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Pick of the Week: Dance to the Beat

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SEAN: If I’m being honest, I’m most excited this week about 10 Dance and Skip Beat!. But I’ll throw my pick behind Everyone’s Getting Married, a final volume, because I love Viz’s “Josei Beat” titles and wish they could get more of them.

MICHELLE: I’m also most excited for 10 Dance and Skip Beat!! As much as I love the latter, however, I’ve been extolling its virtues on a biannual basis for quite a while now, so I’ll award 10 Dance official pick status this time.

ANNA: I love Skip Beat! so much, but I’m also going to pick Everyone’s Getting Married. I hope the ending of this series means we get another “Josei Beat” license announcement soon.

ASH: Like most everyone else so far, 10 Dance is definitely one of the manga that I’m looking forward to the most this week. The other series actually hasn’t been mentioned yet—Mob Psycho 100. The first volume’s mix of quirky humor and heart makes the series my official pick.

Re: ZERO ~Starting Life in Another World~, Vol. 9

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by Media Factory. Released in North America by Yen On. Translated by Jeremiah Borque.

This review is, by necessity, going to be divided into two parts. The first part, above the cover art, covers the first three quarters of the book, which goes up to the end of the anime. The second part, after the cover art, spoils the last quarter of the book, which the anime did NOT adapt. If you want to be surprised, stop reading early.

This was a very solid ending to Re: ZERO’s third arc, which ended up being six books long. Subaru comes up with a different plan after the last one went a bit pear-shaped: take out the Fingers and do the evacuations first, THEN go after Petelgeuse. It also relies on Subaru putting his trust fully in Julius, who he still dislikes on principle, but you can tell that it’s the dislike that “rivals” have for each other, and I would be very unsurprised to hear there’s slash of them on AO3. The fights are strong, Subaru actually gets to be cool and intelligent for once, and he even gets to have a dramatic confession. Plus, Emilia lap pillow! You can absolutely see why the anime wrapped it up here – it’s a great, heartwarming ending that resolves most of the plotlines of this arc.

And then we see why, when asked why Season 2 of re: ZERO has not been greenlit, fans who follow the webnovel tried to avert their eyes and hem and haw. So yeah, not QUITE the happy ending we envisioned. Two more Witch Cult members attack Crusch, Rem, and the others heading back to the city, and the outcome is dreadful. Half the force is killed, Crusch loses an arm and also all her memories, and Rem’s body remains sleeping, but everyone else has forgotten HER – including Ram. This was foreshadowed a few times in the book earlier, where Ram looks puzzled at Subaru implying she has another sister, but it does lead to the beautifully dramatic (it gets a full page all to itself) “Who’s Rem?” from Emilia. Even worse, the author really drives in the knife by giving Rem fans a short story that shows off what would have happened if she and Subaru HAD run away together – they’re both happy, have two kids, joke about his libido – it’s the sweetest thing you can imagine. And also not what actually happened.

I was very impressed with the final chapter, which skipped Subaru finding out about all this and went to the aftermath, where he looks over Rem’s comatose body and tries to figure out what to do next. We hear about his despair – he kills himself to try to “return” to save Rem, but finds his savepoint is him looking at her body, so that’s out. Worse, after what’s happened to Crusch, Ferris is ready to break their alliance, and has to be talked down by Wilhelm and Crusch herself, who is a lot meeker and milder than the woman we love, but is just as determined. More importantly, Emilia has her groove back, and is ready to move forward with Subaru at her side. The next arc is implied to give her the character development that Rem got in earlier books.

The trouble is, of course, that we’re not sure how long the books will have Rem in a coma. Rumor has it there will be a long wait – the next arc is supposed to also be six books long. Good news for the EMT fans, but given how for 95% of all anime fans Rem is the only thing to care about in Re: ZERO, you can see why producers have been vacillating. That said, here it is, and it’s well written, and… sorry, Rem fans? Enjoy the Rem Natsuki story, if nothing else.

Shortcake Cake, vol. 3 and Ao Haru Ride, vol. 3

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Third volumes are when I feel longer running series start to settle in a bit. The reader knows all the main characters and the ongoing story lines have been established. In the case of most shoujo manga, it also means it is love triangle time!

Shortcake Cake Volume 3 by suu Morishita

Shortcake Cake 3 opens with a rainstorm, and the unsettling weather continues to mirror the turbulent emotions associated with teen romance throughout the volume. Ten continues to be fascinated with Chiaki, while Chiaki and Ten are pretending to date to throw off the odd obsessive impulses of Riku’s brother Sei. At the same time Chiaki is feeling guilty because he thinks that Ten should be with Riku, even though Ten already previously rejected him. This all sounds like teen-age soap opera insanity when I type out a summary, but Shortcake Cake delivers this all to the reader with a level tone, interspersed with the slice of life aspects of the characters being thrown together in the same boardinghouse and having to deal with issues like fending for themselves when their House Mom gets sick. Riku and Ten have a few moments together where it is clear that he’s not yet gotten over her, as he casually asks what she thinks of Chiaki. This encounter happens when they are crouched under a table cleaning up after a kitchen mishap, showcasing Morishita’s ability to make every day incidents seem oddly intimate.

Shortcake Cake 3

Rain shows up as a background image to the panels where Ran contemplates this moment, thinking “It was as if he was saying all over again that he likes me.” Chiaki keeps his feelings to himself, and keeps pushing Ten towards Riku. One of the reasons why I like Shortcake Cake so much, is that this point I’m genuinely unsure of who Ten might end up with, and she’s not portrayed as fickle or uncaring, just a girl who is uncertain of her feelings. This volume was much more somber in tone than the previous volumes of Shortcake Cake, but it explored new emotional territory for the characters. I’m continuing to be fascinated by the way they influence each other, and that makes for an intriguing series.

Ao Haru Ride Volume 3 by Io Sakisaka

In contrast with Shortcake Cake, I am firmly convinced that Futaba and Kou are going to end up together, but seeing how this unfolds with the pressures of teenage friendship and Kou’s newly acerbic personality is what makes Ao Haru Ride interesting. The volume opens with Futuba dealing with the fact that her new friend Yuri also has a crush on Kou. Futuba cycles through a variety of feelings, as she wants to be supportive to one of her first real friends, but she can’t escape her attachment to Kou. First, Futuba vows to like other boys, but this resolution does not last long. I’ve mentioned before that one of the things I enjoy about Ao Haru Ride is the characters’ tendency to get things out into the open fairly rapidly, so it doesn’t seem like there will be multi volume story lines revolving around people not talking to each other.

Ao Haru Ride 3

Futaba isn’t really able to deal with her feelings honestly, and attempts to come up with arbitrary tests like “if Kou follows me off the train, I’ll keep loving him.” Sakisaka’s excellent paneling makes a conversation near a subway platform look filled with dramatic emotion. Futuba and Kou keep getting thrown together, which doesn’t do much for Futuba’s impulse to bury her feelings to maintain her friendship with Yuri. One of the things I liked most about this volume was seeing Futuba, Yuri, and Murao bond over their romantic tribulations. Futuba is starting to piece together what type of person she wants to be and pondering how to be a good friend. This volume finishes on a bit of an emotional cliffhanger, so I’m curious to see what happens next.

Silver Spoon, Vol. 7

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By Hiromu Arakawa. Released in Japan as “Gin no Saji” by Shogakukan, serialization ongoing in the magazine Weekly Shonen Sunday. Released in North America by Yen Press. Translated by Amanda Haley.

The middle of this volume has some cute, funny, and heartwarming moments, and thank God. I’m not sure how intentional it was, but if you enjoy having misery as the bread for your sandwich, then Silver Spoon 7 is absolutely for you. Now, to be fair, we knew the start was going to happen. Hachiken’s in the hospital, so of course his parents come to see him. Everything we’ve seen about his dad says this is not going to go well, and it doesn’t. Even the bacon, the one thing that Hachiken thought he’d made inroads on, was just his mother trying to be considerate of his feelings. Now, don’t get me wrong, I know what his dad means. He feels that Hachiken is wasting his intellect here, and is especially frustrated given the nature of his other son. But man, he’s such a bitter pill to swallow that I can’t feel any sympathy for him at all. And, unfortunately, the visit causes Hachiken to have a brief hissy fit at his mom as well.

This is important because, probably because he’s still upset about that, he donates his change to charity when he buys new glasses, and as a result has to walk back to the school… meaning he misses everything. Fortunately, he is blessed with classmates who a) really care about him, and b) will not take his shit, because he was all set to be a miserable “I don’t deserve to have any fun” type. Luckily, Mikage is there to remind him that the festival was a huge success because of his planning. And they wrote a book of memories he can read and then sob over. It’s really sweet. As for his date with Mikage… well, they try to have it. But it’s more going to a shrine. And of course it ends up being most everyone else as well. You can tell the cast is rooting for these two dorks (every other woman in Mikage’s class shows up to ensure she doesn’t get blocked at the last minute), but they’re still nowhere near a confession. That said, at least he can make fun of her accent, which he does. Repeatedly.

And then there are the baseball games. To an extent, this was also foreshadowed as well. We’ve seen that Mikage is a LOT more invested in Komaba’s team winning and going to the Nationals than the rest of the school, and Hachiken’s attempts to find out about it have gone badly for him. We’re still not quite sure why, but we can hazard a guess, because after they lose in the finals, he never returns to school. I have a sneaking suspicion this will be another lesson in how farming is hard and not everyone can succeed, but it’s a blow as Komaba, despite being so stoic, has been one of the more prominent characters to date, and you feel horrible for him. I suspect most of the next book will go into the aftermath and explain why he left school.

You probably don’t need me to tell you how good this series is by now, but I will anyway. Really good. I want more immediately.

Welcome to Japan, Ms. Elf!, Vol. 1

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By Makishima Suzuki and Yappen. Released in Japan as “Nihon e Youkoso Elf-san” by Hobby Japan. Released in North America by J-Novel Club. Translated by Hiroya Watanabe.

When you have so many isekais coming out in Japan all the time, it’s inevitable that someone’s going to want to try the reverse. Take a stock fantasy character and have them experience the wonders of Japan. We’ve seen this in manga a few times, mostly for comedy (Plus-Sized Elf comes to mind), but, though there are funny moments, this new series doesn’t really have comedy in mind. Arguably you could say it’s romance – the two leads are clearly sweet on each other, but she’s too shy and he’s too dense, as always. I don’t expect a relationship upgrade anytime soon. No, the Japanese parts of this book seem to have two goals in mind: first, to show off the cuteness of its female lead and show her having adorable slice-of-life situations. And second, so show off how wonderful Japan is and how swell the people in it are. Honestly, at times when I was reading this I wondered if it was a government mandated product (J-Novel’s licensing hint didn’t help).

That said, there was far less Japan in this first volume than I expected. Our hero is Kazuhiro (“Kazuhito” in the fantasy world), a 25-year-old salaryman who’s always had the ability to travel to a fantasy world in his dreams. He’s been doing this for some time, and is now a Level 72 adventurer. He’s also good friends with Mariabelle (Marie), an elf mage who has assisted him in the past. One day they’re investigating a ruined city and accidentally get killed by a dragon that happens to live there. As always when he’s killed, Kazuhiro wakes up in his bed in Japan. But this time he was holding onto Marie when he died… and now she’s in Japan with him! Now she, like he, can go back and forth between both worlds when they sleep. What’s more, she gets to experience the food, clothing, books, and so much more that Japan has to offer.

So yes, the elf is in Japan, but there’s also a good half of the book that’s in the fantasy world, with all the usual accoutrements. There’s trying to defeat the dragon, dealing with evil bandits, etc. This just wasn’t as exciting, to be honest – it wasn’t bad, but it’s not really why I wanted to read the book. The Japan segments were much better, summed up, as I noted before, by the word “cute”. The author is good at showing the friendly, unconscious flirting between the two leads, and it’s fun without getting too frustrating – you are content to let them awkwardly fumble it out. The cast so far is small, with the only other possibly relevant members being the dragon who killed them (who turns out to be nicer than you’d expect) and a local librarian who knows Kazuhiro (and who is married, the book clearly states – there’s no love rivalries here yet).

This won’t win awards for depth, but it put a smile on my face. It’s nice to see a lead guy who works as a regular Japanese corporate officer worker, though his “fantasy” appearance is still middle school (as is his narrative obsession with breasts). It’s a relatively new series in Japan, so Vol. 2 may be a bit, but I’m looking forward to it.

Manga the Week of 3/6/19

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SEAN: March is here (though the East Coast has the wind already). What does manga have in store for us?

Dark Horse (assuming it does not schedule slide, like DH do ALL THE TIME) has the 3rd Gantz G and the 2nd Mob Psycho 100.

MICHELLE: The first volume of Mob Psycho 100 intrigued me enough to try a second volume, so I’ll be snagging that one.

ASH: Likewise! I’m looking forward to reading more of the series.

SEAN: J-Novel Club gives us Invaders of the Rokujouma!? 19 (yes, for real this time).

Kodansha, print-wise, has the 2nd 10 Dance, the 6th and final Golosseum, The Quintessential Quintuplets 2, and The Seven Deadly Sins 31.

MICHELLE: 10 Dance all the way.

ASH: Yes, absolutely.

SEAN: Digitally… it seems light. TOO light. Bet there’s an unannounced debut. Till then, there’s just Chihayafuru 15.

MICHELLE: I’ll never complain about more Chihayafuru!

SEAN: Speaking of digital, Seven Seas has another ‘early digital release’ light novel with Division Maneuver. The plot… erm… well, the illustrations… erm. Boy, that sure is a light novel for teenage boys, isn’t it?

They’ve also got I Don’t Like You At All, Big Brother! 11-12 (mercifully, a final volume), Little Devils 2, and Magical Girl Site 8, making this the most cliched old-school Seven Seas week we’ve seen in some time. I suppose Little Devils is cute.

Tokyopop has a 2nd volume of Yuri Bear Storm.

Vertical gives us Mobile Suit Gundam Wing 11, which is nearing its conclusion but not there yet.

And boy oh boy, what a lot of Viz. No debuts, but we do see the final Bleach omnibus (a 2-in-1), which gives me the chance to go WOO ICHIHIME WINS! one last time, and the 9th and final Everyone’s Getting Married.

ANNA: I enjoyed Everyone’s Getting Married. I hope we get more josei from Viz.

ASH: I would love to see more josei!

SEAN: Shonen! Boruto 5, Demon Slayer: Kimetsu no Taiba 5, Dr. STONE 4, Haikyu!! 31, Hunter x Hunter 35 (it exists!), Kaguya-sama: Love Is War 7 (technically seinen), One Piece 3-in-1 27, Seraph of the End 16, and Yu-Gi-Oh! Arc V 5 (technically Yu-Gi-Oh, which is its own genre).

ASH: I’ve fallen a little behind with Haikyu!! but am hoping to catch up soon.

Shoujo! Anonymous Noise 13, Behind the Scenes 6, Kakuriya: Bed & Breakfast for Spirits 2, and Skip Beat! 42. I am so ready for more Skip Beat!.

MICHELLE: ME TOO.

ANNA: ME THREE!

SEAN: Lastly, a Yen Press straggler with the 2nd volume of Final Fantasy: Lost Stranger.

That SEEMS like a light week, but that’s just because Kodansha took it off digitally and Viz is all bunched together. What’re you getting?

A Certain Scientific Railgun: Astral Buddy, Vol. 1

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By Kazuma Kamachi and Yasuhito Nogi. Released in Japan as “Toaru Kagaku no Railgun: Astral Buddy” by ASCII Media Works, serialization ongoing in the magazine Dengeki Daioh. Released in North America by Seven Seas. Translated by Nan Rymer. Adapted by Maggie Danger.

Let’s face it, spinoffs from A Certain Magical Index are obvious. Leaving aside the fact that both Mikoto and Accelerator, owners of the two other manga spinoffs, are far more popular than either Touma OR Index, the series is simply littered with people you want to have their own series. Even if you put that aside and regard this as purely in the “Railgunverse”, which it is, there’s still an awful lot that you could focus on besides the adventures of the main four girls in the cast. The most obvious, of course, being Misaki, but she’s already gotten a sizeable role in the Railgun franchise already. So who do you turn to? Who’s the next breakout star? If you answered “that princess curl girl with no name that Misaki mentally abuses”, then you’ve cheated and read ahead. Let’s face it, no one expected this girl to lead a series.

See, even the cover artist agrees with me. Front and center are Kuroko and Misaki, posing as if they know why readers are REALLY buying this book. Way in the background is princess curl girl, who finally gets a name, Junko, and the “astral buddy” (awful pun there, btw) who is haunting/stalking her and drives the main plot. Someone is theoretically assaulting people around Misaki… only it turns out they’re assaulting people around Junko, who is a bright and shiny pile of naivete (as we’ve seen in the main Railgun series when she’s made brief appearances). Once that plot point is resolved, and Junko is assured that girls can in fact like other girls (a constant thread in this volume, no surprise given Kuroko’s all over it), we move on to Junko’s new ghost friend, who may or may not be a ghost. And Misaki’s still around, of course, but for once she’s the damsel in distress.

This takes place right around the Indian Poker arc in Railgun, for timeline fanatics. Mikoto is not in it, probably as she’d match up too well with Junko – Junko is bright and shiny where Mikoto runs on frustration and grumpiness, but they’re essentially very similar people. The rest of the Railgun core all have significant appearances, though. As for Junko herself, the narrative is a bit kinder to her now that she’s the focus of a series. We see she’s a Level 4, and her powers do indeed look pretty damn handy – it’s almost like a “quirk” from My Hero Academia. (Arguably, all of Academy City is.) Even the annoying mind control gag from Railgun, where Junko is always dieting but Misaki, when annoyed, makes her overeat to offset it, gets an “amusing” spin – Junko is gaining weight, but it’s all in her chest. The actual plotline has barely started, but that’s certainly an impressive cliffhanger.

So in the end, I was prepared for this to be the most cynical franchise cash-in yet, given it’s a spinoff starring “who?”, but it proved surprisingly entertaining, and I have new respect for Junko, who’s a bit of an airhead but sweet. Aside from the usual “Kuroko is a predatory lesbian” warnings, this should be an excellent pickup for Railgun fans.

Sword Art Online Alternative: Gun Gale Online: Second Squad Jam: Finish

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By Keiichi Sigsawa and Kouhaku Kuroboshi, based on the series created by Reki Kawahara. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Stephen Paul.

This volume picks up where the last one left off, showing us the bulk of the 2nd Squad Jam, featuring most of the teams we saw in the last one plus a few new ones. The bulk of the book is, of course, the audience waiting for the big fight between Llenn and Pitohui. I say “audience” rather than reader as a large part of this book takes place in a bar in the virtual GGO world, where non-participants and the newly killed can gather to watch what’s going on and cheer people on. It’s a fun conceit, and helps to break up long pages of descriptions of action/descriptions of guns. Moreover, while our heroes are still the stars, the other teams also get a lot of great things to do (provided you like action – I mean, this is never going to be anything but “OMG, GUN FIGHTS!”) and show off their cool sides. And we meet a couple of characters I expect will pop up again in the future.

I don’t think I’ve ever seen an author quite so gleeful about playing around in someone else’s sandbox as Keiichi Sigsawa is here. (He even writes himself in to have a pathetic “I get killed off” cameo – again.) Theoretically there should be an impending feeling of doom around the events in this game – after all, Pitohui is gaming it so that it may have real-life consequences – but honestly, you rarely get that sense because you’re too busy watching everyone have all the fun in the world. Miyu/Fukaziroh greatly helps here, and I love her addition to the cast so much – aside from being a classic “just cannot shut up” type, she’s a great foil for Llenn. Her crowning moment may be emulating the Black Knight in Monty Python when she gets her hands and feet shot off and still crawls along to try to do some damage.

The battle between Llenn and Pitohui is the climax of the book, with everything else as a mere epilogue (including the actual results of the game, which I found hilarious). Llenn’s desperation to think of something, anything in order to kill off Pitohui herself is admirable and also a bit laughable, especially when she gets stuck in a thinking mantra. She’s at her best when running on instinct, though, and when her gun finally breaks (again, and yes, it still speaks to her), she has her knife, and then a makeshift knife, and then… well, I was impressed, let’s leave it at that. After that sort of battle, the epilogue was a bit of a letdown, especially with the lamest attempt at a fakeout ever – and to be fair, Karen does not fall for it even one iota. Now that Llenn and Pitohui have resolved things, though, what’s next? A third jam? Can we combine the four leads and have the best team ever?

This is still the light novel equivalent of a sugar rush, and I recommend skipping the gun nerd prose unless you really care a lot more than I do. But otherwise the GGO spinoff offers the finest quality action you’ll see in some time. Certainly better than the main series, and I think Kawahara would likely agree.

Bookshelf Briefs 2/26/19

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Beauty and the Beast Girl | By Neji | Seven Seas – This seems to be complete in one volume, and despite a lot of backstory angst edges on the side of sweet. A monster girl living in the woods meets a blind girl (literally, her last name is Blind, but she is also blind) and starts to tell her stories in an effort to hide why she’s living alone in the forest. Naturally, their backstories merge together. Also naturally, they fall for each other hard and must therefore deal with the other humans who are horrified that Lily would be with a monster. It all works out in the end, though, as true love can defeat all. This is one of a number of “cute but slight” yuri titles we’ve seen here recently, and while it’s not the most subtle manga in the world, I’d say it’s worth a read. – Sean Gaffney

Black Clover, Vol. 14 | By Yuki Tabata | Viz Media – More tournament arc. Asta’s fight is fairly typical, involving a large dose of “I want to fight TOGETHER with you” to get the loner to actually do something. The more interesting fight, though, is between Finral and Langris, as you might guess by the cover art. There’s a lot of bad blood between these two, and all sorts of fears and jealousies come rolling out during the fight, which rapidly starts to turn a lot more deadly than expected. (Without any actual death—at least not yet.) There’s also another character who believes in beautiful things getting completely wrecked, which may be a Jump thing, as we also saw it happen in Toriko. All this plus tragic backstory to show off that true magical knights care about people! – Sean Gaffney

DAYS, Vol. 12 | By Tsuyoshi Yasuda | Kodansha Comics (digital only) – Seiseki’s game against Toin continues and Tsukamoto is playing his heart out. It’s gratifying to see the coach of the opposite team notice a change in Seiseki since the previous year, and also gratifying to see Ubukata recognized for her strategic analysis that resulted in Kazama scoring the goal that ties the game at 1-1. There are a lot of missed shots and squandered opportunities and moments where you think that finally Tsukamoto will triumph but instead Toin gets a penalty kick, etc. We also finally learn the significance of the series title—Tsukamoto’s dad died when he was little, and he’s learned never to take the present for granted. “Because someday, this will all be over. But if I try, maybe I can make these days last just a second longer.” I’m a sucker for sentiment in my sports manga. Recommended. – Michelle Smith

Girls’ Last Tour, Vol. 6 | By Tsukumizu| Ywn Press – This is the final volume of the series. Last time I asked if it would end in death. Technically we don’t see the girls die, but the end of their journey certainly seems to be The End of Their Journey, if you know what I mean. That’s the trouble with post-apocalyptic After the End series; unless you pull a fast one to find civilization has simply moved elsewhere (for a moment I wondered if they were going to get on a rocket and go to space in this volume, but that’s probably also a bad idea) you’re left with the fact that humanity has died. There’s some good bits here. I loved Chiro finding the massive library, as well as Yuuri’s calming presence. It was a sad journey in the end, but I’m glad I took it with them. – Sean Gaffney

Laid-Back Camp, Vol. 5 | By Afro | Yen Press – I was very pleased to see that, after last volume’s “camping with friends is fun!,” which Rin agreed with, that nevertheless almost all the camping this time around is by Rin by herself, because she loves camping by herself. This despite the fact that you can get trapped somewhere due to impassable winter roads. Fortunately for Rin, this is the modern age where cell service is everywhere, so even when camping by herself, she’s in constant contact with the others. Nadeshiko also meets up with Rin and introduces her to the wonders of expensive eel, as well as showing off a childhood friend and the fact that she’s lost a ton of weight recently. (She seems very cute either way.) This is such a peaceful series. – Sean Gaffney

Magi: The Labyrinth of Magic, Vol. 34 | By Shinobu Ohtaka | VIZ Media – Sean warned me that this volume had some creepy scenes, but I was not prepared. Sinbad has succeeded in becoming the god of the world and has rewritten the rukh so that everyone agrees with his methods for securing a peaceful future. This includes reverting the world to rukh, thereby killing everyone. Watching the populace cheer, and tearful kids looking excited to die, is seriously disturbing (in a good way). Alibaba and Aladdin are immune, and debate whether they have a right to try to change a fate everyone else seems to want, until a conversation with a brainwashed Morgiana convinces Alibaba that the present is worth fighting for. And so our heroes, accompanied by Judar and Hakuryu, must conquer, like, seven facets of Sinbad or something. It’s vague, but fine. I’m glad things are seemingly wrapping up. Three volumes left! – Michelle Smith

Sleepy Princess in the Demon Castle, Vol. 5 | By Kagiji Kumanomata | Viz Media – I was not expecting the hands-down funniest chapter of this volume to be our princess trying to find a toilet so that she could pee, but there we are. The chapter ends up being hysterical, particularly the facial expressions. Elsewhere, we see the princess has a poor memory for names… and faces. We also see (as if we hadn’t guessed) that she’s an incredibly poor communicator. Even when things AREN’T her fault it’s pretty easy to blame her—a chapter where she tries to be nice and do good things leads merely to fear and paranoia from the demons. There’s no real ongoing plot here, but as long as Princess Syalis remains who she is, there’s certainly ongoing laughs. – Sean Gaffney

A Strange & Mystifying Story, Vol. 6 | By Tsuta Suzuki | SuBLime – Man, A Strange & Mystifying Story has evolved sooooo much since its early volumes. Now it’s a gripping supernatural drama and it’s easy to forget it started out as something smutty with consent issues until Setsu shows up and gives Tsumugi terrible advice on how to make Kurayori his. Kurayori has been holed up in his shrine and just when he finally emerges to talk with Tsumugi, Magawa and Kai arrive to cause problems. I’m surprised Suzuki-sensei has made me like and sympathize with Kai so much so quickly, but she has. He may be a monster, but his desperate desire to be useful to mentally unstable Magawa so that he won’t disappear is genuine. Plus, we got a bonus chapter with my favorite couple! The next volume is the last and I’m really looking forward to seeing how everything plays out. – Michelle Smith

Sword Art Online: Hollow Realization, Vol. 2 | By Tomo Hirakawa, based on the story by Reki Kawahara | Yen Press – There is still a modicum of danger here—the threat to NPCs is still real, and Kirito by his very existence will attract trouble. That said, the fact that everyone is alive in this version of SAO (well, OK, not Sachi, but the cliffhanger included an appearance from someone I definitely was not expecting to see) and that we get chapters devoted to things like teaching Yuuki how to do school homework properly (which leads to helping dead school ghosts to pass on, much to Asuna’s horror) makes it feel sort of like the Today’s Menu for the Emiya Family of SAO. Instead of food, though, we get cool battles and cute interactions. Fun, though again confusing for non-gamers. – Sean Gaffney

Urusei Yatsura, Vol. 1 | By Rumiko Takahashi | Viz Media – While Urusei Yatsura became one of Rumiko Takahashi’s first major successes in Japan, the small portion of the series that was initially translated into English has been out-of-print for the better part of two decades. Happily, Viz is once again hastening “The Return of Lum” by releasing Takahashi’s highly influential manga in a new omnibus edition. For the most part the series is episodic in nature. Although there are recurring characters and jokes, overarching plotlines are virtually nonexistent. The basic premise remains consistent from chapter to chapter, though—Ataru Moroboshi, a lustful high schooler, is a magnet for the absurd and supernatural. Early on he manages to accidentally engage himself to Lum, an alien princess. Honestly, I wish Lum held more of the series’ focus than Ataru, but I still get a kick out of the manga. In particular I appreciate Urusei Yatsura‘s numerous references to Japanese mythology and literature. – Ash Brown

Pick of the Week: Tales and Rails

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MICHELLE: I thought it’d be an easy choice for The Tale of Genji, but now Maiden Railways is up in the mix, too. Guess I’ll just have to get both. Darn.

ANNA: Why not both? It seems like a good decision to me!

SEAN: There are many worthy choices, including the two titles mentioned above. That said, I have to go with Today’s Menu with the Emiya Family, the happy-ending-for-everyone series that every Fate fan wants deep down.

KATE: I’m stoked for The Tale of Genji! Waki Yamato is a shojo pioneer who has a flair for melodrama. If Genji is a hit with American readers, I hope that we’ll also see an English-language edition of Haikara-san: Here Comes Miss Modern, the series that won her the Kodansha Manga Award back in 1977. Hey, a reader can dream, can’t she?

ASH: The Tale of Genji has my official pick this week, too. Particularly impressive from me considering the fact that at the moment the series is only being released digitally.

MJ: I think my pick is probably pretty obvious. With my deep love for vintage shoujo manga, there’s no choice for me but The Tale of Genji. I am so excited to pick it up!