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Manga the Week of 1/1/25

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SEAN: It’s 2025! OK, most of these come out on the 31st of December 2024, but still! Only 500 years to the song In the Year 2525!

ASH: So close, and yet so far away!

SEAN: Airship’s print debut is A Tale of the Secret Saint ZERO (Tenseishita Daiseijo wa, Seijo de Aru Koto wo Hitakakusu Zero), the prequel story of Princess Serafina’s adventures 300 years before being reincarnated as Fia.

Also in print: The Strange Adventure of a Broke Mercenary 9.

And for early digital we see Adachi and Shimamura: Short Stories, Reborn as a Space Mercenary: I Woke Up Piloting the Strongest Starship! 11, and There’s No Freaking Way I’ll be Your Lover! Unless… 6.

Cross Infinite World has Fluffy Paradise 6 and Since I Was Abandoned After Reincarnating, I Will Cook With My Fluffy Friends: The Figurehead Queen Is Strongest At Her Own Pace 6 (the final volume).

Ghost Ship has She’s the Strongest Bride, But I’m Stronger in Night Battles: A Harem Chronicle of Advancing Through Cunning Tactics 2 and the 18th and final volume of World’s End Harem.

The debut from J-Novel Club is From Villainess to Healer (Kaifukushoku no Akuyaku Reijou), whose manga adaptation came out from JNC two weeks ago. Our protagonist is dumped for having evil dark magic rather than good healing magic, so she goes to another country, changes her class to healer, and vows to forget all about him.

ASH: As she should.

ANNA: She doesn’t need that guy!

SEAN: Also from J-Novel Club: the 6th The Invincible Little Lady manga, Isekai Tensei: Recruited to Another World 9, Jeanette the Genius: Defying My Evil Stepmother by Starting a Business with My Ride-or-Die Fiancé! 3 (the final volume), Nia Liston: The Merciless Maiden 5, the 9th Now I’m a Demon Lord! Happily Ever After with Monster Girls in My Dungeon manga, Reborn to Master the Blade: From Hero-King to Extraordinary Squire 12, and the 4th A Wild Last Boss Appeared! manga.

No debuts for Kodansha. In print they have Am I Actually the Strongest? 8, Blue Lock 16, and The Spellbook Library 2.

ASH: Oh, I was supposed to read the first volume of The Spellbook Library, wasn’t I?

ANNA: Tell me if you like it!

SEAN: Digitally we see Altair: A Record of Battles 27 (the final volume) and Issak 11.

One Peace Books has a 5th volume of The Death Mage light novel.

The debut for Seven Seas is a mature BL oneshot, Wanna Be My Dress-Up Lover? (Nee, Onnanoko ni Shite Ageru). This ran in Reijin, and stars an office manager who relieves his stress by working at a cross-dressing cafe… but then his sarcastic employee shows up!

MICHELLE: I do like sarcastic guys in BL…

ASH: Saaaaaame.

ANNA: Indeed!

SEAN: Also from Seven Seas: Arifureta: From Commonplace to World’s Strongest 13, Box of Light 3, Dance in the Vampire Bund: Age of Scarlet Order 13, Dungeon Builder: The Demon King’s Labyrinth is a Modern City! 10, I Get the Feeling That Nobukuni-san Likes Me 5, I Swear I Won’t Bother You Again! 5, Miss Kobayashi’s Dragon Maid: Fafnir the Recluse 4, My Deer Friend Nokotan 5, My Girlfriend’s Child 6, She Professed Herself Pupil of the Wise Man 12, and Skeleton Knight in Another World 13.

Steamship has the 4th and final volume of Revenge: Mrs. Wrong.

And one title from Yen Press, a debut for Yen On: Monsterholic. This is by the author of Days with My Stepsister and My Friend’s Little Sister Has It in for Me!, but this is definitely a different genre. A vampire and a werewolf patrol a government-approved slum, trying despite that to fight crime.

MICHELLE: Huh.

ASH: That is quite the genre switch.

SEAN: End of the year is always short. What are you buying with your New Year’s money? Assuming you are Japanese and get New Year’s money.

Lacey Longs for Freedom: The Dawn Witch’s Low-Key Life after Defeating the Demon King, Vol. 2

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By Hyogo Amagasa and Kyouichi. Released in Japan as “Akatsuki no Majo Lacey wa Jiyū ni Ikitai” by Overlap Novels f. Released in North America by J-Novel Heart. Translated by Alex Honton.

This book leans very, very strongly into Lacey’s introversion and tendency to rebuff all praise, and it’s the better for it, because the premise of the series is not really “will she get together with Wayne?” – this isn’t a romance, though there’s elements – but rather it’s “will she learn to love herself and accept that she’s a genius who comes up with amazing ideas no one else could think of?” And by no one else, I mean no one else in the magical land she’s a part of, living in a small village. Because honestly, scented sachets and insulated bags to keep things cool are things that seem obvious to us, a modern reader. But they take the country by storm – which is possibly not a good thing, as they’re getting far too much attention, and for someone whose wish to the king was that she wanted to be free, that’s bad news. Lacey is going to have to fight for freedom rather than just long for it.

Lacey’s opened her “Anything” shop, but she’s having trouble getting customers, mostly as the village saw the superpowers she used in the last book and don’t want to bother her with things that aren’t all that much. That said, when she hears Allen’s family talking about how they want cold drinks in the heat of summer, she comes up with an insulated bag to keep cool things cool and warm things warm. After this, her former party member Dana drops by, both to reconnect with Lacey and to consult her on the muscle and head pain she’s got from dealing with nobles too much. (The answer is: sleep.) Unfortunately, one of those nobles is rather desperate to get a hold of the creator of these super-popular inventions, and he’s not above kidnapping people – or, for that matter, murdering people – to get what he wants.

Lacey’s journey to self-confidence is slow, and still a work in progress, but she makes tremendous strides here. She’s helped by Wayne, who’s probably the weak point of the book – he’s basically the perfect boyfriend, patiently waiting for her to figure it out, and also helping her behind the scenes to make sure she’s happy. I wish he had more flaws. Lacey has plenty of those, as she constantly denies her own cleverness by pointing out how much everyone else contributed to her idea, and of course is still hiding her true identity because she feels she can’t live up to the Dawn Witch in everyone’s head. The running theme in this book is seeing her crouch down on the ground and pull her huge witch’s hat over her head to hide from anything that overwhelms her. By the end of the book, having stood up for herself and those she’s now vowed to protect, she doesn’t need the hat anymore, and it symbolically blows away in a scene that is (chef’s kiss).

So definitely still enjoying this. But I think the third volume only recently came out in Japan, so it might be a bit before we get more. Recommended for introverts who love to painfully identify with the heroine.

Disowned But Not Disheartened! Life Is Good with Overpowered Magic, Vol. 1

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By Riko Saiki and Baracan. Released in Japan as “Ie wo Oidasaremashita ga, Genki ni Kurashiteimasu: Cheat na Mahou to Zensei Chishiki de Kaiteki Benri na Second Life!” by Kadokawa Books. Released in North America by J-Novel Club. Translated by Grant U.

Sometimes you get an author who doesn’t quite get why a thing is popular. They see that the Narou site has a lot of those “Cinderella” style light novels these days, starring a girl who’s been through a lot but things get better for her. Add a touch of isekai and otome game, and you’ve got an automatic winner, right? Except no, you actually have to put in the work. You cannot simply have three to four pages of tragic backstory and then have our heroine be absolutely fine the rest of the book. What’s more, you have to actually have a heroine. Plucky girl is not enough by itself, she needs to somehow grow and change throughout the book. Unfortunately, this is one of those books where the author did not get the memo. And as a result, we’re left with someone who would never be disheartened, because honestly, everything goes their way. What if Cinderella grew up with the prince?

When she’s three years old, Tafelina develops a rare mana destabilization… and then suddenly her hair and eyes change color. Naturally, her father reacts to this the only way he can: by strapping a three-year-old to the side of a horse and letting it run out of his territory. Fortunately, when we meet her, now nicknamed Lera, she’s been rescued by her uncle and has grown up in the earldom of Peylon, which she describes as being full of “meatheads” but is, in reality, filled with powerful monster slayers and magical geniuses… none more so than Lera herself, whose memories from her past life in Japan (come on, you can’t say you’re surprised) allow her to come up with amazing invention ideas that research teams can turn into money makers. Now she’s thirteen, and what do all teenagers do in books like these? They go to the academy, of course.

I kept being annoyed at the way this book did things. The Cinderella amounts to the prologue and one point in the main story where she’s shown to an attic by a prejudiced dorm head. Other than that, she’s got an adopted family who adore her, friends who admire her, and a knight who seemingly falls in love with her at first sight and is asking if she’s engaged yet. Those who dislike her are all evil cartoons, particularly the “other” Tafelina, who her father brought in to replace her after running her out of town on a mare. Most annoyingly, Lera doesn’t have enough of a personality to carry a book like this. She’s already super powerful, so doesn’t really learn much in classes, and she rarely gets angry or overexcited about anything, so we’re mostly left with a narrative “meh”. The one big conflict we’re promised, the downfall of her birth family, doesn’t happen, and is clearly being saved for Book 2.

Even the names in this book are annoying and hard to remember. Skip it.

From the Vault: Cute Dolls and Fun Dolls

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It’s been a while, reader! I had ambitious plans for The Manga Critic this year, but work got in the way of writing—so much so, in fact, that I pondered shutting down the site for good. Every time I’ve quit blogging, though, I feel the gentle tug of unreviewed books and the nagging sense that the next great manga is just around the corner, and vow once again to bring back The Manga Critic.

My New Year’s resolution, therefore, is simple: post at least 1-2 articles per month in 2025. In addition to new content, I’ll also be revisiting pieces I wrote during the first manga boom, when Cartoon Network was king, Naruto was everyone’s favorite series, and Borders was filled with teenagers browsing the latest volumes of Fruits Basket and Bleach. This month, I’m taking the WABAC machine to 2007 for a look at Cute Dolls and Fun Dolls, both of which introduced crafty readers to Aranzi Aronzo, purveyors of weird but cute characters with names like Kidnapper, Panda Bee, and Warumono.

Cute Dolls and Fun Dolls
By Aranzi Aronzo; Translated by Rui Munakata
Vertical, Inc. (Kodansha USA)

Whether you’ve dedicated an entire room in your house to “crafting” or break out in hives at the mere mention of gimp, it’s hard to deny the weirdly winsome appeal of Aranzi Aronzo’s DIY books. The latest—Cute Dolls and Fun Dolls—offer over 120 pages of patterns and step-by-step instructions for making three-dimensional versions of your favorite Aranzi friends. Cute Dolls focuses on Aranzi’s most popular characters, from the super-kawaii Brown Bunny, Grey Cat, and Munkey to the less cuddly Fish and Kidnapper, while Fun Dolls features patterns for new characters: Panda Bug (a cross between a bumble bee and a panda bear), Coffee Cup (just what it sounds like—an anthropomorphic mug), and Unmotivated Kid (my personal favorite).

Both books earn high marks for presentation. The instructions are complemented by clear illustrations demonstrating how to assemble the dolls, while the paperback binding and 8″x 10″size make it easy for would-be seamstresses to photocopy patterns. Since I nearly flunked Home Economics, it’s almost impossible for me to assess the skill level necessary for completing these projects. (True story: I stitched my shirt to the sewing machine, requiring a shears-of-life rescue from the instructor.) So I sent my review copies to someone who is handy with a glue gun and a felting needle: my younger sister Claire, an Aranzi fan and Etsy seller who can work magic in almost any medium. Her verdict? Though the instructions are easy to follow, novices and young kids may find these projects too complicated to be fun; anyone with sewing skills, however, will be cranking out Striped Dogs and Spritekins with ease.

No matter what your skill level, anyone can enjoy the books’ subversive humor. In the introduction to Cute Dolls, for example, White Bunny vocalizes every crafting novice’s worst fear when she exclaims, “You’ll suffer terribly if you don’t read this first? Scary!” And then, of course, there are the dolls themselves. I can’t imagine an American expert encouraging youngsters to sew blank-faced layabouts or trench-coat wearing kidnappers; such unwholesome characters would inspire censorious outrage from humorless adults. But it’s this mischievous, poking-fun-at-the-grownups tone that makes Aranzi Aronzo books such a welcome addition to the hobby aisle at your local Borders, and a perfect gift for the crafty friend who’s grown weary of making the holiday centerpieces and Halloween costumes in Martha Stewart Living and Better Homes and Gardens.

This review originally appeared at PopCultureShock on November 11, 2007 at http://www.popcultureshock.com/weekly-recon-111807/42924/.

A Cozy Life in the Woods with the White Witch, Vol. 1

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By MOJIKAKIYA and syow. Released in Japan as “Shiro Majo-san to no Henkyō Gurashi ~Saikyō na Majo wa Nonbiri Kurashitai~” by Kadokawa Books. Released in North America by J-Novel Club. Translated by Amanogawa Tenri.

I wasn’t originally going to try this series – again, contrary to popular belief, I don’t read everything – but I decided to pick it up after I saw it was from the author of My Daughter Left the Nest and Returned an S-Ranked Adventurer, which I quite enjoyed. That one had the author trying out the “raise a daughter that they picked up somewhere” mini-genre, though thankfully without the “and then marry them” part of that same genre. This seems to have the author trying out another genre to write in, that being the “slow life” type, though there’s also a dash of “kicked out of the party” to start us off. It’s very good at the slow life too, for good and ill. Good because I’m not really a fan of “I try to have a slow life but have to keep saving the world” books. Bad because the first half is really pretty boring. And if you’re waiting for our protagonist to do something OP, keep waiting.

Tori is part of the Platinum Adventurer group the Muddy Four Horns. That said, he’s not really a fighter, so provides backline support for them, such as cooking and cleaning. When they decide to combine several parties into one big elite one, Tori is informed by the guild manager and the rest of his party (who seem a bit reluctant) that he’s fired. As he walks along after this, he runs into a huge elderly woman, the famous White Witch, who has literally come looking for him, in order to put her life in order. Despite attempting to be bitter and sarcastic about it, Tori is whisked away to her cottage… where he finds that a) the huge elderly White Witch is a disguise, and she’s actually young and cute; and b) she’s an utter slob and her cottage is a disaster area. But a job is a job, so he gets down to work.

This feels kind of like the gender reverse of a typical shoujo manga, where a bunch of men sleep, eat, fight and make messes until a girl comes into their lives, cleans up, and forces them to straighten up. Fortunately for us, there’s no harem antics here – mostly as Euphemia, the witch, makes it very clear to her other familiars that Tori is HERS. The love story starts off a bit forced, in my opinion, mostly held back by Tori’s self-hatred and Euphemia’s lack of emotional knowledge, but her solution to “how to get him to stay with me forever” not only drives the rest of the book but amused me. If you’re going to attract a man, go big and solve ALL his friend’s problems so he never worries about them again. The other surprise is that Tori is not involved in any of the action – there’s quite a few battles here, especially at the climax, but Tori really DOES have no really good combat ability, as opposed to others in the genre, and so he stays home, cooks, and cleans. And as a reward he gets a hot witch girlfriend. This is still a title written for teenage boys.

Theoretically, this could easily be a one-shot, as it wraps everything up, but there’s a second volume coming, so I guess we’ll see. This isn’t as good as My Daughter Left the Nest, but it isn’t too bad.

The Tanaka Family Reincarnates, Vol. 1

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By Choko and kaworu. Released in Japan as “HTanaka-ke, Tensei Suru” by Dragon Novels. Released in North America by J-Novel Club. Translated by Sasha Schiller.

OK, this was an absolute hoot. I suspected I would enjoy it when I first saw the license announcement, but I wasn’t aware just how much fun I would have. It’s not perfect, but the things that annoyed me are things that I tend to get annoyed at in most light novels, rather than being unique to this one (obsession with large breasts by the heroine, the lolicon stuff). Our heroine is fun, the family in general is in that “stupidly competent” genre, where people tend to magically be fantastic at everything and solve everyone’s problems while being blissfully unaware of it. There’s also a really good and deadly serious fight in the third quarter of the book, allowing the author to show that this isn’t just going to be for laughs. I even enjoyed the worldbuilding, which at first suggests this family is reincarnated from our Japan, but as the volume goes on we realize that our Japan is not quite as cat-obsessed as the Tanakas’ Japan, and that something has it in for our heroine.

The Tanakas, consisting of the 65-year-old parents and their three middle-aged children, are sitting down to dinner at the daughter’s condo when they are all killed by what seems to be a massive earthquake. Minato, the daughter and our protagonist, wakes up to find that she is now Emma, a cute 11-year-old noble who is absolutely obsessed with bugs. To her surprise, she finds that Emma’s younger brother William is her own younger brother… and yes, the rest of their family are all Tanakas as well. They’re actually quite wealthy, thanks to their silkworm cultivating, but they’re located, for the moment, out in the sticks. And now they all have past memories, particularly Emma, who was eccentric in Japan and is even more so here, and she’s going to take this new world by storm… after finding a pet cat.

The Tanakas feel like an actual family that’s grown up in close proximity, and I howled at how they all realized that they were actually all Tanakas reincarnated, rather than it just being them with some other family. The siblings act like siblings, with George and William trying desperately to not have Emma somehow blow everything up – especially as she’s a gorgeous little girl in this world, so everyone pays a lot more attention to her. I also loved the subplot with Rose, the king’s favored concubine, who after giving birth to two children is unceremoniously shipped out to the sticks, and has been having a very bad time of it. How she ends up bonding with Emma may annoy me a bit (hint: she’s stacked), but I appreciated how she no longer felt anyone saw her as anything but an extension of her children. As for the monster which leads to the biggest threat in the book, this is another reversal that relies on the reader knowing their light novel lore, and I appreciated the threat – and how it leads to permanent damage, if thankfully less than expected.

The next volume has the family all moving from the countryside into the capital, and I have a suspicion we’re getting a magic academy arc, even if magic is super rare in this world. And yes, I haven’t mentioned the giant cats, and where they come from. Or the giant spider, who would get along well with Mr. Crawly Wawly. Basically, assuming you don’t mind the usual Japanese light novel cliches, this is a huge winner, and I can’t wait for more.

I Abandoned My Engagement Because My Sister is a Tragic Heroine, but Somehow I Became Entangled with a Righteous Prince, Vol. 2

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By Fuyutsuki Koki and Haduki Futaba. Released in Japan as “Higeki no Heroine Buru Imōto no Sei de Konyaku Hakishita no Desu ga, Naze ka Seigikan no Tsuyoi Ōtaishi ni Karamareru you ni Narimashita” by Overlap Novels f. Released in North America by Airship. Translated by Sarah Moon. Adapted by Veles Svitlychny.

This is a classic example of a sequel that manages to do some things right and some things wrong for the second book. Much to my relief, a lot of the broad humor that felt out of place in the first volume has disappeared, which is good, as there’s a very real threat to the kingdom going on here. That said, the tendency of the author towards writing ridiculous cartoon villains has not gone away, and I ended up calling the main villain of the book Jacob Rees-Mogg, if only as he had a top hat AND a monocle, and his inner monologue tended to end in “Mwa ha ha ha ha ha ha!”. There is an exception, though, which I’ll get to later, as it was easily the biggest surprise of the book for me. Oh yes, and the Chinese stereotype girl? She’s worse. I wish she hadn’t been in it.

After the fallout from the arrest of Jade Berklein, Eric and Leia are ready to do things such as visit the new popular ice cream shop, run by a mage with a talent for ice magic. Unfortunately, while they’re there, Baron Almer, one of the minor villains from the first book, is poisoned, and while Leia saves his life, evidence points to the ice cream shop being responsible. While this is going on, Eric and Dale’s father the King declares that he is going to announce the revocation of special rights to the elite families in the kingdom, and boy are those families pissed. So the King needs extra guards. Fortunately, Duke Rees-Mogg… erm, Algrene, is here to lend the King his crack mercenary troops who are totally not assassins in disguise. Can Eric and Leia manage to save the king? And what’s up with Dale anyway?

The surprise I was alluding to, which… mostly works – I give the author credit for trying it in the first place – is the presence of Jill in this book. No, she is not, as I expected, escaped and once again being the worst. She spends the entire book in a cold, damp cell. But she is visited by someone who keeps asking pointed questions, such as “why is no one coming to save you?” and “why do you think your sister hated you?”. And the lack of her mother or other people telling her how to think forces Jill to think for herself, and you can see the “Are we the baddies?” meme show up on her face. This doesn’t go perfectly – she was such a cartoon in the first book that I found her sudden turn a bit hard to buy – but certainly I like it better than just having her executed. It was also a surprise, which is nice.

The third book, judging by the wedding outfits on the cover, is the final one. This isn’t great, but it’s also not awful, stereotypes aside. Also, given she’s now engaged to the prince, we’ll get the Princess Leia joke soon.

The Legendary Witch Is Reborn As an Oppressed Princess, Vol. 2

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By Touko Amekawa and Kuroyuki. Released in Japan as “Shiitagerareta Tsuihou Oujo wa, Tenseishita Densetsu no Majo deshita: Mukae ni Koraretemo Komarumasu. Juuboku to no Ohirune wo Jamashinaide Kudasai” by Overlap Novels f. Released in North America by J-Novel Heart. Translated by Kashi Kamitoma.

I have fantastic news. The main thing that stopped me really enjoying this series is now gone. Claudia is now eight rather than six, and while she still tends to act like a small cute child when it serves her purpose, she no longer talks like Elmer Fudd. As such, the book is much easier to read and we can concentrate on the mystery aspect of it. Because, despite the reincarnated aspect of it, this is essentially a mystery. Claudia accepts a marriage negotiation, but has no intention of really following through – the main goal is to try to solve the other kingdom’s tragic secret. Honestly, if there’s any romance here it’s between Claudia and her servant/best friend/etc. Noah, who is obsessed with her but in a cute way, because he’s 11 and she’s 19 + 8 counting the past life. OK, year, the reincarnation shenanigans means there are still issues here. Japan loves its age gap.

As noted, the nearby country of Klingate is looking for someone to marry their 11-year-old crown prince Lewis, and Claudia fits the bill. Of course, neither she nor her father are really expecting this to be a normal marriage meeting. You see, Klingate has a problem that has been growing over the years. Princesses in the royal family keep falling into comas and not waking up. Each year a new princess, and now eight of them are sleeping without waking. The kingdom, needless to say, is trying to hide this as much as possible. But Lewis himself seems a charming young man… if perhaps falling madly in love with adorable Claudia a little too quickly. That said, there’s an older brother, Stuart. He’s no longer in line for the throne, possibly as for the last eight years he’s barely left his room. And he seems obsessed with painting the sleeping princesses.

Not to spoil too much, but a lot of the climax of this book once again asks us to remember back 500 years ago to Claudia’s past life as Adelheid. She ended up sacrificing her own life in order to make sure that those who served her did not do the same, but that doesn’t necessarily mean that they were all grateful and happy about her doing this. It also compares nicely to Noah, who is clearly meant as a mirror here. He’s told point blank that if Claudia were to die, he’d want to destroy the world, right? But Noah, who still has a living Claudia next to him to help, is able to say that yes, he’d want to, but he wouldn’t, as it would make Claudia sad. Instead he’d just wander off into the forest to die alone. So yes, it’s a codependent relationship, just like the ones she had centuries ago. But it’s OK, this is the “romantic” kind of codependent.

Despite its flaws, this is a stronger book than the first one, and I’ll happily read the next volume.

Kuma Kuma Kuma Bear, Vol. 20

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Airship. Translated by Jan Cash & Vincent Castaneda. Adapted by Lorin Christie.

I admit that I am sort of ready to give up? Not on Kuma Bear, mind you, it continues to be fine, if somewhat obsessed with its ongoing parade of children adoring Yuna. But look, this site gradually morphed into a thing where I only review light novels on it a few years back, and the one thing that’s been hardest for me to learn is that not all light novels need to have a full review. This especially goes for the slow-life ones that end up going on forever and ever, like this or Smartphone. And as readers have figured out, there are only so many ways I can say “boy, Yuna sure hates people praising her” or “gosh, this series loves to tease yuri fans while pointing out how not gay everyone is”. (Actually, this volume seems to be leaning more towards everyone staying single forever – the series’ almost complete lack of men doesn’t help.) But let’s roll up our sleeves, because I did see one thing this time I can talk about.

After the battle against the orochi in the Land of Wa, we get the traditional post-arc cooldown. Yuna is gifted a mansion to reward her for her efforts in saving the country, and the mansion being filled with hot springs leads to to actually accept the reward for once. She then grabs Fina, Shuri and Luimin and brings them over there for a lakeside barbecue as well as going around the shops, eating Wanese food and dressing up in kimonos – all things Yuna is strangely familiar with given she’s not supposed to be from Wa. On returning home, she decides to write a new volume of the children’s book series, and spends the rest of her time giving out souvenirs and candy. But there’s a competition in a country Yuna hasn’t been to yet, and Shia’s part of it, so Yuna and Noa go to cheer her on.

There were two interesting points this time around. First, Yuna’s love of natto, and the fact that the natives of Wa were baffled that she knew about it, almost caused her to give away her otherworldly origins. Yuna’s backstory, to everyone but Yuna and the reader, is wrapped in mystery, and she wants to keep it that way, partly because I think she doesn’t want to remember it very often. We do see her wish that she could invent Coke and anime so she could go back to being a shut-in, but I think Yuna’s grown past that now. The other interesting thing is the fourth picture book, where Yuna continues to rewrite her own reality to make it more palatable. Not only is she a literal bear in this series, but she also smooths things out and makes them more narratively easy to understand. The author has already been doing this with the novels themselves – it’s been a long time since we’ve seen a whiff of the sexual assault that plagued the earlier books. Yuna is not quite a self-insert, but the line is vague.

I’m not sure what will happen next, but I do know that what we’re getting next is another short story collection. Till then, this continues to be for fans who hope that when they grow up Fina and Yuna will marry. Keep hope alive, I guess.

Manga the Week of 12/25/24

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SEAN: Merry Christmas, Happy Holidays, and Best wishes from Manga Bookshelf!… wait, there’s manga out this week?

ASH: As if there was any doubt!

SEAN: Yen On has one title, and it’s a debut. Before the Tutorial Starts: A Few Things I Can Do to Keep the Bosses Alive (Tutorial ga Hajimaru Mae ni: Bosschara-tachi wo Hametsu Sasenai Tame ni Ore ga Dekiru Ikutsu ka no Koto) is a “I am the weakest, but really the STRONGEST” title combined with “I’m reincarnated as a pathetic villain” with a dash of “my sister is dying”.

MICHELLE: That’s kind of a lot.

SEAN: And Yen Press has Excellent Property, Rejects for Residents: Baths, Lavatories, and Angels Are Communal 2 and Final Fantasy Lost Stranger 11.

Viz Media has the 15th volume of Fist of the North Star.

ASH: Always happy for a new Fist of the North Star volume!

SEAN: Steamship debuts The Yakuza and His Omega: Raw Desire (Gokudou to Omega – Mukidashi no Katsuai), a josei omegaverse title from Pinkcherie. A romance writer wants to interview a famous alpha who’s also head of the local yakuza. Little does she know that… drumroll, please… she’s really an omega!

ASH: Surprise! (Still glad we’re getting steamy josei in the mix.)

ANNA: Me too, I’m glad that some steamy josei is being published.

SEAN: Square Enix has Final Fantasy VII Remake: Material Ultimania Plus, a big hardcover artbook.

I feel like sticking the Mature Seven Seas titles with Ghost Ship isn’t working, so I’ll go back to listing them with the main label. The debut is a mature BL title, Our Sweet One-Room Apartment (Sweet Our 1R) is from Magazine Be x Boy, and complete in one volume. Two college kids live together, it looks very cute.

ASH: It does!

SEAN: From Seven Seas we see Chronicles of an Aristocrat Reborn in Another World 11, the 2nd KinnPorsche novel, Level 1 Demon Lord and One Room Hero 7, My Next Life as a Villainess: All Routes Lead to Doom! 10, Perfect Buddy 2, Time Stop Hero 11, and The World’s Fastest Level Up 4.

Kodansha has the debut of the week with Ashita no Joe: Fighting for Tomorrow, the legendary 1968 Weekly Shonen Magazine manga that inspired almost every shonen series that came after it. The story of a ne’er-do-well who finds his fate lies with boxing, it’s coming out in hardcover format as a 600-page omnibus. Calling it: This is our pick of the week. And possibly the year, despite coming out at the end of it.

MICHELLE: Yeah, I’m a sucker for these “adrift person finds the place they belong” stories. Of course, I’m inclined to say “It reminds me of Slam Dunk!,” though I realize it’s the other way around.

ASH: I am so excited for this release!!

ANNA: Me too, happy to see a classic title get translated.

SEAN: Also in print: Kusunoki’s Flunking Her High School Glow-Up 3 and That Time I Got Reincarnated as a Slime: Trinity in Tempest 9.

And for digital we see As the Gods Will 2, Bootsleg 5, Gamaran: Shura 27, I Want To Hold Aono-kun So Badly I Could Die 12, and My Home Hero 19.

No debuts for J-Novel Club, but we do see Ascendance of a Bookworm Part 3 Book 4 manga, the 18th Black Summoner manga, the 5th Hell Mode manga, I Could Never Be a Succubus! 5, An Introvert’s Hookup Hiccups: This Gyaru Is Head Over Heels for Me! 9, the 4th A Late-Start Tamer’s Laid-Back Life manga, A Livid Lady’s Guide to Getting Even: How I Crushed My Homeland with My Mighty Grimoires 4, Min-Maxing My TRPG Build in Another World 9 Part 2, Now I’m a Demon Lord! Happily Ever After with Monster Girls in My Dungeon 11, Private Tutor to the Duke’s Daughter 14, Taking My Reincarnation One Step at a Time: No One Told Me There Would Be Monsters! 7, The Tales of Marielle Clarac 11, and the 9th Welcome to Japan, Ms. Elf! manga.

ASH: No debuts, but still plenty to fall behind on!

SEAN: Ghost Ship has The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You 12 and the 2nd Do You Like Big Girls? omnibus re-release.

ASH: One of these days I really, really, really, really, REALLY will give The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You a try.

SEAN: Denpa Books has, per retailers, March Comes in Like a Lion 3.

MICHELLE: I’m dubious, but we’ll see if my pre-order ships!

ASH: Fingers crossed!

ANNA: Also hoping here!

SEAN: In print, Airship has Heroine? Saint? No, I’m an All-Works Maid (And Proud of It)! (Heroine? Seijo? Iie, All Works Maid desu (Hokori)!). A former Japanese farm girl is reincarnated and becomes a maid to a poor noble family. Except… she seems to have holy magic? And men are flocking to her? Is she a heroine? Meh. Who cares? She’s a maid!

Also in print: Reincarnated Into a Game as the Hero’s Friend: Running the Kingdom Behind the Scenes 3 and The Weakest Tamer Began a Journey to Pick Up Trash 8.

And early digital has She Professed Herself Pupil of the Wise Man 12 and Though I Am an Inept Villainess: Tale of the Butterfly-Rat Body Swap in the Maiden Court 8.

That’s actually not bad compared to the last two weeks of hell. What’s in your stocking?

Duchess in the Attic, Vol. 2

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By Mori and Huyuko Aoi. Released in Japan as “Yane Urabeya no Kōshaku Fujin” by Kadokawa Books. Released in North America by J-Novel Heart. Translated by piyo.

I admitted to being very surprised that there was a second volume of this very “finished in one book” series. Even the title, Duchess in the Attic, was not something that was going to make sense going forward unless something silly happened. (The author agrees with me there: it’s an artifact title, and a few jokes are made about her moving back to an attic if things with Claude go south.) So I wondered what was left to learn about Opal now that the series was ongoing. As it turns out, not much about Opal herself – she’s much the same person she was in the first book, if a bit more unforgiving of fools. But the systemic power of the nobility and the misogyny rife throughout multiple kingdoms is very much still a problem, and Opal wants to solve that. If the first book was about Opal rescuing herself, this book is about her trying to rescue others. She’s a philanthropist. Of course, there are a few things to work out first, and that’s what this book is about.

Opal and Claude are off to his new homeland, Taisei, to get married. This involves meeting some of his friends, who regard Opal as a terrible choice of spouse. And the King, who seems to be one of those mischievous kings. Many subplots are introduced, but we don’t really deal with any of them, because the bulk of the book actually takes place back in Socille, as Opal hears that Beth, her former abusive maid who was working for Hubert and Stella, has been fired because she got pregnant. Investigating, it turns out that the father is a rogue noble, Keymont, who apparently has spread his seed far and wide, and other women have children by him. Deciding that enough is enough, Opal decides to shame him at a public gathering to get child support for his conquests, only for things to blow up far more than she intended.

There is no small amount of romance in this. Opal and Claude love each other, and get very jealous when any of the opposite sex shows interest. There’s also the very awkward conversation they have where Opal tells Claude that, despite being married for almost a decade, she’s still a virgin (it’s implied he is as well). But the main reason to read this book is not the romance, it’s the politics and the worldbuilding. These are two kingdoms that are essentially right around where the late Victorian/early Edwardian period was in this world, and progress is happening so fast that it’s unnerving people. Why, it’s gotten so bad that a noble rake can’t even go around robbing common people for the lulz anymore. The other political part of the book is its feminist stance, which is awesome. I loved Opal’s reaction when Hubert indicated Beth’s pregnancy was her own fault – marveling at an Immaculate Conception.

Opal still hasn’t seen her new domain yet, and I have a feeling that the third book will have things go a lot more poorly for her than this one did. Still, I found this just as enjoyable as the first.

High School DxD: Dark Knight of Sunshine

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By Ichiei Ishibumi and Miyama-Zero. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

I am, frankly, irritated that we have another short story volume with Vol. 15 when we already got one with Vol. 13. I get that this is a Fujimi Shobo series, which means there’s always TONS of extra content written for Dragon Magazine, and that fans want to see it compiled (one story in this book is literally said by the author to be “we left it out, but fans complained, so here it is). But still, we’re ready to begin a new vampire-driven arc, and until the last 3 pages of this volume we don’t get that – which means we don’t get it. What we get is a lot more silliness that I didn’t really care for (the magazine stories) and two very good backstories that were written especially for the volume. I get that this is a series driven by fanservice, and that’s what the fans want, but I like what I like, and I like the action and character development more than the “oh no, they’re wearing a silly and sexy costume” stuff.

The wraparound story has Issei and Ravel, hanging at the pool, still trying to decide on a mage. Le Fay is the obvious choice, but sadly she’s still a terrorist. Meanwhile, we get a number of short stories. 1) Leviathan wants to audition for the live-action Magical Girl Milky movie, and cons the rest of the cast into coming in costume as well; 2) we learn how Rias and Akeno first met, when Rias rescued a 12-year-old Akeno from being murdered by her relatives for being part-fallen angel; 3) Irina tells us about the time she, Xenovia and Asia went to Akihabara to buy what turns out to be an eroge for Issei; 4) Akeno asks Issei to join her in going to the Grigori training institute, and Gaspar tags along, and they then learn what sort of training goes on there; 5) Fenrir tells us about their group’s efforts to untraumatize the White Dragon Emperor after it learned about Issei’s fetish; 6) We learn how Rias and Yuuto first met, which is much the same as Akeno’s story, but with more swords.

I enjoyed the two original stories, which work well with the characters and show off how awesome Rias can be, which is something I sometimes forget in this Issei-dominated series. I also, got help me, loved the Irina-narrated story. I’ve made a joke of the fact that a volume focusing on her is happening any day now, because she has gotten – by far – the least attention of the main cast. But this story shows off why the author may be avoiding it – Irina has always sort of been “no thoughts, head empty”, but here we actually see it from her own POV, and it’s kinda hilarious? Less hilarious are the Issei-narrated stories, which mostly depend on him thinking everyone is gorgeous and sexy (the first one), being stunned at the ludicrousness of the “training” the Grigori are doing (the second one) or being a loud, annoying tsukkomi (both of them).

Next time we should – finally – get the vampire arc. Till then, the good news is I think this is the last short story volume for some time.

Bookshelf Briefs 12/16/24

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Bocchi the Rock!, Vol. 4 | By Aki Hamazi | Yen Press – This is not a sports series, but there are certain plot beats that make it FEEL like a sports series, and none more so than the Band Competition arc. It relies on a lot of word of mouth and help from others in order to have Kessoku Band make it into the preliminaries. And then, like a whole lot of sports manga that have our first-year kids discover that there’s always a higher mountain, they do really well… but lose, and are forced to watch their rivals perform at the festival while they remain in the audience. That said, a lot of bands lost, and Bocchi and company got their name out there. (Which is more than I can say for Sick Hack… I must say I’m kind of dreading the spinoff as I find Hiroi almost unreadable, but oh well, this is the main series.) Good stuff. – Sean Gaffney

Diary of a Female Lead: Shujinkou Nikki, Vol. 1 | By Yuu Yoshinaga | Seven Seas – It’s been a while since I’ve read a straight-up normal shoujo title, like this one from Betsucomi. That said, it’s normal, but it’s also deconstructing shoujo manga. Our heroine is a shy, glasses-wearing girl who feels intimidated by her outgoing jock brother and her driven shoujo-manga-writing mother. Then when seats change in class, she’s next to the class hottie—best friend of her brother—and things start to change. Her brother and his friend decide that what she needs to change herself is to fall in love, and they read a lot of shoujo manga to figure out how to make that work. There’s an obvious guy chosen as her target… but we, the reader, know that it’s gonna be the friend, who reeks of male lead. This was fun. – Sean Gaffney

Kageki Shojo!!, Vol. 11 | By Kumiko Saiki | Seven Seas – Everything I said in my review of the last volume a year ago (yeah, this is the trouble with catching up) applies here. Sarasa is still overpowering the scene with her own performance, and the other actresses are needing to change the way they approach the scene to try to salvage it. Ai, meanwhile, is still trying to figure out if she wants to play male or female leads, and which she’d be best at. Given that the series works best when it’s focusing on the two of them, and that Sarasa’s height makes it next to impossible for her to play a female lead, I can see narratively where this should go, but honestly in terms of character I think Ai would be best served playing the male parts. Needless to say, this remains terrific, and I love reading it. – Sean Gaffney

Komi Can’t Communicate, Vol. 31 | By Tomohito Oda | Viz Media – Let’s face it, this is the most back-loaded volume of Komi ever, as a whole lot of festival antics, some focusing on Komi and Tadano and a whole lot more focusing on characters we’ve seen only once or twice before ends with the two of them, trying to have a real festival date on their own, being met with so many disasters that ruin everything that they can’t help but laugh. After that, though, we get the payoff, as the two of them kiss! But there’s a question about if it was accidental or on purpose, and both of them are so flustered that they can’t quite agree on what it is. Given that we spent so long getting to them becoming a couple, it was clear that this was the next step. Will they go all the way? Likely not in Shonen Sunday, but you never know. Cute as a button. – Sean Gaffney

Laid-Back Camp, Vol. 15 | By Afro | Yen Press – We’ve got newbies in the cast again, which means that we can have them learning new things like “it’s really hard to bike uphill.” Because yes, this series is about camping, but it’s just as much about getting to and from the camp, be that testing your strength by biking up a huge hill (really a small mountain) to the camp, or the frustration when you realize that your journey ends here because you don’t have a car and only cars are allowed in the tunnel between prefectures. There are, once again, minimal appearances by the two I’m reading this for, though we see Nadeshiko show off her cooking talents in “imagine sequences,” and there are a few scenes of Rin once again solo camping. This is always enjoyable and always hard to review. – Sean Gaffney

Qualia Under the Snow | By Kanna Kii | KUMA – Kobayashi Akio prefers the company of plants, but makes the acquaintance of his boarding house neighbor, Oohashi Umi, who keeps coming home in disarray after one-night stands. They’re attending the same university and become friends (and, later, roommates), and we gradually learn more about how each was affected by someone they loved disappearing from their lives (Akio’s father, and Umi’s first love). I enjoyed reading Qualia Under the Snow, but thought it was all kind of… vague. There’s no real access to the characters’ inner thoughts, so I still don’t understand what made Akio’s feelings about Umi change, and I don’t know the significance of what he whispers to him at the end (or even, honestly, exactly what it was). This was good, but it wasn’t great. – Michelle Smith

A Sign of Affection, Vol. 10 | By Suu Morishita | Kodansha Comics – OK, the secret continues to linger, and is not addressed in this volume either. What does occur in this volume is a) The two of them moving in, making the house a home, and trying to get a bit more intimate—or at least prepare for more intimacy; b) Itsuomi continuing to try to reach out to Oushi and let him know Yuki wants him in their life, despite Oushi wanting nothing to do with him; and c) introducing new neighbors, sometimes with overdramatic head injuries and sometimes with surprise “oh hey, it’s you!” run-ins on the street. This is still very good, but that’s now two volumes worth of ‘transition to the next arc,’ and I’m not sure all the moving in is enough to carry it right now. I want more meat on these bones. – Sean Gaffney

Skip and Loafer, Vol. 10 | By Misaki Takamatsu | Seven Seas – We finish up the vacation arc, with Shima still at sixes and sevens. At least Mitsumi has confessed her aborted relationship to the other girls, which frankly stuns them (particularly Mika, who is really starting to feel a bit inadequate over this, especially after she spends the vacation getting over her lingering feelings). And then it’s time for the new semester, and a big surprise—their teacher is taking maternity leave, and no, she’s not married. Skip and Loafer has proved that it’s willing to bring in controversial subjects and treat them exactly the same as everything else in the story—and that it’s willing to move away from the main cast, as the back half focuses on Kazakami, who has his future all laid out for him, and hates it. Still amazing. – Sean Gaffney

The Angel Next Door Spoils Me Rotten, Vol. 8

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By Saekisan and Hanekoto. Released in Japan as “Otonari no Tenshi-sama ni Itsu no Ma ni ka Dame Ningen ni Sareteita Ken” by GA Bunko. Released in North America by Yen On. Translated by Nicole Wilder.

The author, I get the sense, is not only well aware of the reputation that this series has for purity to the point of ridiculousness, but positively revels in it. The start of this volume has Mahiru indicate that she’ll let Amane do anything he wants to her, and both times the closest we get to actual sex is hickeys. Indeed, the joke – both at the start and the end – is that everyone else, including Mahiru, wants something more (never stated, of course, due to pure pureness but implied with her getting very red when he talks about lying in her lap – the last time he did that he was facing towards her, so the implication is there). Amane is made of sterner stuff, though, and he knows very well that the moment that he lets go of his self-control and allows himself to do what he wants with Mahiru, she will somehow immediately be pregnant and possibly homeless. So for now, hickeys it is.

So yes, Amane and Mahiru are now sleeping together. By which I mean she’s staying the night in his apartment, and they sleep in his bed, but again, hickeys is as far as we go. And they’re not even visible hickeys. In the meantime, though, Amane has the future in mind. He wants to live with Mahiru forever, and that means marriage. His parents, who drop by to visit and embarrass the hell out of their son, not in that order, say that they will he,lp with whatever future plans he has – they know he tries to take everything on himself – but he wants to buy the ring with his own money. As such, he asks muscle fangirl classmate Ayaka to help find him a part-time job, and she hooks him up at a cafe her aunt runs for wealthy older customers – one where he can work as a waiter/barrista. That said, Mahiru’s not allowed to see him at work. Yet.

The final scene in the book is essentially the continuation of the first, showing off that them being married is just a matter of a registration – as far as their behavior is concerned, they may not be having sex, but in all other respects they’re soulmates. We meet the co-workers at Amane’s cafe, and they reminded me of the sort of eccentric personalities you might find in some other light novel series, where the childhood friend pines without ever being noticed. But Amane and Miharu are those types as well. In any other light novel, they’d be minor characters, the schmoopy couple who put everyone else in the class to shame and are always shamelessly flirting. Of course, these two flirt without realizing it – even to each other, which can get hilarious.

If you’re waiting for the sex, I’d wait till the end of the series, and get very angry then, as I suspect it won’t be there either. If you’re waiting for the cuteness and the syrupy sweetness, it’s all over this volume.

Sword Art Online Alternative: Clover’s Regret, Vol. 2

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By Soitiro Watase and Ginta, based on the series created by Reki Kawahara. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

So, I’m still enjoying this spinoff, but I will admit that I’m enjoying it despite one of its subplots. Actually, more accurately despite its main plot. When the series is showing off the Asuka Online game, its horror events and the cast debugging things, it’s great. When it’s got them solving mysteries of absent fathers and mysterious support dolls who are not named Yotsugi, it’s also great. When it has its real life subplot about Nayuta gradually moving in with Kurei, making him food, and acting like a wife, while blowing off the fact that she’s been spotted with him and that people at her school are asking questions about it, that’s less fine. Now Kurei spends most of the book insisting he hasn’t done anything improper, which is true, but that’s not the point. The point is that Nayuta is underage and Kurei is in a position of power and we’re both supposed to be rooting for these two to admit their love and get married. Which, eh.

The book is divided into two short stories and one novella. The first story has Nayuta and Koyomi join Klever as he tests a vacation resort that will be used for events, meaning it’s an excuse for the cast to fool around in a luxury hotel. But what’s with the staff… or lack thereof? The second story has them participate in a fun event where you get to snuggle cabyparas, and find the wombat hidden among all of them. This is mostly pure fluff, but also has them discovering an AI android that appears to be part of a part of the game still being argued about, named Onihime. In the final story, they meet a young girl named Mahiro, who is searching for her missing father, who might have gotten called up in something criminal. What’s more, the girl looks a LOT like the android AI they just found…

Koyomi continues to have the depth of a sheet of paper, but she’s fun, and she’s also a necessary ingredient in a cast that otherwise consists of two very serious people. She also has Nayuta’s best interests at heart, and he constant battering of Klever about his “intentions” towards Nauyta masks a very real worry that she could be taken advantage of. Nayuta has an abnormal trust of Klever/Kurei, and while the reader is, I think, meant to assume it’s because they’re destined, it’s still uncomfortable. The other thing about this book is its examination of AI – it seems to be mostly pro-AI, but in the world of SAO I can see why that makes more sense – we already have Yui, for example.

This has one more volume to go, but doesn’t really have any plot points to resolve besides “when Nayuta turns 18 she will simply propose”. Let’s home it’s a little more complicated than that. For SAO fans.