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The Manga Revue: Giganto Maxia

January 29, 2016 by Katherine Dacey

Kentaro Miura’s Berserk is a rite of passage for manga readers: you may not have soldiered past the second volume, but you tried because a Real Manga Fan told you that it was The Most Amazing Manga Ever. I freely admit that I didn’t finish Berserk–too violent for me, I’m afraid–but I marveled at its intricate plotting, feverish pace, and deadly seriousness. (Also: Miura’s penchant for awful names.) When Dark Horse announced that it had acquired Giganto Maxia, I decided to treat this new series as a second “date” with Miura–a chance to decide if I’d judged his work unfairly the first time around. Here’s how that date went.

giganto_maxiaGiganto Maxia
By Kentaro Miura
Rated 16+, for older teens
Dark Horse, $13.99

Let’s start with the good: Giganto Maxia is a visual feast that’s every bit as imaginative as Hayao Mizayaki’s Nausicaa of the Valley of the Wind. Kentaro Miura’s pages abound in war-ravaged landscapes, fantastic fighting machines, and bizarre creatures that straddle the fence between human and animal. The specificity of his vision, and the care with which he stages battle scenes, obviates the need for dialogue; we can almost hear and feel what the characters are experiencing on every page.

Miura’s script, however, is as tin-eared and self-serious as a high school literary rag. The two leads–Prome, a pale mystic who looks like a young girl, and Delos, a warrior slave–spend an inordinate amount of time describing what’s happening around them, even when the pictures make it abundantly clear. Yet for all their chatter, neither character provides much useful information about the post-apocalyptic world in which Giganto Maxia takes place: who are the Olympians? Why are they so intent on annihilating other tribes? And what, exactly, are the Giganto? The absence of these details leaves a big hole in the story: the characters’ motivation for fighting the Giganto. At the end of the volume, we’re not really sure what Prome and Delos stand for, or what’s at stake if they fail–two fatal flaws in a series that desperately wants the reader to get swept up in their quest.

The bottom line: A talky script and barely-there characters sink this smart-looking fantasy series.

The publisher provided a review copy.

Reviews: Sean Gaffney and Michelle Smith round up the latest volumes of Arpeggio of Blue Steel, Kimi ni Todoke, and Non Non Biyori at Manga Bookshelf; Sean also reads The Testament of New Sister Devil so that you don’t have to. Over at Women Write About Comics, Amanda Vail and Paige Sammartino offer “short & sweet” reviews of Barakamon, Are You Alice?, and My Hero Academia.

Nick Creamer on vol. 3 of The Ancient Magus’ Bride (Anime News Network)
Gary Thompson on vol. 10 of Black Jack (The Fandom Post)
Demelza on Fairy Tail (Anime UK News)
Megan R. on Gate 7 (The Manga Test Drive)
Nick Creamer on vol. 7 of Genshiken: Second Season (Anime News Network)
Sean Rogers on A Girl on the Shore (The Globe and Mail)
Sheena McNeil on vol. 1 of Honey So Sweet (Sequential Tart)
Rebecca Silverman on vol. 1 of Honey So Sweet (Anime News Network)
Matt on vol. 2 of Inuyashiki (AniTAY)
Sean Gaffney on Kagerou Daze III: The Children Reason (A Case Suitable for Treatment)
Claire Napier on Memoirs of Amorous Gentlemen (Comics Alliance)
Michael Burns on vol. 13 of Nisekoi (AniTAY)
Matthew Warner on vol. 76 of One Piece (The Fandom Post)
Matthew Warner on vol. 3 of One-Punch Man (The Fandom Post)
Rebecca Silverman on vol. 4 of One-Punch Man (Anime News Network)
Matthew Warner on vol. 3 of Peepo Choo (The Fandom Post)
Sheena McNeil on vol. 5 of Pokemon X.Y. (Sequential Tart)
Helen on vol. 1 of ReLife (The OASG)
Matt on vol. 4 of A Silent Voice (AniTAY)
Saeyong Kim on vol. 3 of Thermae Romae (No Flying No Tights)
Sarah on Tsubasa WoRLD CHRoNiCLE: Niraikani (Anime UK News)
Charlotte Finn on Wandering Son (Comics Alliance)

 

 

Filed Under: MANGABLOG, REVIEWS Tagged With: Dark Horse, Kentaro Miura, Manga Review

Manga the Week of 2/3

January 28, 2016 by Sean Gaffney, Ash Brown, Anna N, MJ and Michelle Smith Leave a Comment

SEAN: It’s a busy February, so let’s jump right into next week’s releases.

kuroneko4

Dark Horse has a 4th volume of Oreimo spinoff Kuroneko.

Kodansha has a 3rd volume of the reluctant reverse harem manga Kiss Him, Not Me!.

ASH: I largely enjoyed the first volume of Kiss Him, Not Me!, but I’ve somehow already managed to fall behind in the series!

SEAN: Seven Seas has a couple of releases. Magika Swordsman and Summoner has reached Vol. 3, which means, given I think the hero is supposed to get a harem of 72 women, it has a ways to go.

And Monster Musume has reached Volume 8, but has not even begun to run out of Monster Girls.

I apologize for leaving out a book last week. Vertical has the first novel of Seraph of the End, whose manga has been coming out via Viz. I think Anna will be interested in this title.

ANNA: I think you are right! Thanks for the heads-up! I am interested in this light novel series, because it features Guren Ichinose, who people have seen in the manga as a more established authority figure. I think the light novel series focuses more on a prequel to the story that’s established in the manga, so it should be really interesting to existing fans of this franchise.

MJ: I’m definitely more interested in this than the manga, so count me in for that, too.

SEAN: There’s also a 3rd omnibus of Tokyo ESP.

MICHELLE: Yay!

MJ: And this!

SEAN: And Viz has its traditional giant pile. There’s an 8th Assassination Classroom, with more wacky death shenanigans. Not that the teacher has ever been killed.

behind1

Behind the Scenes!! is the new manga by the creator of Ouran High School Host Club, and it also runs in LaLa. It’s about a shy guy who ends up pulled into a wacky drama club.

MICHELLE: I’m looking forward to this one! Or perhaps I should use two!!

ANNA: Me too!!!!!!

MJ: This is *so* on my list!

SEAN: Bleach has a 14th 3-in-1, which if I recall correctly has some of the best scenes in the entire series for IchiHime shippers like me.

Food Wars! has hit double digits, but the food battle carries on regardless.

MICHELLE: I will always rejoice over more Food Wars.

ASH: I enjoy it as well.

SEAN: JoJo’s Bizarre Adventure has a 2nd volume of its 2nd arc, Battle Tendency. Expect great faces.

ANNA: I really have not much to say about this other than JOJO!!!!

ASH: JooooooJoooooo!!!

SEAN: And Kamisama Kiss is at Volume 20! I really hadn’t expected it to last this long. It’s still great, though.

ANNA: It is a rare series that manages to be so consistently great for so long.

SEAN: Maid-sama! has a 3rd omnibus, and is as problematic yet readable as ever. Hope you like lots of words.

MICHELLE: And yet I like it enough to keep reading.

ANNA: It has moments of charm despite being problematic.

SEAN: And superhero school manga My Hero Academia has a 3rd volume.

Naruto has another of those epilogue light novels, this one called Shikamaru’s Story. My guess is it stars Shikamaru.

One Piece is up to Volume 77, and yes, it’s still in Dressrosa. But who cares, it’s One Piece, it will be awesome.

MICHELLE: I actually never read 76. Must rectify.

qqsweeper2

SEAN: QQ Sweeper finally gets a 2nd volume. I had wondered where it was.

MICHELLE: I’m looking forward to more of this!

ANNA: Super excited for this!

ASH: Same!

MJ: Yes, yes!! So much yes!

SEAN: School Judgement is a new Weekly Shonen Jump series by the artist who did Bakuman and Death Note, this time paired with a new writer. It’s Ace Attorney meets Jump, I hear?

MICHELLE: And to this!

ANNA: I’m going to check this out for sure.

ASH: I somehow completely missed hearing about this until now.

MJ: I was so surprised to see this, considering the intensity of my Takeshi Obata fandom. I’m so on this.

SEAN: So Cute It Hurts!!!!! now gets 5 punctuation marks for its 5th volume.

MICHELLE: But not so much this.

ANNA: I like it, but it is a middle of the road title. Fun disposable reading though.

SEAN: Toriko has no punctuation parks after its title, and thank God, as it’s Vol. 32.

Lastly, the original Yu-Gi-Oh has a 5th 3-in-1.

What are you going to get from this list?

Filed Under: FEATURES, manga the week of

Kagerou Daze III: The Children Reason

January 28, 2016 by Sean Gaffney

By Jin (Shinzen no Teki-P) and Sidu. Released in Japan by Enterbrain. Released in North America by Yen On.

After two volumes of being very confused, I think I am finally starting to get a handle on Kagerou Daze, and elements of the plot are now coming together in ways they hadn’t before. As with the second volume, this book is divided into two parts, which interlock in alternating chapters. One details the struggle of a young boy in the city and his hopeless crush on a girl his age who seems to be using him as a baggage holder. The other continues to show us Shintaro and Momo getting involved with the Mekakushi-Dan, and dealing with the eye powers – which now have one more member, as the boy from the first story shows up with red eyes and a desperate need to save the girl he loves.

kagerou3

I’ll be honest, I found the Shintaro plot a lot more interesting – almost the reverse of the second book, where it was Takane who held my attention. Part of the problem is that Hibiya and Hiyori are both not very likeable kids – Hiyori deliberately, as she’s written as very much a stereotypical arrogant rich girl (complete with a “Mean Girls” sort of accent, with lots of ‘likes’ interspersed), but I suspect we’re meant to sympathize with Hibiya’s somewhat stalker-ish obsession with her more than we do, and the doll he creates that can speak n her voice is just icing on the cake of creepy. That said, he fares much better in the second story, where he’s allowed to be what he actually is away from his crush, a confused and emotional young kid.

Shintaro and Momo also grow over the course of this volume, although I have a sneaking suspicion that Shintaro may regress soon. The scene between him and Kano is the most powerful in the book, both to show the pain and despair that Ayano’s death sent Shintaro spiraling into, and also to show the reader that Ayano is somehow connected with this group as well, and not just Shintaro’s dead friend. It also shows us a cruel and vicious side to Kano, which I had suspected was there but hadn’t seen till now. As for Momo, she and Hibiya get off on the wrong foot (he calls her “Gran”, which I suspect is Oba-san in the original, and she understandably freaks given she’s still in high school), but quickly develop a sibling-like relationship. He seems to have seen her teacher before, too…

The writing here is quite interesting. It’s rare to see a Japanese book with English wordplay – the title of the book, The Children Reason, and one story within, The Children Record, could have multiple meanings, and the original Japanese used the English words. (The author does need to get better at remembering how he’s numbering, though – going from 01 to 02 to 03 to IV was jarring, and that was also in the original Japanese.) There’s also some subtle callbacks, such as Ene having a complete freakout when she sees Konoha, which sounds so much like her old self that Shintaro almost figures it out before she distracts him. Overall, I remain interested, despite a majority of the characters having serious character flaws, and will definitely pick up the next volume.

Filed Under: REVIEWS

Manga Giveaway: Love at Fourteen Giveaway

January 27, 2016 by Ash Brown

January is almost over so here it is, Experiments in Manga’s first manga giveaway of the year! Let’s get right to it: For this giveaway you will all have the opportunity to enter for a chance to win Love at Fourteen, Volume 1 created by Fuka Mizutani and published in English by Yen Press. And, as always, the giveaway is open worldwide!

Love at Fourteen, Volume 1

Had I been thinking about it thematically, a giveaway for Love at Fourteen—a sweet and somewhat nostalgic story of first love—would have been nicely suited for a February or March giveaway because of Valentine’s Day or White Day, respectively. Then again, my love of manga and my love of spreading that love cannot be contained or limited to a single month! Looking at it that way, and following a peculiar train of logic, a manga giveaway featuring a love story would be more than appropriate any time of the year. Thus, Love at Fourteen! Because, why not?

So, you may be wondering, how can you win Love at Fourteen, Volume 1?

1) In the comments below, tell me a little about your favorite manga love story. (If you don’t have one, simply mention that!)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And there you have it! Each giveaway participant can earn up to two entries and has one week to submit comments. Entries can also be emailed directly to me at phoenixterran(at)gmail(dot)com if needed or preferred. I will then post the comments here in your name. The giveaway winner will be randomly selected and announced on February 3, 2016. Best of luck to you all!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Love at Fourteen Giveaway Winner

Filed Under: FEATURES, Giveaways Tagged With: Fuka Mizutani, Love at Fourteen, manga

Bookshelf Briefs 1/26/16

January 26, 2016 by Sean Gaffney and Michelle Smith Leave a Comment

arpeggio6Arpeggio of Blue steel, Vol. 6 | By Ark Performance | Seven Seas – Much of this volume involves seeing how our heroes will escape from the Japanese military, who have orders to execute everyone involved. Luckily, they’ve made friends in high places, so have the perfect solution, albeit one that delivers quite a bit of blood and gore. That turns out, however, to be the lead-in to a much bigger plot revelation, one that is fascinating and could spin out over the next several volumes. In the meantime, there’s lots of political wrangling and cool submarine battles to be had. If you’re avoiding this series because it’s cute girls are secretly big boats, you’re missing out—this is “What if cute anime boats were written by Tom Clancy?” – Sean Gaffney

blueexor14Blue Exorcist, Vol. 14 | By Kazue Kato | Viz Media – Japan has always, in all genre types, been big on having the strength to save yourself rather than relying on others to save you. This has, of course, led to a giant bullying culture that doesn’t get fixed. But in manga the others are going to save you anyway, of course. Izumo has had it rough, and has spent most of her school life brutally pushing everyone away with her sharp tongue. Now, of course, as she realizes that she cannot actually deal with the nine-tailed fox on her own, she realizes what she had was true friends, and finally knows she actually loved them. It’s a standard epiphany, but done very well, and there’s lots of cool action as well. – Sean Gaffney

knt23Kimi ni Todoke: From Me to You, Vol. 23 | By Karuho Shiina | Viz Media – I have been waiting for this plot point to come to fruition for what seems like years, possibly as it has actually been years. Kento and Ayane have always been the most uncomfortable of the three main couples, to the point where you realize she has more chemistry with her own teacher than she does with her boyfriend. But Ayane is also bottling a ton of self-hatred, and it finally comes out here and allows her to do what she probably should have done a while ago—break up with Kento, and try to get into the women’s college in Tokyo. Kento has always been one of my least favorite characters, but he takes it well here, even with his desperation showing on his face. The whole volume just sings. Highly recommended. – Sean Gaffney

Kimi ni Todoke: From Me to You, Vol. 23 | By Karuho Shiina | VIZ Media – Most of the time, I am able to imagine what it’s like to be this or that character in a shoujo manga series, but Ayane Yano is the exception. She’s unique and fascinating, coming across as more mature and aloof than her peers, but is crippled by self-hatred for her inability to truly be serious about anything, including her boyfriend. Volume 23 is all about her, as she must decide whether to pursue her dream of attending university in Tokyo while contending with how much she has hurt Kento by not factoring their relationship into her decision. I would’ve been really peeved if things hadn’t ultimately turned out the way they did, but man, it’s hard to watch Ayane hate herself this much. Still, I am already greatly looking forward to her eventual triumph, which makes me wonder how long this series will continue. – Michelle Smith

mylovestory7My Love Story!!, Vol. 7 | By Kazune Kawahara and Aruko | VIZ Media – Much like Kimi ni Todoke above, this volume of My Love Story!! revolves around the main character’s reserved friend trying to return the feelings of someone who loves them. In this case, Yukika Amami has loved Sunakawa since preschool, and he follows through with his pledge to get to know her before responding to her confession. I love that Sunakawa is kind without being condescending and that there are no misunderstandings between Takeo and Yamato as to why he’s been hanging out with this other girl, but most of all I love the emphasis on how his friendship with Takeo makes Sunakawa happier than anything else in his life, and that he basically affirms his love for his good-hearted friend. Amami may be a little hard to like, but if she highlights Sunakawa’s present contentment, then I’m glad she came around. – Michelle Smith

natsume19Natsume’s Book of Friends, Vol. 19 | By Yuki Midorikawa | VIZ Media – Normally, I am not very big on episodic stories, but I’m always charmed by those in Natsume’s Book of Friends. For the most part, this is a quiet, restful sort of volume, in which Natsume reconnects with an old school friend and deals with some cursed dolls, helps a rock-washer locate his missing apprentice, and learns about an incident in which his grandmother actually helped some yokai. Some angst does arise in the final chapter, however, when Natsume is invited back to the Hakozaki estate to deal with a yokai and runs into exorcists from the Matoba clan, with whom he simply cannot relate. Too, Natsume hopes to follow up on a clue about his grandfather, but nothing comes of it so far. Part of me looks forward to following this plot thread, but honestly, I’d be just as happy with more melancholy episodes like these. – Michelle Smith

nisekoi13Nisekoi, Vol. 13 | By Naoshi Komi | Viz Media – Incremental developments are part of what make good harem series work—knowing when to stick with the status quo and when things have to move forward. It doesn’t even need to involve the main characters—in this volume, Haru finally realizes the “false” relationship between Raku and Chitoge means that he’s not actually being a giant two-timer, and that it’s OK for Kosaki to like him—and Haru as well, of course, though she mostly sublimates this into “help my sister get together with him.” Meanwhile, Ruri gets the more dramatic plot, as she has to deal with her goofy grandfather and that fact that she’s dying—and wants to see her in a happy relationship. I still really enjoy this series. – Sean Gaffney

nnb3Non Non Biyori, Vol. 3 | By Atto | Seven Seas – Slice-of-life series can be hard to balance, and I feel that the third volume of this particular one is running into difficulties. Part of it is that the charm of life in a town that’s in the middle of nowhere runs out fast when you realize how few people are actually in this town, or how little there is to do. Another part is that Natsumi, the high-spirited but annoying girl who drives much of the plot, is more annoying than sympathetic, and this leads to things like the world’s worst culture festival, whose humor relies on how painfully awful it is. Obviously asking for better plotting and characterization runs counter to the spirit of slice-of-life, but asking for slightly better writing does not. I hope the next volume works better.-Sean Gaffney

pcs3Pandora in the Crimson Shell: Ghost Urn, Vol. 3 | By Shirow Masamune and Rikudou Koushi | Seven Seas – There’s still an arguably interesting story here under all the lolicon crap. Nene is reluctant to use the amazing superpower device, as she wants to get by on her own without relying on it like a crutch. But given that she CAN use the device to save the day, when the day needs saving, why not use it? The trouble is that this moral is still wrapped around fingering vaginal ‘ports’ to gain that power, hence the lolicon crap tag. Ah well, at least Excel Saga fans will get to see an amusing cameo of Kabapu… or rather, of a Kabapu-head costume, which is as horrifying as it sounds. For hardcore Shirow/Koshi fans only. – Sean Gaffney

Filed Under: Bookshelf Briefs

The Testament of New Sister Devil, Vol. 1

January 26, 2016 by Sean Gaffney

By Tetsuo Uesu and Miyakokasiwa. Released in Japan as “Shinmai Maou no Keiyakusha” by Kadokawa Shoten Shoten, serialization ongoing in the magazine Shonen Ace. Released in North America by Seven Seas.

First of all, that is one awkward title. I’ve accidentally written it sa “New Sister Devil” at least twice, and it is very much in the genre of ‘random words strung together’ that we’ve seen so often these days. Looking at the title, you’d immediately guess it was based on a light novels, and you’d be correct. As for the manga itself, it shares similarities with a few other titles released over here lately. The premise could be vaguely interesting, some of the characters are promising, and there’s a whole lot of non-consensual sexual assault as fanservice that makes me ultimately rejecting recommending it to others.

newdevil1

As I said, I did enjoy the basic premise and backstory. Each of the main characters is introduced as a normal person to whom wacky plot points keep happening, only it turns out that they’re actually far from normal and have been hiding secrets of their own. Basara is actually from a village of heroes who are there to fight demons – a fight that he’s run away from after his powers got out of control as a child. His father, who appears to be the one complete dupe in the series, turns out to have also known all along. the one innocent in this, ironically, is Mio, who is the daughter of a demon – a fact she was totally unaware of until her entire family was slaughtered one day. Each of them has a very good reason for wanting nothing whatsoever to do with the war to see who gets to rule Hell, and yet they’re drawn into it anyway, because they’re fundamentally decent people. This is a good premise.

Sadly, we also get fanservice, to the point of near explicitness here, mostly due to Mio’s attendant Maria, who is a succubus, and who uses her powers “accidentally” to bind Mio as Bassara’s underling. This means she has to obey his orders, and if she doesn’t, her body gets more and more aroused. The only way out of this is, of course, to grope and otherwise assault her till she climaxes. Add to this and we have the usual ‘waking up with my fake sister lying on top of me’, ‘bath scene with lots of jiggling and bouncing’, and ‘let’s lick the arm in suck a way that it resembles giving head’. Honestly, half the time I’m amazed this isn’t in Young Ace instead of Shonen Ace. But to be fair, this is exactly the sort of thing that would interest teenage boys.

So if you can put up with the humiliation of the female lead (Maria seems to have no shame, so no worries there) and enjoy fantasy along the lines of Devils and Realist and some of the other ‘war in hell’ titles we’ve seen, this may be for you. As for me, I feel I can resist the call.

Filed Under: REVIEWS

Pick of the Week: Orange Crush

January 25, 2016 by Michelle Smith, Sean Gaffney, Ash Brown, MJ and Anna N Leave a Comment

orangeMICHELLE: Decisions, decisions! I love My Little Monster and it’s almost over. Orange has definitely got me intrigued. But, if I’m honest, what I’m most eager to experience is the second volume of surprise delight Horimiya. Go buy eet!

SEAN: My pick this week is definitely Orange, and I really enjoy it when Seven Seas picks up a series like this that’s out of their usual wheelhouse. A touching, sweet, somewhat tragic teen romance with time travel overtones. What’s not to love?

ASH: Orange is my pick, too! Although I plan on reading reading several of this week’s releases, the debut of Orange is the one I’m most interested in. I’ve heard good things about the series, so I’ve been looking forward to it.

MJ: I’m interested in Orange for sure, but this week I’ll hop on board with Michelle and the second volume of Horimiya! So, so charming, I honestly can’t wait.

ANNA: Out of everything coming out this week, I’m most interested in Orange, so that is my pick!

Filed Under: PICK OF THE WEEK

My Week in Manga: January 18-January 24, 2016

January 25, 2016 by Ash Brown

My News and Reviews

Two in-depth reviews were posted at Experiments in Manga last week. The first was of The Fall of Language in the Age of English by Minae Mizumura, a fascinating and immensely readable work of nonfiction about literature and language. (Mizumura’s A True Novel also greatly impressed me, so at this point I’ll basically read anything written by her; if only more would be translated!) The second review was of KaiJu’s Mahou Josei Chimaka, one of Chromatic Press’ most recent paperback releases and a delightfully entertaining parody of and a loving homage to the magical girl genre. The comic is playful, humorous, and a lot of fun.

Elsewhere online: The Toronto Comic Arts Festival has announced its first round of featured guests. The list includes Rokudenashiko, whose manga What Is Obscenity? will be making its English-language debut at the festival. Bruno Gmünder will be bringing The Passion of Gengoroh Tagame back into print later this year in a newly revised and expanded edition. Ryan Holmberg’s most recent What Was Alternative Manga? includes a translation of a discussion between Hayashi Seiichi and Sasaki Maki. And on Twitter, Digital Manga is hinting at a launch of another classic manga Kickstarter, only this time it won’t be Tezuka.

Quick Takes

Bug Boys, Volume 1: Welcome to Bug VillageBug Boys, Volume 1: Welcome to Bug Village by Laura Knetzger. Although I’ve read and enjoyed a few of Knetzger’s short autobiographical comics, I picked up Bug Boys more by chance than anything else. I’m so glad that I did, because I’m absolutely loving this comic. Originally a series of self-published mini-comics, the first book was recently released by Czap Books. The hefty volume collects all of the previously released Bug Boys comics in addition to new, never-before-seen content. The comics are mostly black-and-white, but Knetzger also occasionally uses color. The story follows Rhino-B and Stag-B, two young beetles and best friends living in Bug Village, as they grow up, go on adventures, and explore their world. It’s all incredibly cute and touching, even when the two of them are dealing with some fairly big, weighty issues. Friendly enough for children, but also thoroughly enjoyable for adults, Bug Boys is one of the most wonderfully delightful and charming comics that I’ve read in a very long time. I’ll definitely be keeping an eye out for more of the series and for more of Knetzger’s work.

Butterflies, Flowers, Volume 1Butterflies, Flowers, Volume 1 by Yuki Yoshihara. Once wealthy aristocrats, the members of the Kuze family have fallen on hard times. They no longer have any servants and have instead become the masters of a soba noodle shop. Choko is now searching for separate employment, only discovering after the fact that her new boss, Masayuki Domoto, is the son of the family’s old chauffeur. Butterflies, Flowers is a somewhat peculiar romantic comedy that’s hard to take seriously. Granted, I don’t think that the manga is really intended to be taken seriously. And I’ll admit, the first volume of the manga made me laugh on several occasions. The power dynamics in Butterflies, Flowers are all over the place, so it’s difficult to know what to expect from one page to the next, especially where Choko and Domoto are involved. At first Choko doesn’t have much confidence—working in an office is a new experience for her—but every once in a while she’ll take charge of the situation. As for Domoto, he frequently switches from being an overbearing and demanding boss to being completely subservient to the woman and family that used to employ his father.

Terra Formars, Volume 5Terra Formars, Volumes 5-8 written by Yu Sasuga and illustrated by Ken-ichi Tachibana. It’s been a while since I’ve read any of Terra Formars, but it wasn’t too difficult to pick it up again where I left it—even considering the various plot twists, the series is pretty easy to follow and tends to be fairly action-oriented. By far the best thing about Terra Formars for me are the over-the-top battles between super-powered combatants. Not only have humans been crossed with insect genetics, there are examples of those who have been crossed with birds, mammals, aquatic creatures, plants, and even bacteria, giving the individuals a wide variety of incredible abilities. Realistic? Perhaps not, but the resulting battles are epic. (Surprisingly, Terra Formars has actually taught me quite a few things about plants and animals.) The political maneuvering back on Earth, while being portrayed in a very dramatic fashion, frankly doesn’t interest me that much. However, it is that drama that largely propels what little story the series has. It also means that the modified humans end up having to fight each other in addition to the Martian inhabitants.

Filed Under: FEATURES, My Week in Manga Tagged With: Bug Boys, butterflies flowers, comics, Ken-ichi Tachibana, Laura Knetzger, manga, Terra Formars, Yu Sasuga, Yuki Yoshihara

January Releases and Why We Like One-Punch Man

January 25, 2016 by Brigid Alverson

Naruto Seventh HokageWhat’s new in January? I did a quick roundup of this month’s new manga releases, which include the one-shot Naruto: The Seventh Hokage and the Scarlet Spring, as well as new volumes of One-Punch Man, Blue Exorcist, The Demon Prince of Momochi House, and My Neighbor Seki. [Barnes and Noble Sci-Fi/Fantasy Blog]

There’s a bumper crop of new manga out this week, and the Manga Bookshelf team is here to sort them out for you. [Manga Bookshelf]

One Piece creator Eiichiro Oda says the manga he is most jealous of is Your Lie in April, Naoshi Arakawa’s shonen romance about young musicians. Oda pointed out that music is difficult to portray on the page and praised Arakawa’s depiction. “Before a deadline [I got it] as a change of pace, but I ended up reading the whole thing and forgot about my manuscripts. I got the whole studio buying it on the way home,” Oda said. [Anime News Network]

A new Phoenix Wright: Ace Attorney manga is in the works, to go with the anime. [Manga Xanadu]

Ollie Barder writes about the appeal of One-Punch Man, which is topping the charts in the U.S. as well as Japan. [Forbes]

Erica Friedman rounds up all the yuri updates, including word of a Takarazuka show coming to New York, in the latest episode of Yuri Network News. [Okazu]

Jocelyne Allen writes about Manga Henshusha, a book of interviews with five manga editors. [Brain Vs. Book]

Here’s an interesting interview with Koré Yamazaki, the creator of The Ancient Magus’ Bride, although it’s in French. [Manganews]

Oh My Goddess creator Kousuke Fujishima has brought Paradise Residence (which will be published in English by Kodansha Comics) to an end and is starting a new series. [Anime News Network]

Reviews

Lesley Aeschliman on vol. 14 of Blue Exorcist (WatchPlayRead)
Leroy Douresseaux on vol. 3 of The Demon Prince of Momochi House (The Comic Book Bin)
Johanna Draper Carlson on vols. 9 and 10 of Food Wars (Comics Worth Reading)
Gabe Peralta on A Girl on the Shore (The Fandom Post)
Andrew Wheeler on vols. 1-4 of Gou-Dere Sora Nagihara (ComicMix)
Erica Friedman on vol. 6 of Himawari-San (Okazu)
Kristin on vol. 1 of Honey So Sweet (Comic Attack)
Kory Cerjak on vol. 1 of JoJo’s Bizarre Adventure Part 2: Battle Tendency (The Fandom Post)
Kristin on vols. 11-13 of Kamisama Kiss (Comic Attack)
Kory Cerjak on vol. 2 of Komomo Confiserie (The Fandom Post)
Kory Cerjak on vol. 12 of Magi (The Fandom Post)
Johanna Draper Carlson on vol. 2 of Master Keaton (Comics Worth Reading)
Ash Brown on vol. 7 of Mushishi (Experiments in Manga)
Lesley Aeschliman on vol. 7 of My Love Story!! (WatchPlayRead)
Sean Gaffney on vol. 1 of My Monster Secret (A Case Suitable for Treatment)
Christian Chiok on Naruto: The Seventh Hokage and the Scarlet Spring (Japanator)
Kristin on vols. 3 and 4 of One Punch Man (Comic Attack)
Matthew Warner on vol. 2 of Peepo Choo (The Fandom Post)
Sean Gaffney on vols. 23 and 24 of Ranma 1/2 (A Case Suitable for Treatment)
Anna N. on vol. 3 of Requiem of the Rose King (Manga Report)
Johanna Draper Carlson on vol. 9 of Say I Love You (Comics Worth Reading)
Johanna Draper Carlson on vol. 1 of Shuriken and Pleats (Comics Worth Reading)
Ken H on vol. 3 of A Silent Voice (Sequential Ink)
L.B. Bryant on vol. 1 of Steins;Gate (ICv2)
Sean Gaffney on vol. 2 of Strike the Blood (A Case Suitable for Treatment)
Marion Olea on vol. 2 of Tokyo Ghoul (No Flying, No Tights)
Lesley Aeschliman on vol. 3 of Twin Star Exorcists (WatchPlayRead)

Filed Under: MANGABLOG

Mahou Josei Chimaka

January 22, 2016 by Ash Brown

Mahou Josei ChimakaCreator: KaiJu
Publisher: Chromatic Press
ISBN: 9781987988017
Released: December 2015
Original run: 2014-2015

Mahou Josei Chimaka, or Magical Woman Chimaka, is the second long-form comic by KaiJu, a creative team made up of Kate Rhodes and Jennifer Xu, that I’ve had the opportunity to read. The three-chapter comic was originally serialized online in Sparkler Monthly between 2014 and 2015 before being collected and released in both digital and print book editions by Chromatic Press later in 2015. I love everything that Chromatic Press is involved with, but I was especially looking forward to Mahou Josei Chimaka for a number of reasons. Most notably, I was greatly impressed by KaiJu’s previous comic The Ring of Saturn (which also released by Chromatic Press) and have been closely following the team’s work ever since. It also didn’t hurt that in large part Mahou Josei Chimaka is a loving homage to and parody of the magical girl genre. That and it also it ends up being a sweet romance between two women.

Fifteen years ago Shimmer Shimmer Skypatcher Chimaka faced her greatest nemesis and lost, failing to protect her city. While Chimaka was able to temporarily repel the threat, a large portion of the city was laid to waste and left a giant, lifeless crater. Now her enemy has returned, intending to finish the job, only Chimaka isn’t a magical girl anymore. Her life fell apart after that fateful, disastrous encounter and, although she’s back on her feet again, the magic is gone. Chimaka now spends her days working as a scientist at Squid Petroleum and nights drinking with her colleague Pippa with whom she has become very close. But with the return of her old enemy, along with the persistence of a certain government agency which uncovered her past, Chimaka needs to find a way to regain her powers. The ever cheerful Pippa is determined to do all that she can to help Chimaka, but the task that the two of them face is a difficult and daunting one—Chimaka must once more become Shimmer Shimmer Skypatcher if she wants to save the world.

Mahou Josei Chimaka, page 94Mahou Josei Chimaka is crafted to especially appeal to readers who are fans of the magical girl genre (or, in this particular case, the magical woman genre) and who are interested in a slightly different approach than is often seen. While it’s not absolutely necessary to be familiar with the common tropes and themes of the genre—Mahou Josei Chimaka is completely enjoyable as a story in its own right—readers who are will be in a better position to truly appreciate the entirety of the comic and its satire. The elements one would expect to see in a magical girl story are all present in Mahou Josei Chimaka, including but certainly not limited to animal companions, transformation sequences, dazzling accessories, and an emphasis on the power of love. But these have all been slightly skewed through the lens of Chimaka’s growth into cynical adulthood. And yet, while KaiJu’s interpretation of the magical girl genre is honest and mature, it doesn’t become dark and depressing.

Mahou Josei Chimaka is a delightfully funny and charming comic. Much of this comes from the contrasting but complimentary personalities of the comics’ two leading women and the sweetness of their blossoming relationship, but as a whole Mahou Josei Chimaka is very playful. KaiJu has a great sense of humor which comes through not only in the story and characters, but in the artwork as well. The artists alternate between using more realistic illustrations and those that are exaggerated for great comedic effect. The final chapter does perhaps rush the story’s climax a bit as the creators pull out all the stops for the epic final battle, but it’s a sort of intentional ridiculousness that’s highly entertaining. Although preventing the end of the world is serious business, Mahou Josei Chimaka mixes in silliness in the best sort of way. I enjoyed the comic on my first read but I find that I like it even more after reading it again; Mahou Josei Chimaka is a great deal of fun.

Filed Under: REVIEWS Tagged With: Chromatic Press, comics, kaiju

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