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Tearmoon Empire, Vol. 5

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By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America digitally by J-Novel Club. Translated by David Teng.

The structure of this book is slightly off, as the author admits that the story got away from them and the island arc that should have concluded the 2nd “arc” of this story ended up being the first third of this 5th book as well. Still, it works out, as we get to see Mia turn a corner and fend off another of her fates written in a long history book… or at least it was long. Yes, sometimes when you’re trying to stop the bad guys who can mess with the fates, you end up finding that your fate can sometimes get even worse. Now Mia’s not being executed at the guillotine or cut down in her adult years for not being Empress, the history books say she’ll be killed in a few scant months. Can she avoid this fate while continuing to work hard to save her kingdom from famine, win over more allies by being kind and charming, and also eat delicious sweets? The answer should be obvious.

The one thing I took away from this book is that I think Mia handles plots against her, or large conspiracies, much better than sudden random events conspiring against her. When she has to deal with a cave-in, a seemingly deadly fish attacking her, or even just horses sneezing in her face, she seems to always end up on the wrong foot. But the larger, more epic scenarios are where she shines – and yes, by now even the narrator is having trouble saying EVERYTHING she does is due to her selfishness and need to eat sweets, although god knows they try to say so anyway. In her confrontation with Esmeralda, where she sees the traitorous past of their nation as found in a secret underground ruin, stares destiny right in the face, and says “to hell with that”, she really is learning to be a good person – and yes, it’s framed as her having to “deceive” Esmeralda by saying they’re best friends, but I don’t doubt it’s actually going to come to pass. Mia is no longer as passive or luck-driven as she was in past books.

The 2nd half of the book, back at school, is even better. Finding from Bel’s now-changed history book how she’s going to die, she takes steps to avoid it, the first of which is getting even better at riding horses. The way she does this is actually quite clever. You see, she gets up early, practices really hard, learns to read the movements of the horse, and treats them well, even going so far as to help save the life of the pregnant horse that she had been eyeing up as a replacement mount (as opposed to the horse that keeps sneezing on her). See? I told you it was clever. Mia is doing things correctly and doing them well. This culminates in the highlight of the book, where she races Ruby, the daughter of the House of Redmoon, in a Belmont Stakes with one of her retainers at stake. The race is fantastic, with Mia being both very much in character (she’s screaming and whining the entire time) but also incredibly awesome. And we also see her changing history once more, as one reason she was executed her first go-round is that she pissed off Ruby so much she persuaded her father not to support them with military might… something that ended up being fatal to them both. This time around, everyone wins, and Mia’s solution to what to do about Ruby is brilliant. I don’t even care if she wasn’t thinking long-term here. It’s still brilliant.

There are, of course, a few plotholes with the new arc, but they’re acceptable. Miabel did not vanish when Mia’s fate changed, despite the fact that she did not live long enough to have kids, much less grandkids. Even the author acknowledges this is a handwave, but it’s fine, as we also get sweet scenes of Miabel managing to stay her innocent, sweet self even in a bad future where she has to be hidden from the world. That said, Mia is still the star, not her granddaughter, and Mia is the reason that these books keep getting better. I can’t wait for the next one, and I would say that this is essential light novel reading.

Culinary Chronicles of the Court Flower, Vol. 2

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By Miri Mikawa and Kasumi Nagi. Released in Japan as “Ikka Kōkyū Ryōrichō” by Kadokawa Beans Bunko. Released in North America digitally by J-Novel Club. Translated by afm.

Last time I talked about the similarities between this series and The Apothecary Diaries, but hey, at least Rimi does no go around solving crimes… oh wait, yes, she does. In this volume, there’s a large chunk in the middle with a precious treasure being stolen, and Rimi, being the foreign girl who made food out of “wood”, is suspected of having magicked it away. So, um, yeah. Fortunately, the two books do have one major thing separating them, and that’s the heroine’s personality. Rimi and Maomao could not be more different, with Rimi being a more Usagi Tsukino sort of character, who may not be the sharpest knife in the drawer (though her emotional maturity is developing by leaps and bounds), but who knows just the right things to say to people to earn their trust. Of course, the delicious food helps as well. In fact, Rimi’s biggest problem may be that she’s so lovable that there may be civil war in the future, if the two men who’ve fallen for her don’t work things out…

Rimi is temporarily working with Shusei in the culinary department, and there’s an important assignment. The four consorts have to stand with the emperor soon for an important ceremony, and one must stand next to him and hold the Scattering Lotus, a highly valuable treasure. Needless to say, the competition to be that consort is high, and previous consort battles have even led to death. Shusei and Rimi have to work to pacify the consorts and get them to make a decision about what order to stand in without it coming to blows – even though everyone fears it will. And then, as I noted above, the Scattering Lotus is stolen and Rimi is the prime suspect. Is every book doomed to have her fighting to not be executed? Oh yes, and also the Emperor is far more interested in sleeping with her than any of the Four Consorts. That’s probably going to be a thing.

Rimi remains funny in this story, continuing to speak the language of the country she now lives in slightly off-center, so that things she says sound slightly to very rude. (The Emperor suggests she’s doing it on purpose, which I do not think she is… yet.) But she’s also the nicest person in the book, her life not really damaged by political schemes because she’s been raised entirely apart from everyone else. Sometimes this works against her, but it also allows her to see past the fronts that the other four consorts throw up and see what they truly have in common. I also love the concept of the treasure itself and what the solution was. That said, there’s more concerning things here as well. Someone high up seems to have it in for her, and while she escapes his grasp here I will not be surprised if he’s back in the next book, especially as he seems to regard her as some sort of sorceress.

This isn’t a great light novel, but it’s solidly good, and Rimi is a fun protagonist who I think is not as airheaded as she seems… though admittedly, that’s a low bar to clear. I’m happy to read more.

Pick of the Week: Five Alive

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KATE: If you’d told me five years ago that VIZ would be re-issuing Taiyo Matsumoto’s No. 5, I’d have chuckled and thought, “Boy, is this person naïve! VIZ couldn’t *give* copies of this series away back in 2001! It’s weird! It’s surreal! American readers aren’t ready for it!” I’m happy to say that I’m wrong, and that VIZ is about to release a gorgeous new edition of No. 5 that will give everyone a chance to luxuriate in Matsumoto’s spooky, slithery, beautiful artwork again. If you liked Tekkonkinkreet or Ping Pong, call your local comic shop NOW and ask them to pull a copy of No. 5 for you.

ANNA: I agree, No. 5 is the clear pick of the week for me as well.

MICHELLE: Now that I’ve gotten over my panic at the sheer influx of manga, I must concur—No. 5 is the standout here.

SEAN: Clearly it’s No. 5, yes, but I know the way I read manga, and I know Matsumoto and I have struggled before. As such, I’m going to actually pick the 5th volume of Tearmoon Empire, a hilarious “villainess makes good when she goes back in time” novel with a heaping helping of social conscience to it as well. Now with a stage show!

ASH: As soon as Tearmoon Empire is released in print, I suspect that I’ll wholeheartedly be onboard with that series. But, yeah, No. 5 is where it’s at for me this week, too. I think the time is finally right for the the manga to hit its mark in English, and I’m glad for it.

MJ: I hate to be a sheep, but it’s gotta be No. 5 for me, too! Weird and surreal feels exactly right when we’re living in a reality like the one we have now. Count me in!

My Friend’s Little Sister Has It In for Me!, Vol. 3

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By mikawaghost and tomari. Released in Japan as “Tomodachi no Imouto ga Ore ni dake Uzai” by GA Bunko. Released in North America by J-Novel Club. Translated by Alexandra Owen-Burns.

Someone needs to tell Japan that “having the rest of the cast being creeped out about the appalling character” is not a get out of jail free card for everything the character does. I’ve said in the previous books that the shotacon tendencies of Sumire are not funny but awful. Well, she’s the main character of this book, and so we get a lot more of it than even the previous two, and it’s still awful. Saying that a guy would be the perfect husband if only he were 5 years old is not a “LOL” moment. So be aware as I write the rest of this that this is a big black mark, and made me not enjoy this book nearly as much as the previous two. That said, I’m still reading it, because I do like the cast and the romantic comedy situations. With, well, one exception. Fortunately, this is not We Never Learn, so the teacher has precisely zero chance of winning the romantic sweepstakes.

We pick up right where the cliffhanger left off, as Sumire begs Akiteru to marry her. As expected, her family has decided enough is enough, and is going to arrange marry her soon… which means she won’t be able to draw anymore. This is basically the only reason Akiteru agrees to the scheme. After some “wacky” date situations, which I will not go into as they are dumb, a trip that’s supposed to be to the beach becomes a trip to her remote mountain village, where her father wants to meet Akiteru… and force them to get married immediately. Can they possibly get around the marriage ceremony with a 100% success rate? Can Iroha continue to try to cleverly juggle all these relationships in the air, given sempai is a dense MF and won’t do it for her? And can Mashiro finally admit she’s secretly their star writer?

Again, this series leans pretty hard on the Higurashi pastiche. Their game is subtitled “When They Cry”, and Sumire’s home village essentially turns out to be Hinamizawa, complete with terrifying elders and obscure rituals. Having already mentioned the volume’s big weaknesses, I do want to applaud its really good moment, when Mashiro’s editor (who we meet here, ad boy does it take some fancy footwork to explain her presence) points out to Akiteru that he needs to be able to offer his fellow game creators a reason to stay on with him, or else they’re going to look for other opportunities. What can he personally offers them? (Other than, of course, being the romantic lead who has no idea half the cast are in love with him.) It’s not a question that’s answered here, but I do appreciate it was brought up. Iroha also remains quite enjoyable, a bit less “annoying” than the first two volumes, probably as she’s trying harder to have him “get” her feelings.

That’s unlikely to happen soon, and a cliffhanger means we don’t even get this one resolved in one volume. Still, hopefully it won’t take up all of Vol;. 4. I think two volumes starring Sumire is two too many.

Oresama Teacher, Vol. 29

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By Izumi Tsubaki. Released in Japan by Hakusensha, serialized in the magazine Hana to Yume. Released in North America by Viz Media. Translated by JN Productions.

Though it’s not an explicit canon pairing, be warned I do talk about the IMPLICIT canon pairing in this review, so ‘ware spoilers.

The final volume of Oresama Teacher, a series that ran for thirteen years, and one of my own favorites, even though it will likely always be overshadowed by the still-running gag comedy Monthly Girls’ Nozaki-kun. It’s a shonen manga that ran in a shoujo magazine, and certainly had shoujo art, but one look at the plot and characters told you this was essentially a “gang” manga at heart, and featured a lot of “new bad guy arrives -> slowly win them over through being nice and/or beating the crap out of them -> now they’re friends! -> new bad guy arrives” in a circle with Mafuyu as its pivot. We’ve had so many ridiculous situations, so many awesome fights, so many cool teenage girls and dorky teenage guys. The journey to get here was wonderful. So, should I still be disappointed if the ending is not one I personally wanted? I mean… if you exist in fandom, yes, it ruins everything. Fortunately, Oresama Teacher only has 29 fanfics on AO3.

First of all, despite the cover art, this is not an OT3 ending, alas, and we do not see Mafuyu getting married. We start off resolving the cliffhanger from last time, and if it feels a bit like it’s undercutting and mocking the drama, well, that’s what this series has always done best. Adfter this we deal with the last remaining open plot hook – what happened to Mafuyu’s memories when she was a kid? The answer, as Takaomi warns her, is not only something she will regret knowing when he tells her, but also something far less dramatic than you’d expect. It is, however, very in character for her. It even ties into the ending, as it turns out even Mafuyu can get into college if she applies herself… in the wrong way. We then get an extended “where is everyone off to after graduation” chapter, and end with a brief epilogue showing our main characters as adults.

So yeah, surprise, once again Japan loves teacher/student and jerk pairings more than the West. I always suspected that we were going with a Takaomi endgame, particularly when Hayasaka’s past only turned out to be the end of Part II rather than the whole series. Mafuyu’s memory loss ties in to her obsession with him – she couldn’t imagine living without him after he had to leave her to go to educational college, so she literally erased her own memories, somehow, to forget him. That is both in character and EXTREMELY frustrating, frankly. As for Takaomi himself, he’s far less effusive, but honestly, he hasn’t stopped her chasing after him her entire life, so why would he stop now? The epilogue shows he’s started a company (it’s unclear what it does, but it’s implied it’s a “we fix your problems” sort of company) and both Hayasaka and Mafuyu are employees there. And again, while the implication is the “they’ll always be friends!” was meant to be the emotional heft, there’s also his implication he’ll propose to her in three more years. Eh.

So yeah, not the pairing I wanted, but I enjoyed everything else about it. In the end I’ve enjoyed every single Izumi Tsubaki series. Sometimes I am alone in this (I will defend The Magic Touch to my dying day), sometimes I am part of a much larger horde (Nozaki-kun 2nd season WHEN?). Oresama Teacher fits squarely in the middle. Its fans love it, but it’s still a bit of a cult. Its huge, huge cast can give readers a headache. And you’d better love dimbulbs, because this series runs on them. I’ll miss it dearly.

Altina the Sword Princess, Vol. 9

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By Yukiya Murasaki and himesuz. Released in Japan as “Haken no Kouki Altina” by Famitsu Bunko. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

I’ve been waiting for plot developments like the end of this volume to happen for some time. Regis is a bit of a Golden Boy throughout the series – that’s the point, he uses his brains and Altina’s brawn and royal presence to help seize the day, even when it’s involving a bubbling under civil war. And now he’s been noticed enough that he’s forced from her side to Latrielle, the heir apparent, and is giving him the best advice fictional books can buy. Now, we’ve seen him lose troops based on his decisions before, to the point where he almost passed out, but the advice was correct and they won the day. Here, though, not to spoil too much, his advice is good but they do not win the day. Someone has anticipated him. They lose, and there are many casualties. And this is when you realize that, for all that the country is supposed to be on the same side fighting Britannia, Regis is very much surrounded by enemies.

Of course, the book is not just about Regis. Jessica, Franziska and Martina want to rescue their brother, but can’t, and they’re deep in enemy territory. So they accept the kind offer of the man who saved them last time to stay at his place. His place, of course, turns out to be the castle, much to their shock. (Elize is there as well, but one senses the author is not really sure what to do with her.) Altina is back at her fortress, dealing with Eric’s game-breaking injury, and finds that even though Regis is away from her side he can still come up with advice to win the day – in this case, suggesting a career change for Eric that would still allow them to remain a soldier protecting Altina. We get a brief glimpse of the enemy, which is dealing with a major problem – Queen Margaret is bored with all this and therefore doesn’t care what happens.

And then, as I noted, we get Regis’ plan to defeat the enemy, which is anticipated and rebuffed. He does get in one small triumph, which allows us to meet yet another new cast member and promises to take up a chunk of Book 10, but it also involves the deaths of a LOT of men – and these are not his own troops of the Fourth Division, which is back at Altina’s side. The generals were already annoyed with Regis for sacrificing their units earlier, they’re now livid. Fortunately for Regis, Latrielle is not stupid, and knows that the plan could have worked and exactly who was clever enough to anticipate it. The generals may be angry, but they know not to argue with their future King. As for Regis, I think it’s a good lesson for him, especially mentally. Now if he can only work on his physical stamina, which is laughably pathetic.

The author already admitted the final part of this book got so long it has to finish in the next book, so we’ll see what happens then. In the meantime, this is a solid volume of Altina that shows events moving along slowly but surely – will we see the end of the war with Britannia next time?

Manga the Week of 7/21/21

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SEAN: July continues to exist, despite the best efforts of calendar cancellers. What manga do we have?

ASH: A fair bit, it would seem!

SEAN: Airship has digital-first releases for Adachi and Shimamura 6 and Kuma Kuma Kuma Bear 7. In print, they debut Reborn as a Space Mercenary: I Woke Up Piloting the Strongest Starship!, and we also get the 4th volume of The Invincible Shovel.

Ghost Ship debuts Call Girl in Another World (Isekai demo Fuuzokujou Yatte Mita). A sex worker who works at a soapland suddenly finds herself in another world! In order to return, well, if you guessed “she has to be a sex worker in this fantasy world”, you’re on the nose. This is NOT the same as JK Haru Is a Sex Worker in Another World, FYI, and I suspect is far more interested in the sex. It runs in Houbunsha’s Comic Trail.

J-Novel Club, first of all, has all the print books I mentioned two weeks ago – they were delayed due to ongoing shipping issues from the Suez Canal blockage earlier in the year.

ASH: It’s been a rather chaotic time for the shipping industry. (And just about every other industry, for that matter.)

SEAN: Digitally, we see Cooking with Wild Game 13, The Master of Ragnarok and Blesser of Einherjar 16, Tearmoon Empire 5, and the 5th volume of The White Cat’s Revenge as Plotted from the Dragon King’s Lap, which I thought was a final volume but there is apparently more coming from Japan. Tearmoon Empire is essential reading for shoujo light novel fans.

Kaiten Books has a lot of new print volumes for series that were previously digital. We get debuts for Gacha Girls Corps, UzaMaid: Our Maid Is Way Too Annoying!, and The Yakuza’s Guide to Babysitting.

They’ve also got the 2nd volume of The Yakuza’s Guide to Babysitting digitally.

Kodansha has a print debut that may seem a bit familiar: Battle Angel Alita is coming out with a new translation in paperback. This is the original version from 1990.

ASH: Interesting. I’d missed that this was going to be a new translation.

MJ: I guess I’m kind of interested.

SEAN: There’s also more Battle Angel Alita with the 7th volume of Mars Chronicle. And we get L*DK 16, the 14th and final volume of The Quintessential Quintuplets, Rent-a-Girlfriend 7, Sue and Tai-chan 3, To Your Eternity 14, and The Witch and the Beast 6.

ASH: To Your Eternity has my attention. (And probably the attention of even more people now that there’s an anime adaptation.)

MJ: Oh, hm. I may have to check it out.

SEAN: Digitally we get Saving Sweets for After-Hours (Sweets wa Teiji no Ato de). It’s from Kodansha’s Palcy, and stars a tall beauty who nevertheless has no romance in her life as men seem to want her to dominate them. Her fortunes change, however, when she meets a co-worker with a secret. This may appeal to Sweat and Soap fans.

Other E-Books: Blue Lock 5, Boss Wife 2, Cells at Work: Platelets! 3, the 4th and final volume of The Honey-blood Beauty & Her Vampire, I Guess I Became the Mother of the Great Demon King’s 10 Children in Another World 4, Kakafukaka 12 (also a final volume), Ran the Peerless Beauty 9, Undead Girl Murder Farce 2, We’re New at This 8, and Will It Be the World or Her? 7.

MICHELLE: I still need to get going on Blue Lock, but huzzah for more Ran the Peerless Beauty!

SEAN: One Peace has The New Gate 6.

Seven Seas has two debuts. The Dangers in My Heart (Boku no Kokoro no Yabai Yatsu) is an award-winning manga from Akita Shoten’s Manga Cross about the romance between a boy who pretends to be an edgy sociopath and the school beauty, who he longs for and who turns out to be a bit strange herself.

ASH: I am intrigued.

ANNA: Sounds like it might have potential.

MJ: Hm.

SEAN: The other debut is She Professed Herself Pupil of the Wise Man (Kenja no Deshi wo Nanoru Kenja), based on the light novel which Seven Seas has coming out in a month or so. A gamer is transported to the game world he loves… but not as the old, powerful wizard he played! He’s a cute girl instead. Can he get by pretending to be his own student?

We also get The Ancient Magus’ Bride: Jack Flash and the Faerie Case Files 3, Cutie and the Beast 3, and Otaku Elf 2.

Sol Press has Redefining the META at VRMMO Academy 4.

Tokyopop has a new BL one-shot, Chéri, My Destiny! (Cheri, Unmei no Hito!). This is from Kaiousha’s Gush, and is about a candy war that turns into passion.

Viz has two debuts. The first is a Jump series, so it’s odd to see it this late in the month. MASHLE: Magic & Muscles is about a world where everyone can use magic… except our hero. So he decides to bulk up instead. This has gotten pretty popular.

The other debut is long-awaited. No. 5, a Taiyo Matsumoto title from 2001 that ran in Shogakukan’s Ikki. Viz was putting it out at the time on their Ikki website, but when the various Ikki series didn’t sell great the site kinda floundered, and this was dropped. It’s back now, in Viz Signature edition. As for the plot, well, it’s Matsumoto doing After The Apocalypse.

ASH: I am so excited to see this being released! I’ve held onto my copies of the two volumes that previously made it into print but won’t hesitate to double-dip.

ANNA: Nice.

MJ: Oh!

SEAN: We also get BEASTARS 13, Children of the Whales 17, Hell’s Paradise: Jigokuraku 9, and RWBY: Official Manga Anthology 5.

Yen On has High School DxD 4, the 5th and final volume of Last Round Arthurs, So I’m a Spider, So What? 12, and Unnamed Memory 3.

Yen Press’ debut is The Whole of Humanity Has Gone Yuri Except for Me (Watashi Igai Jinrui Zenin Yuri), a Kadokawa title from Shonen Ace about a “normal” girl who suddenly finds herself in a world where there are only women. Can she find her way back to her own world? And what is “normal” anyway? This is complete in one omnibus.

Yen Press also has Solo Leveling 2.

ASH: I’ve heard good things about Solo Leveling, I should maybe check it out before I get too far behind.

SEAN: Chunky week. Anything appealing?

MICHELLE: I’m too inundated with everything I’m far behind on to find anything that appealing, to be honest!

ANNA: Me too!!

Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town, Vol. 6

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By Toshio Satou and Nao Watanuki. Released in Japan as “Tatoeba Last Dungeon Mae no Mura no Shonen ga Joban no Machi de Kurasu Youna Monogatari” by GA Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

The previous volume showed us that there really is a long-running plot arc to this book, and gave us hints that it might actually be headed in that direction. The trouble is that even the people who are trying to manipulate the plot the way they want are big goofy flakes. Our two villains are mostly big Lloyd stans, especially in this book, where you get the sense that they came up with the entire plot not to force Lloyd into his hero role but to get Lloyd’s autograph. As for Alka, we do here a BIT more about her past here, but again it takes a back seat to shanigans… as does Alka, who is thankfully absent for most of this book, though I give her credit for showing up at the end and getting the best part of the book to herself. As for the main cast… there’s here to make movies.

Despite the fact that normally technology would not be nearly advanced enough to do this, there is a burgeoning film industry in the next country over. Sending the army to investigate by disguising them as extras and crew, Lloyd is also looking a bit older. After several comments on his cuteness have him depressed about his manly status, Alka gives him a rune that makes him look in his mid-20s… and SMOKING HOT, to the pleasure of everyone in the room. As for the movie itself, the director is the King, who has a few secrets, and the lead actor… has quite a few more. Then there’s the fact that the lead actress seems very familiar to some of the cast, and also the assassin who seems to want to kill Lloyd, though clearly against her will. Can all this converge and make sense?

Well, yes, it can. It makes sense in a wacky comedy plot sense, but it all does come together. The best thing about Last Dungeon Kid is it will not ever back down from being silly. Even titles like Bakarina have the occasional dramatic moment slipped into the book to make the reader tear up, but this book subverts al that with the finest comedy timing. Fortunately, the comedy is pretty good. Alka and Maria are absent most of the book, so there’s less humiliating fanservice this time around, and Selen is honestly behaving herself as much as she ever will. The exception to this is Micona, who I almost wish was still possessed by evil, as her one-note attacks on anyone who gets near Maria are the most tiresome part of the book. I did also enjoy the serious subplot in the book all the way through, including when it had its seriousness yanked out from under it and mocked.

At the start of the book we also met a lot of kings and nation leaders, and next time around we’ll see mo0re of them. For the moment, though, this is quite good comedy, especially if you don’t expect anything more from it, like romantic resolution. That’s not happening.

Pick of the Week: One Cool Cat

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SEAN: Gee, what could it be? Moto Hagio? Cute smug-looking cats standing on their back paws? Sign me up for L’il Leo!

KATE: I’ve developed a reputation for being the most predictable member of the MB Battle Robot, and I won’t disappoint anyone by picking, say, The Hero Is Overpowered But Cautiously Optimistic or I’m Deeply Skeptical of the New Power I Just Manifested. OF COURSE Lil’ Leo is my first choice this week, for all the reasons Sean listed. But I’m also intrigued by Hello World, which is giving me serious orange vibes–and that’s never a bad thing.

MICHELLE: Any time there’s Moto Hagio, my pick is spoken for. That said, I am also looking forward to getting caught up on Ace of the Diamond and Giant Killing, both of which have new volumes out this week. The latter, being seinen sports manga about a professional team rather than high schoolers aiming for nationals, is particularly good.

ANNA: The idea of not picking Moto Hagio is inconceivable!

ASH: S’truth! If Moto Hagio is an option, that is the pick. And a cat manga, too? There really is no other choice. Lil’ Leo it is!

MJ: Moto Hagio and cats is an obvious and irresistible choice. My pick can only be Lil’ Leo!

ROLL OVER AND DIE: I Will Fight for an Ordinary Life with My Love and Cursed Sword!, Vol. 4

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By kiki and kinta. Released in Japan as “Omae Gotoki ga Maou ni Kateru to Omou na to Gachizei ni Yuusha Party wo Tsuihou Sareta node, Outo de Kimama ni Kurashitai” by GC Novels. Released in North America by Seven Seas. Translated by Jason Muell. Adapted by Brock Wassman.

So I am putting a content warning before this review, something I rarely do. This review will be talking about the plot of the 4th Roll Over and Die novel, and will be describing scenes of graphic horror involving children and infants. If this will upset you, I definitely recommend skipping the review, and the book.

You know, I’m beginning to get the sense that the cute relationship between Flum and Milkit is not really a priority in the mind of the author. Oh, don’t get me wrong, there’s a few cute scenes here. The two emotionally stunted young women are clearly in love with each other but lack the vocabulary or experience to do anything about it. We get a kiss on the cheek. Milkit gets a bit jealous. But really, if you want cute yuri there are so many other books you could read that are not this one. This book is here for one thing and only one thing: detailed descriptions of graphic horror. If you know what an Italian giallo film is, or enjoy the works of Herschell Gordon Lewis, this gore-spattered action novel might be for you. For the rest of us, it is a very long slog through endless pages of mutilated corpses, body possession, and towards the climax of the book infants literally rain from the sky and have to be butchered. It’s a lot.

The majority of this book deals with the rest of Mother’s second-generation children. Ink, the first-generation, is happy with Eterna (and, let’s face it, despite the age difference their relationship is clearly swinging romantic as well). Nekt, the child from the previous book, is dealing with her heel-face turn, and trying to get the other children in her group to join her in becoming human. Unfortunately, they’re far too tied to Mother, and would much rather perform this world’s version of “suicide by cop”, i.e. killing as many innocent people as they can before getting killed. Also unfortunately, the person who might be able to help them turn human also seems to be secretly evil. Honestly, everyone’s a little secretly evil in this book, except our main cast. Can Flum manage to save anyone? Or will the children have to be put out of their misery?

This book is not without its merits. As always, the author can write an excellent fight scene, and is very good at painting a picture of exactly what’s happening, for good and ill. The Hero’s Party (minus Jean, still deliberately left out of the plot except for one scene) are reunited, and falling over themselves to apologize to Flum, who is far more gracious about it than they perhaps deserve. There is an interesting revelation in this volume that suggests that, far from being a generic fantasy world, this world is closer to home than expected. Unfortunately,. I couldn’t enjoy any of this because I was drowning in blood and gore. Men die, women die, children die, babies die. Babies especially die, as Mother’s final battle tactic is to create babies that attack and try to possess our heroes, and have to be killed. They are butchered, hurled against walls, and blown up by magic. And by the end of the book I found it hard to really care about anyone.

There may be more in this series to come – this is the last book in Japan, and it came out 18 months ago, but there’s still lots of content from the webnovel left to go. But I think I’m done here. I prefer my yuri to not be drenched in so much blood that I can’t see the romance.