Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Blog

I Refuse to Be Your Enemy!, Vol. 3

by

By Kanata Satsuki and Mitsuya Fuji. Released in Japan as “Watashi wa Teki ni Narimasen!” by PASH! Books. Released in North America digitally by J-Novel Club. Translated by Tara Quinn.

For the most part, while reading this series, it’s fairly easy to simply ignore that it’s meant to be a “villainess otome” book at all. Yes, Kiara’s memories of the game do sometimes come in very handy, but they don’t always match, as she’s altered the world too much for them to be the same. That said, there is one big subplot that is very dependent on Kiara’s original role being the villainess who gets killed off. Kiara is no longer filling that role and so it has to be filled by SOMEONE. And so we see a lot more of Ada, the spellcaster who uses fire we briefly saw in the second book. After Kiara ran away, she was next in line to be married off to the frog-faced noble and turned into a weapon, and boy is she angry about it. It’s an interesting reminder that this fantasy military action-adventure still runs on otome game rules, which means you still need a villainess no matter who it is.

As for our original villainess, now turned heroine, she’s doing pretty well here. While still not wanting to directly kill anyone, one battle sequence shows that she’s come to terms with indirectly doing it, in a chilling reminder of how deadly Earth Magic can be when used cleverly. Reggie’s army is slowly moving towards the capital, though it needs to make a few detours (farmers have a limited amount of time to cultivate, and they would like to have their land back). Things are mostly quiet on the romance front with Reggie, but that’s just because this is Cain’s book – he’s her bodyguard and has a crush, and starts to come on strong before being told that Kiara really is not ready to think about this sort of thing (she never dealt with love in her previous life, either). And there’s another surprise… Reggie can use magic?

Fortunately at least one of the pair of doomed lovers has decided to be less doomed – Kiara is taking more care of herself here – well, a bit more, but it’s visible – and no longer seems quite as willing to throw her life away for Reggie. The same cannot be said of him, unfortunately. Hearing about the fate of his game self seems to have given him a big case of “I’m living on borrowed time anyway”, and trying to hide the aftereffects of the wound he got last book is not really helping anyone in the long run. In particular, he’s clearly jealous of Cain and his closeness to Kiara, but almost seems to be giving up rather than fighting back. His fatalism had better change in the next book. Giving Kiara an evil counterpart who’s obsessed with him might help – all the setup for that is in this volume.

I never really have as much to say about these books. They’re so straightforward and serious – I believe I counted two jokes, which were admittedly quite funny – and they don’t give much to overanalyze. They’re just a good yarn. And this is the halfway point of the series, so I expect things to move even faster next time.

Restaurant to Another World, Vol. 5

by

By Junpei Inuzuka and Katsumi Enami. Released in Japan as “Isekai Shokudou” by Shufunotomosha. Released in North America by Seven Seas. Translated by Elliot Ryouga. Adapted by Nino Cipri.

Last time I said that the book jumped around several time periods, and that goes double for this book, which shows us a few of the ongoing characters and their development but is also happy to show us how the fantasy world is coming from a period where there were battles to the death between humans and demons, between Empires and Kingdoms, and between vampires and “liliputians”. Indeed, it’s not really clear how time connects the world to the restaurant – there’s one story here which feels like it reads as a vampire from way in the past ends up at the restaurant of the “present”. That said, I honestly think that I’d need to go back and read the pr3evious books if I wanted to keep track of it all. This is a series about fantasy characters eating food, and while it’s doing its best to provide plot and characterization to go along with that, anything else is secondary. Which, as I’ve said before, makes it hard to review.

The “big” development at the start of the book is that the owner puts a sign on the fantasy world-side of the door that translates the restaurant’s name and purpose for the denizens of that world. Until now, the clientele it had attracted – at least in regards to first-timers – always tended to be either people in dire straits or people who naturally say “oh hey, what’s this door in the middle of nowhere?”. Now that it can say what it is, it’s attracting more newcomers who might have been wary were it just a door with Japanese written on it. Of course, even if they’re aloof elves that literally live in the clouds, they still end up enchanted by the clouds. I also liked that the customers are interacting with each other in ways other than talking about the food – one bard with a broken leg who found the door in the middle of nowhere gets healed by a priestess, meaning the restaurant is literally a life-saver.

The “main” cast still don’t do much but serve food. I had wondered if the series might be going for some sort of romance between the owner and Aletta, but there’s absolutely no sign of that here – I think it’s got nothing else on its mind but food. Aletta is still working on recovering from the abuse she received in the fantasy world – when she comes down with a bad cold (and gets some egg porridge), she fears that she’ll end up being fired for being unable to work. Kuro has a more difficult problem – she’s hideously overpowered, doesn’t speak (she communicates with customers telepathically, and none of them notice this at all), and is at heart a stoic sort of character. She seems to care for Aletta and the owner, but it’s hard to get a grasp on her. I’m not sure we ever will.

All this and food, food, food. There’s roast beef, Chinese congee, mille crepe cake, etc. The series continues to be a peaceful meal of a book.

Konosuba: God’s Blessing on This Wonderful World!: The Knight’s Lullaby

by

By Natsume Akatsuki and Kurone Mishima. Released in Japan as “Kono Subarashii Sekai ni Shukufuku o!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kevin Steinbach.

Ever since the revelation of her nobility, I’ve talked about how the author of the KonoSuba series has had a little bit of trouble with Darkness. The Lalatina side has come to the fore in recent books, and you see it here as well, as she helps come up with a scheme to force the adventurers to pay their taxes. But it has made her less hilariously appalling, which you could always count on Darkness being in earlier books. That said, KonoSuba has character development, slow though it may be. We’ve seen it with Megumin, and with Kazuma. And now it’s Darkness’s turn, as this book manages to combine her general nobility and need to do good things with her masochistic fantasies and leave her a more well-rounded character. The catalyst of this, as it was with Megumin, is her confession to Kazuma. Unfortunately for Darkness, and as Kazuma explicitly notes, this is not one of those light novels with polygamy.

The book starts where the last one left off, with Darkness begging everyone to not think that she had a love child. It’s her cousin, of course, but fortunately for the narrative, which literally just did “little kid causes chaos in Axel” last time with Komekko, she’s a minor character. Instead the first half of the book, barring the tax collecting subplot, is about Kazuma having to choose between Megumin, who already confessed to him but is not yet ready to go to bed with him, and Darkness, who confesses to him in this book, and certainly tries to go to bed with him, though her actual willingness to do this is in question. Which Kazuma does have a bit of “I have two girls wanting me, I am the man” to his behavior, he actually does think things through sensibly, and decides… he wants to be with Megumin, as “more than friends but less than lovers”. (Her age also seems to still make him uncomfortable, justifiably so.) While there are many funny parts involved, I appreciate the book handled this seriously.

The other half of the book has Darkness’ cousin having a virus that infects the local kids (what is it with 2020 light novels and pandemics?), causing Kazuma and Darkness to have to travel to get a “demon’s fingernail” as an ingredient for the cure. (Vanir, the obvious choice, can’t provide one as he turns to sand if they do it.) This is much more in the ‘goofball Konosuba’ style, especially once they add Chris to their group, who has decided to help them out, a decision she will quickly come to regret. There’s bathroom humor, girls getting stripped humor, tentacle rape humor… it’s not the classiest series in the world, but it never QUITE crosses a line, and for the most part is amusing, though I will admit I preferred the first half of the book.

So yeah, somewhere along the line this parody grew up. Well, except for Aqua. And the author hints that her development will be the climax of the series. Till then, this book is recommended for all KonoSuba fans, though if you ship Kazuma with Darkness, you might end up being a little sad.

Bookshelf Briefs 11/2/20

by , and Leave a Comment

Blank Canvas: My So-Called Artist’s Journey, Vol. 5 | By Akiko Higashimura | Seven Seas – It shouldn’t take most readers by surprise that the final volume of Blank Canvas is heart-rending, but even knowing that it will be doesn’t lessen the manga’s impact; Higashimura utilizes a masterful combination of humor, honesty, and heartbreak. Blank Canvas captures so incredibly well the complexity and multifaceted nature of people, their feelings, and their relationships. The series is in large part about Higashimura’s growth as an artist and as an individual, especially the influence of one person particularly important to her development, but through the process of the manga’s creation it’s also an opportunity for her to confront some of the regrets in her life. In Higashimura’s own words, “As an adult, I have complicated thoughts about my younger self.” Blank Canvas allows Higashimura to come to terms with some of those thoughts and “what ifs” while honoring the memories of her teacher, mentor, and fellow artist Kenzou Hidaka. – Ash Brown

Fly Me to the Moon, Vol. 1 | By Kenjiro Hata | Viz Media – The new series from the Hayate the Combat Butler creator spends much of its first time watching the intelligent but extremely flaky Nasa hero overreact to nearly everything, and his savior and then wife be bafflingly mysterious. Tsukasa reads like an odd cross between Hinagiku and Athena, and I was rather surprised that we got to the end of the first volume without really understanding much about her. The series is somewhat cute and fun, though a lot of the humor beats will be familiar to Hayate fans, and there are some of the usual pop culture references as well. This got an anime, so I assume more will make sense later, but for the moment this is a first volume that qualifies as “good.” – Sean Gaffney

My Next Life As a Villainess: All Routes Lead to Doom!, Vol. 4 | By Satoru Yamaguchi and Nami Hidaka | Seven Seas – The manga has the unfortunate problem, which the other volumes did not, of coming out after the anime series. As such, there’s not really much in this book that you had not already seen before. In fact, it might seem a bit rushed compared to the anime. But it hits the high points—everyone begging Katarina to wake up, her dreamscape of her past life with A-chan, stopping and saving Raphael, and finally being the most oblivious dork in the world, as Maria blatantly confesses to her and she STILL doesn’t get it. Fortunately, the game had a sequel—Fortune Lover II. Unfortunately, she never played that one, and it has Katarina return as a villain—again. Well adapted. – Sean Gaffney

Practice Makes Perfect, Vol. 1 | By Ui Hanamiya | Kodansha Comics (digital only) – I picked this digital-only up on a whim, thinking the premise sounded cute. Two pro athletes in their late twenties (him in Judo, her in Volleyball) are representing their country in what is implied to be the 2020 Olympics that didn’t happen. They both really want to lose their virginity, and, coming across each other’s problems, decide to “practice” kissing, touching, etc. in a hotel so that they can be more experienced in relationships. The outcome (they fall in love for real) is not in doubt, especially when you realize this is only four volumes long. It’s the journey that’s important, though, and they are both really cute and awkward sports dorks. THAT’S the selling point, and it’s a great one. – Sean Gaffney

Skip Beat!, Vol. 44 | By Yoshiki Nakamura | Viz Media – Did I say in my last brief on Skip Beat! that Ren and Kyoko were having communication problems? This volume doubles down on that, as Ren pokes at Kyoko, who was seen getting kissed by Sho by a photographer, and suggests that she’s “giving up on her revenge” and Sho has “compassion and understanding.” This causes Kyoko to blow up, in an exquisitely drawn scene that manages to dwarf everything else in the volume. She may hate Sho (and it’s clear by now she doesn’t), but Ren doesn’t get to say nice things about him when they are WRONG. Elsewhere, the reveal of Kyoko’s sword teacher brings big laughs, and the Kyoko/Momo ship gets more holes bored into it. Great stuff as always. – Sean Gaffney

Snow White with the Red Hair, Vol. 9 | By Sorata Akiduki | Viz Media – Most of this volume ends up being, in a sense of bad timing for the North American market, a race to find a cure for a horrible pandemic that is ravaging the city. (The volume came out in Japan years ago, so there’s no thought of COVID here.) This ends up separating our lead couple even more than they already are—there’s a brief reunion, but this is not where Zen needs to be right now, and he knows it. Indeed, as many have said, Obi seems more and more like the main romantic lead, helping Shirayuki solve this plant-based mystery and save the day. There’s a lot more going on in this title than just the romantic couple, as in the best shoujo series. It’s a winner. – Sean Gaffney

Yona of the Dawn, Vol. 26 | By Mizuho Kusanagi | VIZ Media – Yona of the Dawn is always good, but this Xing arc has been something special. Princesses Kouren and Tao and their devoted warriors are such vivid characters that they legitimately seem like the stars of their own story, rather than merely side characters in Yona’s, if that makes sense. Kusanagi-sensei also adeptly created an extremely odious scheming priest and gave us a delicious scene in which Su-Won gives not a single shit for the intel the priest obsequiously offers him. I actually laughed at some of his reaction panels more than once. What really seals the deal on this being a special volume, though, is the final chapter, in which some genuine romantic progress finally happens between Hak and Yona. It is great, and Yun and the Four Dragons’ reactions are also great. Have I mentioned lately how much I love this series? It’s among the best I’ve ever read. – Michelle Smith

Pick of the Week: Idols, Clubs, and Maidens

by , , , , and Leave a Comment

MICHELLE: I’m reluctant to tout anything from TOKYOPOP, given that I am still bitter about past deeds, but I must admit that Ossan Idol! looks really fun. I’m worried they’ll abandon this series midway, like so many others, but I shall cautiously award it my pick of the week.

SEAN: This week’s pick is Easy Breezy for me: it’s the first volume of Keep Your Hands Off Eizouken, which if it’s even half as good as the anime will be very good indeed.

ASH: I’m certainly interested in Eizouken, too, but this week I think I’ll be focusing on catching up on Viz series, probably starting with JoJo’s Bizarre Adventure before pivoting to shoujo.

MJ: Okay, I’ll be honest, folks. I don’t have a pick this week, because I can’t focus on anything besides the impending doom we’re facing this week in the U.S. It’s pretty all-consuming. I know they are still selling manga, but that knowledge is buried under so much anxiety, I can barely even acknowledge it. Stay safe, everyone. I’m sure you know where my meager hopes fall. Sorry I’m useless.

KATE: I’m intrigued by Ossan Idol, but my heart belongs to O, Maidens in Your Savage Season, a sharp, funny portrait of nerdy girls coming to terms with their budding sexuality. If you enjoyed the movie Booksmart, Maidens is for you, as it explores some of the same emotional (and humorous) terrain.

ANNA: I’m finding it hard to concentrate on manga right now. There’s a lot of great shoujo coming out this week, I think I’m going to pick Daytime Shooting Star, a manga that inspires both feelings of dread about potentially inappropriate relationships and hope that things all work out somehow.

Is It Wrong to Try to Pick Up Girls in a Dungeon?: Familia Chronicle: Episode Freya

by

By Fujino Omori and NIRITSU. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?: Familia Chronicle: Episode Freya” by GA Bunko. Released in North America by Yen On. Translated by Dale DeLucia.

For the most part, along the course of the main DanMachi series, the Freya family has tended to function as Not-Quite-Villains. Particularly Freya, who has her sights set on Bell and making him hers. They’re not out and out evil… trust me, we know who the evil Familias are in this series. Indeed, we get another one in this spinoff. But they’re meant to be aloof and unlikable, the ones at the top looking down on everyone else, and the ones who fight each other constantly just for their goddess’s favor. As such, Episode Freya, which has her leave Orario and go out into the desert looking for her “Odr”, which seems to be used in the same way that we might use “soulmate”, only the implication is that this would not be an equal relationship. While out there, she finds a slave who’s really a royal, and gets inveigled in a massive war. Which, if nothing else, keeps her from being bored.

As promised, we see a better side of Freya here. She’s not exactly a nice person… indeed, the author takes pains to show that she really is exactly who you think she is. But it becomes very apparent in this book why she commands the strongest fighters in Orario, and it’s not that she’s “charmed” them with her goddess powers at all. Indeed, we see her essentially seducing the young prince, Ali (who is really a princess pretending to be a man, because male succession only, etc.) over the course of the book, and at the end Ali is genuinely torn about whether to stay and rule her country or just head off with Freya. Freya, though, makes that decision – Ali was attractive to her precisely because of the liminal space of “I am trying to gain back my kingdom and my people” – an Ali who followed Freya would not be attractive to her. (She does get a night in bed with the goddess, though – though it’s all offscreen, this book has far more sex than the other books.)

The book starts off light – Freya freeing over a hundred slaves because their despair makes the town less sparking is very her, and the scenes with her being the boke to Ali’s tsukkomi were hilarious. Sadly, there’s also a lot of tragedy here as well – the body count is high, both good guys and bad, and the carnage of war is very much on display. There are also two other stories in the book – the first one gives us glimpses of Ottar’s past, and how he got to be the Level 7 powerhouse he is, as well as showing us Mia and Ahnya from the pub back when they were in the Freya familia. There’s also short backstories for the rest of the family, but the biggest one may be the last… and I suspect it spoils Vol. 15, which is out next month in English but came out first in Japan. Let’s just say the fans’ first theories may have been right after all.

Very well done, and you have a much better sense of who Freya is now, though I expect when we’re back in the main series she’ll go back to being an antagonist of sorts. Let’s hope we don’t have to wait another two and a half years for the next Episode.

The Wedding of Marielle Clarac

by

By Haruka Momo and Maro. Released in Japan as “Marielle Clarac no Kekkon” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Philip Reuben.

Those who have been waiting patiently will be happy to hear that we do get the wedding of Marielle and Simeon in this book. That said, if you’re expecting a book filled with wedding prep and relaxation, think again – even with Marielle trying her best not to get involved in any incidents, she still gets abducted two days before her wedding. Which should not be a surprise – readers of this series are here for the detective thriller part of it just as much as the romantic back and forth, and so not only want Marielle in a wedding dress saying “I do”, but also Marielle escaping her captors in a boat and headed down a very fast river with no real strength to row her way out of it. That said, worry not, romance fans, as there are some delightful moments of that here as well, as the Duke who has been a thorn in their side for some time decides to make a last-minute effort to break them up… mostly as he’s bored.

With two days to go until the wedding, all Marielle and Simeon have to do is pick up the wedding rings, their “wedding eyeglasses”, and enjoy a nice afternoon at the fantasy equivalent of the local Marks and Spencer. Unfortunately various things happen, and for once they’re not really Marielle’s fault. She’s mistaken for someone else and her handbag is stolen, then she ends up involved in a jeweler’s efforts to try to stop the theft of a super-expensive ring… that is being made for the Duke. Then she’s kidnapped. In the second half of the book, after both the expensive ring AND her wedding rings are lost in the river, she and Simeon are forced to play a game as captives of the Duke and his wife… and if they lose, they have to call the wedding off. Even if, by then, the wedding is less than 18 hours away.

I admit it, I was rather surprised, when the wedding rings ended up in the drink halfway through the book, that we did not get them back by some weird coincidence at the end. That said, it does lead to a very sweet and very in character replacement. Marielle and Simeon are in fine form here, with her being the usual mix of level-headed straightforwardness and fangirlish squeeing and Simeon being… well, look, there’s a spoiler I won’t reveal here, but let’s just say it’s the highlight of the entire book and also leaves Simeon feeling as if he’s shamed himself forever. You will laugh a lot. There are also some old favorites who show up here… I’d say it’s a spoiler as well, but come on, of course Lutin is going to try to get in the way of everything again. We even get a nice epilogue from his po9int of view, showing a bit of the genuine feelings he has for Marielle… and how he has no plans of giving up just because they’re married.

Theoretically they should finally be able to consummate their marriage now (and Marielle, though naive, certainly seems eager to do so), but I’ve a suspicion that they may have to wait a bit. Till then, please enjoy another in a series of amusing romantic thrillers starring a young woman who claims to be plain and unassuming but is anything but.

Our Last Crusade or the Rise of a New World, Vol. 4

by

By Kei Sazane and Ao Nekonabe. Released in Japan as “Kimi to Boku no Saigo no Senjou, Aruiwa Sekai ga Hajimaru Seisen” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Jan Cash.

I’ve come to realize that Our Last Crusade falls into the same bucket that I put Strike the Blood and the complete works of Ichiro Sakaki, which is to say a series that does not stand out as all that good but succeeds by dint of being smoothly written and not really doing much that’s bad. It feels written in hopes of an anime, which is good news given that there’s one airing as I type this. Sadly, I was not able to get very far into it, mostly as I can tolerate characters like Mismis when they are words on a page, but find it almost impossible when they are tripping and falling onto their boobs in glorious color. This particular book picks up right where the last one left off, but manages to avoid sending our heroes into deathtrap number four and sends them on a vacation instead. Of course, where Iska goes, Alice is soon to follow… though not alone this time.

As hinted by the last cliffhanger, this volume features Sisbell, the youngest of the three sisters who are vying for the throne. Due to the nature of her powers, and the general scumminess of humanity, she has come to distrust everyone around her, especially her two sisters, Elletear and Alice. the only one she feels she can trust is the man who rescued her from the Empire one year previously – Iska. As for Iska and company, they’re sent on a forced vacation after the higher-ups realized how ,long they’d been in enforced combat. Which is very good news for them, as this gives them time to figure out what to do about Mismis’s Astral Crest. The group, after a long shopping scene that reminds me why this series tends to grate on me, heads to an independent desert nation that consists mostly of resort hotels. Sisbell is also there, and propositions Iska: will he join her? Unfortunately, the villain of the second book – and his mask – have also shown up.

Given the entire series deliberately runs on coincidences constantly bringing Iska and Alice together, I am not all that annoyed at events conspiring at the last moment to save Mismis form execution, and anyone and everyone showing up at the same desert city. And I was glad that we briefly got to see Mismis do a thing, even if it was unconsciously and we’re not really sure what she did. Sisbell is sympathetic, and I expect to see more of her as the books go on, though I’m almost positive she will serve as hostage fodder in some way. The ending fight with what amounts to a giant robot with lasers is a lot of fun and will likely look cool if the anime gets to this book. As for the romance between Iska and Alice, they’re separated most of the book again, so it’s mostly just constantly thinking about each other.

The cliffhanger, which is again excellent, implies that events are going to be headed towards the Alice side of the two nations for a while. Till then, enjoy a book that can best be described as “serviceable”, but at least also lacks the bad habits of many other light novels. It’s okay.

Bibliophile Princess, Vol. 4

by

By Yui and Satsuki Sheena. Released in Japan as “Mushikaburi-hime” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Alyssa Niioka.

Last time I wrote about how the author of Bibliophile Princess seemed to be running out of ideas, and that the third book was, in large part, a retread of the first book. Apparently between that book and this one, according to the Afterword, the author’s writer’s block got even worse. So, if nothing else, this shows that sometimes a huge amount of pressure can be good for a person, as the fourth volume of Bibliophile Princess is the best in the series to date. Finally accepting that she can’t simply write the same love story over and over again, this time around politics, which have always simmered in the background of every book, come front and center and put Elianna in a position where she has to make decisions on her own in a crisis. All of this without Chris at her side – he’s busy trying to resolve things with the kingdom’s longtime enemy. And another subplot that’s been burbling underground through all the books finally comes to the surface, and it’s terrifying.

Elianna is being sent to Ralshen, a region that, for historical, political, and religious reasons does not have the best relationship with Sauslind. She’s taking Chris’ place as he’s negotiating some sort of peace deal with the war-loving Maldura. A lot of the nation’s past is explained to Elianna (and the reader) in this book; she’s already aware of it, of course, but needs to see how this affects things politically. There’s also a couple of examples of failed marriages, in particular one between a King and a Queen who disagreed over policy decisions, and Elianna is asked, if she and Chris came to such a crisis, what would she do? She’s not sure, frankly, and I don’t blame her – she’s only just come to terms with her feelings for Chris, and so far they’re pretty much agreed about most things.

We meet one of Elianna’s childhood mentors – a friend of her grandfather’s who she calls “Grandpa Teddy”, he’s also a general who has seemingly been supporting her relationship with Chris. But that ends here, and you are once again thrown up against the fact that the Bibliophile Princess world is so political that marrying for love is not something that can happen very often. Elianna finds her upcoming marriage to Chris is also a political marriage, and one that, in the past, has always led to war. She’s not going to let that happen, but it’s hard to buck tradition. Along the way, there’s mysteries to solve, which allows her to do the now-traditional scene where she looks at a book – or, in this case, a painting – and tells everyone what really happened. As for the crisis at the end, I won’t spoil, but it’s been hinted at since the beginning, and leads to an especially nasty cliffhanger.

There is a fluffy short story at the end, taking place mostly about 2 years prior to the main action. It’s OK, but honestly after that cliffhanger it feels out of place. In the meantime, Bibliophile Princess has grown up, much like its heroine, and I can’t wait to see where Vol. 5 takes us.

Manga the Week of 11/4/20

by , , , and Leave a Comment

SEAN: November, and there’s still a lot coming out every week.

And we start with a bang, as Dark Horse has the manga version of the highly-acclaimed series Keep Your Hands Off Eizouken! (Eizouken ni wa Te wo Dasu na!). From Gekkan Spirits, it’s a fantastic look at goofy eccentrics trying to make their own anime.

ASH: I’ve definitely heard good things about the anime; hopefully the manga will be good, too!

MJ: That sounds kind of fun!

SEAN: J-Novel Club has a lot of print this week. Two debuts, By the Grace of the Gods (now with an anime) and I Shall Survive Using Potions! (the manga version).

Also in print: An Archdemon’s Dilemma 8, Ascendance of a Bookworm 2 (manga version), Infinite Dendrogram 9, The Magic in This Other World Is Too Far Behind! 9, and My Next Life As a Villainess! 4.

ASH: I’m really happy to see so much print coming out from J-Novel Club.

SEAN: Digitally the debut is Fushi no Kami: Rebuilding Civilization Starts With a Village (Fushi no Kami ~ Henkyou kara Hajimeru Bunmei Saiseiki ~). A young man is reincarnated in another world, but he doesn’t have cool magic or sword powers, and the world is medieval. He wants modern civilization! Can he find it?

And there’s also the 5th Marginal Operation manga.

Kodansha debuts in print That Time I Got Reincarnated as a Slime: Trinity in Tempest, another spinoff of the popular series.

Also in print from Kodansha: Fate/Grand Order – mortalis:stella 2, Fire Force 20, O Maidens in Your Savage Season 8, That Time I Got Reincarnated As a Slime 14, Welcome to the Ballroom 10, and Yuri Is My Job! 6. Wait, Welcome to the Ballroom still exists?

MICHELLE: Apparently! It’s been almost three years since volume nine came out.

ASH: Wow, that has been a while! O Maidens in Your Savage Season is the series that has my attention here, though.

SEAN: Digitally the debut is Otherworldly Munchkin: Let’s Speedrun the Dungeon with Only 1 HP! (Isekai Man Chikin -HP 1 no Mama de Saikyou Saisoku Danjon Kouryaku-), a Suiyoubi no Sirius series about a brother killed protecting his sister who’s reincarnated in a fantasy world… as is his sister, who he still has to save.

Also digital: All-Rounder Meguru 17, Cells at Work: Bacteria! 5, GTO Paradise Lost 13, Magical Sempai 7, My Boss’s Kitten 7 (the final volume), My Sweet Girl 11, Our Fake Marriage 4, Shaman King: Flowers 3, Shaman King: Red Crimson 2, and Smile Down the Runway 15.

MICHELLE: I should really check back in with My Sweet Girl. It was getting kind of good when I left off.

SEAN: One Peace has a 10th volume of Hinamatsuri.

Seven Seas debuts, in print, Yes, No, or Maybe?, a BL light novel about the television industry.

ASH: I might get around to reading this now that it’s in print.

MJ: Okay, I might be interested in this.

SEAN: Also coming out: Fairy Tale Battle Royale 4, The Legend of Dororo and Hyakkimaru 2, Shomin Sample 13, Skeleton Knight in Another World 8 (digital version), and Who Says Warriors Can’t Be Babes? 2.

ASH: I only just recently read the first volume, but I’m interested in reading more of The Legend of Dororo and Hyakkimaru. Osama Tezuka’s original Dororo is one of my favorites.

SEAN: Tokyopop debuts Ossan Idol! (Ossan (36) ga Idol ni naru Hanashi), an adaptation of a novel that runs in Comic Pash!. A Middle-Aged Man, bullied most of his life, turns his life around and gets buff, cool and handsome… but is unaware of this. Now he’s been scouted. This looks pretty fun.

MICHELLE: It does!

SEAN: Vertical has the 5th Bakemonogatari manga and Don’t Toy with Me, Miss Nagatoro 4.

No debuts for Viz, just the usual powerhouses. There’s Black Clover 23, the 2nd Bleach: Don’t Fear Your Own World light novel, Daytime Shooting Star 9, Demon Slayer: Kimetsu no Yaiba 18, Dr. STONE 14, Haikyu!! 41, JoJo’s Bizarre Adventure Arc 4 7, Kaguya-sama: Love Is War 17, Love Me Love Me Not 5, My Hero Academia: Vigilantes 8, The Promised Neverland 17, Samurai 8 4, Shortcake Cake 10, Snow White with the Red Hair 10, and World Trigger 21.

MICHELLE: Yep, I’ll definitely be reading a bunch of these. I’m probably the most excited for Haikyu!!.

ASH: I’m following quite a few of these, too!

ANNA: I am also happy about many of these ongoing series!

SEAN: Yen On has three ongoing titles: May These Leaden Battlegrounds Leave No Trace 2, A Sister’s All You Need 8, and That Time I Got Reincarnated As a Slime 9.

As for Yen Press, the “debut” is Sword Art Online Progressive: Barcarolle of Froth, the continuation of Progressive’s manga with a new artist, covering the series’ third novel.

There’s also Final Fantasy: Lost Stranger 5, The Royal Tutor 14, Sacrificial Princess and the King of Beasts 11, and That Time I Got Reincarnated As a Slime: The Ways of the Monster Nation 2.

ASH: I really need to catch up with Sacrificial Princess and the King of Beasts; I enjoyed the early volumes, but have fallen behind.

SEAN: See? That’s a lot.