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Virgin Slave, Barbarian King and Raintree: Haunted

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Virgin Slave, Barbarian King Vol 1 by Louise Allen and Takako Hashimoto

Available on emanga.com

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This manga will appeal to historical romance fans, and people who enjoy a bit of sweeping adventure in their romance manga. Julia is a noble Roman woman who is quite horrified when her city is overrun by barbarians. She is even more horrified when a barbarian chieftain named Wulfric decides to carry her off in order to force her to serve as a slave. Wulfric’s long blond hair makes him look like a slightly more bloodthirsty version of Dorian from Eroica with Love, which I found amusing. Julia sees that Wulfric is far more humane in his treatment of Roman slaves as he’s sacking her city than their Roman masters were. She begins to start questioning her way of life and the way she unthinkingly took advantage of other people’s servitude. Julia is far too self-assured to meekly start serving anybody, and while she does start to fit in with the Visigoths, she also manages to fight back against Wulfric in some amusing ways. The art in this volume is much more detailed and assured than I usually expect to see in Harlequin Manga adaptations. As the story progresses, Julia begins to learn more of the pressures the barbarians face, as well as the political struggles that Wulfric has to deal with. My main quibble is that the ending felt a bit truncated, and I’m assuming that is because the adaptation of the story was actually split into two volumes. Still, this would be a fun manga for historical romance fans. I was reminded of Red River a bit, although this story didn’t have the complexity of story found in that manga. I’m happy that emanga.com is releasing some historical romance adaptations!


Raintree: Haunted Vol 1 by Kazuko Fujita and Linda Winstead Jones

Available on emanga.com

This manga is adapted from a series of Silhouette Nocturne Harlequin books, so I was expecting a contemporary paranormal romance and that’s exactly what I got. Gideon Raintree is a detective from a family with varied psychic powers. He can conveniently speak to ghosts, but he has issues emitting random bursts of electricity and thus will never know the joys of owning a smartphone. He is also occasionally visited by a ghost who claims to be the spirit of his future unborn daughter. Even Gideon finds this a bit disconcerting. Gideon gets assigned a tough yet beautiful new partner named Hope, who finds his numerous eccentricities suspicious even while she admits to herself that he is distressingly attractive. Gideon and Hope work to track down a female murderer who may have a connection to the occult, and along the way Gideon finds himself revealing more and more about his odd powers to his new partner. Kazuko Fujita has adapted a ton of Harlequin manga, and it shows in her attractive character designs and capable art. This is another Harlequin manga with much better than average art, and I enjoyed the way Fujita made the murderess look much more haggard and desperate than the other characters. Sometimes in manga-land everybody is portrayed as equally attractive, with just slightly different hairstyles, so I appreciated the extra attention to detail here. The story continues in the second volume of this manga, but the first volume also had a fairly satisfying conclusion. Also recommended!

No. 6, Vol. 4

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No. 6, Volume 4Creator: Hinoki Kino
Original story: Atsuko Asano
U.S. publisher: Kodansha
ISBN: 9781612623580
Released: December 2013
Original release: 2012

Hinoki Kino’s manga series No. 6 is an adaptation of a series of nine science fiction novels written by Atsuko Asano. The fourth volume of the No. 6 manga was originally published in Japan in 2012. The English-language edition of No. 6, Volume 4 was released by Kodansha Comics in 2013. My introduction to No. 6 was actually through the anime adaptation, but I have been enjoying the manga’s rendition of the story as well. I have had a fondness for dystopian fiction ever since I was introduced to the genre in high school and so I am particularly pleased that a manga series like No. 6 is being released in English. I did find the first volume to be a little rushed and disjointed in places, but each subsequent volume has continued to improve and the series has settled into an excellent pace. The characters and world-building have also been developing rather nicely. Because the series keeps getting better, I was looking forward to reading the fourth volume.

Shion’s close friend Safu has been arrested by the Security Bureau of No. 6 and taken to the Correctional Facility, which may very well mean her death. Rat has known about Safu’s predicament for some time, but it’s something that he has been keeping a secret from Shion, concerned that he would put his own life at risk in order to rescue Safu. Rat is soon proven correct when, by chance, Shion discovers that Safu has been taken. Shion is prepared to do anything that he can to save her, even if that means doing it alone. But, despite his reservations, Rat isn’t about to let that happen. Infiltrating the Correctional Facility won’t be easy. Both Shion and Rat have been classified as dangerous criminal fugitives by No. 6’s authorities which severely limits their movements outside of West Block. Simply getting information about what is happening in No. 6 is a difficult task which will require all of the connections and influence that the two young men can muster. They are at a definite disadvantage and their situation is nearly impossible, but Rat and Shion are determined to come out of it alive however unlikely.

While the previous volume or so took time to further establish the relationships between the characters in the manga, No. 6, Volume 4 ratchets up the pace again, moving the plot forward quite handily. This is not to say that Kino has forgotten the series’ main players for the sake of the story. In fact, there are some absolutely wonderful character moments in the fourth volume. These are critical for the development of both the plot and the characters themselves. It is quite clear by this point in the manga that Shion and Rat deeply care about each other. But in No. 6, Volume 4 Shion is forced to confront just how vicious Rat can be, something that he has been avoiding. Rat has never hesitated to intimidate or threaten other people and is a master manipulator. Though up until now he has largely (but not completely) kept his overt violence in check, when given a reason and opportunity he can be absolutely terrifying. Rat’s actions in this volume are nominally for Shion’s sake, but he also has an intense, deep-seated hatred and anger towards No. 6 which lends to his brutality.

West Block has always been a violent place, but at least its residents are honest and forthright about it. They hold no delusions as they often literally have to fight to survive. On the other hand, there’s No. 6. The city is presented as a perfect society even though it is anything but. Granted, most of No. 6’s citizens are completely unaware that anything untoward is going on and those who do suspect find themselves conveniently disappeared. Because of this, No. 6 is actually the more terrifying of the two places. What exactly is going on in No. 6 has yet to be made clear. There have been some hints, and Shion and the others have uncovered a few clues, but even some of No. 6’s highest ranking officials aren’t privy to that information. All that is known is that some sort of terrible experiment is being conducted on the city’s population. However, the goal, purpose, and motivation behind that experiment hasn’t been revealed yet. With plenty of questions remaining to be answered and the story increasing in intensity, I’m definitely looking forward to reading the next volume of No. 6.

Manga the Week of 1/1

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SEAN: Attack on Titan 10.

Thoughts?

(sorry, couldn’t resist)

(Happy Holidays all)

MICHELLE: *snerk* Same to you!

ASH: I have thoughts! I have lots of thoughts!

MJ: I see that the manga gods have taken this opportunity to remind me how out of step I am with the world, having let this series go after the first volume. Perhaps I’ll rectify this in the new year?

Bloody Cross, Vol. 1

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By Shiwo Komeyama. Released in Japan by Square Enix, serialization ongoing in the magazine Shonen Gangan. Released in North America by Yen Press.

I was interested in what this title would be like the moment I saw it licensed. Shonen Gangan has a fairly high success rate for me – I am a big fan of Soul Eater, and of course Fullmetal Alchemist is one of the finest manga out there. And yes, it also had two things that made it almost inevitable that North America would license it: vampires, and religious imagery recoded in a fantasy world. (It does amuse me that a story where heaven is engaged in a bloody war of succession is absolutely fine, but Jesus and Buddha living in an apartment as best buds is something we are unlikely to ever see. Oh, North America, when will you learn…?) So after reading the first volume, I’m a bit disappointed that I wasn’t quite blown away.

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Not to say that this is bad, and indeed it shows great promise. It’s worth noting that unlike most shonen manga you see these days, this one is totally fine with every protagonist, antagonist, and mook/minion being a self-serving, backstabbing, distrusting person. Our hero and heroine meet trying to kill each other, occasionally make a show of continuing to do this as the volume goes on, and while there is attraction between them it seems to be based on lust and desire more than the purer emotions. Which makes sense given that Tsukimiya is half-vampire, and she promptly infects Hinata with her cursed blood. That said, the angels we see in this book are, if anything, worse. I’d say it has an Angel Sanctuary vibe, except that had actual innocents in it. There’s nothing like that here.

There’s also quite a lot of action in this volume, which helps to pass the time between trying to build up the plot. Our protagonists start out looking for demon blood, then have to find a sacred book, then we move on to a sacred key, and finally can use the key and the book to try to break the blood curse. If it sounds a bit like a video game, well, the author’s only other major work was a Star Ocean spinoff manga, so she has that sort of feel to her writing already. The action flows pretty well, with a bit more gore than I’m used to from fantasy titles, but then this isn’t meant to be a fun or pleasant world. Everyone suffers fatal wounds here, except being combinations of angel, demon and vampire, these woulds are rarely genuinely deadly.

I suppose the main problem with Bloody Cross is that after only one volume, I don’t quite have a handle on it. I suspect this may become a series like Bleach, where it reads much better if you take in 5-6 volumes a year in one gulp rather than reading one every 3 months. It may also probably benefit from rereading. As it is, this is a Chapter One. It’s intriguing enough that I want to find out more, but it hasn’t quite grabbed me yet – possibly as there’s no one I’m quite willing to root for yet. Even Tsukimiya, who we’re clearly *meant* to be rooting for, seems like she hasn’t earned our favor yet. We shall see what happens next.

Manga Giveaway: 4-Koma for You (Azumanga Daioh)

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2013 may be nearing its end, but there’s still time for one more manga giveaway here at Experiments in Manga before the year is over! For December’s giveaway, you all have a chance to win a copy of the Yen Press omnibus edition of Kiyohiko Azuma’s yonkoma manga Azumanga Daioh. The entire series collected in one convenient volume! As always, the giveaway is open worldwide.

Azumanga Daioh Omnibus

If I recall correctly, Azumanga Daioh was the first yonkoma manga that I ever read. Yonkoma, or 4-koma, is a four-panel format frequently used for gag manga. I know several people who consider Azumanga Daioh to be one of the best examples of yonkoma manga currently available in English. Yonkoma tends to be fairly hit-or-miss for me, but I was consistently entertained by Azumanga Daioh–it’s a goofy yet charming series.

So, you may be wondering, how can you win a copy of the Azumanga Daioh omnibus?

1) In the comments below, tell me a little about a four-panel manga that you have read and why you did, or didn’t, like it. (Haven’t read any? You can simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And there you have it! Each person can earn up to two entries for this giveaway. As usual, there will be one week to submit comments. Entries may also be sent via e-mail to phoenixterran(at)gmail(dot)com and I will post them in your name. The giveaway winner will be randomly selected and announced on January 1, 2014. Good luck and a Happy New Year, everyone!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: 4-Koma for You Winner

Pink

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By Kyoko Okazaki. Released in Japan by Magazine House. Released in North America by Vertical.

It took me a while to get through reading Pink, and even after reading it I was somewhat confused at my basic reaction to the title. I’d enjoyed Helter Skelter, another josei work by Okazaki, but it was a walk through some very dark places, and the characters were ultimate very difficult to sympathize with. Pink is from a much earlier period in Okazaki’s career, but also deals with women who do a lot of horrible things to each other, and men who are unable to stop themselves from being drawn to said women. As for why I’m confused, well, it’s the fact that I found this title to be quite light-hearted and fun.

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I’m not really sure how I came away with that impression. Our heroine, Yumi, is an office lady by day (whenever she feels like she wants to work) and a prostitute by night (as that’s where she makes most of her money). She has a poor relationship with her step-mother, but a strong one with her little sister, who is a young tween who’s far too intelligent for her own good. Yumi tracks down Haruo, who is a college student and aspiring writer who is currently sleeping with her step-mother, but soon he’s also sleeping with Yumi. Oh yes, and she also has a pet crocodile, who she feeds dead animals to (she mentions several times feeding humans to it, but there’s no real sense she’s ever done that). As for her johns, some are sweet, some are nasty, some leave her huge piles of cash, and some just rob her. It’s not especially pleasant, but it gets her what she wants; cash to buy things.

Yumi’s attitude may have a lot to do with the feel of it. She’s constantly living in the moment, and tends to let bad news just pass her by bar the odd temper tantrum. She mentions at one point the close relationship she had with her mother, and how she found her body after she hung herself. So it’s a sort of calculated attitude, one that keeps people at arm’s length while allowing her to still have the benefit of their positive emotions. Despite her self-centredness and petulant actions, you never really see her as unsympathetic per se. Certainly you side with her against the stepmother.

But I think in the end I feel Pink is fun because of the way it’s written – it feels like fun. Even the ending, which could be considered suitably tragic, will affect our heroine only a little bit in the long run, I expect. The writing, particularly the narrative, feels very much like a Bridget Jones sort of work – I particularly liked the description of Haruo’s college classmate/lover as “shockingly skilled at cooking, skiing, and fellatio”. It’s not just Yumi – the author is also doing her best to make this a light, breezy work despite the content. The dissonance that provides is what will make it a good book for a reread. But on this first read, I felt it was a hell of a lot of fun. Even if that thought confuses me a bit.

Bookshelf Briefs 12/23/13

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It’s all Viz this week, as Michelle, Sean, & Anna take a look at several recent releases.

arata16Arata: The Legend, Vol. 16 | By Yuu Watase | Viz Media – It’s hard to describe “that Shounen Sunday feel” to someone who’s never read a series from that particular magazine, but boy does Arata have it! This volume is a perfect example, in that the gang is theoretically doing something pivotal in collecting ancient musical instruments to battle a “demonized” Sho who uses sound as a weapon, but the majority of the enterprise is portrayed comedically, with one gag revolving around enemy attacks that gradually destroy the characters’ clothes, leading to a panel where Arata makes a heroic declaration whilst clad in barely there short-shorts. The whole thing has a certain Rumiko Takahashi vibe, where the interplay between the characters seems to be the main point, so it’s pleasant enough, but renders the cliffhanger ending kind of ho-hum. I’ll probably have forgotten all about it by the time volume 17 comes out in March. – Michelle Smith

dengekidaisy13Dengeki Daisy Vol 13 | By Kyousuke Motomi | Viz Media – Dengeki Daisy has settled into a bit of a formula, but fortunately it is a formula that I love. The McGuffin in this volume is the last will and testament of M, but the team realizes that they’ve actually been manipulated into searching for it despite their misgivings. Kurosaki and Riko have a significant talk, and Teru finds one secret hidden in her cell phone, leading to the team getting some suitably bizarre, funny, and useful information from her dead brother, even though he did set up a strange funhouse scenario to put everybody through their paces. Dengeki Daisiy is reliably quirky and at times very serious and suspenseful, which is hard to find in shoujo manga land. Still very highly recommended. – Anna N

devil12A Devil And Her Love Song, Vol. 12 | By Miyoshi Tomori | Viz Media – Having wrapped up most of Maria’s issues in the last volume, we’re left with Shin, who is disgusted and ashamed with himself for not being totally self-sacrificing and pure. Thus, as he’s got to go to America anyway to get operated on, he decides this is a perfect time to split with Maria – this despite the fact that he notes to others he’ll love her for the rest of his life. Sigh. Needless to say, Maria is sad, frustrated and angry in equal measure, which all comes out at what may be the best Ave Maria performance we’ve seen the entire volume. It’s not all angst and depression – Maria asking her friends for advice about sex is quite funny, and I am intrigued to see how Maria’s burgeoning YouTube career will go. Still, it’s a good thing we’ve one volume to go – I want these kids to be happy, dangit. -Sean Gaffney

nura18Nura: Rise of the Yokai Clan, Vol. 18 | By Hiroshi Shiibashi | Viz Media – Because we need to get the backstory for the Hundred Stories group, this entire volume takes place in Edo Japan at the time when Nura’s father was a young and brash man stating to take up his new role as leader. It’s refreshing to see a few more glances at some other characters, particularly Rihan’s first wife Yamabuki, who seems to have a permanent attack of the melancholics, as well as a group of young kids who, because it’s easier to draw, bear a striking resemblance to our normal human cast. In amongst this walks Sanmoto, one of the more loathsome and disgusting villains we’ve seen in a series with no small amount of loathsome and disgusting villains. He’s entirely human, too… at least until the cliffhanger. A good solid volume for Nura fans. -Sean Gaffney

skipbeat32Skip Beat! Vol 32 | By Yoshiki Nakamura | Viz Media – Each new volume of Skip Beat! makes me cackle with fangirl glee. Emotions are running high in this volume as Sho exhibits his jealousy about Kyoko’s relationship with Ren, not that Kyoko will pick up on that. Ren’s carefully constructed psychological barriers are beginning to crumble, and Kyoko with her trademark insight into anyone but herself is able to quickly see that he’s not acting like “Ren” or “Cain” but as a third party that she doesn’t even recognize. While Ren is in a panic over Sho and Kyoko being in close contact again, he reveals his own insight into her personality, pointing out that she is in no way equipped to deal with men, and he knows that she still has some deep emotional wounds to heal from.Ren’s actually acting like himself for the first time in many years, which has me eagerly awaiting the next volume. – Anna N

voiceover2Voice Over! Seiyu Academy, Vol. 2 | By Maki Minami | Viz Media – I just can’t explain what it is about Voice Over!… As with volume one, the second is undeniably generic, but I can’t help liking it. Things get off to a slightly aimless start, with a plot in which the “stragglers” of the voice-acting program must help a visual artist find a new crush so that she’ll be inspired to create an anime for them to dub, but this ends up dovetailing into a new direction for Hime, whose talent for princely male voices is at odds with her desire to voice cute female characters. I’m not sure she’s ready to embrace her obvious true destiny yet, but she’s determined to make something of herself and cease being a disappointment to her mother, which leaves me cautiously optimistic that this series is about to get a little more focused; for now it’s earned a third volume read, at least! – Michelle Smith

My Week in Manga: December 16-December 22, 2013

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My News and Reviews

Two reviews were posted last week at Experiments in Manga. The first review was for Yaya Sakuragi’s boys’ love manga Bond of Dreams, Bond of Love, Volume 3. Although the series isn’t my favorite work by Sakuragi, I tend to enjoy her manga and Bond of Dreams, Bond of Love has been growing on me. The second review was for Tales of Moonlight and Rain, the most recent English translation of Ueda Akinari’s Ugetsu monogatari, a collection of short stories about ghosts and other mysterious happenings that was originally published in Japan in 1776. It may be over two centuries old, but it’s still a great read.

I came across quite a few interesting things online last week: The Advocate posted its 10 Great Graphic Novel Gifts. It’s a great list of queer comics that came out this year and it includes a few excellent manga selections as well; Some Fog uses Kazuo Umezu’s Drifting Classroom as an example on how to creat comics–Lessons from Umezu; Voting has opened for the second Manga Translation Battle; The Comic Book Legal Defense Fund reports that Core Magazine Pleads Guilty in Japanese Obscenity Case, feeling that a “guilty plea would be a better option than a protracted legal battle.; On a happier note, the Toronto Comic Arts Festival has announced it’s initial list of featured guests. Among other great comics creators, Est Em will be coming to TCAF 2014!

Quick Takes

About LoveAbout Love written by Narise Konohara and illustrated by Tomo Ootake. Despite his family’s misgivings over his choice of career, Asaka has become an enthusiastic wedding planner. But recently things haven’t been going so well–several of the couples that he has been working with have canceled their weddings. That’s when he reunites with his first client, a man by the name of Sasagawa who has the perfect marriage and serves as an inspiration to Asaka. However, his marriage isn’t nearly as perfect as it seems. About Love is a slow-burning romance; Asaka and Sasagawa’s relationship takes a great deal of time to develop and solidify, but it’s a natural progression from acquaintances, to friends, to possibly something greater. About Love focuses on the emotional connection between the two men more than it does on their physical intimacy, although that has a role to play as well. In addition to their evolving relationship, About Love addresses some issues of same-sex marriage and there are other gay and lesbian couples important to the story as well.

Attack on Titan, Volume 10Attack on Titan, Volume 10 by Hajime Isayama. I’m not entirely sure how Isayama pulls it off, but it’s rather impressive how many twists and turns Attack on Titan has been taking lately. I went into this volume expecting a respite from major plot reveals since there have been so many recently. I was wrong. The focus of the tenth volume is on 104th’s struggle to survive against a massive titan attack on the castle in which they were hoping to hide and recover. They are without weapons or maneuvering gear, making their situation particularly precarious. This alone would have been enough to carry the volume and there are some very exciting moments in the fight. But no. After an extended action sequence, Isayama throws in not one but two (well, maybe three depending on how you’re counting) major story twists. Although there are still plenty of questions that need to be answered, the titans themselves are becoming less of a mystery. I actually kind of miss when they were beyond humanity’s comprehension, but I’m still interested in seeing how things play out.

Baron Gong Battle, Volume 1Baron Gong Battle, Volumes 1-6 by Masayuki Taguchi. Only six out of the nine volumes of Baron Gong Battle have been released in English. After his girlfriend is horrifically murdered by a Neo Hume, Baron is determined to seek revenge against those who killed her. The Neo Hume’s are extraordinarily powerful creatures born out of the Nazi’s biological experiments. Baron Gong Battle is an utterly absurd and violent action-packed manga series that can be a tremendous amount of trashy fun when it’s not being completely offensive. Baron is an over-the-top badass and the dialogue is extreme. However, the more that I read, the less enamored I became with Baron Gong Battle. The manga’s utter ridiculousness is highly entertaining, and it becomes more and more outrageous as the series progresses, but I soon became tired of the role that the women play. Occasionally they can be very competent fighters, but more often than not they seem to only be a part of the series in order to fawn over Baron and to run around mostly if not entirely naked.

PinkPink by Kyoko Okazaki. While I didn’t find Pink to be as brutal or as hard-hitting as Okazaki’s later work Helter Skelter, I still think that the manga is an excellent work and I enjoyed it a great deal. Pink is rather curious manga filled with rather curious characters. In general, they are much more likeable than those in Helter Skelter, but they are definitely an odd bunch. Yumi works as a part-time call girl in order to feed her pet crocodile Croc. Although Yumi’s on great terms with her younger stepsister Keiko–a precocious girl with a bottomless stomach–she and her stepmother hate each other. Things get a little complicated when Yumi becomes involved with Haruo, her stepmother’s manstress and wannabe novelist. I was actually surprised by how much of the Pink was told from Haruo’s perspective. His strange relationships with these three women, and Croc, forms the basis for much of the story. But even so, it’s Yumi who really seems to be the focus of the manga. Pink has a very cynical and oddball sense of humor which I could appreciate.

From the New WorldFrom the New World directed by Masashi Ishihama. Overall I really liked the story and setting of the From the New World anime, an adaptation of the novel by the same name written by Yusuke Kishi (which sadly has yet to be licensed in English.) However, I frequently found the series’ pacing and narrative structure to be frustrating and somewhat disjointed. Saki, the main protagonist, also had an annoying habit of echoing back whatever was being said to her by someone else. I did like that the story focused on the characters at several different points in their lives. From the New World takes place in what is eventually revealed to be a post-apocalyptic environment. I actually would have liked to have seen more about how society reached the point that it is at in the series; most of the past events are merely hinted at. From the New World deals quite a bit with the terrible lengths humanity is willing to go to when driven by fear. It’s very well done in places. The anime also gets bonus points for the nice use of music from Dvořák’s From the New World symphony.

Pick of the Week: Gift-Giving Edition

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potw-12-23SEAN: ‘Tis Christmas, and a young child is looking under the tree for a manga that’s bigger than the average tome, one that has a gorgeous design and feel, and one that can amuse, delight, and possibly scare the pants off of them. Yes, that child is looking for Kitaro from Drawn and Quarterly, which is my pick for Christmas gift this holiday season. It’s a true classic whose influence is massive, it has Nezumi Otoko, one of manga’s truly great Dirty Cowards, and it’s just a giant pile of fun. Give your kid the gift of vintage manga! (And also a PS4, so they don’t whine.)

MICHELLE: At first I thought it would be very difficult to come up with the one gift I’d give a manga fan this Christmas, but then I remembered the one manga I simultaneously adored and was mightily impressed by—Taiyo Matsumoto’s Sunny! Sad, charming, uplifting, introspective, a page-turner… all of these adjectives apply. And if you were feeling really generous, you could pick up volume two as well!

ASH: For manga fans, or even general comics fans, a gift that I think will have broad appeal is Makoto Yukimura’s Vinland Saga. Kodansha’s first deluxe hardcover release looks great on the shelf, too. The series has badass Vikings, exciting battles, great art, and fantastic characters. And lots of snow; that’s seasonal, right? Also, if you get them hooked, the second omnibus will be on its way soon!

ANNA: If you are all nestled snug in your bed with visions of giant robots dancing in your head, there is no other book I would recommend than Gundam: The Origin. Any volume in this series comes with Vertical’s always excellent production values, the hardcover design makes it extra special, and the revisited first story of the Gundam saga is both epic and human in scale, as the great action in the space battles is balanced by the human trials and tribulations the human pilots go through.

MJ: I personally love Christmas for the sake of two of its particular attributes: beauty and nostalgia. And what manga embodies these glorious concepts more completely than the works of Moto Hagio? My gift pick this year goes all the way back to January’s highly-anticipated release of Hagio’s The Heart of Thomas. Lovingly translated by Hagio aficionado Matt Thorn, and gorgeously produced by the folks at Fantagraphics, this luxurious hardcover edition is undoubtedly the loveliest jewel in my personal collection—and for a fan of classic shoujo, that’s saying quite a bit. It’s the kind of manga that’s so pretty, I’d content myself with simply gazing at its artwork, were that all it had to offer. Fortunately, there’s a lot to love all around. A year later, it’s still my favorite new release of 2013.

What are your manga gift picks for this holiday season?

Pre-holiday roundup

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Life is getting back to normal now that the police have arrested a suspect in the Kuroko’s Basketball case; the Shadow Trickster doujinshi events are back on, and the doujinshi event Comic City Osaka announced that it is scrapping its ban on Kuroko’s Basketball-themed doujinshi and merchandise. ANN also has more details on the suspect, Hirofumi Watanabe, including the apparent motive for the attacks: Jealousy.

Erica Friedman brings us the latest Yuri Network News at Okazu.

The Manga Bookshelf team looks forward to this week’s new releases.

Lori Henderson devotes her latest Manga Dome podcast to the Christmas-themed (sort of) manga Sweet Rein.

Akemi looks at the mythology and setting of Attack on Titan at Myth and Manga.

Viz’s shonen rom-com Nisekoi, which has been out in digital for a while, is making the leap to print.

Shaenon Garrity discusses Chihayafuru, a card-game manga that goes beyond the usual manga stereotypes, in the latest House of 1000 Manga column at ANN.

News from Japan: Battle Angel Alita: Last Order is coming to an end. Dan Brown, the author of The DaVinci Code, will become a superpowered character in Bungō Stray Dogs.

Reviews: Carlo Santos checks out the latest new releases in his Right Turn Only!! column at ANN.

Lesley Aeschliman on vol. 1 of Absolute Boyfriend (Lesley’s Musings… on Manga)
Mark Thomas on vol. 16 of Arata: The Legend (The Fandom Post)
Erica Friedman on vol. 10 of Attack on Titan (Okazu)
Ash Brown on vol. 3 of Bond of Dreams, Bond of Love (Experiments in Manga)
Lesley Aeschliman on vol. 1 of I’ll Give It My All… Tomorrow (Lesley’s Musings… on Manga)
Andrew Lee on Tropic of the Sea (The Japan Times)
Erica Friedman on Yurimekuru Hibi (Okazu)
Johanna Draper Carlson on vol. 3 of Soulless (Comics Worth Reading)
Sean Gaffney on vol. 7 of Sunshine Sketch (A Case Suitable for Treatment)