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The Eminence in Shadow, Vol. 6

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By Daisuke Aizawa and Touzai. Released in Japan as “Kage no Jitsuryokusha ni Naritakute!” by Enterbrain. Released in North America by Yen On. Translated by Nathaniel Hiroshi Thrasher.

I think I am finally, mostly, beginning to give in and accept the series’ vibe, and the fact that it’s written as a ridiculously overblown piece of… satire is wrong, but so is parody and comedy, to be honest. I’ll roll with it. Also, I’m sure those terrible, terrible name puns (and there are a LOT more in this book, like four times more) are just as bad if not worse in Japanese, so I will forgive the translator… just. That said, we are running into a really big issue with this series, which is that it is very dependent on remembering things from previous books, but it only comes out once in a blue moon. I reviewed the first volume in 2020, and here it is 2025, and we’re only on Book 6. Worse, Book 6 came out in Japan in 2023, and there’s no new book on the horizon. So yeah, apologies, little girl from apparently Vol. 1 who was meant to be tragic. I had forgotten about you. As had Cid, I think.

After the events of the last book, evil noble Eliza is manipulating things to make sure she’s found innocent, and is also planning to quietly do away with the star witness (who we find out here is named Kanade, and oh my god, more on her later). Christina Hope is trying to prevent this, but her family is actively hindering her, and all she can do is take Kanade and that annoying background extra Cid, who seems to have found definitive evidence, to one of her villas to hide from assassins. Meanwhile, the latest Mysterious Evil Group of Evil are indeed planning to kill Kanade (and Christina, and Cid, and possibly Alexia if they could get away with it), but all of a sudden they’re getting killed off one by one by a man covered in blood, dressed as a clown, and calling himself Jack the Ripper. Who could this mysterious assassin be? Who?

I won’t deny that this volume was helped by having slightly less Cid than usual. Also, Kanade is hilarious, and I hope we see more of her. If Cid is a chuuni who has ended up in a dream world that runs along his desires, then Kanade is that sidekick girl in a shonen manga who keeps trying to be cute and sexy but ends up looking stupid all the time instead. She and Cid are wonderful together, and I’m, glad she doesn’t die. Also, finally, we get Akane back into the storyline, though she’s a bit stunned to find she’s suddenly one of the weaker characters. Naturally, she ends up in Shadow Garden… as does a victim from the first volume, who has Cid literally cut the monster out of her. This scene is, honestly, as heartwarming as this series will ever get, and I hope she and Akane bond.

So yeah. This was good, especially Christina’s character arc. I will try not to take it too seriously. I will also be waiting a while for the next volume, though.

Manga the Week of 2/19/25

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SEAN: Is it Yen week? (checks, sighs) Yup.

ASH: Here we go!

SEAN: In fact, we start with THIS week, as I missed Yen On’s one title in my last post. Lycoris Recoil: Ordinary Days is based on the hit anime, and is, as the title might suggest, a look at the less gun-battle side of the franchise.

Yen On has four debuts out NEXT week. We’ll start with I’ll Become a Villainess Who Goes Down in History: It Seems Turning into a High-Born Baddie Makes the Prince All the More Lovestruck (Rekishi ni Nokoru Akujo ni Naru zo: Akuyaku Reijō ni Naru hodo Ōji no Dekiai wa Kasoku suru yō desu!), a villainess title in the subgenre of “she’s trying to be a villainess on purpose” rather than “she’s trying to avoid her doom”. This had a hit anime recently.

ASH: I haven’t read many of them, but I am appreciating the villainess trend.

SEAN: The Only Thing I’d Do in a No-Boys-Allowed Game World: Reincarnated as a Yuri Ship-Sinker (Danshi Kinsei Game Sekai de Ore ga Yarubeki Yuiitsu no Koto: Yuri no Aida ni Hasamaru Otoko toshite Tenseishiteshimaimashita) is a series about a male yuri fan who gets reincarnated into the world of his favorite yuri game. The trouble is, all the girls are falling for him rather than each other! While I appreciate this is a comedy, you’ll pardon me if I treat it as radioactive.

ASH: Fair.

SEAN: Recommendations for Bad Children (Warui Ko no Susume) seems to be a dark series about two classmates, dealing with a school system that thrives on abuse and discrimination, who decide to start breaking the rules. I’ve heard this is good, but it’s not my genre.

ASH: Hmmm. Closer to some of the genres that I read, when I’m in the mood.

SEAN: Whoever Steals This Book (Kono Hon wo Nusumu Mono wa) is the novel that the manga (also licensed by Yen) was based on. A girl who doesn’t really care for books is forced to when some books trigger a curse on her hometown.

ASH: I am intrigued.

SEAN: Also from Yen On: Babel 3, Bofuri 15, and Playing Death Games to Put Food on the Table 3.

Yen Press also has debuts. Liar Liar is a manga based on the light novel, also from Yen. It runs in my nemesis, Comic Alive. As with Recommendations for Bad Children, it’s in the “the best way to inspire geniuses is to let them bully the crap out of the weak” genre, which always stars the weak, of course.

Sword Art Online: Ordinal Scale is the manga adaptation of the movie based on the omnipresent SAO franchise. It ran in Comic Walker.

Victoria of Many Faces (Tefuda ga Oume no Victoria) is the manga adaptation of the light novel Yen also releases. It runs in Flos Comic. A spy betrayed by her boss fakes her death and moves to another country, trying to live a quiet, happy life.

ASH: A quiet, happy life sounds really nice right now.

ANNA: I’m into that.

SEAN: Also from Yen Press: Assorted Entanglements 7, Bocchi the Rock! 6, Bungo Stray Dogs: Wan! 10, CLAMP Premium Collection Tokyo Babylon 6, Dead Mount Death Play 13, Detroit: Become Human – Tokyo Stories 2 (the final volume), The Executioner and Her Way of Life 6, God Bless the Mistaken 4 (the final volume), The Guy She Was Interested in Wasn’t a Guy at All 2, Handyman Saitou in Another World 6, Honey Lemon Soda 8, I May Be a Guild Receptionist, But I’ll Solo Any Boss to Clock Out on Time 4, I’m a Behemoth, an S-Ranked Monster, but Mistaken for a Cat, I Live as an Elf Girl’s Pet 11, I’ve Been Killing Slimes for 300 Years and Maxed Out My Level 14, Imitation 5, Is the Order a Rabbit? 2, Laid-Back Camp 16, Let This Grieving Soul Retire 9, Love of Kill 14 (the final volume), Mieruko-chan 10, Oshi no Ko 9, Reign of the Seven Spellblades 8, Riviere and the Land of Prayer 2, The Saga of Tanya the Evil 25, The Shiunji Family Children 3, So I’m a Spider, So What? 14, Sugar Apple Fairy Tale 4, The Three Body Problem: The Comic 2, The World’s Finest Assassin Gets Reincarnated in Another World as an Aristocrat 7, and Witch Life in a Micro Room 4.

MICHELLE: I’m going to try to get caught up with The Guy She Was Interested In… before it seriously gets away from me.

ASH: I was finally able to get my hands on the first volume! I’m looking forward to reading it.

SEAN: Viz Media debuts Mujina into the Deep, the latest title from Inio Asano, a Big Comic Superior title about a jaded man who has his life overturned thanks to a runaway kid and an assassin. I suspect this will be very different from Dead Dead Demon’s Dededede Destruction.

ASH: I suspect it will be intense in one way or another, as Asano’s work tends to be.

SEAN: They’re also re-releasing Hunter x Hunter in 3-in-1 omnibuses.

Also from Viz: Choujin X 8, Hirayasumi 4, Magilumiere Magical Girls Inc. 6, Mission: Yozakura Family 15, Rainbows After Storms 2, Rooster Fighter 7, and Twin Star Exorcists 33.

Tokyopop gives us Formerly, the Fallen Daughter of the Duke 6 and The Person I Loved Asked Me to Die in My Sister’s Stead 2.

Steamship debuts Loving Moon Dog (Koi Suru Moon Dog), a shoujo title from Hana to Yume Ai. It’s by the author of Skyblue Shore, which got culled as part of the Tokyopop collapse. A woman finds a doberman one day… who can turn into a hot guy! And is looking for a mate! This is actually a long-runner, and may be more shoujo than smutty despite the imprint.

MICHELLE: While I continue to have a sad about the unfinished shoujo series TOKYOPOP left behind, I just can’t with the “animals as love interest” genre.

ANNA: I’m also sad about Skyblue Shore but I’m with Michelle on skipping this.

SEAN: Steamship also has the print release of The Villainess and the Demon Knight (light novel) 2.

Square Enix Manga has Dragon and Chameleon 2.

Seven Seas debuts Fate/Kaleid Liner Prisma Illya: The Complete Manga Collection, which collects both volumes of the first manga spinoff of Fate that is “what if Ilya were a magical girl?”. Fans of Ilya will be happy, fans of Rin will be happy but also annoyed, probably.

ASH: Ha!

SEAN: Also from Seven Seas: Hate Me, but Let Me Stay 3, Lonely Castle in the Mirror 5 (the final volume), Mushoku Tensei: Jobless Reincarnation 20, My Boyfriend is a Dog 2, Nakamura-san, the Uninvited Gyaru 2, The New Recruit 2, Royal Tailor: Clothier to the Crown 3, Tokyo Revengers: A Letter from Keisuke Baji 3, Uzaki-chan Wants to Hang Out! 12, and Wild Roses and Pretenders 2 (the final volume).

They also have a danmei title: the 3rd volume of Peerless.

One Peace Books has the 4th manga volume of Villainess Level 99.

Kodansha Manga debuts in print I Want to Love You Till Your Dying Day (Kimi ga Shinu made Koi wo shitai), a yuri title from Comic Yuri Hime. A girl at a school for assassins hasn’t been the same since her roommate died. Then she meets an adorable new classmate who can turn her frown upside down! Oh yes, she first meets said classmate covered in blood.

ASH: Seems right.

ANNA: These things happen.

SEAN: Also in print: As a Reincarnated Aristocrat, I’ll Use My Appraisal Skill to Rise in the World 13, Battle Angel Alita Mars Chronicle 10, My Noisy Roommate 2, Saving 80,000 Gold in Another World for My Retirement 9, and Twilight Out of Focus 6 (the final volume so far, but I won’t be surprised if we get another sequel).

And digitally we see Having an Idol-Loving Boyfriend is the Best! 6 (the final volume) and My Boyfriend in Orange 14.

J-Novel Club, in print, has Black Summoner 4, Hell Mode 7, My Instant Death Ability Is So Overpowered, No One in This Other World Stands a Chance Against Me! 7, Reborn to Master the Blade 5, and Reborn to Master the Blade 5. (Light novel and manga, respectively.)

There are two digital debuts, both light novels. Knock Yourself Out! The Goddess Beat the Final Boss in the Tutorial, So Now I’m Free to Do Whatever (Ato wa Gojiyuu ni Douzo! Tutorial de Kamisama ga Last Boss Taoshichatta no de, Watashi wa Suki Houdai Ikiteiku) is one of the “I’m a guy reincarnated in a girl’s body” titles we’ve seen on occasion. A goddess wants her to defeat the final boss… and the immediately does so herself, using our heroine’s powers. Now what?

Pens Down, Swords Up: Throw Your Studies to the Wind (Ken to Mahou to Gakureki Shakai: Zense wa Gariben datta Ore ga, Konyo wa Kaze Makase de Jiyuu ni Ikitai) has a reincarnated as a noble guy. He spent his past life doing nothing but study, so wants to be a swords and magic sorta guy this time around. Sadly, you have to study to be able to do that.

ASH: A valuable lesson to be learned!

SEAN: Also from J-Novel Club in light novels: The Diary of a Middle-Aged Sage’s Carefree Life in Another World 5, Duchess in the Attic 3, The Frontier Lord Begins with Zero Subjects 7, The Legendary Witch Is Reborn as an Oppressed Princess 3, Magic Stone Gourmet 8, and The Otome Heroine’s Fight for Survival 4.

And from J-Novel Club in manga: The 100th Time’s the Charm 3, The Banished Former Hero Lives As He Pleases 5, Bibliophile Princess 8, Duchess in the Attic 5, Fushi no Kami 6, My Quiet Blacksmith Life in Another World 4, and Seirei Gensouki 11.

I’ve been ignoring Yen Press’s Korean imprint Ize Press forever, and I apologize. I’m trying to get better about putting Chinese and Korean titles in this list, even if I can’t point to a magazine and genre and say “ah ha!”. So let’s see what Ize has this week.

The debut is Kill the Villainess (Angnyeoreul Jugyeo Jwo), which is a webtoon but otherwise fits the villainess genre precisely. There’s just one hitch: our villainess is trying really hard to go back to her life in Japan, so all these love interests are a pain.

Also from Ize Press: A Business Proposal 8, Solo Levelling 11, The Star Seekers 6, Tied to You 4, Unholy Blood 5, Villains Are Destined to Die 7, The Villainess Turns the Hourglass 6, and The World After the Fall 9.

Ghost Ship has The Cursed Sword Master’s Harem Life 2, Into the Deepest, Most Unknowable Dungeon 10, and Might as Well Cheat 9.

Dark Horse Comics has Danganronpa 2: Chiaki Nanami’s Goodbye Despair Quest 2.

And Airship, in print, has Didn’t I Say to Make My Abilities Average in the Next Life?! 19, Sword of the Demon Hunter 8, and Too Many Losing Heroines! 3.

And we get one early digital release: I’m the Evil Lord of an Intergalactic Empire! 8.

That sure was a Yen week. Adding Ize didn’t help. What are you reading?

ASH: This column.

Let’s Get to Villainessin’: Stratagems of a Former Commoner, Vol. 2

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By Hiironoame and Misumi. Released in Japan as “Sa, Akuyaku Reijou no Oshigoto wo Hajimemashou: Moto Shomin no Watashi ga Idomu Zunousen” by PASH! Bunko. Released in North America by Cross Infinite World. Translated by Dawson Chen.

I have a dog, and I love my dog. Occasionally, though, I want my dog to stay out in the yard for a bit. And my dog, he does not want to stay out in the yard. And so he throws himself at the back door. Over. And Over. And Over Again. He will do this for up to three hours or so, knowing that eventually I will get annoyed enough to let him back in. As I was reading this volume, and watching Mio hurling herself at “villainessin'” time and time again, I was reminded of my dog, as it takes real stubbornness to do. Yes, I am aware that her sister’s life hangs in the balance, but frankly, I appreciate Mio doing this, as everyone else in the book is taking things extremely seriously, and at least Mio being the most obvious tsundere ever leads to the book’s moments of hilarity. That she’s so bad at being bad is the point.

Mio has been doing… well, not great, but at least she’s so far managed to avoid falling flat on her face. The same can’t be said for her two “minions” who got humiliated last volume, and Mio’s new mission is to rehabilitate them and bring them back in the fold. She’ll have to do this while also negotiating the school’s sports festival, which (in the game) she played a minor part in. Unfortunately, Mio’s actions so far are starting to have knock-on effects elsewhere in the world, and her attempts to prove to herself that she can, in fact, affect things so they’re not quite like the game’s plot may end up getting her in a ton of trouble. Trouble that she can only get out of by – finally – genuinely being cruel.

I mentioned Mio being the one comedic part of this book, and that’s because when I try to imagine the rest of the cast watching her, I can feel their frustration and helplessness. They know she’s a good, kind person. They know she’s acting this way on purpose. And they know she’s determined to drag her own reputation in the mud. But they don’t know why, and it’s maddening. They don’t have the Shizuku piece of the puzzle. (The names, by the way, are just as bad as before, and this volume we have a Miyu pretending to be a Miu to confuse Mio. It’s so bad that I think even the translator/editor get Shizuki and Shizuku mixed up once or twice) Fortunately, Nonoka is straight from the Maria Campbell school, and her faith in Mio (and, it’s hinted, slight crush on Mio) remains steadfast. The end of this volume also brings a fake engagement into the mix, so the third volume would be very interesting…

…if it existed. I think even the webnovel version of the story ends with this volume. Which is a shame, as I kind of wanted to see Mio continue to throw herself against my back door.

The Hero-Killing Bride: The Blood-Soaked Champion

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By Aoikou and Enji. Released in Japan as “Yuusha-goroshi no Hanayome” by HJ Bunko. Released in North America by J-Novel Club. Translated by Faye Duxovni.

I always love it when I’m surprised by a title. I didn’t have many expectations for this one, despite the fact that it was advertised as a yuri series (the yuri is mostly plot rather than character so far). Honestly, the description made me think of that old meme, as I said “We have The Executioner and Her Way of Life at home”. And theoretically, the two do have a lot in common, as they feature a protagonist who is sent by the church to kill in order to save the world, over the course of the book begins to realize the corruption inherent in what’s she’s doing, and attempting to get close to the one she’s trying to kill. And, if I’m being honest, Executioner and Her Way of Life has a better plot and thematic heft. But I will say this: if I had to choose between following Menou around her books, or following Alicia around this book, I will pick Alicia every time. Love her.

Alicia Snowell, a “bride” of the church and assassin of the church as well, is told by the Cardinal who is her boss to assassinate the Hero. After killing the Demon Lord, the Hero’s popularity is so tremendous that the church now worries that eventually they will lose power as everyone follows the Hero instead. They tried marrying the Hero into the royal family, but it didn’t work. They’ve tried sending voluptuous temptresses, but the Hero doesn’t seem to be interested. Oh, and the Hero is also apparently invulnerable to blades. So Alicia’s told to seduce the Hero – after all, she’s not voluptuous at all, so maybe the Hero has different tastes – and then get close enough to kill them. So Alicia is sent off to the frontier where the Hero is… and there discovers (not much of a surprise, it’s in the blurb) the Hero is a girl!

As I said earlier, Alicia is the best reason to read this – in fact, honestly, one of the only reasons, really. The Hero is interesting mostly in terms of who she isn’t, and everyone else in the book is a variety of the sort of character you see in “dark fantasy” book, which this definitely is – expect blood and strong language. I am very bored with “funny psychopath” guys, thanks. Alicia, though, is a great first-person narrator, as she presents herself as so cynical, bitter, and absolutely done with everything – and she is – but every time she gets the opportunity to not be compassionate and caring, she fails miserably. She is exactly the sort of person to stare at someone going senselessly off to sacrifice themselves, scream at them, curse them, and then try to save them anyway. What’s more, her worldview gets increasingly shattered over the course of this book. Right now the Hero only has Alicia to depend on, while Alicia theoretically has her allies in the Church. But I get the feeling pretty soon they’ll only have each other.

I’ve no idea if this will end happily or not – the genre tends to suggest it will not. But I’m definitely going to be reading more, and I want to see these two uncover the secrets of the world, with one taking the world’s burdens on herself and the other kicking the world in the nuts.

Pick of the Week: The End of Adulthood

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MICHELLE: This is one of those “Welp, I never managed to read any of these, but now that it’s ending I will tout its final volume” weeks, in which I throw my endorsement behind Even Though We’re Adults.

KATE: In an act of solidarity with my fellow Olds, I’m also picking Even Though We’re Adults. More manga for grown-ups, please!

SEAN: Tempting as it is to watch the cast of Even Though We’re Adults struggle to reach baseline adulthood again, I cannot resist the yearly release of A Certain Scientific Railgun, and will once again try to remember what was happening.

ANNA: I’m going to go for Fall In Love, You False Angels because the premise is appealing and the cover appeals to me. I’m shallow!

ASH: As far as debuts go, I’ll join Anna in picking Fall In Love, You False Angels as I can’t resist secret martial artists. But I’ll also join others in picking the final volume of Even Though We’re Adults as I’m always glad for Takako Shimura manga.

Dinners with My Darling: How the Former Monster King Ate Her Way to Happiness, Vol. 1

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By Mugi Mameta and Nagisa Hanazome. Released in Japan as “Aisanai to Iwaremashite mo – Moto Maou no Hakushaku Reijou wa Kimajime Gunjin ni Ezuke wo Sarete Shiawase ni naru” by M Novels f. Released in North America by Cross Infinite World. Translated by JC.

I spent most of this book trying to figure out its heroine, which puts me in the same company as everyone else in this book. I honestly think the artwork does it a bit of disservice. Don’t get me wrong, the artist is fine. But the text has Abigail, the title character, sounding most of the time like a hyperactive six-year-old child, and you imagine her in your head as being filled with massive smiles and big eyes. And then you get the occasional line when we switch to the POV of other people, which tells you that, in fact, Abigail rarely changes her expression from default neutral. Abigail sounds, and honestly is written as 75% of the time, like an adorable moppet. But she is a reincarnated monster, and she spent her first 16 years being starved and abused by her terrible family. The dissonance in this book, especially at the start, is almost comical.

We open with Gerald, the son of a marquis who is entering a political marriage, informing his wife Abigail that he will never love her. She innocently asks if this means she won’t get any food. As he and his servants listen to her talk about her life before arriving there with a creeping horror, any thought of treating her coldly flies out the window. Her old family made her do the laundry (which they threw in the mud), handle running the duchy (she can forge signatures!), and starving her to death by giving her next to no food. She can barely eat four mouthfuls before getting sick. That said, she has a bigger secret. In her past life, she was the Monster King, and she still has access to those powers (and just remembered her past life at her arrival). Which means she can predict disasters, use magic without incantation, and generally is a Top Secret in every single way you can imagine.

The thing that separates this from, say, Little Orphan Annie, or Oliver Twist, is that Abigail is sixteen years old, and is theoretically supposed to be his wife. This can be uncomfortable at times, particularly when Abigail is sounding like a hyperactive child. Fortunately, both the author and the male lead seem conscious of this. As Abigail manages to grow healthier and eat a normal amount, she begins to actually grow into her age physically, but mentally… it’s not that she’s mentally a child, as she can clearly do the work of an earl with minimal issues. No, it’s that her way of thinking at times is literally inhuman. It goes with her blank face. Her abusive life never registered for her except that it meant she didn’t get much food. Her new life is wonderful… because it means she gets more food. She simply is not going to understand the idea of marriage beyond “yum!” at this point. Future volumes will need to keep up the balance while she continues to grow into her new self.

There’s at least four more volumes, which makes this a huge success for the cancel-happy M Novels. Despite occasionally feeling that Abigail was manipulating me with her cuteness, I definitely want to read more. For fans of “Cinderella stories” who don’t mind a heroine whose head is harder to get into.

The Manga Review: Lost in Translation

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As part of an ongoing series about working in the manga industry, io9 recently interviewed the translators for One Piece, Undead Unluck, and Spy x Family to learn more about their working conditions and the challenges of adapting culturally specific material into English. The article is sobering: not only do translators cope with tight deadlines and low pay, but they face harassment from fans who disagree with the way they’ve translated a phrase, voiced a character, or substituted an American pop-cultural reference for a Japanese one. The problem is especially pervasive among Shonen Jump readers, who frequently “dogpile” on work that doesn’t match their favorite scanlations:

“Especially when it comes to Shonen Jump stuff, one misconception I see a lot is when [readers] see the scanlation first, they think if there’s something different that it was something we saw it and we changed when that’s not the case,” [Stephen] Paul said. “We work before anyone sees the material. There no prior conception of the material before we get our hands on it.”

The article also touches on the looming threat of AI-generated translations; though AI currently “produces subpar output that readers notice and abhor… it also results in the same amount of work for translators while they are paid less to copy-edit.” If you care about the quality and artistry of good translation, this is a must-read essay.

NEWS AND VIEWS

Everything old is new again: Dark Horse announced that it will publish new editions of Blood Blockade Battlefront and Planetes. Both are slated for a July release. [Dark Horse]

Speaking of licensing announcements, VIZ unveiled its summer 2025 line-up, which includes a new Star Wars manga, a Castle in the Sky cookbook, and a historical drama set in China’s Warring States era. [Behind the Manga]

Erica Friedman rounds up the latest yuri news, with updates on Galette and a new Vampire Princess Miyu-Yui manga. [Okazu]

David and Jordan kick the tires on Chameleon Jail, a new Shonen Jump series. [Shonen Flop]

ICYMI: Ray and Gee discuss their top five manga debuts of 2024. [Read Right to Left]

Adam Wescott jumps in the WABAC Machine for a look at Ranma 1/2 fanfic from the early 1990s, when English-speaking fans penned their own scripts and circulated them through Usenet. [Anime Herald]

REVIEWS

SKJAM! offers a full-series review of Undead Unluck… Kara Dennison argues that Komi Can’t Communicate “had a perfect final chapter”… Sarah gives I’m Here, Beside You mixed marks… and Tony Yao explains why Manga Goes to School is an essential resource for parents, teachers, and librarians.

The Reincarnated Princess Spends Another Day Skipping Story Routes, Vol. 9

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By Bisu and Yukiko. Released in Japan as “Tensei Oujo wa Kyou mo Hata o Tatakioru” by Arian Rose. Released in North America by J-Novel Heart. Translated by Esther Sun.

That’s right, it’s back! The popular TV comedy “Everybody Loves Rosemary” has returned for a new season a year and a half after ending forever, and she’s just as adorable as ever. I will assume everyone buying this knows what to expect because they read the other volumes, but wow, I had forgotten how much everyone just looks at her like she hung the stars in the sky. And, to be fair, her ideas are good in a “thank God this is not real life but an otome game” sort of way, and she is not only able to inspire everyone around her, who still adore her and desire her even though she’s married to Leonhart, but also manages to find a prince and a princess from different countries who also hate themselves and inspire them to change how they view the world and become better people. Who needs therapists when you have a gorgeous blonde?

Some time after the events of the main series, Rosemary is happy as a clam. She’s married to Leonhart, and manages to match his love in enthusiasm if not necessarily in stamina. She’s now the duchess of a vibrant, expanding city, mostly vibrant and expanding because she’s in it. Her hospital is going great guns, and other nations are also interested. Most importantly, they’ve found rice and soy sauce! Yes, the inevitable Japan analogue that always turns up in these books has turned up, and the Third Prince… falls for her immediately, and is promptly devastated when she admits she’s married. A princess we briefly met in an earlier book is here to try to arrange a marriage with one of Rosemary’s brothers, mostly out of obligation, but winds up depressed after seeing how Rosemary is just so fantastic at everything. And there’s something secret that not even Rosemary knows about yet.

Technically this is a spoiler for the last part of the book, but come on: the moment Rosemary says she’s feeling tired, eating weird things and is even gaining a bit of weight at last, the reader should be able to figure out what’s actually happening. Rosemary’s pregnancy delights absolutely everybody, even the other love interests, who have been alternating between gnashing their teeth at her happy marriage and grudgingly being happy for her. Now they’re all picturing her as a mother and are over the moon. The best scene in the book was from the POV of her mother, who is told by her husband (after he tells his sons, I note) that Rosemary is pregnant. It’s a delight to see the king behaving like a normal person, as he realizes that he’s been a terrible dad to her for so long, essentially treating her like a prized student, that he has no idea how to be a grandfather. The queen happily notes they can learn about it together. I really liked this.

There’s already a Vol. 10 out in Japan, so we’re not done with Rosemary and her utopia just yet. It requires a lot of patience to put up with all the adoration, but this is still a lot of fun to read.

Der Werwolf: The Annals of Veight, Vol. 16

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By Hyougetsu and Nari Teshima. Released in Japan by SQEX Novels. Released in North America by J-Novel Club. Translated by Ningen.

When I reviewed the last volume of Der Werwolf, over two years ago (so once again it was a struggle to remember who the hell everyone was), I wondered how the final volume would wrap up, and pondered if it would end with retirement or even Veight’s death. Well, one of those is true, though there is a flashforward three hundred years for an epilogue that shows that Veight has essentially passed into legend, and so presumably has passed on. But the last third or so of this book is dedicated to Veight trying to retire (and Airia having more success, partly because she’s pregnant again), and finding that, when you’ve spent the last twenty years completely remaking a nation due to your awesome powers, drive, and will, that no one wants to see you go. Fortunately, Veight prepared for this seventeen years ago, when he and Airia had their first child. The world does not need Veight. It has Veight, only a spunky young girl. In other words, his daughter.

Veight is drowning in work, and Airia forces him to take a vacation. Well, a working vacation. Kuwol has noticed that an area of its dense forests is slowly dying, and when he gets there, it becomes clear it’s because the mana is being leeched out of the region by something. That something turns out to be not one but TWO Valkaans, and given that Veight had tremendous difficulties defeating one, and is now twenty years older, that’s not good. For once, Veight gets the absolute tar beaten out of him, but fortunately he’s about more than just “hit things very hard”, and has a plan to work things out. After that, as noted above, Airia is retiring, and has a replacement in mind, but the trouble is that the replacement also wants Veight as a vice-commander.

The series’ first and best joke is that Veight does all of these world-shaping impossibly heroic feats while insisting that he’s just a humble vice-commander, so it makes sense that by the end of the book the joke gets weaponized into the position having essentially become the watchword for “secretly the real leader of everything”. Actually, Veight, who has done his best to pass down his knowledge over the course of the series, has also passed down his bad habits, as both his daughter and her friends all see themselves as ordinary, struggling folks who cannot possibly live up to everything that’s come before them. Fortunately, they can all manage to give each other pep talks, which helps. I also want to take one last time to mention Airia, who has to be one of the more sensual love interests we’ve seen in a male dominated series. From the start, she was down for that werewolf [censored], and this has not changed. I’m honestly surprised she didn’t have more kids between Friede and Othilie.

Also, kudos to see what the immortal Parker is up to in the epilogue. He’s living his best life! I am happy to see this series has finally come to an end, but it was a good ending, and I’m glad I read it.

Too Many Losing Heroines!, Vol. 3

by

By Takibi Amamori and Imigimuru. Released in Japan as “Make Heroine ga Ōsugiru!” by Gagaga Bunko. Released in North America by Airship. Translated by Matthew Jackson. Adapted by Acro.

Finally, with its third volume, I think this series is winning me over. Oh, I will admit, Nukumizu can still be irritating as hell, but it’s by design, and everyone (including himself!) calls him out on this. I did worry when we saw the appearance of the first winning girlfriend, Karen, but she’s kept to a minimum, so I can merely try to forget she exists. (Their subplot was, I think, meant to reference Nisekoi, but Karen is exactly the sort of heroine who usually wouldn’t win a manga like that, so I’ve no idea.) Mostly, though, this volume works because a) Komari’s subplot is interesting, works very well with her character growth, and tugs at the heartstrings, and b) Anna is finally becoming the sort of annoying character I can enjoy, rather than merely one I tolerate. I am now prepared to like her. Honestly, she’s almost becoming the voice of reason in this series, because Nukumizu is too caught up in his usual stuff.

Nukumizu thankfully tells us that this series can’t afford both a sports festival AND a culture festival, and besides, Lemon got focus last book, so no wants a track meet. So it’s just Culture Festival time, with the Literature Club being half-heartedly threatened by the Student Council, only one of whom really seems to have it in for them. More to the point, Tamaki and Tsukinoki are retiring from the club, and have chosen Komari to be the new president, with Nukumizu as a very reluctant vice. This is a good aesthetic choice, but will require her to – shock, horror! – speak in a group and deliver the literature club’s minutes at a meeting, something this introvert is seemingly incapable of. Given she’s already running herself ragged trying to do everything for the festival, can Nukumizu figure out what’s wrong *and* communicate properly with Komari about it? Spoiler: he manages neither of these.

There’s a bit near the end of this volume where Nukumizu is trying to figure out where he went wrong, and he realizes that while he and Komari are both introverts who say they want to be left alone, he really does, whereas she’s actually lonely and genuinely wants to be around other people. Leaving aside his stunning misreading of his own personality, Komari’s arc here reminded me that a lot of times in light novels and manga that feature the shy, introverted character, the goal is always to drag them out of their shells and make it so they can open up to everyone and communicate better. There’s a “we can fix you” aspect to them. And since Nukumizu thinks in light novel cliches, he assumes that’s what this is. But of course he forgets what Komari was dealing with when he met her – being in love with the president who helped her find a place in the club. She’s had that pillar taken away, and wants Nukumizu to understand that she would like him to be her new pillar. Sadly, as with Anna and Lemon, that would require Nukumizu to have more self-awareness than a bug.

Since I ended up enjoying this a lot more than the first two, I will forgive yet another oddly bordering on creepy younger sister who adores her big brother, mostly as it rests on the correct side of “incest is weird, don’t”. Anyway, we’ve run through our core heroine team, so who’s the next loser? Judging by the cover, it’ll be Shikiya, assuming she can wake up for it. For fans of this sort of series, “deconstruction” or no.