Features

My Week in Manga: October 6-October 12, 2014

October 13, 2014 by Ash Brown

My News and Reviews

Last week Experiments in Manga saw the introduction of a new feature–Adaptation Adventures. Basically, the feature is intended to explore and compare different versions of the same story, which I think should be an interesting approach. I specifically had things in mind like the Parasyte anime adaptation that recently began airing (readers of Experiments in Manga have expressed interest in some sort of Parasyte comparison in the past), but I quickly realized that the feature provides nearly endless options. For the first Adaptation Adventures column, I took a look at Udon Entertainment’s Manga Classics, a line of manga-style graphic novel adaptations of classic literature. I was pleasantly surprised by the Manga Classics editions of Pride & Prejudice and Les Misérables and look forward to seeing future releases. I also posted an in-depth manga review last week of Yaya Sakuragi’s Bond of Dreams, Bond of Love, Volume 4, the last volume in the series. Sakuragi was my introduction to boys’ love manga and I’m always happy to see more of her work available in English. Bond of Dreams, Bond of Love isn’t my favorite Sakuragi manga, but I did enjoy its goofiness.

Elsewhere online, I was extremely happy to see that the one and only Manga Critic (Katherine Dacey) has come out of “retirement” and joined forces with Brigid Alverson at MangaBlog. Kate was one of my major inspirations for starting Experiments in Manga, so I’m very happy to see her return and look forward to reading her commentary. This also means that MangaBlog will be updated more regularly again, which will be great. In other news: Sean Gaffney at A Case Suitable for Treatment has a roundup of Seven Seas recent license announcements. Over at Comics Forum, the most recent Manga Studies column has been posted–Takeuchi Osamu and Manga Expression pt. 1: Tezuka Osamu as Manga Locus by Nicholas Theisen. Also, October’s issue of Sparkler Monthly is now available. It includes the launch of the third and final volume of Tokyo Demons as well as some additional bonus stories for the series. (Since I love Tokyo Demons, I’m particularly excited for and dreading the beginning of the end.)

The New York Comic Con took place over the weekend, and there was plenty of excitement to come out of that. Sean was there this year and has written up some notes on the panels he was able to attend. Vertical is spinning off Vertical Comics as a separate imprint to focus on manga and related material while Vertical continues to release prose and nonfiction. Vertical also licensed more Attack on Titan light novels, which will probably do pretty well. Viz Media also had a few new licenses to announce, as did Kodansha Comics. In addition to several other licenses, Yen Press has rescued Kaoru Mori’s Emma for a deluxe hardcover omnibus release! I only discovered Emma after CMX’s edition went out of print (and became extremely expensive), so I’m thrilled that I’ll finally be able to own the series in such a lovely format. (If you’re curious about Emma, I recommend checking out the archives for the Emma Manga Moveable Feast.)

Quick Takes

Attack on Titan: Before the Fall, Volume 2 written by Ryo Suzukaze and illustrated by Satoshi Shiki. I have largely been enjoying Attack on Titan‘s prequel manga Before the Fall, but I think I like it even more now that I have read the first Before the Fall novel that was recently released by Vertical. (My review of that volume can be found here.) Other than both being prequels to Attack on Titan, the stories of the novel and the manga aren’t directly related, but small references are made to the novel’s plot and characters in the manga. Which makes a fair amount of sense since the Before the Fall manga series is based on the second and third Attack on Titan light novels written by Suzukaze. In the second volume of the Before the Fall manga, Kuklo and Sharle have made their escape–Kuklo from the dungeons and Sharle from her overbearing father–but they are now faced with surviving among the common people. They actually make a pretty good life for themselves at first, but then Kuklo becomes obsessed with wanting to see a Titan for himself which, as anyone who is familiar with Attack on Titan will know, is an absolutely terrible idea that probably won’t end well for anyone involved.

My Love Story!!, Volume 2 written by Kazune Kawahara and illustrated by Aruko. I absolutely adored the first volume of My Love Story!!, so much so that I was actually a little afraid to read the second volume since my expectations had been set so high. However, I am very pleased to report that I also loved My Love Story!!, Volume 2. The entire series just makes me so extremely happy to read. Takeo and Yamato’s love is incredibly pure and sweet and the two of them are utterly endearing and charming together. Misunderstandings do happen on occasion, but forgiveness is quick in coming and no harm is done. My Love Story!! has the potential to be sickeningly sweet, but the romance and characters are handled with such humor and lightheartedness that, at least for me, the manga hasn’t reached that point. There isn’t much nuance or subtlety to the characters–Takeo is a manly many with a sensitive heart, Yamato is adorable and earnest, Suna is cool and aloof–but I like them all so much that I don’t mind. My Love Story!! is ridiculous and over-the-top and I love it. I’m still not sure how the story will be able to be sustained for an entire series now that the basic conceit has been so well-established, but I look forward to finding out.

A New Season of Young Leaves written by Venio Tachibana and illustrated by Akeno Kitahata. Ever since reading the two-volume boys’ love manga series Seven Days (which I loved) I have made a point to seek out more of Tachibana’s work available in English. And so I was very excited when A New Season of Young Leaves was licensed. I’ll admit, at first I was actually a little disappointed with A New Season for Young Leaves. I simply didn’t understand the relationship and odd power dynamics between the super popular Mariya and the socially awkward Nachi. But then about halfway through the volume, during an extensive flashback that explores the evolution of their strange friendship, the manga finally clicked for me. I found it to be incredibly compelling and I immediately wanted to read it again, which I take as a very good sign. I didn’t realize it when I initially began reading A New Season for Young Leaves, but it’s actually the first manga in a series that is at least three volumes long. While there were definitely a few plot lines introduced that were left unresolved, for the most part A New Season of Young Leaves does tell a complete story. But I really do hope more of the series is licensed; I am very curious to see how things continue to develop between Mariya and Nachi and the rest of their classmates.

Manga the Week of 10/15

October 9, 2014 by Sean Gaffney, Ash Brown, Michelle Smith, MJ and Anna N Leave a Comment

SEAN: With only ten new volumes, this is the lightest week of the month. Let’s all enjoy it.

First off, one I missed from last week, mostly as Amazon just announced they were shipping it early a few days ago. The second Whispered Words omnibus, containing Vols. 4-6, is out this week. If you like a well-written yuri story with lots of fun and angst and romance, this is the book for you.

ASH: The story is great! And it has karate, too! (I just hope the copy editing has improved with this volume…)

MICHELLE: Me, too. It was seriously bad.

SEAN: Now for next week. We’ll start with Dark Horse, who have the 16th Bride of the Water God volume, which is on my list of “I always forget this exists” titles.

MICHELLE: I actually forgot Whispered Words existed, so don’t feel bad.

MJ: I’d almost forgotten both, and that makes me sad!

ANNA: I didn’t know anything about Whispered Words, but if more high quality yuri is being translated into English, that can only be a good thing.

SEAN: Kodansha releases the quotation mark challenged Say “I Love You”, so I will put them back in. This is Volume 4.

ANNA: I really enjoyed the first two volumes of this. Time to get caught up!

ASH: I’m enjoying this series as well.

SEAN: SubLime has a new Blue Morning volume, a series that I believe our Manga Bookshelf team has enjoyed in the past.

MICHELLE: I really enjoy both of these series, and will be reviewing both of these in brief form in the coming weeks.

MJ: Blue Morning is definitely on my list for the week.

SEAN: Vertical has a new series debut with Volume 1 of Ajin. You can also see this on Crunchyroll’s manga site. It’s from Kodansha’s good! Afternoon magazine, and seems to be quite dark. I suspect this is more in the Wolfsmund vein than the Chi’s Sweet Home one. One of the creators also has High-Rise Invasion coming out via Manga Box.

MJ: Interesting!

ASH: I’m very curious about Ajin and am looking forward to giving it a try.

SEAN: And we also have the 11th and final Flowers of Evil, which proved to be a lot more popular than anyone had expected, I think, though never an easy, friendly read.

MJ: I fell out of this a while back, but I kind of miss it.

ASH: I’ve been saving up all of the volumes of the final arc to read all at once, and here it is, the series end. I’m preparing to be devastated in one way or another.

SEAN: With the 52nd volume of Case Closed, you now have one volume for each week of the year if you want to do a reread.

Deadman Wonderland has a 5th volume, and I suspect the plot has really begun to pick up by now. (Look, sometimes these are generic. I can’t read everything.)

I do read Magi though, and love it to bits. Buy Volume 8. If not for me, then for Viz, who needs another big Shonen Sunday title.

MICHELLE: Magi is excellent, with capable storytelling and character development. I think MJ, in particular, should read this one! :)

ANNA: I have a couple stray volumes of this sitting around my house, and need to fill in a bit before starting to read this series. I’ve only heard good things though, and I look forward to reading it!

SEAN: Lastly, we have another big series ending, as the 19th volume of Vampire Knight is so important that Viz released it apart from the other Shojo Beat titles. It also comes in regular and deluxe versions, with a mini-artbook for the latter. I enjoyed this a lot more than I expected to, but I’m glad it’s ending, as it was running out of plot.

MICHELLE: I think the last volume I read was 13, but I think I’ll make a push and finally finish this one up. For the sake of completeness, if nothing else.

ANNA: It might seem odd to people who are familiar with my love of vampire-based shoujo manga, but I haven’t read this complete series. I started reading it, got about 5 volumes in, stopped, and have been piling up sporadic volumes here and there with the intention of doing a big series read at some point. One day, this will happen!

SEAN: Anything strike your fancy here?

Adaptation Adventures: Udon Entertainment’s Manga Classics

October 8, 2014 by Ash Brown

One day long ago when I was still very small my parents brought home for me a box filled with Great Illustrated Classics–small, compact adaptations of classic literature with illustrations on almost every other page intended to introduce younger readers to some of the great, influential stories of the Western canon. I devoured them. It’s largely thanks to that series that I became so well versed in the classics. When I was older I would go on to read the originals of some of my favorites. And even those that I never got around to, I became familiar enough with their stories that I could hold my own in conversation and understand references made to them.

Literacy is something that I care very deeply about. Closely related to that, I also feel that exposure to the classic stories that have gone on to become such an integral and influential part of Western culture and world literature is important. However, I realize how intimidating those classics can be, especially for those who are reluctant readers to being with, or who simply don’t enjoy the authors’ styles of writing or find the length of some of the originals to be formidable. Because of that, I believe that efforts to adapt these stories in a way that is more approachable and appealing to a larger audience can be extremely valuable, which brings me to Manga Classics.

Manga Classics is a line of graphic novel adaptations jointly released by Udon Entertainment and Morpheus Publishing. Their aim is to present faithful, high-quality adaptations of classic stories in a format intended to be especially appealing to young adults–that is, full-length, manga-style graphic novels. Udon isn’t the only publisher to attempt something similar to this. Recently I’ve seen other comics, graphic novel, and manga adaptations of classics released by publishers like Marvel and One Peace Books (to provide just two examples) with varying levels of success.

Strong adaptations can be notoriously difficult to achieve. Purists will often outright shun adaptations as they almost never carry the same nuance and complexity found in the source material or because they may stray too far from the original. Adaptations are especially challenging when trying to present a story in an entirely different medium, such as adapting prose into comics or film. For me, I consider an adaptation to be a great one if it is entertaining and engaging in its own right while at the same time inspiring readers (or viewers) to seek out the original stories. I feel that Manga Classics’ first two adaptations have accomplished this.

The Manga Classics series debuted in 2014 with adaptations of Jane Austen’s Pride & Prejudice and Victor Hugo’s Les Misérables. Out of the two, I am most familiar with Pride & Prejudice. I’ve read the original, I’ve seen many of its film and television adaptations (if you’ve not already discovered the recent webseries The Lizzie Bennet Diaries, I highly recommend it), and back in high school I was actually even a main cast member in a Pride & Prejudice stage production.

The original Pride & Prejudice was first published in England in 1813. The story follows Elizabeth Bennet, the second-oldest daughter of an English family with a country estate outside of London. Elizabeth’s mother is determined to see her five daughters married, and married well, so when the wealthy (and young) bachelor Mr. Bingley moves into the neighborhood, her scheming immediately begins. Fortunately, Bingley and Jane, the eldest Bennet daughter, hit it off. Unfortunately, due to some misunderstandings and interference from Bingley’s best friend Mr. Darcy, their romance is cut short. And because of that, Elizabeth’s opinion of Darcy suffers greatly, not that she held him in very high regard to begin with. To add to the awkwardness, Darcy, to his dismay, seems to have developed feelings for Elizabeth. Things get even more complicated from there as manners, social standing, morals, and some very strong personalities come into play before the Bennet daughters find their way in life and love.

Elizabeth Bennet and (blushing!) Mr. Darcy

Reading the Manga Classics version of Pride & Prejudice reminded me how much I enjoy the original novel, its story, and its characters. I was also struck by how perfectly Austen’s work is suited for shoujo. The story has been adapted by Stacy King and illustrated by Po Tse. The narrative has been slimmed down and largely focuses on Elizabeth and the ups and downs of her delightfully antagonistic relationship with Darcy. All of the major plot points are still there although some of the other characters (such as Elizabeth’s younger sisters) aren’t as fully developed. But the story still works and works quite well. The only thing I didn’t really like about Manga Classics’ Pride & Prejudice was the portrayal of Mr. Collins, the heir to the Bennet estate. To some extent he serves as the story’s comic relief, but he comes across as too much of a caricature in the graphic novel (visually and narratively) which clashes in style from the rest of the comic. Generally though, Po Tse’s artwork is quite lovely and occasionally even stunning. Elizabeth and Jane’s hair is gorgeously drawn and particular attention has been given to Regency period clothing and architecture as well. (A preview of the first chapter is available here!)

I am much less familiar with Les Misérables. Although I know the basic story of the novel, I’ve never actually read the original. Nor have I seen any of its direct adaptations. However, I have listened to multiple sound recordings of the musical many, many times. I’ve seen the recent 2012 film adaptation of the musical as well, but that’s a couple steps removed from Hugo’s original.

Les Misérables was first published in France in 1862. The novel (one of the longest ever written) is an epic work of historical fiction set in the first half of the 19th-century, a rather tumultuous time in France. The novel begins in 1815 after the defeat of Napoleon Bonaparte and, following a large cast of characters, digressions, and subplots, climaxes with the June 1832 uprising in Paris. The most well-known story out of Les Misérables is that of the ex-convict Jean Valjean, the officer Javert whose goal is to recapture Valjean, and a young orphan girl named Cosette who becomes Valjean’s charge. Those three individuals and their relationships and connections to one another and the rest of the characters form the core of Les Misérables. Politics, religion, economic and social conditions, philosophy, morality, redemption, and love all have an important role to play in the novel as well.

Cosette and Jean Valjean

Because I’m not as familiar with the original Les Misérables it’s difficult for me definitively say how the Manga Classics’ adaptation directly compares. However, I can say that it reads very well. Most of the subplots have been dropped in favor of the main storyline following the Valjean and Cosette and those who are directly involved with them. The adapter, Crystal Silvermoon, has taken great care to consider other adaptations of Les Misérables in addition to the original in the creation of the graphic novel. Because Les Misérables is so lengthy and complex there would be no possible way to include everything, but the most iconic scenes are all present in the Manga Classics adaptation. Stacy King provided additional assistance with the scripting and SunNeko Lee served as the volume’s illustrator. Stylistically, the art is a little simpler than that found in the Pride & Prejudice adaptation. However, it is more even in tone which suits the story’s serious and dramatic nature. Once again, particular attention has been given to the setting. I found the Les Misérables graphic novel to be engaging and, perhaps more importantly, it’s the first adaptation that has really made me interested in picking up the original.

Because it is so easy to create an unsatisfying adaptation of any work, let alone a work that is well-loved or held in high esteem, and after seeing so many poor adaptations, I’ll admit that I approached Manga Classics with some apprehension. However, I was very happy to discover that the line’s first two adaptations were very well done. Though I might have a small nitpick here or there, I sincerely enjoyed both volumes. I could easily see Manga Classics being used in a classroom setting, but I think the graphic novels will appeal to readers outside of that context as well. I am very pleased that new audiences will have the opportunity to be introduced to some of the classic works of literature in such an approachable format. Hopefully, like Great Illustrated Classics did for me, Manga Classics will inspire new generations to seek out those original stories.

Spring 2015 will bring three more adaptations to the Manga Classics line, graphic novel versions of Jane Austen’s Emma, Charles Dickens’ Great Expectations, and Nathaniel Hawthorne’s The Scarlet Letter. So far, Manga Classics has approached the source material of its adaptations with care and respect; I can honestly say that I’m looking forward to seeing future Manga Classics releases.

Thank you to Udon Entertainment for providing copies of Pride & Prejudice and Les Misérables for review.

My Week in Manga: September 29-October 5, 2014

October 6, 2014 by Ash Brown

My News and Reviews

Last week at Experiments in Manga there were three posts in addition to the usual My Week in Manga feature. To start with, the winner of the Triton of the Sea manga giveaway was announced. The post also includes a list of some of the manga available in English that feature mermaids and/or mermen. Next was my review of Ryo Suzukaze’s novel Attack on Titan: Before the Fall, which is a prequel to Hajime Isayama’s original Attack on Titan manga series. I liked the premise of the novel much more than I did its execution, but it should still be pretty interesting for Attack on Titan fans. And finally, over the weekend, September’s Bookshelf Overload was posted. As for other interesting things online…I’ve been so busy at work lately that I’ve not really been able to keep up with all that’s going on. However, I do know that Seven Seas is currently in the process of revealing seven new licenses via Twitter. I’m pretty sure that Sean will be doing a wrap-up at A Case Suitable for Treatment soon which I’ll link to, but in the meantime you can always check out Seven Seas’ Twitter timeline. (There have been some really interesting choices so far!)

Quick Takes

My Little Monster, Volume 3 by Robico. I have been thoroughly enjoying My Little Monster and its cast of rather quirky characters. However, the third volume doesn’t seem to really move the plot along much, nor does it really develop the characters further. If anything, the series has lost its forward momentum and undoes some of the progress that has been made. After the various confessions of love from the previous volumes, Haru and Shizuku spend most of the third going through it all again. Shizuku has once more decided that she doesn’t have time for friendships or romantic relationships and wants to focus on her studies. Haru is fitting in a little better at school and is actually able to put the fact that everyone except Shizuku is terrified of him to good use, although he’s still fairly volatile and his behavior and obliviousness of others occasionally causes some real problems. So overall, not much has really changed in My Little Monster except that a few more hints have been dropped about Haru’s brother, whom I’m very curious about. I’m still enjoying the series and find its deadpan humor amusing, but I do hope to see more plot and character development in future volumes.

The Seven Deadly Sins, Volume 3 by Nakaba Suzuki. As can be safely assumed from the cover, the third volume of The Seven Deadly Sins heavily features the newly introduced Ban, the Fox Sin of Greed. I’m okay with this because, well, I actually like Ban as a character. Despite being one of the Seven Deadly Sins and therefore being one of the series’ heroes (or at least one of its protagonists), Ban’s really not that nice of a guy. Frankly, he’s an unapologetic jerk (with a very nice set of abs and a fondness for alcohol, though he really can’t hold his drink). But, like the other Sins, Ban has a tragic past to go along with his arrogant personality. He’s also kind of a goofball. One of the things that I particularly enjoy about The Seven Deadly Sins is the ridiculously overpowered battles between the ridiculously overpowered characters. The action can sometimes be a little difficult to follow, but the resulting destruction is quite obvious. I’m also rather impressed by how well Suzuki visually handles Diane, the giantess of the Seven Deadly Sins. She’s huge, but her presence always seems very natural on the page and Suzuki does a nice job of incorporating her into the artwork.

The Shadow Hero written by Gene Luen Yang and illustrated by Sonny Liew. Initially I wasn’t planning on picking up The Shadow Hero, most likely because I’m generally not that interested in superheroes. Fortunately I realized that was a very silly reason not to read the comic, especially considering that Yang is a fantastic writer and I really like Liew’s artwork and use of color. Long story short, I absolutely loved The Shadow Hero. The story of The Shadow Hero was inspired by an obscure superhero from the 1940s called the Green Turtle which was created by Chu Hing, one of the first Asian Americans to work in American comics. (The volume also contains a reproduction of the first Green Turtle comic, which was a nice addition.) The Shadow Hero serves as the Green Turtle’s origin story. Hank Chu is the son of a Chinatown grocer who looks forward to taking over his father’s store. His mother, however, has much bigger plans for her son and has decided that he will become a superhero, despite the complete lack of any superpowers. With a great story and great art, and plenty of humor to balance the more serious aspects of the comic, The Shadow Hero is definitely recommended.

Sleeping Moon, Volumes 1-2 by Kano Miyamoto. I tend to really enjoy Miyamoto’s work, so I was pretty excited when SuBLime licensed her short boys’ love series Sleeping Moon. I was particularly looking forward to it due to its supernatural elements, but in the end I didn’t find it as compelling as some of her other manga which are more firmly based in reality. Part of that is probably because much of the romantic relationship between two of the leads felt as though it was tacked on simply because the series was supposed to be boys’ love. Still, there were parts of Sleeping Moon that I enjoyed, and Miyamoto’s artwork is as lovely as ever. Akihiko’s family is cursed–the male heirs all die young, never making it past their thirties. And since his thirtieth birthday is fast approaching, Akihiko has a vested interest in discovering the truth behind the curse in order to prevent his own death and the death of his cousin. And that’s when the time slips begin–Akihiko finds himself spontaneously traveling to the Meiji era where one of his distant relatives is trying to unravel the same mystery. The moody supernatural and horror elements work better than the manga’s romance and the time traveling is handled quite well, too.

Manga the Week of 10/8

October 2, 2014 by Sean Gaffney, Ash Brown, Michelle Smith, Anna N and MJ 3 Comments

SEAN: Manga. Lots. Let’s go.

It wasn’t on Amazon 2 weeks ago, but now I see there is a release for Volume 9 of Ze. A series whose release dates are almost as convoluted as its content.

ASH: I was wondering what was going on with Ze‘s releases.

SEAN: Sadly, Kodansha did not stick with the original title for this series, GDGD-DOGS. But Manga Dogs works just as well, and for fans of Missions of Love it’s by the same author, and has another reverse harem.

MICHELLE: Huh. While Missions of Love was not for me, I kind of liked Toyama’s I Am Here!. Still, I dunno… the temptation is pretty faint.

ANNA: I like reverse harem as much as the next gal, but this isn’t really on my radar.

SEAN: And there’s also the 9th volume of Missions of Love as well, featuring the most likeable, well-adjusted cast in all of shoujo.

ASH: Ha!

SEAN: And the 5th volume of Vinland Saga, which is unlikely to get a shoujo spinoff in Aria anytime soon, unless Ylva ends up going to high school in Japan or somesuch.

ASH: I… would actually read that. (And I’m definitely reading Vinland Saga!)

ANNA: I would also read that! Vinland Saga is so well-executed, each new volume is a treat.

SEAN: Seven Seas has the first volume of Magical Girl Apocalypse, which seems to be for folks who thought Madoka Magica to be too light-hearted and cheerful. But hey, Akita Shoten license! A rarity these days.

And there’s a 2nd Strike Witches: 1937 Fuso Sea Incident.

Vertical has an 11th volume of Knights of Sidonia, which I hope will have more cute romance and action sci-fi (and perhaps a bit less tragic horror?).

ASH: One can never tell with Knights of Sidonia.

MICHELLE: I absolutely must get caught back up on this series. Looks like we’ll be caught up to Japan fairly soon, too.

ANNA: I need to get caught up too! I am so pleased that we have so many manga titles set in SPACE!

MJ: This!!

SEAN: The rest is Viz. If you didn’t pick up the 2nd Food Wars! When it came out digitally, it’s now available in print. I’m hoping for slightly less naked food reactions, but I know there will be some.

ASH: I still prefer my manga in print, so I’ve been waiting to pick up the second volume until now.

MICHELLE: I’m actually kinda looking forward to this.

ANNA: I thought that there were glimmerings of an interesting title here, but I have to admit when I read the first volume I was put off by all the upskirt panels and naked food reactions.

MJ: I’m cautiously optimistic.

SEAN: Happy Marriage?! continues to be a very ironic title as we hit Vol. 8.

MICHELLE: This series has grown on me, so I’ll definitely be checking out volume eight.

ANNA: I think it has gotten a bit meandering as the series go along, but I’ll still read every volume shortly after it comes out.

SEAN: Then there’s Honey Blood, which (say it with me, folks) has vampires in it! The cover art makes me go >_> a bit, but I’m hoping that the relationship in this series is not as unequal as it first seems.

ANNA: Did someone say supernatural shoujo!? I hope this is more like Midnight Secretary than Black Bird. Will be checking it out for sure.

SEAN: Heartwarming supernatural shoujo #1: Kamisama Kiss, which has gotten up to Vol. 16, and shows no sign of ending anytime soon.

MICHELLE: Yay! I like it, but I think I still prefer the author’s Karakuri Odette.

ANNA: I actually like it more than Karakuri Odette! This series is consistently charming.

SEAN: I was a huge fan of the first My Love Story!!, despite the multiple exclamation marks, and look forward to seeing where it goes from here.

ASH: I absolutely loved the first volume of My Love Story!! So much so, here are a few extra !!! for good measure.

MICHELLE: My Love Story!! is a glorious thing. Volume two has been in my Amazon cart for a few weeks now.

ANNA: I have read this volume and loved it just as much as the first!!!!!!!!!

MJ: Definitely looking forward to this… so sweet.

SEAN: Naruto seems to be finally grinding to a slow halt, but that still leaves several volumes to go. And several more times for Sasuke to turn evil.

Heartwarming supernatural shoujo #2: Natsume’s Book of Friends, which has gotten up to Vol. 17, and shows no sign of ending anytime soon.

MICHELLE: Yay! I suppose this means I am a sucker for heartwarming supernatural shoujo.

SEAN: Nura: Rise of the Yokai Clan has started its final arc, but that’s going to be a few volumes as well. Here’s the 23rd.

If you missed One Piece the first time around, the 3-in-1 is the perfect catchup, and it’s at Vol. 10.

Oresama Teacher is not supernatural, and I wouldn’t call it consistently heartwarming, but if you want funny shoujo, this is the manga for you, and I adore it. Here’s Vol. 17.

MICHELLE: Maybe it’s the lack of heartwarmitude that makes me only like this one. I catch up on it periodically, but I don’t love it.

ANNA: I do love it, just because it is so ridiculous. This is the only long-running comedy title that has consistently captured my interest.

SEAN: The new arc in Toriko will apparently focus on Komatsu rather than Toriko, as it’s a cooking battle. Should be fun.

Voice Over: Seiyu Academy is over halfway done, and I’m hoping we see a bit more fleshing out of the male lead soon beyond “CATS”.

MICHELLE: *snerk* I do like the cat bits, though. And, surprisingly, I’m rather enjoying Voice Over.

SEAN: Lastly, we get the debut of a new Jump title as well as its 2nd volume, as Viz pushes a fast start to World Trigger. It’s at 8+ volumes in Japan, so has broken the “early Jump cancellation” curse. Should be interesting.

ASH: I’ve recently heard some good things about World Trigger. And two volumes at once? I may have to check it out.

MICHELLE: Whereas I have heard precisely zero things about it! I’ll wait for Ash’s review to decide.

ANNA: I know nothing about this but I will be reading it!

MJ: I’ll be checking this out for sure.

SEAN: Are you exhausted yet? What manga here makes you want to take it home?

My Week in Manga: September 22-September 28, 2014

September 29, 2014 by Ash Brown

My News and Reviews

Last week unintentionally turned into an Osamu Tezuka Week at Experiments in Manga…sort of. First of all, this month’s manga giveaway features Tezuka’s Triton of the Sea. Tell me a little about the merfolk you’ve encountered in manga for a chance to win the first omnibus of the series. (The winner will be selected and announced on Wednesday, so you still have a little time!) I also reviewed Dororo, Volume 3. Out of all of Tezuka’s manga that has so far been released in English, Dororo is one of my personal favorites. It’s currently available from Vertical in an omnibus edition which contains the entire series, however it may not be reprinted. I highly recommend picking up a copy sooner rather than later if it seems like a series you’d be interested in. And then for something completely different, over the weekend I reviewed the tenth-century classic The Tale of the Cavern (also known as The Tale of the Hollow Tree) which has absolutely nothing to do with Tezuka, but everything to do with music, love, and Heian-era court life.

In other news, the second volume of Lianne Sentar’s Tokyo Demons is now available for purchase as an ebook from the Sparkler Shop, which means the print edition will be released in the near future as well! (If you missed my early review of the novel, I loved it.) And speaking of Sparkler, the membership drive is still going on. If Sparkler Monthly doesn’t get at least 1,000 subscribers it most likely won’t be able to continue beyond its second year, which would make me extraordinarily sad. Please consider supporting Sparkler Monthly, if you can!

Elsewhere online, Shonen Jump is soliciting questions for Takeshi Obata, who will be a guest at New York Comic Con this year. If, like me, you can’t make it out to NYCC, Obata’s panel will thankfully be streamed live online. (Hopefully it will also be recorded.) In London, the Cartoon Museum is currently showing the exhibit Gekiga: Alternative Manga from Japan. To coincide with the exhibition, The Cartoonists’ Club of Great Britain wrote a brief introduction to gekiga. Finally, Vertical released a particularly interesting post on its Tumblr account about manga’s English-language market and specifically about the pricing of books.

Quick Takes

Battle Angel Alita: Last Order, Volume 19 by Yukito Kishiro. Last Order was my introduction to the Battle Angel Alita universe. It’s probably best described as an alternate ending to the original series. While I was never as taken with Battle Angel Alita as much as other people seem to be, there were parts that I really enjoyed: interesting characters and character designs, martial arts, great action scenes, and so on. But the plot just never seemed to pull together in a way that satisfied me. I didn’t realize or expect that the nineteenth volume would be the final volume of Last Order. It’s also one of the most frustrating volumes as Kishiro seems to rush through the story in order to bring everything to some sort of conclusion and, in my opinion, fails to do so. Even more disappointing is the fact that Alita doesn’t even really make much of an appearance in it. Apparently there is yet another Battle Angel Alita series that will soon be starting in Japan, but I have no idea how it relates to Last Order. There was certainly enough left confused and unresolved in Last Order that there’s plenty of material for Kishiro to choose from.

Devils and Realist, Volume 2 written by Madoka Takadono and illustrated by Utako Yukihiro. Although I mostly enjoyed the first volume of Devils and Realist, I was unsure how far I wanted to pursue the series and so decided to read at least one more volume. After reading the second installment, I can say that I’ll probably be reading even more of Devils and Realist in the future. Generally stronger than the first volume and more even in tone, the second volume takes a slightly more serious and dramatic turn. The series’ humor is still present though, interspersed among the more life-threatening events of the manga and the story’s other dangerous mysteries. Yukihiro’s artwork and character designs are very attractive, and as a whole there are some definite homoerotic undertones to the manga as well. Readers’ enjoyment of Devils and Realist will probably largely depend on how well they like the lead and his personality. I, for one, am greatly amused by William’s refusal to believe in the supernatural despite it staring him in the face as he stubbornly tries to come up with any other possible explanation for the strangeness going on in his life.

Fairy Tail, Volumes 40-42 by Hiro Mashima. I’ve only read two series by Mashima–Fairy Tail and Monster Soul–but out of those two, I find that Fairy Tail is the better manga. The long Grand Magic Games tournament arc has now finally reached its conclusion with the fortieth volume. While I did find some of the Games enjoyable, for the most part I’m happy to be moving on to battles that actually have some real purpose and meaning behind them beyond securing bragging rights; I tend to enjoy Fairy Tail more when it feels like there’s something at stake. I’m glad to see the beginning of a new story arc that promises just that–things are starting to get a bit more serious again. (Granted, there was the whole dragon invasion during the Games arc; the possibility that the world will be destroyed is a pretty big deal.) It also looks like Gray will be getting some significant page time, too, which I’m not going to complain about. The Fairy Tail Guild’s latest mission requires Gray to confront his painful memories and past tragedies. It isn’t a pleasant experience for him, but he is also able to draw incredible strength from it.

Hetalia: Axis Powers, Volume 6 by Hidekaz Himaruya. Perhaps by this point I should no longer be surprised, but I always seem to unexpectedly learn something new whenever I read Hetalia. Sometimes it’s a historical tidbit, and sometimes it’s actually something more closely related to current events. This particular volume of Hetalia features micronations and Molossia makes an appearance among several others. (I had never even heard of Molossia before, and it’s in Nevada!) The Nordic states are also an important part of the sixth volume, which includes Iceland. (Ever since writing a report on Iceland in the sixth grade, I’ve always been interested in and fond of the country, so I did get a kick out of that.) Often the humor in Hetalia does require some familiarity with or prior knowledge of world history and politics to really appreciate it, so in the process of trying to make sense of some of the jokes I find that I’m learning about all sorts of interesting things. Admittedly, Hetalia frequently makes use of stereotypes as part of its gags, which some people may find offensive and has generated a fair amount of controversy.

Manga the Week of 10/1

September 25, 2014 by Sean Gaffney, MJ, Ash Brown, Michelle Smith and Anna N Leave a Comment

SEAN: There are sixty-five different manga titles coming out in October. The mind reels. Luckily, this October 1st is really September 30th in book publishing terms, so the four titles featured here do not add to that total (which is good, as it would then be sixty-nine, and I’d feel obliged to make a tasteless joke) and also allow the reader to have a brief respite.

For those of you who are looking for gay manga written by an actual gay man, Priapus is likely the title for you. The premise is somewhat comedic – Zeus sends an emissary to turn all the men of the world gay so that the population dies off, as he is tired of violence and hatred. Thus we have a lot of straight men suddenly questioning their sexuality. The cover certainly makes it look like a lot of fun.

MJ: I’m definitely interested in this. In fact, it may be the only thing this week I really have my eye on.

ASH: I’m extremely excited for Priapus! I’m also very happy to see Bruno Gmünder’s Gay Manga line continue to expand.

MICHELLE: Hm, I’d been unaware of this one before now. Could be fun!

ANNA: This does sound like it might possibly be hilarious.

SEAN: Fairy Tail has its 42nd volume, which no doubt will have the answer to the ultimate question of life, the universe, and everything.

My Little Monster hits Volume 4. Can our screwed up cast figure out how to balance love, school, future careers, and not irritating the heck out of each other? We’ll likely not find that out here, but it should be fun anyway.

ASH: I’ve been rather enjoying My Little Monster.

MICHELLE: Me, too!

SEAN: Lastly, we have the 7th volume of the amazing Vertical release, Mobile Suit Gundam: The Origin. This one apparently features the Battle of Loum, and it’s a must read, assuming you aren’t horribly behind on it as I am. In which case, buy it anyway and save it for a rainy day.

ASH: The Origin is still one of the manga with the best presentation and design in English right now. The contents are pretty good, too.

ANNA: I have a few volumes stacked up of this, but this is one of those titles that I faithfully buy even if I am behind. Such a lovely edition!

Are you taking a break? Or buying something?

Manga Giveaway: Triton of the Sea Giveaway

September 24, 2014 by Ash Brown

The end of the month is almost here which means it’s time for another manga giveaway at Experiments in Manga! For this giveaway, participants will have the chance to win a copy of the first omnibus in Osamu Tezuka’s Triton of the Sea as published by Digital Manga. (The omnibus contains the first half of the series!) And, as always, the giveaway is open worldwide.

I think it was when I finished Satoshi Kon’s Tropic of the Sea that I realized just how many manga I had read that included merfolk of one sort or another. Triton of the Sea is just one of many. Every creator seems to have a slightly different take on mermaids and mermen, which I find to be particularly fascinating. Some draw upon Eastern traditions, some are influenced by Western legends, and some freely incorporate elements from a variety of different sources, including their own personal imaginings.

So, you may be wondering, how can you win a copy of Triton of the Sea, Omnibus 1?

1) In the comments below, tell me a little about the merfolk that you’ve encountered while reading manga. (Never come across mermaids or mermen in manga before? Simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And there it is! Each person has one week to submit comments and can earn up to two entries for this giveaway. If necessary, entries can also be sent via e-mail to phoenixterran(at)gmail(dot)com which I will then post in your name. The giveaway winner will be randomly selected and announced on October 1, 2014. Good luck!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Triton of the Sea Giveaway Winner

My Week in Manga: September 15-September 21, 2014

September 22, 2014 by Ash Brown

My News and Reviews

Two manga reviews were posted at Experiments in Manga last week, both with a bit of queer bent to them. First, I took a look at Wandering Son, Volume 7 by Takako Shimura. Wandering Son is a series that means a tremendous amount to me personally, so I’m always happy when a new volume is released. (And speaking of releases–Fantagraphics assured me that the eighth volume will be published sometime next year.) My second review from last week was of Fumi Yoshinaga’s What Did You Eat Yesterday?, Volume 4, which I continue to thoroughly enjoy (even though it can sometimes make me hungry when I’m reading it).

A while back I, and a handful of other people, were interviewed by Justin Stroman about why we buy manga. He turned it into a pretty great article, so I hope you’ll check out Why It’s Worth It to Buy Manga over on Manga Bookshelf. As a followup of sorts, Justin also posted Life As a Manga Fan in the United Arab Emirates at Organization Anti-Social Geniuses which was a fascinating read. Another interesting interview from last week was Tofugu’s conversation with translator and interpreter Jocelyne Allen who has translated a ton of manga among other things. Also of note: Breakdown Press recently announced its next alternative manga publication–Masahiko Matsumoto’s “The Man Next Door.”

Quick Takes

I’ve Seen It All, Volumes 1-2 by Shoko Takaku. The featured guest of this year’s YaoiCon was Shoko Takaku. I realized that I hadn’t actually read any of her work, so I decided to pick up I’ve Seen It All. Dr. Saikawa is a specialist in men’s health, specifically addressing concerns dealing with genitals. By chance he meets and soon falls in love with Asano who is blessed with a “cock of peerless beauty.” I’ve Seen It All easily has the most references to penises that I’ve ever come across in a boys’ love manga. Saikawa is completely unfazed about it–it is his job after all–and no one else seems to be either which just makes the manga even funnier. Asano and Saikawa are adorable as a couple. It was also nice to see that they both try to make sure that the other enjoys their more intimate moments (of which there are plenty). The other characters are pretty great, too. Despite some of the more realistic elements of the series, I’ve Seen It All leans slightly more towards the silly and sweet. Happily, there is at least one more volume of I’ve Seen It All; I just hope that the rest of the series will be translated because I loved the first two volumes.

Monster Soul, Volume 2 by Hiro Mashima. I’ll admit, I did enjoy the second and final volume of Monster Soul slightly more than the first, but it’s still not a series that left much of an impression on me. Where the first volume was largely episodic, the majority of the second volume of Monster Soul focused on one story–the Black Airs’ efforts to rescue the souls of an entire kingdom of humans from the clutches of the Drei Kommandos. In the process, Mashima takes the opportunity to delve into the back stories of the individual members of the Black Airs. I personally appreciated that the characters were further developed, but the series is too short to really take advantage of it all. Although Monster Soul doesn’t stand out much, it is generally entertaining. The action sequences in particular are fairly well done. Admittedly, there are a few annoying character quirks that don’t make much sense within the context of the story as a whole, such as Mummy’s propensity for stripping for no particular reason. Overall, Monster Soul feels more like a prototype than anything else. It is very energetic, though.

Time Killers by Kazue Kato. While I largely enjoyed Kato’s manga series Blue Exorcist, I never seemed to be quite as taken with the story as so many others were. However, I’ve always been fond of Kato’s artwork. And so, I was very interested in reading Kazuo’s short story collection Time Killers. The anthology collects eleven short manga selected from over a decade’s worth of Kazuo’s work, including some of her earliest and debut stories. Many of the manga included in Time Killers simply consist of whatever elements Kazuo felt like exploring and mashing together, completely disregarding what readers might be interested in. The manga ends up being a somewhat odd conglomeration with a strong indie feel to it, but I rather enjoyed its quirkiness. The collection also includes a story that is derived from the same source material as Blue Exorcist, which was interesting to see. It’s also worth noting that Time Killers is probably the nicest release that I’ve seen from Viz Media’s Shonen Jump imprint. It has a slightly larger trim size, includes beautiful color pages, and is printed on high-quality, glossy paper, too.

Manga the Week of 9/24

September 18, 2014 by Sean Gaffney, Michelle Smith, Ash Brown, MJ and Anna N 4 Comments

SEAN: I’ve been joking about the large amount of manga coming out last month and this month, but a look at what’s coming in October tells me I should have held back. October is vicious. That said, next week has a far greater amount of manga than usual on 4th weeks of the month, so let’s take a look.

MICHELLE: I just really cannot be bummed about that.

SEAN: Dark Horse has a 6th Lone Wolf & Cub Omnibus, which unsurprisingly has nothing to do with Spice & Wolf at all.

ASH: That it does not.

SEAN: DMP has a trio of new BL manga releases. Apple & Honey is apparently quite heartwarming, A New Season of Young Leaves is a schoolboy romance, and Twittering Birds Never Fly seems to be the darkest and most psychological of the three.

ASH: I’m really happy to see A New Season of Young Leaves finally being released after being delayed so many times. It has the same author as Seven Days (which I loved), so I have high hopes for the manga.

MJ: Oh, I also loved Seven Days… I will have to check this out.

SEAN: Kodansha has a 3rd xxxHOLIC omnibus, which hopefully continues to show off Watanuki, one of the best male leads they’ve ever had.

MJ: Hurrah! I will always applaud xxxHolic.

SEAN: One Peace books has two volumes of a new series that could not be farther away from its previous license, Whispered Words. Raqiya: New Book of Revelation is a seinen manga from Kodansha’s Morning magazine, and deals with God returning to Earth, sort of.

ASH: It also deals with heavily armed heretical cults. And lots of things explode, too.

ANNA: Explosions and cults sound good!

MJ: Agreed!

SEAN: I enjoyed the first volume of D-Frag! more than I expected, with its focus on the weird rather than the cute. I’m hoping for more with Vol. 2.

Seven Seas has a third volume of Dance in the Vampire Bund: The Memories of Sledge Hammer, and yet I betcha he still hasn’t said “Trust me – I know what I’m doing” anywhere in it.

I enjoyed the first volume of Girls Und Panzer more than I expected, with its focus on the tanks and teamwork rather than the cute. I’m hoping for more with Vol. 2.

Series based on Alice in Wonderland are to the last two years what vampires were to the two years before that. Here’s I Am Alice: Body Swap In Wonderland, from the author of Dictatorial Grimoire. I’m hoping for some nice snark.

ASH: Oh, I had missed the Dictatorial Grimoire connection. It should have interesting character designs then, if nothing else.

SEAN: World War Blue has got to be running out of old-school video games to turn into fantasy kingdoms, given it’s up to Vol. 7.

If you enjoyed the first volume of the Accel World light novel from Yen On, perhaps you will also be entertained by its manga equivalent. I look forward to seeing if our hero’s weight is drawn purely for comedy or not.

MJ: I’m interested in this, and your question, too.

SEAN: Are You Alice Volume 6? Or are you any one of 10,000 other Alice titles?

ASH: Heh.

SEAN: I suspect Bloody Cross 4 will be the volume that finally makes me decide to continue with the series or not. Let’s hope it’s a good one.

The Disappearance of Nagato Yuki-chan has its 6th volume of being mild, adorable, and having minimal conflict. Can it keep this up?

Each adaptation of a Durarara!! light novel seems to get its own separate manga series, so this 3rd series adapts the 3rd novel. After focusing on Mikado and Anri in the first two, Masaomi should get focus here.

I love GA Art Design Class, probably more than it deserves, and definitely more than any other bloggers out there. Don’t care. Cannot wait for Vol. 6.

And for the rest of the Manga Bookshelf team who aren’t waiting for moe slice-of life art school antics, there’s Goong 16.

MICHELLE: *Kermit flailing arms!*

ANNA: SQUEEEEEEEEEEEE!

MJ: SO MUCH SQUEE.

SEAN: And for those angry at GA for taking up all the artist’s time, there’s a 4th volume of the much darker series by the same artist, Shoulder-a-Coffin Kuro.

And speaking of dark, Soul Eater’s covers are going to be pure black before too long.

If you’ve only been following the Spice & Wolf light novels, why not check out the manga? It’s up to Vol. 9! I understand there is some spice, and perhaps even a wolf (or wolf girl).

ASH: No swordsmen or young children in carts?

SEAN: Lastly, we get a 7th omnibus of the thrilling epic action movie manga Until Death Do Us Part.

MICHELLE: I really need to get caught up with this. I liked the first volume much more than I expected to.

SEAN: That’s a lot. What’s for you?

Why It’s Worth It To Buy Manga

September 16, 2014 by Justin Stroman 8 Comments

Why is it worth it to buy manga?

Living in New York City, where there’s Barnes & Nobles everywhere and a Kinokuniya on 41st and 6th, most manga available range from $10-13 dollars (Think Shonen Jump, Seven Seas, Shojo Beat, Kodansha, DMP for the most part), $14-20 dollars (think some Vertical titles, Viz Signature stuff), or you’ll find that rare manga title that’s $20-29 dollars (I think of Fantagraphics). Even if you order online, chances are buying food might be more important, cheaper, and satisfying than shelling out $8-9 bucks for a manga volume that has the issue of:

It’s a volume out of who knows how many volumes of one series.
The average reader can spend 30-45 minutes, depending on the material, on that one volume.
Even if that one volume is perfect, what about the other volumes that come out that might not be so perfect because the storylines change?

And that’s just knowing the basics! If you’re a regular manga reader, then you’ll find other issues that pop up:

Most manga in the states are well behind the Japanese editions. Only a certain few — Attack on Titan, One Piece — are popular enough to not be completely behind the JP editions, and in the history of manga publication in the states, only a few have been simultaneously published — Rin-Ne, Neon Genesis Evangelion are some I can think of — meaning we’re always gonna be behind in every facet unless we read it digitally.
Space, space, space! Just like books, manga requires bookshelves, boxes, and space in your room to keep your manga. In the past, it was mostly ok, but with digital, reading manga physically is a thing of the past!

But ok, reading manga in your hands isn’t convenient for you. But that’s why we can read it online! There’s digital alternatives!…Oh, but there are issues there too:

There’s manga services (Viz Media, Crunchyroll, Renta!) that don’t allow you to download manga since they’re flash based! So what happens if the service goes away? Won’t the manga go away? Didn’t we learn our lesson from JManga?
(Note: if you have a phone/tablet, you can download and keep any Viz Media titles forever)
And the ones that can allow us to keep pages (eManga, Manga Reborn) have some major site issues that limit potential — Paying $7.95 seems weird eManga! What’s with the design of the site Manga Reborn? I can’t tell what’s really new and cool to read!

All in all, there are logical, physical, and cost reasons regarding the purchase of manga that make me ask:

…Why is it worth it to buy manga again?

When I wrote a post wondering why people who read manga illegally end up informing publishers in multiple ways that they’re reading a manga the publishers licensed illegally, the answers were concise and straightforward. So, in a way, the response regarding price, digital alternatives, etc, reinforced something I’ve become more inclined to believe in since I’ve delved further into the manga industry (and in small ways manga fandom):

Manga is just not valuable.

I’ll say this though: it’s certainly valuable to go buy a $3.99 comic book issue or so that’s only 32 colored pages or a graphic novel that’s around $15-20 dollars, but not really cool to pay $10-20 dollars of 200 or so pages for a manga volume. It’s well worth it to shell out $60 dollars for a physical video game and have that sort of collection, but not as worth it to do so for manga since you’ll more than likely get more entertainment value out of the video game.

Now, as mentioned, there are legitimate reasons for concern about getting manga…moreso for those outside of the US. There’s digital alternatives that exist but are marked by harrowing issues (Manga Anime Guardians is Exhibit A), are region locked (though not as much as anime is), and are flash based, which apparently is more of an issue than I thought. There’s a lack of publishers, or no publishers, to publish manga outside of places like the US or France, and there are shipping issues that make a manga that’s $10 bucks cost more than it probably should if you’re ordering overseas in certain countries. There’s definite concerns that are worth complaining about, and you should complain about it if it’s something that can help publishers get better.

But you know, the other industries I mentioned, while they suffer from their issues, get criticized, and are for a different market, still sell pretty well. Manga on the other hand…not so much aside from the mainstream stuff.

Is this just a case of years and years of the manga market being inflexible, unflinching, with their model that doesn’t always show itself to be efficient? Past mistakes that are so unforgivable that it’s best to forget the creators actually exist and screw the publishers? Or just the notion that reading is a chore, you don’t want to fill your room with tons of manga that, for some, have no end in sight, etc? Or is this just a case of where you stand personally?

I graduated from school two years ago. At the time of graduation, I had no job, only money that I got from parents and family from graduating, and no real idea of what my future was. Needless to say, I ran out of money thanks to time, and that meant buying manga was unrealistic. The problem? Buying much of anything aside from a brand new Metrocard so I can get to job interviews and job fairs was unrealistic, so for most of 2013 and 2014, the only solace I had was that I could choose to read manga online, in an illegal fashion.

Of course I chose to do that!

…Not in the way you think though. For the most part, I only read stuff that no publisher would really care about. Like this interesting manhwa title called The Breaker: New Waves, or that extremely silly Mangaka-San to Assistant-San (better known somehow here as Comic Artist and his Assistants) by Doujin Work creator Hiroyuki. For anything that would get licensed, unless I liked it a lot, I’d pretty much drop reading it.

Well, I only ended up following two titles like that — Assassination Classroom, which I haven’t read since early in the year, for a few reasons, but once it got licensed, I stopped feeling the drive to read it, and Shokugeki no Soma, better known as Food Wars! Shokugeki no Soma here. I did not drop Shokugeki no Soma once it got licensed. More on Soma in a bit. In any case, I followed what I could, and most importantly, any new title that showed up from publishers I didn’t read…in any capacity. After all, I can’t — or don’t want to — read everything in existence.

I finally got a job. I started a few months ago. That means I have money to spend! But…I can’t just spend it on everything, as my paycheck isn’t even that much right now. I’m pretty much drowning in school debt, which I can thankfully delay for one more year. So I’m also in the process of saving money too. What does that mean? That means spending judiciously, targeting continuing stuff I’ll like, and waiting to buy everything.

That means finally buying a physical copy of Food Wars.

nomnomnom

And I’ll be waiting to buy a copy of Assassination Classroom. Maybe the first few chapters will read better than when I read it online.

The point is, you want to read manga online, fine. I do it too. If there was a efficient way to get copies of something you like, a game or a novel or whatever without having to pay in any fashion, that’s your prerogative, and in the case of manga, especially when legitimate publications that most mainstream people read (coughcoughNew York Timescough) can’t get it right either, how can I blame you? After all, it’s not like it’s being stopped right now.

But is manga really so worthless that you can’t even set a modest limit to buy some manga during the year?

That’s unfortunate, because I find manga to be something of great worth. I find it worth buying, and especially for a certain few, I find it worth having in my hands.

I’m not alone in thinking manga is worth buying.

———-

Sarah Hayes lives in Missouri, and has been collecting manga for 14 years. How did she even know about manga? Well, it started with Pokemon, Toonami, and her nearby comic shop. “When I realized there was a comic version of Gundam Wing–” Sarah emphasizes she was really into the series — “I picked it up. And then I saw comics for Sailor Moon, Cardcaptor Sakura, Oh! My Goddess, and at point, I was hooked.”

Tony Yao lives where I live: New York City! He got interested in manga back in 1998, while still in high school, and, well, back when AOL dominated and most websites looked old and aged. “I learned about what manga was when reading about Ghost in the Shell in an issue of Wizard Magazine back in 1995,” he said. “But in 98’, I discovered that Dragon Ball Z was a manga. I read old-fashioned text summaries of DBZ volumes on a Geocites DBZ fan site and that’s how it started!” He started collecting manga in 2003.

Erica Friedman, who lives in New Jersey, has been into manga since the 1990’s, “with the advent of Sailor Moon,” she said. Of course, she’s also been a part of the manga industry, starting her yuri publishing company ALC Publishing, which exclusively published Yuri content; starting Yuricon, a convention geared towards yuri related manga and anime content; and was part of the creation of MangaNEXT, an exclusive manga only related convention. So she’s been in the manga industry and fandom side of it for a long time.

Unfortunately, with issues with the fandom and the differences between JP and US relations proving to be too much, ALC Publishing effectively is no longer publishing anything new. Has that closed the book on her interest in manga? Nope, as she still buys the Japanese editions.

Ash Brown (I think you know who he is around these parts!) was Ohio bred and born, but then he ended up moving to Michigan when he got older. He works as a librarian — “sadly, my job has nothing to do with manga,” he bemoans — and on the side, he’s a musician, and a martial artist. He is the neophyte when it comes to manga collecting: he started collecting manga in 2009 (same for me) when he got employed and had a decent income, though it did take reading Urasawa’s Pluto and manga criticism from Jason Thompson for him to dive head first into manga.

“I have been collecting manga since 2004,” says Noura, a manga fan in Florida…or was in Florida, until in 2000, she moved back to her home. Her home is in the United Arab Emirates. Yep, the UAE is in the eastern part of the Arabian Peninsula. She’s Emirati. There’s only the Kinokuniya in Dubai that actually sells manga, and even so, due to Islamic culture, there are manga that are banned from even getting published, especially Boys Love. How strict are the restrictions over there? “They were about to ban Attack on Titan Vol 8 because of the cover,” she said. The Kinokuniya staff did negotiate and convince regulators and parents (who she mentioned are conservative on these things) that they could sell it. But certain volumes of Dance in The Vampire Bund were banned. From The New World was in stock, but, whether it was due to sales or the content in the volume, they were slowly removed from the bookstore.

It hasn’t really stopped Noura from continuing to go back to that Kinokuniya, or just ordering the manga online. Considering the restrictions in place, it does make you wonder — why buy manga when you have to go through so many hoops to get it?

“Buying manga is like any other hobby,” said Noura, “so I do not understand why people refrain from spending money on it. If you love something, it feels better when you pay for it and have it, right? Video game fans buy games and I do not think they find it a waste of money, so I do not get why a lot of people feel that buying manga is not worth it.” She also mentioned that for titles she’s not sure of or not interested in owning the books of, she buys it digitally.

Erica reinforces this thought. “The simplest reason to buy manga is that actually putting your money where your interest is, is the easiest and best way to say ‘thank you’ to the manga artist you enjoy, the editors, the translators, the layout, the touchup, and letterers who all worked hard to bring you that book.”

Tony’s view on why it’s worth it to buy manga is the same, though it starts with a personal reason: details. “It’s easier to re-read things from a print book than from reading online. Reading online doesn’t allow for a better recall of details.”

…I actually agree with that statement. But that’s merely a personal reason, and people are different. That’s why Tony’s second reason comes down to simply supporting mangaka. “You ensure someone else who has a dream about making it big as a mangaka can come true. If the industry grows, the money goes back to developing and nurturing future talent.” Tony references Hajime Isayama, and of course, with the big success of Attack on Titan not only in Japan but also in the West, he will be a name to be recognized after his current series ends. “A kid may be inspired to make manga because of him,” he continued. “He/she grows up and decides to pursue that dream and makes it happen. This situation has happened in the case of Akira Toriyama and the countless mangaka he’s inspired because of Dragon Ball. Your indirect support helps everyone.”

Even he acknowledges, however, that it’s not gonna be easy. With books in general, outside of a few best-sellers, they may be available everywhere but it’s not like they sell that much anyways, so why would manga sell the same when there’s not the same output? And scanlations have changed the game and forced publishers to actually pay attention to them, he said. None of that’s gonna change in the near future. But we can do something about that.

Sarah’s view on manga is the same and yet slightly different. Well, she does like having ownership of series she likes. “I love knowing that I can read and re-read and casually flip through my collection and not have to rely on someone else to keep them up on a server somewhere or a scanlation group that could very well shut down the very next day.” But, as a writer, her view of manga continues to change. “I’ve come to really value buying manga over any other course of action because as a writer, I understand how important it is to financially support our artists and writers and manga-ka everywhere. If shelling out so many dollars for a book of manga means keeping my favorite authors and the like in their homes, puts food on their tables, and keeps them from stressing out and focused on their work, then that’s cool by me.”

For Ash, who got into the collecting manga game late compared to everybody else, his reasons for thinking why buying manga is worth it are not complex, but not also simple, since he works as a librarian. Well, specifically, he works with digital content and materials, “so I am all too aware of the many challenges associated with them,” he says. It ends up starting physically, where you might as well spend your money on something that will last and can be shared with others. Then it’s mere exploration. “Personally, I take great enjoyment in the actual act of selecting and gathering material into a collection. I like finding and discovering manga to read and pulling it all together in one place.” He also ends up donating some of his collection — he told me his current collection’s close enough to 2,000 individual volumes of manga — to libraries, since that was how he originally was reading his manga: by borrowing it from them. “Libraries were what made it possible for me to pursue my interest in manga and other comics in the first place. It makes me extremely happy to know that even after leaving my collection, the manga that I bought will go on to be read by many other people.”

Overall though, the reason to actually buy manga is just like everyone else, for Ash: “I love manga and am appreciative of the creators and their work. I want to support them. There are easy ways to do that: I can purchase manga which have been licensed in English. I can purchase the original Japanese editions. I can borrow manga from a library. I can also encourage other people to do the same. By buying or borrowing legal copies of their work I am able to help support them and the industry financially so they can make a living and continue to create.

“In the end,” he added, “that’s what really matters to me. That’s why I buy manga. Because I love it and the people who make it.”

———-

As I briefly mentioned, I started collecting manga back in 2009 for a few reasons, one of which I eventually drifted away from as I lost my passion for art, or for making comics. Despite that, manga was always around for me to get, so I still continued buying. And yes, even despite Borders going away, it didn’t really change that much — I just now order online. Though my collection is extremely modest compared to mostly everyone, I think it’s cool to buy manga. Think of some of the examples given with what you can do with manga! You can re-read it anytime, hold it in your hand, buy it digitally, lend it to a friend or two, or donate it to your library. You could also do what I did and donate to your local anime/manga club (which I did do for some manga a few years ago). There’s a lot of things you can do with manga that I bet you wouldn’t want to do with your video game!…well, except sell it. Well, you can do that with manga too if you wish! Just, it depends how much you’re selling!

But whatever the case, sure, there are complaints that can be had about publisher practices, the current model, etc, and it is well within your right to complain about it, especially if you have a perfect example of a series that has been translated horribly, why should you accept a poor product, or an example of a manga that’s been poorly marketed (According to Twitter Noragami was apparently a victim of this for what it’s worth). And ok, sure, you can go ahead and choose to read some obscure or big time manga for free, since there’s hundreds of places to go do so, and not nearly enough legal services that you may feel that serves your needs — especially so for those who live outside the US. And paying for manga that you might not even want to keep three, four years from now? What kind of concept is that?

But there will always be issues with almost everything we choose to engage ourselves in — is manga thought about so little that we can’t even find a way to buy manga in English? In another language? In Japanese? Then that’s all manga is to you: of little value.

Fine, that’s ok. But I think manga has value. And that it is worth buying. Whether you buy a lot in a month, or choose to buy two manga in a month, or just once in two months, or however you do it, it adds up somehow. It will benefit someone. Whoever that person is! But contributions help. Even just going to your nearby library can help. In the end, it’s up to you really if you want to stuff your small room with manga or choose to buy manga digitally from a system that’s crippled from the get-go.

I’ll just state that I like manga a lot and I’ll continue to buy what looks to good to me…until I feel like manga is no longer an interest to me. Whenever that is!

Justin is the founder of Organization Anti-Social Geniuses, an anime/manga blog. He continues to fight his laziness, even though its inevitable he can’t defeat it. You can bug him on Twitter (@Kami_nomi)

My Week in Manga: September 8-September 14, 2014

September 15, 2014 by Ash Brown

My News and Reviews

Two reviews were posted at Experiments in Manga last week. Coincidentally, they both happened to be for works that are a bit disconcerting. First up was my review of Boogiepop and Others, the light novel by Kouhei Kadono which launched the entire Boogiepop franchise. The book is a fantastic mix of science fiction, mystery, and horror with a particularly interesting narrative structure. I’ll definitely be tracking down more of the series to read. The second review was a part of my Year of Yuri monthly review project. I took a look at Erica Sakurazawa’s Between the Sheets, one of the very first josei manga to be released in English. It’s a story about obsessive love and is legitimately disturbing, but in an entirely different way than Boogiepop and Others.

I’ve been super busy at work recently (actually, life in general has been pretty busy) so I’ve not been able to keep up with a lot of manga news, but I did catch a couple of license announcements from this year’s YaoiCon. SuBLime has a new slate of digital and print manga to look forward to (I was particularly excited to see a Tomoko Yamashita manga licensed; sadly, I think it’s digital-only at this point) and Digital Manga will be releasing a collection of Kou Yoneda’s No Touching at All side stories, among other things. Also, Mangabrog posted translation of a Q Hayashida interview from a few years ago. As a fan of Hayashida’s Dorohedoro, I was very happy to have a chance to read the interview.

Quick Takes

From the New World, Volumes 4-5 written by Yusuke Kishi and illustrated by Toru Oikawa. I continue to be completely torn by From the New World. There are parts of the manga that I absolutely love, but there are several things that frustrate me immensely and greatly inhibit my enjoyment of the series. I am not a prude and am generally not offended by fanservice, but the sex scenes in From the New World seem so incredibly out-of-place. I know that sexual relationships are an important aspect of the worldbuilding in From the New World, but the manga does not integrate them very well at all. I can only assume the original novel handles it better. Thankfully, the sex scenes in the manga are relatively rare. Unfortunately, they are very difficult to ignore and are only ever shown when young girls are involved. From the New World does much better with the story’s science fiction and horror elements. It is dark and disturbing, and these two volumes are particularly graphic and violent, as well. Despite my reservations–of which I have quite a few–I do plan on finishing the series. There are only two more volumes after all.

Kinoko Inu: Mushroom Pup, Volume 1 by Kimama Aoboshi. The first volume of Mushroom Pup may very well be one of the oddest manga that I’ve read recently. And even though I enjoyed the volume, I’m still not exactly sure what to make of it. Calling Mushroom Pup quirky would be putting it extremely lightly. Hotaru Yuyami writes and illustrates horror books for children, but ever since his beloved dog Hanako died his creative impulse has completely left him. One evening a strange pink mushroom growing in his garden turns into an even stranger intelligent dog-like creature which attempts to help Yuyami get over his loss in some very bizarre ways. (This isn’t even attempted to be explained.) Also invading Yuyami’s life as he tries to grieve is his childhood friend-cum-editor and a mushroom researcher (with an amazing mohawk) who just so happens to be a huge fan of Yuyami’s work. For all of its strangeness, Mushroom Pup is actually rather subdued and even the humor tends to be straight-faced, which in some ways makes it even funnier. At the same time, it’s also a bit melancholy and heartwarming.

Raqiya: The New Book of Revelation, Volumes 1-2 written by Masao Yajima, illustrated by Boichi. One Peace Books doesn’t tend to do much in the way of marketing or press releases, so it seems as though the publisher’s manga appears almost out of nowhere. Raqiya is a five-volume series focused around a young woman named Luna who seems to be the harbinger for the end of days. She has caught the interest of a small but extreme cult of heretical Christians as well as the attention of a secret and heavily armed Catholic organization charged with hunting down such heretics. It’s interesting to see Christianity play such a huge role in a manga, even if it is a highly fictionalized version of the religion. There’s also plenty of destruction and action in Raqiya–explosions, gun fights, car chases, and so on. Boichi’s artwork is effectively dynamic and extremely intense, if occasionally a bit over the top. Raqiya is definitely a violent and extreme manga; Boichi doesn’t hold back. Boichi is a Korean artist now working and living in Japan. His series Sun-Ken Rock has been available digitally, but Raqiya is his first manga to be released in English in print.

UQ Holder!, Volumes 1-2 by Ken Akamatsu. Technically a sequel of sorts to Negima!: Magister Negi Magi (or at least set in the same universe), UQ Holder! seems to stand completely on its own and requires no knowledge of the earlier series. (Which is a good thing seeing as I haven’t read it.) So far I am fairly underwhelmed by UQ Holder!, though there are a few things I like about the series. Akamatsu’s fight and action sequences can be fairly entertaining, for one. Also, I tend to enjoy manga that explore the repercussions of immortality, which UQ Holder! is set up to do. Unfortunately, it hasn’t quite followed through on that potential yet, despite a wide variety of different types of immortals and immortality being introduced (vampires, genetically modified humans, cursed beings, and many others). In general, the story of UQ Holder! is lacking a clear direction with far too many different genre elements, tropes, and cliches being forced to share the same series. It doesn’t help that the goals and motivations of the series’ protagonist are left deliberately vague as well; Akamatsu tries to make a joke of it, but it either doesn’t quite work or just isn’t funny.

Skip Beat! the drama

September 13, 2014 by Anna N Leave a Comment

I recently marathoned 14 episodes of the Tawainese live action version of Skip Beat! which is airing now on Dramafever. This production has been stalled in development previously, with Jerry Yan aka the Tsukasa role from Meteor Garden set to play the Ren Tsuruga character. Instead in this version we have some amazing stunt casting with two members of Super Junior playing the roles of Sho and Ren. My love of Korean entertainment generally starts and ends with k-dramas, so my awareness of Super Junior is just that they are the group that does the Sorry, Sorry song.

I’m always curious to check out live adaptations of manga that I enjoy, because when done right it gives me an opportunity to enjoy a story I’ve liked in a different way. I have a couple quibbles with the casting, but overall I think that most Skip Beat! manga fans will be happy to check out this drama.

Skip Beat! is the story of Kyoko (sorry, I’m going to just stick with the original names from the manga), a young girl without a family who is raised alongside Sho Fuwa, whose main ambition is to become an idol. She follows Sho to the big city and works multiple jobs to support him while he pursues his music career. When she finds out that Sho has just been using her all along, she takes a vow of revenge to punish him by eclipsing him in the entertainment industry. She manages to join a top talent agency, LME under the “Love Me Program” where she has to slowly work her way up in the industry by acting as a gopher while wearing a humiliating pink jumpsuit. She meets and makes an impression on Ren Tsuruga, a leading young actor and Sho’s senior in the industry. As Kyoko progresses in her journey towards celebrity, she gradually finds the craft of acting more and more rewarding.

I was wondering if a live action adaptation of the manga would manage to capture some of the frantic energy in Yoshiki Nakamura’s illustrations, and I was pleasantly surprised by the appearance of Bo the Chicken in the credits, along with some low budget cgi versions of Kyoko’s grudge spirit creatures. The first episode showed Kyoko’s superspeed as she frantically races to get to a store to grab a promotional poster of Sho. You can get a general feel for the show in this trailer, which shows a few moments from the first few episodes:

Ivy Chen is a good Kyoko, angry and vengeful when needed, and then innocent and enthusiastic when she gets her first chance to transform into the princess of her dreams at the hands of a makeup artist.

On the whole, I was very pleased with how closely the drama followed the manga in terms of plot, handling Kyoko’s unconventional entrance into the entertainment industry, where the skills she perfected by growing up helping out at a traditional Japanese inn coincidentally come in handy during her first acting jobs. The choice to dub Siwon’s and Donghae’s voices as Sho and Ren is a bit distracting at times, but since I don’t understand either Korean or Mandarin, I guess I shouldn’t be too picky. As Sho, Donghae basically has to act petulant and spoiled most of the time.

Petulant and Purple

I had some issues with Siwon as Ren, mostly due to the fact that there wasn’t really a noticeable age difference between the actors, when I expect Ren as a character to appear much more mature than Kyoko and Sho. On the acting side, Ren in this drama is as reticent and inner-focused as I’d expect Ren to be, with the pleasant and professional mannerisms starting to be derailed a bit due to close proximity with Kyoko.

Tiny Grudges!

One thing I was very happy about was that the relationship between Kyoko and Kannae had plenty of time to develop. I was worried that the drama would push things too far in the direction of Super Junior Love Triangle, but Kannae and Kyoko’s gradual friendship forged in the adversity they face as fellow “Love Me!” Section comrades got just the right amount of screen time.

Besties Forever!

At 14 episodes in, this series is getting up to the point where Kyoko appears in Sho’s video, and I expect the series will be heading into the Dark Moon storyline soon as well. It’ll be interesting to see how they decide to wrap the series up, since the manga hasn’t ended yet.

Carrying a girl in a pink jumpsuit around. As you do.

Putting aside my quibbles with live action Ren not seeming older and manly enough, this is a very solid adaptation of Skip Beat! that should please fans of the manga. My only problem is having watched so many episodes at once, the main song for the title credits is now seared into my brain.

Manga the Week of 9/17

September 11, 2014 by Sean Gaffney, Ash Brown, MJ and Michelle Smith 2 Comments

SEAN: Given the beginning and end of September have far more manga than is really sensible, it makes sense that there are also weeks where very little comes out. This is one of those weeks.

Guidebooks are quite popular in Japan, but have never sold well in North America for some reason. Kodansha hopes that changes with the publication of Attack on Titan Guidebook: INSIDE & OUTSIDE. I think this omnibuses two separate guides from Japan, and will tell you far more than you could imagine about the world of the Titans.

ASH: I’m rather curious to read this one, especially since Kodansha has been so adamant about only publishing manga until now.

SEAN: Actually, back in the Del Rey days they released guidebooks for Tsubasa.

Kodansha also has the 5th volume of Genshiken 2nd Season, which continues to fascinate with its attempts to grab a new BL audience while still courting its old one via the harem antics.

MJ: So, I never picked this up, because I’d never read the original Genshiken and so on… but I do sort of want to let them attempt to grab me as a BL audience. That’s always fun. So. Hm.

ASH: Well, I can say that I’ve been enjoying the second season!

SEAN: Speaking of Attack on Titan, for those who enjoyed Kodansha’s release of Before the Fall, the prequel series, the novel it was based on comes out via Vertical, who have said it’s selling even better than hotcakes – and you know how well hotcakes sell.

MJ: Mmmmm, hotcakes.

ASH: Mmmmm, light novels. If I recall correctly, Vertical has already had to order a second printing of Before the Fall, and it hasn’t even been released yet!

SEAN: The final volume of Bokurano: Ours from Viz has been anticipated for so long that I made the joke about it back a month ago when Ikigami ended. So go look at that entry instead.

MICHELLE: I should muster my fortitude and finish Bokurano. I think I will have to do it on a sunny day amidst frolicking unicorns or something, just to keep my spirits up.

SEAN: Viz also has the second volume of Terra Formars.

So, ignoring that deliberate silence, what will you be picking up next week?

My Week in Manga: September 1-September 7, 2014

September 8, 2014 by Ash Brown

My News and Reviews

There were three posts of note at Experiments in Manga last week in addition to the usual My Week in Manga feature. First of all, the winner of the Nana manga giveaway has been announced. The post also includes a short list of manga that people gave a second chance only to discover that they enjoyed them better than they did the first time they read them. I also posted August’s Bookshelf Overload, revealing how out of hand things can get when it comes to the number of manga I obtain over the course of a month. The first in-depth manga review of the month was also posted, the honor going to Hinoki Kino’s No. 6, Volume 8, the series penultimate volume. As a bonus, the first print run of the volume also includes sixteen color pages!

A few things of note from elsewhere online: The Beautiful World, which hosted the Kaori Yuki Manga Moveable Feast a while back, has issued a call for participation for a blog carnival to feature female goth mangaka in January. Sean has a nice roundup of some of the recent license announcements at A Case Suitable for Treatment. And Anna at Manga Report checks out Sparkler Monthly, which is currently running a membership drive for its second year. Please consider subscribing if you can; Sparkler Monthly has some great content and I hope for its continued success.

Quick Takes

Alive by Hajime Taguchi. Gen Manga publishes independent manga, mostly focusing on the seinen demographic. Often, Gen’s releases are the first time the creator’s doujinshi have received any sort of “official” publication. Alive is a collection of over a dozen short manga of varying lengths by Hajime Taguchi. There’s not really a central theme to the volume, and the stories aren’t related to each other, but they all tend to be fairly melancholy. A few of the tales have some fantastical or surreal elements to them–a pair of glasses that obscures everything the wearer dislikes, a bizarre frog-like creature that talks, and so on–but most of the manga in the collection tend to be realistic, slice-of-life stories. Alive primarily explores the emotional lives of the stories’ characters. Love, heartbreak, self-confidence, guilt, personal growth, and loss are all present within the manga. Generally Alive focuses on the darker aspects of the human psyche and experience, but there are glimpses happiness as well. As with any collection, some stories are stronger than others, but as a whole Alive is a satisfying and somewhat unusual read.

The Heroic Legend of Arslan, Volume 1 by Hiromu Arakawa. Based on a series of fantasy novels by Yoshiki Tanaka, Arakawa’s The Heroic Legend of Arslan is one of several adaptations that have been made. Although the animated film had previously been released in English, Arakawa’s manga was actually my introduction to The Heroic Legend of Arslan. The first volume feels a bit like a prologue, introducing the characters and setting the stage for the story which will be the series’ real focus. Arslan is the young prince of Pars, mostly ignored by his parents but hoping to be seen as worthy by them. His chance to prove himself comes when the kingdom of Lusitania invades Pars, bringing war and destruction with it. In the first volume alone there have already been several battles and betrayals. Blood and death will not be strangers to Arslan, though it seems he would much prefer to find peaceful solutions to the fighting. So far, I’m enjoying The Heroic Legend of Arslan. It’s shaping up to be a solid fantasy series and the setting, which is influenced by historical Persia, is particularly interesting. I certainly look forward to reading more of the series to see how it develops.

Kokoro Connect, Volume 1 written by Anda Sadanatsu, illustrated by CUTEG. I tend to enjoy series that involve body-swapping of some sort (it often provides clever opportunities for the exploration of personal identity), so I was curious about the Kokoro Connect manga, especially after hearing good things about the anime. In most of the body-swapping series that I’ve been exposed to generally only two people are involved, usually of the opposite gender. Kokoro Connect, however, involves five high school students–two boys and three girls–who one day begin to spontaneously switch places in all sorts of different combinations. This means that there are plenty of comedic possibilities for the series, but for the most part Kokoro Connect seems to be taking a more serious approach, addressing some of the more sobering implications of involuntarily swapping places with another person. The group does seem to be handling the whole situation remarkably well so far, though. There is a half-hearted attempt to begin to explain the whole swapping phenomenon, but it’s not especially compelling at this point.

Rabbit Man, Tiger Man, Volume 2 by Akira Honma. It might not be the most believable boys’ love series out there, but I was amused by and rather enjoyed the first volume of Rabbit Man, Tiger Man. While there is still plenty of humor in the second volume of the series, the manga has really started to take a turn for the serious. The yakuza plotline has become more prominent, introducing a significant amount of danger to the story. However, the delightful awkwardness between the series’ two leads still remains. Nonami and Uzuki are complete opposites in personality and demeanor. (They would be the titular tiger and rabbit.) It’s actually rather funny and sweet to see how hard the rough, tough yakuza boss has fallen for the meek, diminutive surgeon. I do think that I probably enjoyed the first volume of Rabbit Man, Tiger Man slightly more than the second, but I definitely want to read the third and final volume. Sadly, there’s no indication that it has or will be licensed. This is particularly frustrating since the second volume ends on one heck of a cliffhanger.