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Sword Art Online Alternative: Gun Gale Online: One Summer Day

March 7, 2020 by Sean Gaffney

By Keiichi Sigsawa and Kouhaku Kuroboshi, based on the series created by Reki Kawahara. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

I honestly feel a bit suckered in. We’ve had, for the last five volumes, a bunch of goofy fun gun battles, with some nice characterization and an ongoing plotline about what people game for. The author, who is known for writing endless amounts of spinoffs for other people’s work, also wrote himself into the series as a complete loser who exists to get mocked and humiliated. And, really, for about 85% of this 6th book, we get much the same thing. People are here to read the gun battles. There’s a reason for that: they’re good gun battles. There’s a lingering plotline, which we think will be dealt with in the epilogues, that has Karen wondering why she does GGO anyway – what’s in it for her? But no, this gets answered in the climax of the book. Instead, the 2nd epilogue is there to make you say “Oh, right. This is ALSO the author of Kino’s Journey. He can create something absolutely stunning as well.”

LLENN and the others are invited to a different kind of event in GGO. They’re trying to develop some NPCs, and want to test them using the top teams in the previous Squad Jams. So the teams are invited to storm a castle which is being defended by other guns. They can either work together or fight each other – indeed, the first half of the book shows off some of the teams wanting to fight – particularly LLENN, who has not realized that her inability to fight SHINC is the series’ running gag. Once they get intel on the group in the castle they’re up against, the book becomes a puzzle – how to get into the castle and/or kill those inside it without dying three times (they get multiple lives here, which is good, as the book starts with LLENN getting killed in a flashforward).

I’m going to try not to spoil the ending, which is hard, as it leaves me with not much to talk about. Suffice to say there are some good hints dropped here and there, particularly the scenes between LLENN and Jacob, one of the NPCs. Other than that, we’re left with a game situation which does not really rev up Putohui’s bonkers-ometer, and as a result she’s rather rational and awesome, much to LLENN’s surprise. LLENN is also able, through the course of this battle of attrition, to recall why she does this sort of thing in the first place. The side story helps there as well, when Miyu suggests to Karen a much of parodies of games which help to solidify her feelings. Basically, playing GGO for LLENN, with its mock battles and not-really-murders, is fun. Gaming is fun. And, as the epilogue I am not spoiling shows us, it can also be valuable in other, more tactile ways.

So, congratulations to Keiichi Sigsawa, who with one plot twist made this probably my favorite volume in the series. The 7th book is not scheduled yet, so it may be a while till we see LLENN and Pitohui again. (Clover’s Regret in between, perhaps?). That said, when we return I expect Squad Jam IV will bring things back to the sort of book Sigsawa normally writes in this series – happy little gamers killing things.

Filed Under: REVIEWS, sword art online

Manga the Week of 3/11/20

March 5, 2020 by Sean Gaffney, Michelle Smith, Anna N, Ash Brown and MJ Leave a Comment

SEAN: A sizable, but not overpowering, list this week.

A sole offering from J-Novel Club: The 2nd volume of the manga for The Unwanted Undead Adventurer.

Kodansha’s print debut is Knight of the Ice (Ginban Kishi), a josei series from Kiss about a writer whose childhood friend is not only a famous figure skater, but also a hopeless nerd dependent on her. It looks quite fun. The author has another josei series, Kiss & Never Cry, that has long been on my “when I can pay a publisher large amounts of money to license something just for me” list. This is actually a side story connected to that, but stands on its own.

MICHELLE: I am very excited for this! This is also the mangaka of Tramps Like Us/Kimi wa Pet.

ANNA: Me too, I’ve had this preordered as soon as I knew about it, happy for more Ogawa.

ASH: Same! Tramps Like Us was terrific, so I’ve really been looking forward to this series.

MJ: This sounds so good! Here for it.

SEAN: Also out in print is Noragami: Stray God 21 and The Quintessential Quintuplets 8.

ASH: Oh, it’s been a while since the last Noragami volume.

SEAN: Digitally we get My Roomie Is a Dino (Gyaru and Dinosaur), a Young Magazine series whose Japanese title probably sums it up better than the English.

And there is Cells at Work and Friends 2, The Dorm of Love and Secrets 2, Farewell My Dear Cramer 8, Giant Killing 19, and Tokyo Revengers 14.

Seven Seas makes up for last week’s absence with a bunch of things. Including several debuts, starting with GIGANT, from the creator of Gantz. It seems to be about a porn star who can grow to the size of a giant, and therefore has a very strong, if very specific, appeal to fans of that nature. It runs in Big Comic Superior.

The early digital light novel debut is The Invincible Shovel (Scoop Musou), about a man, his shovel, and a quest to save the kingdom. I’ve heard this is very funny.

The King of Fighters: A New Beginning has Terry Bogard, Mai Shiranui and King giving up on fighting and starting a dance academy… OK, no, it’s a fighting manga.

ASH: Now I really want to read about a martial dance academy…

MJ: Same.

SEAN: My Status as an Assassin Obviously Exceeds the Hero’s is a new manga based on an (unlicensed) light novel, and is basically Arifureta smooshed together with The Magic in This Other World Is Too Far Behind!. It runs in Overlap’s Comic Gardo.

Also from Seven Seas is Arifureta: I Heart Isekai 2, Gal Gohan 2, I Had the Same Dream Again digitally (yes, I already talked about it, they moved it), Neon Genesis Evangelion ANIMA 2 (in print), the 2nd PENGUINDRUM manga, and the 5th volume, digitally, of Reincarnated As a Sword.

Square Enix has a debut, and BL fans should be happy. Cherry Magic! Thirty Years of Virginity Can Make You a Wizard?! (30-sai Made Doutei da to Mahou Tsukai ni Nareru Rashii) is about a man who can read people’s minds by touching them… only to find that his colleague has a huge crush on him! It’s a Gangan Pixiv title.

MICHELLE: That title tho…

ASH: It is quite a title, isn’t it?

MJ: This vaguely reminds me of a series I worked on way back during my DMG experiment, Your Gentle Hand, but more fun?

SEAN: SuBLime also has a debut, Caste Heaven, a dark psychological BL story. Looks a bit too dark for the MB crowd, but who knows? It runs in Magazine Be x Boy, a sentence I don’t think I’ve typed out since I was doing these lists on Livejournal.

MICHELLE: I actually appreciate psychological BL sometimes, so I intend to check this out.

ASH: I probably will, too, at some point.

MJ: I’ll tread cautiously, but maybe?

SEAN: Vertical has The Golden Sheep 3.

MICHELLE: This is the final volume.

ANNA: I need to read the whole thing.

SEAN: Viz has (last I checked) Transformers: The Manga, for all fans of 80s robot shows.

And also Radiant 10, Record of Grancest War 6, and RIN-NE 32.

And two titles from Yen. On the light novel side we’ve got Magical Girl Raising Project 8, still building up magical girls and knocking them down.

And last, but certainly not least, it’s an 11th volume of Monthly Girls’ Nozaki-kun!

MICHELLE: Yaaaaaaaaaaaaaaay!

ASH: Yes!!! Monthly Girls’ Nozaki-kun is the best!!!

MJ: Nice to see this still going.

SEAN: A lot of debuts this week. Any of them interest you?

Filed Under: FEATURES, manga the week of

My Hero Academia: School Briefs, Vol. 4

March 5, 2020 by Sean Gaffney

By Kouhei Horikoshi and Anri Yoshi. Released in Japan by Shueisha. Released in North America by Viz Media. Translated by Caleb Cook.

These books have gotten stronger as they go on, which is a good thing, and also expected of a tie-in series – they’ve gotten better at character development as there’s been more in the main series, and the novel author has more to draw on. The book takes place, with one exception (the first chapter takes place during Vol. 15) around the school festival arc, which conveniently makes it tie into the current anime as well. We get chapters showing the preparations, we get to actually read about Class 1-B’s play instead of just having it be a gag, we get a prequel for the beauty pageant, and we see cooldown post-festival for both students and teachers. I’ve talked before about how the series narrates events Horikoshi didn’t have time to write into the main series, and that feels especially true with this book, as a lot of these feel very in character. (That said, the art is more minimal and reused than usual – I think he was very busy at this time.)

The first chapter is not a school festival chapter, but does have Fatgum, Kirishima and Amajiki patrolling an Osakan float festival, where Kirishima meets a cartwright who is having seconds thoughts because of a past accident, something which makes Kirishima recall his own past with Ashido. We then see Shinso walking around campus during festival prep, seeing how the other classes are doing while trying to figure out how to tell his friends in the General Studies class he’s putting in for a transfer. We then get the 1-B play in all its glory, followed by a story just before the beauty pageant, which is from Kendo’s POV. We end with a few scenes showing Izuku’s candy apple prep and some other 1-A antics, and finally see the teachers having an alcohol-fueled after party.

The character work is the main reason this is so good. Shinso and Kendo get some excellent development here, getting inside their heads. Shinso still feels a little guilty and shamed about his own quirk, though this has improved post-Sports Festival, and eavesdrops on some folks who make him feel better. Kendo was even more fascinating, as we see her struggling with being the beauty contest competitor even as she’s uncomfortable with her own gender dynamics, feeling out-of-place in a dress and preferring activities most would say were for men. While she does say that she’s definitely a girl, it would not be a very broad leap to see her as a bit agender. I also really enjoyed the 1-B play, both for its copyringht-dodging elements and also for making Monoma look less obnoxious (always a hard task). Even the beauty pageant girl Bibimi Kenranzaki, written entirely as a one-panel gag by Horikoshi, gets to drive a tank and bond with Mei Hatsume (whose not bathing is the running gag of the chapter).

Flaws? Mineta is still in this, though less so than previous books, and Shinso wonders (as do we all) why he hasn’t been expelled yet. The teacher’s chapter at the end is also a bit weaker than the others, and Midnight’s whipping talents jar a bit given the rest of the book is easily accessible to 10-13 year olds. Still, overall this is the strongest entry in the series to date. We’re also caught up with Japan, so a new volume will be a bit.

Filed Under: my hero academia, REVIEWS

The Promised Neverland, Vol. 14

March 4, 2020 by Sean Gaffney

By Kaiu Shirai and Posuka Demizu. Released in Japan as “Yakusoku no Neverland” by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz Media. Translated by Satsuki Yamashita.

This review will contain a spoiler for the volume, but the manga has not exactly been trying to hide it, and the cover makes it even more obvious, so let’s just come right out and say it: hey, Norman is back! And he’s Mr. Minerva! And he’s a lot taller than Emma now (which leads to a very funny interstitial gag). This reunion has been building up ever since the reader first saw that Norman was, in fact, non dead after all, and I appreciated how it’s given room to breathe. Emma and Ray both have very in-character reactions to his presence here, and even have a nice talk and snuggle. That said, things may not be as easy as “yay, I’m back!” – Norman has a definite agenda, and it’s one that Emma doesn’t agree with, though at the moment she can’t really think of a solution that isn’t Norman’s. Fortunately, Ray, who is awesome, tells Emma not to bottle it up but just tell him.

Norman has to step up his plan because Emma, in a brief action sequence at the end where she helps to get medicine for one of their dying companions, and is discovered by some demons, who now know Grace Fields kids are nearby. This sequence also shows off how much everyone in this manga thinks about things. First we see an argument about why Anna and Ray should be going on this mission as well. Then later Hayato splits off from Emma and Anna to go with Ray, as that makes things more chaotic, and, as Emma sagely notes, will stop Ray from doing something that will get himself killed. These kids have been together a long time, and even those who just joined from other farms are starting to know everyone like the back of their hands. In fact, it also leads to a funny sequence at the end – Norman’s minions only know him as cold and aloof, and threaten Emma and Ray to get them to spill stories about Normal being goofy and childlike.

The big news going forward, however, is Norman’s revelation about the demons, why they want to eat humans so much (hint: it’s not just because they find them super delicious), and how best to deal with them going forward. Norman’s plan makes perfect sense, as even Emma admits: these demons have been the villains the entire book, they’ve viciously murdered a number of children, and they’re mostly a nasty set of characters. But Emma is gonna Emma, and can’t help but think of the demons that are living their own lives and raising demon families. And then there’s Sonju and Mujika, the two demons who helped the group a few volumes ago… who do NOT eat humans (so they say), and thus put a giant wrench into Norman’s plan, provided Emma opens up to him about it, which I think will come next volume.

In fact, I suspect next volume will have a big Emma vs. Norman fight. Idealist vs. Realist is a classic manga scenario we’ve seen time and time again, and I have some bad news for Norman: in fictional works, the realist rarely wins. In the meantime, enjoy this tense yet heartwarming volume.

Filed Under: promised neverland, REVIEWS

Banner of the Stars: What Needs Defending

March 3, 2020 by Sean Gaffney

By Hiroyuki Morioka and Toshihiro Ono. Released in Japan by Hayakawa Bunko. Released in North America by J-Novel Club. Translated by Giuseppe di Martino.

I think that I’ve mentioned before that this series reminds me quite a bit of Legend of the Galactic Heroes in places. They’re both Space Operas, but more importantly, we’re meant to root for the Empire much of the time. In LOGH we have Yang Wen-Li and company to balance that out, but the enemy in Crest/Banner of the Stars rarely gets any face time at all, and so naturally we root for the Abh because they’re the POV characters, even when they’re doing things that may be seen as rather heartless or odd. And while Jint may not have been born an Abh, a lot of his emotional reactions to things, particularly in the first half of this book, is starting to feel very similar. Admittedly, he’s helped out by the situation he’s placed in, a plotline which will make the reader cry out for more space battle banter. We get a bit of that as well (thank heaven for Sporr), but for the most part this is a story about a sordid little prison planet and their rebellion.

Jint and Lafier end up coming across this planet, one of the ones in the Abh’s freshly conquered territory. It’s divided into thirds: all men, all women, and mixed, with the men given vasectomies so that the prison won’t be overrun with children. All this overseen by a warden and guards. But now there’s a rebellion, helped along by a nasty drug trade on the planet as well as the men-only group deciding that they want to go over to the women-only group and start making babies. (The novel takes an emotionally distant approach to this – the word ‘rape’ is not mentioned in the book, but it’s clearly what the men, for all their talk about fatherhood being their dream, want to do, and Jint and Lafier do make sure the women-only side of the prison is evacuated first.) All sides want to get off planet, even to other prison planets. Jint is caught in the middle… and when a revolution does come, Lafier, who is dealing with the space battle end of things, cannot stick around to save him.

As always with this series, it’s the interpersonal relationships that make it good, particularly Jint and Lafier. Little things like a near-death Jint writing poetry in Abh on the walls of where he’s hiding for Lafier to find, or the whole “Abh do not cry’ thing that’s a running thread throughout the book (and, unsurprisingly, total bullshit). By the end of the novel they’re closer than ever. And I do love the caustic yet hilarious relationship between Sporr and Cfadiss (and was very surprised at Sporr basically sacrificing a LOT to help Lafier here). That said, while I do appreciate what the author wants to do with the Abh linguistics and the space battle logistics, when the book is NOT about interpersonal relationships it can get quite boring. Sometimes it can even get annoying, particularly when one side of a group of prisoners is arguing about their inalienable rights to rape the other side.

As such, I’d call this volume more ‘variable’ than anything else, though the Jint and Lafier moments are fantastic. Next time they apparently return to his original homeworld. That should be safe and fun! But at least they’re going together.

Filed Under: banner of the stars, crest of the stars, REVIEWS

Pick of the Week: Love Me, Love Manga

March 2, 2020 by Sean Gaffney, Anna N, Michelle Smith, MJ and Ash Brown Leave a Comment

SEAN: A new Shojo Beat series is always welcome, especially when it’s by a proven talent. As such, my pick this week has to be Love Me, Love Me Not, especially as it has two girls on the cover rather than the standard “hero with arms around heroine” shot.

ANNA: I always want to celebrate new Shojo Beat series, so Love Me, Love Me Not is my pick as well.

MICHELLE: Yep, I’m on the Sakisaka bandwagon, too!

MJ: Count me in for Love Me, Love Me Not as well!

ASH: Likewise! As far as debuts go, Love Me, Love Me Not is my pick this week without question.

Filed Under: PICK OF THE WEEK

The World’s Strongest Rearguard: Labyrinth Country’s Novice Seeker, Vol. 2

March 1, 2020 by Sean Gaffney

By Tôwa and Huuka Kazabana. Released in Japan as “Sekai Saikyou no Kouei: Meikyuukoku no Shinjin Tansakusha” by Kadokawa Books. Released in North America by Yen On. Translated by Jordan Taylor.

As you might imagine, this is not quite as hilariously bad as the first volume was. Many of the same elements are in play, and now that we’re familiar with them, they don’t provoke hilarity as they once did. That said, there is a certain amount of amusement taken in counting the number of times that Arihito meets a new woman and has them fall in love with him almost immediately. We add two more members to the party in this volume, though we met them in the first book: merchant Madoka (who has sisters named Manami and Kurumi, making me wonder if the author had been watching KOR while writing this) and monster dissector Melissa, whose mother turns out to have been a demi-human, which explains (I guess) her emotional reserve. Oh yes, and there’s a Guild Savior, Seraphina, whose job it is to save those who are in big trouble. Which is not Arihito: he’s always got this. That said… I dunno, this series remains hard to dislike.

Our party starts the book having risen to the top of the rankings, which is good, as there’s a monster breakout they have to deal with, as well as rescuing another top-level party from a dangerous monster forest, where they ran into a Named Monster that ended up possessing 4/5 of the party. And after that they have to deal with another giant loot box, which they are warned (by the goddess who now supports them) has a dangerous weapon inside of it. None of these pose TOO much of a problem for Arihito and company – indeed, they spend far more time figuring out what new skills to pick now that they’ve leveled up than they do actually fighting. They don’t even have to take the test to get to the 7th level – which they party they rescued were doing – because they’re that fantastic. But they all remain humble, generally shifting praise to other people in the party while downplaying their own strength and saying how much of it was pure luck. Arihito especially does this, as befits a light novel protagonist.

I just reread that paragraph, and God, it makes this sound wretched, doesn’t it? But as you’re actually reading it, it’s surprisingly relaxing and peaceful. This isn’t really a ‘slow life’ book – far too much happens (indeed, the events of this very long second book take place over only two days) for that to be the case – but at times it does sort of feel like a slice of overpowered isekai life. The girls are falling for Arihito more and more every day, mostly due to the usual Japanese protagonist reason of him being nice to them, but there’s precisely zero romantic rivalry. They’re suggesting who gets to bathe with him, but washing backs is all anybody does. For a book with an overpowered hero and the nine or ten different girls who are all devoted to him, it’s surprisingly wholesome, with a few “wow, those breasts are large” exceptions. And Theresia, the demi-human lizard, continues to be the best thing about the novels – her emotional range and interactions with the others show a deft touch in the writing which is completely absent from every other part of the book.

At the end of the book everyone (including Louisa, their handler, who is not about to lose the greatest party that’s ever happened to her) move up to the next level, where things are supposedly much tougher. That said, they arrive at the level being Rank 294 out of 10,000 parties, so they’re already able to afford the mansion they’re used to. What happens next? God knows – I’m guessing more leveling up, more choosing skills, and more women to add to the pile. This is hard to take seriously, but also hard to hate. I’ll be reading more.

Filed Under: REVIEWS, world's strongest rearguard

Sweat and Soap, Vol. 1

February 29, 2020 by Sean Gaffney

By Kintetsu Yamada. Released in Japan by Kodansha, serialization ongoing in the magazine Weekly Morning. Released in North America by Kodansha Comics. Translated by Matt Treyvaud.

I will note right off the bat that the lead couple get together very fast in this manga – which makes sense, as the first chapter was written as a one-shot. It’s also a good thing, because if this had been a slow-burner I might have dropped it. There’s a weird consent thing going on at the start, where Asako, the heroine, is clearly uncomfortable with the attention of Kotaro, but also finds him immediately attractive and magnetic. He’s also doing his best to hold back while also begging her “let me smell you every day!”. Fortunately, there’s a better reason in this manga than the usual one you’d expect. Also fortunately, once the manga settles in beyond one chapter it becomes less about smelling this woman’s natural body odor and more about a shy and awkward woman navigating her first romance, with all the highs and lows that this entails. It ended up being quite a sweet read… especially as it does end up doubling back and talking about when things are appropriate and wne they aren’t. Mostly.

Asako has grown up sweating a lot, which caused her to be a bit of an outcast as a kid, and now as an adult she still has the same issues. As a result, she’s happy to be working at Liliadrop, makers of soaps, toiletries, and other bath products that help her get through her day. Then one day she runs into the chief product developer… who can smell her natural scent. And really likes it. Like, really REALLY likes it. To a somewhat inappropriate level. Of course, he’s also attracted to her as a shy, sweet girl. And so, after saving her from a subway creeper, they go back to her place and make love. Now she has to negotiate this new relationship in reverse, getting to know Kotaro and finding boundaries where he can feel free to smell her but perhaps not when it’s too embarrassing. That said, he’s very popular at the company, so she chooses to hide their relationship for now. A choice she may regret…

I really liked the two leads, which was a bit of a surprise given one of them is introduced by “I’m not going to hurt you, I just want a good sniff”. But Kotaro is merely socially inept, and when he realizes how uncomfortable he’s making Asako, he backs off… mostly. Well, somewhat. Fortunately for the reader, the artist is good at drawing embarrassment, and Asako is very cute. The best chapter is the one where they go on a date, and we see a) Kotaro trying to stop himself smelling her in public, and consequently getting more and more uncomfortable, and b) Asako thinking this means he’s having a horrible time. In the end, it’s about good communication, as always. The manga is not that explicit, but it’s worth noting that there are a couple of sex scenes here… including the morning after where we see blood on Asako’s bedsheets, something not normally seen in titles like these.

So yes, there is a bit of fetishism here for the natural body odor of a woman. But come for that, and stay for the attractive leads and their adorable if hella embarrassing romance.

Filed Under: REVIEWS, sweat and soap

Konosuba: An Explosion on This Wonderful World!: Yunyun’s Turn

February 28, 2020 by Sean Gaffney

By Natsume Akatsuki and Kurone Mishima. Released in Japan as “Kono Subarashii Sekai ni Bakuen wo!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kevin Steinbach.

I have to admit that I was less thrilled with the second volume of Megumin’s spinoff series. This is pretty much because the middle half of the book is filled with Zesta and Cecily, the two Axis Church members that we’ve seen in KonoSuba books 4 and 8. I don’t mind Aqua, mostly as she’s not a creeper, but the same cannot be said for the acolytes of her church. The running gag here is that, because the Axis Church basically has as its creed “do whatever the hell you want”, it tends to attract the wrong sort of people, and we see that here, played, of course, for comic effect. Zesta is infamous for his behavior, to the point that when he’s arrested and falsely accused of being a traitor to the human race, no one wants to bother to defend him. Cecily is also pretty bad, taking opportunities to feel Megumin up in the bath, etc. Fortunately, the first and last parts of the book are much better.

Despite the subtitle of the book, we do not get Yunyun’s narrative POV here, alas. Which makes sense, as the fun of Yunyun is watching her flail, not getting inside her head. That said, she does come off pretty well in this book. Following Megumin to Arcanletia because, well, because life without Megumin terrifies her, Yunyun as always tends to alternate the ‘sensible’ role with Megumin when the situation calls for it. The last quarter of the book shows the two on a carriage to Axel Town with a number of other people, and various monsters keep attacking the carriage. This leads to the funniest part of the book, as Megumin can’t use Explosion without hurting the other travelers, so ends up being pitied and looked down on by everyone else as Yunyun, who can use various magics, takes out all the monsters. Of course, at the end Megumin does end up showing off and regaining people’s respect – it’s her series, after all.

The plot, aside from shifting Megumin to Axel Town (the book ends right as the first in the main series begins – Megumin sees Kazuma and Aqua arrive in this world, though she resolves not to have anything to do with them), involves Chomusuke being sought after by a demon who is convinced (and not without good reasons, as readers of the main series will know) that Chomusuke is Lady Wollbach. Megumin, despite verbally not caring about Chomusuke, ends up defending her against this demon, despite also taking the cash offered to hand her over. (This is how the broke Megumin can finally afford to leave the village.) This, of course, sets up events in Book 9, which had not been released at the time this came out in Japan (this came out between Books 5 and 6). Again, seeing the contrast between Megumin’s seemingly blase attitude towards everyone and everything and her actual feelings deep down is the main reason to get these books.

So yes, I wish there had been less Axis Church, but overall this was still pretty good. Next volume likely will see things end up how they were at the start of the series proper – with Megumin and Yunyun separated, and Megumin meeting Kazuma and Aqua properly.

Filed Under: konosuba, REVIEWS

Manga the Week of 3/4/20

February 27, 2020 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ Leave a Comment

SEAN: March is coming in like a lion, unless you mean March Comes in Like a Lion the manga, that’s still unlicensed. But what else do we have?

MICHELLE: I really want that manga!

SEAN: Denpa Books debuts a new series, Pleasure and Corruption (Tsumi to Kai). This is a Square Enix title from Young Gangan, and seems to be more on the “Fakku” end of the Denpa scale rather than the “Vertical” end, if you know what I mean.

ASH: Wink, wink; nudge, nudge.

SEAN: J-Novel Club has some new print releases. Crest of the Stars Books 1-3 get a deluxe hardcover release, recommended for all space opera fans.

ASH: Oooh, I might have to check that out now that it’s (back) in print.

SEAN: There’s also An Archdemon’s Dilemma 4, Infinite Dendrogram 5, and Marginal Operation (manga) 2.

On the digital side, they debut the Demon Lord, Retry! manga, based on the light novels that they are also releasing. They’ve also got Campfire Cooking in Another World 5, The Combat Baker and Automaton Waitress 4, and the third A Very Fairy Apartment manga.

Kodansha has… no print releases. But there is a digital debut, A Condition Called Love (Hananoi-kun to Koi no Yamai). It’s a Dessert title, about a girl who ends up going out with a popular guy after his messy breakup with someone else. But is she just a rebound, or something more?

MICHELLE: This is by Megumi Morino, whose Wake Up, Sleeping Beauty I liked a lot, so I’m expecting good things.

ASH: I liked that one, too.

ANNA: Sounds interesting.

MJ: Oh, count me as interested.

SEAN: There’s also All-Rounder Meguru 13, Blissful Land 5, Smile Down the Runway 7, and To Be Next To You 3.

Seven Seas… also has nothing. What an odd week.

ASH: That does feel strange!

SEAN: Tokyopop is giving us Aria: The Masterpiece 5. This should be the first of the re-releases with new to English material.

Vertical has the 3rd Bakemonogatari manga, still in the midst of Mayoi’s first arc.

Fortunately, Viz still has a ton of stuff to pad out this list. The debut is Love Me, Love Me Not (Omoi, Omoware, Furi, Furare), a Betsuma title that is the latest from Io Sakisaka, the creator of Ao Haru Ride and Strobe Edge. It’s an award-winner. Plot? High school kids in love, of course.

MICHELLE: Of course. Still, I am here for it.

ANNA: Me too, not surprisingly.

MJ: Same!

SEAN: Also out on the shoujo side, we have Daytime Shooting Star 5, The Demon Prince of Momochi House 15, Snow White with the Red Hair 6, and Vampire Knight: Memories 4.

MICHELLE: I’ll be reading 75% of those!

ASH: Haha, same!

ANNA: YES!

MJ: I’m behind on the ones I’m reading, but I need to catch up!

SEAN: The shonen end is more loaded up. The debut is Samurai 8, the new manga from the creator of Naruto (though someone else is doing the art this time). First ninjas, now samurai.

We see… wait, is that D.Gray-Man 26? I think it’s been years since the last volume of this!

ASH: It has been awhile, hasn’t it?

SEAN: And we have Black Clover 20, Demon Slayer: Kimetsu no Yaiba 11, Dr. STONE 10, Dragon Ball Super 8, Haikyu!! 37, Kaguya-sama: Love Is War 13, My Hero Academia: School Briefs 4, One-Punch Man 19, and The Promised Neverland 14.

MICHELLE: A buncha good stuff here! Last I looked, there was only a nine-chapter gap remaining in Haikyu!! chapters in VIZ’s Shonen Jump vault between collected volumes and magazine issues. Perhaps volume 37 will eradicate the gap entirely!

ASH: It very well may!

SEAN: Lastly, Yen Press has one lone straggler due out next week… and it’s a debut! A debut with a title that is… well, eye-catching, if nothing else. After School Bitchcraft (Houkago Bitch Craft) comes from my nemesis, Comic Alive, and is about a teacher who secretly practices witchcraft at school, and the student who can walk through all his defenses. It seems like one of those “for people who like boobs” titles.

MICHELLE: :\

MJ: What Michelle said.

SEAN: For those who can take or leave boobs, what are you getting this week?

Filed Under: FEATURES, manga the week of

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