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Classmates, Vol. 1: Dou Kyu Sei

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By Asumiko Nakamura. Released in Japan by Akaneshinsha, serialized in the magazine Opera. Released in North America by Seven Seas. Translated by Jocelyne Allen. Adapted by Lillian Diaz-Przybyl.

This is the latest in a series of “OMG, I can’t believe we’re finally seeing this title!” LGBTQ releases that we’ve seen in North American this spring. Technically, we’ve seen this one before, as it came out digitally via JManga, then digitally again via the Digital Manga Guild. But this is a print release, newly translated, and looking very nice. It’s not a new title, having come out in 2006, but the story is certainly timeless. There’s a handsome, outgoing boy. There’s a serious, introverted young boy. They fall in love. But as with most really popular titles, it’s not just the story that makes people want to read it. Classmates has a number of individual story beats that I paused and read slower, or went back to read again, because they were handled so well. There’s also some excellent art here as well, as sometimes even a sketchy background shot carries impact. It’s a manga by an author who knows craft.

Hikaru is the easygoing, handsome, long-haired blond, who’s cool, in a band, etc. He’s in an all-boys school, which is practicing for a choral presentation, and notices that a classmate, Rihito, is only pretending to sing. Later he finds Rihito in an empty classroom, trying to learn the song (his vision is poor, so he couldn’t see the music earlier) and Hikaru offers to teach him. Over the course of this, the two fall in love, helped along by Hikaru’s kissing, which is not entirely consensual at first but eventually reciprocated. As the volume continues, you see the passion they have for each other, but is there anything behind it? Moreover, college is coming up, and Rihito, pressured by his parents, is boning up to get into a prestigious university. Is this a long-term thing, or is just another high school romance?

As I said earlier, individual chapters or scenes were what caught my attention here. Student/teacher relationships are a staple of Japanese manga, but you usually see them coming from the POV of the student. Here we get a chapter devoted to Manabu, their music teacher, who tells us why being a gay guy at an all-boys’ school is not all it’s cracked up to be (they’re mostly immature brats), but then runs into Rihito and falls for him immediately (Rihito has a knack for being unconsciously smooth). There are also a couple of fights that were very good, the first after Rihito sees a girl hitting on Hikaru at a concert and drunkenly runs off (Page 114 made me smile hugely) and Rihito’s explosion of emotions (he’s normally pretty repressed) about how he knows nothing about what Hikaru is doing for college or the future. (To be fair, I don’t think Hikaru knows either.) It’s scenes like this that make a series really enjoyable, and I’m very pleased that Seven Seas has also picked up the two-volume sequel to this.

If you like teen romance with passion or classic BL, this is absolutely a series to buy.

Toradora!, Vol. 5

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By Yuyuko Takemiya and Yasu. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by Will Holcomb.

This is a light novel series that is coming out in America well after both the manga and the anime (though the manga remains unfinished as it crawls along in Japan), so to a certain degree there’s very little “surprise” involved in the contents. I knew that we would eventually be dealing with the volume with Taiga’s father, and here it is. As such, a good deal of the book consists of the reader yelling at Ryuuji “NOOOOO, DON’T TRUST HIIIIIM, YOU IIIIIDDDIOOOOOTTT!”, which to be fair Minori does as well. It’s actually rather refreshing, as usually Ryuuji is the sensible, down-to-earth core of these books, so it’s somewhat startling to see him so taken in by Taiga’s dad. Of course, it’s spelled out why he is; he longs for a relationship with his father he can never have, and now he can sort of get it via Taiga. Of course, this means it’s not about what Taiga wants at all, something that he realizes in a horrified sort of way when everything goes wrong.

Before we move on, I want to note that, while Toradora! is quite funny and has some excellent gags, it does lean on one running gag through this book that I wasn’t very fond of. Yuri, the class teacher, turns thirty in this book, something that she and the author make you very aware of. There is a bit of sympathy for her near the end (bless you, Ami), but for the most part the joke is that she’s 30 and unmarried, and the constant (30 years old) tags after her name grow annoying. Of course, without that we would not have had the class wrestling play, which has to be read to be believed, although I admit I think it worked better in more visual mediums. Taiga and Ryuuji really do make an excellent evil duo. And then there’s the race at the end, where Ryuuji and Minori, both incredibly furious with themselves, get involved in a nasty little race to see who can crown Miss Taiga with a tiara of “I’m most important to you!”. The race is fantastic, though I do wonder, given the apparent injuries that occurred during it, why no one got in trouble.

Ryuuji and Minori have a huge fight here, of course, Ryuuji coming from a position of ignorance and Minori from one of having been here before. She withholds that from him, though, deliberately. Minori is upset that Taiga is not only closer to Ryuuji these days, but seems to be getting herself hurt again by making up with her father purely for Ryuuji’s sake. The series to date has been about Taiga and Ryuuji having one-sided crushes, and in the last book we wondered if Ryuuji’s was really one-sided after all. Now we see Minori wondering, out loud, after her struggle to be the one most dear to Taiga, if she’s a lesbian. Leaving aside Ryuuji’s response, which is understandable but won him zero points in the fandom, it’s an interesting question, and I wonder if the author will develop it later on or if it merely serves as an odd coda to this excellent volume.

Bookshelf Briefs 6/4/19

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Black Clover, Vol. 15 | By Yuki Tabata | Viz Media – The tournament arc wraps up, and the winning team is not really a surprise—Asta may be the hero, but he’s not ready to be a winner just yet. That said, he does get to be a Royal Knight because he showed off his skills—along with Noelle and Luck. This means they get to fight against the Eye of the Midnight Sun. Meanwhile, back at the Black Bulls HQ, a new enemy appears, and almost everyone is away except for the most socially awkward of the group. Fortunately, we meet a new member of the group who’s a … ghost? House? Whatever he is, the fight that follows is visually very, very clever. Black Clover is still Jump‘s answer to Fairy Tail, but it’s almost standing on its own by now. – Sean Gaffney

Kino’s Journey, Vol. 2 | By Iruka Shiomiya, based on the novels by Keiishi Sigsawa | Vertical Comics – A word of warning as we get into Kino proper: it’s not the subtlest series in the world. It has a message, and you are going to get that message. This is not to say that I did not very much enjoy this dark little volume, but this is very much a case of “well, it can’t get more horrifying than it already is—oh wait, yes, it can.” At first we see a city with one survivor in it, and learn how majority rule led to its extinction. Then we see a city which is filled with peace—provided you don’t live in the village outside its borders. Kino and Hermes travel through this, making occasional pointed comments but mostly acting as observers who want to get the hell away. Very good. – Sean Gaffney

Love in Focus, Vol. 2 | By Yoko Nogiri | Kodansha Comics – The most interesting thing to me about this volume is seeing Kei instantly regret telling Mitsuru to back off at the cliffhanger to last volume, as it pretty much wasn’t needed at the time, and eventually has the opposite effect. The group goes off to a vacation home for a good portion of the volume, and we see Mitsuru and Mako get closer, as well as some flashbacks that show off how Mako is not merely dense when it comes to romance, but danger in general—seeing her hanging off a ledge to get a good shot was mind-boggling. I was a bit disappointed with the Saionji subplot, which cried out for “they’re a guy” as the answer, but no, it was “they’re married to my brother.” This is still pretty good. – Sean Gaffney

Love in Focus, Vol. 2 | By Yoko Nogiri | Kodansha Comics – I was annoyed with Kei for his possessiveness in the first volume, which renders me even more impressed that Nogiri-sensei manages to flesh him out into a sympathetic character in this one. By having him experience another spate of panic over how close Mako and Amemura seem to be getting, followed by another impulsive declaration (this time telling Mako that he likes her), his warning Amemura away in the previous volume is revealed to be another instance of this same behavior rather than any kind of entitled assholery. Indeed, this volume establishes how very important Mako is to Kei and how he has loved her for a really long time. I thought her ending up with Amemura was a foregone conclusion, but now I’m not so sure. Once again, I end up liking one of Nogiri’s works more than I initially thought I would. – Michelle Smith

Popocomi, Vol. 1 | Published by Eriko Obayashi | Popotame – Between Mejiro and Ikebukuro in Tokyo is an art gallery and bookshop called Popotame, described as “a place full of unique things hard to find anywhere else” by its manager Eriko Obayashi. One of Popotame’s projects is Popocomi, an anthology series featuring artists, illustrators, and designers who also release independent manga. For the 2019 Toronto Comic Arts Festival, fourteen manga published in the original Popocomi collections were selected to be released in English. I found the resulting anthology to be consistently delightful as well as occasionally surreal. And since it’s titled Popocomi 1, I’m hopeful that more will be translated in the future. The volume doesn’t really have an overarching theme or subject, although space and/or aliens happen to be present in a fair number of the stories. The style and tone of the short manga vary as well, but that range is one of the reasons the collection is so satisfying. – Ash Brown

The Quintessential Quintuplets, Vol. 3 | By Negi Haruba | Kodansha Comics – This series isn’t We Never Learn, where you can at least rely on each of the girls being geniuses at something. These five are genuinely not very good at studying or test-taking—which is a problem given that their father sets mid-terms as a drop-dead date—if they don’t pass, Futaro stops being their tutor. This despite the fact that he’s making serious inroads—not in their grades, but getting to know each of them better. There may also be some mysterious past going on here, as Nino briefly wonders why she recognizes a blond guy from a photo—my money’s on our hero, frankly. Will they bond further on a camping trip? Now that they can actually go… This is cute. – Sean Gaffney

Ran and the Gray World, Vol. 3 | By Aki Irie | Viz Media – This is so gorgeous and well-drawn that I am almost tempted to continue to read it despite the fact that I spent the entire time screaming at the pages in rage and anger. But not quite. From the dream-sequence first chapter, where Ran tries to rescue Otaro from his bugs and he rewards her by trying to sexually assault her, to a chapter where Ran’s brother, who seems to be in heat, cannot keep it in his pants (and does not seem to get how much Sango likes him), to the final chapters, where Ran (upset at Sango being “taken away” by Jin), runs off to live with Otaro, who still doesn’t know how young she really is and thus this turns into a cavalcade of NOPE. This series, in the end, really makes me wish the author was drawing something else. (Which they are!) – Sean Gaffney

Requiem of the Rose King, Vol. 10 | By Aya Kanno | VIZ Media – Rumors have been spreading about Richard’s body and Buckingham is determined to learn the truth. Before he can do so, Edward suddenly dies, setting off a whole lot of Woodville scheming for the throne. Richard is determined to defend the Plantagenet line, but when Buckingham literally lays bare his secret, Richard finally admits that he wants the crown for himself. By the end of the volume, Richard and Buckingham have embarked on a twisted sexual relationship and Richard is installed as regent, with only the princes standing between him and the throne. We’re heading into the most infamous part of Richard III’s history and I eagerly anticipate seeing what Kanno does with it. Coldly ambitious Richard is a sight to see, too. Such a great series! – Michelle Smith

Tales of Wedding Rings, Vol. 6 | By Maybe | Yen Press – Is this book about saving the kingdom and getting stronger, or is it about which girl gets to have her virginity taken by Satou? Honestly, it can’t quite make up its mind, and I sort of which it would lean one way or the other. The girl on the cover is NOT a new Ring Princess, but instead Hime’s little sister, who stayed behind to learn magic while Hime was off in another world, and is here to teach it to her big sister like it or not. There’s definitely need for it, sa the evil Abyss King also has a bunch of rings that make him stronger, and now I wonder if there will be EVIL ring princesses. Meanwhile, Satou and Hime… still aren’t getting any. But they’re close. For a harem manga, this is decent. – Sean Gaffney

After the Rain, Vol. 3

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By Jun Mayuzuki. Released in Japan as “Koi wa Ameagari no You ni” in two separate volumes by Shogakukan, serialized in the magazine Big Comic Spirits. Released in North America by Vertical Comics. Translated by Jocelyne Allen.

The third omnibus of this series shows off a few of the characters beginning to realize that Akira’s love for Kondo is not just some easily swayed crush, and that they may need to take it seriously. This includes the smarmy chef who’s been hitting on her, who it turns out is a lot less smarmy when he’s around his sister. They run into our lead “couple” and Kondo’s kid and go on a sort of double date from hell, featuring the dorkiest sweatshirt ever, a lot of phallic plants with no symbolism intended at all no sirree, and Tamako, the sister, who is a LOT in a series that’s driven by introverts most of the time. It also has an odd moment where Kase tells Akira that she is the sort to “bend towards the light”, like plants, implying a depth that she hadn’t seen before but which we don’t really get deeper into because, well, sister.

That said, the most interesting part of this book is that Akira’s tortured feelings about Kondo take a back seat to Akira’s tortured feelings about track. I had assumed, and the text implied up until now, that Akira’s injury was very much the “career ending” sort of injury. But no, with physical therapy, she could easily regain her powerful running ways. She just ISN’T. And this is annoying not just Haruka but also a lot of her fans, including one very angry underclassman who I’m pretty sure we’ll see again. Akira loves working at the restaurant so she can be around Kondo, but is that really all a girl like her wants to do? And how can she run after her perpetually forgetful boss with a bum leg? Akira’s issues are not just related to love, there’s more going on here.

As usual with this series, there are a number of gorgeous scenes with people simply staring at each other, and I admit that as much as I like the story of After the Rain, I wonder sometimes how it would read without any dialogue at all. I’m not sure it could tell everything in silence, but I think the majority of it could be implied. And honestly, when you finish the book and then go back to look at your favorite facial expressions, that’s a good book. We’re over halfway through the series now, and I’m still not entirely sure where it’s going, but it’s become clear that the story is not just about Akira and Kondo but about Akira maturing… or not maturing, as there are several points in this book where, as with previous volumes, she throws a bit of a tantrum when reality gets in her way.

I had fallen behind on this series, so the 4th volume is out very soon. It will be interesting to see where it goes. We saw Haruka meeting Kondo towards the end of the book, and I wonder how close the ‘love story’ and ‘track injury’ subplots are going to come. In any case, keep reading this very pretty series.

Kakuriyo: Bed & Breakfast for Spirits, Vol. 3

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Kakuriyo: Bed & Breakfast for Spirits, Volume 3 by Waco Ioka and Laruha

This is one of those series that ends up getting stronger with each volume. I thought the first volume was okish, liked the way the second volume showed more character development, and appreciated the balance between backstory and new plot elements in the third volume. One thing I tend to look for in series about ayakashi is some interesting character design or art that captures my attention. While the art for this series is fine, I wasn’t getting that same sense of wonder about the spirit world that other ayakashi-centric manga titles have delivered. In this volume, I did find the portrayal of wall demons blocking Aoi’s path to be delightful, as they looked like pieces of wallboard dressed in formal kimonos.

Kakuriyo Bed and Breakfast for Spirits 3

Aoi is slowly finding more of a rhythm to her life in the spirit world with the discovery that her food is unique in bolstering the spiritual energy of the demons that surround her. She becomes more involved in the lives of the spider demon siblings, Suzuran and Akatsuki. They tie in to her own story with her grandfather, as she learns that he took them in and temporarily made them his servants when they were fleeing for their lives. Suzuran wants to go back to the human world to exist near Shiro’s grave, and Akatsuki is absolutely opposed to her dream. Aoi mediates this sibling relationship with nourishing food, and the steps in cooking her dishes are more clearly portrayed in this volume. It didn’t quite deliver the level of obsessive detail that I like to see in a food manga, but I appreciated food preparation getting more attention, since it is so central to Aoi’s identity.

One thing I really enjoy about this series now is how each volume tells a satisfying story while inspiring more questions for the reader to ponder. Shiro’s actions and motivations seem more mysterious the more Aoi learns about him. I’m also curious to find out more about Ginji after seeing him report back to the Odanna. I’m enjoying the measured pace at which this story is developing.

Pick of the Week: Sweetness, Classmates, and Viz

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MICHELLE: Last week it was hard to choose because of scarcity and this week it’s hard to choose because of abundance. I am very excited about new volumes of many shounen and shoujo favorites from VIZ, and am very tempted in particular to choose volume nineteen of My Hero Academia, but it’s my last chance ever to recommend the charming food manga Sweetness & Lightning, so I think that’ll have to be the one this time.

SEAN: I will therefore leap in and choose My Hero Academia 19 in your place. After the heavy drama and death of the previous arc, it’s nice to step back a bit and have fun, and this volume’s culture festival does just that. That said, you an bet Promised Neverland and Yona of the Dawn are right up there as well.

KATE: My Captain Obvious recommendation is volume 10 of The Promised Neverland, which remains gripping and suspenseful despite the author’s over-reliance on interior monologues to clue the reader into what’s happening. (Seriously, WE GET IT. Emma and Ray are wicked smart and can out-think their enemies.)

ASH: Lots of great manga are being released this week. One that hasn’t been mentioned yet, and one for which I am particularly excited, is the print debut of Classmates: Dou Kyu Sei. I honestly love Asumiko Nakamura’s work, so I’m thrilled to be able to add more of it to my shelves.

ANNA: If Yona of the Dawn is coming out, I can’t bring myself to pick anything else, so Yona for me!

MJ: Well, I have to join Ash this week in picking Classmates: Dou Kyu Sei. I read and reviewed this charming volume back in the days of JManga, and I’m thrilled that it’s back and finally getting a print release. Thanks, Seven Seas!

Another World’s Zombie Apocalypse Is NOT My Problem!

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By Haru Yayari and Fuyuki. Released in Japan as “Zombie Darake no Kusatta Sekai wo Seijo no Chikara de Jōka Shimasu!” by the author on a webnovel site. Released in North America digitally by Cross Infinite World. Translated by Charis Messier.

As the title might suggest, this novel combines zombies and “transported to another world”, two of the hottest current trends, or at least hot in 2016, when this was originally published. Unlike some of CIW’s other titles, I think this one could be marketed to both male and female readers, but the star is definitely a young girl. The first half of the book leans heavily on the zombie end of things, while the second, after the crisis is slowly being averted, feels more like an isekai proper, as Mizuha wanders around the kingdom, meets eccentric characters, etc. It’s just that the adventuring she does is zombie-purifying, that’s all. It’s also definitely a book that’s just about the right length – this is done in one, and I don’t think would make a good series. As a single volume, it’s pretty decent, with its main flaw being that ‘pretty decent’ is as far as it goes.

Given her appearance, as seen on the cover, and the fact that she uses her right hand to purify zombies, it’s hard not to think of Mizuha as the daughter of Touma and Mikoto from A Certain Magical Index. She wakes up on a deserted island surrounded by toxic, foul-smelling sludge. Even worse, a zombie emerges from said sludge and goes after her. But when she smacks its chest, the zombie turns into a handsome blond knight! It turns out that by hitting the zombies she can return them to their living selves. On a more humiliating note, her saliva can also be used to magically purify the sludge, making it water again. (This leads to the book’s running gag, with her being referred to as the “Holy Priestess of Spit”, and her despair at this title.) Escaping the island, she finds herself in a kingdom that’s overrun with zombies, and has to slowly heal each one, not get converted herself, and try to figure out how to get back home.

Mizuha is the best part of the book. She’s fun, and her narration feels, with a few exceptions, like she’s in a YA novel rather than a standard isekai light novel. She comes to terms with everything pretty quickly, bonds with the young princess who is the second zombie she saves, and theoretically falls for Lex, the young blond knight. I say theoretically as the romance feels kind of last-minute and minimal, at least on Mizuha’s end. Lex is strong and powerful but also sort of a weirdo and a dimbulb, and he would not look out of place if you handed him a Sword of Light and sent him off with Lina Inverse. The zombie sections of the book are reasonably action-packed, and there are several good laughs in here. Sometimes the book feels like a webnovel that needed more editing (Cia’s parents needed one or two more “where on earth are they?” mentions, as an example), but it holds together well.

As I said, the book’s main flaw is that there was no one scene or moment that elevated it to “OK, this just got terrific.” It’s a decent zombie novel with a fun heroine, worth your time, but it may not stick in the memory afterwards.

I Married My Best Friend to Shut My Parents Up

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By Kodama Naoko. Released in Japan as “Oya ga Urusai Node Kohai to Gisou Kekkon Shitemita” by Ichijinsha, serialized in the magazine Comic Yuri Hime. Released in North America by Seven Seas. Translated by Amber Tamosaitis. Adapted by Lora Gray.

I admit, when this was first announced, I said NOPE really hard. But that was mostly due to the author of the series, whose previous series I had sort of hated. But a few people reassured me that this was not along the lines of Netsuzou Trap, and indeed in the afterword the author jokes about their ‘light’ and ‘dark’ modes, and this is definitely on the light side. Indeed, very light – it’s complete in one volume, and also has an unrelated one-shot short story at the end. The main story is also pretty much described in the title, though I think the relationship between the two leads is more like the original Japanese – Agaya is a friend, but she’s definitely framed more as a kohai, with Morimoto as the sempai. They’re out of school now, but end up together as, well, read the title. What follows is cute, and both leads had more depth than I was expecting.

Morimoto is dealing with problems on several fronts. Her parents want her to get married. Her workplace is fairly sexist, resisting giving her any big projects as it’s assumed that women are there until they find husbands and that’s it. And she’s also a somewhat repressed, introverted sort to begin with. Agaya, on the other hand, is bright, bubbly, extroverted, and can be a bit much at times. She’s also gay, and in fact asked Morimoto out when they were in school, though she was rejected. So when she points out that gay marriage is legal in their prefecture, and that it would be a great way to stop her parents nagging her, Morimoto goes along with it. Then Agaya moves in, as she’s saving to get a new apartment and this helps. As the volume goes on, Morimoto gains confidence and realizes just how much she’s enjoying the married life. But can she hold on to Agaya, who is pretty convinced that her senpai is “super-straight”?

This is not the most complicated story in the world, but there were little touches I liked a lot. One early scene shows Morimoto flashing back to her childhood, an endless string of being nagged to excel in everything or else she’s a failure. The interesting part was seeing it start with her father accusing her mother of being a “bad mother” for a poor grade that Morimoto got – which of course is bound to show off why she does NOT want to get married. Agaya is also mostly well handled. She’s very “out”, personality-wise, and is not above sneaking in to bathe together with her new “wife”, or leering her her boobs. But she does not, for the most part, make any advances on Morimoto that she’s not comfortable with, and at the end she’s the one who has to be convinced that they could actually make this into something real. She also has her own career as well – this is not a “breadwinner and housewife” sort of relationship.

The short story afterwards, about a girl in an athletic school who got injured, so has to get great grades to maintain her scholarship, and her rude track girl friend, is a bit too slight to really go anywhere. The meat of the title is in the main story, and at three chapters it’s just about the right length. Worth a look for yuri fans.

I Shall Survive Using Potions!, Vol. 2

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By FUNA and Sukima. Released in Japan by Kodansha. Released in North America by J-Novel Club. Translated by Garrison Denim.

There are currently three different series by FUNA coming out here, and having read some of each of them, I’m inclined to categorize them as Beginning, Intermediate and Advanced. Beginning is Saving 80,000 Gold in Another World, which even has an easy mode for its protagonist, who can still interact with the past world. She’s having fun, but there isn’t really all THAT much monstrous ridiculousness (though I admit this is the series I’ve read the least of). Intermediate would be Make My Abilities Average!, where Mile is absolutely stupidly overpowered and shows it, and helps her friend to get that way as well, but those seriously hurt of killed by her and her friends tend to be evil bandits, kidnappers and the like. The tone is very much happy, jolly adventures. Finally, there is I Shall Survive Using Potions!, the Advanced Course. You really, really need to not care about overpowered heroes at ALL, or you will hate this. What’s more, Kaoru is A LOT, and sometimes her emotions get the best of her in ways that veer beyond ridiculous and into horrifying.

Roughly the first half of this book takes place right after the previous one. Kaoru’s hitting this world like a tac nuke has had repercussions, and the kingdom she’s currently staying in is now under attack by two different nations. Fortunately, she has the knight that she was able to de-age in the last book at her side, the brother of the king, and her cadre of Baker Street Irregulars at her side, as well as her usual item boxes/potions/literally anything. Unfortunately, this is a war, which means things turn serious fast, and Kaoru quickly finds she really hates it when people are injured or killed in front of her. It’s pretty horrifying being reminded that when she loses it emotionally, she could decimate anyone around her. The second half of the book takes place after a time skip, and shows Kaoru and her hangers on heading to a new kingdom so that she can try to find herself a man to marry and have kids with. This is as much of a flaming disaster as you can imagine, because of Kaoru’s basic personality, but is far more amusing.

Moral ambiguities aside, and I’m not entirely certain how much of this is intentional, this is still a lot of fun. There are in-jokes that are based on the publisher (a cameo from a certain goddess whose adventures also ran in a Kodansha magazine), and some where you wonder if it was the original or the J-Novel Club adaptation (the use of a certain popular anime meme). Kaoru’s personality is so straightforward that it tends towards snark, and she IS ridiculously overpowered, but there are a number of moments here where she’s allowed to slip up – indeed, the gag right at the end of the main story may be the best in the book. She’s still doing whatever the hell she wants, even if that means adopting a daughter (she’s an orphan), creating vibroblades for her knight (see, it’s really a potion that happens to look AND act like a vibroblade), etc. Disbelief is hung by the neck until it’s dead here. What’s more, Kaoru’s two friends from her original world have lived their full lives and died, and now they’re in this world as well… and also apparently have ridiculous powers.

Like most of FUNA’s series, I want to read more of this. Unlike the other two, though, I do wonder if Kaoru will actually turn down a darker path one day. I mean, she’s already pretty morally grey. Definitely worth picking up, though. Also, don’t insult the goddess or you’ll get a wooden washtub to the head.

Manga the Week of 6/5/19

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SEAN: June is bustin’ out all over, with lots and lots of manga.

Dark Horse has the third and final volume of their Dangan Ronpa 2 manga.

Ghost Ship, Seven Seas’ mature line, debuts Creature Girls: A Field Journal in Another World (Kagaku-teki ni Sonzai Shiuru Creature Musume no Kansatsu Nisshi), which certainly fits. It’s an isekai AND a monster girl series, devoted to deep analysis of their naked bodies, followed by… well, deeper analysis, ifyouknowwhatImean. It runs in Akita Shoten’s Champion Cross.

J-Novel Club has several new print volumes. How NOT to Summon a Demon Lord and In Another World with My Smartphone get 4s, and Daughter Demon Lord and Too Far Behind (look, the titles are too damn long) get 3s.

Digitally, they have a 9th Arifureta and a 14th Grimgar of Fantasy and Ash.

ASH: I do a double-take every time I read that last title.

SEAN: Kodansha has some print and digital as well next week. In print we have Eden’s Zero 3, Missions of Love 17, and Sweetness and Lightning 12, which is the final volume.

ASH: I’ve got a couple of volumes of Sweetness and Lightning stacked up to read; I’ve really been enjoying the series.

MICHELLE: Me, too. I’ll miss it when it’s over.

SEAN: Digitally we see Alicia’s Diet Quest 3, Chihayafuru 17, My Sweet Girl 3, The Quintessential Quintuplets 8, The Tale of Genji: Dreams at Dawn 4, and World’s End and Apricot Jam 5. Several titles that the MB folks enjoy there.

MICHELLE: Forsooth. I wish I liked The Tale of Genji more. I was all happy about retro manga and forgot how awful Genji is.

MJ: I echo Michelle’s regret.

SEAN: Seven Seas has another debut that folks have wanted for years… though technically we did see it digitally several years ago from JManga. Classmates: Dou Kyu Sei is a BL title that’s one volume long, but they also have the sequel, which is likely why this says Vol. 1. It ran in Akaneshinsha’s Opera.

ASH: Digital Manga also published it digitally. I’m thrilled Seven Seas rescued the title and am so happy that the manga is getting a print release!

MICHELLE: I’m looking forward to this one!

MJ: I reviewed Classmates: Dou Kyu Sei when JManga offered it (then just called “Doukyusei” and loved it, so I’m pretty thrilled to see that it’s been rescued, along with a sequel!

SEAN: Seven Seas also has the first Division Maneuver light novel in print, as well as Made in Abyss 6.

Vertical gives us After the Rain 4, reminding me that I need to read After the Rain 3.

MICHELLE: I need to read After the Rain 1-3!

And now it’s Viz time, because first week means SO MUCH SHUEISHA. No debuts this week, but we do get complete box sets for both Dragon Ball and Dragon Ball Z. Buy it again for the 7th time.

Want some shonen? There’s Boruto 6, Food Wars! 30, My Hero Academia 19 (which has the start of the Culture Festival arc, one of my favorites – especially get it if you like Kyouka Jirou), One Piece’s 28th 3-in-1, The Promised Neverland 10, Seraph of the End 17, and We Never Learn 4.

MICHELLE: The cover of My Hero Academia 19 is my very favorite. I would buy it in poster size, for sure.

SEAN: And on the shoujo end we see Ao Haru Ride 5, Queen’s Quality 7, Takane & Hana 9, and Yona of the Dawn 18.

ASH: Lots of good stuff from Viz this week!

MICHELLE: Indeed!

ANNA: This is my happy week!

SEAN: I once again have to choose between three of the most amazing manga currently running for Pick of the Week, and that’s not even counting Dou Kyu Sei. Which ones are you getting?