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It Came From the Sinosphere: Passionate Wastrel, Infatuated Hero (Part 1)

July 3, 2012 by Sara K. 9 Comments

The Chinese cover of Passionate Wastrel, Infatuated Hero

There is not much information available about this novel in English, so I am giving it a more thorough treatment than usual, and making this a two-parter.

First, I think it’s better to show instead of describe the feel of the novel. So, before continuing, please read this short excerpt – click here to read it in English, click here to read it in Chinese.

Now that you’ve read that, you should have some idea what the novel is like, so you are ready to read this review.

Background Information

In China, this novel is titled Duōqíng Làngzǐ Chīqíng Xiá (多情浪子痴情侠), which roughly means Passionate Wastrel, Infatuated Hero. In Taiwan it is titled (天觀雙俠) Tiān Guān Shuāng Xiá. Even though I prefer the title Tiān Guān Shuāng Xiá, it’s difficult to translate into English, so I will stick with Passionate Wastrel, Infatuated Hero.

Wuxia has historically been dominated by male writers. To this day, if you ask somebody who is familiar with wuxia to name five writers, there is a good chance that that person will name five male writers. Fortunately, times are changing. Zheng Feng (the pen name of Chen Yu-hui) is, at least in Taiwan, the most popular contemporary wuxia novelist … and she’s not male. Passionate Wastrel, Infatuated Hero is the novel which put her on the map.

To learn more about Zheng Feng, read this interview (English translation available here).

Passionate Wastrel, Infatuated Hero is a sweeping wuxia novel set in China, Korea, and Mongolia. It includes naughty children and dying elders, Tibetan monks and Japanese pirates, princesses and prostitutes, Catholic missionaries and desert bandits, doctors and assassins, decadent cities and secluded mountains, desperate fugitives and frightened leaders. As the title implies, this tale revolves around two main characters.

The Passionate Wastrel

Zhao Guan loves drinking alcohol, and he loves having sex with pretty women even more … so he’s built up a reputation as a bad boy. Much of the plot of the novel follows this pattern: Zhao Guan meets a pretty woman, the pretty woman is in trouble, Zhao Guan gets her out of trouble, something happens between them (whether it’s sex, a kiss, or merely lustful fantasies on Zhao Guan’s part), and the plot moves on.

Even though he’s promiscuous, Zhao Guan does not come across as a creep because he cares a lot about what women think and how they feel. When he gets pretty women out of trouble, he does it because he does not like seeing people in trouble, not because he is trying to get sex—nor does he think they owe him sex if he does rescue them. Of course, if they do decide to have sex with him anyway, it certainly makes him happy. Furthermore, he really gets off making women happy. Of course, because he is such a good-looking young man, he makes many women happy (at least in the short term) by letting them into his bed. He often looks to the women in his life, whether or not he’s having sex with them, for advice when he has a problem of his own. And finally, he’s honest with all of his love interests—he tells them that he sleeps around, and that he is not going to stop.

However, while he seems carefree on the outside, he is haunted by the brutal murder of his mother. Years later he can still describe the scene in gruesome detail. He was lucky to survive himself. He wishes to find the killers and get revenge … but the killers left no clues, and he knows that even if he knew who the killers were, he is not match for them. Furthermore, he is almost certain that they are pursuing him in order to “finish the job”—in fact, he has numerous close calls. Thus, he often travels incognito and goes by false names lest he suffer his mother’s fate.

The Infatuated Hero

Ling Haotian is the son of Ling Xiao and Qin Yanlong (two of the most highly respected martial artists and doctors of the era) and is the younger brother of Ling Biyi and Ling Shuangfei (twin brothers who are the most promising and respected young martial artists of the generation). Ling Haotian feels it is impossible for him to live up to such high standards. He often withdraws himself, lest he disappoint somebody by not being as awesome as the rest of his family. He is very close emotionally to Zheng Baoan, his mother’s apprentice, and eventually gets a major crush on her. However he cannot bring himself to tell her how he feels.

Then the bombshell falls. Ling Haotian’s older brother Ling Biyi—who everybody claims is the most wonderful young man in the world—confesses his love for Zheng Baoan, and asks for her hand in marriage. Everybody says that Zheng Baoan is really lucky. For example, Zhao Guan says that if he were into men he would definitely fall in love with Ling Biyi. It is inconceivable to everybody—including Ling Haotian—that Zheng Baoan would not return Ling Biyi’s love. Ling Haotian cannot stand to see his brother and Zheng Baoan together … so he runs away from home.

This, of course, is the beginning of his adventures. He wanders Jianghu without any particular goal, other than trying to forget about Zheng Baoan and his brother (he fails, of course). During the course of his travels, he has to fight a lot, and also ends up learning a lot of martial arts. Gradually, he gets better and better. He is so preoccupied with his unrequited love that he does not notice it when his abilities surpass that of his celebrated brothers. A couple of women hand Ling Haotian their hearts, yet the only woman in his heart is Zheng Baoan.

Trouble, of course, has a way of finding him. In fact, really, really, really big trouble finds him. If you can read Chinese, I do not want to spoil it, but if you cannot read Chinese, then I might as well say that …

[BIG SPOILER WARNING]

Ling Haotian watches his brother, Ling Biyi, die in his arms, murdered. This makes it seem even more impossible to Ling Haotian that he could ever be with Zheng Baoan. He feels he cannot love her without wronging his deceased brother (in traditional Chinese culture, marrying your brother’s widow is considered a major taboo). When Ling Haotian brings his brother’s body back home, his parents treat him as a monster. It turns out that his other brother, Ling Shuangfei, had accused Ling Haotian of committing the murder out of jealousy over Zheng Baoan. Furthermore, Ling Haotian is framed for many other murders, meaning there are many, many martial artists seeking to get their revenge. Ling Haotian wants to avenge his brother’s death and clear his name—until he finds out that the man who murdered Ling Biyi is none other than his other brother, Ling Shuangfei!

Does he murder Ling Shuangfei (his own brother), or leave the death of Ling Biyi (who is also his brother) unavenged? Should he tell everybody the truth about the murder? Would anybody believe him?

Of course, with almost everybody in Jianghu trying to kill him, Ling Haotian will not live long without help. It just so happens that one of the only people who believes in Ling Haotian’s innocence is Zhao Guan … and Zhao Guan knows a thing or two about hiding from people trying to kill him.

It turns out that not only is Ling Xiao not Ling Biyi and Ling Shuangfei’s biological father, but that he killed their biological father. Ling Shuangfei murdered Ling Biyi because Ling Biyi refused to work with him to get revenge for their biological father. It turns out that Ling Shuangfei and Ling Biyi’s half-sister, trying to avenge their father’s death, is the one framing Ling Haotian for so many murders … and is also responsible for the murder of Zhao Guan’s mother!

[END SPOILER WARNING]

Yep, in Ling Haotian’s life, when it rains, it pours.

So that is a basic overview of the novel. In Part II, which will appear on Friday, I will express my opinion. Until then…

What is your impression of this novel based on this overview?

UPDATE: Part II is up!


There is no question about it now … Sara K. is now officially a wuxia fan. The more she learns about wuxia, the more novels she wants to read, and her reading list is growing faster than she can actually read them. And she still wants to read other things. Maybe she will one day grow tired of wuxia novels, but she thinks that will take a while.

Filed Under: It Came From the Sinosphere Tagged With: Novel, wuxia, zheng feng

Adventures in the Key of Shoujo: Sakura Hime, Vol. 2

July 2, 2012 by Phillip Anthony Leave a Comment

Sakura Hime: The Legend of Princess Sakura Volume 2 | By Arina Tanemura | Published by VIZ Media | Rated: T, Ages 13+

“Faint hearts never won fair maidens.”

This statement works in the case of both lead characters in Arina Tanemura’s Sakura Hime: The Legend of Princess Sakura. Aoba, a prince in the Japanese imperial court, is betrothed to Sakura, a princess of the moon (run with me here). But Sakura is now in danger of becoming a Youko (demon), and Aoba is charged with killing her. When last we left our leads, Sakura had to flee Aoba and his courtiers who were trying to kill her. After being betrayed by her retainer, Oumi, Sakura found sanctuary with Kohaku, a female ninja in the employ of Aoba’s family, and had finally confronted Aoba after being lured into a trap by him.

Well, things certainly have improved since last I wrote about this manga. A lot of the problems from the first volume have been addressed, if not corrected.

First up, the court intrigue hinted at now comes to the fore with not one or two but three groups with their own agendas working in the court. First is Aoba, who now is completely conflicted over his love for Sakura. She’s the enemy but she’s not at the same time. He has to kill her because of her exposure to the Youko. She is a demon so his course is clear. But when Lord Fujimarusaki (Aoba’s brother) offers a deal that allows Sakura to live in exchange for killing a local Youko that has been concerning the Togu (guy in charge) and his advisors, Aoba is stuck. Now that the reason for hating her has been put on hold, Aoba finds himself trying to fight his own brother for possession of her love.

Lord Fujimarusaki states his affection for Sakura both to her and to Aoba. But he also sees how important Sakura has become since Aoba rejected her. Suitors hoping for nothing more than political influence will try to gain her hand. So Fujimarusaki moves first. But is he doing this for noble reasons? Aoba doesn’t know, but doesn’t tip his hand.

Finally, an awesome new character has been introduced who has insiders in the Royal court working for them. This new character is definitively not human, has no trouble sacrificing others for the goal, and gets the cliffhanger moment at the end. Brilliant timing, and I hope this character will be staying around as more than just a villain of the week.

Poor Sakura’s position first gets better and then worse. After being betrayed by Oumi and then by Aoba, everything would be easier if she simply gave in and became a complete Youko. But her temperament (and I suspect her love for Aoba) is keeping her anchored, though I enjoy the fact that she, too, can’t get past either Aoba or his betrayal. They have a heated argument in this volume and you can see her wanting to tell him something—to tell him everything that she has in her heart and mind. But the fact is that he …I don’t know, has to be seen in a certain way with the court. Or perhaps she’s scared to tell him everything and risk losing him. Hmm, interesting bind to be in.

Also we finally learn why Oumi betrayed Sakura. On one hand, it’s predictable, and on the other it’s heartbreaking. Oumi isn’t strictly a bad person and she technically has good reasons for doing what she did. Still, no misguided person’s fall from grace stops at a single mistake, and sadly Oumi’s arc gets worse in tone. Sakura herself confronts the issue with Oumi at the same time, and Tanemura handles it well. If nothing else, the author seems to know where she’s going in this volume and sets up an excellent final act with tragedy, pathos, and heart.

My personal favourite moment in the volume comes when Sakura protects Aoba from a snake attack. Aoba thinks she did it for self-serving reasons but Sakura did it for the right reasons in her own mind. In doing so, it’s revealed that these near fatal wounds she receives are not as painless as people believe. When Aoba realises he’s hurt Sakura more than he imagined, he tries to console her as she sleeps. It’s a nice, poignant moment and it’s handled with care and no overload of emotion.

I think I’m still reading this story because of the setting in ancient Japan. This doesn’t allow for outward displays of affection, so everything is supposed to be low-key. Despite this, Tanemura lifts the constant downer material with great comedic spats between the characters. If they were in a modern setting, this story wouldn’t appeal all that much to me. It’s bubbly and effervescent but not overbearing. If I could single out anything, I’d say that there isn’t too much action going on for the most part. But not every apple has to be rosy red so I’m asking too much of the book. I’m still hanging in for a crack at volume three.

Filed Under: Adventures in the Key of Shoujo Tagged With: hime, manga, MANGA REVIEWS, sakura, sakura hime, shojo, shoujo

Tokyopop is back!

July 2, 2012 by Brigid Alverson

Big news from Anime Expo: Tokyopop had a panel, and they announced they will be publishing that vols. 4 and 5 of Hetalia will be published in North America; Levy said the details are unclear but he is talking to Gentosha about it. Tokyopop will also publish the third volume of the OEL manga Psy-Comm, as print-on-demand books via the anime retail site RightStuf. More on this as it develops…

At MTV Geek I reviewed Viz’s newest shoujo manga, Jiu Jiu.

Erica Friedman rounds up the latest yuri news in her Yuri News Network post at Okazu.

The Yen Press staff blogs about their work on the new (finally complete!) edition of Alice in the Country of Hearts.

The Takehiko Inoue-focused Manga Moveable Feast continues at two sites; at Manga Report, Anna pulls out some of the highlights from the archive of older posts, and at Soliloquy in Blue, Michelle Smith posts the link roundups for days two, three, and four, as well as a special Inoue-themed edition of Let’s Get Visual, with MJ.

Kimi-Chan posts a 2010 interview with Incubus creator Yayoi Neko.

Manga Bookshelf editor MJ talks about manga, blogging, fandom, and girl-friendly comics, among other things, in a wide-ranging interview at women write about comics.

Reviews

Rob Clough on Black Blizzard (High-Low)
Erica Friedman on Black Yagi to Gekiyaku Madeline (Okazu)
Connie on vol. 1 of The Devil Does Exist (Slightly Biased Manga)
Connie on vol. 3 of A Devil and Her Love Song (Slightly Biased Manga)
Rob Clough on A Drifting Life (High-Low)
Connie on Good Morning (Slightly Biased Manga)
Manjiorin on vols. 2 and 3 of Hikaru No Go (Organization Anti-Social Geniuses)
Leroy Douresseaux on vol. 7 of House of Five Leaves (The Comic Book Bin)
Connie on vol. 10 of Kamisama Kiss (Slightly Biased Manga)
Emily on Kyou Otoko to Isourou (Emily’s Random Shoujo Manga Page)
Lesley Aeschliman on vol. 2 of La Corda d’Oro (Blogcritics)
Tom Spurgeon on Mai, The Psychic Girl (The Comics Reporter)
J. Caleb Mozzocco on NonNonBa (Comics Alliance)
Kristin on vol. 4 of Psyren (Comic Attack)
Leroy Douresseaux on vol. 5 of Psyren (The Comic book Bin)
Leroy Douresseaux on vol. 8 of Sakura Hime: The Legend of Princess Sakura (The Comic Book Bin)
Anna on vols. 1-6 of Slam Dunk (Manga Report)
Lori Henderson on vol. 1 of Vagabond (Manga Xanadu)
Michelle Smith on vols. 1-3 of Vagabond (Soliloquy in Blue)
Ash Brown on vol. 2 of Vagabond (omnibus edition)
Anna on vols. 9 and 10 of Vagabond (omnibus edition) (Manga Report)

Filed Under: MANGABLOG

Manga Bestsellers: 2012, Week Ending 13 May

July 2, 2012 by Matt Blind Leave a Comment

Comparative Rankings Based on Consolidated Online Sales

last week’s charts
about the charts

##

Manga Bestsellers

1. ↔0 (1) : Sailor Moon 5 – Kodansha Comics, Apr 2012 [468.0] ::
2. ↔0 (2) : Sailor Moon 4 – Kodansha Comics, Mar 2012 [424.8] ::
3. ↑5 (8) : Naruto 56 – Viz Shonen Jump, May 2012 [422.8] ::
4. ↓-1 (3) : Sailor Moon 3 – Kodansha Comics, Jan 2012 [410.0] ::
5. ↓-1 (4) : Sailor Moon 1 – Kodansha Comics, Sep 2011 [409.3] ::
6. ↓-1 (5) : Black Butler 9 – Yen Press, Jul 2012 [389.5] ::
7. ↔0 (7) : Sailor Moon 2 – Kodansha Comics, Nov 2011 [382.5] ::
8. ↓-2 (6) : Negima! 34 – Kodansha Comics, Apr 2012 [366.5] ::
9. ↔0 (9) : Naruto 55 – Viz Shonen Jump, Mar 2012 [346.2] ::
10. ↑1 (11) : Maximum Ride 5 – Yen Press, Dec 2011 [289.0] ::

[more]

Top Imprints
Number of volumes ranking in the Top 500:

Viz Shonen Jump 79
Yen Press 79
Tokyopop 75
Viz Shojo Beat 51
Kodansha Comics 47
Viz Shonen Jump Advanced 39
DMP Juné 17
Vizkids 17
Dark Horse 13
HC/Tokyopop 13

[more]

Series/Property

1. ↔0 (1) : Sailor Moon – Kodansha Comics [1,157.8] ::
2. ↔0 (2) : Naruto – Viz Shonen Jump [955.0] ::
3. ↔0 (3) : Black Butler – Yen Press [819.3] ::
4. ↔0 (4) : Maximum Ride – Yen Press [609.7] ::
5. ↑1 (6) : Negima! – Del Rey/Kodansha Comics [563.3] ::
6. ↑1 (7) : Highschool of the Dead – Yen Press [512.9] ::
7. ↓-2 (5) : Warriors – HC/Tokyopop [492.0] ::
8. ↔0 (8) : One Piece – Viz Shonen Jump [491.0] ::
9. ↑3 (12) : Pokemon – Vizkids [451.9] ::
10. ↑1 (11) : Bleach – Viz Shonen Jump [397.4] ::

[more]

New Releases
(Titles releasing/released This Month & Last)

1. ↔0 (1) : Sailor Moon 5 – Kodansha Comics, Apr 2012 [468.0] ::
3. ↑5 (8) : Naruto 56 – Viz Shonen Jump, May 2012 [422.8] ::
8. ↓-2 (6) : Negima! 34 – Kodansha Comics, Apr 2012 [366.5] ::
17. ↑7 (24) : One Piece 62 – Viz Shonen Jump, May 2012 [262.4] ::
21. ↓-9 (12) : The Betrayal Knows My Name 3 – Yen Press, Apr 2012 [236.7] ::
23. ↔0 (23) : Highschool of the Dead 6 – Yen Press, Apr 2012 [231.2] ::
30. ↓-15 (15) : Rosario+Vampire Season II 8 – Viz Shonen Jump Advanced, Apr 2012 [197.9] ::
35. ↔0 (35) : Bleach 39 – Viz Shonen Jump, Apr 2012 [188.2] ::
37. ↓-24 (13) : Warriors SkyClan & The Stranger 3 – HarperCollins, Apr 2012 [183.3] ::
38. ↓-10 (28) : Durarara!! 2 – Yen Press, Apr 2012 [182.8] ::

[more]

Preorders

6. ↓-1 (5) : Black Butler 9 – Yen Press, Jul 2012 [389.5] ::
13. ↑1 (14) : Sailor Moon 6 – Kodansha Comics, Jun 2012 [275.5] ::
14. ↑2 (16) : Sailor Moon 7 – Kodansha Comics, Sep 2012 [275.5] ::
16. ↑3 (19) : Sailor Moon 8 – Kodansha Comics, Nov 2012 [263.5] ::
33. ↓-6 (27) : Ouran High School Host Club 18 – Viz Shojo Beat, Jun 2012 [189.6] ::
53. ↓-2 (51) : Finder Series 6 Passion within the View Finder – DMP Juné, Jul 2012 [155.6] ::
63. ↑30 (93) : Naruto 57 – Viz Shonen Jump, Jul 2012 [138.5] ::
64. ↑7 (71) : Negima! 35 – Kodansha Comics, Jul 2012 [138.4] ::
76. ↓-4 (72) : Only the Ring Finger Knows (novel) 5 – DMP Juné, Sep 2012 [120.0] ::
80. ↑5 (85) : Negima! 36 – Kodansha Comics, Oct 2012 [114.4] ::

[more]

Manhwa

335. ↑13 (348) : Bride of the Water God 9 – Dark Horse, Oct 2011 [34.8] ::
469. ↑662 (1131) : INVU 5 – Tokyopop, Nov 2009 [24.0] ::
556. ↓-60 (496) : Black God 16 – Yen Press, Apr 2012 [18.7] ::
633. ↓-127 (506) : Color Trilogy 1 The Color of Earth – Macmillan First Second, Apr 2009 [14.7] ::
646. ↓-339 (307) : Priest Purgatory 1 – Tokyopop, Aug 2010 [14.1] ::
669. ↓-51 (618) : Ragnarok 1 – Tokyopop, May 2002 [13.1] ::
750. ↑88 (838) : Toxic (anthology) 1 – Udon, Jul 2012 [10.1] ::
772. ↑57 (829) : Bride of the Water God 10 – Dark Horse, Jan 2012 [9.4] ::
929. ↑308 (1237) : Bride of the Water God 11 – Dark Horse, May 2012 [5.8] ::
1260. ↓-318 (942) : March Story 3 – Viz Signature, Oct 2011 [1.9] ::

[more]

BL/Yaoi

53. ↓-2 (51) : Finder Series 6 Passion within the View Finder – DMP Juné, Jul 2012 [155.6] ::
76. ↓-4 (72) : Only the Ring Finger Knows (novel) 5 – DMP Juné, Sep 2012 [120.0] ::
83. ↓-15 (68) : Private Teacher 3 – DMP Juné, May 2012 [111.5] ::
85. ↑5 (90) : Ai no Kusabi (novel) 7 – DMP Juné, Sep 2012 [108.6] ::
88. ↑34 (122) : Love Mode 1 – Tokyopop Blu, Nov 2005 [105.3] ::
102. ↓-6 (96) : Private Teacher 2 – DMP Juné, Jan 2012 [96.4] ::
159. ↑3 (162) : Finder Series 5 Truth in the View Finder – DMP Juné, Dec 2011 [73.6] ::
181. ↓-94 (87) : Gravitation vols 3-4 collection – Tokyopop, Aug 2009 [64.3] ::
182. ↑31 (213) : Vassalord 4 – Tokyopop, Nov 2010 [64.3] ::
210. ↓-52 (158) : Good Morning – DMP Juné, May 2012 [57.0] ::

[more]

Ebooks

3. ↑5 (8) : Naruto 56 – Viz Shonen Jump, May 2012 [422.8] ::
9. ↔0 (9) : Naruto 55 – Viz Shonen Jump, Mar 2012 [346.2] ::
10. ↑1 (11) : Maximum Ride 5 – Yen Press, Dec 2011 [289.0] ::
15. ↑5 (20) : Maximum Ride 1 – Yen Press, Jan 2009 [267.4] ::
31. ↑9 (40) : Naruto 54 – Viz Shonen Jump, Mar 2012 [193.8] ::
36. ↓-5 (31) : Blue Exorcist 1 – Viz Shonen Jump Advanced, Apr 2011 [185.0] ::
47. ↓-3 (44) : Maximum Ride 2 – Yen Press, Oct 2009 [168.2] ::
49. ↑5 (54) : Naruto 53 – Viz Shonen Jump, Dec 2011 [166.5] ::
51. ↓-1 (50) : Maximum Ride 3 – Yen Press, Aug 2010 [162.7] ::
52. ↑5 (57) : Maximum Ride 4 – Yen Press, Apr 2011 [156.5] ::

[more]

Filed Under: Manga Bestsellers Tagged With: Manga Bestsellers

Pick of the Week: Jiu Jiu, 5 Centimeters & more

July 2, 2012 by Sean Gaffney, Michelle Smith, MJ and Brigid Alverson 2 Comments

SEAN: Given that there’s about 40 gazillion titles coming out this Wednesday at Midtown Comics, narrowing down a pick of the week is hard. I am therefore going to do what I usually do in these cases, which is assume my colleagues will pick the more ‘upscale’ titles and go for my own personal biases. Jiu Jiu is Viz’s latest Shojo Beat series, and it’s from Hana to Yume (and its spinoff), a magazine I adore. It combines shoujo romance with fantasy, as most of the currently licensed crop do (hey, you go with what sells), and features a heroine who is cool and can kick ass when required. Who could ask for anything more?

MICHELLE: Actually, even though I know I should pick the third volume of Wandering Son because it’s bound to be awesome, my heart is drawn unerringly—over other greats like One Piece and Ooku—to the 28th volume of Skip Beat!. I think it says a lot about the series that it inspires such loyalty and genuine expectation so long into its run. Also, I have successfully gotten a coworker addicted. Muahaha!

MJ: I think we can all agree that Wandering Son is a must-buy. But since there will be much more of it to come, I’ll give my vote this week to a single volume release—the manga adaptation of Makoto Shinkai’s 5 Centimeters Per Second. I’m a fairly devoted fan of Shinkai’s work and vision, and as this adaptation is based on my very favorite of his films, it’s not a release I’m willing to miss. There are images from this melancholy film that are among my favorites in any medium—moments I carry with me day-to-day, even now. And while I expect I’ll find the manga’s strengths to be different than the film’s, it’s hard for me to imagine Vertical licensing this if it had no strengths at all. So, despite my usual skepticism over adaptations of this kind, I approach this manga optimistically.

BRIGID: Wow, so many good books to choose from! I’m loving Drops of God, so I’ll want vol. 4 of that, and I’ll be going for 5 cm too. But in the dog days of summer, I go for the simple pleasures, so my first choice this week will be vol. 1 of the Kitchen Princess omnibus. I’m ready for some sweet, sweet shoujo, and Kitchen Princess delivers, treading very familiar ground with the story of a cheerful orphan at an elite boarding school who solves everyone’s problems by cooking for them. It’s charming, funny, and broken up into short story arcs so I can pick it up and put it down whenever I like. Yeah, I’ve read it before, but summer is a good time for reruns, so bring it on!


Readers, what looks good to you this week?

Filed Under: PICK OF THE WEEK

Takehiko Inoue MMF Roundaup: Part Four

July 1, 2012 by Michelle Smith

It’s the fourth quarter, and your co-hosts have banded together to take you through the final stretch!

Anna joins me for a special Let’s Get Visual column dedicated to Inoue’s artwork, where we discuss pages from Real and Vagabond.

And speaking of Vagabond, we both weigh in on the series, with Anna tackling the two most recent VIZBIG editions to be released (nine and ten) and me checking out the first one. Ultimately, it looks like neither of us has found a new favorite over the course of the MMF, but we still both enjoyed branching out!

A big thank you once again to everyone who contributed and left comments. MJ of Manga Bookshelf will be hosting the next MMF, which will focus on works by CLAMP.

Filed Under: NEWS Tagged With: Takehiko Inoue

Vagabond, Vols. 1-3

July 1, 2012 by Michelle Smith

By Takehiko Inoue | Published by VIZ Media (first VIZBIG edition)

One of my goals for this Manga Moveable Feast was to finally read some of Vagabond. I’ve been collecting the VIZBIG editions since they started coming out, which means there were ten of these on my shelf (with their spines forming a group portrait) unread. Now that I finally have read some of Vagabond, I’ve found it so different from the Inoue I’m familiar with—and yet containing some of the same themes—that I’m rather at a loss for words.

Shinmen Takezo is the son of a legendary swordsman, though we don’t really find that out until volume three. Since the age of thirteen, when he killed a man who came to Miyamoto village looking to challenge its strongest occupant, he’s been ostracized by all save a couple of childhood friends and he’s recently been off to battle with one of them, Hon’iden Matahachi. They both survive a bloody battle, but Matahachi takes up with a thieving widow, leaving Takezo to return to Miyamoto with tidings of Matahachi’s survival.

To make a long story very short: Takezo meets with an unfriendly welcome and is manipulated by a clever monk named Takuan into reevaluating his life. Four years later, now going by the name Miyamoto Musashi, he shows up in Kyoto looking to challenge the head of the Yoshioka sword school, and though he defeats many of their members, he learns there are still those stronger than him. A drunken Matahachi accidentally sets the blaze that allows Musashi to escape, and the VIZBIG ends with him realizing that the old friend he left for dead might actually have survived.

Even though I knew this was about swordsmen, I somehow didn’t expect it to be as gory as it is. There are a lot of death blows being dealt here, as Musashi is obsessed with measuring/proving his strength against others and willing to sacrifice his life to this aim. That said, at times the art is absolutely gorgeous, and there are a few color pages that look like bona fide paintings. The scope, layout, and pacing of the story all lend it a cinematic feel that is genuinely impressive. There’s one scene early on, when Musashi turns around to face the one opponent left standing and it’s genuinely terrifying.

But yet, I mostly found it unaffecting. I expect there will be more insight into the main character as time progresses, but for now he’s so closed off, so proud of his strength and being hailed a demon that I can’t grow fond of him or endorse his goals. I have a feeling I’m not supposed to. I did identify with Matahachi a lot, though, especially his inferiority complex in regards to his friend and his inability to follow through with the heroic deeds he imagines himself performing. I like Otsu, the fiancée Matahachi left behind, and I’m intrigued by Takuan, the monk. I’ll keep reading for them, if nothing else.

One thing about Musashi reminds me a lot of Hisanobu Takahashi in Real. As a child, Hisanobu was attempting to master a particular basketball move that his father showed him. He worked very hard on it, but was never able to show his father because the latter abandoned the family. Musashi has also been abandoned by his mother and shunned by his father, and part of his drive to test himself seems due to the desire to show them his strength, show them that he doesn’t need to depend on anyone else. Musashi is a real historical figure, not a character Inoue created, but it seems like he’s drawn to these confident yet wounded types.

Ultimately, I can see why Vagabond is hailed as a masterpiece, and I will certainly keep reading it, but my heart will always belong to Inoue’s sports manga, Slam Dunk in particular. The heart wants what the heart wants!

Vagabond is published in English by VIZ Media. Single volumes up through 33 have been published, as well as ten “VIZBIG” editions comprised of three volumes each. An eleventh VIZBIG edition is scheduled to be released in December. Inoue has recently resumed the series in Japan, so the upcoming release of volume 34 (October) will be the first new Vagabond released in English in two years.

Filed Under: REVIEWS Tagged With: Takehiko Inoue, VIZ

Let’s Get Visual: Takehiko Inoue

June 30, 2012 by Michelle Smith and Anna N

MICHELLE: It’s been a while, but Let’s Get Visual has awoken from its hibernation in time to celebrate the Takehiko Inoue Manga Moveable Feast. Joining me for this occasion is special guest host Anna Neatrour, who is also co-hosting the MMF with me! Welcome, Anna!

ANNA: Thank you! I am excited to join in on a Let’s Get Visual post for Takehiko Inoue, because I think he is one of the top contemporary manga artists. He has an incredibly detailed and realistic style that really sets his manga apart from other series.

MICHELLE: I just started reading Vagabond the other day, and there was one close-up picture of Takezo drawn with extreme care and obvious skill, and I thought, “Y’know, this should be the image that all manga fans carry around to immediately dispel the misconceived notion that all manga looks alike and/or involves big, sparkly eyes.”

ANNA: I think that Inoue’s style (particularly in Real and Vagabond) is probably more reader-friendly to Western comics fans who haven’t read much manga before.

MICHELLE: Yeah, probably so. I’ve often thought that Western comic fans would probably like a bunch of seinen manga if they’d give it a chance.

Anyways, I suppose we should proceed to get visual! The images I’ve chosen are the very first pages in the very first volume of Real.

Real, Vol. 1 (VIZ Media)

I chose these images because they demonstrate how well Inoue is able to communicate Togawa’s character here without needing any words at all. Okay, sure, this guy is in a wheelchair, but he’s clearly driven. He’s pushing himself, possibly to the point of pain (if that’s what that one black panel represents). He has bulging muscles, so he’s clearly been at this a while. He’s moving fast. He may have a disability, but it doesn’t mean that he can’t take being an athlete seriously.

And then you turn the page and see that he is all alone. Inoue pulls back to show the entirety of the gym to emphasize Togawa’s solitude, and if that wasn’t enough, we get a glimpse of the empty school campus, as well. This sets the stage for what we later learn (which you mention in your review)—that Togawa’s attitude toward his wheelchair basketball team does not mesh well with his hobbyist teammates. Here’s a guy who is giving it his all, and he is the only one.

There’s just so much we can tell from this elegant introduction that it kind of blows me away.

ANNA: I agree that one of the things I like best about Inoue’s art is how much the images are able to contribute to the storytelling of his manga without overtly telling the audience anything. The themes touched on in the images you showed are addressed again later in the manga. Togawa’s ego and isolation contribute to his central struggle in the manga, and at the same time his willingness to practice all by himself shows just how dedicated he is to his sport.

MICHELLE: I will always, always be a big fan of nonverbal storytelling, so Inoue really wins my heart here by going above and beyond impressive art.

Want to tell us about the images you picked?

ANNA: The panels I chose were from Volume 26 of Vagabond, collected in the ninth VIZBIG edition of the series.

Vagabond, Vol. 26 (VIZ Media)

One of the reasons why I love Vagabond so much is that the fight scenes are never merely about two people fighting. There’s always a psychological or philosophical element involved. We see Miyamoto Musashi in a midst of battle against 70 members of the Yoshioka sword school, an ambush he willingly walked into. As he battles, he’s focused on centering himself and living in the moment. The close-up panels of his face show the process of self-reflection even as he is mowing down his opponents.

MICHELLE: That’s a really striking sequence. I like how he seems to be looking off into the horizon as he tells himself to have no aspirations for the future, as if to acknowledge the existence of other paths that he’s not allowing himself to take. Granted, I’ve not read the series that far—I’m barely on volume two—but it almost seems to me like he could walk away from this fight if he wanted to, but he’s not letting himself do it. Is that anywhere near the case?

ANNA: I don’t think Musashi is capable mentally of walking away from a fight like this. There are a lot of things that lead up to this sequence of many chapters where Musashi takes on the entire sword school, but one thing that struck me about the battle as a whole is that while you see Musashi getting beaten down and injured, towards the end Inoue almost has the reader concluding that it was really unfair to the 70 men who were planning on ambushing and attacking Musashi from behind that they had to go up against this one particular single opponent. Vagabond’s
fight scenes are always interesting, even when they stretch on for hundreds of pages, simply because the exquisitely rendered battles are contrasted with the internal struggles of the people who are fighting. Battle is as much of a mental exercise as it is a physical one.

MICHELLE: That’s an interesting point! So far I’ve only seen a few fights, and there hasn’t been much on Takezo’s (as Musashi is known at that point in the story) mental state yet. But I definitely admired the pacing and structure of Inoue’s artistic approach to battle—even watching Takezo just turn around and notice one opponent still standing becomes something frankly terrifying.

ANNA: One the things I enjoy about Vagabond is seeing the way Musashi changes over time. The man fighting the sword school in these panels has a measured sense of self and an inner stillness as he fights opponent after opponent. This is totally different from the way Takezo is portrayed in the earlier volumes, where he is more arrogant and animalistic.

MICHELLE: I definitely look forward to seeing how he gets from point A to point B. I admit, I still prefer Inoue’s sports-related series, but there’s just no denying that Vagabond is a masterpiece.

Thanks to everyone for reading, and we hope we’ve inspired you to check out some Inoue!

Filed Under: Let's Get Visual Tagged With: Takehiko Inoue, VIZ, VIZ Signature

Women Write About Comics: Interview

June 30, 2012 by MJ Leave a Comment

Good morning, Manga Bookshelf readers! I have a quick link to share this morning, to a not-so-quick interview I gave last week to Claire Napier at the blog carnival Women Write About Comics. Claire asked me some really great questions about manga, blogging, female representation, and storytelling in general. It was a real pleasure to talk with her.

The interview is here.

I hope you’ll check it out if you have a moment (or, uh, twenty). And if you’re a woman who writes about comics (or a man who has our backs), take a look at the blog carnival in general and how it works. It’s a great opportunity for us to really expand our conversations, blog-to-blog, and I’m hoping to participate soon myself. The latest topic is Harassment in the Geek Blogoshere, which will be running through July 7-8. You can also check them out on Twitter and Facebook.

Filed Under: UNSHELVED

Takehiko Inoue MMF Roundup: Part Three

June 29, 2012 by Michelle Smith

What started as a trickle has become a steady stream as the Takehiko Inoue MMF begins drawing to a close!

At Experiments in Manga, Ash brown checks out the second Vagabond VIZBIG omnibus, particularly praising the way battles in the series have lasting repercussions for the characters.

At Manga Report, Anna digs into the past for highlights from the Inoue archive page.

Animemiz posts about Inoue’s artwork at the New York City Kinokuniya location.

At Manga Village, the gang collects a bunch of quotes in praise of Inoue’s Slam Dunk and Lori Henderson gives Vagabond a try but ultimately concludes it’s just not her thing.

Lastly, be sure to check out this really interesting article at Manga Therapy that ponders the notion of strength, as depicted in Vagabond.

My thanks to all the contributors!

Filed Under: NEWS Tagged With: Takehiko Inoue

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