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Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town, Vol. 6

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By Toshio Satou and Nao Watanuki. Released in Japan as “Tatoeba Last Dungeon Mae no Mura no Shonen ga Joban no Machi de Kurasu Youna Monogatari” by GA Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

The previous volume showed us that there really is a long-running plot arc to this book, and gave us hints that it might actually be headed in that direction. The trouble is that even the people who are trying to manipulate the plot the way they want are big goofy flakes. Our two villains are mostly big Lloyd stans, especially in this book, where you get the sense that they came up with the entire plot not to force Lloyd into his hero role but to get Lloyd’s autograph. As for Alka, we do here a BIT more about her past here, but again it takes a back seat to shanigans… as does Alka, who is thankfully absent for most of this book, though I give her credit for showing up at the end and getting the best part of the book to herself. As for the main cast… there’s here to make movies.

Despite the fact that normally technology would not be nearly advanced enough to do this, there is a burgeoning film industry in the next country over. Sending the army to investigate by disguising them as extras and crew, Lloyd is also looking a bit older. After several comments on his cuteness have him depressed about his manly status, Alka gives him a rune that makes him look in his mid-20s… and SMOKING HOT, to the pleasure of everyone in the room. As for the movie itself, the director is the King, who has a few secrets, and the lead actor… has quite a few more. Then there’s the fact that the lead actress seems very familiar to some of the cast, and also the assassin who seems to want to kill Lloyd, though clearly against her will. Can all this converge and make sense?

Well, yes, it can. It makes sense in a wacky comedy plot sense, but it all does come together. The best thing about Last Dungeon Kid is it will not ever back down from being silly. Even titles like Bakarina have the occasional dramatic moment slipped into the book to make the reader tear up, but this book subverts al that with the finest comedy timing. Fortunately, the comedy is pretty good. Alka and Maria are absent most of the book, so there’s less humiliating fanservice this time around, and Selen is honestly behaving herself as much as she ever will. The exception to this is Micona, who I almost wish was still possessed by evil, as her one-note attacks on anyone who gets near Maria are the most tiresome part of the book. I did also enjoy the serious subplot in the book all the way through, including when it had its seriousness yanked out from under it and mocked.

At the start of the book we also met a lot of kings and nation leaders, and next time around we’ll see mo0re of them. For the moment, though, this is quite good comedy, especially if you don’t expect anything more from it, like romantic resolution. That’s not happening.

ROLL OVER AND DIE: I Will Fight for an Ordinary Life with My Love and Cursed Sword!, Vol. 4

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By kiki and kinta. Released in Japan as “Omae Gotoki ga Maou ni Kateru to Omou na to Gachizei ni Yuusha Party wo Tsuihou Sareta node, Outo de Kimama ni Kurashitai” by GC Novels. Released in North America by Seven Seas. Translated by Jason Muell. Adapted by Brock Wassman.

So I am putting a content warning before this review, something I rarely do. This review will be talking about the plot of the 4th Roll Over and Die novel, and will be describing scenes of graphic horror involving children and infants. If this will upset you, I definitely recommend skipping the review, and the book.

You know, I’m beginning to get the sense that the cute relationship between Flum and Milkit is not really a priority in the mind of the author. Oh, don’t get me wrong, there’s a few cute scenes here. The two emotionally stunted young women are clearly in love with each other but lack the vocabulary or experience to do anything about it. We get a kiss on the cheek. Milkit gets a bit jealous. But really, if you want cute yuri there are so many other books you could read that are not this one. This book is here for one thing and only one thing: detailed descriptions of graphic horror. If you know what an Italian giallo film is, or enjoy the works of Herschell Gordon Lewis, this gore-spattered action novel might be for you. For the rest of us, it is a very long slog through endless pages of mutilated corpses, body possession, and towards the climax of the book infants literally rain from the sky and have to be butchered. It’s a lot.

The majority of this book deals with the rest of Mother’s second-generation children. Ink, the first-generation, is happy with Eterna (and, let’s face it, despite the age difference their relationship is clearly swinging romantic as well). Nekt, the child from the previous book, is dealing with her heel-face turn, and trying to get the other children in her group to join her in becoming human. Unfortunately, they’re far too tied to Mother, and would much rather perform this world’s version of “suicide by cop”, i.e. killing as many innocent people as they can before getting killed. Also unfortunately, the person who might be able to help them turn human also seems to be secretly evil. Honestly, everyone’s a little secretly evil in this book, except our main cast. Can Flum manage to save anyone? Or will the children have to be put out of their misery?

This book is not without its merits. As always, the author can write an excellent fight scene, and is very good at painting a picture of exactly what’s happening, for good and ill. The Hero’s Party (minus Jean, still deliberately left out of the plot except for one scene) are reunited, and falling over themselves to apologize to Flum, who is far more gracious about it than they perhaps deserve. There is an interesting revelation in this volume that suggests that, far from being a generic fantasy world, this world is closer to home than expected. Unfortunately,. I couldn’t enjoy any of this because I was drowning in blood and gore. Men die, women die, children die, babies die. Babies especially die, as Mother’s final battle tactic is to create babies that attack and try to possess our heroes, and have to be killed. They are butchered, hurled against walls, and blown up by magic. And by the end of the book I found it hard to really care about anyone.

There may be more in this series to come – this is the last book in Japan, and it came out 18 months ago, but there’s still lots of content from the webnovel left to go. But I think I’m done here. I prefer my yuri to not be drenched in so much blood that I can’t see the romance.

Neon Genesis Evangelion: Anima, Vol. 5

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By Ikuto Yamashita. Released in Japan as “Shin Seiki Evangelion Anima” by Kadokawa Shoten, serialized in the magazine Dengeki Hobby. Released in North America by Seven Seas. Translated by Michael Rachmat. Adapted by Peter Adrian Behravesh.

And so the light novel series that was written for a magazine dedicated to the selling of plastic models and toys ends the only way that it honestly could: with 250 more pages that show off just how great these Eva battles would look if you put the models together. If you love looking at Evas and imagining them fighting each other, it’s a terrific book. If you do not – and I am counting myself here – it’s a letdown. My expectations were not all that high… indeed, they mostly just involved hoping that we were done with thousands of people turning to salt. (I was wrong, alas.) And there are actual plot and character moments here. But the character moments aren’t enough, the plot is sometimes bad, and the ending merely stops, when it cries out for an epilogue of some sort. Sorry, kids, who knows what happens next, but it will be in a world where giant robots don’t fight, so who cares?

We pick up right where we left off, as everyone’s trying to figure out a way to save the day despite Shinji having .83 seconds to go till Third Impact. Mari is desperately searching for a pack of SOME sort, even if it’s not her original, and does not really give two figs about anyone else. Hikari is possessed by evil. Kaji, also possessed by evil, is being smug in Misato’s direction. The Reis are finally sharing minds again, but that may not be a good thing. The only sensible ones seem to be Asuka and Toji, and unfortunately both of them lose their sense of self as the book goes on. How many apocalypses can Earth go through before it finally gives up the ghost? Can Shinji stop it all? And will we get the weirdest Biblical imagery ever?

The best parts of the book were when it was so over the top I had to laugh out loud. Kensuke and (a now unposessed) Hikari manage to survive certain death by hiding under the Shroud of Turin, a line tossed off so casually it’s brilliant. The way that Shinji, now dead, ends up coming back is so grotesque and awful that my jaw dropped, and to be fair Asuka thinks the exact same thing I did: ew. At the same time, the reappearance of some seemingly dead characters right at the end, and reaction to same, falls absolutely flat, mostly as everything is too chaotic to stay on them for even a moment. Likewise, two characters no longer being evil is barely even given weight because, as I said, apocalypse uber alles. The book keeps such a frenetic pace throughout that you can’t enjoy anything, and then when armageddon is finally avoided (somewhat), it simply stops. The end.

That said, I hear the movies weren’t really satisfying to some viewers either, and the manga (probably my favorite version) also had its issues. Evangelion may simply be too messy a story to have a decent ending for. And these books did have some pretty cool fights. If you want another version of what happens, and aren’t really invested in any one character, this is a series to read. Sadly, my overall reaction to the series ends up being a shrug.

My Next Life As a Villainess: All Routes Lead to Doom!, Vol. 9

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By Satoru Yamaguchi and Nami Hidaka. Released in Japan as “Otome Game no Hametsu Flag Shika Nai Akuyaku Reijou ni Tensei Shite Shimatta…” by Ichijinsha Bunko Iris. Released in North America by J-Novel Club. Translated by Marco Godano.

This was a strong volume of Bakarina, despite doing absolutely nothing that I thought it would do. I thought it would be action-filled, instead it’s merely the last quarter or so. I thought it would be more serious, but it’s no more serious than any other volume of the series. But that’s a good thing, as really, who wants to see these characters suffer? Unless they’re suffering because the woman they love is as dense as lead, in which case, yes please. The book also benefits from most of the cast being absent – Katarina is on a secret mission in another part of the country, and so for the most part it’s just her, Maria and Sora. Which is bad news for fans of the other love interests, but very good news for those who love KataMari or KataSora, as both of those pairings get some good attention. As for the actual plot, it goes pretty much as you’d expect, with Katarina walking into the solution.

Katarina, along with Larna, Maria and Sora, are following up on the “kidnapped citizens” plot from last time, heading to the tow “Ocean Harbor” to try to get to the bottom of things. (I love that the name of the town sounds exactly like what you’d name a plot-point town in an otome game.) They end up at a restaurant owned by Larna’s friend… well, frenemy Regina, who uses the restaurant as a front for ferreting out stuff for the Ministry. However, since they have Maria (who can cook) and Katarina (who is not only an excellent waitress but also knows how to market), they can now run it like an actual restaurant, and maybe turn a profit! Was there something else? Oh right, the kids being kidnapped, along with the noble girl. But that’s OK, I’m sure there can be someone for Katarina to befriend who will lead them to the bad guys.

Probably my favorite thing about this book was seeing Katarina as a waitress. Everyone is blown out of the water by how good she is at it, because she’s supposedly the daughter of a duke, but honestly I was surprised as well, as even though we know she has her past life from Japan and probably part-timed as a waitress before, the temptation would be to make her bad at the job for a laugh. Instead, she turns out to be fantastic at the job for a great character moment. I also really enjoyed Katarina’s “dates” with Maria and Sora, which are basically catnip to us readers, and also features Maria once again literally confessing to Katarina and having her say “You lost me” in the best Shirou tradition. Props to Sora, too, for realizing that, rather than Keith or himself, Jeord’s biggest competition in the Katarina Sweepstakes is Maria. As for the plot itself, it proved to be resolved fairly easily, but we got to see Katarina in peril, Katarina biting someone to try to get herself out of peril, Maria being a light magic badass, and so all is well.

It’s still pretty clear that someone is trying to destabilize the countries in some way, and while the reader likely knows who’s behind it, the characters do not as of yet, so expect more investigation in the next book. Till then, enjoy Katarina Claes, waitress extraordinaire!

Manga the Week of 7/14/21

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SEAN: Now that July 4th has come and gone and terrified all our dogs, what manga do we have to soothe us?

MICHELLE: My big tabby is also not a fan.

MJ: My cats are fine, but I’m traumatized.

SEAN: Airship, in print, has Hello World, a sci-fi one shot with a “fix your past to stop a tragic death” plot. Given Seven Seas also published orange, there’s a lot of this going around.

ASH: I did like orange, so I’m far from opposed to this particular premise.

ANNA: Somewhere I have the first volume of orange, unread.

SEAN: Also in print, Airship has Berserk of Gluttony 3.

Digitally, we get the 12th volume of Mushoku Tensei: Jobless Reincarnation.

Denpa lists a debut on its website for next week: Lil’ Leo (Reo-kun). This one-shot cat manga is by Moto Hagio, famous for They Were Eleven, The Poe Clan, Otherworld Barbara, etc. This is about a cat who decides to go to school one day like the neighbor kid, then subsequently finds there’s nothing he can’t do. It ran in Flowers.

MICHELLE: Oooh.

ASH: I’m really looking forward to this one.

ANNA: Cool.

MJ: Moto Hagio and cats. What’s not to love?

SEAN: It’s a quiet week for J-Novel Club, as we have only Black Summoner 5 and Seirei Gensouki: Spirit Chronicles 15.

In print, Kodansha has Cardcaptor Sakura: Clear Card 9, Heaven’s Design Team 5, Toppu GP 5, and Yuri Is My Job! 7.

The digital debut is In the Clear Moonlit Dusk (Uruwashi no Yoi no Tsuki), a Dessert series from the creator of Daytime Shooting Star. The cover reminds me a bit of I Hate You More than Anyone!, and is about a “school prince” – female – meeting the other “school prince” – male.

MICHELLE: Looks fun!

ASH: It really could be!

ANNA: I really liked Daytime Shooting Star. so I’m curious about this.

MJ: Interested…

SEAN: We also get Ace of the Diamond 33, ASHIDAKA – The Iron Hero 3, Cells at Work: Baby! 3, The Dawn of the Witch 3, Giant Killing 24, Police in a Pod 2, Shaman King: Marcos 2, The Springtime of My Life Began with You 3, Tokyo Revengers 21, and the 6th and final volume of Vampire Dormitory.

MICHELLE: I really have to get caught up on Ace of the Diamond and Giant Killing. I like both a lot.

SEAN: Two debuts for Seven Seas. The Invincible Shovel (Scoop Musou: “Scoop Hadouhou!” (｀・ω・´)♂〓〓〓〓★(゜Д゜ ;;) .:∴DOGOoo) is the manga adaptation of the comedy light novel, and features shovels. So many shovels.

ASH: That title is kind of amazing.

ANNA: I don’t know what to think about anything anymore.

SEAN: The other is Mars Red, a manga from Comic Garden that had an anime recently, about a young reporter who meets a friend of hers who a) died years ago, and b) is now part of a vampire A-Team.

Also from Seven Seas: Gal Gohan 8 and The Hidden Dungeon Only I Can Enter 3.

Square Enix has a 4th volume of Soul Eater: The Perfect Edition.

SuBLime has a debut. Bad Boys, Happy Home (Dousei Yankee Akamatsu Seven) ran in Akita Shoten’s Kachi Comi, and features a high school punk who regularly picks fights with a homeless man… then, when the homeless man is kicked from where he normally sleeps, the punk offers up his own home!

ASH: I’ll admit, I’m curious.

SEAN: Viz Media gives us, at long last, the final 40th volume of RIN-NE. I admit I long since stopped reading this, but I hope everything works out for the dumb guy and the somewhat stoic girl who (presumably) loves him.

MICHELLE: I didn’t hate RIN-NE, but it’s true that nothing of consequence ever seems to happen.

SEAN: Viz also has Case Closed 79, Fly Me to the Moon 6, and Splatoon: Squid Kids Comedy Show 4.

Yen On has Goblin Slayer Side Story II: Dai Katana 2. They’ve also got a paperback reissue of The Miracles of the Namiya General Store.

ASH: I’m still happy that The Miracles of the Namiya General Store was translated.

SEAN: Yen Press debuts The Maid I Hired Recently Is Mysterious (Saikin Yatotta Maid ga Ayashii), a Gangan Joker title about a maid that teases the young boy who is her charge. Gonna be honest, this is by the author of Breasts Are My Favorite Things in the World!, and I hated that, so…

MJ: Yen Press staying on brand, I see.

SEAN: Also from Yen Press next week: Bungo Stray Dogs 19, Days on Fes 2, The Hero Is Overpowered But Overly Cautious 3, Horimiya 15, In Another World with My Smartphone 2, Interspecies Reviewers 5, Love and Heart 2, No Matter How I Look at It, It’s You Guys’ Fault I’m Not Popular! 18, Slasher Maidens 3, A Terrified Teacher at Ghoul School 10, To Save the World, Can You Wake Up the Morning After with a Demi-Human? 3, and The Vampire and His Pleasant Companions 3.

What manga makes you calm and tranquil?

Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 4: Founder of the Royal Academy’s So-Called Library Committee, Vol. 1

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By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America digitally by J-Novel Club. Translated by quof.

It’s two years later, and we’re starting a new arc in Ascendance of a Bookworm. The longest one yet, this arc is 9 books long. After Rozemyne wakes up and comes to terms with life moving on without her, she barely has any time to get her footing before she’s supposed to start going to the Royal Academy as a first-year student. Good news: The Academy has a pretty large library, with actual books. Bad news: she can’t go there till she passes all her written and practical starter exams, and thanks to an unthinking Wilfried, everyone else also has to do this. There’s also the usual class struggles, not helped by the fact that she STILL looks seven years old. Still, she’s been thoroughly prepared by Ferdinand for this sort of thing, the people who tried to kill her have gone back into hiding, and she’s making new friends. How hard can a magical academy be?

There’s a lot of new people in this book, many of whom e will probably have to remember – there’s a reason why the best Bookworm fans are the ones with the colored spreadsheets. The most important so far seem to be Hirschur, an eccentric teacher who was fairly hands off with students… till she meets Rozemyne and realizes she’s Ferdinand 2; Solange, the Academy’s librarian who takes a shine to Rozemyne right away when she accidentally activates two dormant magical tools designed to help run the library (those would be the rabbits you see on the cover); and Hartmutt, a new attendant of Rozemyne’s who seems to think she’s the second coming of Jesus Christ. Can’t imagine where he got that idea, given that she’s resurrecting long-dead magical rabbits, plowing through the coursework in record-breaking time, and completely upending the Academy’s music department.

It can be a bit frustrating for the reader to see that Rozemyne is not only still in a short seven-year-old body, but also still tends to get exhausted easily – though not nearly as much as before. It can also be a bit frustrating for her, as she’s not taken very seriously by the nobles that are above her in status – some are ignoring her so they can get closer to Wilfried, some see her as an eccentric wind-up toy, and some seem to only want her for her mana compression teachings. Fortunately, she does have quite a few allies – Wilfried has matured since she was asleep, as has Charlotte (who is now taller than she is, to Rozemyne’s horror) and her attendants are mostly on her side, and also a bit eccentric. Though for eccentricity it’s still hard to pass Angelica, who remains Bookworm’s favorite rock-stupid knight.

Despite Sylvester’s growing horror as he hears of just what Rozemyne has gotten up to in the first few weeks of her classes, this is still mostly setup – we haven’t really had any serious threats or plot shakers yet, although Detlinde might prove to be one. Rozemyne’s biggest enemy right now might be herself, as her lack of court manners leads her down dangerous roads, such as forgetting that she promised to meet after school with the PRINCE. Still, I’m sure she’ll get through it. In the meantime, welcome to a new arc of one of the best novels currently being translated.

Bookshelf Briefs 7/5/21

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Boys Run the Riot, Vol. 1 | By Keito Gaku | Kodansha Comics – This was well-acclaimed when it was first licensed, and it’s not hard to see why. It’s a great look at transgender and genderqueer characters, showing both the difficulties and triumphs that they experience. The art is also terrific, popping off the page, particularly in the art that Ryo creates. I also enjoyed how Ryo and Jin became fast friends, and despite a few misunderstandings (mostly as their classmates see them in a different way) stay that way, especially as they’re both outsiders in a way. Oh yes, and the title itself, as well as its derivation towards the end of this volume, is brilliant in its layered meanings. I absolutely can’t wait to see what happens next, and hope that the fashion they’ve designed takes off. – Sean Gaffney

Kageki Shojo!! The Curtain Rises | By Kumiko Saiki | Seven Seas – I had read this when it first came out last year, but forgot to review it. Which is dumb, as it’s fantastic, and also it has not only an anime that debuted last week, but also a manga “sequel” that starts this week. The story of an all-girls school aiming to be the top stars in their not-Takarazuka-because-of-legal-reasons troupe, we meet Ai, a girl with a troubled and abusive past who is small and doesn’t trust easily, as well as Sarasa, a girl who also has a troubled past (that we don’t see as much of in this omnibus) but who is very tall and trusts very easily. Yes, it’s shiny peppy girl meets dark grumpy girl, and we all love that type of relationship to bits. The supporting cast are also very good, and this volume ends openly, which is good, as the story continues. – Sean Gaffney

Let’s Not Talk Anymore | By Weng Pixin | Drawn & Quarterly – Having enjoyed Weng Pixin’s collection Sweet Time, I was happy to discover that another volume of her work had recently been released. Let’s Not Talk Anymore is a beautifully painted, captivating comic that explores five generations of matrilineal family history, both real and imagined. The narrative is cyclical in nature, repeatedly shifting from 1908 to 1947 to 1972 to 1998 to 2032 and back again while following the lives of Weng’s great-grandmother, grandmother, mother, the creator herself, and her imaginary daughter as fifteen-year-olds. While not always readily apparent to the young women themselves, readers soon begin to see patterns and parallels emerge from the telling of their stories. The similarities and differences between their generational traumas and personal experiences inform who they are as individuals as well as in relationship to one another. Let’s Not Talk Anymore deftly and elegantly captures the complexities of the inherited realities connecting mothers and daughters through multiple generations. – Ash Brown

My Hero Academia, Vol. 28 | By Kohei Horikoshi | Viz Media – Things continue to be absolutely terrible for the heroes, and we’re starting to get an actual body count on their side, though it’s not any of the major characters… so far. Unfortunately, the big plan to stop the resurrection of Shigaraki is a disaster of epic proportions, though it’s nice to see that he seems to know the narrative tropes of this sort of thing and is headed right towards Deku. Fortunately, Gran Torino, also familiar with these narrative tropes, is there to stop Deku rushing in and killing himself. There’s not really a lot to talk about here as it’s just a massive, city-destroying chaotic battle, but it’s rare that you see a Jump title like this go so far in having its good guys lose over and over again. It’s chilling. – Sean Gaffney

Monthly Girls’ Nozaki-kun, Vol. 12 | By Izumi Tsubaki | Yen Press – I tried something a little different with this twelfth volume of Monthly Girls’ Nozaki-kun. Instead of reading it straight through, I read a chapter a day. I think that helped a lot in terms of appreciating the wacky episodic humor, which in this installment involves things like Nozaki trying to help Seo figure out her feelings for Wakamatsu by loaning her shoujo manga and later making a Wakamatsu doll, Nozaki owning in a competition amongst classmates to see who can write the best love confession, and Sakura’s ill-fated attempts to embody a cool girl to help Nozaki with a story. As ever, though, my favorite parts involve Hori and Kashima, whose relationship has evolved a little since his confession, though they’re still far away from becoming an official couple. Nothing here made me laugh out loud, but plenty made me smile. I look forward to the next one! – Michelle Smith

Species Domain, Vol. 10 | By Shunsuke Noro | Seven Seas – Ohki is the big focus of this volume, and not in a good way. After a fun, cute date with the girl who’s crushing hard on him, he shuts her down, saying that he’s “in love with science.” It’s not clear if this is meant to be a sign of asexuality or simply narrow focus, but it’s clearly rude to the girl, as everyone else notes. Then we get another elf showing up as a transfer student, only this one is a full-blown elf with magic out the wazoo, which he demonstrates in class. Now Ohta’s interested, having seen actual magic in action, which deals a devastating blow to Kazanori. Elsewhere, we probably get FAR more information about icaruses and how they get pregnant than we’d really like, much to Hanei’s horror and embarrassment. This is ending soon, but is still fun. – Sean Gaffney

Sweat and Soap, Vol. 6 | By Kintetsu Yamada | Kodansha Comics – Our sweet couple finally moves in together, will all the issues that you tend to see when that happens. It means we get their first fight, as Kotaro is trying to do everything himself so that Asako doesn’t have to, which annoys her as they’re supposed to have a partnership. She also badly handles a guy blatantly hitting on her while Kotaro is away, taking his business card even though she’s clearly not interested. That said, these things are fairly easily resolved, and the majority of the time we get to see what these two do best, as we watch them working, eating, making soap, and making love. (Even the fight is adorable, as passersby whisper that he’s getting dumped, which she angrily—and loudly—denies.) Read this; you won’t regret it. – Sean Gaffney

Bofuri: I Don’t Want to Get Hurt, So I’ll Max Out My Defense, Vol. 2

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By Yuumikan and KOIN. Released in Japan as “Itai no wa Iya nano de Bōgyoryoku ni Kyokufuri Shitai to Omoimasu” by Kadokawa Books. Released in North America by Yen On. Translated by Andrew Cunningham.

While the first volume of Bofuri was concerned with Maple and her introduction to and subsequent interaction with the game, the second book is all about Maple and Sally and their friendship, which shines through both in how they fight well together and their relaxed interaction with each other in non-relaxed moments. These two are best friends, who have known each other most of their lives. And it shows, as we see right away why they’re a terrifying combo if you happen to go up against them. That said… Maple’s not big on the PvP end of the game, preferring to face off against monsters. Sally does not have that issue at all, and you get the sense that she’s generally more comfortable in a role where she can simply stack the bodies high. Maple may be a monster because of her unconventional build and ecentric thought processes, but Sally is a monster simply as she’s a really, really, REALLY good gamer.

The entire book is taken up with the second major event of the game, which involves finding 300 silver medals scattered across a very large map. What’s more, the winners of the FIRST major event already have one gold medal (the equivalent of ten silvers)… and yes, if you kill off the players you get their medals. Maple and Sally team up on this one, and end up in a forest (which has ghosts, Sally’s one weakness), an ice cave (taking on a nigh unkillable monster… and killing it, which nets them two animal companions), an underground maze (where they are chained together – literally – with Kasumi, a samurai player who fights with swords), a beach (where Sally, who can swim, scouts, while Maple befriends a mage named Kanade and they build a sandcastle together), and an underwater area (where they have to fight evil doppelgangers of each other). As this goes on, they do get a few medals, but it’s not quite enough to place in the top 10… so Sally decides to go player hunting.

The most significant cut from the anime is where Maple fights not-Sally and Sally fights not-Maple, two tough fights that get both of them a bit paranoid (which leads to the book’s funniest moment, where they reveal private info about each other to prove they’re the real one, and it’s super embarrassing). The cast is increasing, and it’s nice to see Kasumi and Kanade. I did note that there was some added character drama in the anime… here, after a brief fight at the start, Kasumi gets on fine with Maple and Sally. Two other things I noticed. First, this book really hammers home how often Maple uses poison in the early days… the book is almost coated with poison, to the point where the reader might get a bit bored. The second is that the novel is far more into the gaming mechanics of everything. The anime loves to show off Maple “being Maple”, but the book gives us that plus all the times Maple isn’t being Maple, but just a normal player doing normal things. It can sometimes be a bit tedious… I absolutely see why the anime cut a lot of this book… but it’s also fun if you love these two girls.

This book ends with the “giant turtle makes acid rain” sequence, so I assume the next volume will feature the forming of Maple tree guild. As with the first book, you aren’t really missing vital info the anime skipped, but you do get to see two best friends having a ball fighting things for 250 pages. And that’s enough.

The Sidekick Never Gets the Girl, Let Alone the Protag’s Sister!, Vol. 1

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By Toshizo and U35. Released in Japan as “Shinyuu Mob no Ore ni Shujinkou no Imouto ga Horeru Wake ga Nai” by PASH! Books. Released in North America by J-Novel Club. Translated by Tristan K. Hill.

Sometimes you just have to be patient and wait for the author to get around to The Hook. This is especially true with this book, where we get a prologue that clearly shows us that this is not merely just another dumb high school romcom… and then spends most of the first half of the book trying its damndest to hide that fact once again. That said, that fits well with the protagonist, and it’s his narrative voice that we’re getting. As such, you get a book that is about 75% what would happen if the annoying loud guy who’s always best friends with The Main Character was the viewpoint, and it can be really annoying. Like, really annoying. As I said, sometimes you have to be patient, but it’s hard. Fortunately, in the second half, especially the last quarter, we actually get to the meat of the book, and find that “sidekick” is the biggest PTSD-coping mechanism in our hero’s armory.

After a grim, death-filled prologue that makes you wonder if you picked up Roll Over and Die by mistake, where our hero Koh battles the Archfiend… we suddenly cut to modern-day Japan, where Kunugi Kou is late for school, running out of his house with a piece of bread in his mouth (doesn’t work as well as you’d think), and stopping a naked pervert from attacking a young teenage girl. When she asks who her savior is, he says he’s Ayase Kaito… actually the name of his best friend. He then goes off to live his normal school life, where he watches the same Kaito deal with what appears to be a love quadrangle and enjoys being a dumb, loud guy who is on the outskirts of this fun. Unfortunately, the girl he saved is Ayase HIKARI… Kaito’s little sister. Also unfortunately, she’s now really taking a shine to him. And that’s not even getting into the fact that the love quadrangle may be tailing off of its own accord. And what does this have to do with that fantasy scene featuring… Kou? Or Koh?

When we actually get to the serious meat of the story, it’s really good. It’s also something of a spoiler, and I don’t want to give everything away. Suffice it to say that almost everything Kou does is a front, and there are several people who either knew this from the start or become aware of this as things go along. This is really good. I enjoyed it. But it does mean walking through a lot of cliched scenarios written better in titles such as the Rascal series or My Youth Romantic Comedy series, both of which this seems to pastiche in many ways. It’s good in that it eventually gives you insight into how Kou is surviving, and the somewhat bad job he’s doing at it. It’s not good as a reader because it’s not really that FUN. I suspect the author wants it to be, but… sorry.

That said, this is not a long-running series – it apparently ends with the next volume, though I’m not sure if it has an actual ending or if it suffers from cancellitis. And certainly after the cliffhanger we get here, I suspect it will be harder to have “ha ha ha look I’m a goofball!” throughout. Nevertheless, I do recommend reading this if you can tolerate the romcom cliches. It is a very good Hook.

Loner Life in Another World, Vol. 1

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By Shoji Goj and booota. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Seven Seas. Translated by Eric Margolis. Adapted by Veles Svitlychny.

I can’t say I hadn’t been warned. Indeed, that’s the only reason I decided to read the book in the first place. I’m trying to stop reading “I got the worst powers when isekai’d, but it turns out they’re secretly the best” light novel titles, and that’s exactly what this is. The manga was already coming out via Kaiten Books, and I hadn’t read it. But then I heard that the original novel was apparently something of a legend in Japan for being hard to understand and difficult to parse, and that most fans agreed the manga was the way to go. Really, I thought? Now I’m intrigued. And so I picked up this very long book, and started it. About 1/3 through the book, I felt I’d made a mistake. Sure, our loner hero rambles – a LOT – but there wasn’t enough of the comedy I’d heard about to justify reading more. And then he runs into the girls in his class, and the book promptly falls off a cliff while screaming and flapping its arms.

No, that’s not our hero on the cover, as this is in the light novel genre of “why have a guy on the cover when I have so many heroines?”. Our “hero” is Haruka, an eccentric loner who likes to skulk in his class and read. One day his class is transported to another world, but Haruka, familiar with this plot device, leaps up, jumps onto the bookcases in back, and crawls up into the ceiling. This … did not stop him getting isekai’d, but it means he was not transported with the others, and by the time this world’s “god” finds him, well, there are no good skills left. Just a hodgepodge of ones no one wanted. The old “god”, feeling guilty about having Haruka separated from the others, and having trouble dealing with Haruka’s basic personality, gives him ALL the skills left. Including the negative ones. Can he survive as a loner?

God, I hope not, because the parts of the book where he’s by himself are the worst. As I said earlier, he rambles, he’s obnoxious and rude, and he has no common sense, but these things alone do not really separate him from other isekai weirdos we’ve seen before. It’s only when he runs into the 20 girls in his class, fleeing from an event that drove the class apart, that the book really takes off, because Haruka is SO bad at interpersonal skills that it’s almost magic. This is not something he gained from a skill, by the way – he’s called the head of the girls’ group “Class Rep” for the last 11 years despite them having always been in the same class, and in general it’s implied he’s just like this. This allows for the girls to become 20 varieties of tsukkomi (sometimes in unison, which is a trip), and also makes the book far more entertaining, as you keep waiting to see what bullshit he pulls next.

The book can be hard to parse at times, but that’s by design, as that’s how Haruka is. I think the translators did a fantastic job showing off stream-of-consciousness blabbering and how annoying it can be to everyone around you. The book… is not good, to be honest. Because Haruka refuses to think of his class in anything but their “roles” (Class Rep, mean girls, nerds, etc.) his narration does as well, and so there is a certain Goblin Slayer feel to the characters that I didn’t like in that book either. (It doesn’t help that it’s infectious, and Class Rep herself starts thinking in terms of those roles.) The denouement at the end of the book feels out of absolutely nowhere, with very little buildup from Haruka before it’s over. And, of course, it’s still a book about a schlub of a guy who amasses 20 pretty girls around him who are somewhat devoted to him but also yell at him all the time, which means that it won’t attract the sort of fan who also gets mad at Kirito.

But… there’s just something about it. I spent a lot more time screaming at this book than I have with any light novel in the past year or so. The lead’s lack of ANY sense makes your teeth grind. And… it is pretty funny in that regard. It also, honestly, had far less fanservice than I expected from a genre like this, even leaving aside that he names one of the class “Nudist girl”. It makes me want to read the second book, even though I know it will be like getting slapped in the face with a paper fan over and over again. If you want to read a series that dares you to read it, look no further.

Manga the Week of 7/7/21

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SEAN: July! Manga! Too hot to be glib!

ASH: So, so hot in so, so many places.

SEAN: Airship, in print, has the debut of Accomplishments of the Duke’s Daughter. There’s also the 3rd volume of I’m in Love with the Villainess.

MICHELLE: I managed to read the first volume of I’m in Love with the Villainess recently! Definitely the best light novel I’ve tried so far.

ASH: I really need to get around to finally reading it myself; I’ve heard nothing but good things.

SEAN: Airship also has an early digital debut of a title we’ve seen the manga for already: My Status as an Assassin Obviously Exceeds the Hero’s. Take a wild guess at the premise. They’ve also got Trapped in a Dating Sim: The World of Otome Games is Tough for Mobs in early digital.

Ghost Ship debuts Devilish Darlings Portal Fantasy (Isekai Seikatsu no Susume), which ran in Takeshobo’s Kissca and is a one-shot. It’s basically an isekai with more nudity, though I hear it’s cuter than it sounds.

In print, J-Novel Club gives us Slayers, Vol. 1-3, a nice hardcover omnibus of the first three volumes of the classic series.

ASH: I know quite a few people who are looking forward to this release.

MJ: I didn’t know this was coming, but now I’m excited!

SEAN: They’ve also got Ascendance of a Bookworm’s 6th manga volume, How NOT to Summon a Demon Lord 13, I Shall Survive Using Potions!‘s 4th manga volume, Infinite Dendrogram 13, My Next Life As a Villainess 8, and a 2nd omnibus of Seirei Gensouki: Spirit Chronicles.

Digitally, we get not only Ascendance of a Bookworm’s 8th manga, but also the first volume of the Ascendance of a Bookworm fanbook. See illustrations, Q&A from the author, and a new short story! We also see Altina the Sword Princess 9, Culinary Chronicles of the Court Flower 2, Grimgar of Fantasy and Ash 17, My Friend’s Little Sister Has It In for Me! 3, and Record of Wortenia War 11.

ASH: It makes me happy that Ascendance of a Bookworm is doing well enough that we’re getting material beyond the main series.

SEAN: Kodansha, for print releases, has the 7th APOSIMZ, Fire Force 23, Orient 3, and Shaman King’s 3rd omnibus.

Digitally we get 2 debuts. Fate/Grand Order -Epic of Remnant- Pseudo-Singularity III: The Stage of Carnage, Shimousa – Seven Duels of Swordmasters exhausts me just to type out. It runs in Kodansha’s Magazine Pocket. The plot… is FGO.

ASH: That is quite the title.

SEAN: That’s My Atypical Girl (Asper Kanojo) is a seinen manga from Comic Days, and thanks for avoiding that Japanese title, I approve. A manga artist gets a visit from a fan who’s just a bit different.

Also out digitally: The final 7th volume of 1122: For a Happy Marriage, Bakemonogatari 9 (the print came out two weeks ago), Girlfriend, Girlfriend 4, Guilty 8, Living-Room Matsunaga-san 9, My Dearest Self with Malice Aforethought 6, Shaman King: The Super Star 5, Shikimori’s Not Just a Cutie 5, Smile Down the Runway 19, Those Snow-White Notes 8, With the Sheikh in His Harem 3, and Ya Boy Kongming! 2.

MICHELLE: I’ll be reading several of these digital releases.

SEAN: Seven Seas has two debuts. Great Pretender is a manga based on the Netflix anime, and runs in MAGCOMI. It’s not quite Leverage: The Manga but close.

The other debut we’ve technically seen before. Kageki Shoujo! ran for two years with Shueisha, and we saw that omnibus come out last year. Then it jumped ship to Hakusensha, where it runs in their josei magazine Melody. And this is the start of that run! Takarazuka fans will love this.

MICHELLE: Oh! I didn’t realize there was more coming. Nice.

ASH: Looking forward to reading more of this series!

MJ: Oh, hello!

ANNA: I need to read it!

SEAN: Also from Seven Seas: Dai Dark 2, Muscles Are Better Than Magic 2, Mushoku Tensei: Jobless Reincarnation 13, The Saint’s Magic Power Is Omnipotent 3, and SUPER HxEROS 3.

ASH: I somehow actually haven’t managed to read the first volume yet, but hooray for more Dai Dark!

SEAN: Tokyopop has three titles: Her Royal Highness Seems to be Angry (Oujo Denka wa Oikari no You Desu) is the debut. The digital version came out a while back, and it runs in Overlap’s Comic Gardo. It’s sort of a reincarnation story AND a villainess story.

We also get Laughing Under the Clouds 2 and Futaribeya: A Room for Two 8.

No debuts for Viz, but we do get the final volume of Oresama Teacher. I know Nozaki-kun gets all the love, and rightly so, but this is also awesome, and I will miss it, even if it does end up going the teacher/childhood friend/sadist route.

MICHELLE: I admit I prefer Nozaki-kun, but I do intend to finish Oresama Teacher, too.

ASH: I need to catch up on Oresama Teacher, but I’ve greatly enjoyed what I’ve read so far.

ANNA: I also need to get caught up, but I have many stockpiled volumes.

SEAN: Also from Viz: D.Gray-Man 27, Dr. STONE 17, Idol Dreams 7, Love Me, Love Me Not 9, Moriarty the Patriot 4, My Hero Academia Vigilantes 10, Platinum End 13, Queen’s Quality 12, and Undead Unluck 2.

ASH: I’m behind but I’ve got my eyes on a few of these, too!

ANNA: I’m stoked for my very occasional volume of Idol Dreams especially!

SEAN: That’s it! Seems like less than usual? Have I gotten used to it?

Konosuba: God’s Blessing on This Wonderful World!: The Crimson Magic Trials

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By Natsume Akatsuki and Kurone Mishima. Released in Japan as “Kono Subarashii Sekai ni Shukufuku o!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kevin Steinbach.

Possibly the funniest part of this book is when Kazuma and Megumin end up getting chased in the woods by one of the villains, and while trying not to spoil too much, said villain’s mission is to destroy all “reajuus with harems”. Leaving aside that the publisher/translator is expecting all KonoSuba readers to know what reajuu means, the idea that this describes Kazuma is, at first, hilarious… until you think about it. Isn’t he actually quite content with his life right now? Doesn’t he have a lot of real-life friends, a fulfilling career, and a cute girlfriend? As well as other girls also in love with him? Slowly but surely, Kazuma has become Kirito and no one noticed. That said, technically this is Yunyun’s book… although, because she is Yunyun, most of her plot is spent offscreen and she’s mostly embarrassed. Still, in the end, she achieves her wildest dreams… sort of. Because maybe the real Yunyun wants the friends she meets along the way.

In the last book, also offscreen, Yunyun had Megumin aid her in taking the Crimson Magic Trials to determine the next chief… and both times Megumin blew everything up. It’s not made clear if this was accidental or on purpose, but Yunyun now has only one chance left, so will NOT be taking Megumin this time. Taking first Darkness (disaster, but passed) then Aqua (disaster, but passed), theoretically Kazuma should be helping with the final trial. However, there is a “mad bomber” running around the area who likes to blow up folks that look Japanese, so Megumin – who is absolutely not jealous or making this all up, nosirree – forbids him from doing it. As Yunyun ends up getting “help” from a supporting character we haven’t seen in years (no, not Dust), Kazuma and Megumin try to solve the Mad Bomber problem and also deal with the fact that they’re both very awkward virgins who are not really ready to have sex yet.

This is not the longest story in the world, even for KonoSuba. Indeed, we essentially start the next book in the final chapter, as everyone returns to Axel to find a new priestess, Serena, who claims to be Kazuma’s “fan” and seems to be better than Aqua at, well, everything. It does allow us to have one last fun time with the biggest village full of dramatic dorks ever. Megumin’s mother is all for her daughter getting it on with Kazuma, who has to repeat Megumin’s age a lot (fourteen) to remind himself why he’s not doing this yet. There is a bedroom scene where they get awfully close, as she offers to help “relieve his tension”, but, needless to say, events ensue that prevent this. As for Yunyun, well, she does end up getting her dream come true, but eventually realizes that “Megumin’s greatest rival” is more important to her now than “chief of the clan”. She also gets the second best joke in the book, when an imprisoned and somewhat humiliated Megumin whines at Yunyun, telling her to “go ahead and laugh”, and Yunyun does just that – and points, too.

Given how this book ended, I expect Aqua will be the featured character for the next volume. We’re getting pretty close to the end here. KonoSuba fans should have a lot of fun.

The Detective Is Already Dead, Vol. 1

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By nigozyu and Umibouzu. Released in Japan as “Tantei wa mou, Shindeiru” by MF Bunko J. Released in North America by Yen On. Translated by Taylor Engel.

Sometimes I sabotage myself. I hear vague things about a title, like how acclaimed it is or how the premise sounds cool and does not have anyone be transported to another world, and I get inflated expectations. Let’s face it, I thought this title was going to be a lot more serious than it actually is. The color pages started to clue me in, and by the first scene in the book I was snarking as if this was a new volume of In Another World with My Smartphone. Fortunately, around the halfway mark of the book, the author stops pretending to be another author and buckles down to an actual story and it gets better – the back half easily outstrips the front. I’m saying this right away so that folks won’t abandon the book when it has the heroine reach into the hero’s mouth and say things like “I’ll double-kill you” (something which, I counted, she says three times). This is especially jarring as she’s otherwise nothing like H*tagi S*njogahara at all.

Our hero is Kimihiko, who has a knack of getting involved in sticky situations. Four years ago, on a flight, he met Siesta, a detective who asked him to be her assistant. Sadly, Siesta was killed a year ago (it’s not a spoiler, look, it’s in the title), and now he’s trying to live a normal Japanese high school life. This lasts literally half a page, and then he runs up against a) a young woman with a recent heart transplant, who is looking for something but she isn’t sure what; b) a famous idol singer who needs someone to protect a very expensive and valuable sapphire; and c) Siesta’s OTHER former assistant, who gets along with Kimihiko about as well as oil and water, and who is searching for her legacy. And of course, none of these are actually the main plot, which is that Kimihiko and his friends are being hunted by an evil organization… the same one who killed Siesta.

As I said, this starts badly. The nature of Nagisa’s dilemma is easily discovered, and she loses any sharpness she had in her character after this is discovered. (You could argue this is because of the resolution of her internal dilemma, but it’s not presented that way.) Then it gets better. Yui is a deliberate take on the cutesy teen idol, but she’s hiding several secrets. The back half turns into an action movie, and also really draws out the fantastical elements of the book, which I was also not expecting. Throughout this we get flashbacks to Siesta and Kimihiko working together, and see how close their relationship was. (It also gives Siesta a bit of humanity that she’s somewhat lacking through the rest of the book – note the only times we hear about her being silly are offscreen and in third person from Kimihiko.) The book also ends with a nice “this can now become a series” plot extension.

And indeed it has. If you like action series like Strike the Blood, and don’t mind dialogue that sometimes sounds like it was written for the screen rather than to sound natural (also like Strike the Blood, come to think of it), this is a good, solid read. Just try not to think of Bakemonogatari when you first meet Nagisa.

Reborn to Master the Blade: From Hero-King to Extraordinary Squire, Vol. 1

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By Hayaken and Nagu. Released in Japan as “Eiyu-oh, Bu wo Kiwameru tame Tensei su. Soshite, Sekai Saikyou no Minarai Kisi ♀” by HJ Bunko. Released in North America by J-Novel Club. Translated by Mike Langwiser.

You have to find something to latch on to, when you’re reading all these light novels. So many reincarnations, and overpowered swords being wielded, and magic determining your lot in life, etc… all of which this book has in abundance. If your goal in reading a new light novel series is to find something different from what’s come before, keep walking along and try to find something else. But as I said, you look for the little things. Things like our hero, now reincarnated as a rather voluptuous teenage heroine, feeling extremely uncomfortable at walking into a room and getting leered at, something that rarely comes up in these kind of books. (To be fair, there are normal “let me massage your boobs” bath scenes as well, so it could just be a coincidence.) More importantly, though, is that our heroine, Inglis, is… well, a bit of a battle thirsty meathead. No interest in power or money or romance… she wants a good fight. Meathead heroines might keep me reading.

Our hero is a king who united the land and won the day, and is now dying late in his years. A goddess comes to grant him a wish, and he asks to be reborn as simply someone who doesn’t have to worry about ruling or politicking, but can just FIGHT FIGHT FIGHT. He gets his wish… but is rather surprised that he’s reborn as a girl. Inglis rapidly grows up to find that things are not really the way they were back in her previous life… indeed, her own kingdom is now forgotten in the mists of time. On the bright side, this means that she can call upon aether and mana that others don’t have a clue about. On the downside, she has a magical blessing of zero, so cannot become a knight. That’s fine, though, She sets out to become a squire to her cousin Rafinha, who can become a knight. After all, Inglis is here for only one thing: honing her blade.

The book has a lot of the sort of things you’ve seen in these sorts of books before. There’s a group of arrogant nobles that abuse the common folks and keep slaves, and the one example of them who’s not that sort is promptly sabotaged. We’ve got to go off to knight training school, which I’ve no doubt will keep the second volume very familiar as well. But I dunno, it was pretty good. Inglis is a nice mixture of an old male king and a young teenage girl, and I was amused that she has a hobby of admiring herself in the mirror – it’s nice to see a hero with actual vanity. Her cousin Rafinha, unlike other books of this sort, is also quite powerful, and together the two of them take out monster and bad guys with ease. If you think that’s boring… well, so does Inglis, and that’s why she’s searching for fights.

So it’s not essential, but it’s good enough. I’ll pick up the next volume.

Sword Art Online, Vol. 22: Kiss and Fly

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By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

After the cliffhanger for the last volume of SAO, a lot of people were anxious for the continuation, in particular wanting to see more of a heroine who’d only shown up in the Progressive series before now. Well, I have good news and bad news. The good news is that Argo is here, and gets a supporting role at the start of the book. The bad news is that the role is in a short story, and indeed this is a short story collection, taking the various pieces Kawahara wrote as DVD/BD extras in Japan and stitching them together to make a book. This is not necessarily a bad thing – the first three stories are decent enough, and the final story I’d go so far as to call excellent. But I have to admit, starting a brand new arc, the first thing the creator has done that wasn’t published online… and then switching to the first short story collection since Vol 8? The reader cannot help being a bit bummed out.

The cover art cannot entirely escape Kirito – he’s there in the bottom left corner – but does show off the heroines of the various short stories (including one who should be a spoiler). In The Day Before, Kirito and Asuna go to buy the log cabin he’s had his eye on before getting married, but run into Argo, who’s got a big problem. In the Day After, Asuna is having trouble getting her avatar used to ALO – far more trouble than everyone else. Could she be… haunted? Rainbow Bridge is a sequel to an anime extra episode that showed off the cast in swimsuits – here they try to figure out why the quest they did was so unsatisfying. Finally, Sisters’ Prayer is a prequel to the 7th book, showing us how Yuuki, her sister, and a friend they meet who also has a terminal illness decide to start their own guild.

As with most short story collections, the quality varies. I love Argo, but she did not really have a lot to do here, and you get the sense Kawahara wrote her in as she was added to the anime episodes at the last minute. The Day After is better, benefiting from a lack of first-person Kirito and also tying up one of the loose ends of the series, showing us that Kirito’s first love is fine with Kirito’s current love. Rainbow Bridge is the slightest story in the book, but does give Leafa a chance to show off her Norse Mythology nerd-ness, and also allows for a cool action sequence. The best story is the last one, a bittersweet yet uplifting tale of Yuuki and her sister, playing in a “safe” VR game for terminal patients, finding out that there are better ways to live your life even if you can’t leave your hospital room, and helping another girl who wants to be in SAO with her friends so badly she is OK with dying to do so. It’s really fantastic.

So yes, this is definitely worth reading, and I enjoyed it. But it does not solve the growing need for the next volume of Unital Ring. That comes in the fall, alas.