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Kuma Kuma Kuma Bear, Vol. 19

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Airship. Translated by Jan Cash & Vincent Castaneda. Adapted by Lorin Christie.

Sigh. So not only does this volume retread a lot of ground I talked about last time when I was reviewing Kuma Bear (Yuna is a big softie but hates when people call attention to it), it’s also a huge battle volume, which means that 2/3 of it is made up of fights that I also can’t really review very well. It is nice to see Yuna having to think about various ways to try to defeat the fire orochi head, whose strengths actually block Yuna to a degree, and seeing her try some stuff that, back in Vol. 2 or so, was an immediate win move end up doing nothing whatsoever. She’s having to think on her feet and be clever, even though a lot of this is just “I can do things everyone else can’t because of the bear costume”. And we get a flashback showing how the orochi was first sealed, which is interesting if you’re invested in the fox spirit. Which… I wasn’t really. So yeah, still struggling.

Sorry, cover art fans, but Yuna spends barely any time in the white side of the suit this book – this is powerful, punching things Yuna through and through. Everyone realizes that the orochi’s seals are breaking, especially now that Mumulute shows up and it starts to really try to break its binding. The answer is to just fight and actually defeat it this time, but the orochi has four heads and its huge body, and even Yuna can’t duplicate herself. So Shinobu and Kagari also get involved, and unfortunately Shinobu is injured and has to be sent to the penalty box (the penalty box being Yuna’s home, where Fina is called over to nursemaid her). As for Sakura and Luimin, two of the latest girls to revolve around Yuna’s “10-year-old girls seem to dog me” orbit, well, they can at least try to stop it waking up for as long as possible. Still, in the end, it takes a bear. A bear who really, really does not want a reward.

So, stop me if you’ve heard this one before, but Yuna hates being praised and deflects attempts to credit her for anything, saying she just wants to live a life where she’s not viewed as the hero. That’s getting increasingly difficult, and it doesn’t help that Kagari (who, by the end of this book, is also in the body of a little girl – The Author’s Barely Disguised Fetish is always the weakest part of this series) is doing the same thing. On the bright side, I did enjoy seeing Luimin and Sakura bond immediately, to the point where they vow to travel the world together once they grow up, and it might even eventually be yuri if I thought the author was ever going to do anything of the sort, which I don’t. And we got to see Fina pouting and hitting Yuna with her fists like an anime cliche. That was cute.

We’re only a little behind Japan now, which has Vols. 20 and 20.5 out. Next time should see the start of a new arc, and no doubt new things for me to complain about. But I’ll read it. Yuna is as Yuna does.

Manga the Week of 9/11/24

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SEAN: It is getting cooler? No? Ah well, had to ask. Back to manga.

ASH: I had hope there for a moment.

SEAN: Airship has two print titles out next week: She Professed Herself Pupil of the Wise Man 11 and There’s No Freaking Way I’ll be Your Lover! Unless… 5.

ASH: Unless!

SEAN: The early digital debut is Witch and Mercenary (Majo to Yōhei). Everyone knows witches are evil. Witches should be dead. Everyone but the witch, who’s wondering why everyone seems to hate her. So she hires a mercenary to go with her on adventures.

Dark Horse have a deluxe edition of the old Trigun manga, containing all the volumes (this is just Trigun proper, not the continuation) in a handsome hardcover.

ASH: I’ll admit, I do like this trend of deluxe releases.

SEAN: There’s a mature Seven Seas debut I will slot here, a manwha they are calling Perfect Buddy and also known as XXX Buddy, but you can probably fill in the x’s and you’ll be correct. Co-worker catches another co-worker doing naughty things in the company bathroom. Sex follows.

ASH: Uh-oh!

SEAN: Ghost Ship also has an 11th volume of The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You.

ASH: One of these days I really will get around to giving this series a try.

SEAN: No new series for J-Novel Club next week, but we do see The Brilliant Healer’s New Life in the Shadows 4, Death’s Daughter and the Ebony Blade 7-2 (the final volume), Heavenly Swords of the Twin Stars 3, I’m a Noble on the Brink of Ruin, So I Might as Well Try Mastering Magic 3, Let This Grieving Soul Retire 5, My Quiet Blacksmith Life in Another World 9, The Mythical Hero’s Otherworld Chronicles 8, the 2nd manga volume of The Reincarnation of the Strongest Exorcist in Another World, To Another World… with Land Mines! 9, and You Like Me, Not My Daughter?! 7 (the final volume).

For print, Kodansha Manga has FAIRY TAIL: 100 Years Quest 16, Kei X Yaku: Bound By Law 3, Turns Out My Online Friend is My Real-Life Boss! 2, and the 4th and final volume of Virgin Love.

The digital debut is Manchuria Opium Squad (Manshuu Ahen Squad), a dark seinen series from Comic Days. A soldier in 1930s Manchuria loses an eye, so is banished to an agricultural station where he’s abused by everyone around him. Then he finds… poppies. Unfortunately, this just leads to more problems. At Anime NYC, this was compared to Breaking Bad.

MICHELLE: It sounds depressing.

ANNA: Indeed.

ASH: Huh.

SEAN: Also digital: Altair: A Record of Battles 26, Gang King 21, Nina the Starry Bride 13, Quality Assurance in Another World 11, and Tokyo Tarareba Girls Returns 2 3.

ANNA: Always happy for more Nina the Starry Bride!

ASH: And Tokyo Tarareba Girls 2!

SEAN: Two debuts from One Peace Books next week! Hero Without a Class: Who Even Needs Skills?! (Mushoku no Eiyuu: Betsu ni Skill Nanka Iranakattan daga) is the manga version of an as-yet unlicensed light novel, which runs in Earth Star Online. Betcha know the plot. Yup. Son of two famous people in a world where your fantasy “class” determines everything doesn’t have one. Cue bad things.

ASH: Bad things happen, ya know?

SEAN: Kurokiya-san Wants to Lead Him Around by the Nose (Tedama ni Toritai Kurokiya-san) is a romcom from Comic Meteor. Our heroine is about to flunk out of her year, so she gets her unflappable childhood friend to tutor her. She wants to seduce him. Alas, he’s unflappable.

ASH: Ha!

SEAN: Debuts from Seven Seas. Hatsune Miku: Cantarella ~Poison of Blue~ (Cantarella – Ao no Dokuyaku) is based on a Vocaloid song, and imagines Hatsune Miku as Lucrezia Borgia. It ran in Age Premium, and is a one-shot.

ASH: I feel like it’s been a moment since we’ve had a Borgia manga.

SEAN: Otonari Complex is a Kurofune Momo series about a guy who has pretty features and his childhood friend, a girl with handsome features, who both have to deal with gender presentation, their own feelings for each other, and other friends of theirs who may also have romantic feelings.

MICHELLE: I have heard good things about this one!

ANNA: It does sound intriguing!

ASH: My curiosity is piqued.

SEAN: Also from Seven Seas: A Cat from Our World and the Forgotten Witch 3, The Duke of Death and His Maid 14, The Eccentric Doctor of the Moon Flower Kingdom 7, Grandmaster of Demonic Cultivation: Mo Dao Zu Shi The Comic 7, His Majesty the Demon King’s Housekeeper 7, Hunting in Another World With My Elf Wife 5, The Invisible Man and His Soon-to-Be Wife 4, Karate Survivor in Another World 6, Last Game 6, Monster Musume 17, Mushoku Tensei: Roxy Gets Serious 12 (the final volume), and The White Mage Doesn’t Want to Raise the Hero’s Level 3.

Square Enix has The Strongest Sage with the Weakest Crest 20 and Tokyo Aliens 7.

SuBLime’s one release is a BL title, Takara’s Treasure (Takara no Biidoro), a Dear + done-in-one. Three years ago, a man was consoled while going through grief by the titular Takara. Now he’s come to Tokyo to find Takara… even if Takara wants nothing to do with him!

Viz has a debut. Disney Twisted-Wonderland: The Manga – Anthology is exactly what you think it is.

ASH: Indeed.

SEAN: Also from Viz: Animal Crossing: New Horizons 7, Call of the Night 17, Fly Me to the Moon 25, Frieren: Beyond Journey’s End 11, Helck 11, Love’s in Sight! 8 (the final volume), Mao 18, and Naruto: Sasuke’s Story—The Uchiha and the Heavenly Stardust: The Manga 2 (the final volume).

ASH: I should really read Frieren at some point; more than one of my coworkers have been enjoying the series.

SEAN: Yen Press has some J-Novel Club print editions, as we see Ascendance of a Bookworm 26, In Another World With My Smartphone 28, the 5th Tearmoon Empire manga, and the 10th The Unwanted Undead Adventurer manga.

ASH: Bookworm! (I won’t be able to say that for too much longer, will I?)

SEAN: And they’re also releasing Bungo Stray Dogs: Dazai, Chuuya, Age Fifteen 2.

Something for everyone. What are you getting?

Private Tutor to the Duke’s Daughter: The Great-Tree Warden’s Testament

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By Riku Nanano and cura. Released in Japan as “Koujo Denka no Kateikyoushi” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by William Varteresian.

I am prepared to eat a bit of crow here. Last time I mentioned how all the characters were getting something to do and character development except maybe Ellie. Well, character development is still thin on the ground (she’s meant to be the pure, naive one, and I think at times the author overdoes it) but certainly in terms of plot function and battle readiness she’s advanced by leaps and bounds. Her magic is strong enough to be able to take on giant monsters to protect Allen and Stella, and we also find out that she’s a Great-Tree Warden, something that was thought to have died out. Oh, and she gets to link mana with Allen. So yes, this is absolutely the book for Ell.ie fans. That said, this harem is large, and you know that no one can stay in the spotlight for too long, so by the end of the book she makes way for Book 14, which promises to be all Stella. Who, um, may be evil now.

We’re now back from the City of Water, after leaving everything to Niche Nitti (which, for some reason, makes Felecia intensely jealous), our cast return home so they can set up for the next part of the plot. Some of that is put off till future books – the Church is still lurking in the background, and every single bad guy who hasn’t died seems to have converged on the same country that’s right next to our heroes. But some of it needs to be dealt with now. There’s an oracular prophecy that may help to fix Stella’s magic issues, but it requires Allen, Stella and Ellie to go visit an underground archive that happens to be controlled by the very people who despise Allen. Now, this would not be an issue if Allen had a title – but he keeps rejecting, deflecting, and avoiding them. So we just have to make it so he can’t refuse…

Allen’s position makes a lot more sense after this book – there are some people who are doing their damndest to try to not only make sure he’s a failure but also, if the ending is accurate, .literally kill him. It’s all related to the Beastmen, because surprise, there’s prejudice. As for the harem, for once we actually get a long look at the Princess, Cheryl Wainwright. The author apologizes for his being unable to shoehorn her into past volumes, but it makes sense – she’s in line for the throne, and unlike Lydia can’t run away at the spur of the moment just cause. She was fun, and at times seems to possess the common sense the rest of Allen’s harem lacked. But I’m sorry, even with that title, she’s lagging behind the rest of the harem.

I’m not sure when we’ll get the next volume – it’s unscheduled in English at the moment – but it’s likely to finally resolve Stella’s issues. Whether she actually does turn villainous is up in the air… well, not really. This isn’t that kind of series. But she may turn for a while. Till then: good job, Ellie. Sorry I doubted you. Headpat from Allen!

The Crown of Rutile Quartz, Vol. 2

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y Surume Enoki and ttl. Released in Japan as “Rutile Quartz no Taikan: Ō no Tanjō” by DRE Novels. Released in North America by J-Novel Club. Translated by Alice Camp.

Siiiiiiigh. Great, another attempt to review a book which is “okay, I guess”. Again, it would be so easy to paste the review of the first volume here. It’s a decent read, it held my attention, the battles are well-done, and I like Slaine as a character. But it’s again using a fantasy world as an excuse to get people to read a generic military history book, and Monica, Slaine’s lover and later in this book wife, is painfully undercharacterized. The book is happy to have her there to cheer Slaine up and pat his head, as well as glare at anyone who does anything vaguely insulting to him. And that’s really about it. She reads like a prize, which, honestly, I thought authors knew better than that now. On the bright side, the court mage is shown to have another woman as her partner, and even if gay marriage isn’t legal in their country, they call each other wife and wife. Maybe Slaine should do something about that in between fighting to save the kingdom.

Slaine and Monica are now lovers, which you’d think would be an issue given her low noble status, but as it turns out the kingdom’s nobles are balanced so precariously following Slaine taking the throne that everyone’s actually okay with Monica being the Queen provided her family doesn’t get extra perks – well, at least publicly acknowledged extra perks. Meanwhile, Slaine’s reign is still regarded as “laughable” by far too many people, and so he suffers an assassination attempt, then an invasion by a noble who regards him as beneath contempt because he was a commoner… and finally by the Third Prince of the Empire, Florenz, who was behind the noble’s attack in the first place and who seems to think that invading will be easy from their impregnable fortress. Can Slaine perhaps make that fortress less impregnable?

The men in this book fare a bit better than the women, though honestly only three characters really stand out, and one of them is Slaine himself. We get two varieties of “evil ruler” here. Julius is the sort who’s actually good to his men, and goes out to fight with them, etc. The ‘noble bigot’ sort. The bigot coming because he is deeply,. deeply classist to the point where he’ll gladly go to war over it. This goes badly, mostly as Slaine has very well trained troops who know how to perform obvious sucker moves without making them LOOK like obvious sucker moves. Then we get the third prince of the Empire, who is the ‘entitled dickhead’ sort of villain, who assumes that anything he does can be taken care of after the fact provided he wins… and then when he loses literally goes mad. I did like Slaine’s idea for how to take the impregnable fortress, which felt very much like him, as opposed to “tactics that we’re supposed to handwave the enemy couldn’t think of”. More cleverness, less pushing soldiers around on a map, please.

This comes out slowly, so I’m not sure when the next volume will be. And it’s a DRECOM title, so who knows if the third is the last. The webnovel suggests 7 books in total. I’ll read the next one, though. Even though I’ll go “that was all right, I guess” at the end.

High School DxD: Mages of Career Counseling

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By Ichiei Ishibumi and Miyama-Zero. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

I’ve said before that this is a series where you come for the boobs and stay for the worldbuilding, but if I’m being honest this is a series where you come for the boobs, stay for the boobs, and there is also worldbuilding. This series is never going to shy away from what its readership wants. Sona Sitri plays a major role in this volume, and you’d expect a color page showing her, say, directing the combat against the mages as she does towards the end. Instead, we see a shot of her cooking in an apron and panties, whipping up cake batter in a way that leaves her covered in white goo. Needless to say, this scene does not exist anywhere in the book. I think the artist thought that this book had too much actual fighting and a lot less service, which is… wrong given that we see seven naked or near naked girls in Issei’s bed during this, but also correct. This is a more serious volume.

Issei is back from the dead, though most of the girls around him are still traumatized by his death, to the point where EVERYONE is sleeping in his bed at night. Meaning he has to sleep in a chair. Yeah, sorry, still no sex here. In the mean time, stuff continues to happen even though Issei is recovering and Draig is still inactive. He has to train to get better, as to the rest of Rias’ peerage. They’re all being buried in offers to work with mages, and they have to filter down to the actual good offers, which includes a former enemy, Le Fey Pendragon. And there’s a war between vampire clans, and one of them shows up and tries to bully and blackmail Gaspar into joining them or else his childhood friend will fall into darkness. Needless to say, that really does not go over well, and Rias and Kiba head off to negotiate with the vampire clans in Europe. Which means they’re not there when rogue mages kidnap Ravel, Koneko and Gaspar…

Generally speaking fantasy light novels tend to start off with mages in Book 1, then work their way through vampires, and finally end up with angels, demons, and wars in heaven. High School DxD is not afraid to do things ass-backward, of course. Nor is it afraid of asses, though Issei prefers boobs. Seriously, though, this is a clear transitional volume, setting up the table for the plot that will likely carry through the rest of the series (which ends at Book 25, though yes, there’s a “sequel” that just continues it). We get to see some characters show off their talents. sometimes comedically (poor Asia, though at least Issei promises to be with her forever), and sometimes seriously (Ravel, who makes it as clear to Issei that she is in love with him without saying the words, and he reacts… like Issei would, of course. “Please be my manager forever” will have to do for now). And there’s a really cool final battle, and some cool new bad guys, who are very bad, and also related to the cast – literally in one case.

So yeah, we’re back and ready to go!… what? More short stories next time? Oh, *half* a short story volume. I have no idea what that means. Anyway, next time I hear Irina gets something to do. Looking forward to that.

Rascal Does Not Dream of Santa Claus

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By Hajime Kamoshida and Keji Mizoguchi. Released in Japan as “Seishun Buta Yarou wa Santa Claus no Yume wo Minai” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

You know, Rascal Does Not Dream turned into a horror series so gradually, I didn’t even notice. Oh sure, each volume has had its share of horror and suspense – far more than you’d normally expect from a high school romcom. Starting with Mai potentially disappearing and Sakuta’s horrible scars, each volume has sometimes looked deep into the abyss. But I don’t think we’ve had a volume lean quite so hard into actual horror than this one. Even Vol. 6 and 7 was meant to be a tragedy, not horror. Here we get the ongoing Touko plot blending into loss of identity, and over the course of the book we realize that it’s not just Nene who’s dealing with the loss of identity, but A LOT of other people. And now they’re all invisible Santas. And they’re trying to kill Mai. As I said. Creepy as hell. Sakuta manages to resolve the immediate issue this time around, but only by getting physically injured to protect his love. Also, the ending is not reassuring.

Sakuta has a Christmas dream that Mai is singing at a concert, then announced publicly that she is Touko Kirishima. What’s worse, a whole lot of other people had similar dreams. Other, more disturbing dreams are also happening. Kaede dreamed she had reverted to her alternate self again. Futaba dreamed that she and Kunumi were on a happy date together, which is ominous given that he’s still together with Kamisato. And Mai… didn’t have a dream at all. It all has to relate to the Santa-wearing Touko, and Sakuta spends most of the book looking into Touko, as well as the girl he thinks she is, Nene. The answer to how to solve her problem is a lot closer to Sakuta than he thinks, but… is that really the actual problem? Is he just treating a symptom? And what’s with the dream of Mai getting injured and falling into a coma?

As I said, there’s a lot of scary stuff here. Particularly the ending, showing Mai surrounded by about 100 Santa-clad Toukos that no one else seems to be able to see. I did enjoy the wrapup on Nene’s plot specifically, but it also made me wonder how she and all the other Toukos are meant to reintegrate into society after having “vanished” for about 10 months. The book, unsurprisingly, decides to elide over that. I also enjoyed seeing the friendship/codependent helper relationship that he and Ikumi have, is only because it’s just nice to see him have someone reliable to talk to who can help deal with everything even when no one else can. And, honestly, that may end up tying into the next book. Because anyone who thinks the next book is not going to start with Mai saying that she’s Touko is fooling themselves. The whole volume is a setup for that.

There are two books to go, and they come out only two months apart (the final one is in October in Japan), so Yen may wait and try to release them the same way here. The identity of the antagonist is not hard to guess (hint: what major girl hasn’t got a cover yet?) but I have no idea how it’s going to resolve. In the meantime, there is fun banter here, I promise, but it’s getting thin on the ground.

Sabikui Bisco, Vol. 8

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By Shinji Cobkubo and K Akagishi. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jake Humphrey.

OK, this is starting to irritate me. This is not the first time we’ve had a volume of Bisco that felt like the final volume except that there are clearly more coming, but it’s the first time I felt angry about it, because this really was a fantastic ending. It wrapped up most of the plots we’d had so far, it featured an epilogue that screamed “this is it, I have finished the series”, and it’s also one of the best books in the series. Sadly, after that ending you get the usual “movie trailer” preview that says Book 9 will be BISCOOOO… IN… SPAAAACCCEEE!. Now, this could be quite good, and I’ll definitely be reading it. But I’m getting kinda tired of this author wrapping everything up and then just continuing to roll along. Sometimes series can just END, y’know. In any case, back to Book 8 itself. If you’ve been annoyed by the heterosexuality in this book, particularly Bisco and Pawoo having a kid, boy do I have good news for you. It’s mpreg time, baby!

A mysterious ark, led by someone who looks and acts suspiciously like a United States President (not a specific one, honest, just… in general) is sucking up valuable specimens around the world, which ends up including most of our cast. Meanwhile, Milo has been trying to hide from Bisco that he’s been having mysterious morning sickness. That’s right, when they merged their powers earlier, it led to a magical daughter with Milo as the “mother” and Bisco as the “father”, who they name Sugar. Sugar rapidly grows to be a child from hell, especially when Milo and Bisco are taken in by the ark and made into specimens. Fortunately, she has a cat guardian to help… except she’s not really listening to them. More fortunately, Maria, Bisco’s mother, has shown up to help out… wait, WHAT?!? Wasn’t she dead? And is she really helping?

Maria is easily the best addition to this book, and she’s exactly what you’d imagine Bisco’s mother to be like. Her reasons for faking her death are… well, understandable is the wrong word, but they make sense for the character. I also really enjoyed her scenes with Pawoo, who still doesn’t get a lot to do here, but gets a lot more to do than she has in the last few Bisco books. This includes giving birth, which surprised me. The cover art made me think we’d get a time skip, but no, Sugar just grows up almost immediately. Then I thought we’d get one near the end, as Pawoo was only a couple months pregnant…but we live in magical mushroom country, and we’re also here to fight God, so babies need to be born when it suits them. I also really enjoyed the epilogue, which I don’t want to spoil too much, but I feel may have drawn from the author’s own experience… and also reminds us that, no matter how big a fantasy this is every time, it’s still Japan, not an isekai.

So yeah. Space Bisco. FINE, I guess. In the meantime, this was fantastic, and a great ending to the series.

My First Love’s Kiss, Vol. 1

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By Hitoma Iruma and Fly. Released in Japan as “Watashi no Hatsukoi Aite ga Kiss Shiteta” by Dengeki Bunko. Released in North America by Yen Press. Translated by Kiki Piatkowska.

Tempted as I am to just write “Christ on a cracker” and let that be my review, I suppose I should get into the nuts and bolts of this thing. First of all, I feel retroactively annoyed with Adachi and Shimamura 11. I’ve mentioned many times before how this author has a cast of characters that are all part of the same “world”, and they flit in and out of each other’s series. That was the case with Adachi and Shimamura 11’s review as well. Little did I realize just how MUCH those characters took up all of Book 11, to the point where it now reads as nothing more than an ad for the author’s darker yuri series. (A&S 11 came out the same day as the final volume of this one.) The author also states in the afterword that this is a “romantic comedy”, then admits readers will get annoyed at them for saying it. Which is very true. This is a trawl through the sewers of love, and it will make you feel dirty.

Takasora is very, very surprised when her mother one day brings home someone she knew when she was in school, along with the woman’s teenage daughter, and announces that they’re now living there. The other teen, Umi, is very pretty (a fact Takasora will mention over and over again throughout this book), but also doesn’t seem all there, and there’s clearly something going on behind the scenes that Takasora… really doesn’t want to get involved with. Unfortunately for her, not only does she slowly begin to get obsessed with Umi as the days go by, but she also notices Umi going out late at night and frequently staying out all night. And there are rumors that she’s doing compensated dating. Are the rumors correct? The other half of the book is Umi’s story, which tells us that a) yes, they are correct, and b) it’s far more desperately awful than we’d like.

So, first of all, the opening of this novel features physical abuse of one of the heroines. FYI. Secondly, the rest of the book features emotional manipulation of the same heroine. Takasora is the easier part of this book. She’s immediately very attracted to Umi, can’t really work out why, and spends the book realizing that she’;s in love. Umi has spent most of her life bouncing from house to house with her mother. The better households ignore her, the worse ones abuse her. Then six months ago, she meets a gorgeous older woman who wants to pay her lots of money to have sex with her. And Umi falls for this lady HARD. It’s the first caring and affection she’s ever really received, and even though she knows the woman is a creepy pervert, and that this is illegal, and that love is not involved, she still confesses and begs her to NOT pay her anymore and just date her normally. (Something which the other woman notably does NOT do.)

A brief extra note to talk about the connections to Adachi and Shimamura, for fans of that series who I know are curious. The first half of A&S 11 can pretty easily be understood after reading this volume. The “kimono lady” 15-year-old Shimamura meets, who acts creepy but states straight up that Shimamura is one year too young for her, is the lady who is involved with 17-year-old Umi in this series. The last half of the book might be more confusing, as I’m pretty sure the senpai that Shimamura meets on her vacation with Adachi in Takasora from this book, only their personality is literally NOTHING like this Takasora, so I may be wrong. Most ominously, Chiki (the kimono lady) at one point apologizes to Umi for being a) late and b) in an out-of-place yukata, as she was “visiting Hino”. Hino as in Hino and Nagafuji Hino?!?! It’s even implies she stays at their estate. Given everything about Chiki makes me recoil in horror, I kind of hate this.

I will probably read the other two books in this series, as I want to see what happens and how it ties in to a yuri series I do enjoy. But man, I cannot recommend this at all unless you revel in the most toxic yuri and do not mind feeling like your skin is crawling while reading most of this.

Alya Sometimes Hides Her Feelings in Russian, Vol. 5

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By Sunsunsun and Momoco. Released in Japan as “Tokidoki Bosotto Russia-go de Dereru Tonari no Alya-san” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Matthew Rutsohn.

It’s been about ten months since the last non-short story volume of Alya, and since then we’ve started the anime, which is doing a pretty good job, even if it’s also reminding us how hard it can be to watch Alya herself at times. It’s also facing stiff competition from Too Many Losing Heroines!, another anime that is very interested in light novel cliches. But while Makeine uses the tropes straight on occasion but for the most part wants to call attention to them and deconstruct them, Roshidere positively revels in the tropes. It will give you the fake incest, the boob measurements, the “I saw the girls I like changing” gags, walking in on a girl naked out of the shower is literally engineered here. Now, it’s not the point of the series. The point of the series is seeing Masachika and Alya both struggle to have any self-worth at all despite both being ludicrous geniuses. But it *is* why people obsess with this series.

We start by “resolving” the cliffhanger from the fourth volume. It’s not actually resolved at all, really – even if Masha isn’t already aware she’s the forgotten childhood friend, anyone in a light novel who confesses and then says you don’t have to give me an answer right away is already digging a massive hole it will be impossible to climb out of. In the meantime, it’s culture festival time, and the student council are stepping in where needed. In fact, they’re stepping even above and beyond – Hikaru’s band collapsed due to romantic drama, and they need three new band members… which might be a good opportunity to Alya to sing and show leadership skills. More importantly, there’s a quiz game where Yuki and Alya will be competing against each other. Supposedly a fun contest, you know it’s actually a proxy war in the election.

Alya is doubting herself. She wants to be able to stand on her own, to not have to depend upon Masachika as much as she has in previous books. (She also wants Masachika to ask her out on dates, but let’s leave that aside for the moment.) She does a great job in this book! Possibly too great a job. Masachika’s ridiculously huge self-hatred has driven everything he’s done in this series since the start, and we wallow in that in this book, whether it drives his cowardice in not actually asking Alya for that date, to his jealousy over seeing her get along with his other male friends, to his despair at realizing that she is growing and becoming able to stand on her feet… without him. His final words to her at the end of this volume imply that once she’s won, he’s going to quietly bury himself so that she can move forward without him holding her back. I do hope that before he finishes his self-loathing Samson act he at least crushes the asshole piano prodigy who’s trying to destroy Alya first, however.

If you enjoy seeing insecure and pessimistic kids avoid being in love with each other and lots of girls in underwear or even naked, this series is written just for you.

Manga the Week of 9/4/24

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SEAN: School time! Send those beloved youngsters back to school to learn new things and avoid getting COVID.

ASH: Yeah…

SEAN: We begin with Viz, which debuts a classic manga from way back in the 1990s, before most of you were even born! It’s also from Ai Yazawa! Last Quarter (Kagen no Tsuki) ran in Ribon, this features a girl who, after almost dying, sees another girl in her dreams. I think it’s coming out in two 300-page volumes.

MICHELLE: Woo!

ASH: Oh, nice! I’d forgotten this had been picked up.

ANNA: I had no idea but I am excited!

SEAN: Also from Viz: Chainsaw Man 16, Dark Gathering 9, Let’s Do It Already! 2, Like a Butterfly 8, Mashle: Magic and Muscles 17, Sakamoto Days 13, Wolf Girl and Black Prince 9, and Yona of the Dawn 42.

MICHELLE: I desperately need to catch up with Yona!

ASH: Same.

ANNA: Me too, but this is such a fun series to binge.

SEAN: Udon Entertainment has an interesting release. Giga Town: The Guide to Manga Iconography (Giga Town – Manpu Zufu) is a look at all the things readers take for granted that everyone knows. Sweat drops, anger marks, etc.

ASH: Looking forward to this one!

ANNA: Sounds cool.

SEAN: Tokyopop debuts Let’s Eat Together, Aki and Haru (Aki wa Haru to Gohan wo Tabetai), a foodie title with a dash of BL as two roommates try to feed themselves properly. It runs in bamB!.

Steamship debuts Loved by Two Fiancés (Futari no Konyakusha ni Dekiai Sarete). This smutty title from Ichijinsha’s Lovebites is about a woman who’s engaged to a sweet, caring, loving man… then she finds he has a hidden sadistic side!

ANNA: Oh no!

SEAN: Also from Steamship: Before You Discard Me, I Shall Have My Way With You 2.

From Square Enix we get The Apothecary Diaries 12, My Clueless First Friend 7, and Smoking Behind the Supermarket with You 3.

ASH: The Apothecary Diaries is another one I’ve been meaning to catch up on sooner rather than later.

SEAN: Seven Seas has a debut, I Quit My Apprenticeship as a Royal Court Wizard to Become a Magic Item Craftswoman (Kyuutei Madou-shi Minarai Oyamete, Mahou Aitemu Shokunin ni Narimasu), which runs in Piccoma. The plot is that a Royal Court Wizard apprentice quits her job to become a craftswoman of magical items. Funny, that.

They also have a novel debut, which is not Airship, or danmei, but it’s Korean, which I guess is why it’s not with the light novels. Lout of Count’s Family sure has the plot of a standard “male villainess” story, though, as a guy wakes up in the body of the arrogant lord the hero beats up in his favorite book. Screw that, he will forge his own destiny!

ASH: A Korean novel, interesting!

SEAN: Also from Seven Seas: CALL TO ADVENTURE! Defeating Dungeons with a Skill Board 8, My Sister Took My Fiancé and Now I’m Being Courted by a Beastly Prince 2, Reincarnated as a Dragon Hatchling 6, Sword of the Demon Hunter: Kijin Gentōshō 5, This Is Screwed Up, but I Was Reincarnated as a GIRL in Another World! 13, True Love Fades Away When the Contract Ends 2, We Started a Threesome!! 3 (the final volume), and Yakuza Fiancé: Raise wa Tanin ga Ii 8.

Lots of Kodansha Manga titles next week, but no debuts. We get Anyway, I’m Falling in Love with You 4, I Got Reincarnated in a (BL) World of Big (Man) Boobs 2, I’m Giving the Disgraced Noble Lady I Rescued a Crash Course in Naughtiness 7, Initial D Omnibus 3, Medalist 4, ORIGIN 6, Rent-A-Girlfriend 26, and Vinland Saga Deluxe 4.

ASH: Those deluxe volume sure do look pretty.

SEAN: And digitally we see Blue Lock 27, A Condition Called Love 15, Even Given the Worthless “Appraiser” Class, I’m Actually the Strongest 11, How to Grill Our Love 10, Life 18, My Wife is a Little Intimidating 9, Sayabito: Swords of Destiny 4, Shangri-La Frontier 17, and Those Snow White Notes 21.

J-Novel Club has one debut: Dagashi-ya Yahagi: Setting Up a Sweets Shop in Another World (Dagashiya Yahagi Isekai ni Shutten Shimasu). Our “hit by a truck” hero ends up in a fantasy world with classes and skills… but his destined role is “penny candy shop owner”. Can he eke out a slow life, or will the fact that he’s a main character in a Japanese light novel make that impossible?

Also from JN-C: After-School Dungeon Diver: Level Grinding in Another World 3, Ascendance of a Bookworm 33 (the final volume), Campfire Cooking in Another World with My Absurd Skill 15, Cooking with Wild Game 25, the 3rd manga volume of A Livid Lady’s Guide to Getting Even: How I Crushed My Homeland with My Mighty Grimoires, The Misfit of Demon King Academy 7, the 2nd manga volume of My Quiet Blacksmith Life in Another World, and Seirei Gensouki: Spirit Chronicles 25. Bye, Rozemyne! Hopefully we’ll get the Hannelore spinoff soon!

ASH: Bookworm!

SEAN: Guess who forgot a publisher again last week. Meeeee! Hanashi Media has My Pet Is a Saintess 3 out THIS week.

ASH: There are so many smaller presses these days, which I love to see, though it can be challenging to keep track of them all.

SEAN: There’s a Mature Manga debut from Seven Seas that I can slot into the Ghost Ship section. At 25:00 in Akasaka (25ji, Akasaka de) is a BL title with a live-action movie out now. Two actors and old school acquaintances have to research the role of gay men they’re playing. Well, one of them does. The other one might not need to?

ASH: Hmmm, I think I’ve read an older series with a similar premise.

SEAN: And from actual Ghost Ship, Ayakashi Triangle 11.

That lout and his Korean webtoon-self has ensured there are no print novels from Airship, but we do get an early digital debut: I Abandoned My Engagement Because My Sister is a Tragic Heroine, but Somehow I Became Entangled with a Righteous Prince (Higeki no Heroine Buru Imouto no Sei de Konyaku Hakishita no desu ga, Naze ka Seigikan no Tsuyoi Outaishi ni Karamareru you ni narimashita). A saint is rather stunned when her little sister says she’s a villainess, and even more stunned when this means her fiance breaks off the engagement to her. And now the Crown Prince is investigating her? Isn’t this all about her sister?!?!

And we also see Reborn as a Space Mercenary: I Woke Up Piloting the Strongest Starship! 10.

What will you be reading instead of listening to the teacher next week?

My Happy Marriage, Vol. 7

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By Akumi Agitogi and Tsukiho Tsukioka. Released in Japan as “Watashi no Shiawase na Kekkon” by Fujimi L Bunko. Released in North America Yen On. Translated by David Musto.

Every so often, I hot a point in a book where a plot point bounces off me so hard that I just go “NOPE” and throw the book away. Usually it’s pretty easy, as it’s in the first or second volume in a series and I can easily just drop it and never look back. It’s much harder when it’s in a series I really like. I don’t WANT to drop this series. And yeah, the second half of the book is basically everything we wanted to have happen. But man alive. I absolutely did not need the main plotline of this volume, whose entire purpose (and it’s clearly, deliberately on purpose) is to fill this volume with drama even though all the roadblolcks and evil villains have been taken care of. It is there to pile on the pain and suffering once more, and I’m not sure it makes the resolution sweeter for that fact. Basically, there is a scene (it has the words “I hate you” in it) that made me want to jump into the sea. Anyway. Moving on.

It’s finally time. We’re at the wedding, Miyo looks gorgeous, the guests are here, everything is prepared… and the groom is absent. Clearly it’s time for a flashback to show how we got to this point. Miyo is doing her best to get ready for being an actual wife, including facing up to the fact that she will need to be intimate with her husband (when she can’t even say the word “darling” without falling over with a red face) and also trying to brush up on her cooking skills, which are already miles better than her sister-in-law but could use some work. While at a cooking demonstration, she runs into an old classmate from elementary school, who was the other “quiet, shy girl nobody liked” in class, and Miyo gets told a rather depressing story about a sacrificial marriage. She then goes home… and has the scene I mentioned at the start.

The good and bad thing about this series is that it is filled with the supernatural, and there are tons of things that have something evil, monstrous, or twisted as their cause. This is bad because it means that we get everything that happens in this book, which involves curses, evil from the previous generation seemingly trying to rise up and make Kiyoka late for his wedding, and in the end, straight-up murder attempts. The good thing is that it means that we don’t have to have all those horrible romance cliches of “I misheard you and we must now not talk to each other for the next five volumes” miscommunication. It turns out to really be a curse. We also get to see discount bargain-basement Kiyoka and Miyo, who are there as an object lesson in how sometimes you can try to escape a terrible life by entering into an arranged marriage with a stoic, cold man and it goes really badly. I don’t think there’s supposed to be a moral here, like “they should have tried harder”, I think it’s just meant to be “there but for the grace of God go I”.

The good bits of this book were very good. The wedding was fantastic, the ceremony afterwords was heartwarming, the wedding night was moved offscreen but we assume it happened without a lot of blushing and awkwardness, and after that there’s only one minor knife to the heart to deal with and we can get our happily ever after. Except we get an 8th volume soon, so now we get My Happy Married Life. I’ll be reading more. Just… perhaps fewer road cones for the sake of being road cones?

Is It Wrong to Try to Pick Up Girls in a Dungeon?, Vol. 19

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By Fujino Omori and Suzuhito Yasuda. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?” by GA Bunko. Released in North America by Yen On. Translated by Dale DeLucia.

I needed this almost as much as Bell did. I suspect there are a few people who will be disappointed by this volume. After the highs and lows of the last few arcs, something like this, which is a deliberate “let’s do something totally different” thing, might feel out of place. But the volume is also filled with hints that we’re getting close to, if not the end of the series, then at least the beginning of the end of the series. Bell is being prepared for heroism, and he is going to be a hero. He’s being forced to pay attention to the world outside of Orario, and we see m,any signs that things outside Orario are not happy and peaceful. And, of course, despite yet another addition to the harem this time around, there’s still one main couple that is holding everything back. (Aiz is entirely absent from this book, pointedly so.) So yeah, let’s do it, why not a magical academy volume?

We pick up after the end of the last book. Freya Familia is no more, and in fact a large number of them are now staff at The Benevolent Mistress, presumably to watch over Syr, who is getting absolutely worked to death by irritated gods who are still upset about everything Freya did. Another large number of them are watching over Haruhime, whose secret level up powers are now known to all, and Lyu, who has returned from seeing off Astrea and has made peace with her past at last (and joined Hestia Familia) in order to make sure they are not kidnapped. Bell thinks his Familia,. now with added Lyu, should head right back into the dungeon, but Eine tells him it’s a good time to relax. It has been (good lord) six months since the start of the series. That’s a LOT to happen to Bell in that little time. He deserves a break. He deserves… to be abducted by Hermes and forced to infiltrate the massive floating school that’s just docked at Orario for the next few months.

There’s almost a deliberate lack of originality here. After nearly getting caught infiltrating the high security school, Bell has to disguise himself as an ordinary Level-1 rabbit boy and pretend to be meek and still learning. And then he promptly gets assigned with all the class losers, who can’t work together to save their lives, even though they’re powerful. Also in the group is Nina, Eine’s younger sister, who is having a lot of trouble living up to her sister’s standards and it’s crushing her. Her scenes with Bell are some of the best of the book. I also enjoyed seeing Bell studying hard, and his studies later proving useful in actual dungeon battles. Bell was always naive and inexperienced, but he was never stupid, and now that he’s no longer inexperienced (we’ll put a pin in naive for now), his smarts are really impressive.

Basically, by the end of this book you definitely see WHY the gods are pinning all their hopes on Bell. Unfortunately, we’re caught up with Japan again. Fortunately, we’re getting the last volume of depress-o-thon Astrea Record soon, as well as the first Sword Oratoria light novel in over four years. So there’s plenty of stories to be told in this world. This is just a “Bell is a student” one.

Sword Art Online Alternative: Clover’s Regret, Vol. 1

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By Soitiro Watase and Ginta, based on the series created by Reki Kawahara. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

So, just like the Re: Zero SS collection, we’re getting this one a bit late. The first volume of Clover’s Regret, the second in the “Alternative” spinoff series, came out in 2016, after the 5th volume of the Gun Gale Online books. But we had to wait till we’re caught up with both the main series, its Progressive rewrite, *and* the GGO series before we get this spinoff. Part of that is because, unlike GGO, this never got an anime, and it features none of the main SAO cast. It doesn’t have an obvious hook to pull in Kirito casuals. The other reason, I think, is that unlike other Yen On light novel series from hell with extensive spinoffs, SAO has always been Stephen Paul’s baby, and I think we may have waited for this one just so that he can translate it properly rather than try to get someone new in. In any case, you’re not “missing” anything like we were with Re: Zero SS. This is pretty standalone.

Asuka Empire may not have the #1 ranking of ALfheim Online, but it tries harder. A far more Japanese-based MMORPH, it’s been struggling to keep its high ranking now that everyone has access to the Seed. As such, it has a new event that’s horror-based, and it’s also allowing users to submit their own game ideas to the event. Meanwhile, our heroines, matter of fact, somewhat emotionless Nayuta and genki, lovable scamp Koyomi are trying to clear one of the quests, which involves a mysterious ghost orchestra. While doing this, they meet a rarity in games like this – an old man, who has never gamed before but is really desperate to solve the ghost orchestra game for some reason. He was told about an in-game detective named Klever who might be able to help him. Why is he so interested in this quest? And what’s with that fox-faced detective?

This is another slow burner. About halfway through, I wondered, as I sometimes do with other spinoffs of popular franchises, why this could not have been a book on its own with no ties to Sword Art Online at all. But that’s just because the book saves all its twists for the second half, piling them on one after another. Not only do half the cast have a personal connection to the original Aincrad SAO game, but the ghost orchestra quest itself is written by a member of the Sleeping Knights… a member who, like so many other members of that party, has now died. (We’re told in this volume that Yuuki died “a few days ago”, which nails down the timeline.) The cast are excellent, particularly Nayuta and Klever… I’d argue that Koyomi is mere comic relief, but the author agrees with me, and states that her part was supposed to be smaller but she kept butting in. I hope she gains more depth next time.

Sorry not to go into my usual spoilers, but this book has good spoilers, so I recommend experiencing them yourself. Also, unlike GGO, this is a limited series of 3 books, so should not take up too much of your time. Go check it out.

Re: ZERO ~Starting Life in Another World~ Short Story Collection, Vol. 1

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan as “Re: Zero Kara Hajimeru Isekai Seikatsu: Tanpenshuu” by MF Bunko J. Released in North America by Yen On. Translated by Sarah Moon.

First of all, I appreciate that we have a new translator for the short stories. The plan seems to be to release these volumes one month after the main volumes till we catch up, so putting all that on the same person would be a strain. Secondly, of course, we’re getting this a bit late. This volume first came out in 2014, in between Volume 5 and 6 of the regular series. It also introduces us to Liliana, someone who appears as a major supporting character in the 5th arc and who we are expected to have known about from this story. So, kinda like the Index SS books. Also like the Index SS books, it’s great to see these licensed anyway. They provide a lot of really good fluffy fun, introduce a character who’s important later, and give important backstory to two more supporting characters. And, perhaps most importantly, it gives Subaru a chance to really get in a ton of tsukkomi. Especially in the first story. Comebacks for all.

There are four short stories in this book. Two of them were written to appear in my nemesis, Monthly Comic Alive, and two of them are original for this book. The first, which ran in Comic Alive over 3 issues right after the 3rd volume came out, has a traveling bard named Liliana arrive at the mansion, looking to compose a song about a hero that hasn’t been composed yet. She also, unfortunately, has some people trying to kidnap her, who also come to the mansion. The second story has Subaru trying to give Rem a day off, after seeing how she basically does everything in the mansion, and Rem’s struggles to actually not work. This appeared after the 4th novel. Then we get the two original stories. The first shows Priscilla, having just chosen Al as her knight, returning to her newest husband, and Al learning what said husband has planned for her. The other one shows Emilia falling asleep and ending up in a parody of Alice in Wonderland.

The biggest thing I noticed while reading this book, which I would not remotely have noticed had I read it in publication order, is just how long it’s been since we’ve had Rem in this story. The second story is all about Rem, of course, and the first one has a heaping helping of her. She gets to show off her strength, speed, and pure adoration of Subaru here, and her fans should eat this up. Liliana’s introduction is also good, and she and Subaru have an instant boke/tsukkomi relationship that feels different from the one he already has with Emilia. Emilia’s Wonderland story is mostly silly, but the Priscilla story may be the best in the book. We get another good look at Al’s own “talent” in beating the odds, and we get to see exactly why Priscilla is one of the chosen candidates and why people absolutely revere her. She’s an arrogant, abusive ass, but she earns every bit of the adoration she expects to receive.

So yeah, this was fun. Nothing really serious, apart from bits of the Priscilla story. Fans should love it.

The Hero and the Sage, Reincarnated and Engaged, Vol. 1

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By Washiro Fujiki and Heiro. Released in Japan as “Eiyū to Kenja no Tensei Kon: Katsute no Kōtekishu to Konyaku Shite Saikyō Fūfu ni Narimashita” by HJ Bunko. Released in North America by J-Novel Club. Translated by Joey Antonio.

So, I have good news and bad news about this title. Let’s start with the bad news, as I suspect that a lot of you were suspect some really good AO3-style Enemies to Lovers with this book, based on the title and premise. And, I mean, before reincarnation, they were on opposing sides in a war and really loved to fight each other. But “enemies” is the wrong word, as both of them turn out to be kind people who always end up making the battle all about them in order to minimize casualties for everyone around them. They’re secretly sweetie pies. And once they’ve been reincarnated, there’s no awkward reunions or tsundere denial in sight. They’re both on the same side now, they can (well, with a few conditions – see below) fight each other, and they can be utterly goddamn adorable and ludicrously badass. That’s the audience that this book is for. OP Sweethearts to OP sweethearts.

Years and years ago, the hero Raid Freeden and the sage Eluria Caldwin fought each other for ages, both equally matched – he with his ludicrous strength, her with her incredible elven magic. Then one day he hears that Eluria has died. In sheer disbelief that anything could kill her (she was young for an elf), he runs straight into their country, taking multiple mortal wounds, just to arrive at her coffin, confirm her death, and then pass away himself. Now it’s centuries later and everyone can use magic… everyone, that is, except Raid Fredeen, commoner in a small village, who ends up breaking magical devices when he touches them. Then, when he’s about 16 years old, Eluria (now a human) shows up at his village. Like him, she was reborn with all her old memories, and she’s spent over a decade searching the country to try to find him. Sure, his lack of magic means he’s a second-class citizen. But she’ll do anything to make sure they can fight each other again… even get engaged!

This is cute and fun, and that’s all it’s trying to be. Don’t expect amazing plot twists here. The plot is basically that it’s unclear how Eluria, who was perfectly healthy, suddenly died in the past, why they were reincarnated with all their memories, and if someone is behind that. But we’re reading it for Eluria being so “floaty” when she’s half-asleep that she hangs all over her new fiance, and Raideen being cool and suave. We get the standard one (1) male friend, with glasses and a fondness for magical support equipment; one (1) female friend who’s also from the country and is mostly there to be comic relief, and one (1) obnoxious noble who thinks he’s better than everyone and needs to have reality beaten into him. Fortunately, this is a noble who learns his lesson pretty fast and actually *is* competent, which already ;puts this over other cliched magical academy books.

Most modern light novels let you know if you’ll like it or not by the cover art and premise. If you like cute, fluffy romance between two people who could kill you a million times over, this is right up your street.