• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Home
  • About Us
    • Privacy Policy
    • Comment Policy
    • Disclosures & Disclaimers
  • Resources
    • Links, Essays & Articles
    • Fandomology!
    • CLAMP Directory
    • BlogRoll
  • Features & Columns
    • 3 Things Thursday
    • Adventures in the Key of Shoujo
    • Bit & Blips (game reviews)
    • BL BOOKRACK
    • Bookshelf Briefs
    • Bringing the Drama
    • Comic Conversion
    • Fanservice Friday
    • Going Digital
    • It Came From the Sinosphere
    • License This!
    • Magazine no Mori
    • My Week in Manga
    • OFF THE SHELF
    • Not By Manga Alone
    • PICK OF THE WEEK
    • Subtitles & Sensibility
    • Weekly Shonen Jump Recaps
  • Manga Moveable Feast
    • MMF Full Archive
    • Yun Kouga
    • CLAMP
    • Shojo Beat
    • Osamu Tezuka
    • Sailor Moon
    • Fruits Basket
    • Takehiko Inoue
    • Wild Adapter
    • One Piece
    • After School Nightmare
    • Karakuri Odette
    • Paradise Kiss
    • The Color Trilogy
    • To Terra…
    • Sexy Voice & Robo
  • Browse by Author
    • Sean Gaffney
    • Anna Neatrour
    • Michelle Smith
    • Katherine Dacey
    • MJ
    • Brigid Alverson
    • Travis Anderson
    • Phillip Anthony
    • Derek Bown
    • Jaci Dahlvang
    • Angela Eastman
    • Erica Friedman
    • Sara K.
    • Megan Purdy
    • Emily Snodgrass
    • Nancy Thistlethwaite
    • Eva Volin
    • David Welsh
  • MB Blogs
    • A Case Suitable For Treatment
    • Experiments in Manga
    • MangaBlog
    • The Manga Critic
    • Manga Report
    • Soliloquy in Blue
    • Manga Curmudgeon (archive)

Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Blog

Shonen Jump gets Akira Toriyama’s Jaco the Galactic Patrolman

July 2, 2013 by Brigid Alverson

jaco

Here’s the big news of the week: Dragon Ball creator Akira Toriyama will launch a new series in two weeks, Jaco the Galactic Patrolman, and Shonen Jump will be carrying it in English the same week it comes out in Japan.

I rounded up some new manga releases, the Megatokyo Kickstarter, and other manga news in my latest Manga Tipsheet at MTV Geek.

Among those news bits: Viz confirmed it has licensed Tiger & Bunny: The Beginning. Lissa Pattillo has more.

SuBLime announced a new license as well: Kou Yoneda’s NightS.

The Digital Manga folks post an update on their plans for Anime Expo, new digital releases, delays in print volumes, and more.

Erica Friedman brings us the latest edition of Yuri Network News.

The Manga Bookshelf bloggers discuss their latest Pick of the Week, and they take a look at this week’s new releases as well.

Laura rounds up the Skip Beat! Manga Moveable Feast posts at Heart of Manga.

Jason Thompson takes a fond look at one of my favorite manga, Twin Spica, in his latest House of 1000 Manga column at ANN.

Lissa Pattillo opens up the Swag Bag and shows off her latest purchases.

Lori Henderson talks about Skip Beat! and Umineko When They Cry in the latest two episodes of the Manga Dome podcast.

Erin discusses relationships in Otomen, where the nice guy gets the girl for a change, at Gagging on Sexism.

Jocelyne Allen reads two volumes of collected works from the alt-manga magazines Garo and Com (the latter was started by Osamu Tezuka), and finds some great reading by Shigeru Mizuki, Yoshihiro Tatsumi, and Leiji Matsumoto.

Who reads Manga Bookshelf, and what manga do they like? MJ presents the results of their recent survey.

News from Japan: The big news out of Japan this past week Sad news: Comic LO Magazine artist Yasuda, who was active in doujinshi circles, has died after a brief illness; he was only 24. Deadman Wonderland, which returned from hiatus in January, will end in the July 26 issue of Kadokawa Shoten’s Monthly Shōnen Ace. Maid Sama! is also drawing to a close. On the upside, though, Mari Yamazaki plans to launch a Thermae Romae spinoff in Comic Beam in September.

Reviews: The Manga Bookshelf team keep it short and sweet in their latest Bookshelf Briefs. Ash Brown takes us through a week’s manga reading in Experiments in Manga.

Victoria Erica on vol. 2 of Attack on Titan (Inside AX)
Lesley Aeschliman on vol. 6 of Bleach (Blogcritics)
Manjiorin on vol. 2 of Blood-C (Organization ASG)
Sean Gaffney on vol. 3 of Blood Lad (A Case Suitable for Treatment)
Leroy Douresseaux on vol. 5 of Children of the Sea (The Comic Book Bin)
Matthew Alexander on vol. 22 of Claymore (The Fandom Post)
Anna N. on vols. 7 and 8 of Cross Game (Manga Report)
Justin on chapter 38 of Cross Manage (Organization ASG)
Leroy Douresseaux on vol. 3 of Demon Love Spell (The Comic Book Bin)
Lesley Aeschliman on vol. 8 of A Devil and Her Love Song (Blogcritics)
Matthew Warner on vol. 8 of A Devil and Her Love Song (The Fandom Post)
Matthew Warner on vol. 1 of Doubt (The Fandom Post)
Erica Friedman on Futari (Okazu)
Sean Gaffney on vol. 5 of GA: Geijutsuka Art Design Class (A Case Suitable for Treatment)
Matthew Warner on vol. 4 of Is This a Zombie? (The Fandom Post)
Sean Gaffney on vol. 1 of Lone Wolf and Cub (omnibus edition) (A Case Suitable for Treatment)
Sean Gaffney on vol. 22 of Higurashi: When They Cry (A Case Suitable for Treatment)
Lissa Pattillo on vols. 1 and 2 of Kingdom Hearts: Final Mix (Kuriousity)
Helen on vols. 1-3 of Mars (Narrative Investigations)
Leroy Douresseaux on vol. 67 of One Piece (The Comic Book Bin)
Greg McElhatton on The Passion of Gengoroh Tagame (Read About Comics)
Lesley Aeschliman on vol. 16 of Pokemon Adventures (Lesley’s Musings… on Manga)
Matthew Warner on vol. 10 of Psyren (The Fandom Post)
Leroy Douresseaux on vol. 11 of Psyren (The Comic Book Bin)
Erica Friedman on vol. 11 of Rakuen Le Paradis (Okazu)
Philip Anthony on vol. 8 of Sailor Moon (Manga Bookshelf)
Lesley Aeschliman on vol. 11 of Sailor Moon (Blogcritics)
Justin on vol. 1 of Sankarea (Organization ASG)
Erica Friedman on Shishunki Seimeitai Vega (Okazu)
Derek Bown on the latest issue of Shonen Jump (Manga Bookshelf)
Ash Brown on vol. 1 of Skip Beat! (omnibus edition) (Experiments in Manga)
Leroy Douresseaux on vol. 1 of Sleeping Moon (I Reads You)
Matthew Warner on vol. 3 of Strobe Edge (The Fandom Post)
John Rose on vol. 1 of Umineko: When They Cry – Legend of the Golden Witch (The Fandom Post)
Connie C. on Utsubora (Comics Should Be Good)
Ash Brown on vol. 4 of Wandering Son (Experiments in Manga)
Sean Gaffney on vol. 4 of Wandering Son (A Case Suitable for Treatment)

Filed Under: MANGABLOG

It Came from the Sinosphere: Island, End of Nightmare (Manhua)

July 2, 2013 by Sara K. Leave a Comment

The cover of the manhua, featuring Luonian (blue) running towards the reader, and Huaizhen (orange) taking up most of the background.

Why couldn’t I find this image in a bigger size?

Hello, everyone! I’m back.

The Story

During a trip to an island in the South China sea, a teenager called Luonian has an encounter with a phoenix, and then a giant dog (a demon?) pins him to the ground. Then Luonian wakes up in a hospital in Taiwan. Was it just a nightmare?

A picture of Luonian with the island in the background.  We see a jungle and a seagull.

Back in his hometown, Banqiao, Luonian gets attacked by a demon … which gets taken down by some fellow senior high school students. Apparently, a number of teenage demon hunters attend Luonian’s senior high school, but demon hunters are generally pretty discreet about their work, so he wasn’t aware of their activities before. Now that he knows, their offer to train him and let him join their demon-hunting club.

To make matters worse, that “dog,” who is actually a nine-tailed fox and is called “Huaizhen,” comes back. Huaizhen had waited 3000 years to get the “aura” of that phoenix … and Luonian had “stolen” that opporunity by getting the “aura” of the phoenix instead.
Therefore, Huaizhen wants to eat him. However, they strike a deal – Luonian lets Huaizhen suck his phoenix-aura-laden-energy (note: this might not be the best way to translate this from Chinese), and Luonian will let him live. Furthermore, since demons are attracted to the phoenix-aura, Luonian should expect a lot more demons in his life from now on.

In case you’re not familiar with Chinese-mythology, men are supposed to feel extreme sexual attraction towards nine-tailed-foxes. In Huaizhen’s experience, this is generally true … with the notable of Luonian, who doesn’t have the least bit of sexual interest in Huaizhen. Huaizhen finds this … intriguing.

Finally, Huaizhen urges Luonian to join the demon-hunters because a) they can help protect him from the demons (and if the demons get him, she can’t suck his energy) and b) she wants to know more about the demon-hunters. But Huaizhen makes a point of hanging around Luonian a lot, pretending to be Luonian’s teenager sister, and if the demon-hunters learn about her true nature…

Background

This manhua is adapted from a series by a very popular online novelist called Moren. Moren is known for mixing fantasy, wuxia, and science fiction together. I myself have only read the first couple volumes of Island, End of Nightmare, and I would call it fantasy with elements of wuxia and science fiction rather than blend (I feel it has a lot more in common with the YA fantasy I’ve read than the wuxia or science-fiction I’ve read).

The artist YinYin with Han Baobao, who did the writing for the manhua adaptation.

The artist YinYin with Han Baobao, who did the writing for the manhua adaptation.

The manhua edition is drawn by YinYin, who also drew the illustrations and book covers for the original novels. YinYin is a regular contributor to Crative Comics Collection, and has produced her own original manhua.

The Artwork

YinYin says in the interview at the end of the volume that, when drawing for manhua, her first priority is to communicate the story, and aesthetic considerations (i.e. is the artwork pretty) are secondary. I think this is a good set of priorities since comic books are storytelling media, and there are many other media for artists who want to put aesthetics first.

SURPRISE! Fellow senior high school student nabs demon.  There is a big, clear panel showing the main action, with supporting panels with reaction shots.  Also, notice that the demon hunter is erect and vertical, while the demon is horizontal, making a nice right-angle.

SURPRISE! Fellow senior high school student nabs demon. There is a big, clear panel showing the main action, with supporting panels with reaction shots. Also, notice that the demon hunter is erect and vertical, while the demon is horizontal, making a nice right-angle.

And I think YinYin gets the “storytelling” part down. The artwork does an excellent job of clearly communicating the story. Though the plot summary above may seem a bit complicated, it’s actually quite easy to follow in the manhua itself, and I think the artwork definitely helps. It took much less effort to follow the manhua than the original novel, and the novel itself is not hard to follow.

I also don’t think putting the story first costs the aesthetics anything.

First of all, the more I look at it, the more I like the cover illustration of the novel. I really dig the blue/orange theme – and it’s very appropriate that Luonian is blue, and that Huaizhen is orange, since they act as opposite personalities. Come to think of it, this is a beautiful example of storytelling and aesthetics coming together.

This 'big main panel with supporting reaction panels' composition really works.

This ‘big main panel with supporting reaction panels’ composition really works.

The artwork clean and smooth. I think the trick is that YinYin makes sure there is enoguh detail to give the artwork meaning, yet it stays simple enough that everything is focused and the reader’s eye is not distracted by minutiae. And YinYin knows how to make a page pop with a simple, striking image. Most pages are not like that, but then again, if they were, then they wouldn’t pop.

Getting nabbed by a giant dog definitely pops.

Getting nabbed by a giant dog definitely pops.

And some of the images are simply, well, graceful.

I like this page for some reason.

I like this page for some reason.

In fact, I think this is the best work I’ve seen from YinYin.

The phoenix, of course, is lovely.

The phoenix, of course, is lovely.

YinYin also says that, while obviously there is a strong Japanese influence on her work, she tries to express her own style rather than try to make her artwork look like Japanese manga.

Where Have I Seen This Before

If you have read a significant amount of general manga – heck, even if you’re just reasonably familiar with YA fantasy – this should seem like familiar territory. The question is: what sets this tale of teenage demon-hunters apart from other tales of teenage demon-hunters?

One way to stand out is to have superlative writing. Though this story is well-written … and there are definitely touches I like (for example, the fact that Luonian’s senior high school just happens to have a demon-hunting group, and of course he didn’t know about it since there was no reason for him to know about it) … the storytelling alone is not exceptional enough to make it stand out from the other well-written stories in this genre.

Alas, the story's attempts at puberty/sexual humor is not one of the things which makes it stand out.

Alas, the story’s attempts at puberty/sexual humor is not one of the things which makes it stand out.

The thing which does make this story stand out is that it is set in Taiwan.

All other things being equal, people are usually more interested in stories about their own society and themselves than stories about other societies and other people. Taiwanese people are no exception. While Taiwanese people love Japanese manga, all other things being equal, they find things even more interesting if it’s about Taiwanese people in Taiwan than Japanese people in Japan.

While it’s not apparent in the first volume of the manhua (though I’m sure this will come through in future volumes), this story really does run all over Taiwan, and I think that is on purpose. There is such variety in Taiwan itself that one can find quite a variety of interesting locations without ever going abroad. As someone who has travelled extensively in Taiwan, I really enjoy this aspect of the story.

Availability in English

Ha ha ha ha ha.

Conclusion

I have no intention of continuing with this manhua, or with continuing the original novel series. It’s good enough that I don’t mind reading it, it’s just that there is so much more out there that I’m much more excited to read.

This manhua seems to be part of a campaign by the publisher Gaea to promote local manhua, particularly manhua which is distinctively Taiwanese. Making one of the first manhua an adaptation of a popular novel series is probably a good move, at least as far as getting readers’ attention. Considering the recent successes of movies made in Taiwan, I think there is definitely an audience out there for good, distinctively local manhua. The main thing needed to build that readership is to create and publish consistently high-quality manhua to attract and, more importantly, keep them.

However, though this volume was first published last August, volume 2 has yet to appear. That conceivably could be because the artist is too busy … but I think it’s a sign that the manhua has not been selling well.

Next time: The Iron-Crane Pentalogy (novels)


So much has happened in the past few weeks, where can Sara K. begin? Well, she is now one of rare people in the world who can honestly say that she has soked in an outdoor seawater hotspring in the middle of a thunderstorm. There are only three seawater hot springs in the world, and considering her geographic location, Manga Bookshelf readers can probably figure out that she did not go to the one in Sicily.

Filed Under: It Came From the Sinosphere Tagged With: Island: End of Nightmare, manhua, Moren, online novels, YinYin

Utsubora: The Story Of A Novelist

July 2, 2013 by Sean Gaffney

By Asumiko Nakamura. Released in Japan as two separate volumes by Ohta Shuppan, serialized in the magazine Manga Erotics F. Released in North America by Vertical.

I didn’t know a whole lot about this series going into it, except that it had striking cover art, and the premise seemed to promise a whodunnit sort of thing. As it turns out, the death at the start of the book is more of a catalyst than a mystery. Instead, it’s the story of several really broken people, and watching them all move through life, desperately trying to find the purpose they lack. And trust me, that’s a lot more riveting than trying to figure out how someone really died.

utsubora

The plot of the manga involves a well-known writer who has apparently begun a new series in a monthly magazine called ‘Utsubora’ – an archaic Japanese word that can mean ‘hollow space’. The fictional story and the manga both are inhabited by people who define that word, be it the writer himself, the mysterious girl who seemed to be his muse, his exasperated editor, or the niece who is seemingly the most normal girl here. One of the things I really liked about the manga is the way that Nakamura makes you shift sympathies as you read and understand more – I really empathized with Tsuji, the young editor, at the start, and then less and less as the story went on and we saw how far he’d go regarding his crush. Likewise, Mizorogi started off as a stoic creep, but gradually I felt deep pity and empathy for him.

Despite what the title may imply, not every series that runs in Manga Erotics F has to have sex in it. This one does, though, and we see quite a few scenes of lovemaking. The interesting thing is that they’re all presented very differently depending on who is present. Mizorogi’s psychological issues mean that sex with him is very different from sex with someone like Tsuji, a fact that is pointed out immediately by the girl who’s been with both of them. (It also ties in to his issues with being able to write, and using “Fujino” for that.) And a later scene showing Tsuji and a desperate female author who’s in lust with him seems far dirtier than the other scenes, less loving and more passionate and quick.

I haven’t talked much about the two girls on the front and back covers, even thought they are very much the focus of this work. Indeed, for a while I wasn’t quite sure what was going on with them at all. The mystery set up at the beginning was less about the death and more about what happened before, and how much we, as a reader, could trust what’s presented to us. In the end, though, I’m left with an almost aching sadness as I look back on what happened with Aki Fujino, Sakura Miki and Fujiko Akiyama, and it’s her character that conveys the meaning of the title the most. At the start, and at the end, she stands stoic before us, but in between those times the raw emotion is almost too much to bear.

Utsubora is a book, I think, that has to be felt almost as much as it has to be read. Its examination of a writer’s life, and the people that surround that life, is tangible and heartbreaking. There’s a lot of stuff I wasn’t even able to cover here, simply as I didn’t want to spoil too much about this book, which is highly unusual for me. Seek this out, it’s one of the best titles I’ve read this year.

Filed Under: REVIEWS

Yun Kouga MMF: Call for Participation

July 1, 2013 by MJ Leave a Comment

Welcome to July 2013, and the newest installment of the Manga Moveable Feast, the manga blogging community’s ongoing conversation about the medium we all love. Each month, a single series, creator, or topic is chosen for a week-long discussion across the entire community.

This month’s feast will run from Sunday, July 14th through Saturday, the 20th, featuring the works of Yun Kouga, and hosted here at Manga Bookshelf.

Though Yun Kouga has enjoyed popular success here in North America, particularly with her BL-tinged shoujo fantasy, Loveless, her pretty-boy sensibilities and predilection for writing in stereotypically “trashy” genres have caused her rather spectacular talent with characterization to remain largely overlooked. Though Kouga’s works can feel messy and chaotic at the start, this messiness is essential to her characters and their relationships, each of which is rooted in a level of emotional truth rare in any kind of storytelling. I’ve often said that “there is no train wreck I love more than a Yun Kouga train wreck,” and I’m sure I’ll say it again. Her ability to explore her characters’ deeply human contradictions and, more to the point, her readers’ is second to none.

loveless-artbook-sm

Yun Kouga’s works published in English include: Earthian (Tokyopop/Digital Manga Publishing), Loveless (Tokyopop/Viz Media), Gestalt (Viz Media), Crown of Love (Viz Media), and Neon Genesis Evangelion: Comic Tribute (Dark Horse).

Over the course of the week beginning July 14th, I’ll be writing about my own love affair with Kouga-sensei’s idiosyncratic writing, but whether you’re a fan, an anti-fan, or somewhere in-between, you’re invited to join in! No blog? No problem! Send me your submissions by email anytime between the 14th and 20th, and I’ll post them on your behalf. There is no end to the creativity encouraged by the MMF. Please explore the works of Yun Kouga in any way you choose, including anything from straight-up reviews, roundtables, or essays to a video of your Kouga-inspired interpretive dance. All submissions and all participants are welcome!

I will post an introduction to the Yun Kouga MMF on Sunday, July 14th, including a link to the Feast’s archive page and instructions for notifying me of your submissions. In the meantime, feel free to send links to older pieces to mj@mangabookshelf.com for inclusion in this month’s archive.

Any questions? Please let me know, or join the MMF Google Group.

Filed Under: NEWS, UNSHELVED Tagged With: Manga Moveable Feast, MMF, Yun Kouga

Weekly Shonen Jump Recap: June 24, 2013

July 1, 2013 by Derek Bown 4 Comments

WSJ June 24 TitleA bit late, but not three weeks late. I count that as progress. What I don’t count as progress, or at least not major progress, is the headliner chapter for this week’s issue. But, let’s dive straight into it shall we?

Naruto Ch. 635
I’m a bit conflicted about this week’s chapter of Naruto. On the one hand it’s good for the story that this isn’t Sasuke’s ultimate redemption. One of the biggest promises made by the series was that in the end Naruto and Sasuke would have a final showdown. It’s hard to do that satisfactorily if Sasuke were redeemed the way we thought he had been. At the same time I’m glad that Sakura hasn’t fallen back into her old habits with the return of Sasuke. The fact that she’s clearly lying to herself about being glad that he’s back is interesting, and promising for her character development, something that I’ve felt has been missing from this series for the past several years.

On the other hand, this chapter isn’t all that great. It’s confusing, some of the art is just weird, and the mood shift is so drastic I tend to focus on that more than I do on how promising these developments are for the series as a whole. If I had anything to say about Naruto—and I do in fact have a lot to say about it, but if we were to narrow what I was to say down to one thing—it would be that this series has been clumsy. It’s been clumsy for many years, ever since the start of the Kage summit.

In the early years this was a great series, but it didn’t take long for certain problems to start cropping up. The series was still enjoyable all the way past the timeskip, and even beyond the timeskip in places. But the attack of Pein against Konoha, and the disappointing way that Kishimoto handled characters like Hinata (which has not been redeemed in the slightest by these past few chapters) were monumental in forming my decision that this series isn’t that great. And that’s not to speak of the years wasted following Sasuke as he does absolutely no growing and all his powers are just given to him by virtue of his ancestry and by necessity of the plot.

But these past few years, and I do mean years, that we’ve been focusing on the Ninja War have been atrocious. Even when the focus is put on characters I want to read more about, it’s been done so clumsily that I can’t see anything this series does as just another bid for time. We all know Naruto won’t be cancelled. Kishimoto knows this, and judging by the quality of his manga at the moment I’d say that while he has an ending in mind he’s stretching it as far as possible. Why? I can’t say. But I’ve got the sneaking suspicion that somewhere in the line, whether it be Kishimoto himself or the editorial department, someone has been sacrificing quality in favor of more money. After all, they’re clearly scared about Bleach and Naruto ending. With two of the big three gone and only one replacement, what does their magazine have? And thus they sacrifice quality and we’re left with manga that we used to know and love but now wish would just go away.

It’s kind of like The Simpsons in that regard.

Oh, and let’s not forget the infantile character interaction between Karin, Suigetsu, and Orochimaru. I think I don’t even need to comment on that one, it speaks for itself. But I will say that I think Kishimoto has either lost his sense of humor or is writing to a much lower age group than he thinks he actually is.

Naruto

One-Punch Man Ch. 020.2
I absolutely love the way Murata draws gadgets in this series. First it was Sonic’s exploding Shuriken, and now it’s Golden Ball’s slingshot. He keeps drawing things that I really, really want. With this chapter we get a look into what the monsters as well as the heroes think about Saitama’s neighborhood. Nobody quite knows what’s going on, but he’s risen to the level of an urban legend. And somehow, even though we know Saitama is the good guy, even though most of the time he’s drawn so plainly, somehow he still manages to be the focus of the most terrifying panel of the chapter. And we still get to see that One can write jokes about Saitama’s power level without growing stale. Though there is a slight hint of, “Okay, we get it” with the overall concept, but in the end I find myself just enjoying this series.

One-Punch Man

World Trigger Ch. 019
I normally don’t let art quirks bug me. But I’ve had enough. The duck faces from Yuma were bad enough, but now we have ANOTHER character whose thing is making duck faces! Is this Ashihara’s concept of the height of comedy? People making duck faces? The kid who writes axe cop would tell this guy, “Dude, come on, it’s not that funny.” The thing about World Trigger is that Ashihara has a lot of good ideas, and he is skilled enough to pull off some nifty scene transitions. The problem is that he isn’t quite skilled enough to bring across ALL of his ideas properly. Sure having a Capybara in his series is kickass, but so what? Without the skill to tell a coherent story, and the wisdom to stick to conventional tropes where necessary (such as actually bothering to give your characters motivation), then all the clever ideas and moments of talent won’t amount to much. I don’t see this series going anywhere, but I think we can expect Ashihara’s next work, or event he next after that, to be something to look forward to. As long as he can recognize his failings and work to adjust them. If he can’t do that, then I don’t expect much from him.

Bleach Ch. 542
The interesting thing about Bleach is that sometimes it will clearly contradict itself, but then after just a moment of thought the answer will present itself. Sure Kubo had said that Kyouraku and Ukitake were the only ones with double Zanpakuto, and sure he broke that with Hisagi, but when Ichigo gets his double Zanpakuto it works because at the time Kyouraku and Ukitake were the only two that had double Zanpakuto. And it makes sense for Ichigo to have two blades like that, considering that we’re going with the idea of his powers being split between his Hollow plus Soul Reaper powers and his Quincy powers. Though with all these redesigns I feel that Kubo has lost the iconic look that so many people associated with his series. And by this point I think a lot of people will be turned off by the constant design changes. Here’s hoping that Kubo can end Bleach soon and then move on to design his next series.

Bleach

Nisekoi Ch. 079
Not only do we finally move away from Haru, but we focus on one of my favorite characters, Tsugumi. The main draw this chapter is getting some more backstory, developing Tsugumi in a very needed way, considering she’s the odd one out from the childhood promise group. While it may feel like any development between her and Raku is wasted space since it’s clear who he will end up with, I still feel that the journey more than makes up for knowing the destination. And of course we get to see Onodera at the very end for the final punchline.

Cross Manage Ch. 038
If this series gets cancelled I will lose all hope in the youth of Japan. I know that at it’s hard to appreciate literary and artistic quality at a young age, what with all the media aimed at you being all vampires and kissing and stuff (I don’t know, I don’t pay much attention to YA anymore). But it takes a special level of dense not to get why this series needs to keep going. It’s a comedy, it’s a character piece, it’s a surprisingly great sports manga, AND it’s a drama! What more could anyone want? The only thing missing is a battle for galactic peace or something. Granted the sensitivity of this series may be a bit more shoujo, but considering that most of my issues with shoujo lie with the art styles and the focus entirely on romance, I consider Cross Manage to be the series that takes the good from shoujo and wraps it in a familiar shounen package. With Misora’s injury all the heavy drama from the first chapter comes back, but this time we’ve had thirty-seven chapters to get to know the characters. Combine this with Kaito’s raw skill for drama and suddenly this series keeps getting more and more compelling. I still don’t know how it end, but now we have an added dilema on top of the possibility of losing the game.

Cross Manage

Toriko Ch. 238
Well, if Cross Manage didn’t give you the raw violence you wanted, then here’s Toriko to the rescue. While the past few chapters have been a bit too much violence with little more substance, I think that this chapter was really aided by the addition of the visualization powers. Essentially we get to go far more violent than either Toriko or Starjun could survive, allowing for the most brutal fight this series has seen in a while, or that Jump has ever seen. And of course it’s supplemented by the fact that they all really are taking major damage. Not much substance as far as the story or characterization is concerned, but it had plenty of well drafted violence. And sometimes that’s just what we’re in the mood for.

Toriko

Dragon Ball Z Ch. 020
Finally we move from the training arc to the actual battle. While the training didn’t take nearly as long as it would have in the anime, stretched into weekly segments it took long enough. But, even though we don’t get that much fighting this chapter, it clearly shows why so many remember this series so fondly, and why it’s considered a classic shonen battle manga. The action is just well rendered and badass. The story behind this manga may not be the strongest, but there’s a reason it’s the strongest in fight scenes.

Dragon Ball Z


Just as a reminder, for any newcomers, I haven’t been reviewing Yugioh Zexal mostly because there is no way I could have fairly represented it. Most of my comments would have been along the lines of, “Card games are dumb, I don’t get this series.” It doesn’t help that I haven’t been reading it from the beginning, and really the only way I could have is if I’d either bought the digital volumes or pirated the series. Neither of which I feel inclined to do for the latest incarnation of a series I haven’t followed since season two of the anime.

And for this week’s question, would you like me to spend more time discussing the specific events of the chapters, which would include spoilers, or do you prefer my relatively spoiler free format that focuses entirely on discussion? My theory is that anyone reading this has either read the chapters and wants another opinion, or they’re deciding whether to read it and won’t appreciate spoilers. Let me know in the comments which you think would work better.

If you want to hear more, check out the Manga^3 Podcast Archives. Or go directly to the last week’s episode, Episode 052 – June 17, 2013 – The Top Five Sexiest Manga Characters | Fairy Tail Vol. 7.

Filed Under: FEATURES & REVIEWS, WSJA Recaps

Pick of the Week: Last Gasp First

July 1, 2013 by Michelle Smith, Sean Gaffney and MJ 2 Comments

potw-7-1-13MICHELLE: Calm but carnivorous giant space hippos. Fanciful and imaginative landscapes. Terrible carnage at a poodle ranch. A cute, fluffy, and cheerful alien protagonist who keeps falling for all the wrong girls. If any of these absurd notions appeal to you, then you need to be reading Junko Mizuno’s Little Fluffy Gigolo PELU, the second volume of which is due next week after a three-year hiatus. I really enjoyed the first volume and am positively asquee that volume two is here at last!

SEAN: For me it’s going to be Oresama Teacher 14. Only Excel Saga makes me laugh more than this ridiculous shoujo comedy, which actually could be shifted over to a shonen magazine without needing to change even one thing – it’s filled with goofy fights, wacky misunderstandings, and healing broken teenagers though the power of stupidity. Love it to bits.

MJ: Since Michelle has already given her pick to my likely first choice, PELU, I’ll take this opportunity to give a boost to this week’s other new offering from Last Gasp, The Strange Case of Panorama Island, Suehiro Maruo’s manga adaptation of the popular novel by Edogawa Rampo. I’ll be the first to admit that “underground” manga is pretty hit or miss with me—and most often miss. It seems so often that “underground,” at least what’s advertised as such here, translates to “obsessed with shock value for its own sake,” which usually ends up being empty in most other ways. But a look at this video about the book from Last Gasp is all it takes for me to put my money on “hit” this time around. That lush artwork is more than enough to lure me in. I’m sold!

What looks good to you this week?

Filed Under: PICK OF THE WEEK

Bookshelf Briefs 7/1/13

July 1, 2013 by Sean Gaffney, Michelle Smith and Anna N Leave a Comment

This week, Sean, Michelle, & Anna look at recent releases from Seven Seas, Viz Media, Yen Press, and Kodansha Comics.


aceheartsAlice in the Country of Clover: Ace of Hearts | By QuinRose and Mamenosuke Fujimaru | Seven Seas – This wasn’t quite as bad as Bloody Twins, but it’s right up there. I’ve said before that the Alice manga is best when it’s not focusing on romance, and this isn’t that; it’s pretty much Alice falling for Ace, and getting lost a lot with him. There’s some attempt at working with Ace’s psychoses – the friendlier she is to everyone, the less he likes her, which would not bode well for them if this relationship lasted longer than half a book. But for the most part this is simply ‘the Ace ending’ for those who read the visual novel. It’s not even big enough to fill the book – about 60% is Ace, and the rest of the volume is two Crimson Empire stories. Which are also dull. Honestly, even if you’re an Ace fan, there are other books that use him better than this one. – Sean Gaffney

devil9A Devil and Her Love Song, Vol. 9 | By Miyoshi Tomori | Viz Media – I enjoy each new volume of A Devil and Her Love Song, but the reliance on melodramatic tropes keeps it from becoming a favorite. Moments when the drama comes from the characters themselves are the best parts of the series. The highlight of this particular volume is when Maria is able to convince her group of friends to welcome fellow outcast Shintaro, making him profoundly happy. But then there are moments when the drama comes from something trope-y, like that ubiquitous shojo heroine predator, the random thug on the street (a.k.a. “the sidewalk cretin”), one of whom is responsible for causing Maria to miss Shin’s concert hall performance. This plot device is so contrived that it takes away from what’s going on with the characters, which seems to be that Maria’s developing a newfound appreciation for Yusuke. In the end, I really like this series, but I don’t love it. – Michelle Smith

fairytail27Fairy Tail, Vol. 27 | By Hiro Mashima | Kodansha Comics – Last volume had the villains winning everything, now it’s time for Fairy Tail’s comeback. Sometimes this is hilarious (everything about Natsu and Lucy’s teamup is one of the funniest things in this entire manga, and Mashima has shows he can draw funny faces better than almost anyone), and sometimes it’s badass (Loke’s fight with Capricorn, and how it ties into both Lucy and her late mother). Possibly the most interesting fight, though, is one that was changed at the last minute. Juvia’s battle with Meredy was originally supposed to be a big water powers beatdown, but after the Tohoku Earthquake and tsunami Mashima changed it to what we see here, showing that love and acceptance is what is really needed. It’s nice and heartwarming, and fits with Fairy Tail’s basic tenets. – Sean Gaffney

goong9Goong: The Royal Palace, Vol. 9 | by Park SoHee | Yen Press – I enjoy this manhwa, but I stopped following it actively. I stumbled across a bunch of the omnibus volumes at my local library and decided to dive in again. Were the characters’ lips always so bee-stung? In this contemporary story of a modern-day Korea with an active royal family commoner turned princess Chae-Kyung ponders the possibility of announcing her intention to divorce her royal prince Shin even though she loves him. There’s plenty of intrigue and manipulation in this frothy soap opera, as Shin gets framed and the Queen Mother tries dosing the young couple with herbs in order to hasten the appearance of a royal grandchild. I enjoy the way the art turns lavish whenever the royals are wearing more traditional Korean garb. There should be plenty of drama and intrigue in the volumes ahead! – Anna N

skipbeat31Skip Beat!, Vol. 31 | by Yoshiki Nakamura | Viz Media – I know I’ve mentioned before that the Heel siblings storyline in the current arc fills me with almost unholy levels of fangirl glee. This latest installment of Skip Beat is just as engrossing as the last. Ren has always been a bit of a handsome and mysterious cypher but Kyoko is gradually realizing the depths of his issues and trying to help him out however she can. A storyline about an actor confronting his inner demons might not seem exciting, but Nakamura’s dynamic and stylish art combined with the fact that Kyoko and Ren seem to be drawing closer together is plenty to satisfy fans of this series. – Anna N

strobeedge5Strobe Edge, Vol. 5 | By Io Sakisaka | Viz Media – Well, I was not expecting that! Interesting! But even before the unexpected twist, there was a lot to like about this volume of Strobe Edge. With Ren keeping his distance, Ninako ends up spending more time in the company of Ando, a former playboy who has confessed his love for her. I really appreciate that he’s become a fully fledged character instead of a simple rival, and we learn a good deal about his past in this volume. There are also many changes going around, and various characters afflicted with longing, and really it’s just so great and somehow refreshing. This is what good shoujo drama is like when you don’t have to result to tired old clichés. Yes, A Devil and Her Love Song, I’m talking to you. It actually reminds me a little of We Were There, which is high praise indeed. Go read Strobe Edge. – Michelle Smith

Filed Under: Bookshelf Briefs

Cross Game, Vols 7 and 8

June 30, 2013 by Anna N

Cross Game is one of those series that was so great, I’m a bit angry at myself for taking so long to finish it. The seventh omnibus volume was a bit of a surprise, because something that I expected to happen didn’t, and it didn’t happen in a way that was really interesting with the story that Adachi was building. All along I thought that there’d be a major confrontation between Ko’s team and the antagonistic coach at Kurokoma. But Kurokoma doesn’t even bother to scout their first-round competition because they’ve never heard of the team. Daimon’s arrogance is on full display as he talks to Junpei who is on his way to scout Seishu’s first-round opponent. Daimon says of his competition that he doesn’t even know what they are called, they’re “some no-name school…a team I have no intention of remembering…” The no-name team ends up being Seishu’s next opponent, as Kurokoma is defeated in the first round. Daimon’s comeuppance didn’t come at the hands of Seishu, it came from his own internal failings. In most other shonen manga there’s be a more simplistic confrontation between the two teams during the tournament, but thankfully Adachi doesn’t write his manga in an expected way.

Junpei has proposed to the oldest Tsukishima daughter Ichiyo, and she’s answered that she’ll marry him if Seishu gets to Koshien, adding an extra element of romantic tension to every baseball game. Ko’s finally reached a point where he can’t rely on Aoba for advice. His athletic abilities keep growing and as he tries to adjust his form after throwing the ball faster than he has before, Aoba can’t help him because she’s never thrown a ball that fast. Akane is hospitalized, and the idea of losing her combined with her similarity to Wakaba, makes the summer seem a bit eerie. Ko seems largely unflappable through the whole situation and Aoba comments to Yuhei that he seems cold. Yuhei comments that Ko knows “some things you just gotta do. Other things, you can only have faith…”

One of the things I love is the way simple scenes end up saying so much about the relationships between the characters. Aoba and Ko are riding an empty train together and she makes a point of sitting as far away from him as possible. Ko comments that the distance between them never changes and when she sharply asks if he said anything, he just replies “Nope.”

As the series comes to a close, I was reminded all over again how for a manga the focuses so intensely on baseball, it isn’t really about baseball at all in terms of the motivations and actions of the characters. Ko’s calm and constant training is touched off by the idea that Aoba’s will only like a boy who can pitch a 100 mph fastball. As All of Ko’s training begins to pay off with some inspired pitching as his team becomes a contender for Koshien, his pitches start clocking at higher and higher speeds. As Aoba watches Ko she thinks that he used to be like her, overly emotional and with a quick temper, but now “he’s just like Wakaba.”

During the final game there’s parallel baseball action and emotional revelation happening, as the reader sees the depth of Aoba’s hatred for Ko, and how that hatred is a proxy for dealing with Wakaba’s death, and how stoic and emotionally mature Ko is to just let himself be the object of Aoba’s scorn. During a pivotal moment Ko has to bat, and he hands the umpire a token, putting himself firmly back in the mental space of all of the times he’s practiced his batting at the Tsukishima’s batting cage. Adachi introduces these moments in such an off-hand naturalistic way that the symbolism involved never seems forced or overly precious. As the series concluded I realized that more than just showing the dramatic struggles of a high-school baseball team, Cross Game is really a classic romance manga, with some closing moments that would put most shoujo manga to shame just in terms of the emotional depth portrayed. Ko and Aoba are one of my favorite manga couples, and Cross Game really is a work to be treasured.

Filed Under: REVIEWS

Lone Wolf & Cub Omnibus, Vol. 1

June 30, 2013 by Sean Gaffney

By Kazuo Koike and Goseki Kojima. Released in Japan by Futabasha, serialized in the magazine Manga Action. Released in North America by Dark Horse.

I had never read Lone Wolf and Cub when I started to get into manga back in the day. My tastes ran more towards Ranma and Sailor Moon at that time, and it was also in a weird format, with smaller trim than what I was expecting. Then as it went on I simply never got a chance to go back to it. Now Dark horse is releasing the series in large omnibuses, sized like the other books on your shelves (although still flipped), with the first three volumes in this giant 700+-page monster. Is it worth picking this up?

lonewolf1

Well, if you already have it, I wouldn’t get it again, as there’s no new translation or anything. If you don’t have it, though, this is a surprisingly gripping tale of assassination and vengeance. I say surprising as, at least for these three volumes, it’s also very episodic, bouncing back and forth between various parts of feudal Japan. It appears to all take place in the same year, given that Daigoro (the ‘Cub’ of the title) stays about 3 years old throughout, but there’s little continuity between each story, and we really don’t even know much of why Ogami is an assassination for hire beyond “he was set up and his wife was killed”. This is an early 70s seinen action manga, so there’s not a lot of heavy continuity here.

That said, this also adds to the purity of the story. Our hero roots out corruption (he even makes sure to get the FULL story from his clients, including everything they’ve done wrong, just in case) and metes out his own brand of justice. Naturally, given that the protagonists are a killer assassin and his three-year-old son, the villains tends to go either two ways: horrible and cowardly villains who die like the dogs they are, or noble-yet-conflicted samurai who duel to the death with dignity. And they all know who Lone Wolf is, not to mention his Cub. Doesn’t really stop him from getting what he wants, even if he has to take out 8 female ninja assassins, or fight on a rickety bridge, or even inside an inescapable prison.

This is, of course, written by Kazuo Koike, later known for works like Crying Freeman. It will not surprise anyone, therefore, that Ogami is also an excellent lover, though we don’t see that quite as often as I expected here. Partly as the focus of the series is sword battles, but also because the women here tend to be dead or evil – I was rather surprised when one chapter showed a thief/prostitute actually surviving to the next chapter. At least I think that’s her in the next chapter – the artist is not that great at differentiating between his characters. Luckily, Ogami’s eyebrows are large enough so he can be spotted anywhere.

This is a giant tome of a book – it may actually read easier in its original non-omnibus format – and we have a ways to go, as the series runs to the mid-20s or so, and this is only Vol. 1-3. Nonetheless, it’s highly influential, and you can see why – as a mood, the book is stellar. Recommended for those who like manly manga, swordfights, or samurai.

Filed Under: REVIEWS

Manga the Week of 7/3

June 27, 2013 by Sean Gaffney, MJ, Michelle Smith and Anna N 6 Comments

SEAN: I’m pretty sure there’s something for absolutely everyone in this week’s list. Let’s break it down.

panorama

Starting off with a publisher we don’t often talk about. But Last Gasp has not one, but two manga releases out this week. First off is The Strange Case of Panorama Island, which is an adaptation of a famous Edogawa Rampo novel by underground manga artist Suehiro Maruo. Now admittedly, most of the indie manga fans grabbed this at TCAF already. Let’s get it more widely read.

MJ: I’m definitely interested, and I wasn’t at TCAF, so count me in!

MICHELLE: Ooh, finally! This one has been on my Amazon wishlist for ages!

ANNA: How many years ago was this announced? I’m glad that Strange Case of Panorama Island is coming out finally, I am very curious about it.

SEAN: And there’s also the 2nd volume of the cute yet disturbing Little Fluffy Gigolo Pelu, the first volume of which came out back in 2009. It’s a Junko Mizuno title, so be prepared for strangeness.

MJ: At long last! I still have the first volume that I borrowed from Michelle ages ago, so I guess I’d best reread and send back to her so that she can do the same!

MICHELLE: !!!!! I genuinely had no idea the second volume of this was on the horizon! It might be time to bust out my seldom-seen happy dance!

ANNA: I had no idea either! This is exciting.

SEAN: Seven Seas has a quintet of releases. Alice in the Country of Clover: Cheshire Cat Waltz hits its fifth volume, and continues to feature Alice’s love relationship with Boris.

MICHELLE: I have a tendency to start each new “Alice in the Country of” series, but then never go back to them. That’s the case with this one, too.

SEAN: Gunslinger Girl finally comes to an end with this volume, and if I’ve guessed correctly it will probably not involve everyone living happily ever after and there being punch and pie. Still, it’s a beloved series, and will no doubt be heartwarmingly bleak and tragic.

There’s also the 3rd omnibus of I Don’t Like You At All, Big Brother!!. I think this actually catches us up with Japan, given it’s an omnibus. As such, it may be a while before I have to talk about it again.

The same cannot be said for Mayo Chiki, which resists all my voodoo doll poking at it. Vol. 3 is out next week.

MJ: I can’t tell you how little interest I have in these things.

MICHELLE: *snerk*

SEAN: Lastly, and if I’m honest most interesting, is the debut of a new series, World War Blue. It’s basically the Nintendo/Sega console wars, only with human personifications. I find the premise intriguing, and it does not seem, on first glance, to be filled with moe incest, so it’s my Seven Seas pick this week.

MJ: I agree, that does sound interesting. May be a rare Seven Seas winner for me.

MICHELLE: Huh.

wolfsmund

SEAN: Vertical has a debut this week as well, though it’s a much darker series. Wolfsmund comes from the folks at Enterbrain, home to A Bride’s Story, and is a brutal examination of the Middle Ages. It’s supposed to be really excellent, but honestly may be too dark for me.

MJ: “Dark” has never scared me away, so bring it on!

ANNA: This sounds a bit odd and potentially interesting.

SEAN: And what would a first week of the month be without Viz? Bleach 57 gives you 57 varieties of plot, 3 speeds (slow, very slow, and stop), and 3,249 characters.

MICHELLE: And again I snerk.

SEAN: Blue Exorcist hits double digits, and I believe finally heads back to Academy life, though who knows how long that will last.

MICHELLE: I need to catch up on this one.

ANNA: Me too.

SEAN: A new 3-in-1 omnibus, for those who missed it the first time. Like me. D.Gray-Man 1-3 gives us an introduction to this series that started off in Jump before moving to Square (for the artist’s health reasons, I believe). It’s the series about exorcists that didn’t become a monstrous hit (see above for the other one).

Jiu Jiu finishes with its 5th volume, and I’m so relieved that I believe I will actually read it.

MJ: Heh.

MICHELLE: Jiu Jiu is over now? Hallelujah! I expected it to keep limping on indefinitely.

ANNA: I’m probably not going to read this, but I’m relieved that the series is wrapping up. Viz is also going to be releasing infinitely more interesting shoujo/josei very soon.

natsume14

SEAN: Natsume’s Book of Friends is always welcome in my house, even if it likely won’t feature my OT3 again. But Vol. 14 will be filled with melancholy, gentle humor, and piles and piles of yokai.

MJ: I haven’t checked in with this series in a while, but it was always a favorite, so perhaps now’s the time to catch up!

MICHELLE: I heart it!

ANNA: I have a stash of volumes somewhere I need to catch up on!

SEAN: Oresama Teacher is one of my top 5 comedy mangas right now, and Vol. 14 will be read as soon as it is in my hot little hands. I love it to bits. (Yes, yes, but I loved The Magic Touch, I’ve heard that before…)

MICHELLE: Usually episodic comedies don’t do much for me, but I frequently enjoy Oresama Teacher.

ANNA: I like this series a bunch. It might not always make sense, but the ridiculous situations are part of its charm.

SEAN: Psyren 11 will, I hope, go deeper into the question of Sakurako’s personality disorder, or at least not feature 200 pages of nothing but psychic battles again.

MICHELLE: I need to catch up on this one, too.

SEAN: Skip Beat! gets its 5th 3-in-one, and I seem to recall this would put it right in the middle of the Dark Moon arc. If you haven’t read it yet, why are you reading this? Read Skip Beat!

MICHELLE: Do!

ANNA: Skip Beat! is so good, and unlike most other long-running series it doesn’t seem to slow down or have less interesting storylines.

SEAN: And lastly, in Strobe Edge 5, everyone will be sad. This is not so much a prediction as a premonition.

MJ: I’m totally on board with this kind of sadness.

ANNA: So am I. This series has really gotten better as it develops.

MICHELLE: Me, too. I like Strobe Edge very much.

SEAN: So what appeals to you on this 4th of July week? (Or, if you aren’t American, this generic week?)

Filed Under: FEATURES, manga the week of

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 664
  • Page 665
  • Page 666
  • Page 667
  • Page 668
  • Interim pages omitted …
  • Page 1048
  • Go to Next Page »
 | Log in
Copyright © 2010 Manga Bookshelf | Powered by WordPress & the Genesis Framework