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I Refuse to Be Your Enemy!, Vol. 2

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By Kanata Satsuki and Mitsuya Fuji. Released in Japan as “Watashi wa Teki ni Narimasen!” by PASH! Books. Released in North America digitally by J-Novel Club. Translated by Tara Quinn.

In my review of the first volume I said that light novel fans would be disappointed but romance fans should be happy. This volume dials back the romance (though it’s still there), and I’d argue that it may be fans of RPGs who get the most out of the series, as it’s become a military fantasy novel, which Kiara’s choice to become a spellcaster having far more of an impact on the plot than whether she likes Reggie or Cain. (It’s Reggie, btw. Of course it’s Reggie.) The cliffhanger is resolved fairly quickly, but the overall situation is not, as the King and castle are still very much under attack. We also get a couple of good choices for ongoing villains in this book, and see quite a few people on both sides die, which impacts Kiara more than anyone would like. But most importantly, Kiara and Reggie show how incredibly similar they are to each other, and how that’s a VERY bad thing.

Last time I noted that Kiara’s life in Japan was far more vague than in most reincarnated isekai protagonists, and that’s still true, but we do see a bit more of it here, including some of her life in Japan as Chisato, when she was essentially pretty happy but also alone much of the time, having no siblings and two parents who were working much of the time. She’s determined to avoid the fate of everyone in the game, and we’re pretty sure what she’s managed to avoid turning into an evil spellcaster, at least, but saving Reggie is not as simple as stopping the soldiers from killing him that one time. This is a constant war, and Reggie is in constant danger. As is Kiara, much to Reggie’s chagrin – the woman he’s falling in love with is not one who would take kindly at all to him shutting her away to keep her safe, so he doesn’t, but boy does he hate that.

This series is a romance. And it ends with Vol. 6 in Japan. Not to spoil hideously, or anything, but the final volume has a wedding couple on the cover. That said, you might be surprised at that when you read this book, where you’re wondering if the series may actually kill Reggie off a third of the way through it, or kill off its heroine by the end of the series. It turns out that the thing that he and Kiara both share is a flagrant disregard for their own safety that verges on suicidal tendencies at times. In fact, in the dream we see Kiara have in the epilogue side-story, her reaction in the original world to being killed by Alan was essentially “oh, thank God”. In the second half of the book this turns almost comical, with both desperate to save each other at the cost of their own lives and then getting really upset when they do just that. They really are perfect for each other.

This is a smooth and easy read, with the translator change not really noticeable. If you’re here for the romance, I hope you like slow burn. If you like turn-based RPG strategy books, though, this is right up your street.

Wandering Witch: The Journey of Elaina, Vol. 2

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By Jougi Shiraishi and Azure. Released in Japan as “Majo no Tabitabi” by GA Novels. Released in North America by Yen On. Translated by Nicole Wilder.

It did not escape my notice, when reading the first volume of Wandering Witch, that the best stories in it were the ones that focused on Elaina and her past rather than the ‘Elaina arrives at a strange town’ stories. Sadly, there is no more backstory here, just the wandering witch. Which should be fine. It’s why we picked up the series, after all. Look at the over! It’s the witch, smiling, drinking a cup of tea. This should be a relaxing, slow life series with a nice mix of humorous and serious stories. Unfortunately, I seem to have caught the author on a bad day. They admit as much in the afterword, where it’s noted how dark and tragic many of the stories in this book were. Indeed, one story was cut from the book for being too dark, which boggles my mind. Now, it’s possible that the next volume may try to counterbalance that. But that still leaves Wandering Witch with a problem: the people in this book are terrible.

Most of the stories here are short, with two or three longer ones that have a bit more emotional heft. Elaina goes to a country where prejudice against non-magic users runs rampant; stops a war between two villages; tracks down a runaway princess; starts a fashion trend; deals with a beast girl with a tragic past (the best story in the book, even if it was as much fun to read as a root canal); helps a man find his father’s inheritance; goes to a country where truth is magically enforced; has interaction with a bomb manufacturer; discovers her old teacher has written a book; goes to a country where laziness seems to be the norm; goes to a fake zombie town now infested by real zombies; tries to hide the truth from some happy-go-lucky hunters; and deals with a country where you had better love cats – or else.

As you can see, these sound exactly like the peaceful, slow life sort of stories you’d expect here. The trouble is the characterization. The people in these stories are bigots, shallow, greedy, slothful, and sometimes genuinely evil. Even the nicest stories deal with what might best be described as misguided fools. If Kino’s Journey has a running theme of ‘war is horrible’, Wandering Witch’s might be ‘people are awful’. Sometimes there’s karmic fate, but more often than not nothing really happens except Elaina leaves and goes to the next town. The very first story upset me in particular as Elaina sees that the non-magic using people in this town are being persecuted and literally called animals, but merely disapproves of this and leaves. She’s meant to be rather emotionally deadened, but it just ends up seeming incredibly callous. This also makes it harder with stories like the beast girl one, where Elaina is supposed to be genuinely moved and upset – it seems fake because of how we’ve seen her before. Also, her “that girl – it was me” narrative joke isn’t funny and makes her sound smug.

I’d heard that future volumes of this leaned on the yuri a bit, but I’m not sure how good it’s going to be. Saya, the girl from the first story of the first volume, shows up again and clearly has a massive crush on Elaina, but it’s unreciprocated. Moreover, one of the stories involves a romance between two women, but it ends up being treated like more of a punchline than anything else. More to the point, after this second volume, I simply don’t want to read anything more about this witch and her journeys. Which is fine. I’m sure if told that I was dropping her series, she’d simply shrug and move on to the next town filled with selfish, irritating people.

Bookshelf Briefs 7/30/20

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Blue Flag, Vol. 2 | By KAITO | VIZ Media – How do I already love these kids this much?! Blue Flag is the story of four friends in their third year of high school who care about each other but who are all also dealing with their own problems and trying to figure out what they want to do with their lives. I especially love Taichi and identify so much with the childhood memory he shares with Masumi—“I regretted my inaction so badly.” Taichi is always trying to become the sort of person who can act (and supports Futaba as she seeks to make the same change in herself). And thus, we are inexorably led to the cliffhanger of this volume, where Taichi gets the chance at a do-over, seizes it without a moment’s hesitation, and perhaps pays another, different price this time. I’ve never meant “I can’t wait for the next volume!” more than I have this time. – Michelle Smith

Dead Dead Demon’s Dededede Destruction, Vol. 8 | By Inio Asano | Viz Media – We finally get one of the big reveals in this volume, which involves the origin of Oran and the sort of girl she used to be. It also gives us, even if it’s not quite the real thing, an origin story of the friendship between her and Kadode, and it’s really sweet and fun. That said, their meeting with an alien goes very differently here, and the series finally begins to tie in with all of the Doraemon parodies that it’s been using at the start and end of each volume. Sadly, this is not a good thing, and the entire volume ends on a horrifically nightmarish cliffhanger that I can’t see ending any way but tragically. As always, I hate reading this series, one of the best manga I’m currently reading. If that makes sense. – Sean Gaffney

Dr. STONE, Vol. 12 | By Riichiro Inagaki and Boichi | Viz Media – We’re going on a boat journey, taking along most of the important cast members, in order to discover the island with Sena’s dad’s past and also find platinum, which can help speed up un-stoning everyone. Unfortunately, there are villains about, and they take out most of the cast, who are petrified once more. In between this, we get a lot of cool Jump adventure, some goofy gags, some fun surprises (we know that Suika would stow away somehow, the question was how) and some serious drama as, well, the cast is being re-petrified by powerful unknown villains. There’s nothing earth-shattering in this particular volume, but it still adds up to a great time. – Sean Gaffney

Haganai: I Don’t Have Many Friends, Vol. 18 | By Yomi Hirasaka and Itachi | Seven Seas – I could review this entire volume, but honestly, the last 50 or so pages sort of dwarf the rest of it. We are reminded, as is the school, that Sena is fantastic at everything and has no idea that other people can’t do what she does. This all comes to a head at the Christmas party, where she starts to be attacked for all of her bad points, and lashes out at everyone in a justified but ill-thought-out diatribe. Which is then passed to Yozora, who also defends Sena and finally, amazingly, admits that the two of them are friends. This may be more important than which girl Kodaka picks, to be honest, and is absolutely fantastic. (Speaking of Kodaka, his solution is very Hachiman, and works about as well). – Sean Gaffney

Moms | By Yeong-shin Ma | Drawn & Quarterly – One thing in particular that makes Moms stand out from other manhwa in translation (and honestly many other comics in general) is the focus of its narrative—the lives and loves of mothers in their fifties. The volume takes direct inspiration from the creator’s own mother after she shared some of her personal experiences and stories about her friends. While there is some humor and absurdity, the resulting work’s realism is gutting as the characters navigate divorces, affairs, workplace harassment, and constantly shifting allegiances. A central thread is an on-again, off-again relationship between Soyeon and her boyfriend Jongseok. Without him she’s lonely, with him she’s miserable, a common theme in Moms. Most of the men in the work are frankly disappointing human beings. The women aren’t always entirely blameless, but they’ve put up with a lot, so it’s exhilarating to witness when they can live their lives with uninhibited gusto. – Ash Brown

Secret XXX | By Meguru Hinohara | SuBLime – Secret XXX is pretty explicit and features a seme who says things like “Too late. I’m not stopping now” and “I love your feeble protests,” but also includes a lot of cute bunnies. Shohei Ikushima is a college student who believes he is allergic to rabbits but still volunteers at Itsuki Mito’s bunny-exclusive pet shop because he’s fallen in love with the gentle-seeming proprietor. I can’t tell if what I found frustrating is intentional characterization, or simply that the narrative had to make Shohei look vapid in order to work. Like, he never actually considered “Do I even swing this way?” until he was literally in bed with Mito. And no one (including his parents, evidently) ever suggested antihistamine until he finally sees a doctor. I did like the emphasis on appreciating family, though, and plan to read the spinoff starring Mito’s meddling little brother. – Michelle Smith

A Sign of Affection, Vol. 2 | By suu Morishita | Kodansha Comics (digital only) – A lot of shoujo titles are content to move along at a glacial pace, and the good ones do that by keeping the character solid. Yuki and Itsuomi are still feeling each other out. She’s fallen in love for the first time, but has communication issues that go beyond her deafness, and also a childhood friend who (I suspect) likes her more than she is aware. Asd for Itsuomi, he has some past baggage that really isn’t going away, and has goals for the future that do not involve being in Japan—goals which are likely more important to him than romance. Despite that, these two are very cute together, and you’re rooting for them to find a way to make things work. One of the better recent digital-pnly titles. – Sean Gaffney

Spy x Family, Vol. 1 | By Tatsuya Endo | VIZ Media – It only took a few pages for me to completely fall in love with Spy x Family. Debonair “Twilight” is an experienced spy for Westalia, but when his next mission requires him to quickly acquire both wife and child, he ends up choosing an assasassin (Yor) for a bride and a telepath (Anya) for a daughter. Neither Twilight nor Yor is aware of the other’s real line of work, but Anya knows all. Only, she loves her new life and family so much that she isn’t going to say anything to jeopardize it. In fact, she’s doing her best to get accepted into a prestigious school so that Twilight can get closer to his target and they can all continue to stay together. I really like all the characters, the “found family” trope always works for me, the tone is fun, and the art is stylish. More, please, and soon! – Michelle Smith

Takane & Hana, Vol. 15 | By Yuki Shiwasu | Viz Media – The bulk of this volume introduces us to Takane’s mother, who is a lot like he is in both looks and eccentricity, and turns out to have a checkered past with her son that, to no one’s surprise, involves bad communication. Hana tries to get the two of them to make up while also showing off how she’s a great match for Takane, and her cheer is infectious. That said, the background does remind readers just how high a bar Hana has to clear if she’s going to end up happily ever after with the guy she loves. The series is gearing up for its finale, and I suspect that class conflict is really going to come to the fore here. But at least she’s won over Mom, which is a big start. – Sean Gaffney

A Witch’s Printing Office, Vol. 3 | By Mochinchi | Yen Press – Following up on the last cliffhanger, there is another Japanese person here, and he’s actually gone about things the proper isekai way, as opposed to our heroine, Yomiko… um, I mean Mika. Yeah, about that, I get the feeling that 80% of the people reading this series are reading it because they want to see Yomiko from Read or Die in an isekai setting. It even feels like the super-ditzy side of her, as opposed to, well, the other, less popular aspects of Yomiko. As for the manga itself, there’s more Comiket gags, Mika managing to accidentally get a town popular, an ancient spellcaster possessing exactly the wrong person, and a rival publishing company. This is big goofy fun, sort of slice-of-isekai life-ish, but lacks any substance at all. – Sean Gaffney

Manga the Week of 8/5/20

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SEAN: Get ready for a brutal month. Every week in August is huge. Soooo much stuff.

ASH: Let’s go!

SEAN: First of all, hey, remember when I somehow missed that Soul Eater: The Perfect Edition started from Square Enix on 7/28? That was 100% a thing I missed, because I am basically terrible. Soul Eater is fun. Please ignore the boobie ending.

We start with J-Novel Club, which has several print volumes. We see Animeta! 4, How NOT to Summon a Demon Lord 11, the debut of the I Shall Survive Using Potions! light novel, and In Another World with My Smartphone 11.

ASH: I plan on picking up Animeta! out of this group.

SEAN: Digitally, there is Altina the Sword Princess 5, Campfire Cooking in Another World 7, Can Someone Please Explain What’s Going On? 3, Der Werwolf 8, Grimgar of Fantasy and Ash 15 (hey, it finally hit 15), In Another World with My Smartphone 20, and Record of Wortenia War 7.

Kaiten Books has another manga debut: UzaMaid: Our Maid is Way Too Annoying (Uchi no Maid ga Uzasugiru!). This Manga Action title from Futabasha had an anime recently, and I can confirm that its title is not just for show.

Kodansha had to push back its Shaman King rollout, so no debuts this week. In print, we get Boarding School Juliet 12.

Digitally we get Are You Lost? 6, Cells at Work: Bacteria! 2, Chihayafuru 21, Drifting Dragons 8, GTO Paradise Lost 12, Our Fake Marriage 3, Peach Girl NEXT 8 (the final volume), Smile Down the Runway 12, and To Be Next to You 8.

MICHELLE: I will never not be grateful for Chihayafuru!

ANNA: One day I will catch up! One day!!!

SEAN: One Peace has a one-off for us: My Papa’s Persimmon Tree, which is 45 pages long, seemingly based on real-life events, and award winning.

ASH: Interesting! It’s so easy for One Peace’s releases to slip under the radar; I wasn’t previously aware of this one.

MJ: Same here!

SEAN: Seven Seas has the print debut of Peter Grill and the Philosopher’s Time, the 2020 award winner for most “humorous” euphemisms for semen in a single manga volume.

MICHELLE: Ew.

ANNA: No thank you!

MJ: I hate everything.

SEAN: Also in print: Arifureta Zero’s 3rd light novel, Gal Gohan 3, GIGANT 2, Miss Kobayashi’s Dragon Maid: Elma’s OL Diary 3, and the 10th and final Toradora! light novel.

As for early digital releases, we have the 11th Saint Seiya: Saintia Sho.

Udon has the 2nd Rose of Versailles at last. Cannot wait.

MICHELLE: Huzzah!

ANNA: I have mine, yay!

ASH: Yes!! Still so glad this series is being released.

MJ: Okay, I don’t hate EVERYTHING. So excited!!

SEAN: Vertical has a manga debut: The Daily Lives of High School Boys (Danshi Koukousei no Nichijou), an episodic comedy manga from Gangan Online that also became an anime and a film. It’s pretty highly regarded.

And lastly, ALL THE VIZ. The debut is a sequel. Fushigi Yugi: Byakko Senki, a sequel to Fushigi Yugi – Genbu Kaiden, but still a prequel to the main series proper. It runs in Flowers, meaning we finally have another Flowers series from Viz that isn’t Kaze Hikaru. Also, this manga is so old I have to remind myself every time not to use two u’s in Yugi. Because fandom.

MICHELLE: I am all about this.

ANNA: I am so excited for this series. Trying to emotionally prepare myself.

MJ: Okay, I absolutely loved Fushigi Yugi – Genbu Kaiden, probably more than the original series, if I’m being honest. So this is a welcome addition to that universe!

SEAN: Naruto has a new light novel (at 136 pages, a very light novel) called Naruto’s Story: Family Day. It shows him bonding with Himawari, and I think was animated.

Shonen Jump? We got you. There’s Black Clover 22, Blue Exorcist 24, Boruto 9, Demon Slayer: Kimetsu no Yaiba 15, JoJo’s Bizarre Adventure Arc 4 Volume 6, Jujutsu Kaisen 5, the 5th and final My Hero Academia SMASH!, One Piece 94, The Promised Neverland 16, the third Samurai 8, Twin Star Exorcists 19, and We Never Learn 11.

ASH: JoJo! So far, this arc has’t been my favorite, but I’m still getting a huge kick out of it.

SEAN: Shojo Beat? We have you covered as well. Ao Haru Ride 12, Kaze Hikaru 28 (the yearly volume, which means TWO Flowers series on the same day from Viz! Can 7SEEDS be far behind?), Oresama Teacher 27, Shortcake Cake 9, and Yona of the Dawn 25.

MICHELLE: I would even be super happy if 7SEEDS was digital-only. Heck, if Kaze Hikaru moved in that direction but came out more frequently, that’d be okay too.

ANNA: If only we got 7SEEDS. I’m happy for the annual volume of Kaze Hikaru. . So much great shoujo this week!

ASH: It’s a very good week for shoujo!

MJ: That 7SEEDS tease seems cruel, Sean! So much false hope! I weep.

SEAN: As tends to happen in Week Ones, Viz is most fascinating to me (well, that and Rose of Versailles). How about you?

Last Round Arthurs, Vol. 2: Saint Arthur and the Red Girl Knight

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By Taro Hitsuji and Kiyotaka Haimura. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Jan Cash.

I’m not sure why it took almost a year between the first and second volumes of this series to come out, but fortunately it doesn’t really matter much. Even if you’ve forgotten what happened in the first book, the protagonists quickly steamroller over your doubts and get around to what Last Round Arthurs wants to be: Fate/Stay Night with Haruhi Suzumiya as Saber. I know I said this last time, but it bears repeating: this series is so unoriginal that it beggars belief. In the first volume, the author basically admitted that he was asked to make a Fate ripoff, and getting the guy who does the art for Index and DanMachi Sword Oratoria to draw it just means that half the characters remind you of those two series. I joked on Twitter that it was the Black Clover of light novels, meaning that it is a series that will unashamedly steal any hot new trend, but somehow manages to work anyway. There’s nothing really annoying or boring about its unoriginality. It’s fun. Provided you can stand Luna.

On the cover are the newest competition in the battle to be King: Emma, a girl who has been brainwashed/tortured by a bunch of French religious folks to be the perfect candidate (with a little help from Rintarou, who had no idea what was actually going on but knew they were abusing a girl) for King, and Sir Lamorak, who may be one of the more obscure Knights to casual readers but is well known to Arthurian fans as one of the strongest knights of all. This being a Fate ripoff, she looks like a 10-year-old girl. Emma wants to be King for supposedly noble reasons; Lamorak is super strong and tough. What can stop them? Rintarou, who seems perfectly content to switch sides? Luna, who is busy buying a mansion with all their funds and continuing to insist that she wants to be King for the fame and the money? Certainly not Sir Kay, who had better be the final Last Boss of this series or I’m going to be cross. We’re in for an epic battle.

This volume has a bit of a point it’s trying to make, which is “you don’t have to do what your abusive family tells you to do if it doesn’t fit you, find another path”. Sadly, this ends up being “you are a weak little girl who is not fit to be king, perhaps an attempted rape and being made literally into a maid by the final pages will make things better”, which left a very bad taste in my mouth. Other than that, this book is Big Dumb Fun, much like its heroine. As with the first volume, Luna is obnoxious and awful until things get serious, and is shown once more to be a better king deep down, even if on the surface everything about her is terrible. She’s hardly the sort to be a tsundere, so we get two other options for that here with Felecia (the standard example) and our hero, Rintarou (the distaff example). And the action scenes, attempted rape aside, are very well handled.

So this won’t change your life or make you want to write fanfiction. But if you’re sad Fate/Zero’s novels aren’t licensed and want something with as much fun but 80% less tragedy, Last Round Arthurs is just the right sort of book. And I think the third volume is due out in the fall, so there will be less of a wait.

My Youth Romantic Comedy Is Wrong As I Expected, Vol. 6.5

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By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Gagaga Bunko. Released in North America by Yen On. Translated by Jennifer Ward.

The origins of this volume are rather tortured. Around the time that Season 1 of the anime was coming out, they had the author do an episode about the athletics festival, that was not in the novels. This was Episode 13 of Season 1. At the same time, he was asked to do exclusive stories for the BD/DVD releases, and decided to greatly expand this episode into one big novel (yes, despite the .5 in the title, this is NOT a short story volume). The story came out cut into thirds, one per release. It’s now being collected as this volume, which takes place between Vol. 6 and 7 (hence the numbering)… except for the bonus story, based on a CD drama, which takes place right after Volume 9. What does this all add up to? Well, a mixed bag, primarily because (as the author admits in the afterword) he really wanted to bring back a character that no one else really wanted back. (The anime was fine with having her disappear.)

No, I’m not talking about Kawasaki – she gets the cover, but is a minor presence in the book. The “star” of this book is Sagami, the sort-of villain from the 6th novel, who is still dealing with the fallout from the cultural festival. Miura is annoyed that Sagami’s drama is ruining the atmosphere of the classroom. Meanwhile, student council president Megumi wants someone (meaning our trio of heroes) to help her on the Athletic Festival Committee. Combining the two problems, they decide to have Sagami chair the committee, giving her a chance to get things right this time. Unfortunately, things do not go as well as hoped, this time due to two of Sagami’s friends, who are making it clear they are unhappy that the clubs are having to be part of this. Can Hachiman and company find a way to resolve this without sacrificing Sagami entirely? And can they find a way to make the athletics festival fun and interesting?

I’m gonna be honest here: a lot of this book is a retread of the sixth volume. This is deliberate, but that doesn’t mean I have to like it. Some might say that Oregairu is at its best when wallowing in teenagers being painfully abrasive at each other, and if so, they’ll love the first half of this book, which feels like fingernails on a blackboard. The payoff (Sagami finally doing her job and standing up against her friends) is not really worth the long painful slog we had to read to get there. Unsurprisingly, the best part of that section is the part that was animated – the festival itself. Fortunately, the adaptation of the CD drama works much better, and features Hachiman, Yukino and Yui at their closest. It’s a Christmas party that manages to be free of drama, and I will even forgive its heaping helping of “ha ha, our teacher is old and desperate” jokes because the ending was really sweet.

I guess I’m happy this is a .5 volume – if it had come right after Book 6 I might have thrown it against a wall. This series continues to have rewarding climaxes to excruciating journeys.

I’ve Been Killing Slimes for 300 Years and Maxed Out My Level, Vol. 7

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By Kisetsu Morita and Benio. Released in Japan as “Slime Taoshite 300 Nen, Shiranai Uchi ni Level MAX ni Nattemashita” by GA Novels. Released in North America by Yen On. Translated by Jasmine Bernhardt.

I’ve gradually gotten used to this being the isekai version of K-On! (the illustrations helping along, as they get more and more ‘moe’ with every volume), and this volume in particular reminds me that Azusa’s laid-back style works so well here because the entire world is laid-back. The idea of someone being killed off or an evil villain trying to take over the world feels so foreign to everything we’ve read here to date, and the result is that you have a reader who is completely relaxed in reading this book. There’s never any serious conflict, and that’s good! The characters are all various varieties of “cute girls doing cute things’, and that’s good too! There are no stories in this series that run longer than about a quarter of the book, so you don’t have to pay too much attention, and if a character returns, you’re helpfully reminded where they showed up before. On the downside, reading this may make you fall asleep.

Things that happen in this book: At Pecora’s birthday party, she changes Azusa into a fox girl, which ends up backfiring when Azusa starts beating up everyone in the demon kingdom in an effort to eat abura-age, which reminds you how Japanese this series is and also likely makes you turn to Google. Azusa and company then go to see one of the goddesses in this world speaking at what amounts to a business convention, and she is startled to find this is the goddess who first sent her to this world… who has since been demoted, as she refused to deal with anything but cute girls. There’s a battle to see who the next Dragon Lord is, which turns out to be a typical beauty contest. We get Around the World in 80 Days, Killing Slimes style, which is to say it’s pretty boring. And in the longest story in the book, the cast discover an ancient civilization, now inhabited by stuffy ghosts and a very unstuffy ruler who is annoyed no tsukkomis exist here.

This is fun and insubstantial as always. The ancient ghost queen is amusing as she talks in a broad accent, and also seems content to treat her temple like it’s a dungeon raid. Azusa is less grumpy than usual here, having fully accepted everyone’s eccentricities. That may, in fact, be the biggest negative in the book – everyone’s gotten too used to each other. No one fights anymore, no one gets upset. Conflicts are resolved almost immediately. It’s definitely a series that you should read after you’ve read a volume of something serious, bulky and filled with plot – it acts as a dessert or a palette cleanser. That said, this is absolutely the worst kind of series to marathon. If you read all seven books at once, you’ll give up. One book every few months is just the right pace.

High School Prodigies Have It Easy Even in Another World!, Vol. 1

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By Riku Misora and Sacraneco. Released in Japan as “Choujin Koukousei-tachi wa Isekai demo Yoyuu de Ikinuku you desu!” by GA Bunko. Released in North America by Yen On. Translated by Nathaniel Thrasher.

There are series where you want to concentrate hard on the worldbuilding, characterization, and moral quandaries. And then there are series that you want to read like popcorn, where you are not in the mood to think hard about anything. If you want one of the latter, then this new LN series is right up your alley. Thinking too hard about anything going on in this first volume, from its questionable “heroes” to its tendency, as with so many other light novels, to have its villains be the worst of the worst in so many ways, to its annoying White Man’s Burden viewpoint of isekai, you will probably end up finding this series quite annoying, especially as I don’t think it’s doing anything interesting with any of those issues. If you just sit back and enjoy the isekai candy and cool fights/schemes, then it’s a hell of a lot of fun. Check your brain at the door.

The gimmick here is that it’s an isekai times seven. Seven of Japan’s most powerful people, who are all teenagers and all friends, are swept away while on a plane trip to another world. We meet stereotypical samurai Aoi, morally terrifying doctor Keine, cowardly magician Prince, introverted inventor Ringo, arrogant businessman Masato, Prime Minister of Japan (in high school) Tsukasa, and “journalist” Shinobu, whose specialty is really being a ninja. Some of these are, obviously, more important than others in this first book, which focuses on Masato (in this volume) and Tsukasa (likely for all of them, he seems the “primary hero” sort). We also get Lyrule, who is the elf who is on the cover. She’s sweet, has a mysterious past, has a great figure, and she and Tsukasa bond almost immediately. In any case, this book focuses on them settling in with the village that rescued them and saving it from the local nobles, who are Very Bad Guys.

The author is also the writer of Chivalry of a Failed Knight, which is for magic academies what this is for overpowered isekai. Which is to say, the author wants to play in a fantasy world playground. There’s lots of ridiculous fun in this, from Ringo being able to build a nuclear power plant from scratch in about three months to Masato taking down the monopolistic trade company in the space of ONE DAY, to basically everything Shinobu says or does. (Who are secret ninja always named Shinobu?) We get a sense that each of the prodigies has their own tragic past – Tsukasa revealing his own father’s embezzlement leads to abandonment by his mother, and Masato’s father killed himself due to lack of money. I’m sure more will come in later volumes. And there’s also a lot of fun action sequences here as well, mostly due to Aoi, who is so terrifying bears run away from her, but also Tsukasa, who turns out to be well-protected against assassin’s bullets no matter what the world.

This series will, I anticipate, always be ethically suspect and have a tendency to fall apart if you look at it closely. But I had fun reading it, and will definitely get the 2nd book.

Manga the Week of 7/29/20

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SEAN: July is coming to an end, and there’s still a few things for you.

J-Novel Club has the 3rd Bibliophile Princess novel, Cooking with Wild Game 8, and a 4th manga for How a Realist Hero Rebuilt the Kingdom.

No debuts for Kodansha next week, and the only print book is Yuzu the Pet Vet 2.

ASH: The first volume looked cute, but I haven’t actually read it yet.

MICHELLE: Same. I do hope to rectify that soon.

SEAN: Hey, remember all those Kodansha digital books that were on last week’s Manga the Week of? They seem to have gotten bumped to next week, so add them to this list.

Wait, stop the presses! Kodansha is, in fact, releasing all 35 volumes of Shaman King – including the never-before-in-English ending – digitally. This is a Weekly Shonen Jump series from back in the day, with Kodansha now holding the rights. I assume it will have a new translation. It’s a cult classic.

ASH: Wow, that’s impressive!

SEAN: Besides that, digitally there’s a whole lot (note: this is based on the dates on Kodansha’s website). Altair: A Record of Battles 20, Boarding School Juliet 16 (a final volume), DAYS 19, Farewell My Dear Cramer 11, I Fell in Love After School 6, I Want to Hold Aono-kun So Badly I Could Die 6, Kakafukaka 10, Kiss Me at the Stroke of Midnight 11 (print later), Magus of the Library 4 (print later), Real Account 12-14 (print later), Saint Young Men 7, UQ Holder 20 (print later), Watari-kun’s ****** Is about to Collapse 8, When We Shout for Love 2, and Yuzu the Pet Vet 3 (print later).

(Yes, some of the digital titles like Boarding School Juliet and Saint Young Men are also getting print later, but here I mean “COVID-delayed print edition”.)

ASH: In general, I’ll be waiting for the print edition, even if I have to wait longer considering the circumstances.

MICHELLE: I’ll be reading several of these, most especially the soccer pair.

SEAN: Seven Seas’ debut is Kingdom of Z, a zombie apocalypse romantic comedy that looks to be for fans of High School of the Dead. It runs in Kodansha’s Comic Days.

Seven Seas also gives us BL Metamorphosis 2 (yay!), High Rise Invasion 13-14, King of Fighters: A New Beginning 3, Little Devils 4 (the final volume), Magic User: Reborn in Another World as a Max Level Wizard 2 (print version), Mushoku Tensei 6 (print edition), and My Room Is a Dungeon Rest Stop 3 (digital edition).

ASH: Even though this is only the second volume, BL Metamorphosis is already one of my favorite series being released right now.

MICHELLE: I never got around to reading volume one so this is another one where I’m hoping to get caught up by volume two.

MJ: I’ve been slow to pick up volume one, but I need to get on that!

SEAN: Tentai Books has a light novel debut, Welcome to the Diner of the Exiled! (Tsuihousha Shokudou e Youkoso!). Guy betrayed by everyone meets girl betrayed by everyone. Together, they do not fight crime. They open a diner. I smell a slow life title.

Vertical has, digitally, a 14th Witchcraft Works.

Finally, Yen On has Kingdom Hearts III: the Novel 2. Which hopefully is not as confusing as its title.

Short list, mostly because it was mostly two publishers. What interests you?

May These Leaden Battlegrounds Leave No Trace: Bullet Magic and Ghost Programs, Vol. 1

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By Kei Uekawa and TEDDY. Released in Japan as “Uchinukareta Senjou wa, Soko de Kieteiro” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Roman Lampert.

It’s hard not to think about 86 when reading this new Yen On series, and I do wonder if war-torn teens fighting hopeless battles and getting blown to bits’ is a new light novel trend like villainess otomes. That said, if it’s trying to be another 86 it’s not too bad, getting a majority of the parts right. The main plot itself runs on a plot device I personally dislike, and there some tonal dissonance about a third of the way through, but when the book is being serious it’s very good at ramping up the tension and showing us a young, driven man who wants to end war and the white-haired, mysterious girl who is here to help him do so – and also tease and mock him, because it’s still a light novel. We even have an unlucky childhood friend of sorts. And while it doesn’t hit on ‘war is hell’ quite as much as 86, certainly war is not portrayed in a positive light here at all.

We open with Rain, a military academy soldier who manages to escape certain death by way of mysterious silver bullets he finds on the ground. Indeed, this war is run on ‘magic bullets’, each of which have a different function. The bullets Rain finds, when they kill a person, erases them and everything they achieved from existence. Later he discovers the owner, a young girl named Air, who arrives at the Military Academy where he normally is when war is not omnipresent and proceeds to explain that she is a ghost that is being forced to return whenever war is at its worst. She wants to use Rain to stop this endless cycle. Unfortunately, his partner and not-quite-girlfriend Athly is not happy with this, and what’s more, just eliminating the right people from history does not always solve the problem.

Let’s start with the issues I had. First of all, the ‘if you kill the man who invented cars there won’t be cars’ rule of time travel is very, very dumb. To be fair, near the end of the book we see that her analogy is not all it’s cracked up to be, but it’s still bad. Secondly, the section of academy life about 1/3 of the way through the book, which is meant to be a light-hearted bit of breathing space in an otherwise grim book, feels like it belongs in a different novel entirely. That said, setting up Athly as the cute normal girl with a crush on our hero does end up paying off later on down the line. As for Rain and Air, I am hoping, based on plot spoilers that I won’t get into, that they avoid their own romantic relationship. Honestly, romance seems secondary here to warfare, and that’s fine.

To sum up: this is a decent, solid debut for those who like grim war stories and fantasy/magic-based soldiering. I’ll be getting the next book.

Bookshelf Briefs 7/21/20

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Glaeolia, Vol. 1 | Edited by Emuh Ruh and zhuchka | Glacier Bay Books – One of the newest and smallest publishers of manga in English translation is Glacier Bay Books. Glaeolia isn’t its first project, but the planned series is its most ambitious so far. As stated in the introduction, “this publication originates from a desire specifically to shine a light on the small press and indie manga scenes and the literary power that resides there.” The first volume succeeds magnificently in doing this by presenting twelve short manga with a wondrous range of artistic styles and expressive narrative techniques. It’s a fascinating, engaging, and arresting collection in which many of the creators are making their English-language debut. For anyone interested in contemporary independent and alternative manga, this series and Glacier Bay Books’ other publications are well-worth seeking out. As for me, I am eagerly anticipating the next installment of Glaeolia, whenever it may be released; the first volume was remarkable. – Ash Brown

A Man and His Cat, Vol. 2 | By Umi Sakurai | Square Enix – “All the feels” may be the most overused phrase in the English language right now, but I can’t think of a more succinct way to explain A Man and His Cat‘s appeal: it will make you smile, laugh, and cry big, ugly tears, mostly because the title characters have sad backstories. Volume two delves a little deeper in Kanda’s marriage (he’s a widower) and childhood (it was unhappy), helping us understand why he’s developed such a strong attachment to Fukumaru. Interspersed with these sniffle-inducing vignettes are jokes about hairballs and cat paraphernalia, as well as a few flashbacks to Fukumaru’s kittenhood. The tonal shifts are jarring and the artwork somewhat crude—Fukumaru looks more like a bowling ball than a cat—but Umi Sakurai still manages to convey the warmth of Kanda and Fukumaru’s interactions with a direct simplicity that’s hard to resist. -Katherine Dacey

The Misfit of Demon King Academy: History’s Strongest Demon King Reincarnates and Goes to School with His Descendants, Vol. 1 | By Shu and Kayaharuka | Square Enix Books – I hadn’t even realized the anime had debuted when I was reading this first volume of the manga, and so found I was echoing folks’ concerns about the title as they watched it: this book is all about the overpowered protagonist, and is not only proud of that it’s smug about it. Our hero is reincarnated and grows to adulthood in a month because he wants to, goes to magical academy, passes the test by literally killing and resurrecting a man over and over again, and immediately makes a fast friend of the school’s Rei Ayanami clone, whose dark past we will no doubt get into in book two. The parents are very silly, and I liked them, but honestly, this is only if you like ludicrous heroes. – Sean Gaffney

The Quintessential Quintuplets, Vol. 11 | By Negi Haruba | Kodansha Comics (digital only) – This is a volume of two halves. The first half finally gives us the backstory of the quintuplets, and shows us that it was Yotsuba who met Futaro… mostly. And seeing that her relationship with him can easily be faked by one of the others, decides to make herself different. Sadly, her overconfidence regarding academics destroys her self-worth, which explains why she spends so much time helping anyone but herself. The other half of the book has Itsuki, oddly enough, still being the only quint not in love with Futaro (oddly as she was first girl) and Ichika making a career-based decision to leave school, though she is at least convinced to make it a leave of absence. Still fantastic. – Sean Gaffney

The Quintessential Quintuplets, Vol. 12 | By Negi Haruba | Kodansha Comics (digital only) – It’s School Festival time! Futaro and Yotsuba are overworked, the class is having a rivalry between pancakes and takoyaki, and Itsuki’s college prep is… not going so hot. Miku isn’t doing college at all; she wants to go to culinary school, which ends up being fine with Futaro. Most importantly, Futaro admits he loves all the quints… but knows that’s not the answer they want. He asks them to each get a focus arc till he can decide. Thus we get each of the sisters getting a “what we did at the festival” arc, which features two sisters in this volume, and no doubt has the other three next time. We also get kisses. That said, it’s still up in the air, as Futaro doesn’t think he’s going to choose ANYBODY. That never works in harem manga, guy. – Sean Gaffney

The Quintessential Quintuplets, Vol. 13 | By Negi Haruba | Kodansha Comics (digital only) – The majority of this volume is the other three quintuplets having their arcs. Miku’s arc involves her gaining courage and self-confidence, never a good sign when you’re in a harem manga. Yotsuba’s involves her literally collapsing from overwork and having to take the last day off (to apologize to everyone for collapsing), and learning to stop blaming herself, which goes… sort of well-ish. Itsuki has the best arc, confronted with her real father, who immediately tries to control her life and gets obliterated by nearly the entire cast in epic fashion. That said, I wouldn’t blame anyone for only thinking of the last 20 or so pages, when Futaro makes his decision on who he wants to spend his life with, and the fandom, no doubt, goes berserk. – Sean Gaffney

Ran and the Gray World, Vol. 7 | By Aki Irie | VIZ Media – I didn’t anticipate that I’d be reading Ran and the Gray World in its entirety, but here we are. The battle against the bugs concluded in volume six, and taken solely on its own merits, volume seven is a pleasant denouement. Ran finally wakes up and her sorrow over Otaro’s fate makes the whole town cry. From there, time accelerates as we see her beginning to mature for real, becoming more conscientious and eventually leaving home to work on her magic. By the end of the volume, it’s years later and Ran purposefully refrains from telling her nephew about the magic shoes that could turn him into an adult before he’s ready for it. I like this growth in her (and her age-appropriate romance with Hibi) but it’s impossible to forget the problematic Otaro stuff that led to it. Still, I would read more by Irie in the future. – Michelle Smith

Tearmoon Empire, Vol. 2

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By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America digitally by J-Novel Club. Translated by David Teng.

A majority of the fun in Tearmoon Empire 1 was the dissonance between Mia’s actions, Mia’s reasons for those actions, and the narrator caustically calling her out for the reasons for those actions. That’s still very much present in the second volume – in fact, if anything the narrator’s malice is even more prominent. But something strange happened, because suddenly I ended up being less interested in Mia’s headspace and the silly misconceptions of the people around her and more interested in the world that’s been created here and what’s going on with it. And with good reason, too: here we find that Mia may have jumped back in time to try to make it so she isn’t executed, but that doesn’t mean that the forces behind the scenes are not still gunning for her, or that they don’t still need revolution to happen. Mia, after all, was not the Big Bad in the old world, just a selfish Royal. So can she not only save herself, but the future of multiple countries?

Mia has a lot to do here. It may be summer vacation, but she has to stop arrogant counts from destroying the forest of the tribe that ends up fighting against her in the future; deal with the man who personally executed her; and worst of all, her not-quite-boyfriend Abel’s country is undergoing a very familiar revolution. Fortunately, she still has the magic ability to have her every word and deed misunderstood in the best possible way, and it’s still just as funny. That said, as with the first book, sometimes the misunderstandings have a serious core, as we see her avert a genocide and, yes, stop a revolution, but also force the future rulers of these kingdoms to change the way that they think, and not be so quick to turn to execution and unforgivable actions. That said, don’t worry, the narrator is here to remind us that Mia is shallow and only thinks of herself.

(My pet theory is that these are books commissioned by a future Mia to counteract the slavish hagiographies that are being written about her.)

The narrator, as ever, is sometimes correct but also sometimes full of it, and even they have to occasionally stop and say “OK, Mia was being genuinely good here”. (For a great analysis of the narrator in this book, see this Beneath the Tangles article.) Actually, my favorite scene in the entire book shows us the bad future that Mia originally came from, where a desperate Ludwig is trying in vain to stop her execution, and he points out that Mia, once actually taken in hand and shown she’s being vain or arrogant, is taking pains to actually learn from her mistakes. (It also contrasts with King Sion, who in this bad future did not have Mia’s words to misunderstand and take as well-meant advice.) That said, as I indicated, the plot is the best part herre, with a lot of tension, some good action scenes, and a terrific denouement where Mia takes out the villain as only Mia can.

As with My Next Life As a Villainess, this book feels complete at two volumes, with the main future having definitely been changed and everyone being quite happy. Also as with My Next Life As a Villainess, there’s more books to come, and next volume may see Mia having to face an even more startling future. Till then, this remains an absolutely terrific series. The author recommends in the afterword it be used for book reports. Sounds good to me.

The Genius Prince’s Guide to Raising a Nation Out of Debt (Hey, How About Treason?), Vol. 3

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By Toru Taba and Falmaro. Released in Japan as “Tensai Ouji no Akaji Kokka Saisei Jutsu ~Sou da, Baikoku Shiyou~” by GA Bunko. Released in North America by Yen On. Translated by Jessica Lange.

Calling your main character a “genius prince” can be a bit of a two-edged sword, as you need to have him continuing to be reasonable clever while not killing the audience’s disbelief. So far these books do a good job in holding to that balance. Sometime it leans straight up in Wein’s direction, such as when he describes having a book ghostwritten that will give bad advice to nobility and make it easier for him to eventually take them down. And sometimes it has Wein straight up flummoxed or panicking, which is just plain fun (as the illustrator of the book will tell you). And then there are the moment when you realize that Wein has a steel core that lives for one person alone, and threatening that person can cause things to get very dark very fast. All this comes together in this book, where Wein has to deal with possibly becoming one of a group of noble elites… all of whom seem to be extremely broken.

Wein and Ninym (who are on the cover again – these covers are very Strike the Blood in their choice of subjects) have just returned from touring the country in the middle of winter, but have to head right back out again when Win is invited to the country of Vavarin for a conference and also a religious festival. It smells like a trap. It is a trap, but that’s not going to stop Wein. That said, he also has to deal with the Remnant Army, the remains of Marden, which was torn apart in a previous book. After getting separated from his guard by bandits, he ends up taking in a representative from the army, Zeno, who is a) a girl dressed as a boy, and b) probably even more than that. (It’s not much of a surprise, trust me.) Zeno is filled with thoughts of revenge, but is also fascinated by Wein, who is doing his best to keep several balls in the air… and then trying to move as quickly as he can when all the balls drop.

There is one really terrific scene in this book, which I will try not to spoil much but involves a murder. These books can get a bit too intellectual for their own good at times, so it is good to remind us that Wein is a royal prince who can get away with a lot of things that other people cannot. It also reminds us that insulting Ninym is bad enough, but threatening to kill her means your life is forfeit. Speaking of Ninym, I wish she had more to do in these books – she gets some good scenes, but this is a series about Wein first and foremost. I wish there could be more balance in their relationship which is imbalanced by definition. I also enjoyed the rebellion by home by the traitorous general, which again did not surprise me in its twists and turns but was very satisfying narratively. As was the twist ending, showing how much Zeno really learned from Wein.

These are great books, especially if you like political intrigue. I’m anxious to read the next one.

Umineko: When They Cry, Vol. 21

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Story by Ryukishi07; Art by Kei Natsumi. Released in Japan in three separate volumes as “Umineko no Naku Koro ni: Twilight of the Golden Witch” by Square Enix, serialized in the magazine Gangan Joker. Released in North America by Yen Press. Translated by Stephen Paul.

This is the final volume of Umineko: When They Cry, unless Yen licenses Tsubasa, which I suspect is about as likely as Hinamizawa Bus Stop. It’s a very good climax, essentially divided into two parts. the first is the “action finale”, showing off Ange and Battler doing battle with Erika and Bernkastel, with everyone getting a chance to kick some ass (even Krauss, in one of the funnier bits) and with Lambdadelta going above and beyond the call of duty, essentially sacrificing herself to save the siblings. Now, given we’re in the meta world, sacrificing yourself is not as permanent as it sounds, but it’s still quite heartfelt. From the sdtart, Lambda has been more interested in fun than Bernkastel, who just wants pain and suffering. (Of course, if the pain and suffering was fun, Lambda was all in.) We see another Higurashi flashback that reminds you of Lambda’s origins as Miyo Takano, though honestly there’s a lot of Satoko in her as well.

(It’s also my last chance to complain about Squeenix insisting on using “the first cover” every single omnibus, as it means we don’t get the awesome BeaBato final cover on the outside.)

The second half of the book is the aftermath, which faces up to the fact that most of the cast is dead, and that if Ange wants to have a future she’s going to have to “die” as well. Fortunately, if there’s one thing we’ve learned from Ryukishi07 it’s how words can be manipulated to mean multiple things. Ange erases her identity and lives on as a famous children’s author, who writes books essentially starring Maria and Sakutarou. (Well, mostly. This was based on a game, as you know, and the manga did include the game’s “bad end”, where Ange decides magic is a lie and kills everyone around her, earning praise from Erika. I appreciate the need for completeness, but it feels really out of place in the manga itself.) As a Higurashi fan, I must admit it’s very odd to see a nice, friendly Okonogi here. But then again he’s getting everything he wants. Certainly I’m sure he prefers dealing with Ange to dealing with Takano.

The other reveal is what we’d seen hints of this entire arc: Battler survived the tragedy as well. Well… sort of. One one last twist that combines the real life and the meta world, Touya (his new name) has a sort of amnesia – he recalls Battler’s life but doesn’t think of it as his own memories. This is why Ikuko’s books were so accurate. After a number of years (both are in middle age), Ange is finally invited to meet Touya and get the explanation, and Battler’s spirit is able to find peace (and separate itself from Touya). That said, the REAL ending of the book feels like the one with Battler and Beatrice, showing what really happened as they escape the mansion’s tragedy. Unfortunately, as we already know, this ends badly, as Beatrice/Sayo still can’t imagine Battler accepting her body and can’t forgive herself for coming up with a mass murder plan, even if she wasn’t the one doing the murders. It a gorgously bittersweet tragedy, that ends happily only provided you believe in magic.

So I think in the end Uminako manga readers will be very happy with this. Umineko visual novel fans may be slightly less happy, but this ended up being a story that needed to be told more tha a mystery that needed to be solved. Don’t be a goat. Enjoy Umineko.

The World’s Strongest Rearguard: Labyrinth Country’s Novice Seeker, Vol. 3

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By Tôwa and Huuka Kazabana. Released in Japan as “Sekai Saikyou no Kouei: Meikyuukoku no Shinjin Tansakusha” by Kadokawa Books. Released in North America by Yen On. Translated by Jordan Taylor.

Tempting as it might be to simply cut and paste my review of the second volume here, I will try to find new words to say about this series. For one thing, I think I’m going to have to come to terms with the fact that I enjoy it quite a bit, and not just because I’m hate-reading it. It’s still not a good series objectively, but subjectively it’s fine. It reminds me quite a bit of In Another World with My Smartphone, but so far has avoided all the traps that that work fell into, such as making its hero something of a relaxed sociopath. Arihito continues to attract women, and continues to be relatively oblivious to their overtures towards him. It’s a relatively huge light novel which takes place over a mere day and a half, and there’s still stats galore, including picking out new bonuses, etc. It should be dull as dirt and mildly offensive. Instead… it’s peaceful.

Arihito’s party (still unnamed, which is brought up but not dealt with here) arrive on Level 7, which has a lot more people on it but also a lot more people who have essentially stopped trying – it’s hard to go from 7 to 6. Well, hard unless you’re our heroes, who over the course of this book defeat two of the three named monsters you need to move up. They soon team up with a four-woman group called the Four Seasons (a name pun) who they saw being harassed/blackmailed by a group that are being set up to be antagonists but in this book are mostly just foreshadowing. The two parties team up and fight off giant moles and insects, then go to the next dungeon level and battle killer sheep. Once again, everyone does amazing things, and once again, everyone feels as if they need to “be the one protecting” everyone else. All this, plus a nice Chinese dinner and a bath/massage.

Reading this series is sort of like reading a game of Jenga, because it would take only one wrong move for the whole thing to come tumbling down. Arihito has to remain self-deprecating and mild-mannered because the alternative is a leering guy banging his (by the end of this book) eleven women who have fallen for him. Likewise, they’re all perfectly content to simply make the occasional overture (that he doesn’t get) and have a few bouts of self-hatred themselves. The battles are very well-written, to the point where I don’t even mind the inserted stats, which says a lot. I will admit that, in a book trying to remain so emotionally placid, sometimes it aims for a tearjerker and doesn’t quite get it – the scene with the demihuman and his late fiancee was not quite as sad as the author meant it to be. But for the most part, there aren’t really any sharp edges in this. It’s an isekai that a salaryman can happily read on the train home.

As noted, this volume does introduce a few plot points that are then left dangling – I expect the next book will take care of that. At least they didn’t move to Level 6 already. Still, this remains a book that’s easy to read.