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CITY, Vol. 1

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CITY, Keiichi Arawi’s latest series, charts the misadventures of Midori, a feckless undergrad who’s behind on the rent, in debt to her roommate, and surrounded by “not-quite-ordinary people.” In a last-ditch effort to stay in her apartment, she hatches several get-rich schemes — betting on horses, entering a photography contest — all of which backfire in spectacular fashion. That premise sounded ripe with comic potential, so I decided to pick up a copy of volume one.

I’ll be honest: I had a hard time reviewing CITY, a manga that seems to be tickling everyone else’s funny bone but mine. Though I could appreciate the skill and imagination behind Keiichi Arawi’s work, I found CITY too frantic to be amusing, thought-provoking, or interesting. My frustration boiled down to two basic observations about Arawi’s methods — first, his unwavering belief that repeating gags is a surefire strategy for laughs, and second, his unwavering belief that certain types of jokes subvert convention when, in fact, they’re just as cliche as the conventions they’re spoofing. Nowhere are those two tendencies more pronounced than in his depiction of Midori’s landlady, a feisty old broad who goes to violent lengths to collect the rent. A karate-chopping grandma sounds hilarious in the abstract, but you’ve seen this gag done better elsewhere, most spectacularly in Kung Fu Hustle, where the regal and ridiculous Yuen Qi steals the show from under Stephen Chow’s nose  — something that can’t be said of Midori’s landlady, whose shouting and punching barely distinguishes her from her equally batshit neighbors.

It’s only in the quieter interludes, when the focus shifts from Midori to her neighbors that Arawi’s flair for the absurd manifests itself. In “Officer,” for example, a neighborhood patrolman finds himself under citizen’s arrest for a theft he was asked to investigate. The officer’s placid expression and deadpan delivery contrast sharply with the physical and emotional indignities of his job, his beatific expression unbroken by the ordeal of being hog-tied by an overzealous mob. Another modestly amusing interlude — “Wako Izumi” — focuses on a control freak who’s distraught by the loss of a restaurant point card. Like the officer, Wako proves an unreliable narrator, her impulsive, weird behavior contradicting the Sgt. Friday-esque tone of her internal monologue. These moments of surrealism aren’t funny, exactly, but they at least feel original, something that can’t be said of the tired slapstick jokes and strenuously unpleasant main characters.

Verdict: Your mileage will vary. See my colleague Sean Gaffney’s review for a different perspective on CITY.

CITY, Vol. 1
Art & Story by Keiichi Arawa
Translated by Jenny McKeon
Vertical, Inc., 166 pp.
No rating

Bookshelf Briefs 4/2/18

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ACCA 13-Territory Inspection Department, Vol. 2 | By Natsume Ono | Yen Press – I’m not entirely certain how seriously I should be taken the plotting against the crown here, or indeed the crown’s own attempts to overthrow ACCA. It does seem like Jean has no shortage of people who hate him and want to see a) his department obliterated and b) him arrested for treason. The trouble, of course, being he’s not actually plotting any sort of coup. In fact, he seems to be doing his job more because he has the hots for his superior officer more than anything else, although that’s as much of a lost cause as his own junior who has a crush on him. ACCA is a great series to read, but I don’t think I quite feel the sense of ominous danger I’m meant to. It needs a corpse or two. – Sean Gaffney

Battle Angel Alita: Deluxe Edition, Vol. 2 | By Yukito Kishiro | Kodansha Comics – Having previously read only a portion of the sequel/alternate ending Last Order (parts of which I greatly enjoyed although as a whole the series didn’t overly impress me), I never quite understood the immense popularity of Battle Angel Alita. But now, thanks to the deluxe, hardcover edition from Kodansha Comics, the original manga is back in print in English and I finally get it. The series is terrific, with an appealing lead, intense action sequences, and a striking and visually imaginative cyberpunk setting. The story of the second omnibus (most closely equivalent to the third and fourth volumes), turns to the dangerous and deadly sport of Motorball. After a tragic end to her first romance, Alita leaves behind her life as a bounty hunter to become a rising star of the game. Her search for identity continues as she strives to find purpose and meaning in who she is. – Ash Brown

A Centaur’s Life, Vol. 14 | By Kei Murayama | Seven Seas – I’ve said this before, but the longer this series goes on, and the less the main cast appear in it, the more I suspect that the anti-war story with the frogs that he has going on is the story he really wanted to tell, only he had to write about 7-8 volumes of fanservicey monster girl antics in order to get the series so popular he could get away with it. This is not to say we don’t still see Hime and company, or that there’s not fanservice—just look at the first chapter. But there’s more and more of the warfare in this book, and as it goes on it’s becoming clear that the participants being centaurs or frogs or angels is irrelevant to war being hell for all concerned. Easily the strangest monster girl series coming out these days. – Sean Gaffney

The Demon Prince of Momochi House, Vol. 11 | By Aya Shouoto | VIZ Media – Anyone expecting any sort of evolution of Aoi and Himari’s relationship in the wake of his confession at the end of volume nine will be disappointed, since here we are in volume eleven and the gang is primarily focused on getting control of a spreading darkness at the back of Momochi House. Himari is learning more about what happened to the previous Nue(s) and what fate might await Aoi, too, but for the most part this volume just has a lot of battles between Aoi and his immediate predecessor, whose body has been resurrected by his one of his shikigami. I appreciated the BL vibes I got from them during their final panel, but otherwise this volume was a trifle meh. – Michelle Smith

Flying Witch, Vol. 5 | By Chihiro Ishizuka | Vertical Comics – There actually is some plot development here, as Makoto is starting to get jobs, though the job amounts to ‘babysitting.’ More importantly, Chinatsu has been watching witches and magic for some time, and apparently her body is allowing her to use mana now, meaning… she can become a witch! For the moment that just amounts to squirting people with water, but I’m sure that the series is going to have a lot more to do with this going forward. Other than that, and the affirmation that there really is not going to be any romance in this series, even one-sided, thankyouverymuch, and that it is content to have chapters like “try to cure hiccups.” For fans of Yotsuba&! and similar series. – Sean Gaffney

Golden Kamuy, Vol. 4 | By Satoru Noda | Viz Media – There is… a bit less gore this time around, though that’s mostly relative. In fact, at times the genre of Golden Kamuy seems to be switching with every volume, as this time it’s turning into a political thriller, as there’s a lot more focus about what to do with the gold once it’s found, as well as showing off that the comedy relief character, while still funny, may be a bit less goofy than we expected. But rest assured there’s also lots of what brought people to Golden Kamuy in the first place—cooking wild anmals, lots of discussion of poop, and the occasional bloody death and cool action shot. Also, please do not let your heroine get kidnapped by eagles. She is far too valuable. Thank you. – Sean Gaffney

Kiss & White Lily for My Dearest Girl, Vol. 5 | By Canno | Yen Press – Another volume, another relationship, this one featuring the classic forgotten childhood friend. Sawa and Itsuki are entertaining on their own, but there’s no real drama as to whether or not they’ll get together The best part is that Sawa takes a while to struggle with “oh, yeah, I guess I do like her this way,” rather than having an immediate epiphany like some other couples we’ve seen. We also get more attention devoted to the main couple, as we see Ayaka dealing with her Education Mama and her frustration at not being able to be number one… even if she’s not sure that should be her goal anymore. This is not the best yuri manga out there, but it’s pretty solid overall. – Sean Gaffney

Twinkle Stars, Vol. 5 | By Natsuki Takaya | Yen Press –Twinkle Stars, Vol. 5 | By Natsuki Takaya | Yen Press – And so, Twinkle Stars comes to a sometimes painful, sometimes lovely close. Just when Chihiro has finally accepted his feelings for Sakuya, he gets a surprise phone call from Sakura, who has actually been awake for some time. He’s afraid that she’ll try to kill herself again unless he shows her what he learned from Sakuya—that kindness and warmth are not an illusion—and so he chooses to leave for Tokyo to be by her side. Not before Sakuya realizes that he’s in love with her, though—in a majorly tear-inducing scene!—and not without telling Sakura that he can’t consider her his girlfriend anymore because he’s fallen in love with someone else. There’s a lot of self-sacrificing going around, including Sakura eventually realizing that she alone can make Chihiro happy… by setting him free. This was such a great series and I look forward to rereading it in the future. – Michelle Smith

Wake Up, Sleeping Beauty, Vol. 3 | By Megumi Morino | Kodansha Comics – Well, that cliffhanger from the last volume went nowhere fast. Instead, we deal with Tetsu’s love of soccer, and the fact that various circumstances led him to leave the team despite that love. This has not sat well with some friends of his, and Shizu and her ghosts end up being dragged into things in order to get him to reconcile with the team. This is pretty heartwarming, and also shows us that Shizu is getting better at being herself when she’s outside, even if the ghosts still occupy her body much of the time. We’re now halfway through the series, and I suspect things may get a little more serious towards the end, so it’s nice to see something like this that is serious yet easily solvable. Also, Shizu’s cute. – Sean Gaffney

Pick of the Week: Manga Strikes!

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MICHELLE: I’m looking forward to so much this week! Ace of the Diamond, Chihayafuru, Promised Neverland, My Hero Academia, to name but a few. However, seinen romantic comedy from Mitsurou Kubo wins in my book. It’s gotta be Moteki. Plus, you get the first half of the series in one package. Nice!

SEAN: There is, frankly, an embarrassment of riches this week. including every single Shojo Beat title, as well as The Promised Neverland, which will be brilliant and make me suffer. But yes, I’m going with Moteki, a title we would never have seen here if not for Yuri on Ice taking off the way it did. I’m not complaining.

KATE: Moteki and The Promised Neverland are my must-read manga of the week. If I had to choose just one title, though, it would be the third volume of The Promised Neverland, since previous installment ended with a game-changing revelation.

ASH: I’m actively following so many of the series coming out this week! But when it comes to the pick of the week, debuts tend to get most of my attention, and so Moteki it is for me! (Although I’m also rather curious about Kenka Bancho Otome… )

ANNA: There’s a ton of great stuff coming out this week! It makes it so hard to pick! Like many others I have to give Moteki the edge though.

The Saga of Tanya the Evil: Plus Ultra

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By Carlo Zen and Shinobu Shinotsuki. Released in Japan by Enterbrain. Released in North America by Yen On. Translated by Emily Balistrieri.

So in the afterword to the second volume of Tanya the Evil, the author talks about how much his editors and readers want to see more of the guys in the cast rather than Tanya herself, and how he is adamant about keeping Tanya front and center. And I get that, he’s correct as far as it goes. But I also understand the feelings of the others, because too much Tanya, particularly when we’re smiling and nodding along with her point of view, is not only overpowering but actively harmful to a degree. The Saga of Tanya the Evil works best when it shows us the disconnect between what Tanya is thinking and what the rest of the cast thinks she is thinking, and there are several very amusing moments here where we see that. But it’s not nearly as many as the first book, and pure, unfiltered Tanya, which we get here for long stretches at a time, risks the reader coming over to her point of view. Which is not, I suspect, what the author is going for.

The title is, as are all the titles in this series, Latin, and means “further beyond”. It’s also the national motto of Spain, one of the few countries in Europe that doesn’t have an equivalent here. The “plot” of the second volume reads almost like a book of short stories, and those who expect to see more of Tanya vs. Being X beyond her constant grousing are going to be disappointed. Instead, Tanya and her unit perform like the A-Team, dropping into war zones and magically coming out successful even when they’re unaware of it. We hit the Tanya equivalents of Romania, Norway, and France here, and also take a little bit of time to perform a few wartime atrocities. There are occasional flashforwards to reporters discussing these events as history, and it’s made pretty clear that history is not going to be happy with Tanya’s actions. It’s also made pretty clear the Empire is not going to be on the winning side when the war eventually ends. Now that we’re getting England… sorry, The Commonwealth into it, who knows where the books will take us next?

But again, as I said, there’s a whole lot of Tanya point of view in this book’s 7,963 pages. (That’s a slight exaggeration, but is is punishingly long. Readers may feel better knowing that, although all Tanya volumes are long, none in the future are QUITE as long as this one.) There are a few exceptions – we’re introduced to a new recruit whose job is to boggle in horror at war and Tanya (possibly not in that order), and we also meet a man who looks like he’s being set up as a major antagonist, Anson Sue (whose daughter, god help us, is named Mary Sue)… except he’s promptly killed off without Tanya even knowing who he is, so the whole thing ends up being anticlimactic. We occasionally see some of the Empire higher-ups, or a brief POV of the other side. Even Visha gets very little to do in this book besides be Tanya’s adjutant. The readers want more of the other characters because it provides some balance and different coloring. All Tanya is like eating potatoes every day.

I’m still not ready to drop this series, which is odd given “this is too dark” is the main reason I tend to drop light novels these days. I think Tanya’s odd historical and military tone works in its favor – the book may be filled with ludicrous amounts of discussion of ammo, shells, and the rules of war, but its dry tone sets it at a remove from the actions it describes. And I can’t deny that I find Tanya fascinating, and I’m still not sure how much the author wants us to like her. If you enjoyed the anime (which I admittedly haven’t seen), I can only imagine this is a must buy, as there’s lots of stuff that must have been cut to ribbons in adaptation. As for me, I will read on, but I can’t deny that at the end of the day one word comes to mind reading The Saga of Tanya the Evil: Exhausting.

Laid-Back Camp, Vol. 1

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By Afro. Released in Japan as “Yurukyan △” by Houbunsha, serialization ongoing in the magazine Manga Time Kirara Forward. Released in North America by Yen Press. Translated by Amber Tamosaitis.

Reading this and trying to review it right after New Game! is going to be a challenge. Even though the two series are not all that similar in premise or characterization, they both share that sort of “let’s watch girls do things in a relaxed way” vibe that so many other Kirara titles have. New Game! was about office work and video games, and Laid-Back Camp is about camping. We see a group of four girls with a shared interest, and watch them talk about that interest. The interesting thing is that for most of the cast, talking is what they’re content to do. Another interesting thing is that the cast are for the most part kept separate for most of the book – Rin is a hardcore camper, but camps when and where she does to avoid people. Unfortunately for her, she’s now met Nadeshiko, and so there will be cute interactions in the future. But I was pretty impressed at how long Rin held out.

Give how one of my first exposures to this sort of title was K-On, it’s difficult not to map out Laid-Back Camp’s cast onto the high school band series – only Ritsu is missing here. Rin is one of our heroines, serious about camping and quite good at it. She accidentally runs into Nadeshiko, who is ditzy and flakey but impossible to dislike, and finds that she loves camping as well. Though Rin does not realize it (as Nadeshiko acts years younger than her actual age), they attend the same school, and said school has an Outdoor Exploration Club. With two members. And its room is a supply closet that’s been repurposed. Yes, it’s another club on the verge of failure. Aoi and Chiaki are the members of this club, but to be honest we don’t really get to know them too deeply in this book, which is concerned with Nadeshiko slowly dragging Rin into their inner circle through the power of being a shiny ball of cute.

As you might imagine, the manga is as laid back as its title suggests. There are many shots of the cast (well, mostly Rin) sitting back and looking at lovely scenery. As an advertisement for camping, it’s not bad. There’s also discussion of tents and sleeping bags, and sometimes this feels more like an educational guidebook. I was also very fond of the relationship between Rin and her friend Saitou, which felt very realistic and also very amusing – I loved their text argument. This also allows the series to have a cast member who’s not into camping, which is nice. With all that, the drawback is that the whole volume feels like it’s setting things in place, and two of the four cast members don’t get much to do. This isn’t a series that you’ll be able to tell if it’s a keeper or not with the first volume. That said, I enjoyed myself enough that I’ll pick up Vol. 2. If you want girls relaxing at campsites, Laid-Back Camp lives up to its name.

Durarara!!, Vol. 9

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By Ryohgo Narita and Suzuhito Yasuda. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Stephen Paul.

I may have mentioned in previous books that I don’t like Orihara Izaya, who is as close as DRRR!! gets to a main antagonist. At this point, I should be writing “Admittedly, he’s not meant to be likeable”, but this is the 9th DRRR!! novel, the first anime had already aired, and Narita is well aware that his fanbase consists of a whooooooooole lot of Shizaya fans. As such, this book is an attempt to give Izaya the closest thing he can get to a sympathetic backstory, as well as flesh out his relationship with Shinra. It’s more successful in the second than the first, in my opinion. Izaya at one point thinks of himself as Shinra as complete opposites, and I can see why. Izaya proclaims he loves all humanity (except Shizuo), but this all-encompassing love does not extend itself to individual humans per se. As for Shinra, he only loves one non-human, and has no use for anyone else. If you like deeply broken twisted viewpoints, Narita is here for you.

The cover features a heaping help of Oriharas, as we also see Izaya’s twin sisters, who provide fanservice for the cover (well, Kururi does), and also have the largest role they’ve had in the books since their debut. We get their origin, so to speak, which (unsurprisingly) turns out to be related to Izaya making a cruel and nasty comment. That said, I was far more amused seeing the two of them flirt with Aoba. Aoba’s function in the story so far has been to sort of be an Izaya-lite, leading Mikado into a path towards darkness. But, as he finds, he’s rather crap at being Izaya (who he dislikes anyway), and Mikado is able to walk the dark path without any help from him. As such, it’s much more fun seeing him as an average high school freshman dealing with two girls coming on far too strong for him. He’s living every teenage boy’s dream, but somehow is more unnerved than anything else.

Mikado is actually absent from this book for the most part, though the ending suggests that this will change for Book 10. The main plot is Izaya supposedly getting kidnapped and worked over by an underground gambling ring led by a sadistic woman named Earthworm. If you read that sentence and thought “yeah right, like Izaya would be kidnapped and worked over”, you’re wrong and yet correct, in that he proves to be in total control the entire time. His hot pot partygoers have also turned into his own personal goon squad, either beating people with martial arts, breaking their digits with hammers, or just using Saika to take possession of them – no, not Anri, but another Saika user we’ve seen before. Add in a group fronting illegal drugs, and you’ve got the usual recipe for DRRR!! chaos.

That said, for all that Izaya fans will love this, this volume felt like one of those that is marking time. This is not at all uncommon with DRRR!!, and frustrated anime fans as well, as it can sometimes take a while for all the plot hammers to fire. Still, I’m sure we’re introduced to some nice payoffs down the road here. As for me? It was a good book, but needed less Izaya being Izaya.

Manga the Week of 4/4/18

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SEAN: April showers bring manga. Lots and lots of manga.

But first, some light novels, as J-Novel Club has four new titles out next week. We see the 8th Grimgar of Fantasy and Ash, the 11th Invaders of the Rokujouma!?, and a 5th If It’s for My Daughter, I’d Even Defeat a Demon Lord.

And if that last title wasn’t long enough for you, we see the debut of Me, a Genius? I Was Reborn into Another World and I Think They’ve Got the Wrong Idea!. As you might guess, we’re dealing with someone reincarnated with his old memories. That said, for once this isn’t a fantasy RPG world.

Kodansha has a lot of stuff. Digitally we see new Ace of the Diamond (10), Chihayafuru (10), Pumpkin Scissors (20), and Yozakura Quartet (21). Those last two have finally caught up with Japan, so I will remove them from the “Del Rey rescue” category and make them full-fledged.

MICHELLE: Predictably, I am happy about those first two!

ANNA: Maybe I’ll start getting caught up on Chihayafuru over the weekend!

SEAN: In print, we see a 13th Attack on Titan: Before the Fall (man, the Fall sure does take forever, doesn’t it?), the 3rd Battle Angel Alita: Deluxe Edition, a 9th Fire Force, and an 8th Princess Jellyfish omnibus.

ASH: I only recently started reading the original Battle Angel Alita series (previously, I’d only read some of Last Order) and I finally understand what the big deal is. Also, hooray Princess Jellyfish!

MICHELLE: It’s hard to believe Princess Jellyfish will be wrapping up soon.

ANNA: Also need to get caught up on this, still delighted it is coming out.

SEAN: Seven Seas has a number of their ongoing titles out next week. A Centaur’s Life 14 will continue to be about politics, racism, and the nature of warfare when it’s not about monster girl toddlers getting into trouble. There’s also Absolute Duo 3, Dreamin’ Sun 6, Not Lives 8, and The Testament of Sister New Devil STORM! 3.

For yuri fans, you may recall when Seven Seas, in the pre-light novel boom, put out the Strawberry Panic novels, which promptly sank like a stone. Fortunately, we now get the chance to read them digitally, and the first is out next week. Check them out, they’re hilarious… I mean, totally serious about their yuri.

ASH: I rather enjoyed the Strawberry Panic light novels! They’re utterly ridiculous and marvelously melodramatic, but highly entertaining.

SEAN: Vertical debuts another title from the creator of Yuri on Ice. Moteki is a seinen series about a man who had no luck with romance, but then all of a sudden he has girls coming out of the woodwork. I actually have copies of this in Japanese, as it intrigued me when it came out back in 2008. It ran in Kodansha’s Evening magazine, is going to be in two large omnibuses, and is better than it sounds.

ASH: I’ll definitely be picking this one up.

MICHELLE: Woot!

ANNA: Me too!

SEAN: So much Viz. SO MUCH VIZ. Including the final volume of Assassination Classroom, the 21st. Remember when this series was never, ever going to be licensed over here due to the concept? I’m so happy it was.

Also in Shonen titles, we see 7th Garden 8, Food Wars! 23, Haikyu!! 22, Kuroko’s Basketball 2-in-1 11, My Hero Academia 12, Naruto’s 22nd 3-in-1, Platinum End 5, The Promised Neverland 3, a 6th Rurouni Kenshin 3-in-1, and Seraph of the End 14. That’s a lot of really good shonen titles.

ASH: It’s true!

MICHELLE: It very much is! I have been working on getting caught up on My Hero Academia, too, and now totally see what the fuss was all about.

MJ: I’m really behind on Platinum End and need to catch up to see if I still like it. Signed, nervous Obata fan.

SEAN: But we’re not forgetting shoujo. The debut is Kenka Bancho Otome: Love’s Battle Royale, a Hana to Yume series based on an idea, oddly enough, by the creator of Dangan Ronpa. Given its source magazine, I’m expecting a lot less killing. Also, I’m a sucker for anything with Bancho in the title.

ASH: I do love a good series about delinquents and girl gang leaders.

MICHELLE: This looks pretty fun!

ANNA: Yes!

MJ: I could get into this.

SEAN: Also in shoujo we get the 2nd Takane & Hana, a 5th Water Dragon’s Bride, and the 11th Yona of the Dawn. Any one of those could be a pick of the week.

ASH: This is also true!

MICHELLE: Verily! This is a seriously good week!

ANNA: So amazing!

SEAN: So what are you picking?

Perfect World, Vol. 1

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By Rie Aruga. Released in Japan by Kodansha, serialization ongoing in the magazine Kiss. Released in North America digitally by Kodansha Comics. Translated by Rachel Murakawa.

We’ve been getting a giant pile of digital-only titles for the last several months, and it can be very difficult to keep up. But the benefit is that we’re getting titles that would not normally get the time of day over here. A good example is this manga which runs in Kodansha’s josei magazine Kiss, involving a young woman who runs into her old high school crush, who’s now in a wheelchair after an accident. Five years ago this is probably the sort of title that I would be tweeting about and saying “see, this sort of thing is what they should be putting out!”. And now they are. And for the most part it’s a good decision, as this is an excellent, thoughtful and romantic manga. The female lead is perhaps a bit too idealized, but when you’re writing a josei romance for young woman about the same age as the heroine, you’re going to accept that.

Kawana is an aspiring interior decorator. One day at a business lunch she runs into Ayukawa, who is an architect from the firm they’re doing business with. He was her old high school crush, and a fantastic basketball player. Much to her surprise, he’s now in a wheelchair. As they begin to work together on projects and reconnect, she starts to realize the problems that need to be overcome for Ayukawa in day-to-day life, as well as the casual denial of ease of access that a lot of other folks who use wheelchairs have. The other problem is that she’s falling for him all over again, and while he’s nice and pleasant enough he’s putting up quite a wall preventing things from going any further, telling her one or two things about his life now (such as incontinence) that might make her pull back. I’m not even sure he does this consciously. But, of course, she is made of sterner stuff.

As I noted above, Kawana is a sweet and likeable heroine, but I sometimes found her going a bit above and beyond – after seeing Ayukawa and his ex-girlfriend have a bittersweet discussion about her upcoming wedding to someone else, she immediately whisks him off to the wedding anyway, because he needs closure. I don’t doubt he does, but this felt a bit rude. For the most part, though, the manga does an excellent job of balancing out the cute romance between the two leads and showing the daily life of a paraplegic, with all the difficulty that this entails, including a higher risk of kidney issues, and bedsores that you don’t notice until they get infected. We also see them interacting with a teenager, who was also a basketball player who now has to be in a wheelchair (and who also has a nice, patient girlfriend) so that Ayukawa can show off a wheelchair basketball league and tell the teen (and the reader) that there is still fun to be had.

The book had a larger number of endnotes to it, with more explanation of things that “manga fans” would already know. I suspect Kodansha knows this might sell well to an outside audience who doesn’t normally read manga. I agree. It’s not perfect, but I am absolutely ready to read more about this world.

Skip Beat, Vol. 40 by Yoshiki Nakamura

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Skip Beat Volume 40 by Yoshiki Nakamura

The cover of this volume made me happy, because it has been a little while since Kyoko and Moko were hanging out together! As a consequence this volume is decidedly light on Ren, but as always there are trade-offs and compromises in both life and manga. Skip Beat is such a long-running series that is so well-done that even when plot elements are used over and over again I find myself looking forward to what new spin Nakamura will put on the situation. When I realized that there would be a big audition coming up, I was curious to see how Kyoko would handle it with all the progress she’s been making to become more sure of herself and her acting.

Kyoko and Moko are up for a part in a ninja-related series, so there’s an impressive training montage where they have to visit a master of stage fighting and learn all the technique they need to be believable on the screen. The drama about the audition is amped up even more when Kyoko learns that she’s competing for the part against one of Ren’s former co-stars. An additional element of mystery is layered on with the return of Koenji, who has a psychosomatic illness after being in a bad accident. Kyoko heads into auditions with Ren’s manager on her side as well. Nakamura does a great job setting up a variety of story elements with a new beginning, making Skip Beat! still feel fresh 40 volumes in.

I Saved Too Many Girls and Caused the Apocalypse, Vol. 7

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By Namekojirushi and Nao Watanuki. Released in Japan as “Ore ga Heroine o Tasukesugite Sekai ga Little Mokushiroku!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Adam Lensenmayer.

I was somewhat taken by surprise by the ending to this volume, as I kept reading and thinking “shouldn’t things be wrapping up soon?” It wasn’t until I got right near the end that I realized this would be Little Apocalypse’s first two-parter, something that should have been mnre obvious given this book features four heroines but only two of them are on the cover. It might be frustrating to wait till the 8th book too, as this volume actually ended up being one of the strongest in the series to date. The author has realized there’s only so far he can go with parody, and has moved on to deconstruction, which is a far richer vein. He’s also gotten better at juggling the heroines – sure, some are still missing or deliberately left out, but the balance we get here shows he’s thinking “who needs more attention?”, so Harissa gets a larger role here, as does Tsumiki. The series is beginning to mature… as much as a series like this can.

As I said, we stack up four different heroines in this book, and they are of a wide variety: an idol singer who’s getting tired of the grind; a psychic (which is a much broader term in Japan than it is here) on the run from a yakuza-like psychic gang; a (seeming) former hero sealed in the depths of an alien dungeon; and a sylpheed (wind fairy) dealing with a zombie infestation. It’s a tall order even for someone like Rekka. Fortunately, his current harem is not at war with each other (that’s supposedly in the future), and he is thus able to use them as sort of a mobile army. Thus, he and a team of girls go off to try to solve one issue, and Hibiki and another group try to work on the psychic problem. I really liked this, and enjoy that (for the most part) there’s not really much rivalry between the girls when serious events are happening. We also get lampshaded how weird everyone is when Rekka explains who he is to the idol and is surprised she DOESN’T know about magic.

The other highlight of the book is a bit of a spoiler, but I want to discuss it anyway: what happens when Rekka fails? And how do we define failure? The sylpheed rejects Rekka because her sister (who we saw in the prologue) is already dead – she died before Rekka even arrived in her world. As R points out, that doesn’t mean that the story is over, and Rekka is working on another aspect of it by trying to fix the zombie thing. But Rekka fixing the stories usually ends with everyone happy (and happily in love with Rekka), and that doesn’t seem like it’s going to work out this time around. Now yes, I am very familiar with the genre, and would not be too surprised if a magical sister-saving solution popped up in Book 8. But it’s still a good question to ask: what if Rekka fails? Can he deal with the aftermath of NOT saving someone’s story?

The book ends with everyone in trouble, and we’ve got to wait a bit till the next one. But Little Apocalypse in general has been qa quick, light, fluffy read. It’s nice to see it gain a bit of added depth.