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Bookshelf Briefs 4/2/24

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Frieren: Beyond Journey’s End, Vol. 10 | By Kanehito Yamada and Tsukasa Abe | Viz Media – Ah, Macht. He may be trying to be a demon who understands human emotions, but that does not mean that he’s not going to massacre humanity whenever it’s convenient for him. We also meet another demon who seems to be Serie’s evil twin, and she absolutely LOVES Fern and Stark, hoping to pick their brains about humanity before she mercilessly slaughters them. Unfortunately, Frieren is down for the count this entire book, as she has to analyze Macht’s memories to figure out how to counteract the “turn everything into gold” spell. So in the end it may be up to Denken to save everyone—though he’s also troubled, as Macht is his beloved mentor too. Frieren, in the last six months, went from being a hit to a phenomenon. This volume helps to explain why. – Sean Gaffney

In/Spectre, Vol. 19 | By Kyo Shirodaira and Chashiba Katase | Kodansha Manga – There’s some interesting stories here, but it’s hard to get past the robot Kotoko, one of the funniest things this series has ever done. The fact that it’s just a tank with a Kotoko head. The fact that it’s got just as perverse a mind and filthy a mouth as the real Kotoko. The fact that the series uses it to take potshots at AI. Or the fact that Rikka is devastated at the loss of her robot, far more so than she would be for Kotoko herself. Indeed, far more so than Kotoko is when Kuro manages to accidentally kill himself making pizza. This is the other great gag of the volume, showing us that just because you can come back from the dead all the time doesn’t mean it’s harder for you to die—in fact it’s super easy. Wonderful fun. – Sean Gaffney

Kubo Won’t Let Me Be Invisible, Vol. 12 | By Nene Yukimori | Viz Media – This really did drag things out as much as possible. Everything suggested that the big confession was going to happen on the school trip, and we even got to see them interact with an elderly couple who are clearly meant to be similar to them, but a lost child, a lost timetable, and Shiraishi putting things off one more time means it waits till they’re back at school. The outcome of this is obvious to everyone except the two of them, and the manga is very good at showing the deep insecurities that come with first love. Eventually it all works out and they’re a couple… and then the manga ends, though the author thankfully adds an epilogue for the volume release showing a future proposal. This ran on adorable, and remains so to the end. – Sean Gaffney

Natsume’s Book of Friends, Vol. 29 | By Yuki Midorikawa | Viz Media – The first story wraps up the arc from last time, and again, reminds us that perhaps working with yokai all the time is not what Natsume should be doing for the rest of his life. He can’t help but sympathize too much with them, which is why he’s so popular, but it’s gonna get him in trouble some day. It doesn’t help that the last story in this book has him literally cosplaying as Reiko, the generations coming together far more than he probably would like. In between we get a locked room murder mystery type thing involving a box that supposedly has a yokai trapped inside. Guess what happens to the box. Generally speaking I like the series more when it has a bit more hardcore main plot to it, and his is more ‘yokai short stories,’ but it’s still very good. – Sean Gaffney

The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You, Vol. 9 | By Rikito Nakamura and Yukiko Nozawa | Ghost Ship This is another one of those volumes that separates the casual 100 Girlfriends fan from the hardcore fan, as we add to the list Kusuri’s grandmother, who is in her 80s but is permanently locked as a child due to excessive use of drug-taking. If this makes your jaw drop in horror, please read some more normal series. If you said “Of course she is,” welcome to the club. The other new girlfriend, Momiji, is not as interesting, and her gimmick is using her love of massage techniques as an excuse to grope anyone and everyone. Still, the girls don’t matter as much as the gags, and 100 Girlfriends remains very, very funny, provided you do not mind it scampering over every fetish ever. – Sean Gaffney

Pass the Monster Meat, Milady!, Vol. 2 | By Kanata Hoshi and Chika Mizube| Kodansha Manga – Last time I noted that these two goofy monster kids were made for each other, and in this volume we see that they truly need each other. Duke Galbraith is forced to fight monsters constantly because they overrun his territory, and he is not at all fond of his bloodthirsty reputation. As for Melfiera, her own family has been helping sell her terrifying image, and her stepmother is an absolute bitch (and, it’s implied, may have been a losing rival to Melfiera’s late mother back in the past). The idea that she can come to their territory and help them with things like “make the evil monster fish taste like fish and not magic garbage” is a huge plus, and I hope that she flourishes in her new land. Definitely reading more. – Sean Gaffney

Tales of the Tendo Family, Vol. 1 | By Ken Saito | One Peace Books – A nameless young woman has one remaining wish in her life—to die while saving the life of another. And so she finds herself taking the place of Hojo Ran, a noblewoman betrothed to Masato Tendo, a man embroiled in a deadly battle of succession. “Ran” is a surprising and unusual heroine. Her seemingly carefree and slightly oblivious nature is at odds with her astonishing ability to survive—whether by accident or ingrained reflex. Masato isn’t quite sure what to make of her either, but recognizes that she may be useful in his own familial struggles. Admittedly, he can be cruel and manipulative, but there seems to be more to his story than has currently been revealed. So far, I am intrigued by Tales of the Tendo Family and its lead characters; I look forward to reading more of the series and seeing how their uneasy relationship develops. – Ash Brown

365 Days to the Wedding, Vol. 2 | By Tamiki Wakaki | Seven Seas As you can imagine, it’s not enough to just say you’re getting married and have it magically solve everything. Or so Rika and Takuya are finding out. Someone is leaking that they’re engaged, and they’re not sure who. But now Takuya’s father is storming down to see him, trying to impress on him what a serious, involved thing a wedding will be (and, no doubt, trying to see his fiancee). Meanwhile, work continues, and a foreign princess with a reputation as a maneater is assigned Takuya as a guide, as he’s, well, a bit wet. And also engaged. As all this goes on, Rika (who, we find out in a flashback, was a latchkey kid who lived in maps more than she ever did in her own apartment) is trying to figure out why seeing him with other women bothers her so much. Oh yes, and the princess is gay. Greatly enjoying this. – Sean Gaffney

Young Lady Albert Is Courting Disaster, Vol. 5

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By Saki and Haduki Futaba. Released in Japan as “Albert-ke no Reijō wa Botsuraku o Goshomō Desu” by Kadokawa Beans Bunko. Released in North America by J-Novel Heart. Translated by Ray Krycki.

I am pleased to say that the antagonist of this new volume is not a new heroine or villainess fro yet another spinoff of the original game this world is based around. No, we’re going back to first principles here. Remember how this series began in the first place? With Mary Albert trying to cause her own doom because she knew that her family becoming too powerful would lead to bad things within the kingdom? Well, um, she failed, if you recall. And thus, well, her family, as well as Patrick’s, have gotten so insanely powerful, at least in the minds of some of the lesser nobles, that the worry is that soon there be be no need for those lesser nobles. And since attacking Mary Albert has, well, worked very badly for the last four books, it’s time to try to do the next best thing: go after Alicia, who even Mary says lacks any behavior at all that makes her a royal.

I appreciate that this series knows how to have the broadest possible caricatures of characters and yet also use them seriously for plot purposes. One of the best things about Alicia has been that she’s basically a bullheaded puppy who only cares about Mary (and Patrick, if she’s forced to admit it), but now it’s come back to bite her, and seeing her cowed and doing her best to learn manners (even if she’s quickly distracted) is something new. Likewise, Mary’s desires to exile herself and start her own fried migratory bird stand are all very well and good, but there’s a reason that her brothers have been absent from the last four books. We finally meet them… and they’re exactly what you’d expect from a couple of opposite personality twins who are also siscons. If I told you just that sentence, you could write all their dialogue. Marty may not want to be, but this book makes clear she NEEDS to be the next family head.

And she manages to win the day without ever really changing at all. Sure, she does end up giving in and throwing her hat into the succession ring, mostly to save Alicia, but the rousing speech that she gives at the climax amounts to one giant tsundere hair flip, thrown at the (increasingly pathetic) oppositional lords. And there’s even room for the sensible straight men of the series as well. OK, Adi is not always sensible, but he does the detective work here, which involves Mary’s old drill hair, believe it or not. And Patrick and Gainas help to remind everyone WHY Mary is so powerful and influential – every family and house that tries to go up against her becomes an ally, and they all (remotely) rally to her here.

So yes, no worries, Alicia is the princess, and she’s allowed to tackle hug Mary again. And Mary might be the next head of the family, but she’s still far more interested in croquettes and etiquette. Still a very fun series.

Pick of the Week: Turn the Skip Beat Around

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SEAN: Once again, tempted to just say “Viz”. We get so much good shoujo this week, with a new sequel for Kimi ni Todoke, the next Neighborhood Story, and the first Skip Beat! in 11 months. But my pick is the final volume of Kaguya:sama: Love Is War, a series that was one of the funniest romantic comedies to come along in years, and even had its fair share of drama as well.

MICHELLE: There’s so much good stuff this week that I almost don’t know what to pick! I’ve chosen perennial favorites Skip Beat! and Chihayafuru so many times, though, so instead I’ll opt for Kimi ni Todoke: From Me to You: Soulmate. I loved the original series a great deal.

ANNA: There’s a lot of great stuff coming out this week but Skip Beat! has my heart!

ASH: It’s a great week for Shojo Beat, but the debut that has caught my eye is actually Nagahama to Be, or Not to Be. I’ve enjoyed the creator’s other works, so I suspect I’ll like this one, too.

KATE: The correct answer is Neighborhood Story!

Re: ZERO ~Starting Life in Another World~, Vol. 24

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan as “Re: Zero Kara Hajimeru Isekai Seikatsu” by MF Bunko J. Released in North America by Yen On. Translated by Dale DeLucia.

I had assumed, since the end of the last volume was one of those “I have been a dumbass for a while but now I have turned the corner and am fighting back” endings, that there might be a bit less Return by Death in this book. Hardly. All that means is that the deaths are not “Subaru dies by being an idiot” but are instead “Subaru dies as he tries to figure out how to escape a damn near impossible situation”. Which means going through everything bit by bit and breaking it down into manageable chunks. but it does mean that this book is pretty exhausting, and features a lot of the cast getting their asses handed to them, as well as a lot of supposed allies turning out to be secret antagonists – though honestly, the latter should not be too surprising to a reader who is paying attention. This book is all the detective work, and the payoff will presumably be next time.

Subaru, now determined to fight back, goes back to square one and confesses to all that he’s lost his memories. He’s already worked out how he died the first time, by being pushed off the staircase, and solves that fairly quickly. The next step is to try to find Reid Astrea’s book in the Library, so that they can read his memories in hopes of finding a weakness – what killed him, for a start. Unfortunately, that ends up going badly, as when Subaru goes into Reid’s book he instead finds… another Gluttony. This one is named Louis (pronounced the French way), and she almost manages to break Subaru entirely before he’s saved by the least likely savior out there… and also the most likely, let’s face it. Unfortunately, they now have multiple Gluttonies running around, Reid running amuck, and that pesky killer scorpion. What’s up with that, anyway?

There are many amazing fight scenes in this, which the author has started to specialize in. This arc in particular continues to be a gift for Emilia fans, and that’s despite the fact that she (in one loop) gets her identity eaten by Gluttony. A fight that ends with her sneaking up behind Lye (Gluttony #2) and hitting him with a giant ice hammer while yelling “Sneak Up And WHAM” is possibly in my top five moments in the entire series. There’s also Subaru doing what he does best, which is rallying the troops and getting them to do what they do best… though sometimes even that isn’t enough. It all comes to a head in the final scene of the book, when he confronts Shaula and gets her to admit what she’s been hiding and why. It’s a very sympathetic reason – tearjerking, even – but honestly, I suspect that she’s absolutely correct and knows it. And that’s why she’s breaking down.

The next book is the final book in this arc, and I suspect it will need to be a much longer volume in order to fix everything up. Till then, this was a solid volume, and had a minimal amount of Subaru being a dumbass, which is always my measuring stick for how enjoyable it is.

Sasaki and Peeps: An Unidentified Flying Object from Outer Space Arrives and Earth Is Under Attack! ~The Extraterrestrial Lifeform That Came to Announce Mankind’s End Appears to Be Dangerously Sensitive~

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By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

One of the tropes of this series, which is not exactly welcome but I’ve been able to deal with it, is that Sasaki is a main character, in his late 20s/early 30s, who accumulates either underage girls or girls who look like underage girls, some of whom are either in love or dangerously obsessed with him. This is brought home once more in this volume, when he shows up at Hoshizaki’s apartment and her younger sister notes that he now has ANOTHER underage girl with him, and, very sensibly, feels she cannot trust him around her sister. As such, I appreciate Sasaki’s narration spelling out that, even if he’s not explicitly asexual, that he is at least totally uninterested in sex with anyone right now. This is not going to reassure the younger sister, nor is it stopping Elsa from being engaged to him (which happens here), but it at least assures the READER. The author is here to jam pack this story with as many genres as possible, but harem is not near the top.

Picking up where the last book left off, there’s a UFO that the entire world are dealing with, and Sasaki, Hoshizaki and Futarishizuka are assigned to do something about it. As it turns out, a lot of groups have made their way to the alien, and are being quizzed – and then rejected. Unfortunately, thanks to Hoshizaki trying to define the word “lonely”, the alien realizes that she’s suddenly overcome with that feeling, and decides to try to destroy the Earth because she can’t handle it. Fortunately, this does not happen, mostly as the alien (who is basically “robot girl” for the sake of the tropes, and is called Type Twelve) gloms on to both Hoshizaki and Kurosu, the neighbor girl, who are trying to help her make friends and find happiness when she has no concept of such things. Boy, sure hope one of them doesn’t get kidnapped by bad guys, that would ruin everything…

Since my last review, we’ve had the anime of Sasaki and Peeps, and it was… OK, I guess. It’s getting a second series, though that’s mostly out of necessity given the nature of the plot. One complaint I saw was that the neighbor girl was pointless, and, well, yeah, none of her stuff becomes relevant till Book 3, so of course she is. Because Sasaki and Peeps is a genre mashup, in general the more genres it mashes the better. And this volume has almost everything, with the fantasy isekai aspect being the only one getting short shrift here. Alien robot girl searching for emotions and super powerful is not the most original of ideas, but originality is the opposite of what this series needs. Everyone gets to do cool things. Futarishizuka gets to be an adorable asshole. Hoshizaki is tsundere. Neighbor Girl (look, he doesn’t call her Kurosu so why should I?) is still terrible at social interaction. Sasaki is a bit of a narrative blank (Futarishizuka calls him “flaccid”, which, ouch), but I can deal with it. We want to see what crazy thing will happen next. That’s that point of the series.

Next time we might see the “island cut off from communication” trope, which should be fun. Till then, enjoy all the cute girls and be reassured Sasaki has no interest in any of them.

A Misanthrope Teaches a Class for Demi-Humans, Vol. 2

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By Kurusu Natsume and Sai Izumi. Released in Japan as “Jingai Kyōshitsu no Ningen-girai Kyōshi: Hitoma-sensei, Watashi-tachi no Kibo o Mitsukete Kuremasu ka……?” by Media Factory. Released in North America by Yen On. Translated by Linda Liu.

This is the sort of series where you can call the second volume “more of the same” and have it be a good thing. We’re here for very specific things. We want to see new students trying their best to become human, and we also want to see Hitoma, despite everything, be a really great teacher who is slowly regaining his faith in humanity. We’ve still got the three students from before, and now we add three, which gives us a lovely opportunity to dig into why these girls want to become human. Sometimes it’s pretty easy, like Minazuki and her desire to be a dancer (she’s still graduated, by the way, and doesn’t show up in this second book). Sometimes it’s harder, like Usami, whose goals have gotten so large that they’re almost impossible to achieve. And sometimes they’re… well, done to please someone else. And that forms the crux of the most interesting part of this book.

As noted, there are three new students in the classroom this year. Karin Ryuzaki is a dragon girl who has fallen in love with her teacher at first sight, and is determined to confess – despite the obvious issues with a student teacher romance. Machi Nezu is a mouse girl with an obsession with food and also an obsession with her little sister, who is in the lower grade of the school. And Neneko Kurosawa is a cat girl who seems to sleep most of the time and be relatively uninterested in class when she’s forced awake. When asked why she wants to be human, she replies at first that it’s a secret, then later that it’s someone else’s desire. But Neneko has a bigger secret, one that will severely impact her time at this school: she doesn’t actually want to become human at all.

The other girls do also get attention paid to them. We now know Haneda’s secret, of course, so she has a larger role than usual. Usami is trying harder than ever, but at least is allowed a bit of closure from her previous life. And Ohgami is… well, I hesitate to say that she’s the weak link. Her story is touching and feels earned. But I get the sense she graduated mostly as the author had run out of things to do with her. We don’t even see the “split” that is supposed to allow both aspects of her to pursue separate human lives, it’s all implied. Bit of a bummer. By contrast, Neneko’s story is the most interesting, being a companion of a witch who is at risk of becoming a yokai rather than a human. But she’d rather deal with that than deal with being separated from the one she cares for, and I like that she’s able to get that across and that they’re searching for a solution.

The book ends with a cliffhanger that makes me wonder if it will end in the next volume, as it certainly promises to wrap up Hitoma’s past trauma. But the 3rd book in the series only came out a few days ago in Japan, so it will be a while. Till then, this is good fun and heartwarming.

Manga the Week of 4/3/24

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SEAN: It’s time for April manga! The best month!

MICHELLE: All the cool people were born in it!

SEAN: We start off with Viz Media, who have a spinoff to debut. Sequel? One of those. Kimi ni Todoke: From Me to You: Soulmate (Kimi ni Todoke Bangai-hen – Unmei no hito) takes place after the main series, and focuses on Kurumi. It apparently also ties into Crazy for You by the same author. It ran in Betsuma.

ANNA: I should actually finish Kimi ni Todoke before I read a sequel.

MICHELLE: Ooooh.

SEAN: Also from Viz: Boruto: Naruto Next Generations 19, Kaguya-sama: Love Is War 28 (the final volume), Marriage Toxin 2, Moriarty the Patriot 15, Neighborhood Story 2, Rainbow Days 9, Sakamoto Days 11, Skip Beat! 49, and Tamon’s B-Side 3.

ANNA: Skip Beat!!!!!!!! Yay!!!!!!!

MICHELLE: And more Neighborhood Story! This is a good week!

ASH: It really is!

SEAN: Tokyopop has Acid Town 5, Is This the Kind of Love I Want? 2 (the final volume), and Since I Could Die Tomorrow 2.

Square Enix debuts Victoria’s Electric Coffin, a Shonen-ish title from GFantasy (hence the -ish). A prisoner on Death Row meets Victoria Frankenstein, a 13-year-old genius, who wants him to become her new experiment.

ANNA: OK, the concept for this sounds amusing to me.

SEAN: They also have By the Grace of the Gods 10.

Debuting from Seven Seas is Nagahama to Be, or Not to Be, a BL title from Cheri + (and yes, it uses the English in the Japanese title). Complete in one volume, it’s from the creator of Jackass!, Two boys bond over fish and possibly being gay.

ANNA: It sounds like that’s a strong possibility.

MICHELLE: The cover is cute!

ASH: I really enjoyed Jackass!, if I recall correctly, so I have hopes for this one, too.

SEAN: Also from Seven Seas: Cinderella Closet 5, How Heavy are the Dumbbells You Lift? 14, The Kingdoms of Ruin 8, Malevolent Spirits: Mononogatari 6, MoMo -the blood taker- 8, Tokyo Revengers 19-20, and Yakuza Fiancé: Raise wa Tanin ga Ii 2.

One Peace Books gives us It Takes Two Tomorrow, Too 3.

ASH: Did we skip over, It Takes Two Tomorrow, Too Two? I feel like I would have remembered that. Regardless, the first volume was enjoyable.

SEAN: Kodansha Manga has a print debut. Bless is a fairly new series from Shonen Magazine Edge, and features a hot model who really wants to be a makeup artist, and the girl he discovers, who tends to hunch and has freckles, but with his help can be a fantastic model. This sounds great, to be honest.

ANNA: Hmmmmm.

MICHELLE: I like the synopsis!

ASH: It does sound like it could be intriguing.

SEAN: And more series getting omnibuses, this time it’s That Time I Got Reincarnated as a Slime Omnibus. The first 3 books are out in one volume.

Also in print: Fairy Tail Omnibus 3, How I Met My Soulmate 2, Tying the Knot with an Amagami Sister 4, and Welcome to Demon School! Iruma-kun 7.

SEAN: Digitally, we see Chihayafuru 43, Those Snow White Notes 16, and The World is Dancing 5.

MICHELLE: So, let me get this straight. April 2nd has a Kimi ni Todoke sequel, Neighborhood Story, Skip Beat!, Iruma, *and* Chihayfuru?!?! It’s like a birthday present to meeeeee.

ASH: A happy birthday, indeed!

SEAN: Two debuts for J-Novel Club. I’m a Noble on the Brink of Ruin, So I Might as Well Try Mastering Magic (Botsuraku Yotei no Kizoku dakedo, Hima datta kara Mahō wo Kiwamete Mita) is the light novel, and has a middle-aged commoner suddenly waking up in the body of a child noble. Sadly, his family is filled with pathetic people, and his house is about to fall.

The manga debut is The Otome Heroine’s Fight for Survival (Otome Game no Heroine de Saikyou Survival @COMIC), an adaptation of the light novel JNC already put out. It runs in Comic Corona.

They’ve also got Campfire Cooking in Another World with My Absurd Skill: Sui’s Great Adventure 6, the 2nd D-Genesis: Three Years after the Dungeons Appeared manga, Lady Rose Just Wants to Be a Commoner! 6 (the final volume), Reborn to Master the Blade: From Hero-King to Extraordinary Squire 10, When Supernatural Battles Became Commonplace 10, and You Like Me, Not My Daughter?! 5.

Ghost Ship has Please Go Home, Miss Akutsu! 5, Sundome!! Milky Way 9, and World’s End Harem: Fantasia 11.

And Airship, in print, has the debut of Trapped in a Dating Sim: Otome Games Are Tough For Us, Too! (Ano Otome Game wa Ore-tachi ni Kibishii Sekai Desu) is an “alternate route” story featuring Marie.

And they also have Raven of the Inner Palace 5.

ASH: Still need to get around to reading that!

SEAN: In early digital Airship has Easygoing Territory Defense by the Optimistic Lord: Production Magic Turns a Nameless Village into the Strongest Fortified City 2 and There’s No Freaking Way I’ll be Your Lover! Unless… 4.

Some tasty manga there!

Alya Sometimes Hides Her Feelings in Russian, Vol. 4.5

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By Sunsunsun and Momoco. Released in Japan as “Tokidoki Bosotto Russia-go de Dereru Tonari no Alya-san” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Matthew Rutsohn.

I joked on Twitter that after Agents of the Four Seasons (which was terrific) and The Deer King (which was sublime), anything read after it would always suffer in comparison, so I’d have to “sacrifice” a series and it might as well be Alya. Honestly, though, I think I’d have been ‘meh’ about this volume even if it hadn’t come after books that are much better than it is. First of all, and most obviously, my least favorite part of the series to date was the horrible hypnosis subplot in the third book, and so it’s not surprising that I greeted a short story that’s basically a sequel to that with numb horror. More to the point, though, the last volume was relatively disconnected to begin with, showing the cast on summer break, so I’m not sure why we needed another volume that shows the summer break stories we missed the previous time. Can’t we just get on with the plot?

The stories: 1) Sayaka and Yuki bond over their love of otaku stuff, but that also means they’re rivals; 2) A day in the life of Nonoa, whose facade hides a whole lot, and her underlings she has picked up from the bottom; 3) Alya and Ayano both suffer trying to cure their fear of spicy ramen; 4) Masachika and Yuki’s father gets home from overseas, and realizes that his son and daughter are a bit weird; 5) The cast try to clear up the “seven mysteries of the school”, which involves wandering around the school late at night; 6) Part 2 of this, involving Alya and Masachika getting “locked” in a gym storeroom; 7) Part 3 of the story, where we deal with Maria and Alya’s fear of ghosts, and discover that ghosts can be punched; 8) The story of how Touya and Chisaki met; 9) more hypnosis; 10) Maria and Alya go shopping for swimsuits; 11) the cast has a “guess who cooked what meal” competition; 12) the girls, late at night at the summer event, talk about love; and 13) Masachika and Alya, on the subway, discuss the kiss that happened in Book 4.

As with most of these collections, some stories are better than others. I enjoyed the “guess who cooked what” chapter more than I expected, mostly as it did not fall into the trap of anime cliches. Sayaka and Yuki being giant nerds was also amusing, though honestly we get that from Yuki all the time. Masachika and Yuki’s own father worrying they’re a bit too incestuous helps to show why the two of them have gotten away with hiding their sibling relationship for so long – people don’t want to pick the creepy option. And the final chapter was sweet and quiet, and probably should have been in the fourth book to begin with. Aside from the one I mentioned above, none of these were bad, but they weren’t essential – even the author admits they’ll never be brought up in the main series. It is a quintessential .5 volume.

Fortunately, Vol. 5 is next. Let’s hope for plot.

The Deer King, Vol. 2

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By Nahoko Uehashi and Masaaki Yamamoto. Released in Japan as “Shika no Ō” by Kadokawa Bunko. Released in North America by Yen On. Translated by Cathy Hirano.

There’s a lot that happens in this book, and much of it is in the back half. But I’ll be honest, for me the book’s main purpose was achieved right before then. We spent the entirety of the first book going back and forth between two narrative strands, one with Van and his struggles, the other with the doctor, Hohsalle, and his attempts to fight the ongoing plague. There was a great deal of tension because we really wanted the two of them to meet, but they never did. The same could be said of this volume as well, though the narrative here is a lot more weighted on the Van side by the end. So when they finally meet, it’s the payoff we’ve been waiting for, and it’s easily my favorite part of the book. Which is odd, because this book is filled with action scenes, tragedy, political wrangling, and good old fashioned terrorism. But yeah, my favorite part is Hohsalle breaking down exactly how antibodies and vaccines work.

We pick up where we left off. Yuna has been kidnapped, and Van is trying to go after her, helped along the way by Sae, the woman who fell off that cliff and distressed Makokan so much. While trying to find her, he ends up meeting Ohfan, chief of the Ahfal Oma, who has big big plans for Van. Mostly as Ohfan’s father, Kemoi, is the Dog King, and can lead the infected dogs to do his bidding. Van, of course, is also able to do this. Now they finally have a way to destroy the invaders once and for all. There is just one slight problem: Van doesn’t want to do this at all, so they’re going to have to somehow trick, blackmail, and use underhanded ruses to get what they want. Meanwhile, Hohsalle continues to struggle to try to get a vaccine for the illness going around, but he might actually be helped by the missing Yuna, who turns out to be able to see the lichen that provide what he needs.

This book has too large a cast. Even the helpful cast list provided at the start is long and unwieldy. It doesn’t help that, because this is an immersive fantasy novel, all the names of fathers and sons look very similar except for a couple of letters. That makes it hard at times to follow along with the actual plot. That’s OK, though, as I’m not sure I was reading this book for the plot. This is a book you read for mood, and in that it excels. That said, there were as few plot-related things I was following. Van and Sae, both middle-aged and grieving, end up having a sort of slow-burn kinda romance that is sweet to see. I also wanted to see if this book was going to be a downer at the end, and the answer is, kinda but not really. Can has everyone he really needs.

If you like mature, serious fantasy, this is a winner. Just… have a good memory for names.

Agents of the Four Seasons, Vol. 2

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By Kana Akatsuki and Suoh. Released in Japan as “Shunka Shūtō Daikōsha” by Dengeki Bunko. Released in North America by Yen On. Translated by Sergio Avila.

This is very much the sort of series where I needed a “She does not get eaten by the sharks at this time” moment. In the book The Princess Bride (which is why it’s sharks, shut up movie fans), The father says this so as to make William Goldman less anxious about exactly how deadly this book is going to get. It’s OK, this says. This may be deadly, but it’s not THAT deadly. I needed a moment like that in this book. I did not get it. This is a book where I spent nearly the entire length of the book wondering if it was going to kill off some of the cast. Now, to be fair, I already said that the point of this arc is that the agents, who have been used and abused for their entire lives, are taking back control and saving things their way. It would undercut it quite a bit if they fail. But they don’t ALL have to succeed. Hence the worry.

The agent of Autumn has been kidnapped, and Hinagiku knows who’s done it. It’s the same organization that captured and tortured her, the terrorist group New Year, which theoretically wants the Agents to be more proactive and save the world a bit more with their cool new powers, but in reality it’s a far more personal sort of reason. Hinagiku knows exactly what the head of New Year is like, and really wants to stop Nadeshiko from sharing the same fate that the old Hinagiku did (I am trying to respect Hinagiku’s belief that the old Hinagiku died during captivity, since it’s still a big part of who she is right now). Towards that end, she rallies the forces to the headquarters of the Four Seasons. Unfortunately, there are traitors everywhere. New Year turns out to have infiltrated a lot more than everyone thought, and they have one goal: get Hinagiku back, and kill everyone else.

This is a long book, and has a lot going on. I’m actually going to skip talking about Summer’s agent here, as the next book looks like it’s going to focus on that, and I don’t want to spoil too much of what happens here. We do hear what happened to Hinagiku in the time she was in captivity, and it’s both sordidly bland (she was forced to make pot with her powers to help the terrorist organization make money) and also part of a cycle of abuse (the head of New Year had several traumatic experiences as a child and also lost her baby, so is determined to get a “replacement” daughter). The triumphant part of the book is seeing how she, Sakura, Rosei, and Itecho are all; still dealing with trauma but manage to gut past it and score a triumphant victory. The book honestly reads like one of those action movies that’s almost all climax. And that’s fine.

It’s not perfect – I was annoyed at the identity of some of the traitors, as I liked them (that’s the point, Sean), but it’s still hugely enjoyable, and I look forward to the next book, which apparently moves away from Hinagiku and Sakura for a bit. It’s fine. Let them rest.