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Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

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Manga the Week of 5/28

May 22, 2014 by Sean Gaffney, Ash Brown, Michelle Smith, Anna N and MJ 3 Comments

SEAN: Do you like stuff? Of course you do. Let’s look at some stuff!

colossal

ASH: I like stuff! I like lots of stuff!

MICHELLE: Stuff and junk and stuff!

ANNA: Stuff is awesome!

MJ: Bring on the stuff!

SEAN: If you’d wondered what the fuss was all about with Attack on Titan, and also wanted something heavy enough to beat small children to death with, have we got the release for you! Attack on Titan: Colossal Edition collects the first 5 volumes of the series into one massive, thousand-page TOME. And of course, it apparently has some added content so that obsessives must buy the whole thing again. If you haven’t seen this series before, get ready to see what all the fuss is about and ask “why is the art so crappy?”

ASH: This thing is going to be a HUGE monster of a book. I’m happy with my individual volumes, but I would be curious to see the the Colossal edition in person.

MICHELLE: Ugh. I must say the thought of hefting this thing doesn’t entice me to catch up on the series.

ANNA: I’m sort of tempted by this, since I bought the first book when the kindle version was on mega sale but haven’t gotten the subsequent volumes.

MJ: Hmmm… I’m tempted here. Kind of. Not sure I have a shelf big enough.

SEAN: Cage of Eden trundles along with Vol. 14. Will this be a monsters eating people volume? A fanservice-laden nude girls volume? A ‘I really liked Lost and want to rewrite it with Japanese students’ volume? Who can say? Most likely all three, I suspect.

mlm2

My Little Monster was a lot of fun, even if I had issues with the male lead being a manic pixie dream guy to a certain degree, and I look forward to seeing how he and our heroine develop.

ASH: I rather enjoyed the first volume of My Little Monster. Plus, there’s a pet chicken!

MICHELLE: I love the pet chicken with every fiber of my being.

MJ: Pet chicken! How did I not buy this?

SEAN: Remember back in February when I discussed Wallflower 32 and they bumped it back to May without telling me? Well, here it is, still in May for now.

I apologize to Tokyopop. The fact that their one Japanese series is only available via Right Stuf now means I forget to add it to these lists, EVEN WHEN IT IS SITTING NEXT TO ME AS I MAKE THEM. Aheh. Anyway, Hetalia Axis Powers 6 was out last week.

ASH: I really do wonder how well this partnership between Tokyopop and RightStuf has been doing, and what other projects we might see because of it.

ANNA: Demon Sacred! Shinobi Life! Sky Blue Shore! Oh, how I miss you, but I have no hopes of reading you in English.

MICHELLE: Silver Diamond!

MJ: *sigh*

SEAN: BTOOOM! continues to make me count the number of O’s in its title, even now that Vol. 6 drops.

And now I want to add a third o to Goong, whose 15th volume is out, to the delight of the rest of the Manga Bookshelf team.

MICHELLE: Yay!

ANNA: Woo hoo!

MJ: Me me me me me me me!!

highschooldd

SEAN: In general, I have a better record with Yen than Seven Seas when it comes to otakubait series. And yet High School DxD – with its harem plot, promises of fanservice, and ‘angels and demons’ fantasy worldbuilding – seems to worry me. I’m watching you warily, Vol. 1.

MJ: That sounds… well, probably not for me.

SEAN: Jack Frost 10! Wow, how many decapitations have happened by now?

Kadokawa has decided they don’t want the manga to come up with new content that the novel hasn’t covered (bar the odd original short chapter), so The Melancholy of Haruhi Suzumiya will be ending its manga version soon while they wait for the next novel to appear. Here’s Vol. 18, featuring new character Yasumi on the cover.

Kazumi Magica has been one of the longer franchise spinoffs of the Puella Magi-verse, but it comes to an end here with Vol. 5. Will it have a happy ending? Our good friend Kyubey says he’s very happy!

Soul Eater has gotten up to Vol. 20, and I think is getting closer to its massive final arc. More to the point, this volume contains one of the scariest manga chapters I’ve ever seen – full stop, any series.

MJ: Really? Hm. Maybe I should check it out.

SEAN: Triage X has hit Vol. 6. See above about why I can’t always trust Yen when it comes to fanservice-laden series. At least I don’t think this is based on a series of light novels…

Lastly, we get another omnibus of Until Death Do Us Part, which features characters named Mamoru, Haruka, and Wiseman, yet is not actually like Sailor Moon at all.

MICHELLE: I need to catch up on this. I liked what I read of it.

SEAN: Stuff? Stuff!

Filed Under: FEATURES, manga the week of

Strong in the Rain

May 21, 2014 by Ash Brown

Strong in the RainAuthor: Lucy Birmingham and David McNeill
Publisher: Palgrave Macmillan
ISBN: 9781137278944
Released: April 2014
Original release: 2012

Lucy Birmingham and David McNeill’s Strong in the Rain: Surviving Japan’s Earthquake, Tsunami, and Fukushima Nuclear Disaster was initially released as a hardcover volume by Palgrave Macmillan in 2012, a little more than a year and a half after the country’s threefold crisis that began on March 11, 2011. Both Birmingham and McNeill were established correspondents based in Tokyo who covered the March 2011 disaster–Birmingham writing for Time and McNeill writing for The Independent, Irish Times, and The Chronicle of Higher Education. Strong in the Rain, deriving its title from a poem by Kenji Miyazawa which became something of an anthem for the country and the disaster’s survivors, was later released as a trade paperback in 2014. It was this edition that I had the pleasure of receiving for review through LibraryThing’s Early Reviewers program. I had heard very good things about the original release of Strong in the Rain and so was looking forward to finally reading the work.

On March 11, 2011 an extraordinarily powerful earthquake occurred off of the northeast coast of Japan. Later estimated to have registered at at least a magnitude of 9.0, the earthquake was extremely violent. It moved the main island of Japan as much as eight feet in some areas and shifted the Earth’s axis. Aftershocks from the quake continued to be felt years later. However, the tsunami that was triggered by the earthquake accounts for much of the immediate damage associated with the March 2011 disaster. It wiped out entire communities along the coast and reached much further inland than anticipated. Japan has been subject to massive earthquakes and tsunami in the past, but what made the events of March 2011 particularly devastating was the resulting meltdown of the Fukushima Daiichi Nuclear Power Plant, culminating in one of the world’s worst nuclear crises. Japan’s recovery continues to this day; the country will have to deal with the impacts of the disaster for years to come.

Strong in the Rain is an excellent volume touching on many different parts of the March 2011 disaster. It’s written in an incredibly engaging manner but without sensationalizing the subject matter. Birmingham and McNeill incorporate their own personal experiences and have also conducted a great deal of research and investigative journalism. The narrative of what happened during and after the earthquake, tsunami, and nuclear disaster relies heavily on their interviews with six survivors: Katsunobu Sakurai, mayor of the coastal city of Minamisoma, who would become one of the most publicly recognized figures following the disaster; Kai Watanabe, a pseudonym of one of the maintenance workers at the Fukushima plant; Yoshio Ichida, a fisherman from Soma; David Chumreonlert, an American elementary school English teacher in Higashi-Matsushima; Setsuko Uwabe, a cook at a public nursery school; and Toru Saito, a recent high school graduate who was looking forward to attending Tohoku University that following April.

In addition to the personal accounts of the events surrounding Japan’s threefold disaster, Strong in the Rain also provides a scientific, historic, and cultural context for the catastrophe. The volume includes charts, maps, photographs, as well as a helpful index. Told in ten chapters (in addition to a prologue and epilogue), Strong in the Rain addresses many of the aspects and complexities of the March 2011 disaster: the quake, tsunami, and nuclear crisis themselves, but also the failure of the floodgates and other protective measures, the reaction of the imperial family, how news coverage was handled domestically and by the international media, the evacuation of foreign citizens, rescue and recovery efforts, how survivors dealt with the tragedy and death tolls, and the spirit and resilience of those living in the affected Tohoku region. Strong in the Rain forms a comprehensive overview of the March 2011 disaster and its ongoing effects. Even years after it was initially published, Strong in the Rain remains an approachable and informative work.

Thank you to Palgrave Macmillan for providing a copy of Strong in the Rain for review.

Filed Under: REVIEWS Tagged With: David McNeill, Lucy Birmingham, Nonfiction

Hetalia Axis Powers, Vol. 6

May 20, 2014 by Sean Gaffney

By Hidekaz Himaruya. Released in Japan by Gentosha, originally serialized as an online webcomic, then in Comic Birz. Released in North America by Tokyopop in association with Right Stuf, Inc.

I’ve generally enjoyed each volume of Hetalia I’ve read, and this new one is no exception. This is the first time, however, that I finished it with the feeling that the creator may have taken the concept as far as he can really go. After a brief resurgence last time, we already have less WWII than ever here, and while many would argue that’s a good thing it does sort of make the book feel a bit light. Discussion of tanks and battles has given way to discussions of customs and what the characters would look like as cats. It’s still fun, but something does seem missing here.

hetalia6

The Nordics are on the cover, and they also get most of the early and late pages in this volume. They’re not as well-defined as the other nations, however, with Denmark in particular finding it hard to separate himself from ‘Prussia’ clone every time I see him. I do think that focusing on Iceland’s self-consciousness was a good way to show off everyone at their best, though. A more interesting chapter is the one where Sealand tries to unite all the other micronations and make friends with them. This not only includes Wy, who we’d met before, but obscure places like Molossia and Hutt River.

We do get an African nation introduced as well, but oddly, we don’t know which country she is! Seychelles gets a visit from a fellow African nation, who seems to be landlocked, but that’s about all we can glean from her. I wonder if she’s meant to be a country like the Congo or Sudan, where Himaruya might want to err on the side of caution. (She can’t be Cameroon, we’ve seen him.)

As for the rest of the cast, most of the regulars get something to do, even if there’s little ongoing plot here, even from chapter to chapter. My favorite gags include Hungary trying to sing Prussia a lullaby (Gloomy Sunday, the famous depressing Hungarian song); Spain’s reaction on finding out he’s NOT getting the 2020 Olympics; Berlusconi being so appalling even Italy is ashamed to be talking about him (another ‘isn’t this supposed to be in World War II?’ moment); and of course seeing all the characters as cat personifications, which is not quite as adorable as it wants to be, but is still cute.

Still, at the end of the volume one wonders how much is really left in the tank. I know that we have more genderbending Hetalia coming our way soon, and the series still runs in Comic Birz, though it’s been far more irregular lately. But honestly, the original webcomic has the most obvious plotline to collect – the continuation of Buon San Valentino, and Germany possibly remembering his past – and has not adapted it at all beyond the first section. This could be partly as it’s more ‘obvious’ about its BL than we normally see in Hetalia, but it could just be that that story would lead to a natural ending, and I can’t see Hetalia ending anytime soon, given its cash-cow popularity. But where is it going from here?

Filed Under: REVIEWS

Bookshelf Briefs 5/19/14

May 19, 2014 by Sean Gaffney, Michelle Smith and Anna N Leave a Comment

This week, Sean, Michelle, & Anna look at recent releases from Seven Seas, Viz Media, and Kodansha Comics.

alice-thornsAlice in the Country of Hearts: Love Labyrinth of Thorns | By QuinRose and Aoi Kurihara | Seven Seas – This is a standard Alice volume in many ways, but it also seems a bit… dialed down? Like it was supposed to run in Ichijinsha’s magazine for 7-year-olds, so they made it more kid-friendly? The at seems slightly more ‘cute’, there’s no sex like we’ve seen in several of the other series, Ace is being relatively nice and considerate (for Ace… he does almost kill Alice here, but we can’t have everything). Even Nightmare is acting in pure mentor mode, allowing Alice and Julius to recognize their feelings by way of manipulation and tricks. It’s Alice Lite, but in its own way it wouldn’t be a bad one-shot to get a newbie to the series. Even with the implied Julius/Ace shipping. – Sean Gaffney

nisekoi3Nisekoi, Vol. 3 | By Naoshi Komi | Viz Media – Most of this volume is, to be honest, harem-by-numbers. But it’s a decently written harem-by-numbers. There’s fanservice, but it’s not to the point that it gets disturbing. Our hero gets trapped in a women’s bath, but manages to avoid the comedy beating I was expecting. Tsugumi is having trouble dealing with both her gender and her unrecognized crush on Raku, but it’s mostly pretty cute. Where Nisekoi excels is in the way that it draws faces. A harem comedy tends to live and die by its expressions of embarrassment, terror and arousal, and all three of these get shown off here, particularly in the card game scene. All this plus Chitoge may be advancing the plot… next time around. This is fluffy fun. – Sean Gaffney

natsume16Natsume’s Book of Friends, Vol. 16 | By Yuki Midorikawa | Viz Media – I admit upfront that I am positively besotted by this series. It’s rare that an episodic series charms me so thoroughly, but I really do love everything about this one. The chapters in this volume find Natsume acting as an intermediary between his friends and yokai—in the first story, yokai are lost in his classmate’s home, and in the second, an sweet old lady in one’s friend’s past turns out to have been a yokai all along—and being asked to keep the yokai’s secret when full disclosure is feared to lead only to pain and rejection. As ever, the yokai are endearing, and I admire how the series can be consistently sweet but never sappy. With another series, I might be annoyed by the lack of purposeful plot direction, but I never tire of Natsume’s Book of Friends. – Michelle Smith

otomen18Otomen, Vol. 18 | By Aya Kanno | Viz Media – Oh, Otomen. Even to the end, you alternate delighting and frustrating me. The first hanfl of this is a wonderful conclusion to the series (I loved how Ryo’s face was hidden till the dramatic climax) and everyone got to be awesome. Then suddenly the publisher realized they had 100 more pages to go till the volume ended, so we insert a ridiculous amnesia arc that almost had me throw the book across the room, complete with derailing of the main villain of the series, Asuka’s mother. Sigh. Oh well, at least I got a nice wedding finale out of it. And they actually waited 10 years till they were both settled into their chosen careers. Despite aggravations, I did enjoy Otomen, Ryo especially. More of Ryo as the best cop ever. – Sean Gaffney

psyren16Psyren, Vol. 16 | By Toshiaki Iwashiro | Viz Media – I understand that Psyren ended suddenly, as many series in Shonen Jump are wont to do, and it does show a bit, as this volume seems a bit crammed and rushed. At the same time, I was just about ready for this series to end, so this is still a good stopping place, and no gaping plot holes seem to be unaddressed. I did wonder if they were going to torch that ‘fourth future’, as they seemed to imply they would, but in the end even that gets a happy ending. Things are good. Bad guys are defeated, many superpowers are shown off, our hero didn’t die of brain damage, and he gets the girl. To be continued in the Psyren novel, which I suspect will only come out in Japan, but this is a good stopping place anyway. – Sean Gaffney

say1Say I Love You., Vol. 1 | By Kanae Hazuki | Kodansha Comics – So, imagine a plot kind of like Kimi ni Todoke, except that the lead girl is pricklier and the lead guy more experienced with the ladies. Mei Tachibana has sworn off having friends after being betrayed, but ends up capturing the interest of Yamato Kurosawa, the most popular boy in school. She’s resistent to his overtures of friendship at first, but when he actually comes through for her in a scary situation, she decides that maybe it’s okay to trust him a little. The story moves swiftly from there, and not only have she and Yamato become a couple by the end of the volume, but she’s also made a good female friend and they independently challenge those who talk trash about the other. It’s kind of great. I do wonder how this concept has thus far been sustained over twelve volumes, but I am definitely curious to see where this goes. – Michelle Smith

voiceover4Voice Over! Seiyu Academy, Vol. 4 | by Maki Minami | Viz Media – I thought the first volume of the series was more enjoyable than I expected, although it didn’t totally win me over. The fourth volume continues to be amusing, even if it isn’t laugh out loud funny. Hime, the cute girl with the “Princely” voice struggles with her first big professional gig, with even more to battle against as the entire cast and the director absolutely resents her. While she can now produce a lovely voice when she has a certain pair of spectacles as a prop, her next challenge is to combine her voice with building a character. She continues to drop in on the aloof Senri Kudo, and seeing his wordless and gruff overtures to her was quite entertaining. Reccomended if you need some light and fluffy shoujo. – Anna N

Filed Under: Bookshelf Briefs

Pick of the Week: Shoujo & Seinen

May 19, 2014 by Sean Gaffney, Michelle Smith, Anna N, Ash Brown and MJ Leave a Comment

potwSEAN: My pick of the Week is definitely the 10th volume of DMP’s Itazura Na Kiss. I know it’s bad for me. I know I will spend half the volume asking why Kotoko can’t think before she acts or apply herself to any chosen path. And I will spend the other half wondering how Naoki plans to be a doctor when he has all the empathy of a rock, and has the complete inability to understand how people with emotions might function. I will get annoyed and frustrated. But I don’t care. It’s Shoujo Manga Classic time.

MICHELLE: I don’t know how I could possibly describe the joys and frustrations of Itazura na Kiss better than Sean has done, so please allow me to say “me too, all the way!”

ANNA: I’m really torn, because this is one of those weeks where a ton of great manga is coming out! I’m happy to see Itazura Na Kiss being released in print again! Gangsta is becoming slightly addictive for me whenever I want a seinen fix. But since Itazura Na Kiss seems to be getting plenty of love I’m going to have to go with Volume 2 of What Did You Eat Yesterday?.

ASH: I’m torn this week, too, but since Anna chose What Did You Eat Yesterday? (which I’m looking forward to a great deal) I’ll pick Gangsta to make sure it gets on the list. It’s not so often you get a manga with such a diverse cast in addition to interesting characters and plenty of action. I enjoyed the first volume immensely.

MJ: I’ll go with Anna this week, because though I’m interested in these other series, there is really no option for me that could eclipse the second volume Fumi Yoshinaga’s What Did You Eat Yesterday? I finally picked up a copy of the first volume a week or so ago, and I’ll never wait that long again (yes, I pre-ordered volume two). This series is an amalgamation of everything I love best about Yoshinaga’s work—lovingly-written dialogue, charmingly believable relationships, and FOOD. This is a book I will likely consume the second it hits my front porch. It’s absolutely my week’s must-buy manga.

What looks good to you this week?

Filed Under: PICK OF THE WEEK

My Week in Manga: May 12-May 18, 2014

May 19, 2014 by Ash Brown

My News and Reviews

Well, it was my intention to review the first omnibus of Whispered Words by Takashi Ikeda last week, but then Sean reviewed it the day before I was planning to post my review. So, to avoid making the Manga Bookshelf front page look a little strange, I decided to bump my Whispered Words review to later this week. But never fear, I had other posts in reserve! First up was my Toronto Comic Arts Festival 2014 recap, which is very, very long. If you don’t feel like reading the whole thing, that’s fine, but I do want people to know that TCAF is an amazing festival. A month or so ago I had the opportunity to attend a presentation given by Natsuki Kikuya, a sake sommelier and from a centuries-old family of sake brewers in Tōhoku, about the brewing of sake, its history, and current trend in the industry, so I posted some random musings about that as well–Cultures of Japanese Sake. I was quite pleased to discover that I actually had already had a strong introduction to the subject from reading manga, specifically Oishinbo, A la Carte: Sake and Moyasimon.

Now, going back to TCAF for a moment: Heidi MacDonald has an excellent summary of the festival at Publishers Weekly; the Beat has audio for a selection of the panels available for listening; and Okazu’s Erica Friedman has a great recap of the est em panel, which she moderated. Unrelated to TCAF, but still worth reading: Marvel, Yen Caught in Amazon-Hachette Crossfire; an interview with Leyla Aker, the editor at Viz Media responsible for Kohske’s Gangsta series; and Tokyo Government Declares Imōto Paradise! 2 Manga Unhealthy. Also, Deb Aoki has started updating her site Manga Comics Manga with some interesting new material, including Japanese to Spanish Manga Translation: Readers Speak Out and What Would Make Manga More Appealing to Comics Fans? + 24 Manga for New Readers.

Quick Takes

Dictatorial Grimoire, Volume 3: Red Riding HoodDictatorial Grimoire, Volume 3: Red Riding Hood by Ayumi Kanou. The first volume of Dictatorial Grimoire, as ridiculous as it was, entertained me. The second volume was no less ridiculous, and it had some great moments, but I was frustrated by how trope-based it was. Fortunately, the series’ originality largely returns in the third volume and Dictatorial Grimoire once again becomes a glorious mess. The plot actually starts to make a little more sense and even becomes somewhat interesting, but just as things start to really get going the story is quickly brought to an end. It feels very abrupt and truncated, as if the series was initially supposed to be much longer. Still, I think the third volume of Dictatorial Grimoire was actually my favorite in the series. The demon from which the story Red Riding Hood comes is thoroughly introduced and he’s pretty great–a mix of the Wolf, Hunter, and Red. (He’s actually a decent guy once he gets his werewolf problem under control.) I also get a kick out of Snow White’s animal companions. Instead of the cute woodland critters that might traditionally be expected, he always has some poisonous creatures hanging about. Dictatorial Grimoire is far from the best manga out there, but it can be fun in all of its ridiculousness.

Dorohedoro, Volume 10Dorohedoro, Volumes 10-12 by Q Hayashida. I continue to enjoy Dorohedoro immensely. It’s a strange, weird manga, and one that I find difficult to coherently explain to people. Dorohedoro is bloody, violent, and grim and yet at the same time it is also incredibly endearing, charming, and funny. It can even be heartbreaking from time to time. Occasionally something feels a little bit off about Hayashida’s artwork in the series–body proportions don’t always seem to be quite right–but for the most part I really enjoy the gritty look and feel of Dorohedoro. I was particularly impressed by how effectively dizzying and disconcerting the artwork could be when Aikawa’s magic comes into play. There’s quite a bit of plot development in these volumes and several of the characters have their backstories filled out–more is learned about the pasts of Nikaido, Asu, and the various members of the Cross-Eyes. There’s plenty of action in this part of the series, too, including excellent fight sequences and brutal battles. There are some significant deaths, as well, though it’s never certain that someone will stay completely dead in Dorohedoro. There are seven more volumes to go in the series; I really hope that Viz will be able to stick with it through to the end.

Hotblood!: A Centaur in the Old West, Volume 1Hotblood!: A Centaur in the Old West, Volume 1 by Toril Orlesky. While at TCAF, I made the point to pick up a few things that I hadn’t heard about before or was otherwise unfamiliar with. One of those random splurges was Orlesky’s Hotblood!, a webcomic that currently updates twice a week on Tuesdays and Thursdays. I am absolutely loving it–the characters, the art, everything. The first print volume collects the series’ prologue and the entirety of its first chapter, as well as an exclusive appendix and other additional bonus material. Tremendous thought and care has been put into the worldbuilding of the comic–a sort of alternative history–especially in regards to the relationships and interactions between humans and centaurs and their cultures. The story begins in Wyoming in 1873 with James Rook, the titular centaur, and Asa Langley a steel magnate on the run as wanted men. It then jumps back two years in time to when they first met. In the prologue the two are obviously very close, but at the beginning of their relationship they didn’t get along much at all. Langley is a bit of a jerk, frequently making jokes in poor taste at Rook’s expense, but Rook needs a job so he puts up with it. He has been assigned to be Langley’s secretary; neither one of them is particularly happy about it, though.

Watamote2No Matter How I Look at It, It’s You Guys’ Fault I’m Not Popular!, Volumes 2-3 by Nico Tanigawa. Overall, I do enjoy WataMote, but I will be the first to admit that it can be a harsh and uncomfortable read. (I get the feeling that the creators largely didn’t enjoy their high school years and that they don’t have many fond memories of that time in their lives.) WataMote can be very funny, but it’s not always very pleasant. So far the series has been fairly episodic, which is both an advantage and a disadvantage, but a few characters have been introduced in these volumes which may change that. I would like to see some actual character development in the series, though. Right now it seems as though Tomoko, her family, and classmates are stuck in a rut. This works in terms of the series’ premise–Tomoko is a misfit to put all other misfits to shame–but it’s a little painful and sad to not see her learn from her mistakes and experiences. Which, I suppose, is actually probably one of the points of the manga. Tomoko can be endearing in her extreme awkwardness, but that awkwardness can also be fairly alarming and embarrassing. WataMote is definitely not a series that everyone will be able to enjoy or even appreciate, but I do plan on following it further.

Filed Under: FEATURES, My Week in Manga Tagged With: Ayumi Kanou, comics, Dictatorial Grimoire, dorohedoro, Hotblood, manga, Nico Tanigawa, Q Hayashida, Toril Orlesky, Watamote

Anime update: Viz gets Sailor Moon, Disney grabs Doraemon

May 19, 2014 by Brigid Alverson

I’m back from a couple of crazy weeks that included travels to C2E2 and TCAF as well as a bunch of personal and day-job stuff, and I’m jumping back in with some big anime news: Disney has licensed the Doraemon anime for its Disney XD channel and Viz got the license for all the Sailor Moon anime—the original series, including the episodes that have never been licensed in North America, plus three movies and the new Sailor Moon Crystal anime that will debut in July. Since both these anime started as manga, we can expect some strong synergy. Kodansha Comics’ Sailor Moon manga was already a chart-topper, but perhaps we will see new readers picking it up; as for Doraemon, right now it’s available only digitally, via Amazon, but the time may have come for a print release.

Keeping with that anime theme, co-author Helen McCarthy announces the third edition of The Anime Encyclopedia.

OK, enough of that. Back to manga news. At Organization Anti-Social Geniuses, Justin Stroman interviews Leyla Aker, the editor of Gangsta (and also Viz’s vice president of publishing), and he also talks to Eric Eberhardt, director of digital publishing marketing, about the new Viz Select imprint for digital-first releases.

Manga was prominently featured at this year’s Toronto Comic Arts Festival (TCAF), with guest appearances by Moyoco Anno, est em, and the two-woman team of Akira Himekawa. Deb Aoki reports in on the “Future of Manga Publishing” panel she moderated, which featured manga editor and literary agent Yohei Sadoshima, and she also presents a Twitter conversation with fans about what would make manga more appealing.

Erica Friedman posts her con report on TCAF, along with a list of books she bought and why they are awesome. Ash Brown reports in as well. And here’s my take, at Robot 6.

Laura is back blogging again at Heart of Manga, after some harrowing health problems, and she has a look at the shoujo manga that will be coming out this month.

News from Japan: Drops of God will come to an end in the June 12 issue of Kodansha’s Morning magazine; three more volumes of tankoubon will be released, for a total of 44. Death Note and Bakuman writer Tsugumi Ohba is working on a new story, Skip Yamada-kun, a one-shot that will run in “Jump” meets “Girl” SPECIAL COMIC, a special issue of Shukan Young Jump. Robico, the creator of My Little Monster, will do the art.

Reviews

Joe Iglesias on vol. 5 of Battle Angel Alita (Eastern Standard)
Justin on vol. 1 of Gangsta (Organization Anti-Social Geniuses)
Kristin on Insufficient Direction (Comic Attack)
Alice Vernon on Inu x Boku SS (Girls Like Comics)
Sean Gaffney on vols. 3 and 4 of Ranma 1/2 (A Case Suitable for Treatment)
Sean Gaffney on Showa 1939-1944: A History of Japan (A Case Suitable for Treatment)
Maggie on solanin (Organization Anti-Social Geniuses)
Manjiorin on vols. 1 and 2 of Sweet Rein (Organization Anti-Social Geniuses)
Kristin on vol. 2 of Sweet Rein (Comic Attack)
Lesley Aeschliman on vol. 17 of Tsubasa: Reservoir Chronicle (Lesley’s Musings… on Manga)
Johanna Draper Carlson on vol. 1 of xxxHoLIC: Rei (Comics Worth Reading)

Filed Under: MANGABLOG

Ranma 1/2, Vols. 3 & 4

May 18, 2014 by Sean Gaffney

By Rumiko Takahashi. Released in Japan by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz.

(Warning: This is Ranma 1/2 For Experts, basically – I do refer to future volumes a bit here, mostly the next one.)

As we get deeper into the Ranma 1/2 story, it’s starting to separate itself more and more from its predecessor, Urusei Yatsura. This despite adding two characters who are very much ‘based on’ similar UY characters in these two volumes. But while UY ran on escalation – take a situation, put people in it, and watch it expand till it explodes in comedic chaos – Ranma 1/2 almost seems driven by delusion. So many of the characters have a fixed idea of who someone is, what their goal is, or how people feel about them, and that fixed idea drives the comedy. So we have Kuno’s love for the ‘Pig-Tailed Girl’, Kodachi’s similar obsession with Ranma (and inability to tell that he and his girl side are the same person), Mikado’s ladykiller instincts, and even Ryouga’s delusion that all he has to do is defeat Ranma once and suddenly he’ll get Akane and be happy. Everyone in Ranma is deluded for the sake of comedy.

ranma3-4

We start off with Kodachi, who we already know likes to win her matches by disabling her opponent before they begin. Akane isn’t so easily dispatched (in fact, it’s her own misstep that forces her out of the match), so Kodachi resorts to her backup plan – cheating her way through the entire match. Throughout, she bears a strong resemblance to Ryouko Mendou from UY, something that is helped along when we find out that Tatewaki Kuno is in fact her older brother. (Yes, yes, mix and match the romanji. Leave me my bad habits.) Kodachi likewise has a flair for the overdramatic. She’ll stick around, but is probably the least important of the major Ranma harem girls – and the only one who never gets a ‘softer side’, even once we find out about her family situation (we’ve got a few more omnibuses to go there).

Martial Arts Gymnastics in the Kodachi story is followed by Martial Arts Ice Skating with Mikado and Azusa, and I advise the reader to get used to “Martial Arts _______” throughout the entire Ranma series. It’s a useful way to incorporate any silly situation Takahashi wants into the series, and it also serves as an obvious motivator for Ranma, who can’t resist a fight and whose ego says that he’ll always win in any martial arts situation – even if he can’t skate.

Mikado and Azusa are the first ‘arc villains’ we have who won’t be returning, though I think the anime adaptation brought them back a few times. They’re a lot of fun, but there’s not much you can really do with them, and neither of them have either the likeability or over the top madness that tends to bring back the best of Ranma’s recurring characters. I was quite pleased to see that, though they perform as a couple, they don’t actually seem to like each other at all. Azusa (who is Ran in UY with the anger replaced by more cute) also seems to get away with most of the antics she inspires here. Mikado, who sexually assaults Ranma by “stealing her lips”, is a Grade-A creep, however, and he gets the majority of the violence dealt out here.

Ryouga still features heavily here, and his anger remains, but we’re also starting to see his swirling pool of depression, something that will come to define his character for a long time to come. Ryouga is at his strongest when his mood is blackest, but this means that we rarely get to see him be happy. It’s probably not helped that, throughout both of these arcs, Ranma and Akane are still looking quite couple-y. Sure, they grump sat each other, but that seems almost friendly now, and Ranma is quick to whip out the ‘my fiancee’ card. It’s really quite cute.

…and then Shampoo hits the series, literally smashing through a wall and attempting to kill Ranma’s female half. My old memories of this point in the series made me think that it was Shampoo who was a catalyst for what Ranma and Akane will eventually become after this, but to be honest she doesn’t really play all that big a part. Akane’s hair-trigger temper and jealousy just seem to increase naturally, and we see Ranma having to restore her memories later by firing a volley of insults at her, as if all he’s been doing is calling her uncute for the past 3 1/2 volumes. Which isn’t true, as we’ve seen, but it’s another canon rewrite as we read. Ranma and Akane will have their moments from now on, certainly, but there’s a certain tension between them after this arc. Ranma turns to insults more swiftly and loses his ‘I will observe first, then act’ persona. And Akane will distrust Ranma unless proven otherwise… and sometimes even then.

Back to Shampoo, and I will bring up Urusei Yatsura again, sorry. She is clearly meant to be Lum, only here Ranma and Akane have had some time together to make the readers like them, and Shampoo gets a lot fewer ‘cute and likeable’ points. Many have seen this as Takahashi trying to ‘fix’ UY, where she originally wanted Ataru and Shinobu as the couple, but fans and editors made her change it to Lum. The thing is, fans and editors were correct, and I’m sure she realized that very fast. Ataru was the sort of person who worked much better with Lum. But as I’ve noted, Ataru and Ranma are NOT all that alike, and thus the Ranma/Shampoo pairing feels as out of place as Ataru/Shinobu did. He needs someone like Akane, who brings out who he really is – for good and ill.

I was going to discuss Shampoo’s accent, and how it’s dealt with both in the original Japanese and in the English release, but it may be better to save that till Cologne and Mousse show up.

Some random observations… Tofu has already become a one-gag character, and it’s an annoying gag. Kasumi and Nabiki barely appear, though notably when they do they’re trying to fix things up between Ranma and Akane – Nabiki still doesn’t quite have that aura of ‘only out for myself’ she’ll gain later. I quite liked Ranma trying to explain that the tribe’s ‘rule’ that Shampoo had to marry the man who defeated her was ‘from the Stone age’ – he’s absolutely correct, though it does also point out how steeped in ancient traditions Shampoo’s tribe is. And yes, Formula 911 was Formula 119 in the Japanese, but they basically are the same gag – it’s the phone # for emergencies.

By the way, for all that Shampoo is supposedly trying to kill Ranma, she never even gets close. And notably, when she gives the ‘kiss of death’ to Akane, who she’s clearly a superior fighter to, she just wipes Akane’s memories rather than, as Ranma fears, leaving her corpse on the outside of the school. In other words, she doesn’t really look like she’s able to go through with actually killing anyone. We see that again at the end, where Ranma leaves herself open and Shampoo can’t do it – she leaves in tears. It’s a rare serious moment in Ranma 1/2, and sad, because we know that this is the end, and we’ll never see Shampoo again – as she states, and the others imply.

Next time we’ll cover Volumes 5 and 6, where we see Shampoo again. We also get a few more introductions, two major – Cologne and Mousse from Shampoo’s Amazon village – and one minor, Gosunkugi, who is so sad the anime actually wrote him out for several seasons. In the meantime, this was a very enjoyable Ranma volume, and I look forward to gushing more words at you some July.

Filed Under: REVIEWS

Viz Media Licenses Sailor Moon and Sailor Moon Crystal

May 16, 2014 by Sean Gaffney

We interrupt this manga blog to bring you important anime news.

Viz Media announced today at Anime Central that they have won everything ever and are our new gods, provided we pay them the appropriate tribute.

(cough)

What I meant was that viz Media announced at Anime Central that they have the license to the Sailor Moon anime, and will be releasing remastered Blu-Ray/DVD sets (season half-sets) starting this fall. It will also start streaming on Hulu Monday with the first four episodes subbed, with 2 per week to follow.

sailormoon

It is getting a new dub, cast to be announced.

It will be all 5 seasons, including Sailor Stars, as well as the 3 movies and assorted TV specials.

It is uncut.

It will come with various DVD extras.

They promise Haruka and Michiru will not be cousins.

Oh yes, they also announced… Sailor Moon Crystal, the reboot airing in Japan this summer. They have that as well.

So yes, as I said at the start, Viz Media announced today at Anime Central that they have won everything ever and are our new gods, provided we pay them the appropriate tribute. And by that I mean money. SPEND ALL THE MONEY ON SAILOR MOON.

Filed Under: NEWS, UNSHELVED

Random Musings: Cultures of Japanese Sake

May 16, 2014 by Ash Brown

Cultures of SakeI enjoy sake. I don’t have the opportunity to drink it very often, and I don’t really know much about it, but I do enjoy it and have an interest in it. Fortunately, I recently had the opportunity to hear Natsuki Kikuya, the founder of Museum of Sake, give her presentation “World of Sake: How It’s Created, and Where It’s Going.” Kikuya is from a family of sake brewers which is part of a collective in the Tōhoku region of northern Honshū. She currently works with chefs in the United Kingdom as a sake sommelier and is in the process of developing a sake documentary; her personal mission is to introduce and promote sake across Europe and the rest of the world. The craft and culture surrounding sake and sake brewing is broad and deep. A comparison can easily be made with wine culture, but Kikuya has found that in the West a “translator” is often needed for sake. Whereas wine has an extensive vocabulary already established to describe it, traditionally sake has had only two descriptors: dry and sweet.

SakeSo, what is sake? In Japanese, “sake” is a word that simply means “alcoholic beverage.” However, when the term is used in English, generally it is specifically referring to what is known in Japan as nihonshu. Sake is a fermented and filtered alcoholic beverage that is no more than 22% alcohol by volume. Typically, sake is brewed using only four ingredients: rice, water, yeast, and koji. Approximately 1% of Japan’s total rice production is devoted specifically to the brewing of sake. Though still edible, the rice used in sake is very different from table rice meant for consumption. When making sake the outside of the grains of rice is polished away, leaving behind the starches. In the highest quality sake, more than half of the rice is polished away. (In one exceptional case, only 7% of the rice remained after polishing.) Water is a particularly important ingredient as sake is made up of around 80% water. Water from different sources can significantly change the taste of the sake; generally water with softer qualities is desired. Up until the 20th century, sake production primarily relied on wild yeast, however more than 90% of sake fermentation now uses cultivated yeast. Koji is sake’s “magical ingredient”–a type of mold spore that transforms the starches in the rice into sugars for the yeast to ferment. Sake is often described as being “grown in breweries”; its quality very much depends on the human techniques involved and there is less emphasis placed on vintage as a result.

During her talk, Kikuya outlined a brief history of sake and its development in Japan. Sake had its beginnings over 2,500 years ago, originating as the “drink of the gods” and was associated with Shinto shrines. Between the 7th and 12th centuries, sake came under control of the court. During that time there were thirteen different grades of sake appropriate for the different ranks of nobility. In the Middle Ages the center of sake production moved to Kōfuku-ji in Nara and other Buddhist temples. At this point in history distilled spirits from abroad began to be introduced to Japan as well. The Edo period saw the rise of brewing specialists and the center of sake production once again moved, this time to Itami and Edo. Previously sake had been made year-round, but as the brewing techniques were refined during the Edo period it became a winter-specific process. The Edo period also saw the establishment of izakaya and the culture of eating outside of the home; sake was no longer just for nobles. Homebrewing was prohibited in 1899, mostly for tax reasons, and so sake brewing became more of a corporate affair during the Meiji era.

Sake Aisle

Oishinbo, A la Carte: Sake

The 20th century brought the “era of synthetic sake.” When rice was not readily available (during times of war, for example), techniques were developed to compensate for this lack, such as the introduction of syrups. The quality of the results were not always particularly good. And then there is sake industry today, which is focusing on modernization, localization, and globalization. This includes the creation of “new gen” sake, such as sparkling sake and sake with low alcohol content, as well as the use of sake in mixed drinks. At one point there were over 4,000 breweries in Japan. Sadly, the industry is dying and only around 1,200 breweries currently remain. Of those, the top twenty account for 80% of the sake production in Japan, however local breweries are beginning to gain increased support. There are several theories as to why interest in sake is declining in Japan: the continued Westernization of the country, the aging and shrinking of the population, and the fact that younger generations simply don’t seem to be drinking sake. Although the sake industry is still dominated by men, Kikuya knows of at least ten women heads of breweries. Interestingly enough, in addition to Japan, the United States is also a leading producer of sake and currently has seven to eight breweries of its own.

Prior to the Kikuya’s talk, my knowledge of sake had primarily been gleaned from what I myself had tasted as well as from manga like Tetsu Kariya and Akira Hanasaki’s Oishinbo (especially the volume Oishinbo, A la Carte: Sake) and Masayuki Ishikawa’s Moyasimon. I was quite happy to discover that those series have actually provided me with a fairly strong introduction to and basic understanding of sake and the sake industry, including some of the more unusual and interesting historical tidbits. So, even if you don’t have the chance to take advantage of the knowledge of a sake expert, picking up a copy of Oishinbo, A la Carte: Sake and following it up with a bit of Moyasimon (the manga or the anime) is not a bad place to start. (Toko Kawai’s short boys’ love series The Scent of Apple Blossoms also features a sake brewer, though I haven’t read it yet to be able to say how educational the manga might be.) For those interested in learning more about sake, Kikuya’s Museum of Sake is also worth a look, as is Discovery UK’s series Discovering Sake. And sometimes the best way to learn about something is to simply experience it for yourself. Have a taste!

Filed Under: FEATURES Tagged With: Akira Hanasaki, Masayuki Ishikawa, Moyasimon, Oishinbo, Tetsu Kariya

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