs 2/28/24

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Blue Box, Vol. 8 | By Kouji Miura | Viz Media – After a couple of volumes that have been heavy on the sports, it makes sense that we get one heavy on the romance. Sadly, that also comes with the most dreaded of romcom manga tropes: the “helpful” friend who vows to get the couple together but has the wrong idea who the couple is. This is already leading to a heaping helping of misunderstandings… except those were already off the charts because Taiki was forced to play the Prince during the culture festival, and ended up accidentally kissing Hina because of a stage issue and because of the manga author wanting it. I think we’ve got at least another two-three more volumes now before the actual couple we want to see gets together. And that’s assuming we don’t just get another tournament arc instead. Good stuff, but man. – Sean Gaffney

Gabriel Dropout, Vol. 13 | By Ukami | Yen Press – Oh no, it’s time for a new school year, which means it’s time to change classes. This is devastating news for Vigne, who discovers that she can’t survive thirty seconds without Gab next to her, but it’s not great news for Gabriel either, as Michael has transferred to the school, and is cozying up to Gabriel and saying they’re “more than friends.” Vigne is devastated by this new guy who’s taking her place in Gabriel’s life. Fortunately, we have Raphiel watching this with us, and she not only finds the whole thing hilarious, but decides not to spoil the “guy” thing as that will just make things funnier. Needless to say, everyone’s favorite gay angels and demons do not appear to have to worry about anything just yet. Also, snowball fights and common colds, but c’mon. It’s all about Vigne. – Sean Gaffney

Kubo Won’t Let Me Be Invisible, Vol. 11 | By Nene Yukimori | Viz Media – The penultimate volume of this series continues to walk very, very slowly towards its ending, which is clearly going to be happening on the upcoming class trip. I do appreciate all the struggle that Shiraishi has had in the past, so seeing him manage to successfully say “no, I don’t want to spend our free time with our gang of friends, I want to spend it with you specifically” is nice to see. I also liked seeing Saki and Akina discussing Kubo’s tortured romance—she has at last admitted that she does like someone, which… well, they already knew—and Saki’s realization, like so many other younger relatives, that jealousy of Shiraishi actually stems from her fear of Kubo abandoning her. There damn well better be a confession in the end. – Sean Gaffney

Like a Butterfly, Vol. 4 | By suu Morishita | Viz Media – I love this author, but boy, you really have to have a lot of patience if you’re going to enjoy these two introverted goobers try to have a simple conversation. It gets the anguish of teenage romance, where even asking to walk someone home is filled with peril and danger. But this does mean that the asking can take 10-15 pages, as this is not a Hana to Yume title and the panels are beautiful but uncluttered. This is the culture festival volume, and I am a bit disappointed we did not see more of Suiren’s class, whose “bowling” puzzled me till I realized the pins were the size of a person. That must have been a lot of fun. There’s also a haunted house, misunderstandings because of embarrassment, all the usual. For fans of this author. – Sean Gaffney

Marriage Toxin, Vol. 1 | By Joumyaku and Mizuki Yoda | Viz Media – I’m not quite sure what to call this genre, mostly as I don’t want to spoil the twist within it, but let’s go with Romcom. An assassin specializing in poisons, who is great at his job but terrible at social interaction, finds that his sister is being forced to get married and carry on the family’s line… despite being gay and having a girlfriend. Now Gero decides, for the sake of her happiness, to try to get a partner. The trouble is… he really IS very terrible at social interaction. Fortunately, his next job has his target turn out to be an expert matchmaker, one who will absolutely set him up with the perfect partner. This proves to be an adept combination of humor and action, with perhaps the latter better than the former. Worth a look. – Sean Gaffney

The Secret of Friendship | By Kazune Kawahara and Aiji Yamakawa | Seven Seas –I love Kazune Kawahara and Margaret titles, so it was a foregone conclusion that I’d like this very much. Eiko and Moe are best friends. Outwardly, Moe is the cute one, though her personality made it difficult for her to make friends until Eiko came along and appreciated her straightforward nature. Eiko, meanwhile, is kind, sincere, and very insecure. When Moe breaks it off with her latest boyfriend, Tsuchida, his friend Narugami decides that Eiko is to blame and starts to harass her, only to end up falling for her instead. I liked the parallels between Moe and Narugami, two prickly people each trying to protect their friend and each, ultimately, beguiled by Eiko’s radiant inner beauty. The story is perfect as it is, but I can’t help but wish there was more of it. – Michelle Smith

Tales of Wedding Rings, Vol. 13 | By Maybe | Yen Press – I believe this was originally supposed to be the last volume, but apparently it did well enough to warrant a final arc. Having defeated the bad guy, and realizing that politics is going to take up most of his time now, the Ring King and his brides all head on back to Japan for a honeymoon. Part of this involves, amusingly, all of them transferring into his class at school, just in case anyone is reading this title for that sort of genre. But they aren’t. They’re reading this to see him boff his remaining wives, and we’re likely going to go in order of appearance, as Nefritis is getting everything just right for her to have a perfect first time, including a hot springs holiday. Honestly, the epilogue really should just be a lot of “and then they had sex.” Frustrated readers deserve that much. – Sean Gaffney

Tamon’s B-Side, Vol. 2 | By Yuki Shiwasu | Viz Media – The most interesting part of this may be Utage’s utter devotion to being a FAN and not a girl/stalker/what have you. Sure, she’ll be his housekeeper, give him advice, and try to lift his spirits, but those are all part of the love she has for Tamon as an idol figure that she worships. When it sometimes seems that he might actually be starting to think of her as a real woman, she backs off and shuts him out to an extent. We also meet another member of his idol group, whose personality in this volume at least is “raging asshole.” I’m sure that will change—we already see signs he’s thinking of Utage because she’s rude to him rather than idolizing him—but at the moment I want him to fall off a cliff. The humor is still the main reason to read this—it’s hysterical much of the time. – Sean Gaffney

If the Villainess and Villain Met and Fell in Love ~ She Was All But Disowned for Her Spirit Contract, But She’s Still Competing with Her Rival ~, Vol. 2

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By Harunadon and Yomi Sarachi. Released in Japan as “Akuyaku Reijō to Akuyaku Reisoku ga, Deatte Koi ni Ochitanara: Nanashi no Seirei to Keiyaku Shite Oidasareta Reijō wa, Kyō mo Reisoku to Kisoiatte Iru Yō Desu” by GA Novels. Released in North America by Yen On. Translated by Judy Jordan.

Last time, I said I enjoyed this more than I expected because it was a lot darker than I expected. The darkness doesn’t go away in the second book, but there’s a slight problem that makes this volume not quite as enjoyable. The book is also trying to be a sweet romance between Brigitte and Yuri, and it feels a bit jarring when put next to everything else that’s happened in the book. I would normally roll my eyes at Brigitte panicking and running away from Yuri with a red face, because it’s something we see in so many shoujo romances, but here I’m thinking “well, of course, this is all related to her trauma from everything that’s happened to her since she was five”. Which, there’s nothing wrong with that, but the author clearly is NOT expecting the reader to think that. The author is writing “look, isn’t she adorable?”.

Brigitte goes to visit Yuri’s home, where she meets his family (much to his chagrin), and also his other spirit, who gives her a handy tip as to why she can’t communicate or summon her spirit: it’s a fire spirit, and after her father’s actions as a child she’s terrified of fire. She tries to solve this by getting herself used to fire despite her fear, which doesn’t really go all that well, possibly as, when she reflects on everything that has happened since that incident, it’s not fire she’s afraid of: it’s everything. (Pantophobia!) This revelation causes her magic to simply explode into a giant pillar into the sky, seen by the entire kingdom, and when it settles down, she has a spirit! OK, it looks like a tiny yellow chick, and OK, she still can’t really communicate with it. But baby steps.

Not to spoil too much, but this would appear to be the last we see of Prince Joseph in this series, and holy shit I am so glad. If the series balances too far in one direction for cutesy romance scenes with Brigitte’s embarrassment taking center stage, Joseph is the opposite direction, as everything about him is awful and creepy. It’s laid out why pretty well – he grew up not being as good as his brothers, so wanted someone “stupider” around him to feel superior towards, then he had to manipulate Brigitte’s behavior when it turned out she wasn’t what he wanted. Worse, it turns out he really DOESN’T want someone genuinely dim – i.e. Lisa (who earns a few points here by stopping an attempted murder suicide) but merely a doormat. His last scene tosses in rape threats, murder threats, and a whole lot of arson, and he absolutely gets what’s coming to him, but again – this book needs to commit. Either be dark, or be cute, but the dissonance is too strong.

That said, inevitably Joseph is not the Big Bad, the Big Bad is the cause of all this bullshit, and he’s here for the nasty cliffhanger to this volume. I guess that ensures that the dissonance isn’t going away yet. If you can put up with it, this has some strong individual scenes.

Villainess Level 99: I May Be the Hidden Boss but I’m Not the Demon Lord, Vol. 4

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By Satori Tanabata and Tea. Released in Japan as “Akuyaku Reijō Level 99: Watashi wa Ura Boss Desu ga Maō dewa Arimasen” by Kadokawa Books. Released in North America by J-Novel Club. Translated by sachi salehi.

The anime is currently airing as I type this up, and it’s quite enjoyable, if very low budget. It’s also doing something very sensible, which a lot of series are doing lately: it’s adapting the manga, not the light novel. This is obvious if you watch any scene with Alicia, who is simply far more sympathetic and nice in the manga than she ever was in the LN. I’m not sure how the manga resolves the Alicia plotline, if it’s even gotten to that point yet, But I remember how the light novel did, with Alicia essentially under house arrest, and still traumatized by the finale of the first book. And, as it turns out, the author was rather jealous of how Alicia was handled in the manga. And so, after taking a couple of books off, Alicia returns for this new book. Unfortunately, this is still the light novel version of Alicia, which means that the reunion is more pathetic than anything else.

After resolving issues with her alternate universe self, there’s not really much standing between Yumiella and Patrick’s wedding… except for Yumiella, who suddenly realizes that a large wedding is exactly the sort of thing she doesn’t want. Given this, she naturally decides to fly to the moon. This doesn’t work out, so instead she plummets into the neighboring country of Lemlaesta… which you may recall is the country that Patrick’s mother despises. There she meets a man named Gilbert, who looks a lot like Patrick. And he has the same name as Patrick’s brother, something which Patrick just told Yumiella before all of this insanity happened. Naturally, she doesn’t recognize him. Incredibly, she also manages to fool (?) him into thinking she’s not Yumiella. Can the two densest people alive possibly manage to stop a war?

How much you enjoy this book may depend on how much you can tolerate Yumiella being even more of an airhead than usual. The anime reminds me just how far off the rails she’s gotten since the first volume, and she now rarely if ever manages to descend to anything resembling reality. There are a few times when I just wanted to throttle her, particularly when she tried to jump to the moon to run away from her problems. On the bright side, sometimes Yumiella being this dense really is very funny, and once you get behind the idea that she and Gilbert don’t know who the other one is, despite the 87 billion clues each one has, you just roll with it and laugh. And yes, Alicia comes back. More interesting than her actions in this book (which are predictable as hell) is the fact that she’s being trained to be a weapon that will be deployed in case the country’s bomb (Yumiella) goes off. I’d feel bad for her if it weren’t for, well… (waves hand at everything Alicia does in this book).

I didn’t even mention Yumiella measuring her new level, which leads to some of the best jokes but also sets up the final confrontation. Oh yes, and Yumiella sprouting wings like an Evangelion shout out. In any case, despite Yumiella starting to get a bit *too* dense, this is still a series I enjoy.

The Condemned Villainess Goes Back in Time and Aims to Become the Ultimate Villain, Vol. 1

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By Bakufu Narayama and Ebisushi. Released in Japan as “Danzaisareta Akuyaku Reijō wa, Gyakkō-shite Kanpekina Akujo o Mezasu” by TO Books. Released in North America by Airship. Translated by Alyssa Niioka. Adapted by Vida Cruz-Borja.

As I was reading this volume, I thought about the simple fact that there are too many villainess books at the moment. It’s inevitable, of course, just as there are too many isekai books (though that’s slowing down a bit), and that we briefly had too many high school romance books before that bubble quickly burst. And so I start to drill this new series down into subcategories. There’s no Japan or otome games involved, which is nice. Aside from the time travel, there’s no magic here. It’s one of those “person goes back in time” series like Tearmoon Empire, though this series is far more serious than Tearmoon. As expected, “becoming the ultimate villain” mostly involves things like trying to be a good person and avoid making the same mistakes, rather than “getting revenge” or anything. And, unfortunately, its biggest weakness is one that many other villainess books possess: there’s a “heroine” as well, and in order to balance against our clever villainess, the heroine is an amazingly annoying dipshit. Anti-Maria Campbell Syndrome.

Unlike a lot of other villainesses in this genre, Claudia Lindsey really was an annoying, petty villainess who tried to sabotage her half-sister Fermina, and is somewhat poleaxed to find that everyone hates her and she is not only not engaged to the Prince, but she’s being sent to a nunnery. Things do not improve when, on the way to the nunnery, her carriage is beset by bandits and she’s kidnapped and sold into a brothel. She spends the next few years there. maturing and realizing how shallow and selfish she had been. She also becomes a top-notch sex worker. Unfortunately, her one main ally dies from disease, and a couple of years later Claudia also passes away… and wakes up ten years earlier, in her 14-year-old body, on the day of her mother’s funeral. After realizing what’s happened, she takes advantage of “grieving” for her mother to completely redo her personalty, gain actual allies, and avoid the fate which Fermina manipulated her into last time. Because oh yes, Fermina is not a nice person, regardless of the timeline.

The strengths and weaknesses of this book are similar to other “serious” villainess books. The weakness is Fermina, who despises Claudia for having the life she feels she deserves, but without Claudia being shallow and vapid, Fermina can’t achieve anything she did in the past timeline, and is reduced to a one-note character we’re happy to see the back of at the end of the book. The strength is Claudia, who I greatly enjoyed. I liked that she is 10 years older in mind but still has room to mature, and in fact a lot of her actions are driven by her terror of Fermina somehow gaining the upper hand on her again. I also appreciate that this is a heroine who is allowed to have a libido: we don’t see her sex work, but she’s certainly more experienced in flirting than a woman of her age and noble status should be, and her growing horror as she realizes that teenage hormones means that she’s not able to put a lid on things as much as she’d like to is amusing. I also enjoyed her casual bisexuality, as she admits she finds one of the prince’s bridal candidates to be just as enticing as the prince.

The rest of the cast are good but stereotypical: the sadistic prince who loves Claudia because he can’t tell what she’s thinking; the beleaguered aide, the doting older brother, and the ludicrously loyal maid (who is her former mentor at the brothel in her former life, because nobles rescuing women from terrible fates and making them household workers is another villainess cliche). If you’re looking for something new, look elsewhere. If you’re happy with more of the same, this is quite good. It also feels like it ended with this volume, but there’s 4+ more out in Japan, so…

You Are My Regret, Vol. 1

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By Shimesaba and Ui Shigure. Released in Japan as “Kimi wa Boku no Regret” by Dash X Bunko. Released in North America by Yen On. Translated by Andria McKnight.

As with the author’s previous series, I wasn’t going to originally be reading this at all. Mostly that’s because the author’s previous series was Higehiro, and the first volume of that annoyed me in about 8,000 different ways. The other reason is that it has a title and cover art that made me think it was another of Yen’s many “license the novel based on a new animated Japanese movie starring a young teenage couple whose love is perfect and yet also tragic”, and I’ve kind of gone off those. But then I saw it was none of those, that’s it’s a romantic drama which tries to dig into the concept of “free spirits”, being selfish about being selfless, and how middle school students are dumbasses who can’t talk to each other. Honestly, the same holds true in high school, which is why this is a romantic drama and not a comedy. Everyone is in love and it’s killing them inside.

Back in middle school, Yuzuru and Ai dated. She had confessed to him, and he loved being around her. They walked around, did couple-y things, etc. But eventually the pressure of thinking that Ai was the sort who shouldn’t be tied down to anyone and should live her life freely got to be too much for Yuzuru, and he broke up with her while badly communicating this. Shortly afterwards, her family moved away,. and he now contents himself with sitting in the literature club classroom, reading, and being completely oblivious to the feelings of angry tsundere Kaoru. Unfortunately for him, Ai has moved back and is transferring into their school. Even worse, she’s still in love with him. Can they manage to recover their relationship and figure out what went wrong in the first place?

This was a bit of a mixed bag for me. That’s actually a plus, because it means that it rises ahead of Higehiro. Unfortunately, it does that by actually taking place in high school and featuring kids the same age, meaning it doesn’t have 90% of what made Higehiro annoying. It does have the remaining 10%, which is Yuzuru, the male love interest. I want to push him into a canal. That said, I get it. He’s a high school kid. He’s also one of those “cool intellectuals” who really isn’t, and fails to understand how women think or even that they do. I really pity poor Kaoru, who not only is clearly in love with this schmuck but also has to take him by the hand and lead him to the actual clue, that clue being that when you break up with someone because you feel dating them is too selfish, you need to ask yourself what it means to be dating, AND talk to the other person. As for Ai, I am honestly not sure it’s healthy for her to BE dating him at this point, but I suppose that’s what fiction is for. She is a ball of energy and angst, and I hope we get more depth about her in the next two books (a 2nd book from her perspective would help, but I’m not expecting that.)

This is a compact three volumes in Japan, so it should resolve things fairly quickly. I wasn’t wild about it, but I’ll try another volume. Just remember that teenagers are idiots.

The Kept Man of the Princess Knight, Vol. 1

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By Toru Shirogane and Saki Mashima. Released in Japan as “Himekishi-sama no Himo” by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

This book has one big, big thing going for it, which is that I finished it. More than that, I plan to read the next book. That’s a big deal, because this book is dark as fuck. It starts off really bleak, but at about the two-thirds mark I said “ah, good, it’s bleak, but it’s not 100% bleak”. NOPE. It is indeed 100% bleak, and I regretted even thinking it would be otherwise. This is a book filled with violent death, and not just of evil bad guys. The protagonist is an incredible asshole, and does things throughout the volume that are beyond the pale. The Princess Knight who is in the title is somewhat out of focus, mostly as she has to be off in the dungeons for most of the book, but she also has many issues. I have no illusions that this will have any ending other than “everyone dies, but at least they get to choose the manner of their death”. And yet… this was an award winner, and I can see why. You can’t put it down.

Matthew is the Kept Man of the title, and the Princess Knight is Arwin. Her country has been destroyed, fallen to monsters, and the only way she can save it is with a legendary treasure located at the bottom of one of the world’s only remaining dungeons. Matthew is a lecherous layabout who is as weak as a kitten but hella tough, and who, it is said by everyone, sleeps with the princess and is paid by her to do so. As the book goes on, we get to find out Matthew’s actual past, see how he goes about his day when Arwin is in the dungeon, and see him gradually get embroiled in various plots in the dark side of this town – which is, to be honest, the entire town – as he tries to hide the real reason that the princess is so dependent on him.

Translator Stephen Paul, who must have been over the moon to work on this anti-Kirito title after so much Sword Art Online, described this as being “raunchy and funny”, and I’ll agree with him on the first, but I’m not really sure where all the laughs are in this book. Matthew’s comebacks end up being more “yo mama” jokes than anything else, and the best joke in the book is one I won’t spoil, but involves some brothers. It’s definitely raunchy, though I note that the author, who knows his audience will only put up with so much in regards to their heroines, obfuscates about whether Matthew and Arwin are in fact lovers. But the main reason to read this is the sheer jaw-dropping awfulness of everything going on. Matthew’s past and present are awful, Arwin’s past and present are awful, Matthew kills about a dozen people throughout this book, and even those who try to escape the book’s world can’t make it out. It’s a compelling, nasty world.

Again, I hate reading dark stories where everyone dies, but I still finished this and want more. That’s a big selling point. That said, buyer beware.

Manga the Week of 2/28/24

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SEAN: Please close the door behind February as you exit.

ASH: How is the shortest month not already over?

SEAN: Airship starts us off with a print version of Modern Villainess: It’s Not Easy Building a Corporate Empire Before the Crash 4.

The early digital debut is Reincarnated Into a Game as the Hero’s Friend: Running the Kingdom Behind the Scenes (Maou to Yuusha no Tatakai no Ura de), which had its manga come out literally last week, and now here’s the novel that was based on.

And we also get the 8th volume of Reborn as a Space Mercenary: I Woke Up Piloting the Strongest Starship!.

No debuts for Cross Infinite World (actually, they seem to be concentrating on ongoing series for the next few months, possibly as they got so many in 2023), but we do see Even Dogs Go to Other Worlds: Life in Another World with My Beloved Hound 4, Expedition Cooking with the Enoch Royal Knights 4, and Onmyoji and Tengu Eyes 3.

ASH: I really should give Onmyoji and Tengu Eyes a look at some point.

SEAN: Dark Horse has a 4th volume of Cat + Gamer.

Amazon lists Denpa as having the 4th omnibus of Nana & Kaoru out next week.

ASH: We shall see!

SEAN: Ghost Ship has The Witches of Adamas 7, and the non-Ghost Ship but Mature-rated The Dangerous Convenience Store 2.

J-Novel Club has the debut of a coveted license rescue, Chivalry of a Failed Knight (Rakudai Kishi no Cavalry). It’s very popular, features a “guy who everyone hates with bad abilities who secretly has the best abilities”, and takes place at a magical academy. Oh, and since I’m required to make an Asterisk War joke here… nah, I won’t bother.

ASH: Not a series (or genre, really) that I’m reading, but I’m generally always happy for a license rescue.

SEAN: Also out from J-Novel Club: the 7th Bibliophile Princess manga, The Brilliant Healer’s New Life in the Shadows 2, the 8th Cooking with Wild Game manga, From Old Country Bumpkin to Master Swordsman: My Hotshot Disciples Are All Grown Up Now, and They Won’t Leave Me Alone 2, the 3rd I’ll Never Set Foot in That House Again! manga, A Late-Start Tamer’s Laid-Back Life 9, Reincarnated Mage with Inferior Eyes: Breezing through the Future as an Oppressed Ex-Hero 6, and Taking My Reincarnation One Step at a Time: No One Told Me There Would Be Monsters! 4.

From Kodansha Books we get As a Reincarnated Aristocrat, I’ll Use My Appraisal Skill to Rise in the World 4.

Some debuts from Kodansha Manga. The Blue Wolves of Mibu (Ao no Miburo) is a historical drama from Weekly Shonen Magazine about the founding of the Shinsengumi.

MICHELLE: Oooh.

ANNA: OK, I’m officially curious about this!

ASH: Yup! Count me in, too.

SEAN: A Kingdom of Quartz (Quartz no Oukoku) is an Afternoon series about a girl who longs to fight alongside the angels, but that may be hard given her powers tend more towards the demonic.

Nude Model and Other Stories (Yamaguchi Tsubasa Tanpenshuu: Nude Model) is a short story collection from the creator of Blue Period.

ASH: I suspect this has the potential to be pretty good.

SEAN: Also in print: Blue Lock 11, Shangri-La Frontier 10, and Something’s Wrong With Us 19 (the final volume).

ANNA: Need to pick up Blue Lock for one of my kids!

SEAN: Digitally we see Am I Actually the Strongest? 10, Boss Bride Days 14, Elegant Yokai Apartment Life 27, Gamaran: Shura 17, How to Treat a Lady Knight Right 3, I Left my A-Rank Party to Help My Former Students Reach the Dungeon Depths! 2, Koigakubo-kun Stole My First Time 6, My Home Hero 13, and That’s My Atypical Girl 11.

Last Gasp have a paperback edition of Junko Mizuno’s Pure Trance, which had its hardcover out a few years back. I’d describe the plot, but I suspect Junko Mizuno readers simply buy based on the creator name, and quite right too.

ASH: Ha! Glad to see this staying in print.

SEAN: One Peace Books has the 22nd manga volume of The Rising of the Shield Hero.

No debuts for Seven Seas, but we get Bite Maker: The King’s Omega 10, D-Frag! 17, DUNGEON DIVE: Aim for the Deepest Level 5, The Haunted Bookstore – Gateway to a Parallel Universe 4 (the final volume), The Invisible Man and His Soon-to-Be Wife 3, Last Game 4, Lazy Dungeon Master 7, Monster Guild: The Dark Lord’s (No-Good) Comeback! 6, Reincarnated as a Dragon Hatchling 5, The World’s Fastest Level Up 2, and Yokohama Kaidashi Kikou: Deluxe Edition 4.

ASH: I need to spend more time reading Yokohama Kaidashi Kikou.

SEAN: Square Enix Books has a 10th volume of Cherry Magic! Thirty Years of Virginity Can Make You a Wizard?!.

MICHELLE: Insert boilerplate about needing to get caught up on Cherry Magic! here.

SEAN: Tokyopop has a 10th and final volume of Futaribeya: A Room for Two.

Viz Media debuts My Name Is Shingo: The Perfect Edition (Watashi wa Shingo), a horror manga from Kazuo Umezz himself, which ran in Big Comic Spirits. The story of two young boys who befriend a robot, it has a fantastic cover, and comes highly recommended.

ASH: I plan on picking it up!

SEAN: Yen On has a debut. The Other World’s Books Depend on the Bean Counter (Isekai no Sata wa Shachiku Shidai) has already had its manga come out from Yen Press, and this is the light novel version. Recommended for isekai fans who also like BL.

ASH: BL is a way to get me to try things I might not otherwise.

SEAN: Yen Press debuts God Bless the Mistaken (Kamisama ga Machigaeru), a sci-fi series from the creator of Bloom Into You which ran in Dengeki Daioh. A middle schooler helps his landlady investigate bugs in the world – not the insects, bugs as in glitches.

And they also have Elden Ring: The Road to the Erdtree 2, Murciélago 23, and No Matter How I Look at It, It’s You Guys’ Fault I’m Not Popular! 22.

For a leap year that’s a lot. What tickles your fancy?

Miss Savage Fang: The Strongest Mercenary in History Is Reincarnated As an Unstoppable Noblewoman, Vol. 1

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By Kakkaku Akashi and Kayahara. Released in Japan as “Savage Fang Ojō-sama: Shijō Saikyō no Yōhei wa Shijō Saikyō no Bōgyaku Reijō to natte Futatabime no Sekai o Musō Suru” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Sarah Moon.

This is, for the most part, a good entry in the “reincarnated as a villainess” genre, with two big exceptions: a plotting decision at the start, and a characterization decision at the end. Other than that, it’s got a non-Japanese reincarnation, which is always nice, and a narrator who is a hell of a lot of fun. (Yen seems to have quietly dropped the “don’t let the books say fuck” guideline in the last year or two, and it’s allowed the books to sound more true to life much of the time.) I will note, though, that it’s a book that really assumes you want to see violence. The heroine used to be a mercenary who literally beat his enemies to death, and now that she’s the daughter of a duke she’s still capable of doing this, though at least holds back a bit. Mostly as she knows murder is a bad rep for a duke’s daughter to have.

The nation of Eltania is on the verge of collapse, thanks to its selfish and evil queen Mylene. We follow a group of mercenaries, led by a magicless but powerful man named Envil. Eventually Mylene is captured and is about to be executed when a foreign power shows up, using Eltania’s collapse as an excuse to invade. Envil ends up getting himself killed during this… and wakes up ten years in the past. But not in the orphanage that he first grew up in. No, he’s now in the body of Lady Mylene, already a holy terror and not yet engaged to the Prince. Now it’s up to Mylene to try to change the future as much as she can… while still, of course, making sure that she’s able to beat the crap out of absolutely anyone whenever she feels like it.

To start with a complaint, this book takes forever to get to the reincarnation. Most villainess books these days steamroll through the backstory as fast as possible to get to what readers like, which is why this one leisurely showing us that Envil is powerful and that Eltania is corrupt feels like a slog. After that things pick up, though. Mylene retains her foul mouth from her previous incarnation, at least when she’s not around other nobility, and it’s amusing to hear. She kicks eight kinds of ass. There’s a suggestion that Mylene (who has the “powers of a god”, supposedly) is fated to be greedy, and we see her, even in this new timeline, fall prey to it a bit. Best of all, though, is the scorching relationship between Mylene and Colette, the princess of the Empire that invaded Eltania in the prior timeline. I absolutely loved these two fighting and also looking like they were arguing about who gets to top. So, as you can imagine, the ending of this first volume, which has Colette essentially change to the same personality as the masochistic, worshipful prince who adores Mylene, left a sour taste in my mouth. Let two dominant women try to one-up each other, dammit.

Despite these issues, and a lot of violence/gore, this is still a good series debut. I’ll pick up the next one. Oh yes, warning, they do go to a noble academy. Did you forget what genre you were reading?

Is It Wrong to Try to Pick Up Girls in a Dungeon? Astrea Record, Vol. 1

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By Fujino Omori and Kakage. Released in Japan as “Astrea Record Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?” by GA Bunko. Released in North America by Yen On. Translated by Jake Humphrey.

Before we begin, congratulations to Jake Humphrey, who joins the ranks of the translators on the world’s most cursed light novel series. I think this may actually push the total into double digits, if we count all the various spinoffs. I’m sure everything will be fine. Probably.

In retrospect, there were many things that were a mistake about this book. First, there’s the fact that it came out a mere six weeks after the 18th volume of the main series, which had already totally exhausted me. I understand that the three volumes of Astrea Record were released monthly in Japan, and I am so glad that’s not happening here. Secondly, I need to beg publishers: please stop forcing authors to write novels based on your spinoff game. First we got KonoSuba, and now Omori is being forced to toil away at this trilogy, which is probably why 19 in the main series isn’t scheduled here yet. But third, I knew going in that this series was going to be depressing. It stars everyone in Lyu’s old Familia, which means by definition everyone is going to end up dead in it except the goddess herself and Lyu. However, good news! This book is not a longer version of the canonical deaths we know about from the main series. That is the end of the good news.

This book takes place seven years before Bell Cranel arrives in a peaceful (ish) Orario. It’s far from peaceful here. The Evils are making everyone’s lives a living hell, and it’s all the various Families can do to keep the peace. This is, of course, in addition to going down and dungeon clearing, which the guild is also making them do. Fourteen-year-old Lyu, a rookie with Astrea Familia, is overly serious and quick to anger, but seems to be fitting in pretty well… that is, until a mysterious guy shows up and starts to ask her questions like “what is justice, really?”. Which, given Lyu is an emo teen, works like a charm in terms of throwing her off her game. That said, this book is not about Lyu. It’s about the series of bloody terrorist attacks that completely destroys the fragile city populace, and all of the adventurers trying to stop literally everyone from dying.

The goal of this book is to show off how much better things are in Bell’s time, and it achieves that admirable. It’s some of the most depressing prose I’ve read in a while. Lyu has a friend, the younger sister of Shakti, who is a bubbling beacon of hope and happiness, and all I could think was “wow, you are going to get horribly murdered”. And, yup, that’s what happens. The back half of this book is an absolute orgy of slaughter. Hell, Ottar – Ottar! – is nearly killed and beaten bloody, because we have two mysterious new bad guys in town, from the now defunct Zeus and Hera Familia. The warrior is the one who takes down Ottar, and he’s a sword guy. The mage takes out both Gareth and Riveria, and she has the mysterious name “Silent Witch”. (She’s not Monica Everett, sorry, crossover fans.) They’re both doing this for mysterious reasons that I think I can guess, but I’ll leave that for next time. At least they seem to be the only two doing this for reasons that aren’t “we love killing people”.

There’s two more books of this, yikes. I will try to read the second one, but if it’s just more “let’s kill anyone likable” for 250 more pages, I may bail. For hardcore Danmachi fans only.

BLADE & BASTARD: Return of the Hrathnir

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By Kumo Kagyu and so-bin. Released in Japan as “Blade & Bastard” by Dre Novels. Released in North America by J-Novel Club. Translated by Sean McCann.

One of the frustrating things about this series is that it is obviously written for middle-aged men who grew up in the 1980s playing Wizardry and want to see the author mess around in that world. At the same time, it has the sort of set pieces that can only really be deeply enjoyed by fourteen year olds who love edgy torture scenes and constant rape threats by bad guys who are eeeeeeevil, just super, duper, ooper evil. You can tell because of the rape threats. No one is actually raped here, though it’s implied in the backstory of one character, but certainly this is a series that wants you to know that it’s not afraid to shock and offend you. Unfortunately, I wrote things like this when I was in my early twenties, so all it does is make me cringe and want to desperately be reading anything else. The core of Blade & Bastard is still interesting, it’s just the execution I don’t like.

The book starts off with a real tragedy: Garbage breaks her beloved huge-ass broadsword. She goes off to get a replacement, but none of them appeal to her, and she’s left with a “Cuisinart”, a blade that is certainly good but far too light for her, and it also spins around. (The joke is somewhat obvious.) As for Raraja, he’s watching everyone else take on the dungeon every day and still trying to find a purpose beyond “locate the girl I used to adventure with whose corpse is presumably somewhere in the dungeon”. How fortunate for him that he’s met by his old bully, Goerz, who says he has that EXACT info, and will give it to Raraja if he just does one little job in the dungeon for him. Raraja knows it’s probably a trap, but goes along with it anyway, because information and a death trap is better than no information. Sadly, he’s underestimated how evil Goerz really is.

So yeah, this is a harem series. New book, new girl, and yes, it’s the girl who Raraja has been searching for who turns out to not be dead but merely wishes she was. Orlaya has some special abilities, and thus has been used by everyone around her to the point where she’s grown extremely bitter, cynical and disillusioned, and thus 100% rejects any help Raraja might be offering. Last time I said that every girl in this series was the author’s barely disguised fetish, and that applies here, as Orlaya is missing an eye, gets stuck inside a meat machine that basically spews out monsters with her as the center, and generally defines the word “woobie”. Oh yes, and as if this weren’t cliched enough, after being saved by Raraja (duh), she walks up to the huge stacked Berkanan and says “I won’t lose!”, as if Blade & Bastard suddenly became Love Hina.

So yeah, I was mostly unhappy. That said, there are good bits here. Most of Garbage’s plotline, including a few more tasty backstory bits, is excellent. Aine gets to be a cool sword-swinging nun, even if she also gets a pile of rape threats and also loses both hands. And Iarumas almost has an emotion. Still, this book’s main audience is for those who think there’s no such thing as too much black paint.

I’m Giving the Disgraced Noble Lady I Rescued a Crash Course in Naughtiness: I’ll Spoil Her with Delicacies and Style to Make Her the Happiest Woman in the World!, Vol. 3

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By Fukada Sametarou and Sakura Miwabe. Released in Japan as “Konyaku Haki Sareta Reijō o Hirotta Ore ga, Ikenai Koto o Oshiekomu -Oishi Mono o Tabesasete Oshare o Sasete, Sekai Ichi Shiawase na Shōjo ni Produce!-” by PASH! Books. Released in North America by J-Novel Club. Translated by Yui Kajita.

Oh dear. I’d say “and it was going so well, too”, but to be honest I had a few issues with the first two volumes of this series as well. This third one, though, feels like an episode of that game show where you send contestants into a supermarket and they have to stuff as many groceries into a cart as they can in 60 seconds. Theoretically the final volume in the series (more on that later), this volume seemingly had one plot left to deal with: Charlotte’s family and her past as an abused child. Admittedly this is a tricky plot to write when you’re doing a sweet romcom that uses the word “naughty” as its main gag, but clearly that was going to be the thrust of it. We do get that, but it’s lost in an avalanche of “everything but the kitchen sink”.

Now that Allen and Charlotte have confessed to each other, they can only get closer. Unfortunately, Charlotte casually mentions that tomorrow is her birthday… a fact that literally everyone in the cast except for Allen seems to have known, and they’re all lining up to deliver the absolute best presents, while Allen flails and is pathetic. Finally settling on “a kiss once everyone is asleep”, he then runs into another problem: Charlotte’s body holds two souls, the second one being the former Saint of her country Lydilia, who has occasionally been taking charge of Charlotte’s body (that’s how she escaped so easily), but now wants Allen to kill her as she is tired of life. (Kill her soul, I hasten to add – Charlotte would be fine.) That’s still not good enough for Allen, and now he has to find naughty things to please a completely different noble lady.

I cannot begin to describe how the first third of this annoyed me. Suddenly this non-isekai series is filled with reincarnations from Japan, who are busy creating ramen cafes. Our mail carrier catgirl turns out to have been searching for her missing twin sister… who she finds within 2 pages of her explaining this. The “perfect birthday present” section is excruciating, with Allen suddenly becoming ten times more pathetic than he’s ever been. Lydilia’s plot works best, especially when the narrative turns serious, but it also feels like it was shoehorned in so that the same “sharing souls” concept could be used to explain part of the overcomplicated solution to Charlotte’s past abuse. Lastly, the final scene with Allen and Charlotte meeting as children actively made me snarl at the book in its obviousness.

Still, at least with this last volume, we’ve… End of Part One, you say? More books coming? Sigh. If you really enjoyed this, you might try more, but this third volume just annoyed me.

The Oblivious Saint Can’t Contain Her Power: Forget My Sister! Turns Out I Was the Real Saint All Along!, Vol. 1

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By Almond and Yoshiro Ambe. Released in Japan as “Mujikaku Seijo wa Kyō mo Muishiki ni Chikara o Tare Nagasu: Imadai no Seijo wa Anede wa Naku, Imōto no Watashi Datta Mitai Desu” by Earth Star Luna. Released in North America by J-Novel Heart. Translated by Dawson Chen.

Sometimes a title can work against you. When I first saw this title, which (as with so many other light novel titles out these days) describes the plot, I focused on the words “oblivious” as a personality trait of the heroine, and was expecting something along the lines of Bakarina or Villainess Level 99. This is, however, definitely not that kind of book. It’s not on the level of I Swear I Won’t Bother You Again! (the gold standard of dark villainess tragedies), but this is definitely one of the more serious “disgraced noble” books, and the main obstacle through much of it is the heroine’s own self-loathing due to years and years of abuse and neglect. It ends up being… good. It’s very readable. It does, however, have quite a few problems, one of which is also directly linked to its title: this book gives away almost everything it’s going to do long before it does it.

Carolina Sanchez has had a rough life. Her mother died shortly after she was born, and her older sister has never forgiven her for this. Carolina has “good, but not great” grades, and no magic, whereas her older sister is the Saint, one with great magic potential who can heal people. Her father is remote. And now their kingdom has gotten into trouble with the far more powerful Empire, so they need to marry someone off to make amends. Marry someone off to the second prince, who ha a reputation of being a bloodthirsty psychopath. And we’re not going to marry off the very important Saint, are we? Enter Carolina, who is railroaded into this. Fortunately, this ends up being fantastic for her… well, mostly. There are multiple attempts on her life. But I mean, compared to where she started the book, it’s fantastic. It is, however, very bad for her older sister, who finds she is far, far less powerful now that her “magicless” sister is far away.

Carolina is a nice person who is dealing with having to have self-worth for the first time in her life, and I like her as a heroine. Certainly the supposedly bloodthirsty prince (who turns out to be a sweetie) falls in love with her almost instantly. That said… this book telegraphs its punches something awful. At the end of the first volume, none of the characters have figured out that the Oblivious Saint Can’t Contain Her Power, only the readers and the writer know. Which is honestly frustrating, not cool. I kept yelling “test her for magic again! Come on!” Instead we get hints, which… we know. Why are you hinting about something you literally told us in the title? (And yes, the Japanese says the same thing.) We also get told about the power struggle going on between the two princes, which is mainly because the prince who should rule is magically sick and will be dying soon. UNLESS… there’s an oblivious saint around! This is also not resolved or hinted at, but is obvious.

I enjoyed reading the characters, though again even the backstory for her guard was predictable. Recommended for those who don’t mind reading something where you know everything that happens before it does.

The Manga Review: The Interview

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As part of a broader conversation about the state of the comics industry, ICv2 just wrapped up a week of interviews with major figures in North American manga publishing. Kevin Hamric, VIZ Media’s Vice-President of Publishing, noted that “manga sales are stronger than pre‑COVID, but not as strong as it was during COVID,” with series such as Demon Slayer, Jujutsu Kaisen, and One Piece performing well through all retail channels. Those sentiments were echoed by Yen Press Publisher Kurt Hassler, who pointed to the “runaway” success of Oshi no Ko and Solo Leveling as signs of a robust market. Hassler was also bullish on manhwa: “I wholly expect that manhwa will continue to outperform for the foreseeable future, especially following the success of Solo Leveling and with highly anticipated releases, such as Omniscient Reader’s Viewpoint.” Ben Applegate, an editorial director at Kodansha, shared Hamric and Hassler’s rosy assessment of manga’s future in the US, noting that even though overall sales were down in 2023, last year was still “third best year for manga sales ever in the English language.” And Marc Visnick, COO and Publisher of the smallest of the four publishers, noted that Tokyopop has adopted a somewhat different approach than its competitors. “We’re probably one of the few within the space that actually had an up year last year, when you look at our list in its entirety,” Visnic notes. “That’s attributable to our boutique strategy of really looking at quality versus quantity in terms of what we release.”

NEWS ROUND-UP

More than twenty years after she launched Kimi no Todoke, artist Karuho Shiina just published the the first chapters of a new series in Bessatsu Margaret… VIZ announced that it would be teaming up with Marvel for new X-Men and Spider-Man manga… Blue Lock and Dandadan were two of the fastest growing manga franchises last year… VIZ recently added a new title to its Shonen Jump line-up: Super Psychic Policeman Chojo… and Kodansha just began serialization of Yoshinori Matsuoka’s Re:Anima, one of several English-first titles on offer through its K-Manga app.

ESSAYS AND PODCASTS

File this under Better Late Than Never: the staff at WWAC list their favorite manga of 2023, from Mermaid Scales and the Town of Sand to Neighborhood Story. [Women Write About Comics]

Anime Feminist asks, “What shojosei series still needs to be licensed/rescued?” My vote goes to Hideko Mizuno’s rock ‘n’ roll masterpiece Fire! [Anime Feminist]

If you want a complete list of all the recent licensing announcements from VIZ and Seven Seas, look no further than The OASG, where Justin and Helen mull over this week’s news. Spoiler alert: VIZ is bringing back the OOP shojo classic Red River in an omnibus edition. [The OASG]

The Reverse Thieves name I Want to be a Receptionist in This Magical World as their manga of the month. [Reverse Thieves]

Tony Yao explains how one of Blue Lock‘s characters deals with trauma on and off the field. [Drop-In to Manga]

Xan and Gretta take a close look at Bocchi the Rock, “a hilarious comedy about a shut in guitarist who joins a rock band.” [Spiraken Manga Review]

Over at the Mangasplaining podcast, David Brothers convenes a round table on Masakazu Ishiguro’s sci-fi series Heavenly Delusion. [Mangasplaining]

REVIEWS

This week’s must-read review comes from Jackson P. Brown, who offers an in-depth look at Fuyumi Soryo’s Mars, which vividly captures “the full onslaught of teenage angst, where the whole world feels like it’s ending, and every decision is unshakable, and every argument is an earth-shattering event, and actions are made from places of extreme emotion”… Piro uses the final installment of Phantom Tales of the Night as a jumping-off point for exploring what it means to be human… DoctorKev explores the complexity of Ghost in the Shell…. Hagai Palvsky deconstructs Yūichi Yokoyama’s Baby Boom… and Kristin weighs on on the deluxe edition of Vinland Saga.