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Pick of the Week: As Expected

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SEAN: A lot of diverse choices this week. The “prestige” title is clearly Downfall, but let’s face it it’s far too bleak for me. Instead, to no one’s surprise, I’ll go with Silver Spoon again. Because it is Silver Spoon, and because it is my heart.

MICHELLE: I am ashamed to admit I still haven’t read any Silver Spoon. I, too, am turning away from bleakness and toward my favorite genre, which means I am picking Shojo FIGHT! this week.

MJ: Silver Spoon. It is always Silver Spoon.

KATE: This week’s list is chock-full of great manga, from MB fave Silver Spoon to Drifting Dragons, one of the best-looking fantasy titles being published in English right now. (I reviewed the first two volumes back in 2018, if you’re curious.) My pick goes to another under-appreciated gem, however: O Maidens in Your Savage Season. If you were a nerdy teen girl—and I certainly was—Maidens should be on your list, as writer Mari Okada clearly remembers how hard it was to be horny, awkward, and VERY SERIOUS at fifteen. You’ll laugh and cry and cringe in equal measure.

ASH: So many great titles are being released this week, it’s hard to choose just one! I gladly join the chorus for Silver Spoon and all the other manga already mentioned, but the first volume of Nicola Traveling Around the Demons’ World was such a treat that the second gets my official pick.

Bookshelf Briefs 2/16/20

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Black Clover, Vol. 19 | By Yuki Tabata | Viz Media – The nature of these volumes is they tend to be between 9-11 chapters no matter what, and while some thought is always given for an appropriate “cliffhanger” (and there’s a good one here), it does sometimes mean that the emotional beat can happen earlier than the author might like. That’s definitely the case here—this book is front-loaded as hell, with the absolute highlight being Noelle reuniting with her family, kicking ass, and her older brother apologizing for the constant abuse he hurled at her. It’s really fantastic. The rest of the book can’t help but feel like an anticlimax, though there is a nice bit at the end where Asta and company make a chaotic entrance to join in the fight. Which isn’t over yet, so next time? – Sean Gaffney

Horimiya, Vol. 13 | By Hero and Daisuke Hagiwara | Yen Press – This manga has too many cast members in it we have to remember, especially given that it only comes out now about once every six months or so. We see Iura dealing with his younger sister, who is having exam worries, and it’s meant to contrast to his “the guy nobody likes” persona at school, but I can’t really retain enough about what he was like for it to really impact. One good thing about this volume is that Hori is relatively behaved, so there’s a lot less of the “wacky” consent issues we saw in prior volumes. When she acts relatively normal, she and Miyamura remind you why we loved this manga in the first place. That said, it really does not appear to be headed towards any specific conclusion. How long will it go on? – Sean Gaffney

Levius/est, Vol. 1 | By Haruhisa Nakata | Viz Media – I probably should have read the Levius omnibus before picking up Levius/est. As far as I can tell, the first volume is mostly a recap of the original series told at an astonishingly breakneck speed. (Levius ended prematurely when Ikki ceased publication; Nakahata essentially had to restart the series in a new magazine, Ultra Jump.) It’s admittedly impressive how much ground Nakata manages to cover in such a short span, but I’m hoping that Levius/est finds a more sustainable and enjoyable pace soon. I want to see the mixed martial arts matches between cyborgs that will either save or destroy the world. I want a chance to actually get to know the characters beyond a surface-level lightning overview of their tragic backstories. I want the worldbuilding to not need to rely on heavy-handed exposition. Right now, Levius/est‘s greatest strength is Nakata’s stylish artwork, but something more would be welcomed. – Ash Brown

Magus of the Library, Vol. 2 | By Mitsu Izumi | Kodansha Comics – Having enjoyed the first volume of Magus of the Library, I was looking forward to the second, even if the series is not always the most subtle of works narratively speaking. But I can’t help but love the underlying message of libraries (reading in generally, really) as a method of gaining knowledge, expanding one’s horizons, and developing empathy for others. At the same time, the work acknowledges the potential harm the written word can cause depending on its use. As a librarian, I can especially appreciate Izumi incorporating real-world social, economic, and political concerns surrounding libraries (fairly accurately, actually, although with simplification) into the fantasy setting of Magus of the Library. Other related areas the second volume of the series specifically addresses include bookselling and bookbinding. The volume also serves as something like a travelogue and introduces new characters destined, I’m sure, to become Theo’s cohorts in training at the Central Library. – Ash Brown

Murcielago, Vol. 13 | By Yoshimurakana | Yen Press – OK, the master swordsman arc did not finish off quite as fast as I’d hoped, but that’s fine, as it gives us a chance to see Kuroko in action some more (and still really struggling, which is cool), as well as Himiko’s dynamic entrance in her car, always a treat. After that’s resolved, we start a sequel arc, as Goldmarie’s body is not lying mouldering in the grave as it should be, but has gone missing. And now there’s a bunch of murders happening in and around the sewers, which gives the artist another chance to lovingly depict a lot of corpses and gore. Murcielago is never going to be children’s entertainment, but it’s a lot of fun provided ultraviolent lesbians are your bag. – Sean Gaffney

My Hero Academia, Vol. 23 | By Kohei Horikoshi | Viz Media – So Izuku has multiple powers now. That said, he’s still having trouble learning about them at all, so has to finish the fight quirkless. Honestly, Uraraka is the MVP of this battle, and there’s some nice ship tease with her and Izuku as my reward. After that, we switch over to the dark side of the cast—it even gets pointed out, with one chapter being called “My Villain Academia,” and a heavier focus on the League of Villains, who are falling on hard times at the moment. Things are not helped by a new, more corporate set of villains trying to get their foot in the door, and the volume ends with a confrontation. This has become one of the biggest Jump series, and it’s well deserved. – Sean Gaffney

My Hero Academia, Vol. 23 | By Kohei Horikoshi | VIZ Media – There is so much going on in this volume. As the battle training with class B comes to a close, Midoriya learns that he will eventually inherit six additional quirks from past wielders of One for All and Shinso gets to use his power to save someone and earns admission into the hero course. Mina gets a couple of badass panels while Uraraka gets several (as well as a rare smile from Aizawa). I love how much Aizawa has taken Shinso under his wing and that we get a glimpse of and a reference to someone he and Mic knew when they were students, a boy called Shirakumo. We also meet the Meta Liberation Army, who are determined to take down the League of Villains. Todoroki and Bakugo get their provisional hero licenses and we learn a little of Shigaraki’s backstory. Phew! I love this series so much. – Michelle Smith

My Hero Academia: Smash!!, Vol. 3 | By Hirofumi Neda| Viz Media – Again, I like how this gag series is handled. It’s character-based exaggeration, but it also follows the main storyline for the most part, so it can use multiple modes of humor. It’s also not above pointing out its own flaws—when Momo is lacking confidence, Eraserhead tells her to spend a week living with Uraraka, and the latter is quick to point out that “my poverty being of service to you” is offensive. Of course, the series is also not above mocking her love of rich person’s food over and over again, so. We even get a good look at the league of villains here, and they’re just as goofy. This is still a lot of fun. – Sean Gaffney

The Quintessential Quintuplets, Vol. 7 | By Negi Haruba | Kodansha Comics – Somehow I missed reviewing the sixth volume of this series, and it’s a shame, as the seventh book is fantastic, possibly the highlight of the series in general. After spending about half of it leading up to the exams, and reminding us what’s at stake, we see the girls taking them one by one, each flashing back to their own issues and challenges—the biggest of which may be Yotsuba’s, as she reveals she’s the one who failed the makeup exam at their old school, and the others left with her in solidarity. The results are brought off perfectly, but Nino is saved for last, and she’s the one who gets the best part, right at the end. Still one of the best romantic comedy manga we’ve seen in some time. – Sean Gaffney

The Way of the Househusband, Vol. 2 | By Kousuke Oono | Viz Media – There’s not really much here in plot or characterization beyond the surface. But when the surface is this, you absolutely don’t care. Househusband is all about style, and in that the book succeeds dramatically. I liked that it featured his wife a bit more in the various chapters, and you can see why he loves her. Everyone keeps mistaking him for doing horrible yakuza deals, even when he’s pushing spices for birthday parties. That said, you really can’t blame them given he’s also pushing his yakuza thoughts into his everyday life, such as the yoga poses, which was absolutely hilarious. We also meet his wife’s family, and their desperate attempts at bonding, which they do after a fashion. This is a whole lot of fun. – Sean Gaffney

Yona of the Dawn, Vol. 22 | By Mizuho Kusanagi | VIZ Media – This volume begins with the aftermath of the adventure in Sei, with Lady Riri dealing with the gratitude of her people, which she doesn’t feel she’s earned; Hak reflecting on adolescent memories of Su-Won, whose ability to see the world impartially means he has no special attachment to anyone; and the Four Dragons working to get back a hairpin for Yona that Su-Won gave her. Then we’re off to another adventure in a foreign land. One of the princesses of Xing is sure they’re Kohka’s next target for expansion and proposes war while her younger sister proposes preemptive surrender in order to save lives. Would-be assassins raid the latter’s compound, where there are a couple of badass fighters and lots of kitties. It’s very much a transitional volume, but still quite good. I’m always bummed whenever I run out of Yona to read. – Michelle Smith

Toradora!, Vol. 9

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By Yuyuko Takemiya and Yasu. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by Will Holcomb.

The character arc of Toradora! as a whole has generally been each of the characters trying to save each other from jumping off a cliff by jumping off the same cliff first, and that reaches a crescendo here, in a volume that might as well be called “Toradora!: Everyone Hates Themselves SO MUCH”. Ryuuji is the poster child here, of course, shouting into the void that no one will let him sacrifice his life and future. To be fair, he has very real concerns. His family are indeed poor, and his mother, despite being a comedy character for almost the entire series to date, is working herself sick so that he can have a better life. But his solution in the course of “realistic ideas” is stubborn, petulant and bad, and you want to strangle him. Things are not helped by Taiga being absent from the first part of the book, dealing with her own drama, which doesn’t become apparent till the climax. Hell, even Ami is super angsty here. Everyone wants to run away.

We’re back at school after the events of the last volume, but everything is not back to normal, no matter how much Ryuuji tries to make it happen. He’s having nightmares about Taiga dying at the ski slopes… while in class. The class is sympathetic, but this is a far cry from the Ryuuji of the start of the series. His main concern is the career survey he hasn’t turned in, though: he’s determined to get a job so that his mother can take it easy, and he might do college later. His mother is adamant that no, he will be doing college, even if she has to work a second job to earn more money. Taiga does eventually show up, having recovered from a head wound she got from her fall, but she too is reluctant to complete the career survey, and, when it’s eventually revealed that it was Ryuuji who saved her and heard her confession, shows she’s just as unable to deal with the fallout. The book ends with the two, confronted by their mothers, literally running away from everything.

As for the supporting cast, aside from one of Those Two Guys showing off he’s had a girlfriend all this time (which reads as somewhat out of nowhere), it’s all about Ami and Minori. Ami is almost as bad as our two leads in the “why am I so terrible?” sweepstakes, bemoaning that she let things like friendship stop her from transferring out like she planned to earlier in the year… and is now planning to do again, without confessing to Ryuuji or patching things up with Minori. As for Minori, she admits (in an extended rant while chasing Taiga) that she’s loved Ryuuji all this time, but that’s no excuse for Taiga to sacrifice everything for her. In fact, that’s the theme of the whole book: Self-sacrifice for the sake of others is painful and dumb.

The next book is the last in the main series (there are three side-story novels as well, but I wouldn’t hold my breath), and I’ve no doubt things will eventually work out. For now, though, enjoy everyone being very, very sad and flagellating themselves.

What’s Michael?: Fatcat Collection, Vol. 1

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By Makoto Kobayashi. Released in Japan by Kodansha, serialized in the magazine Weekly Morning. Released in North America by Dark Horse, originally in six separate volumes. Translated by Dana Lewis, Toren Smith, Jeanne Sather, Alan Gleason, Hisashi Kotobuki, Lea Seidman, and Elin Winkler.

This is the first of two huge re-releases of Dark Horse’s What’s Michael? collections, this one containing the first six volumes. Despite that, it’s only 530 pages – they weren’t big volumes. They’re compiled as they were in the late 1990s, so don’t expect the book to read right-to-left or the missing chapters with violence and nudity to be put back in. That said, I’m not particularly concerned, as it allows this marvelous creation to come back into print after all this time. What’s Michael? is not only a joy to read if you love cats, but it’s also a wonderful experience for those who love its creator, Makoto Kobayashi. This is his most famous title, though Dark Horse did also try to publish his early 90s host club comedy Heba! Hello-chan (aka Club 9), which also desperately needs a re-release. Kobayashi’s cartoonish, rubbery humans are even more fun than his cartoonish, rubbery cats.

Michael is the titular cat, and is the sole recurring character in every chapter. The series has a sort of semi-continuity, in that there are a series of households, any one of which has Michael as their pet for the duration of the 6-page chapter. He doesn’t travel around from house to house – you’re just supposed to say “ah, this time it’s the young OL who owns him”, and then a new chapter happens and “ah, this time it’s the couple with the kid”, etc. Kobayashi picks the owners that best fit the mood of the chapter. Sometimes, although not nearly as often as its reputation suggests, we also see an “all-cat” chapter where Michael and other cats act like humans, as he’s interrogated by police, has a boxing match, etc. For the most part, however, Michael is a cat who acts like a cat here, albeit a cat who can be quite eccentric. Kobayashi has clearly enjoyed a lot of cat-watching creating this series, and owners will find much to identify with here.

There are a few running gags throughout the series, such as the tough guy yakuza who tries to hide how much he loves cats (his talk about the danger of the “Kodansha gang” reminded me of Pop Team Epic’s treatment of Takeshobo), and the burly guy who’s just trying to live a catless life but finds the neighborhood cats constantly wandering into his house to hang out with him. Reiko, the OL, is the most frequently seen owner, and with her Michael is one of about ten cats that she has, most of whom sleep on top of her and make it impossible for her to get a good night’s sleep. On the other hand, the married couple have Michael as a father with a wife and kid (an early chapter sees them buying a female kitten for Michael, and she grows up rapidly to fit the role). As I noted, the series is curated to be all-ages, with the possibly exception of one chapter where Michael ends up at what is clearly a cat brothel, but I think adults may find this funnier than kids for the most part.

I believe that Dark Horse released 11 volumes total, so the next collection should have the remaining five. They’re an absolute must get for cat lovers, and for those who want to experience the unique eccentricities of Makoto Kobayashi.

Kokoro Connect: Step Time

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By Sadanatsu Anda and Shiromizakana. Released in Japan by Famitsu Bunko. Released in North America by J-Novel Club. Translated by Molly Lee.

I get the feeling the author needed a break from the angst as much as the reader did. The last few regular volumes of Kokoro Connect have been rather excruciating, if well-written, and all signs point to the next two books coming up as being even worse. (There are some hints and foreshadinwg in this book as well, the only really serious moment in it.) As a result, even more than the last collection of Short Stories, Step Time allows us to relax and enjoy the cast being together without the threat of Heartseed hanging over them. It also allows the author to go back and take care of some business. Kokoro Connect began with the Cultural Research Club fully formed, our heroes all in it and friends with each other, and Iori and Inaba best friends. So here we get to see how that happened in the first place, in two stories which read like one part destiny to eight parts slice of life.

The book has four largish stories in it. The first, as I suggested, deals with how the CRC was first formed by their teacher (still a normal lazy teacher at this point) and Taichi and the rest talking and realizing they don’t share many interests and all want to be in different clubs anyway. That said, there’s clearly something about these five kids… it’s not the most subtle story in the world, but does a good job of showing why the CRC hang out with each other in the first place. It’s part of a mini-theme in this book of “don’t overanalyze things”, which brings us to the second story, where Inaba and Iori tell the CRC how they came to be friends. This is probably the strongest story in the book (the lack of Taichi POV helps), as Inaba’s natural grumpy cussedness hits up against Iori’s “I am already losing my ability to pretend” complexes and the two have to deal with a stalker of Iori’s.

The third story is also good, though you kind of want to take Kurihara and throw her into the nearest lake. She’s one of the group of girls in the class who aren’t Iori, Inaba or Yui, and she’s very frustrated at the fact that, although there are now three couples in their little group, none of them are having lovey lovey date time. As such, she and an enthusiastic Iori decide to have the three couples (Taichi x Inaba, Yui x Aoki, and that other girl x that other guy) do a triple date, supervised by Kurihara herself. The best part of this is Taichi and Inaba, who really are a terrific couple, as they find out. The last story focuses on Fujishima, who is once again brilliant at everything except ordinary social interaction, and her attempts to figure out why others in their school consider the CRC members “cool”. She’s joined by the two junior CRC menbers, Shino and Chihiro, both of whom are equally socially awkward. What follows is, again, “don’t overanalyze things”, with a healthy dose of Fujishima being oblivious to her own powers of attraction. (She also confirms she is bisexual, almost offhandedly.)

So again, if you love the cast but hate seeing them suffer, this is a terrific volume to pick up. And if you enjoy seeing them suffer… well, Volume 9 should be coming soon.

Manga the Week of 2/19/20

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SEAN: February. I can’t believe we’re still in February.

ASH: It really does seem to be taking its time this year.

SEAN: Fantagraphics gives us the 2nd volume of Kago’s (has he dropped his first name?) Dementia 21, which promises to be disturbing in many and varied ways.

ASH: The first volume was pretty great, in true Kago fashion, so reader be warned.

SEAN: J-Novel Club has dabbled in shoujo light novels (Bakarina), but at Anime NYC they announced a big push to start a shoujo LN line. The first of those is out next week, I Refuse to Be Your Enemy! (Watashi wa Teki ni Narimasen!). It’s from PASH! Books. The premise is quite similar to Bakarina: the heroine realizes that she’s the villain character in an RPG… but she’s not the villain till she gets married! When her future husband shows up, she decides to RUN AWAY!

MICHELLE: Sounds potentially fun.

ANNA: Running away from husbands is a good trope.

SEAN: J-Novel Club also have Banner of the Stars 2, Cooking with Wild Game 6, and The Greatest Magicmaster’s Retirement Plan 4.

In print next week, Kodansha gives us Drifting Dragons 3, Eden’s Zero 6, Fairy Tail 100 Year Quest 3, Gleipnir 6, and O Maidens in Your Savage Season 6. That’s more print than the last four weeks have had.

ASH: I’ve been meaning to give Drifting Dragons a try now that it’s available in print. I’m a volume or so behind, but O Maidens in Your Savage Season has been consistently excellent.

SEAN: The digital debut is I’ll Win You Over, Sempai! (Senpai! Ima Kara Kokurimasu!), a 5-volume shoujo series from Nakayoshi. A girl has lived a life when she’s always confessed successfully and never been dumped… till now. Still, she persists… because if she just keeps confessing over and over, eventually he’ll say yes! This seems like the sort of series that had better be very funny or it may be excruciating.

MICHELLE: Forsooth.

SEAN: Also out digitally is GE: Good Ending 2, Living Room Matsunaga-san 7, Lovesick Ellie 10, MabuSasa 2, and Shojo FIGHT! 9.

MICHELLE: Yay for more Lovesick Ellie and Shojo FIGHT!.

ANNA: I need to get caught up.

SEAN: Seven Seas has four titles, all 2nd volumes. We get Arifureta ZERO’s 2nd manga volume, How to Train Your Devil 2, the 2nd (early digital) volume of Neon Genesis Evangelion: ANIMA, and Nicola Traveling Around the Demons’ World 2.

ASH: The first volume of Nicola Traveling Around the Demons’ World was an absolute delight! The second is high on my list to pick up.

SEAN: Tokyopop gives us the done-in-one volume Dekoboku Sugar Days, another BL title from Gentosha, this one from LOVE xxx BOYS Pixiv. A boy who always had to be protected by our hero as a kid is now all grown up… and huge! Can there still be any protecting? What about a confession?

Vertical has the 7th Arakawa Under the Bridge and a 2nd Don’t Toy with Me, Miss Nagatoro.

Viz gives us Downfall, an Inio Asano title for those who think Dead Dead Demon is too light and cheery. It’s depressing, realistic, and no doubt excellent. It ran in Big Comic Superior.

MICHELLE: I’m sure it’s excellent, but I just can’t handle depressing these days.

ANNA: Me too, I’ll stick with the cheerfulness of Dead Dead Demon.

ASH: I’ll definitely be reading this, but will need to wait for the timing to be just right.

MJ: Wow.

SEAN: Also from Viz: The Drifting Classroom Perfect Edition 2, Golden Kamuy 14, Mobile Suit Gundam Thunderbolt 13, Ran and the Gray World 6, Tokyo Ghoul: re 15, and, most importantly, Urusei Yatsura’s 5th omnibus.

ASH: Ooooh, I’ll be reading quite a few of those, too!

MJ: I still mourn what Ran and the Gray World was in its first volume.

SEAN: Yen On has a 10th volume of No Game No Life, the first to come out without any delays in ages. They’ve also got Log Horizon 1-11 out digitally, meaning every Yen On series is now available in both print and digital. Hooray!

As for Yen Press and the manga end, no debuts, but we do get Interspecies Reviewers 3, Is It Wrong to Try to Pick Up Girls in a Dungeon? Familia Chronicle Episode Lyu 6, Kakegurui Twin 5, Overlord a La Carte 3, Re: ZERO Arc 3 Volume 10, The Royal Tutor 13, Silver Spoon 13…

MJ: Silver Spoooooooooooooooon!

ASH: Silver Spoon is a terrific series.

SEAN: …Skull-Faced Bookseller Honda-san 3, and Tales of Wedding Rings 8.

ASH: Looking forward to spending some more time with my Skull-Faced friend.

MJ: I’m here for Skull-Face.

SEAN: That’s quite a bit. Anything tickle your fancy?

A Man & His Cat, Vol. 1

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As someone who’s suffered a lifetime of embarrassment over my tendency to cry at movies and books about animals—even ones with happy outcomes—I realize that that my reaction to A Man and His Cat may not, in fact, be warranted by the quality of the storytelling or artwork. I should also disclose that I’m almost 50, so I’m hungry for stories about people old enough to have a few grey hairs and wrinkles. And I should probably mention that I live with two cats, one of whom is contentedly snoozing by my feet as I type.

Reader, I loved it.

There’s no real plot to speak of; the most dramatic event unfolds in the opening pages, when Fukumaru, a grumpy-faced cat, is adopted from the pet store where he’s spent a lonely year waiting for an owner. His knight in shining armor is Mr. Kanda, a middle-aged music teacher and empty nester who exudes an aura of sadness, despite his outward composure. Though Fukumaru frets that Kanda might suffer buyer’s remorse, Kanda is thoroughly smitten with Fukumaru, throwing himself into cat ownership with abandon, buying toys and collars, and taking selfies with Fukumaru. These scenes are engineered to elicit a strong, uncomplicated emotional response from the reader; Umi Sakurai doesn’t pluck or tug at the heartstrings so much as tear and rend them, giving Fukumaru a running interior monologue about his fears and hopes. And if seeing a cat worry about being returned to the pet store isn’t enough to make your lip tremble even a little, Fukumaru’s speech is peppered with feline-specific pronouns that underscore his plight in a shamelessly sentimental fashion: who but the most jaded reader could laugh at a chubby cat who worries that he might “go meowy whole life without a name?”

Fukumaru’s vulnerability is further amplified by Sakurai’s depiction of him as round and awkwardly proportioned, with an enormous face and stumpy legs. (One character helpfully describes him as “ugly-cute.”) Though Fukumaru’s penchant for tearing up is chalked up to his breed—the pet shop labels him a “short-haired exotic”—almost every kind gesture, separation, reunion, and potential setback makes Fukumaru’s eyes glisten with great, beady tears. Kanda, on the other hand, is drawn in a somewhat stiff, bland fashion with a few perfunctory laugh lines to suggest his age. The contrast between Fukumaru—who looks like the kind of off-brand stuffed animal you might win at a carnival—and his slim, be-suited owner is an interesting artistic choice, as it makes it easier for the reader to understand why Fukumaru initially feels such trepidation about Kanda. (It’s also a pretty amusing visual gag, too.)

By now, reader, you’re probably wondering, but would I like it? That’s a question I can’t really answer, since this manga’s wholesome sentimentality appealed to me against my better judgment. But if there’s a cat in your lap as you read this review, or you share your house with a pet you rescued from a shelter, I think you might appreciate the warm dynamic between Kanda and Fukumaru, as watching these two wounded souls revel in each other’s company is a genuinely heartwarming experience. Recommended.

Square Enix provided a review copy.

A MAN & HIS CAT, VOL. 1 • BY UMI SAKURAI • TRANSLATED BY TAYLOR ENGEL • SQUARE ENIX MANGA & BOOKS • 146 pp.

A Man & His Cat, Vol. 1

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By Umi Sakurai. Released in Japan as “Ojisama to Neko” by Square Enix, serialization ongoing in the magazine Gangan Pixiv. Released in North America by Square Enix Manga. Translated by Taylor Engel.

There’s a new publisher in the North American market, and Square Enix Manga has chosen this series to be their debut. It’s a strong choice. The series hits on several popular manga genres, is heartwarming and touching without getting cloying, and is also one of those titles where pet owners will be nodding their heads in understanding and sympathy. Since it is a new publisher, I’ll briefly get into the technical details before starting the review. The book looks nice, with thicker cover stock than others, and good solid paper. There are color pages at the front and the back. The translation is fine, though be warned that one of the narrators is a cat, which means that there are lots of “inserting meow into every word” choices. This mirrors the Japanese, of course, but I know some people might find it aggravating. That said, the main reason anyone will be picking up and continuing to read this is the titular man and cat.

A cat, nearly one year old, sits unloved in a pet shop. He’s an exotic shorthair, and looks odd, so no one cares… plus he’s now too old. Into this shop comes Kaito, an old man who takes an immediate liking to this cat, who he buys and names Fukumaru. The man and the cat are both very lonely people through circumstance, and so bond almost immediately. The rest of the volume consists of glimpses into Kaito’s current and past life and amusing “this is what it is like to own a cat” stories. Fukumaru is very loving and hands-on for a cat, so the series ends up being full of heartwarming moments. Kaito’s friends and co-workers are also very nice, sweet people. There’s no real conflict beyond things like “will he be OK when I leave the house for the day”, but that’s fine, as this series gets by on pure heartwarming.

One thing I love about this title is its subtlety regarding Kaito’s life, which is still only somewhat sketched in. He’s an older gentleman, and we see a few flashbacks to him and his wife, where they discuss getting a cat. It’s never explicitly stated, but it’s very clear his wife has now passed away, which weighs heavily on him. A flashback suggests they knew each other from childhood, which makes it even more painful. Kaito seems to be a music teacher, and there are some lovely scenes of him playing the piano. But the kids he teaches note that he only played sad songs till recently (i.e. pre-cat), and he implies he has a love/hate relationship with his piano (and, inferred, his career in general.) Basically, while I definitely think people are buying this manga for the cat, the man gets just as much attention, and is fascinating.

This is definitely a title that “hits you in the feels”, and I think it’s a great choice for Square Enix to mark its debut. I highly look forward to the second volume.

Torture Princess: Fremd Torturchen, Vol. 3

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By Keishi Ayasato and Saki Ukai. Released in Japan as “Isekai Goumon Hime” by Media Factory. Released in North America Yen On. Translated by Nathaniel Hiroshi Thrasher.

Given how many of the villains were dispatched in the last book, it should come as no surprise to find that Elisabeth and Kaito finish off her task by the end of this book. The twelve villains she was ordered by the Church to destroy are, more or less, destroyed. Of course, that means that it’s her turn to be executed next. And therefore this is the final volume. Bye, everyone!… wait, no, of course it isn’t. There’s always an out, and the author is now describing the book as the end of the first arc. But what do you do when you’ve killed off the bad guys? Simple, have ma new bad guy for everyone to fear, twice as mean and terrifying, and set Elisabeth out to destroy him! Of course, there is one slight problem, which is who the villain actually is. (It should not be hard to figure this out.) It’s a very clever and also very foolish plot.

This book takes place in the capitol, and as such the cast expands greatly, though really there’s only one name we need to remember. The various knights and paladins of the church are doing their best, but in the end this is something that mercy and compassion are a bad fit for. Izabella in particular is so pure and shiny that she no doubt will be a powerful antagonist in future volumes (she’s the name to remember). In case you were worried that there would not be descriptions of horrific graphical body horror, torture and fates worse than death, fear not, they’re here in abundance – one featuring a children’s theater was particularly horrible. But then you get a fantastic line of dialogue, or an evocative description, or even just Elisabeth briefly turning into Teru from Dengeki Daisy and demanding Kaito go bald, there’s always a new element to remind you why you’re reading this series. (If you are reading this series just for the gore, good for you, and also you may want to visit some other blog.)

And then there’s Hina, who is only in one or two scenes in the book, but they’re so memorable they threaten to overshadow everything else. (That said, props to “The Butcher”, who remains ridiculous in the extreme.) Still in a coma for the majority of the book, she literally dive bombs into the final battle, declaring her love for Kaito as loud as a ball-jointed doll possibly can, and their reunion is actually really sweet. What follows is also the funniest point of the book, where Hina says she loves him even though they can’t have kids, and Elisabeth explains how they CAN have kids – even if the act she’s describing makes her blush. As I said in the other reviews, fans of Rem from Re: ZERO may as well start reading this, because you’re not getting more of her in the main series right now and this Rem actually gets the guy.

And so, at the end of the book, Elisabeth sets out to execute this new villain, Kaito and Hina are reunited and possibly making babies (though I doubt it, honestly), and Torture Princess remains a fantastic read, despite all the gore and torture. For those with strong stomachs, absolutely recommended.

Jackaby, Books 1-4 by William Ritter

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jackaby1Jackaby
I’ve seen this series described as “Sherlock meets Doctor Who,” and that is pretty apt. It’s January 1892 and our plucky British narrator, Abigail Rook, has just arrived in New England and needs employment. No one is hiring except for the eccentric investigator, R. F. Jackaby, who is looking for a new assistant since his previous one is “currently waterfowl.” Jackaby’s physical description is evocative of Benedict Cumberbatch in character as Sherlock, and he’s occasionally tactless, but aside from one early demonstration, he doesn’t do much in the way of deduction. Instead, he’s more like The Doctor—a kooky, scarf-wearing fellow who dashes about warning townspeople of supernatural threats while they regard him as “a crackpot imbecile.” Abigail is, of course, the companion—a clever girl who has always longed for adventure but who has until now been denied it. Happily, there is no hint of romance between them.

In this first installment, Abigail and Jackaby work together to solve a series of murders afflicting a particular apartment building. Jackaby, of course, can tell the culprit is a creature of some sort while the policeman in charge scoffs at this assertion and, at one point, locks Abigail and Jackaby up for impeding his investigation. Although I liked the characters—especially Jenny Cavanaugh, the ghostly resident of Jackaby’s headquarters—the mystery portion of the book was sadly predictable. “Obvious culprit is obvious,” I wrote in my notes, and though I didn’t work out what sort of creature was to blame, another character’s bestial secret was no surprise.

Still, I did enjoy Jackaby and like the characters and tone well enough to continue. I do hope the next mystery is a little less transparent, though.

the-map“The Map”
This short story takes place on Abigail’s birthday. She’s been quite clear about not wanting a fuss, but Jackaby is determined that they will have an adventure. Their first stop is a magical market, which she doesn’t enjoy much, to Jackaby’s disappointment. While there, however, they pick up a treasure map and proceed to complete a series of challenges in search of the treasure buried by the notorious rogue, the Bold Deceiver.

“The Map” may not be an essential piece of reading, but it was enjoyable nonetheless. I especially liked the challenge in which they must get past the enormous hare guarding a castle—that one was sad and funny simultaneously. I also like that they’re not 100% successful with all the tasks, since centuries have passed since they were set up. On the whole, it’s worth checking out.

jackaby2Beastly Bones
It’s now the spring of 1892 and Jackaby and Abigail have been sent to the nearby town of Gad’s Valley to investigate thefts from a paleontological dig site. Abigail is mad for fossils, so is very excited about this prospect, while Jackaby must be convinced it’s worth their time. Another benefit is that Abigail gets to spend more time with Charlie the handsome policeman, for whom she has feelings, though she’s unsure what to do about him. Jenny the ghost has advised her to go for it and make the first move while Nelly Fuller, intrepid lady reporter, chastises her for thinking about love. “Do you want to be safe and happy or do you want to be great?”

As I had hoped, the mystery in Beastly Bones is a definite improvement over the first book; despite being a fine example of Chekhov’s Gun, its multiple layers made for a more complex case. Mostly, however, I liked that one aspect of it remains unsolved. Even though this series has Sherlockian elements, it hadn’t occurred to me that there’d be a Moriarty equivalent, but it looks like there is!

Still, the characters remain the main draw. Jackaby can be brash and insulting, but he doesn’t talk down to Abigail or treat her like a kid. I enjoyed his aversion to hearing about her romantic problems, and his awkward attempts to be sweet. “Buck up; you’re dreadful company when you’re melancholy.” Abigail continues to be resourceful and likable. And though there wasn’t much of Jenny, the ending finds her enlisting Jackaby to delve into her own murder. I’m very much looking forward to it!

jackaby3Ghostly Echoes
I’d really been looking forward to Ghostly Echoes and the truth behind Jenny’s murder, but it wasn’t exactly what I’d been hoping for.

True, Jenny’s murder is solved, but there is practically zero exploration of the person she was when she was alive. The plot is more about the evil council responsible (turns out that Moriarty-seeming character from previous books was only stirring things up to keep Jackaby busy so this group of dark fae could keep an eye on him) and the looming threat to mankind. Jenny did grow tremendously in both confidence and ability, and had a few genuinely badass moments in which she got to save her friends. I also appreciated her realization that she is more than a mere echo of the girl who died, but has her own thoughts and feelings. “I’m my own somebody.” I liked all of that, but I still wish she’d been the focus throughout instead of only in places.

Too, there’s not really much Jackaby, either. Yes, we learn about his childhood friend who was the Seer before him and how the council was after her too, but he just seems so… deflated. I guess it’s reasonable for him to be subdued given the case and its implications—he was worried that closure for Jenny might mean she’d move on—but I missed the humor he used to bring to situations. I reckon there shan’t be much of that in the next volume, either, in which our heroes face off against the bad guys and attempt to save the world.

The Dire King
The final entry in the Jackaby series wasn’t bad but, like the previous installment, certain character moments that I really wanted to see play out were completely glossed over.

Jackaby and company are trying to prevent the Dire King from destroying the veil that separates the Annwn and our world. This involves locating a particular magical artifact, attempting to destroy a diabolical machine, clashing armies, and lots and lots of fairies and magical creatures. I cannot possibly express how little interest I have in lots and lots of fairies and magical creatures.

There was at least more Jackaby here, and a somewhat warmer one, which I appreciated. I just wish there was much more about him and Jenny. She’s finally able to overcome her inability to touch him when his life is on the line, and there’s the suggestion that they’re going to live happily ever after once the crisis has been averted, but man, I really wish we’d gotten a scene where he pours his heart out and she scolds him for taking so long while also crying happily. Similarly, while I like where Abigail ultimately ends up, the very end is briefly pretty great but then it’s just… over.

I know cheesy epilogues get maligned pretty often, but in this case I would’ve appreciated one!