Features & Reviews

Kiss of the Rose Princess Volume 2 by Aya Shouoto

I enjoyed the first volume of this series, but it was a bit on the light and fluffy side. When I finished reading this volume, I felt much more invested in this series because this volume BROUGHT THE ANGST! And while a funny paranormal manga might be a disposable distraction, I find myself much more intrigued by a funny paranormal manga that is also serving up a side dish of emotional trauma.

All along there were some hits of something dark in the first volume of this series, as Anise’s anxiety about losing her rose necklace and her memories of her father threatening to punish her seemed a bit extreme. This volume fills in the background of the Rose Princess and her Knights, introduces a new character/romantic rival, and establishes that Anise’s father is indeed very evil. So many shoujo manga set in high school get livened up with the the addition of a new transfer student, and in this case it is Haruto, and old acquaintance of Anise’s from Osaka who announces that he’s transferred to her school because she is the perfect foil to team up with in a comedy duo tournament. Reverse harem shenanigans ensue, as Anise’s Rose Knights end up challenging Haruto. Unfortunately Haruto is somewhat unscrupulous and poisons Kaede with an expired juice box.

Horrible things seem to happen to the Rose Knights after Haruto comes to town, most notably Mizuki being mysteriously attacked. It turns out that Haruto is the yellow rose of jealousy. It turns out that the Rose Knights of the past used the yellow rose as a sacrifice to seal away a demon lord, and now the seal needs to be redone. Anise’s father and Haruto are clearly on the side of evil, but the angst comes in when one of Anise’s knights decides that it is his role to serve as the new sacrifice.

This volume alternated between comedic high school shenanigans involving goofy contests and giving classmates chocolate, but there were a few good moments of character development along the way. Kaede is always steadfast, the reader gets a peak into Mizuki’s point of view, and Anise is growing stronger and stronger, determined not to give in to a predetermined destiny that was placed on her with the role of Rose Princess. This second volume was more entertaining than the first, so I’m hoping that this trend continues in future volumes!

By Meca Tanaka. Released in Japan by Hakusensha, serialized in the magazine LaLa. Released in North America by Viz.

Meca Tanaka was an author I enjoyed back in the old CMX days – I was quite find of Omukae Desu. She has a certain messy style with a lot of words that reminds me a bit of Banri Hidaka, though really many Hakusensha artists have this, as their magazines have a lot more dialogue than the average Shueisha and Shogakukan title. Here we see her writing a short two-volume series about an alien who comes to Earth looking for a soulmate, and the girl with a life of bad luck that he declares is the one.

I was a bit worried at the start, what with the jokes about “shall we mate now?”, but it’s made clear right off the bat that consent is required first. Io, the alien, is not particularly adept at human social conventions, but he’s an alien so gets more of a pass than the usual shoujo boyfriends who are just bad at interacting and boundaries. Once Io realizes what Earth requires, he does his best to try to work within its rules, even if they baffle him. He’s also very cheery and friendly (except for one moment where he gets jealous), which actually works against him at the end, as Hako can’t tell if he’s being sincere about his love, especially when he seems to give it up so easily.

Hako also impressed me. Honestly, with the sort of life she’s led, she should be a lot more broken than she is, and it’s definitely a good thing that she’s been taken in by the occult club. That said, she gets a lot more emotional as the title goes on, and it becomes clear that a lot of her open cheerfulness is a mask. She’s also shown to be somewhat stocky (well, by shoujo manga standards), so makes a nice change from the usual tall thin girls. She’s a nice girl. You want good things to happen to her. Io ends up being a good influence.

As for the rest of the cast, I already commented on Twitter about finding Erina fascinating. Unlike Io, there’s no excuse for her – she’s just constantly smiling with closed eyes, all the time. I think the only time she remotely shows another emotion is when Io pretends to be injured and drives Hako away, and even then it’s less anger and more ‘tsk tsk’. I hope we find out something about her in the 2nd volume. As for the club president and Matchan, they make a nicely goofy beta couple – indeed, the president (is he ever named?) seems to be starring in a completely different manga, possibly Nisekoi. Matchan might feel a bit cliched to Western readers, but the girl who shows embarrassing emotions as anger is a classic Japanese trope, and so I just deal with it.

This is over in the 2nd volume, and honestly it almost felt complete in this first one – you could stop right here and have a satisfying ending. Still, I enjoyed it. It wasn’t deeply meaningful or anything, but was good enough for me to seek out the next in the series.

By CLAMP. Released in Japan by Kadokawa Shoten, serialization ongoing in the magazine Young Ace. Released in North America by Dark Horse.

And so, after a 10-year hiatus, Legal Drug returns, with added plot! It began right about the time that xxxHOLIC was wrapping up in Young Magazine, which is appropriate given the similarity between the two series. Indeed, CLAMP underlines this by having Watanuki show up in the middle of this first volume, assigning the team a task that he, being unable to leave the shop, cannot accomplish himself. It’s somewhat disappointing that the Watanuki we see her is the post-series calm, reserved, smirking Watanuki, as of course during most of the best parts of xxxHOLIC, he and Kazahaya were like peas in a pod – little balls of frustration and anger who screamed at their close friend/rival whenever life became too much for them, which was all the time.

I had thought that the art style would be greatly changed from the first 3 volumes in the past, but it turns out that’s just the cover, which has our heroes prettied up and I suspect is drawn by another member of the team. Once inside the art is much the same as it was before, although 10 years more experience has made Nekoi’s eye for composition even better than it was before. As with so much CLAMP, this is simply pretty to look at, with even noble suffering being given a languorous tone, and where smoke wafting around the room can have a smirking quality to it, just like its owner. And, of course, where a crow being ripped apart by human hands can also looks quite pretty, if devastating.

One problem with Legal Drug is that its main ‘plot’, so to speak, was very much held back, with the series kept on as a ‘monster of the week’ sort of story till it found its feet – and then, of course, came the hiatus. Now that it’s returned, we thankfully don’t need that incubation period, and a lot of what was suggested in the first series is brought into sharper relief here. Rikuo has someone (sister or lover, I’m not sure), who he keeps searching for even though all signs point to her being dead. Kazahaya has a sister he loves dearly but who he is desperately hiding from, and the cliffhanger of the book shows us why. And the shop the two work in seems to have been created as a place for the two of them to have their Big Destiny together – Kakei and Saiga are just helping them along.

There’s a lot less humor here as well, sadly – the amusing overreactions are kept to a minimum, and Rikuo outright gets a prophecy that says he has to make an impossible choice and will fall into despair no matter what. It works out, though, because the two leads seem better equipped to deal with whatever tragedy comes their way. Kazahaya is still impulsive, but not to the point of being socially inept like in Legal Drug. Rikuo is stoic, but is actually bothering to explain things to Kazahaya this time around instead of merely rescuing and smirking at him. They FEEL more like the two chained by destiny that they’re supposed to be.

So in the end, Drug & Drop is much like its earlier incarnation, only more serious and with better written characters. I can’t guarantee it will end well, given my experience with CLAMP’s endings over the years, but for now let’s just enjoy the ride.

By CLAMP. Released in Japan by Kadokawa Shoten, serialized in the magazine Asuka. Released in North America by Dark Horse.

I had first read Legal Drug when it came out from Tokyopop back in the day, but I have to admit it didn’t leave as strong an impression on me. Possibly it was too BL for my tastes (I was so much younger them), or possibly I wasn’t taken with the lack of forward plot progression. These days, though, it’s hard not to read Legal Drug and think to yourself “…this is just xxxHOLIC, only a lot gayer, right?” Legal Drug went on ‘hiatus’ in 2003, right around the time CLAMP were arguing with Kadokawa about the ending to X. Coincidentally, around the same time, xxxHOLIC started in Young Magazine, and also featured a grumpy hero who likes to shout and his cooler, more stoic friend solving supernatural mysteries at the behest of an eccentric mentor.

When this series first came out, CLAMP’s work sort of subdivided into two main groups separated by art: there were the books that looked like Magic Knight Rayearth and X, and the books that looked like Suki and Legal Drug. The latter have Tsubaki Nekoi as their chief artist – as did xxxHOLIC, come to that. Her style has evolved a lot over the years, though, and it felt nostalgic to go back and see the cuteness in the character designs for Kazahaya and Rikuo. This isn’t as fluffy as Suki, though – there’s a lot of deep subtextual backstory here, very little of which is actually wrapped up. Rikuo is desperately looking for a woman everyone thinks is dead. Kazehaya is hiding from his sister, who he seems to love dearly, and who loves him just as dearly – in fact, possibly a bit too dearly? As for the owner of the shop where they work, Kakei, he seems familiar, and you might find yourself wondering if he’s from another CLAMP title.

Speaking of which, there was actually less crossover from other CLAMP works than I’d expected here. The most obvious one is from Suki, but that makes perfect sense in a meta way: the plot requires Kazehaya to have a high school girl give him her uniform at graduation, in exchange for a cute outfit. There is literally NO ONE IN THE WORLD who would be naive enough to do this – except Hina, of course. CLAMP readers who might have found this unbelievable now smile and nod, as all is right in the world.

I joked in some earlier posts about the BL quotient of Legal Drug compared to xxxHOLIC, but re-reading it really brought it home. Compared to this series, xxxHOLIC is straight as an arrow. Kazehaya is a social misfit (from what little background is revealed, he seems to have grown up with only his sister and no one else till about 6 months ago), and Rikuo doesn’t seem to care about much (though does show a preference for teasing Kazehaya). But Kakei and Saiga are clearly a couple, which is why I was trying to figure out what series they’d been in before, and the last third of this omnibus is set in a boys’ school where one of the students straight up admits they all get into relationship0s as there are no girls around. (Given the sheer amount of yuri titles that use the same approach, it’s nice to see things reversed here.)

The supernatural mysteries are excellent, and sometimes creepy, as you’d expect from a series whose spiritual sequel was xxxHOLIC. But the main reason to read Legal Drug is the character interaction, which can range from hilarious to heartbreaking. And now, of course, we get to see the actual sequel, as Drug & Drop began in Young Ace (thus changing genres from shoujo to seinen, though there appears to be no difference in content) in 2011. We’ll come back here soon to see how the years have changed our two leads.

By Sabu Routa. Released in Japan by Ichijinsha, serialization ongoing in the magazine Comic Yuri Hime. Released in North America by Seven Seas.

I was in a somewhat cranky mood when I read Citrus, so wasn’t as appreciative of it as I could have been. The cover makes it seem a bit more salacious than it actually is, though that may change later. The back cover copy tells us it’s reminiscent of Girl Friends and Strawberry Panic, which is certainly true in terms of genre. But as I read it, I realized it felt more like standard shoujo with a female lead who fights back against the system and changes in her life. If it weren’t for the yuri, this could have been written by Natsumi Ando. And thus the difference between this and, say, Girl Friends is the level of drama it brings to the table.

Yuzu has just moved to an all-girls’ school, and finds that the strict regulations pretty much demand she change everything about herself. Things aren’t helped by the class president, Mei, who appears to be rather uptight and straightlaced, but is apparently having a secret relationship with the teacher. She then returns home to find that her mother, who has recently remarried (the father is absent, and honestly the mother seems a bit not all there), has asked her new stepdaughter to stay with them. No prizes for guessing who it is. Then when Yuzu, who acts worldly but isn’t, talks about a magical first kiss, Mei shuts her up by kissing her.

I like Yuzu. She’s a good heroine, easily outraged, emotional and exasperated. She is perhaps portrayed as a bit too naive, but the whole “ah, so this is what love feels like” situation is a staple of shoujo manga. In fact, most of the situations we see here are staples of shoujo rather than yuri (though the genres overlap quite a bit): outing the sleazy teacher, the threat of expulsion for doing what’s right rather than following the rules, the jealous classmate catching the lead couple in the classroom and staring at the cliffhanger ending of the volume with an “I will DESTROY her” expression…

Mei is harder to like right away, but that’s because she’s the repressed, stoic one. Her kissing of Yuzu seems oddly out of character, and you get the impression she did it entirely to drive her away and shut her up rather than out of any lingering affection. The trouble is that she also lit a fuse in Yuzu, and now has to take responsibility for Yuzu’s turbulent feelings. (This makes up the other half of the cliffhanger in Vol. 1.) She’s not quite the Sachiko-type – not enough oneesama tendencies for that – but close, and I fear that dealing with Yuzu and all her extroversion will lead to Vol. 2’s crisis point.

So as I said at the start, Citrus is a decent shoujo potboiler of a manga. It’s not very original, but that’s not unusual. If you like dramatic shoujo, and don’t mind the leads both being girls, this is a title you may want to check out. If you like yuri, of course, you’ve probably already read it by now.

(Oh yes, and Harumin is fantastic. She’s the Tsutako of the series, and plays her role admirably.)