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Bookshelf Briefs 4/30/19

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Arpeggio of Blue Steel, Vol. 14 | By Ark Performance | Seven Seas – Last time I wondered if Arpeggio of Blue Steel really was going to become a high school series, and it’s certainly trying its best, with a School Festival arc in the offing. That said, the tone of the series is still very much Tom Clancy, with much of the volume taken up by I-402’s negotiation with retired general Ryokan on behalf of the Fog. Meanwhile, we also get a flashback as to how Gunzou started all this in the first place (Iona basically forced it on him, but it doesn’t take much pushing), and start to see pieces shifting into position for the next big battle. Will that battle take place at the school? It might start there, but my guess is we’ll be back to the Navy before long. Still underrated. – Sean Gaffney

Crocodile Baron, Vol. 3 | By Takuya Okada | Kodansha Comics (digital only) – Crocodile Baron comes to an end without evolving much since volume two. Alfardo and Rabbit Boy run into the former’s bad older brother, who seemingly turns his life around after eating some ramen. Alfardo eats spicy curry with a desperate warthog and possibly saves his marriage. Rabbit Boy hates Christmas because it’s his birthday and buys a cake from a camel. A lovelorn elephant filmmaker finds his muse and eats pond smelts. They have an Okinawan adventure during which Rabbit Boy nearly drowns. Honestly, I cared about no one and found it all boring. If there had been more emphasis on the food, I might’ve felt differently, but this was a big ol’ yawn banquet. – Michelle Smith

High School Prodigies Have It Easy Even in Another World!, Vol. 3 | By Riku Misora and Kotaro Yamada | Yen Press – Again, I beg the authors for a character sheet. There are quite a number of interesting things going on in this volume, but I suspect the reader may have trouble finding them among all the bouncing boobs. The fanservice is laid on with a shovel here, and can be hard to take. That said, there’s a nice scene with Tsukasa and Lyrule where she berates him for feeling guilty over not prioritizing saving her. The bulk of the serious plot goes to Shinobu and Elch, gathering intel at a seemingly friendly village with a very dark secret. Fortunately (assuming that it’s not a double cross), she may also have come across the resistance. Too many boobs spoiling the pie, alas. – Sean Gaffney

How to Treat Magical Beasts, Vol. 3 | By Kaziya | Seven Seas – Lest we try to run on “the sweet and heartwarming adventures of a vet” for too long, this volume introduces a smiling maybe-villain-maybe-not, who helps Ziska with a cat’s injury and then takes her way out into danger to attend to a wounded Greif, because no series with apprentices and magic is quite complete without a test to see if they’ve got the right stuff. I assume Ziska does have the right stuff, but we’re caught up to Japan, so it may be a while till we find out. In more sweet news, that is one adorable gargoyle, and I’m happy it’s found a friend. Seven Seas has carved out a genre niche with these types of series, and I quite enjoy it. – Sean Gaffney

Mob Psycho 100, Vol. 2 | By ONE | Dark Horse – I keep wanting to call this MPD Psycho, but that is something very different. This is the story of an unassuming boy named Shigeo Kageyama who possesses super powers but wants to live without relying on them. This challenges the worldview of another superpowered boy named Teru, who spends two-thirds of the volume flinging his power at Kageyama in order to make him fight back. (Kageyama is resolute that he won’t use his powers against another person.) The anger meter appears again (with a fun gag about how Teru’s exorcism of Mob’s sycophantic spirit companion doesn’t actually change it at all) and only when his life is in true peril does Kageyama reach “???%.” Will he wreak havoc in the next volume? The story’s definitely getting more interesting, but I’m still not in love with the art. – Michelle Smith

My Hero Academia: Vigilantes, Vol. 4 | By Hideyuki Furuhashi and Betten Court | Viz Media – This gets better with each volume. I had not realized that the Vigilantes series takes place a few years before the main series (though the authors cheat (and say so) for the extra side story). I had suspected that Knuckleduster was somehow connected with the villains, but that connection turns out to be much closer than imagined, and leads to possibly the best fight of the series. Meanwhile, Pop Step finds her confidence and does something only she can do to help out. All this and one of the most horrific images in the manga to date (which also made me wonder if the authors had seen a certain meme about bees). This has become essential. – Sean Gaffney

My Pink Is Overflowing, Vol. 1 | By Yuki Monou | Kodansha Comics (digital only) – I bought this hoping it would be hilariously trashy, and for the most part it was. The premise has a girl who’s tired of being screwed over by pick-up artists decide she’s only going to date virgins from now on… then find out that her boss, seemingly an overly serious taskmaster, is one! They enter into a relationship so fast it boggles the mind, especially since their first kiss is interrupted by her having an orgasm as she does it. At its heart, this is a “ditzy girl/serious guy” title with a decent heart, but the girl can get very over the top at times, and the series seems to want to go as far as it can while keeping the hero a virgin. Plus there’s that title. For fans of Cosplay Animal. – Sean Gaffney

Teasing Master Takagi-san, Vol. 4 | By Soichiro Yamamoto | Yen Press – It has to be said, a lot of the teasing that’s going on here is Takagi-san being as obvious and blatant as she possibly can that she loves Nishitaka. You’d have to be a brick—or a male protagonist—not to get it, and indeed sometimes it’s so blatant he almost shows sings of figuring it out. But this is a long-running series, and resolution just isn’t in the cards right now. So we get Takagi-san visiting his room, playing poker, chasing cute cats, and getting each other’s emails so that now she can tease him whenever she wants to (and have cute photos of her on his phone). Everyone else in their class knows they’re going out. Most of what they do qualifies as a date. But… so dense. Love this series. – Sean Gaffney

Witch Hat Atelier, Vol. 1 | By Kamome Shirahama | Kodansha Comics – Even before it was licensed in English, Witch Hat Atelier was a series that had caught my attention, in large part due to Shirahama’s gorgeous, sumptuous artwork, but also because my Japanese-reading friends spoke so highly of it. At times, the exposition is a little heavy-handed in the first volume as the premise of the the world’s history and magic are introduced. (I expect this to become less of an issue as the series progresses.) However, the explanations are regularly incorporated in a way that makes sense—Coco, the story’s heroine, is also new to the basics and she’s learning right alongside the readers. Coco is a young woman who has always been fascinated by magic not realizing that she has a natural talent for it. Unfortunately, the initial budding of her magical skills ends in tragedy as she hasn’t had the training needed to fully understand or control them. – Ash Brown

Yowamushi Pedal, Vol. 11 | By Wataru Watanabe | Yen Press – No, the Inter High still hasn’t come to an end, but this is still a pretty satisfying volume, what with all the inspirational performances and teary appreciation of same! Watanabe does a good job getting readers to root for Hakone, too, and we learn why Arakita is so motivated to propel Fukutomi to the finish line, right before he runs out of speed. Yes, it’s a harsh truth that all six members of Sohoku aren’t able to ride together for long. The first-years prepare themselves to make the sacrifice for their teammates, but that isn’t how it turns out at all. I was fully expecting that Kinjou would be the one to win this, given his experience in the previous year’s competition, and was honestly surprised when he’s sidelined by injury. I suppose the next book will wrap things up but I kinda don’t even remember what this series is like when it’s not the Inter High! – Michelle Smith

Yuri Is My Job!, Vol. 2 | By miman | Kodansha Comics – Now that Hime is aware of who Mitsuki was in her past, everything is terribly awkward, and the number of times “she must really hate me” is said in this volume boggles the mind. If you guessed it’s all based on misunderstanding what the other is thinking, give yourself a gold star. For all that Hime tries to be the perfect little sister, it’s only when she’s honest with herself that things really take off in the cafe. I’m hoping that things will improve soon, but there’s also the problem of Kanoko, Hime’s best friend from school whose phone turns out to be entirely devoted to Hime. I dislike the term “yandere,” but I have a sneaking suspicion we’re going to see the tropes that lead to its overuse in the next book. – Sean Gaffney

Silver Spoon, Vol. 8

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By Hiromu Arakawa. Released in Japan as “Gin no Saji” by Shogakukan, serialization ongoing in the magazine Weekly Shonen Sunday. Released in North America by Yen Press. Translated by Amanda Haley.

For years before this series got licensed, my joke was always “why is this popular work by the author of hit series Fullmetal Alchemist not licensed?” “IT’S A FARMING MANGA!”. And now that Silver Spoon *is* licensed and doing well (hopefully doing well – you are all buying it, right?), the joke is over but the point remains. Silver Spoon is indeed a coming of age story, and a sweet romance, but it is also, at heart, a farming manga. Arakawa is here to tell everyone exactly what it means to be a farmer in Japan. Sometimes that means taking pages and pages to learn how to make a certain kind of cheese. And sometimes it means taking a long, cold look at how difficult it can be to keep a farm going in modern Japan, as we find out what we suspected all along about Komaba – getting i9nto the Nationals was his last ditch shot, and now he has to drop out as his family’s farm is going bankrupt.

This affects Mikage as well. We’ve seen that she and Komaba have been commiserating about this (and politely telling Hachiken to butt out), and we find out why, as her family are guarantors for the Komaba debt, so this puts them in danger. Hachiken is once again told to butt out… but he refuses to, in one of the best scenes in the book. He can’t given anyone a solution, though he tries hard to find one, going over all the ideas that most of the adults have already thought of and discarded. (Crab!) But he can be moral support, and help Mikage, who is trying to keep up her fake cheer and failing. He can also be there for Komaba, watching as all their beloved cows get taken away to be sold. It’s a depressing scene, and is meant to be. This is something that happens sometimes when people try to keep a farm up0, and it’s never good.

That said, Hachiken’s moral supprt is far more useful in regards to Mikage, who is ready at this point to give up on her own dream just as Komaba has to give up on his. She doesn’t want to run a farm. She wants to work with horses. And, with Hachiken there as moral support, she tells her parents this. This is the other fantastic scene in the book, as it gives us everything we want from these characters. Hachiken’s impetuousness and resolve, Mikage finding it in her to stop repressing her own feelings, her family’s discussion of the big problems with this (her grades, mostly)… and of course there’s room for some humor as well, as the whole thing feels like they’re about to announce they’re engaged, which causes her father to flip out.

The volume ends with Hachiken starting to tutor Mikage, which once again shows off how good he is at teaching/studying, as he realizes that she’s hopeless about memorization unless it involves horses, so frames every Japanese history question in terms of cavalry and the like. It’s both funny AND brilliant, and I hope it pays off. In the meantime, I’d say this is the best volume of Silver Spoon yet, but that does a disservice to the great volumes before this. The whole series is fantastic.

Baccano!: 1934 Peter Pan in Chains: Finale

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By Ryohgo Narita and Katsumi Enami. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Taylor Engel.

At last we reach the finale of this arc. This being a Narita book, all of the plot bombs that were set up in the prior two volumes go off here, and the result is very satisfying. You get the sense of people growing and changing over the course of the series. Christopher points this out himself, as he notes that after spending time with Ricardo, he doesn’t want to kill people anymore. Meanwhile, Rail, driven to the point of madness and despair, discovers that new families and friends are just as good as the old ones. And Firo once again reveals his dark side to us… but it doesn’t last long. Firo is still Firo, the Peter Pan of the title, and his philosophy allows him to stand up against the murderous Leeza, and also save her. There are a few threats and nasty things going on, but for the most part this is a very feel-good sort of book. You leave it with a smile on your face.

There are a few intertwined plot beats that I really liked. On his train to Chicago, Isaac gets into conversation with Sham, talking philosophy as Sham tries to deal with the face that he’s betraying Huey. Isaac’s “do good things, worry about consequences later” attitude is puzzling to Sham, but not to the reader, who’s seen that over the course of the series. And, as we see, it’s not just Isaac. When Rail tries to end it all by jumping off the top of the Nebula building, Jacuzzi rushes in to stop it even if it means his own life, because that’s just the sort of person he is. And then Nice grabs him, and Miria steps in… hell, even Lua, the most passive character in all of Baccano!, is ready to leap in there to save Rail’s life. It’s a great moment. And, of course, it’s resolved by Isaac, arriving in the nick of time to do what he said he would earlier and joyously reunite with Miria.

It’s not all heartwarming, of course. Ladd’s violence can be terrifying, particularly if you’re Leeza, and it’s nice to see him and Firo in such opposition. The method of Huey escaping Alcatraz is somewhat revolting, and the sort of thing only Huey would even think of doing. And Nice runs into the mob, and her thoughts of how they might deal with her and send her back to Jacuzzi make you shudder. This is a fun world to read about, but a highly dangerous one to live in. That said, in the end this is about not destroying things. Rail doesn’t blow everything up with bombs in the end; Ladd decides to become “a model prisoner” so he can get out of jail sooner and return to Graham and Lua; Christopher and Graham each realize that killing each other is not really what they want. And Renee… well, OK, her ending isn’t so sweet, but there’s no denying she deserved everything she got. Narita loves his smiling amoral villains.

So what happens next? Well, it’s going to take a long time to find out, as we leave the world of the 1930s for a few books. Next time Baccano! goes back to Italy in the early 1700s, as we meet a young Huey Laforet and his burgeoning, if irritating, friendship with a certain Elmer C. Albatross.

O Maidens in Your Savage Season, Vol. 1

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By Mari Okada and Nao Emoto. Released in Japan as “Araburu Kisetsu no Otomedomo yo” by Kodansha, serialization ongoing in the magazine Bessatsu Shonen Magazine. Released in North America by Kodansha Comics. Translated by Sawa Matsueda Savage.

As the years have gone by, it’s gotten harder and harder to pigeonhole titles into the genre that their magazine is purported to publish. Back in the day there was my “whatever Wings is” joke, but GFantasy, like most Square Enix titles, is for boys in theory only, and Kodansha’s Aria also seemed to slip in and out of genre. And now we have this, which would seem to be a shoujo title judging by the premise and cast, but runs in Bessatsu Shonen Magazine, which also hosted the artist’s former work, Forget Me Not (also licensed here by Kodansha). But the writer this time around is Mari Okada, who is famous for her screenplays (notably Anohana) and is now dipping her toe into manga, though I believe this series is also getting an anime later this year. And with all that said, perhaps it was put in Betsushonen because of its subject matter, as despite – or because of – the melodramatic title, this series is about sex entering the lives of its main cast.

The protagonists are the members of the school literature club, who are reading famous and notable books – many of which happen to feature sex scenes, which embarrasses some of them, particularly the prudish and repressed Sonezaki. The star of this first volume, though, is Onodera, a cute girl who happens to suffer from a tragic fate common to many cute girls in high school: her male childhood friend is a hottie. As such, she’s dealing with bullying that is leading her to pull away from him in hopes that it recedes. Things are not helped by the literature club’s steamy titles making her think more and more about her own burgeoning sexuality… and about Izumi’s, as she walks in on him masturbating and, unsurprisingly, can’t stop thinking about it. Is she in love? How does she deal with this? And what about Eseecross, the highly amusing euphemism the club comes up with for sex?

There are a lot of amusing moments in this book, particularly at the start, and mostly driven by the repressed to the point of hysteria Sonezaki. But mostly this runs on melodrama, which Okada is very good at creating, and the runaway emotions of teenagers, which she likewise excels in. Onodera’s dilemma may be something that we’ve read in countless stories before, but you never feel bored with the story, and it’s a compulsive page-turner. There’s also the sense it will be an ensemble piece – another girl, Hongo, is working on being a published author, and another, Sugawara, has been so pretty from a young age that she’s had to deal with creepers since childhood, and has to find ways to get them to back off. And Sonezaki has her own not-so-secret admirer, which leaves her in a complete tizzy.

This isn’t a mature title, but it’s definitely for older teens, with frank discussion of sex and sex euphemisms. That said, the story is very readable, and I definitely recommend it to fans of the authors or just folks who like watching young teens grow up and deal with maturity (and immaturity).

I Saved Too Many Girls and Caused the Apocalypse, Vol. 13

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By Namekojirushi and Nao Watanuki. Released in Japan as “Ore ga Heroine o Tasukesugite Sekai ga Little Mokushiroku!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Mana Z.

We’re starting to run out of series, and so it’s no surprise that we get a school festival here. In fact, it’s two school festivals, as Rekka’s school is combining forces with Hibiki’s school. In fact, this volume really seems to revel in having its cliches and lampshading them too: our heroes get trapped in a game, Rekka has to run around trying to find the key to stopping a bomb from going off; Rekka and Hibiki bump heads and (in the classic tradition) end up inside each other’s bodies, and finally Rekka has to deal with the architect of (almost) all of these, a fortune telling girl who is trying to take Makoto Naegi’s role of Ultimate Lucky Student… though the luck isn’t always welcome. Add to that trying to find room to cram in every single heroine, and you have a book that’s pretty packed despite (as always) a small page count.

Given how huge the cast is already, I am grateful that we once again only have two new heroines. Yorun is a standard RPG girl that the others meet when they’re trapped in a game world, and at first seems to be the same as the other NPCs, but there’s more to it than that, especially since they’re investigating this as a “cursed game” to begin with. The interesting thing about her story is also, to be fair, probably the book’s weak point: it’s not really resolved all that well. Yorun is “rescued” by Rekka, but has already lost damn near everything, and by the end of the novel still has no real clue how to go about getting it back. It feels dissatisfying… but at the same time it’s nice to see that Rekka and his team can’t do EVERYTHING.

The meat of the story lies with the second heroine, Touko, a fortune teller who challenges Rekka to various contests as she’s foreseen that he might actually be able to defeat her – something that no one has ever done as she has reality-warping powers that always make things work for her. The trouble with that is that she feels worse every time she uses them, as she knows that she can’t go nuts – she could literally end hunger, but what would that do to the world? Rekka’s solution to her story is not all that dramatic, but it doesn’t have to be: in the end Touko is sort of the Haruhi Suzumiya of this series, and her “being saved” involves showing her that the world is not, ultimately, as predictable or as small as she thought. It’s a rather sweet, low-key ending to this volume.

We’re three away from the end now, so I suspect that we’re going to get (slightly) more serious going forward. Little Apocalypse will never excite anyone, but it does its premise well, now that it’s mostly abandoned subverting the harem genre.

Outbreak Company, Vol. 8

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By Ichiro Sakaki and Yuugen. Released in Japan by Kodansha. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

After an up-and-down volume of short stories last time, we’re back to one plot for this volume, which I am very grateful for. The premise is that Petralka needs a body double for security reasons, and our heroes get the brilliant idea (it actually is pretty smart, given how magic works here) to construct a puppet Petralka, much like the puppet dragon we saw in previous volumes, and have the puppet stand in for Her Majesty. This will be controlled by Lauron, a young dwarf woman with an immense talent for controlling such things. There are, however, two problems. First, magic has been occasionally vanishing and coming back in the kingdom, and they’re trying to figure out the reason. Secondly, Lauron may be fantastic at manipulating puppets but she has underlying emotional issues that may lead to everything falling apart. Oh yes, and there’s the fact that Shinichi is being accused of “adding to his harem”, which baffles him but merely makes everyone else sigh.

Honestly, for a book with a premise like this, you’d expect more deconstruction of tropes, but frequently the author just decides to write things as they are. As such, Shinichi really is the dense harem protagonist, with not only no idea that a lot of young women have fallen in love with him but no idea that he even has much worth at all. It takes several people to point out that it’s his influence and words that have led so many others in Eldant to grow and change, and even after having it pointed out he still doesn’t quite get it. This does not stop him from figuring out Lauron, an overly serious dwarf who had an incident in her past that led to her being incredibly precise about following rules to the point where breaking ANY rule leads her to become an emotional mess. This is not the subtlest of plots, but I enjoyed it nonetheless, and will be interested in seeing how Lauron factors into the cast.

As for the magic part of the plot, it’s almost an Outbreak Company version of Sharknado, as a giant twister is sucking up all the magic in Eldant, and it’s centered on the portal between the fantasy kingdom and Eldant. This leads Shinichi and Minori to briefly realize that fixing this could lead to their being stranded here forever, but fortunately it’s dealt with before that happens, by the fantasy equivalent of hurling a nuclear bomb at it – a bomb that Shinichi and Lauron are able to walk into the castle, gab, and take off, thanks to the crisis and also (it has to be said) really inept security. Shinichi being lectured about not stealing any more nukes amused me, but I was more intrigued by the revelation that some magic has leaked out onto the Japan side of the portal. We haven’t actually been back to Japan proper in the series yet, and I wonder if future books may actually see that happen, if only to stop magical girls from becoming real.

This was a surprisingly strong volume of Outbreak Company, and even had a low quotient of Shinichi leering at boobs. Definitely recommended for fans of the series.

Manga the Week of 5/1/19

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SEAN: Please join us for next week’s crush of titles. Yes, another one.

Ghost Ship gives us To-Love-Ru Darkness 10 and Yokai Girls 7.

J-Novel Club has a lot of debuts coming up, but this one is a license rescue. Tokyopop released a few of the Full Metal Panic! novels back in 2007 or so, but only got five books in. Now J-Novel Club has the rights, and is releasing new translations. The first volume is out digitally next week, with print omnibuses coming early next year. Please enjoy the only angry tsundere male anime fans never tore apart, Kaname Chidori.

J-Novel Club also has How NOT to Summon a Demon Lord 8, Infinite Stratos 7, My Next Life as a Villainess 3, and The Unwanted Undead Adventurer 4. Everyone should be reading Bakarina.

Kodansha has quite a bit. There’s Battle Angel Alita: Mars Chronicle 6, Fire Force 15, and Toppu GP 4 on the print side.

ASH: As a whole, I think I’ve been enjoying Mars Chronicle more than I ended up enjoying Last Order. If nothing else, the action sequences are engaging.

SEAN: Digitally we see Kounodori: Dr. Stork 11, Lovesick Ellie 8, The Prince’s Black Poison 9, Princess Resurrection Nightmare 3, and The Quintessential Quintuplets 7.

Seven Seas has a light novel digital debut with Reincarnated as a Sword, which… aw, you can guess. He’s reincarnated. As a sword! There’s also a catgirl, apparently.

ASH: There have been so many of this particular type of ridiculous premise of late!

SEAN: There’s also a spinoff manga debut with the first volume of Mushoku Tensei: Roxy Gets Serious. With a soundtrack by Jon Astley.

Seven Seas also has Generation Witch 4 and Plus-Sized Elf 2.

Vertical has Arakawa Under the Bridge 6, the title that ISN’T Saint Young Men.

ANNA: I’m STILL EXCITED for Saint Young Men!

ASH: Same! Though, I do enjoy Arakawa Under the Bridge, too.

SEAN: They also have Tsukimonogatari: Possession Tale, the latest in Nisioisin’s fan-friendly novel series, this time focusing on deadpan corpse Ononoki.

Viz has a picture book. Why mention it here? It’s a Nausicaa of the Valley of Wind picture book.

ANNA: I am confident it will be gorgeous.

SEAN: Yen time. JY has a 3rd volume of Zo-Zo-Zombie.

Yen On gives us another of the seemingly endless Final Fantasy novels, this one Final Fantasy XIII: Episode Zero: Promise.

The closest thing Yen has to a manga debut this month is the start of the 8th and final arc of Umineko When They Cry. Titled Twilight of the Golden Witch, this omnibus has the first three volumes, and features some of the best and worst of the series.

And then there is… to the tune of some Gilbert and Sullivan song…

Akame Ga KILL! ZERO 9
Angels of Death 6
Aoharu x Machinegun 15
A Certain Magical Index (manga) 17
Death March to the Parallel World Rhapsody (manga) 7
DIVE!! 2
The Elder Sister-Like One 3

(takes breath)

Goblin Slayer (manga) 5.
Hakumei & Mikochi 5
Hatsu*Haru 6
High School Prodigies Have It Easy Even in Another World 3
Is It Wrong to Try To Pick Up Girls in a Dungeon: Sword Oratoria (manga) 7

(I hope you’re taking notes, there will be a quiz next period)

Kagerou Daze (manga) 12
Murcielago 10
Nyankees 2
The Royal Tutor 11
Sacrificial Princess and the King of Beasts 5
The Saga of Tanya the Evil 6 (manga)

(we’re in the home stretch, folks)

Sekirei Omnibus 8
Silver Spoon 8

(pause for MJto scream “SILVER SPOOOOOOOOOON!”)

MJ: SILVER SPOOOOOOOOOOON!

SEAN: Teasing Master Takagi-san 4
Today’s Cerberus 12
Yowamushi Pedal 11

MICHELLE: Yen’s releases are where my attention is this week. Most of that goes to Yowamushi Pedal, of course, but I continue to have the best intentions for reading Silver Spoon and a couple of their shoujo offerings, too. One of these days!

MJ: I’m a little stunned by how little there is for me here in a week with SO many releases. But Sean made it all better with his G&S joke. Honestly, that’s worth the weirdly uninteresting (to me) glut.

ASH: I was likewise greatly amused! Out of the bunch Silver Spoon and Yowamushi Pedal are what interest me the most. I’ve also been enjoying Sacrificial Princess and the King of Beasts. And while I wasn’t as taken with their debuts as I had hoped, I would love to see DIVE!! and Nyankees live up to their promise.

SEAN: And that’s it! See? You can probably buy all of it easily. What will you be getting?

Saint Young Men, Vol. 1

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By Hikaru Nakamura. Released in Japan as “Saint Onii-san” by Kodansha, serialization ongoing in the magazine Morning Two. Released in North America digitally by Kodansha Comics. Translated by Alethea and Athena Nibley.

Over the past few years, there have been fewer and fewer series that you can point to and say “It’s fantastic, but will never be licensed”. The manga market right now is such that risk-taking can be rewarded, and we’ve been very happy to get things like Captain Harlock, Silver Spoon, and (theoretically) Rose of Versailles. That said, Saint Young Men is a special case. Immensely popular both in Japan and here since its debut in 2006, its basic premise made it seemingly radioactive for a long time, and it was assumed that either the author or the publisher had indicated that it was not the right time for it. But times have changed, and even if it’s only digitally for now, we can all now enjoy the adventures of Jesus Christ and Gautama Buddha living in a small apartment in modern-day Japan and having the time of their afterlives. Having finished the first volume, it’s as fun as advertised.

There’s no real plot to speak of. Each chapter shows us the two leads experiencing something new, be it going to a local pool/sauna, a festival, or (of course) a Buddhist temple. They can both take turns as the boke and tsukkomi, though over the course of the volume Boke Jesus tends to move to the foreground – he’s the more happy go lucky of the two, and doesn’t worry about actual expenses and rent as much as the tighter-wound Buddha. They’re experiencing modern-day Japan, and how they take to it depends very much on what the gag needs to be – sometimes it’s clear they’re fairly new to everything, but then there are the chapters showing us Jesus’ blog, where he reviews all manner of things. Throughout, of course, their character is also informed by their own pasts – we hear about how they both died, and various religious miracles they’ve performed. And the Virgin Mary gets a mention as well. She apparently loves to buy T-shirts.

As you might imagine, there are a lot of obscure references in this volume. The translation is good, but you will find yourself flipping to the endnotes in the back quite a bit. There’s a lot of them – I don’t think I’ve seen so many notes since the days of Sayonara, Zetsubou-sensei. I do hope that this book does eventually get a print edition, because flipping to the back of the book in a digital version can be a pain – on first read, I just let the references wash over me, and read the notes afterwards. Which is fine when it’s discussing sutras and stigmata, but less so when Jesus starts talking about Leah Dizon. That said, one of the first references, which is that Jesus looks a lot like Johnny Depp, works well in both Japanese and English.

This is probably not a series I’m going to be doing full reviews for every time – it’s a slice-of-life comedy with no plot to speak of. But it’s fun, and funny, and you actually do learn quite a bit about Jesus and Buddha – over half the notes are religion-based. If you’ve been waiting forever to read this officially, now is the time to go get it.

Didn’t I Say to Make My Abilities Average in the Next Life?!, Vol. 6

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By FUNA and Itsuki Akata. Released in Japan as “Watashi, Nouryoku wa Heikinchi de tte Itta yo ne!” by Earth Star Entertainment. Released in North America by Seven Seas. Translated by Diana Taylor. Adapted by Maggie Cooper.

By the time this volume came out from Earth Star Entertainment, the author already had two other series coming out at the same time via a larger publisher – I Shall Survive Using Potions! and Saving 80,000 Gold in Another World for My Retirement are both Kodansha books. Despite that, this is obviously the “flagship” series. I mention it because in my review of the first Potions book I mentioned that Kaoru was a lot more selfish and morally ambiguous than our sweet, lovable Mile. Which is still… mostly true? I have to say, at times it feels like Mile has sort of lost any of the few restraints that she may have had in the series previously. It’s hard to tell, mostly because Mile had so few restraints, but the chapter with the fairies especially almost features Mile in villain mode. It’s weird. I like Mile sort of sweet and cartoonishly overpowered.

Having featured Adele on the cover of the first book, and Mile on the 4th, we now get Misato on the 6th. She’s the subject of one of the short extras after the main storyline, where we meet her family and learn what she was like before her death that sent her to the world we know. It’s a very interesting chapter, and pretty much distracted me from the rest of the book. Misato’s parents are such old-school otaku that they have a reinforced house to hold the weight of all their manga/VHS tapes/games. And Misato takes after them 100% in terms of her media consumption. That said, Misato is also socially awkward to the nth degree – if it weren’t for her little sister she’d have trouble functioning. The description of her (perfect in school, perfect in athletics, no one wants to get close to her) reminds me a lot of Ran the Peerless Beauty, a shoujo manga I recently reviewed. The text also mentioned Misato has partial face blindness, which I really liked seeing as you rarely see that come up in any fiction. The story shows us that it’s the “Adele” part of Mile that has the extroverted personality, and the “Misato” part is the one with the otaku leanings and the brains.

Speaking of which, one of the stories in this book features a pun so bad that Mile has to lampshade it immediately lest the reader not realize just how bad it is. (You have to know your old robot shows.) The Crimson Vow run rampant through this book, defeating a party of demons, exploring ancient factories, curing a princess of her terminal illness (which turns out to be “she’s a picky eater” and also involves my 2nd favorite moment, when Mile’s overenthusiastic nanomachines invent multivitamins), and running into another all-female hunter team who are rather annoyed that their marriage prospects have suddenly plummeted now that the better-in-every-way Vow have come along. This series is very episodic, so for every clunker of a chapter (one chapter seems to involve Mile being the only one who realizes incest is wrong) there’s another fun one down the road (the other three Vow members trying to live for a few days without Mile, and realizing just how dependent on her they are).

I hear this is getting an anime soon, and you can see why. Each volume reminds you how much fun this is, and also how ridiculously overpowered Mile is. I hope the series survives cranky anime fans yelling about her. It should.

Bookshelf Briefs 4/23/19

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Accomplishments of the Duke’s Daughter, Vol. 3 | By Reai and Suki Umemiya | Seven Seas – Things get a bit more interesting with the third volume of this series. First of all, we have a potential love interest for Iris, who has not really been thinking about love ever since her exile. That said, he’s more than what he appears, and I suspect once Iris finds this out any love that is happening may hit the side of the road. Meanwhile, we also return to the school she was exiled from, to meet her former love interest and his new fiancee, who… well, let’s just say she’s no Maria Campbell. The book ends with a cliffhanger, as Iris is invited to a royal ball, where she will no doubt be pilloried. Hopefully she can withstand it. I also hope Dean is a good guy. So “I’m an otome villainess” is a huge genre now, huh? – Sean Gaffney

Ao Haru Ride, Vol. 4 | By Io Sakisaka | Viz Media – Just because we have had a love epiphany does not mean everything is hunky dory. We’re still getting tastes of Kou’s past, and why he keeps walling himself off from people. His mother’s death hit him hard, and he’s annoyed at Futaba less for being nosy and more for the fact that she’s refusing to be upset by him and pull away. Her resolve to continue to bring him closer to people—even if through the use of righteous violence—is the highlight of the book. There’s also Yuri, who is trying hard to win Kou’s heart but really has gotten there far too late. The end of this volume comes full circle, with Kou inviting Futaba to keep the appointment that they never did years ago. A very well-handled shoujo romance. – Sean Gaffney

Himouto! Umaru-chan, Vol. 5 | By Sankakuhead | Seven Seas – This series has gradually moved from amusing jokes about Umaru’s double life as a perfect student and a hikki otaku to the family that the core cast are becoming, and while there are still some great punchlines, we’re moving into the “here for the sweet bits” category. Tachibana may not know who Umaru’s alter ego really is, but she’s damn enthusiastic about being the best friend ever, and while I wish Umaru would just come clean, the Christmas ending was really nice. Speaking of which, Ebina has gradually been coming out of her shell, to the point that the cliffhanger of the volume seems to involve her confessing to Taihei. We’re not even halfway through the series, though, so don’t hold your breath. – Sean Gaffney

My Sweet Girl, Vol. 2 | By Rumi Ichinohe | Kodansha Comics (digital only) – Tsugumi Koeda is thin and tiny, and never felt she was the sort of person who would get to experience love, but that changed when she met Masamune Sena. In this volume, summer vacation has arrived and Tsugumi and Masamune visit the sea with friends. Then, he gets sick and she makes rice porridge. And then it’s suddenly the school festival and Tsugumi is playing Cinderella. If you think these sound like major shoujo clichés, you’re absolutely correct. I wish I could like My Sweet Girl more, because I appreciate its themes of self-acceptance, but the shoujo-by-the-numbers approach holds me back. For every genuinely cute moment between Tsugumi and Masamune (and I did appreciate that they’re already open about their feelings), there’s a lame trip-and-fall moment or some randomly snide strangers in a coffee shop. I like it enough to keep reading, though, and to continue hoping it improves. – Michelle Smith

Ran the Peerless Beauty, Vol. 2 | By Ammitsu | Kodansha Comics (digital only) – As with the first book, it’s hard not to compare this series to Kimi ni Todoke. If the latter had a more laser focus on the main relationship it might seem a bit like this. Ran and Akira slowly grow closer, despite her introversion and second-guessing of herself. There’s a great bit where she helps out at his flower shop, thinking it’s a good opportunity to grow closer, only to castigate herself when she realizes he’s worried about his sick mother. (We also meet the mom—she’s great.) There are also moments of great character humor, such as an athletics festival that ends with a “princess carry,” which you think is going to be triumphant and… isn’t. It’s sweet, though. As is the whole series. – Sean Gaffney

Smashed: Junji Ito Story Collection | By Junji Ito | Viz Media – Gathering together thirteen of Ito’s short horror manga in a single, hardcover volume, Smashed is the most recent installment in Viz Media’s ever-expanding catalog of the master creator’s work. A rather disturbing and disturbed individual named Soichi is featured in three of the stories, but otherwise the tales collected in the volume aren’t directly related to one another. But even so, all of the manga work nicely together as an anthology. The Japanese word that has been translated as “smashed” is “kaidan,” a homophone of which gives name to a particular type of ghost story, urban legend, and uncanny tale. I can’t imagine this was an accident since the manga in Smashed either firmly fall within or are strongly reminiscent of the category. Some of the stories are less memorable than the others, but as a whole, Smashed is still a solid collection of engaging horror manga. – Ash Brown

The Water Dragon’s Bride, Vol. 9 | By Rei Toma | Viz Media – Much as this series has been a romantic drama, it’s also looks at the nature of gods and belief, and how easily that can be swayed by the environment, particularly when bad people are helping to do the swaying. The Emperor has been dethroned, the Water God is particularly unpopular right now, and, in the most chilling scene in the book, Kurose’s desire to resurrect his dead little sister figure has been completely papered over with generic “dark evilness”—this is what being dedicated to revenge gets you. There’s only two volumes to go after this one, and I admit I’ve no idea where the ending is going to go. This has become my favorite Rei Toma series. – Sean Gaffney

We Never Learn, Vol. 3 | By Taishi Tsutsui | Viz Media – Since my last brief, the anime version of We Never Learn has debuted, and having watched it, I think it’s safe to say I prefer its fanservice in print form. The author is sometimes clever in getting us that service—one chapter has everyone hearing that studying in the bath works better, so we see them all bathing, complete with fantasies they’re doing it together. The series continues to balance the romance with the studying, working them together a lot. We have two obvious pairings now, mostly as Fumino is still trying to be a good friend towards the other two—or just hasn’t realized it yet. As for Kirisu-sensei—well, she turns out to be a bit of a disaster… and also has a tragic past. Mildly recommended. – Sean Gaffney

World’s End and Apricot Jam, Vol. 3 | By Rila Kirishima | Kodansha Comics (digital only) – Anzu finally stops fighting against his feelings for Hina and they start dating. After a chaste month passes, during which they only manage two smooches, Hina returns from a school trip to find Anzu’s apartment empty. It turns out his band has been signed to a major label and their new producer has demanded that Anzu move out of Apricot House and break up with Hina. Anzu continues to date her in secret, however, and the volume ends with them apparently busted. It’s shoujo drama at its finest. What I don’t like are the mixed singles Anzu sends, particularly when he breaks bad for a second and acts out the scenario Hina most fears, in which he tells her it was all just a game to him. He genuinely makes her cry for a moment, and it was kind of shitty. – Michelle Smith

Restaurant to Another World, Vol. 1

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By Junpei Inuzuka and Katsumi Enami. Released in Japan as “Isekai Shokudou” by Shufunotomosha. Released in North America by Seven Seas. Translated by Elliot Ryouga. Adapted by Nino Cipri.

By now we have had enough of these “foodie” titles out here in the West that it’s not a surprise anymore. Indeed, the light novel was the last one to get a license here, as we’ve already seen Restaurant in Another World’s manga (on the Crunchyroll site) and anime over here. And there are any number of other titles doing very similar things, including Othewrworldly Izakaya Nobu, Cooking with Wild Game, Campfire Cooking in Another World, etc. That said, Restaurant in Another World seems the purest of the titles we’ve seen here. If you’re not fond of descriptions of people eating delicious food, this is absolutely not the book for you, because that’s all it is. Well, OK, that’s not ALL it is. There’s actually a very interesting and varied fantasy world being slowly laid out here. But there’s no plot beyond “fantasy people eat delicious food” until the very, very end.

If you’ve read the manga, or seen the anime, or hell, even looked at the cover art, you may be surprised at who isn’t in this book. Aletta does not show up until the very last chapter, and I believe the other adaptations wrote her into the earlier chapters specially. Instead we get a very simple premise, repeated over and over. Someone comes across a door with a cat picture on it, in the middle of a cave,. or a forest, or a basement, etc, goes through it, and finds themselves in a modern Japanese restaurant that specializes in “Western” cuisine, although how much that specialty is enforced is something of a running gag. There they discover that the food served there is much, MUCH more delicious than the food they get back in their world. The gimmick is that their world is a standard fantasy one, with elves, dwarves, magic users, and adventurers. Once every seven days… they can eat good food.

The chapters are self-contained to a degree. New person, new favorite food, new descriptions of how that food is the absolute best. But they stack on top of each other, so you see the regulars coming back and eating and arguing with each other about food, not necessarily in that order. Another running gag is that they’re known to each other only by their standard meal, so the adventurer girl is “minced meat cutlet”, and the knight is “fried shrimp”, etc. The cast, as I said, run the gamut. There’s dragons who arrive at the very end of the day for beef stew (don’t worry, she can assume human form). There’s vampires in a Romeo and Juliet-style runaway, only they get away with it. There’s Lilliputians who go as an entire village to eat pancakes. And there’s human kids living there too, who get what most human kids in a restaurant want… burgers and fries. And there’s the unnamed chef throughout, smiling and making their food, and occasionally enforcing the peace.

This light novel series is 5+ in Japan, and I’m not sure how long it can sustain its basic premise without adding SOME plot. That may be why Alette was added in the last chapter, so there’s some more regular regulars. But if you enjoyed the manga and anime, or just like food, you should enjoy this. Also, terrific illustrations by Enami, who also illustrates Baccano!.

Invaders of the Rokujouma!?, Vol. 20

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

As was possibly easy to predict, after the excitement of the last two books, we’re getting a short story collection here. In fact, the author notes that the plot will basically alternate with these sorts of books from now on, so as not to alienate those who enjoy the lighthearted comedy bits. As such, we get three short stories that were first published online, and one original novella. They all pretty much fulfill the lighthearted part, but as with a lot of Rokujouma, comedy has slowly been replaced by heartwarming as the go-to thing. This is a sweet group of girls, all best friends, all in love with the same guy, and things are great. For a lot of people, this might be annoying, showing off a lack of conflict that helps to drive most series. I find it refreshing. The conflict comes from the enemies in the main plotline. As such, this is basically just pure cuteness.

To no one’s surprise by now, let me focus on my favorite character first. Yurika gets the first story as a focus, and it shows that even though she’s seriously matured and leveled up in the past few books, she is still the same old somewhat whiny, lazy girl who has to be prodded. The difference now is that she CAN be prodded… as well as now Koutarou realizes how he feels about her. The first story deals with the cosplay club hearing (by mistake) that Yurika is going to stop wearing magical girl “costumes”. They know the main reason why girls stop cosplaying – they get a boyfriend. The rest of the story is them hilariously finding they’re right – sort of. To the outside observer, Yurika has become a “reajuu” – she has a great boyfriend, a nice best friend, and a fulfilling life. To the outside observer only, of course. The other two short stories deal with a) Sanae and Ruth peering into Koutarou’s dreams, and realizing he has a ways to go to be healed, and b) Maki and Theia finding that though they may be opposites in many ways, they can still bond as good friends.

The story that takes up the second half of the book is a cooking competition for the school festival, with all the girls competing and Koutarou the judge. This ranges from the obvious (Kiriha and Ruth are great cooks) to the good character building (Yurika is forcibly taught by Shizuka, and her efforts pay off for Koutarou if not anyone else – she didn’t burn or otherwise ruin it) to amusing fun (everything about Clan’s SCIENCE! dish). Moreover, it helps to hammer home one of the main themes of this “harem” series – Koutarou likes them all equally. He gives everyone the same score – even Clan’s “meal” – as to him, they’re all great as the girls all put their heart into them. For a lot of other series, this would make Koutarou into a bland milquetoast protagonist, and to be fair he had elements of this at the start. But he’s developed too, to the point where the reader can smile and nod when this occurs.

So overall a really nice volume, and a good break before we no doubt go off into SPAAAAAAAACE! next time.

Yona of the Dawn, Vol 17.

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Yona of the Dawn Volume 17 by Mizuho Kusanagi

I’m always curious when a new arc of Yona of the Dawn starts, because Kusanagi manages to create situations and plot elements that seem new and fresh in the context of a long-running series. At the same time she continues to explore themes that are present throughout the series with more depth, like Yona grappling with the legacy of her father’s lack of consideration and thought for the people who he used to rule.

Yona and her companions head towards the border of Kai, where they meet a young boy named Kalgan who proposes marriage to Yona after she shoots a bird to provide him with with some money. Kalgan wandered over from the Kai empire and is stranded, so Yona decides to escort him back to his village, a border town that has been fought over between Kai and Kohka for years. Yona’s Dragon Warriors begin to fall ill, and they need to recuperate for a time in the village where most of the residents are deeply suspicious of them. War is drawing near as well, as Su-Won and his army start to attack the Kai empire.

So far, most of the Dragon Warriors have gotten some solid character development and backstory in Yona of the Dawn, but Zeno has largely been an enigma. This volume finally showcases his unique abilities and role as Yona’s protector. For the Hak fans (and who isn’t a Hak fan!?) there are some great scenes of him taking on a wayward army, determined to take out their anger at losing a battle on innocent civilians. As Yona learns more and more about the dark side of human nature, she becomes more resolute about helping people. I’m curious to see how she manages to resolve the current crisis, I’m not sure if even she can pull of pacifying an angry army. This series is consistently rewarding to read, and one of the best fantasy shoujo series that Shojo Beat has published.

Manga the Week of 4/24/19

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SEAN: Sometimes publishers surprise you.

But before we get to the surprise, Cross Infinite World has the 2nd novel for Obsessions of an Otome Gamer. I found the first volume far better than expected… and far longer than expected. I look forward to this, but may have to set aside extra time for it.

J-Novel Club has a 5th volume of An Archdemon’s Dilemma: How to Love Your Elf Bride.

Kodansha, print-wise, has Attack on Titan: Before the Fall 16, The Heroic Legend of Arslan 10, and To Your Eternity 9.

ASH: To Your Eternity continues to be an excellent series.

SEAN: But let’s face it, it’s all about the digitals this week. Another “this will never get licensed” title has been licensed, digital-only. Saint Young Men is a typical slice-of-life comedy about two men sharing a small apartment in modern Japan. Oh, yes, and they’re Jesus Christ and Gautama Buddha. Which explains why this was not licensed for so long. It’s by the creator of Arakawa Under the Bridge, and is (believe it or not) far less weird than that title.

MICHELLE: Finally! I’m so excited for this.

MJ: I can’t remember the last time I was so surprised/thrilled about a release. I mean, I never thought this could happen in the US, even as a digital release.

ANNA: Me too! It is so nice to be surprised like this!

ASH: This really is fantastic news! Kodansha is technically calling this a digital-first release, so there may be a slim possibility that a print edition may eventually be released. It’s like a miracle that it was licensed at all, so I’m hoping for another one!

SEAN: In less controversial digital titles, we see Ace of the Diamond 22, Ao-chan Can’t Study! 6, Asahi-sempai’s Favorite 2, Blissful Land 3, Defying Kurosaki-kun 8, Elegant Yokai Apartment Life 12, Kakafukaka 6, Mikami-sensei’s Way of Love 4, My Boy in Blue 8, and Tokyo Alice 10. That’s a lot.

MICHELLE: Forsooth.

SEAN: Oh yes, and Kodansha license rescued Initial D and are releasing about 30 million volumes of it digitally. Which is, as Initial D fans known, only about 1/4 of the total volumes.

MICHELLE: I was literally thinking about Initial D earlier today!

SEAN: Seven Seas gives us Accomplishments of the Duke’s Daughter 3, Captain Harlock: Dimensional Voyage 8, How to Train Magical Beasts 3, Sorry for My Familiar 4, and Species Domain 6.

ASH: How to Train Magical Beasts has been a nice series so far.

SEAN: Tokyopop lists Aria the Masterpiece 2 and Konohana Kitan 4 as coming out next week, though Amazon seems to disagree.

Viz has, in a digital debut, the first seven volumes of Banana Fish, a somewhat obscure old shoujo series that I’m sure the rest of Manga Bookshelf has never heard of.

MICHELLE: *snerk*

MJ: What kind of title is that? “Banana Fish.” Huh. Though, okay, I wish we were getting a deluxe print reissue instead.

ANNA: Sweet, maybe I will finally read it!

ASH: I would absolutely buy the series again if it was getting a new print deluxe edition. But I’m really happy that it’s back in print at all, and now available digitally, too.

SEAN: It also has a 9th volume, digital-only, of élDLIVE, from the creator of Reborn! (remember Reborn!? Years ago? Cancelled by Viz?).

MICHELLE: I am really hoping VIZ does more digital-only titles.

SEAN: Yen has a digital debut of its own, as if to say that those other two aren’t good enough. ALL of Fruits Basket is out next week digitally. That’s twelve omnibuses. Now you can read it on your phone (and also probably start crying in public, so don’t do that).

MJ: This is pretty sweet.

SEAN: Yen’s print manga is the week after next, but we do get this month’s novels. The debut is Penguin Highway, another in Yen’s ongoing series of “license the novel with a recent popular movie”. The novel is apparently really good, though, and has won the Nihon SF Taisho Award. Expect coming-of-age adventure!

ASH: I’ll be picking this one up!

There’s also Baccano! 10 (we promise, Monica is in the one after this, Baccano! fans), The Devil Is a Part-Timer! 13, I’ve Been Killing Slimes for 300 Years 4, KonoSuba 8, Re: ZERO EX 3, and That Time I Got Reincarnated as a Slime 5.

Jesus Christ, that’s some good manga. (Sorry.) (OK, not that sorry.)

Mushoku Tensei: Jobless Reincarnation, Vol. 1

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By Rifuin Na Magonote and Shirotaka. Released in Japan as “Mushoku Tensei – Isekai Ittara Honki Dasu” by Media Factory. Released in North America by Seven Seas. Tranlated by Kevin Frane and Paul Cuneo. Adapted by JY Yang.

As the URL of this review may indicate, I had reviewed the first volume of the Mushoku Tensei manga when it came out back in the day. I wasn’t all that impressed with it. That said, having finished the light novel that the manga is based on, I am changing my tune slightly. This reads much better in prose. In particular, it works its isekai tropes into the plot better than the manga, which tended to gloss over Rudy’s every action being influenced by his previous life. This was one of the first really popular isekai novels, and to a certain degree many other series either rip off or parody what’s going on here, meaning that sometimes you can be reading things and waiting for a punchline that isn’t coming because it’s taking things seriously. On the bright side, that’s rather refreshing, and I also enjoy that the series has time to flesh out the rest of its non-Rudy cast.

The book starts with a portrait of our hero’s previous life, and I would not blame the reader for giving up here, as he’s rather loathsome. Luckily, Truck-kun is there to take care of things, and in no time he finds himself reborn in a different world, with his previous memories intact. He resolves that he’s going to do a better job with his life this time around, and sets about trying to learn magic, learn swordplay, and be a good son. All this before he turns seven years old! Rudy tends to be a bit too perfect, much to the consternation of the family maid, and contrasts with his flaky father. But he’s also allowed to have some standard light novel character flaws, most notably being a perv (which can be unsettling given his age) and also mistaking a young elf girl for a guy just because she has short hair and is wearing pants.

I figure most people reading this are very familiar with reincarnation/isekai titles, and you’re not going to be surprised at what happens within when it comes to the setting. Lots of discussion of magic to a somewhat tedious degree, etc. Rudy’s teacher Roxy is quite interesting, and I was annoyed that she vanished halfway through the book – she deserves a spinoff manga of some sort. Possibly one coming out next week. Most impressive to me was Rudy’s family, and the depth they all had – his father Paul has trouble keeping it in his pants, and this could have led to disaster were it not for peacemaker Rudy. That said, Rudy may grow up to be like dear old Dad. There are a few moments in this book where the author suddenly remembers he has to be perverse, and they stick out oddly (Rudy coming across Roxy masturbating while watching his parents having sex) and sometimes creepily (infant Rudy likes breasts based on his past life, and NO THANK YOU). At least the maid notices that it’s creepy.

I may not see much of Rudy’s family for a bit – in order to make sure that he and his somewhat codependent childhood friend don’t damage each otehr’s growth, his father sends him off to tutor some ways away, and that is presumably where the second book will start off. Moments of awkward sleaziness aside, I was pleasantly surprised with Mushoku Tensei, which takes its reincarnation premise seriously and doesn’t subvert, satirize or parody it.