Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Features & Reviews

The Water Dragon’s Bride, Vol. 9

by

The Water Dragon’s Bride has always explored issues of humans using religion to justify terrible actions, and this is brought home even more when a god who is actively seeking to meddle gets turned loose. The Water Dragon God’s aloof personality and general lack of interest in humanity other than Asahi was a bit of a protective factor for humans. The God of Darkness, with his damaged human sidekick Kurose has nothing holding him back from some active and severe meddling.

I appreciate the way that Toma has developed Kurose’s character. The intense trauma that he’s experienced in the past gives more context for his turn towards darkness, and although he’s an antagonist for Asahi he’s much more complex than a typical villain. The God of Darkness is portraying the other gods as weak by inventing a Sun God for the humans to worship. By covering up the sun temporarily with darkness, and then letting the sun shine again, the humans are led to dismiss the Water Dragon God as evil and ineffectual. The emperor gets dethroned and Asahi wants to aid him, but she’s again a target of hatred for the humans.

water dragon's bride 9

Kogahiko shows how malicious the combination of human and an evil god can be, even more than Kurose, as he deliberately manipulates everyone around him through the God of Darkness in order to get more political power. He still sees a use for Asahi, as a way of bolstering his new position by parading her in front of his subjects. Throughout this volume the Water Dragon God’s protectiveness and attitude towards Asahi is striking. When she asks him to forgo using his powers he complies, but his affection for Asahi ensures that he’ll find a way to protect her. As always, Toma’s deceptively simple art makes the most of the symbolism in this volume, as the humans turn towards the darkness in the guise of worshiping the sun. The Water Dragon’s Bride is surely one of the most philosophical shoujo series that I’ve read, which is also why it is a series I can see returning to and rereading in future years.

Yona of the Dawn, Vol. 18

by

By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz Media. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

The concept of living forever, and being forced to see everyone you care about move on and pass away is not a new one, but that doesn’t mean it’s not a story worth telling again in context. In this case, the context is via Zeno, whose backstory is finally revealed in this harrowing volume of Yona of the Dawn Picking up where the last volume left off, we see Zeno seemingly killed any number of times (in graphic detail – even for a series filled with violence as Yona is, this is a blood-spattered volume, please be warned)driving off the threat for the moment, and earning a group hug from the rest of the Happy Hungry Bunch. He then goes on to reveal more of his past – both his desire to make sure that Yona “proved herself” before he joined up with her (which she has most assuredly done), and then seeing how he’s been around as a Dragon far longer than the others.

Zeno is not just a Yellow Dragon, but the first and only Yellow Dragon, and flashbacks show him with the original Crimson Dragon King and his fellow Dragons. He’s not particularly strong or skilled, but, as we discover, he can recover from any grievous wound up to and including having his head chopped off, and as the attacks go on his skin gets harder. This allows him to fight with Yona’s crew… or at least inspire a terrified retreat… but back in the past, he’s horrified that he has essentially become an undying monster. Then, as he confesses his fears to his beloved King, said king tr4ies to reassure him but almost immediately dies. The two are unrelated, but they drive home something that haunts Zeno for the rest of the volume… he can’t die, and everyone else he knows can. This book very much believes in Heaven, and Zeno can’t be with his friends in the next world.

Or his wife, as we also see Zeno befriend and fall in love with a young woman who lives by herself as she’s dying of an unnamed illness. She tries to politely drive him away, but he’s rather persistent, and their love story is very short-lived but also quite sweet. But of course, she has to die too, despite Zeno’s begging the heavens for a way to have her life on with him. (This is likely one of the reasons why he’s the only Dragon not to harbor romantic feelings for Yona.) Fortunately, we end the volume with Zeno, having essentially shown this flashback to the reader while he recovers, waking up to see the current Dragons and Yona hovering over him, and he joyfully glomps them all in a big group hug. I am happy to see that, while Zeno’s happy ditzy self is indeed a mask of sorts, that he is not secretly in constant agony or anything. He’s found joy once more with his new friends, and I hope that, if he does live past them, he is able to accept it.

A must read volume of Yona (unless you’re against a lot of blood and gore, as I noted), this was a gut-punch to read but all the more rewarding for it.

Classroom of the Elite, Vol. 2

by

By Syougo Kinugasa and Tomoseshunsaku. Released in Japan by Media Factory. Released in North America by Seven Seas. Translated by Timothy MacKenzie. Adapted by Jessica Cluess.

Tempting as it is to paste my review of the first volume in for the second and see if anyone notices, I will make an effort to say new things. The series’ strengths and weaknesses remain the same. It’s compulsively readable, always a good thing. Its premise can be teeth-grindingly annoying, especially when everyone turns into a vicious sadist for no reason, with a lot of “ha ha, you will fail forever now” sneering. I’m still not entirely clear if this school has a purpose beyond abusing 1/4 of its student body, and I suspect this is not a question I’m going to get answered anytime soon. We do get a couple of new characters here, though, including one who I actually did not want to punch in the face, which is a monstrous improvement from the first book. Sadly, she isn’t in Class D, meaning I am probably out of luck unless we get a spinoff series or something. Plus honestly, shee likely has a dark side too.

The other new character introduced is Sakura, who isn’t annoying so much as passive. In fact, her very passivity is the problem, as she’s also an important witness to an assault by Class D hothead Sudo on three Class C students. He now faces suspension, of course, and every single thing over the course of the entire book does not help his cause. First off, he’s claiming self-defense, but that’s hard to prove when you beat up three guys and you’re fine. Secondly, no one believes him anyway because his first response is to punch everything. Of course, if Sudo gets suspended Class D will lose the few points they gained from the first book (which aren’t given to them as money, by the way – it’s implied they never will be). Can the rest of the class overcome their antipathy towards Sudo and apathy in general and help clear his name? Or will they need to be a bit more… creative?

As I said, there’s also a girl from Class B that we briefly met in the first book but who gets a genuine introduction here. Ichinose is so refreshingly normal that I was almost crying in happiness. She’s friendly and outgoing without (so far) having a scheming dark side like Kushida. She tries to use Ayanokouji to help her with a problem (girl is confessing to her, need a pretend boyfriend). She ends up being of great help to them in the climax of the book. Really, I want her to be the star. She’s certainly more fun to read than grumpy Horikita, who spends the book attempting to help Sudo while being miserable about it, or our “hero” Ayanokouji, whose desire to be average and not stand out is so great that even his own inner narration lies to us – frequently he talks about Kushida as if he knows nothing about her secrets, and there are other points where I suspect he’s straight up lying to the reader. Which is the point – their teacher is trying to get Horikita to figure out why he’s like this – but again, it’s not what I’d call fun.

I can see why this is popular – I sped through it very quickly, and want to read more. This despite the fact that I was frowning most of the time and occasionally wanted to slam the book against a wall. Classroom of the Elite is a war between the writing and the characterization, and it may take more than two volumes to figure out who’s winning.

Manga the Week of 6/12/19

by , , , and 2 Comments

SEAN: Usually the 2nd week of the month is the smallest one. NOT NEXT WEEK.

ASH: Yeah, let’s do this!

SEAN: Ghost Ship has a To-Love-Ru omnibus, Vols. 13-14, and the 5th World’s End Harem.

J-Novel Club debuts Crest of the Stars. Tokyopop released this way back in the day, but it’s been out of print forever, and I’m very happy to see it back with new translation and cover art. It’s also great science fiction.

MICHELLE: Oh, neat!

ASH: I have at least one of the Tokyopop editions floating around somewhere; nice to see this series being revived.

ANNA: I think I missed this the first time!

MJ: I missed it, too!

SEAN: It also has How NOT to Summon a Demon Lord 9, and Seirei Gensouki: Spirit Chronicles 5.

Kodansha, print-wise, has Boarding School Juliet 6, That Time I Got Reincarnated As a Slime 10, Tokyo Tarareba Girls 7, and, for those with long memories, Noragami: Stray God 20. This was the HOT NEW SERIES till it hit the “caught up with Japan” wall.

MICHELLE: I watched a bit of the anime recently and it was pretty intriguing.

ASH: I haven’t seen the anime, but I’ve largely enjoyed what I’ve read of Noragami manga. Tokyo Tarareba Girls is a must-read series for me, though it packs quite a punch.

SEAN: Digitally Kodansha has Drowning Love 12, Kira-kun Today 8, Love Massage: Melting Beauty Treatment 4, Ran the Peerless Beauty 4, and Tokyo Revengers 8. Ran needs a print release stat.

MICHELLE: Forsooth.

ASH: I’d likewise like to see it in print!

SEAN: One Peace has an 11th volume of The Rise of the Shield Hero.

Seven Seas debuts I Married My Best Friend to Shut My Parents Up (Oya ga Urusai Node Kouhai to Gisou Kekkon Shitemita), which if nothing else has a very eye-catching title. It’s a yuri one-shot, which I reviewed here. It ran in Ichijinsha’s Comic Yuri Hime.

ASH: I’ve been curious about this one, and appreciated Sean’s review, so I’ll likely be picking the manga up.

MJ: Same here!

SEAN: There’s also the print debut of Skeleton Knight in Another World, a light novel I was unable to finish the first volume of when it came out digitally.

Seven Seas also has Dragon Quest Monster + 2, Magika Swordsman and Summoner 11, Miss Kobayashi’s Dragon Maid: Kanna’s Daily Life 5, and the 2nd digital volume of Restaurant in Another World. I’ll take the Restaurant over the Skeleton Knight, easily.

SuBLime has Candy Color Paradox 2 and Escape Journey 3.

ASH: Which reminds me I still need to read the first volume of Candy Color Paradox!

MJ: Oh, oops, so do I!

SEAN: Vertical has a 7th Flying Witch.

Vertical also announced that the first seven Monogatari Series novels are now available digitally! Great news for those of us phone readers. These are already out, so go get them.

Viz’s manga debut is Komi Can’t Communicate (Komi-san wa Komyushou Desu), a Shonen Sunday title that I’ve really been looking forward to. Its premise may seem familiar: the cool and aloof beauty of the school is just really poor at socialization. It’s also a 4-koma, for those who seek out/avoid those.

MICHELLE: The covers for this series are really cute! It runs in Shounen Sunday, and I’ve liked slice-of-life shounen from that magazine before, so I’m hopeful about this one, 4-koma or not. (The best 4-koma is still Monthly Girls’ Nozaki-kun, though!)

ASH: Monthly Girls’ Nozaki-kun is the best of a lot of things.

ANNA: I’ll check it out.

MJ: I’m very hit-or-miss with 4-koma, but I’ll usually give it a chance.

SEAN: Viz also has a giant Evangelion artbook, with illustrations from 2007-2017.

And there’s Magi 36, Sleepy Princess in the Demon Castle 7, and Splatoon 6.

MICHELLE: I am hoarding Magi until the final volume. Just two more months!

ANNA: One of these days I’m going to do a full Magi marathon.

SEAN: See? Not a small week at all. What’s here for you?

Classmates, Vol. 1: Dou Kyu Sei

by

By Asumiko Nakamura. Released in Japan by Akaneshinsha, serialized in the magazine Opera. Released in North America by Seven Seas. Translated by Jocelyne Allen. Adapted by Lillian Diaz-Przybyl.

This is the latest in a series of “OMG, I can’t believe we’re finally seeing this title!” LGBTQ releases that we’ve seen in North American this spring. Technically, we’ve seen this one before, as it came out digitally via JManga, then digitally again via the Digital Manga Guild. But this is a print release, newly translated, and looking very nice. It’s not a new title, having come out in 2006, but the story is certainly timeless. There’s a handsome, outgoing boy. There’s a serious, introverted young boy. They fall in love. But as with most really popular titles, it’s not just the story that makes people want to read it. Classmates has a number of individual story beats that I paused and read slower, or went back to read again, because they were handled so well. There’s also some excellent art here as well, as sometimes even a sketchy background shot carries impact. It’s a manga by an author who knows craft.

Hikaru is the easygoing, handsome, long-haired blond, who’s cool, in a band, etc. He’s in an all-boys school, which is practicing for a choral presentation, and notices that a classmate, Rihito, is only pretending to sing. Later he finds Rihito in an empty classroom, trying to learn the song (his vision is poor, so he couldn’t see the music earlier) and Hikaru offers to teach him. Over the course of this, the two fall in love, helped along by Hikaru’s kissing, which is not entirely consensual at first but eventually reciprocated. As the volume continues, you see the passion they have for each other, but is there anything behind it? Moreover, college is coming up, and Rihito, pressured by his parents, is boning up to get into a prestigious university. Is this a long-term thing, or is just another high school romance?

As I said earlier, individual chapters or scenes were what caught my attention here. Student/teacher relationships are a staple of Japanese manga, but you usually see them coming from the POV of the student. Here we get a chapter devoted to Manabu, their music teacher, who tells us why being a gay guy at an all-boys’ school is not all it’s cracked up to be (they’re mostly immature brats), but then runs into Rihito and falls for him immediately (Rihito has a knack for being unconsciously smooth). There are also a couple of fights that were very good, the first after Rihito sees a girl hitting on Hikaru at a concert and drunkenly runs off (Page 114 made me smile hugely) and Rihito’s explosion of emotions (he’s normally pretty repressed) about how he knows nothing about what Hikaru is doing for college or the future. (To be fair, I don’t think Hikaru knows either.) It’s scenes like this that make a series really enjoyable, and I’m very pleased that Seven Seas has also picked up the two-volume sequel to this.

If you like teen romance with passion or classic BL, this is absolutely a series to buy.

Toradora!, Vol. 5

by

By Yuyuko Takemiya and Yasu. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by Will Holcomb.

This is a light novel series that is coming out in America well after both the manga and the anime (though the manga remains unfinished as it crawls along in Japan), so to a certain degree there’s very little “surprise” involved in the contents. I knew that we would eventually be dealing with the volume with Taiga’s father, and here it is. As such, a good deal of the book consists of the reader yelling at Ryuuji “NOOOOO, DON’T TRUST HIIIIIM, YOU IIIIIDDDIOOOOOTTT!”, which to be fair Minori does as well. It’s actually rather refreshing, as usually Ryuuji is the sensible, down-to-earth core of these books, so it’s somewhat startling to see him so taken in by Taiga’s dad. Of course, it’s spelled out why he is; he longs for a relationship with his father he can never have, and now he can sort of get it via Taiga. Of course, this means it’s not about what Taiga wants at all, something that he realizes in a horrified sort of way when everything goes wrong.

Before we move on, I want to note that, while Toradora! is quite funny and has some excellent gags, it does lean on one running gag through this book that I wasn’t very fond of. Yuri, the class teacher, turns thirty in this book, something that she and the author make you very aware of. There is a bit of sympathy for her near the end (bless you, Ami), but for the most part the joke is that she’s 30 and unmarried, and the constant (30 years old) tags after her name grow annoying. Of course, without that we would not have had the class wrestling play, which has to be read to be believed, although I admit I think it worked better in more visual mediums. Taiga and Ryuuji really do make an excellent evil duo. And then there’s the race at the end, where Ryuuji and Minori, both incredibly furious with themselves, get involved in a nasty little race to see who can crown Miss Taiga with a tiara of “I’m most important to you!”. The race is fantastic, though I do wonder, given the apparent injuries that occurred during it, why no one got in trouble.

Ryuuji and Minori have a huge fight here, of course, Ryuuji coming from a position of ignorance and Minori from one of having been here before. She withholds that from him, though, deliberately. Minori is upset that Taiga is not only closer to Ryuuji these days, but seems to be getting herself hurt again by making up with her father purely for Ryuuji’s sake. The series to date has been about Taiga and Ryuuji having one-sided crushes, and in the last book we wondered if Ryuuji’s was really one-sided after all. Now we see Minori wondering, out loud, after her struggle to be the one most dear to Taiga, if she’s a lesbian. Leaving aside Ryuuji’s response, which is understandable but won him zero points in the fandom, it’s an interesting question, and I wonder if the author will develop it later on or if it merely serves as an odd coda to this excellent volume.

Bookshelf Briefs 6/4/19

by , and Leave a Comment

Black Clover, Vol. 15 | By Yuki Tabata | Viz Media – The tournament arc wraps up, and the winning team is not really a surprise—Asta may be the hero, but he’s not ready to be a winner just yet. That said, he does get to be a Royal Knight because he showed off his skills—along with Noelle and Luck. This means they get to fight against the Eye of the Midnight Sun. Meanwhile, back at the Black Bulls HQ, a new enemy appears, and almost everyone is away except for the most socially awkward of the group. Fortunately, we meet a new member of the group who’s a … ghost? House? Whatever he is, the fight that follows is visually very, very clever. Black Clover is still Jump‘s answer to Fairy Tail, but it’s almost standing on its own by now. – Sean Gaffney

Kino’s Journey, Vol. 2 | By Iruka Shiomiya, based on the novels by Keiishi Sigsawa | Vertical Comics – A word of warning as we get into Kino proper: it’s not the subtlest series in the world. It has a message, and you are going to get that message. This is not to say that I did not very much enjoy this dark little volume, but this is very much a case of “well, it can’t get more horrifying than it already is—oh wait, yes, it can.” At first we see a city with one survivor in it, and learn how majority rule led to its extinction. Then we see a city which is filled with peace—provided you don’t live in the village outside its borders. Kino and Hermes travel through this, making occasional pointed comments but mostly acting as observers who want to get the hell away. Very good. – Sean Gaffney

Love in Focus, Vol. 2 | By Yoko Nogiri | Kodansha Comics – The most interesting thing to me about this volume is seeing Kei instantly regret telling Mitsuru to back off at the cliffhanger to last volume, as it pretty much wasn’t needed at the time, and eventually has the opposite effect. The group goes off to a vacation home for a good portion of the volume, and we see Mitsuru and Mako get closer, as well as some flashbacks that show off how Mako is not merely dense when it comes to romance, but danger in general—seeing her hanging off a ledge to get a good shot was mind-boggling. I was a bit disappointed with the Saionji subplot, which cried out for “they’re a guy” as the answer, but no, it was “they’re married to my brother.” This is still pretty good. – Sean Gaffney

Love in Focus, Vol. 2 | By Yoko Nogiri | Kodansha Comics – I was annoyed with Kei for his possessiveness in the first volume, which renders me even more impressed that Nogiri-sensei manages to flesh him out into a sympathetic character in this one. By having him experience another spate of panic over how close Mako and Amemura seem to be getting, followed by another impulsive declaration (this time telling Mako that he likes her), his warning Amemura away in the previous volume is revealed to be another instance of this same behavior rather than any kind of entitled assholery. Indeed, this volume establishes how very important Mako is to Kei and how he has loved her for a really long time. I thought her ending up with Amemura was a foregone conclusion, but now I’m not so sure. Once again, I end up liking one of Nogiri’s works more than I initially thought I would. – Michelle Smith

Popocomi, Vol. 1 | Published by Eriko Obayashi | Popotame – Between Mejiro and Ikebukuro in Tokyo is an art gallery and bookshop called Popotame, described as “a place full of unique things hard to find anywhere else” by its manager Eriko Obayashi. One of Popotame’s projects is Popocomi, an anthology series featuring artists, illustrators, and designers who also release independent manga. For the 2019 Toronto Comic Arts Festival, fourteen manga published in the original Popocomi collections were selected to be released in English. I found the resulting anthology to be consistently delightful as well as occasionally surreal. And since it’s titled Popocomi 1, I’m hopeful that more will be translated in the future. The volume doesn’t really have an overarching theme or subject, although space and/or aliens happen to be present in a fair number of the stories. The style and tone of the short manga vary as well, but that range is one of the reasons the collection is so satisfying. – Ash Brown

The Quintessential Quintuplets, Vol. 3 | By Negi Haruba | Kodansha Comics – This series isn’t We Never Learn, where you can at least rely on each of the girls being geniuses at something. These five are genuinely not very good at studying or test-taking—which is a problem given that their father sets mid-terms as a drop-dead date—if they don’t pass, Futaro stops being their tutor. This despite the fact that he’s making serious inroads—not in their grades, but getting to know each of them better. There may also be some mysterious past going on here, as Nino briefly wonders why she recognizes a blond guy from a photo—my money’s on our hero, frankly. Will they bond further on a camping trip? Now that they can actually go… This is cute. – Sean Gaffney

Ran and the Gray World, Vol. 3 | By Aki Irie | Viz Media – This is so gorgeous and well-drawn that I am almost tempted to continue to read it despite the fact that I spent the entire time screaming at the pages in rage and anger. But not quite. From the dream-sequence first chapter, where Ran tries to rescue Otaro from his bugs and he rewards her by trying to sexually assault her, to a chapter where Ran’s brother, who seems to be in heat, cannot keep it in his pants (and does not seem to get how much Sango likes him), to the final chapters, where Ran (upset at Sango being “taken away” by Jin), runs off to live with Otaro, who still doesn’t know how young she really is and thus this turns into a cavalcade of NOPE. This series, in the end, really makes me wish the author was drawing something else. (Which they are!) – Sean Gaffney

Requiem of the Rose King, Vol. 10 | By Aya Kanno | VIZ Media – Rumors have been spreading about Richard’s body and Buckingham is determined to learn the truth. Before he can do so, Edward suddenly dies, setting off a whole lot of Woodville scheming for the throne. Richard is determined to defend the Plantagenet line, but when Buckingham literally lays bare his secret, Richard finally admits that he wants the crown for himself. By the end of the volume, Richard and Buckingham have embarked on a twisted sexual relationship and Richard is installed as regent, with only the princes standing between him and the throne. We’re heading into the most infamous part of Richard III’s history and I eagerly anticipate seeing what Kanno does with it. Coldly ambitious Richard is a sight to see, too. Such a great series! – Michelle Smith

Tales of Wedding Rings, Vol. 6 | By Maybe | Yen Press – Is this book about saving the kingdom and getting stronger, or is it about which girl gets to have her virginity taken by Satou? Honestly, it can’t quite make up its mind, and I sort of which it would lean one way or the other. The girl on the cover is NOT a new Ring Princess, but instead Hime’s little sister, who stayed behind to learn magic while Hime was off in another world, and is here to teach it to her big sister like it or not. There’s definitely need for it, sa the evil Abyss King also has a bunch of rings that make him stronger, and now I wonder if there will be EVIL ring princesses. Meanwhile, Satou and Hime… still aren’t getting any. But they’re close. For a harem manga, this is decent. – Sean Gaffney

After the Rain, Vol. 3

by

By Jun Mayuzuki. Released in Japan as “Koi wa Ameagari no You ni” in two separate volumes by Shogakukan, serialized in the magazine Big Comic Spirits. Released in North America by Vertical Comics. Translated by Jocelyne Allen.

The third omnibus of this series shows off a few of the characters beginning to realize that Akira’s love for Kondo is not just some easily swayed crush, and that they may need to take it seriously. This includes the smarmy chef who’s been hitting on her, who it turns out is a lot less smarmy when he’s around his sister. They run into our lead “couple” and Kondo’s kid and go on a sort of double date from hell, featuring the dorkiest sweatshirt ever, a lot of phallic plants with no symbolism intended at all no sirree, and Tamako, the sister, who is a LOT in a series that’s driven by introverts most of the time. It also has an odd moment where Kase tells Akira that she is the sort to “bend towards the light”, like plants, implying a depth that she hadn’t seen before but which we don’t really get deeper into because, well, sister.

That said, the most interesting part of this book is that Akira’s tortured feelings about Kondo take a back seat to Akira’s tortured feelings about track. I had assumed, and the text implied up until now, that Akira’s injury was very much the “career ending” sort of injury. But no, with physical therapy, she could easily regain her powerful running ways. She just ISN’T. And this is annoying not just Haruka but also a lot of her fans, including one very angry underclassman who I’m pretty sure we’ll see again. Akira loves working at the restaurant so she can be around Kondo, but is that really all a girl like her wants to do? And how can she run after her perpetually forgetful boss with a bum leg? Akira’s issues are not just related to love, there’s more going on here.

As usual with this series, there are a number of gorgeous scenes with people simply staring at each other, and I admit that as much as I like the story of After the Rain, I wonder sometimes how it would read without any dialogue at all. I’m not sure it could tell everything in silence, but I think the majority of it could be implied. And honestly, when you finish the book and then go back to look at your favorite facial expressions, that’s a good book. We’re over halfway through the series now, and I’m still not entirely sure where it’s going, but it’s become clear that the story is not just about Akira and Kondo but about Akira maturing… or not maturing, as there are several points in this book where, as with previous volumes, she throws a bit of a tantrum when reality gets in her way.

I had fallen behind on this series, so the 4th volume is out very soon. It will be interesting to see where it goes. We saw Haruka meeting Kondo towards the end of the book, and I wonder how close the ‘love story’ and ‘track injury’ subplots are going to come. In any case, keep reading this very pretty series.

Kakuriyo: Bed & Breakfast for Spirits, Vol. 3

by

Kakuriyo: Bed & Breakfast for Spirits, Volume 3 by Waco Ioka and Laruha

This is one of those series that ends up getting stronger with each volume. I thought the first volume was okish, liked the way the second volume showed more character development, and appreciated the balance between backstory and new plot elements in the third volume. One thing I tend to look for in series about ayakashi is some interesting character design or art that captures my attention. While the art for this series is fine, I wasn’t getting that same sense of wonder about the spirit world that other ayakashi-centric manga titles have delivered. In this volume, I did find the portrayal of wall demons blocking Aoi’s path to be delightful, as they looked like pieces of wallboard dressed in formal kimonos.

Kakuriyo Bed and Breakfast for Spirits 3

Aoi is slowly finding more of a rhythm to her life in the spirit world with the discovery that her food is unique in bolstering the spiritual energy of the demons that surround her. She becomes more involved in the lives of the spider demon siblings, Suzuran and Akatsuki. They tie in to her own story with her grandfather, as she learns that he took them in and temporarily made them his servants when they were fleeing for their lives. Suzuran wants to go back to the human world to exist near Shiro’s grave, and Akatsuki is absolutely opposed to her dream. Aoi mediates this sibling relationship with nourishing food, and the steps in cooking her dishes are more clearly portrayed in this volume. It didn’t quite deliver the level of obsessive detail that I like to see in a food manga, but I appreciated food preparation getting more attention, since it is so central to Aoi’s identity.

One thing I really enjoy about this series now is how each volume tells a satisfying story while inspiring more questions for the reader to ponder. Shiro’s actions and motivations seem more mysterious the more Aoi learns about him. I’m also curious to find out more about Ginji after seeing him report back to the Odanna. I’m enjoying the measured pace at which this story is developing.

Another World’s Zombie Apocalypse Is NOT My Problem!

by

By Haru Yayari and Fuyuki. Released in Japan as “Zombie Darake no Kusatta Sekai wo Seijo no Chikara de Jōka Shimasu!” by the author on a webnovel site. Released in North America digitally by Cross Infinite World. Translated by Charis Messier.

As the title might suggest, this novel combines zombies and “transported to another world”, two of the hottest current trends, or at least hot in 2016, when this was originally published. Unlike some of CIW’s other titles, I think this one could be marketed to both male and female readers, but the star is definitely a young girl. The first half of the book leans heavily on the zombie end of things, while the second, after the crisis is slowly being averted, feels more like an isekai proper, as Mizuha wanders around the kingdom, meets eccentric characters, etc. It’s just that the adventuring she does is zombie-purifying, that’s all. It’s also definitely a book that’s just about the right length – this is done in one, and I don’t think would make a good series. As a single volume, it’s pretty decent, with its main flaw being that ‘pretty decent’ is as far as it goes.

Given her appearance, as seen on the cover, and the fact that she uses her right hand to purify zombies, it’s hard not to think of Mizuha as the daughter of Touma and Mikoto from A Certain Magical Index. She wakes up on a deserted island surrounded by toxic, foul-smelling sludge. Even worse, a zombie emerges from said sludge and goes after her. But when she smacks its chest, the zombie turns into a handsome blond knight! It turns out that by hitting the zombies she can return them to their living selves. On a more humiliating note, her saliva can also be used to magically purify the sludge, making it water again. (This leads to the book’s running gag, with her being referred to as the “Holy Priestess of Spit”, and her despair at this title.) Escaping the island, she finds herself in a kingdom that’s overrun with zombies, and has to slowly heal each one, not get converted herself, and try to figure out how to get back home.

Mizuha is the best part of the book. She’s fun, and her narration feels, with a few exceptions, like she’s in a YA novel rather than a standard isekai light novel. She comes to terms with everything pretty quickly, bonds with the young princess who is the second zombie she saves, and theoretically falls for Lex, the young blond knight. I say theoretically as the romance feels kind of last-minute and minimal, at least on Mizuha’s end. Lex is strong and powerful but also sort of a weirdo and a dimbulb, and he would not look out of place if you handed him a Sword of Light and sent him off with Lina Inverse. The zombie sections of the book are reasonably action-packed, and there are several good laughs in here. Sometimes the book feels like a webnovel that needed more editing (Cia’s parents needed one or two more “where on earth are they?” mentions, as an example), but it holds together well.

As I said, the book’s main flaw is that there was no one scene or moment that elevated it to “OK, this just got terrific.” It’s a decent zombie novel with a fun heroine, worth your time, but it may not stick in the memory afterwards.

I Married My Best Friend to Shut My Parents Up

by

By Kodama Naoko. Released in Japan as “Oya ga Urusai Node Kohai to Gisou Kekkon Shitemita” by Ichijinsha, serialized in the magazine Comic Yuri Hime. Released in North America by Seven Seas. Translated by Amber Tamosaitis. Adapted by Lora Gray.

I admit, when this was first announced, I said NOPE really hard. But that was mostly due to the author of the series, whose previous series I had sort of hated. But a few people reassured me that this was not along the lines of Netsuzou Trap, and indeed in the afterword the author jokes about their ‘light’ and ‘dark’ modes, and this is definitely on the light side. Indeed, very light – it’s complete in one volume, and also has an unrelated one-shot short story at the end. The main story is also pretty much described in the title, though I think the relationship between the two leads is more like the original Japanese – Agaya is a friend, but she’s definitely framed more as a kohai, with Morimoto as the sempai. They’re out of school now, but end up together as, well, read the title. What follows is cute, and both leads had more depth than I was expecting.

Morimoto is dealing with problems on several fronts. Her parents want her to get married. Her workplace is fairly sexist, resisting giving her any big projects as it’s assumed that women are there until they find husbands and that’s it. And she’s also a somewhat repressed, introverted sort to begin with. Agaya, on the other hand, is bright, bubbly, extroverted, and can be a bit much at times. She’s also gay, and in fact asked Morimoto out when they were in school, though she was rejected. So when she points out that gay marriage is legal in their prefecture, and that it would be a great way to stop her parents nagging her, Morimoto goes along with it. Then Agaya moves in, as she’s saving to get a new apartment and this helps. As the volume goes on, Morimoto gains confidence and realizes just how much she’s enjoying the married life. But can she hold on to Agaya, who is pretty convinced that her senpai is “super-straight”?

This is not the most complicated story in the world, but there were little touches I liked a lot. One early scene shows Morimoto flashing back to her childhood, an endless string of being nagged to excel in everything or else she’s a failure. The interesting part was seeing it start with her father accusing her mother of being a “bad mother” for a poor grade that Morimoto got – which of course is bound to show off why she does NOT want to get married. Agaya is also mostly well handled. She’s very “out”, personality-wise, and is not above sneaking in to bathe together with her new “wife”, or leering her her boobs. But she does not, for the most part, make any advances on Morimoto that she’s not comfortable with, and at the end she’s the one who has to be convinced that they could actually make this into something real. She also has her own career as well – this is not a “breadwinner and housewife” sort of relationship.

The short story afterwards, about a girl in an athletic school who got injured, so has to get great grades to maintain her scholarship, and her rude track girl friend, is a bit too slight to really go anywhere. The meat of the title is in the main story, and at three chapters it’s just about the right length. Worth a look for yuri fans.

I Shall Survive Using Potions!, Vol. 2

by

By FUNA and Sukima. Released in Japan by Kodansha. Released in North America by J-Novel Club. Translated by Garrison Denim.

There are currently three different series by FUNA coming out here, and having read some of each of them, I’m inclined to categorize them as Beginning, Intermediate and Advanced. Beginning is Saving 80,000 Gold in Another World, which even has an easy mode for its protagonist, who can still interact with the past world. She’s having fun, but there isn’t really all THAT much monstrous ridiculousness (though I admit this is the series I’ve read the least of). Intermediate would be Make My Abilities Average!, where Mile is absolutely stupidly overpowered and shows it, and helps her friend to get that way as well, but those seriously hurt of killed by her and her friends tend to be evil bandits, kidnappers and the like. The tone is very much happy, jolly adventures. Finally, there is I Shall Survive Using Potions!, the Advanced Course. You really, really need to not care about overpowered heroes at ALL, or you will hate this. What’s more, Kaoru is A LOT, and sometimes her emotions get the best of her in ways that veer beyond ridiculous and into horrifying.

Roughly the first half of this book takes place right after the previous one. Kaoru’s hitting this world like a tac nuke has had repercussions, and the kingdom she’s currently staying in is now under attack by two different nations. Fortunately, she has the knight that she was able to de-age in the last book at her side, the brother of the king, and her cadre of Baker Street Irregulars at her side, as well as her usual item boxes/potions/literally anything. Unfortunately, this is a war, which means things turn serious fast, and Kaoru quickly finds she really hates it when people are injured or killed in front of her. It’s pretty horrifying being reminded that when she loses it emotionally, she could decimate anyone around her. The second half of the book takes place after a time skip, and shows Kaoru and her hangers on heading to a new kingdom so that she can try to find herself a man to marry and have kids with. This is as much of a flaming disaster as you can imagine, because of Kaoru’s basic personality, but is far more amusing.

Moral ambiguities aside, and I’m not entirely certain how much of this is intentional, this is still a lot of fun. There are in-jokes that are based on the publisher (a cameo from a certain goddess whose adventures also ran in a Kodansha magazine), and some where you wonder if it was the original or the J-Novel Club adaptation (the use of a certain popular anime meme). Kaoru’s personality is so straightforward that it tends towards snark, and she IS ridiculously overpowered, but there are a number of moments here where she’s allowed to slip up – indeed, the gag right at the end of the main story may be the best in the book. She’s still doing whatever the hell she wants, even if that means adopting a daughter (she’s an orphan), creating vibroblades for her knight (see, it’s really a potion that happens to look AND act like a vibroblade), etc. Disbelief is hung by the neck until it’s dead here. What’s more, Kaoru’s two friends from her original world have lived their full lives and died, and now they’re in this world as well… and also apparently have ridiculous powers.

Like most of FUNA’s series, I want to read more of this. Unlike the other two, though, I do wonder if Kaoru will actually turn down a darker path one day. I mean, she’s already pretty morally grey. Definitely worth picking up, though. Also, don’t insult the goddess or you’ll get a wooden washtub to the head.

Manga the Week of 6/5/19

by , , , and 1 Comment

SEAN: June is bustin’ out all over, with lots and lots of manga.

Dark Horse has the third and final volume of their Dangan Ronpa 2 manga.

Ghost Ship, Seven Seas’ mature line, debuts Creature Girls: A Field Journal in Another World (Kagaku-teki ni Sonzai Shiuru Creature Musume no Kansatsu Nisshi), which certainly fits. It’s an isekai AND a monster girl series, devoted to deep analysis of their naked bodies, followed by… well, deeper analysis, ifyouknowwhatImean. It runs in Akita Shoten’s Champion Cross.

J-Novel Club has several new print volumes. How NOT to Summon a Demon Lord and In Another World with My Smartphone get 4s, and Daughter Demon Lord and Too Far Behind (look, the titles are too damn long) get 3s.

Digitally, they have a 9th Arifureta and a 14th Grimgar of Fantasy and Ash.

ASH: I do a double-take every time I read that last title.

SEAN: Kodansha has some print and digital as well next week. In print we have Eden’s Zero 3, Missions of Love 17, and Sweetness and Lightning 12, which is the final volume.

ASH: I’ve got a couple of volumes of Sweetness and Lightning stacked up to read; I’ve really been enjoying the series.

MICHELLE: Me, too. I’ll miss it when it’s over.

SEAN: Digitally we see Alicia’s Diet Quest 3, Chihayafuru 17, My Sweet Girl 3, The Quintessential Quintuplets 8, The Tale of Genji: Dreams at Dawn 4, and World’s End and Apricot Jam 5. Several titles that the MB folks enjoy there.

MICHELLE: Forsooth. I wish I liked The Tale of Genji more. I was all happy about retro manga and forgot how awful Genji is.

MJ: I echo Michelle’s regret.

SEAN: Seven Seas has another debut that folks have wanted for years… though technically we did see it digitally several years ago from JManga. Classmates: Dou Kyu Sei is a BL title that’s one volume long, but they also have the sequel, which is likely why this says Vol. 1. It ran in Akaneshinsha’s Opera.

ASH: Digital Manga also published it digitally. I’m thrilled Seven Seas rescued the title and am so happy that the manga is getting a print release!

MICHELLE: I’m looking forward to this one!

MJ: I reviewed Classmates: Dou Kyu Sei when JManga offered it (then just called “Doukyusei” and loved it, so I’m pretty thrilled to see that it’s been rescued, along with a sequel!

SEAN: Seven Seas also has the first Division Maneuver light novel in print, as well as Made in Abyss 6.

Vertical gives us After the Rain 4, reminding me that I need to read After the Rain 3.

MICHELLE: I need to read After the Rain 1-3!

And now it’s Viz time, because first week means SO MUCH SHUEISHA. No debuts this week, but we do get complete box sets for both Dragon Ball and Dragon Ball Z. Buy it again for the 7th time.

Want some shonen? There’s Boruto 6, Food Wars! 30, My Hero Academia 19 (which has the start of the Culture Festival arc, one of my favorites – especially get it if you like Kyouka Jirou), One Piece’s 28th 3-in-1, The Promised Neverland 10, Seraph of the End 17, and We Never Learn 4.

MICHELLE: The cover of My Hero Academia 19 is my very favorite. I would buy it in poster size, for sure.

SEAN: And on the shoujo end we see Ao Haru Ride 5, Queen’s Quality 7, Takane & Hana 9, and Yona of the Dawn 18.

ASH: Lots of good stuff from Viz this week!

MICHELLE: Indeed!

ANNA: This is my happy week!

SEAN: I once again have to choose between three of the most amazing manga currently running for Pick of the Week, and that’s not even counting Dou Kyu Sei. Which ones are you getting?

An Archdemon’s Dilemma: How to Love Your Elf Bride, Vol. 5

by

By Fuminori Teshima and COMTA. Released in Japan by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Hikoki.

Given that An Archdemon’s Dilemma rarely has threats to its titular Archdemon that actually go anywhere (once again he’s the strongest one in the entire area, and is only greviously wounded once by his own choice), it makes sense that the series runs on putting loved ones in peril. Though it can take a lot to make Zagan actually admit to caring about people, he absolutely does, and therefore when Nephteros is once again sought after by the series’ major villain, he’s there to help her. Thankfully, he’s not really there to save her, as he generally rescues people based on power level. Innocents, such as the young fox girl who is possessed by black sludge, he is perfectly content to save entirely. Nephteros, who can get out of her own troubles once she gets over her identity issues, just needs a helping hand. And Chastille, who Zagan very much frames as “not a love interest”, has to fend for herself. Luckily, the author seems to finally let her do this.

I’ve talked before about how Chastille seemed like she was going to be the tsundere secondary love interest but then the author realized how much he loved seeing her flailing around and crying. Last time we saw that her ‘work’ and ‘rest’ phases are almost two different people. And here the two seem to combine, as she seems to have finally accepted in her heart that she loves Zagan but he doesn’t love her back… and moreover, she doesn’t want him to, as this would ruin things with Nephy. This actually allows her a stronger bond with Nephteros, who also is drawn to Zagan and Nephy but can’t really be with them. Zagan may say that she’s a sister to Nephy, but for once we get someone deciding NOT to live at Zagan’s castle of increasing population. Nephteros needs to cultivate her own story, as does Chastille.

Speaking of love stories, the biggest new character introduced this time around is Kuroka, a blind priestess with a grudge against a) sorcerers and b) Chastille. With her we get to examine the ‘driven by revenge’ trope, though I admit it was a bit too on the nose to have Zagan literally spell it out for the reader. Fortunately, aside from the revenge she’s a perfectly nice person. Also fortunately, the revenge she was seeking turns out to be unnecessary to begin with. There are hints of the ongoing plot here, as there seems to be a thirteenth sacred sword, and the corruption in the Church is still a larger problem even without assassination attempts on Chastille every book or so. As for the titular couple, well, they’re still awkward – by the end of the novel, Zagan has finally asked Nephy on a date, but that’s as far as we get. Unless you count the muffler scene, which was adorable.

I’m not sure I can point to one thing and say “this is why I enjoy the series so much”, but enjoy it I do. I was particularly pleased with Chastille this volume, who did not have one extended nervous breakdown. And it’s always nice to remind myself sometimes that Zagan is NOT an isekai protagonist, but just a poverty-stricken fantasy lad who got really, really powerful. Fun stuff.

Emanon, Vol. 1: Memories of Emanon

by

By Shinji Kajio and Kenji Tsuruta. Released in Japan as “Omoide Emanon” by Tokuma Shoten, serialized in the magazine Comic Ryu. Released in North America by Dark Horse Comics. Translated by Dana Lewis.

I must admit, I wasn’t even aware this was a famous Japanese SF story till after I’d finished this volume and was reading the afterwords. Japan’s market for such titles tends to wax and wane (as the afterword itself notes), and I had never read a translation of this story. That said, I’m definitely interested in seeking it out now, as I found this to be an excellent adaptation. A great combination of thoughtful dialogue and striking art, it’s also exactly the right length, though I say that knowing that there are more volumes coming in the future that apparently expand on the original story. This particular volume, though, works very well as a stand-alone, and also gets into some of the big questions of how memory works, what makes a human, and where are we headed in the future. All that plus a bittersweet not-quite romance.

Our protagonist is a young college-aged man who’s getting over a broken heart from a one-sided love, so takes the ferry back to his hometown. While on the ferry he meets a young woman, and though they initially don’t get on, they are drawn together in a mutual desire to avoid drunken creeps hitting on her. Eventually she gives a name to him – Emanon, aka “no name” backwards – and, since he’s a science fiction reader and thus has an open mind, tells him a bit about herself and her life, which seems to go back about three million years, Despite her being born in 1950. (The story is set in 1967.) She’s very guarded, at one point passing off her entire confession as a story, but the guy’s open curiosity and acceptance helps her open up more, and they grow closer. That said, this is not really a romance.

The manga seems to alternate between pages of quite, introspective panels and pages that are filled with dialogue as the two leads discuss Emanon’s situation, what it means for her, and what it means for humanity. The story’s origins as science fiction really come to the fore here, but it’s a tribute to the story itself that I was never bored. This volume has a postscript years later, where the (now married) protagonist sees the girl he met on the ferry again, only she doesn’t know who he is. That said, this does not mean Emanon has forgotten him. It’s a good, wistful yet hopeful end for this story, and I’m actually rather curious to see how the manga develops in future volumes, which appear to follow Emanon’s journey. The art is also fantastic, to the point where the end of the book is several pages, both color and black and white, of Emanon just wandering around Japan wordlessly.

I wasn’t sure what to expect with this book, and ended up pleasantly surprised. If you’re looking for something introspective and thought-provoking, this is a very good title to pick up.