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The Manga Review, 10/7/22

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Bust out that Sailor Moon costume–New York Comic Con is in full swing! If you’re looking for a good manga panel, I highly recommend This Manga Is Awesome! Manga Must-Reads and Underrated Gems, which is happening today at 3:30 pm. Deb Aoki leads an all-star crew of librarians, industry professionals, podcasters, and critics in a lively discussion about their favorite series. Also of note is Comics in the Post Pandemic World, which is scheduled for Saturday at 12:30 pm. Publishers Weekly is the sponsor; the conversation will focus on the explosive growth of the comics industry during lockdown, and will consider some of the challenges facing publishers as supply chain issues increase and inflation rises.

NEWS AND VIEWS

Jamila Rowser, founder of Black Josei Press, posted an update on the forthcoming Gladiolus Magazine, which “will feature comics, essays, short stories, and more created by people of color from marginalized genders and sexualities.” Rowser shared a list of contributors whose work will appear in the inaugural issue, as well as the magazine’s expected publication date: spring 2023. [Black Josei Press]

Bill Curtis compiles a list of October’s new manga and light novel releases. [Yatta-Tachi]

To kick off LGBTQ History Month, the librarians at No Flying No Tights recommend nine queer-friendly comics for teen readers, including The Bride Was a Boy and Be Gay, Do Comics. [No Flying No Tights]

Yuu Watase is resuming work on Fushigi Yugi Byakko Senki. [Otaku USA]

It’s a hit: Chainsaw Man now has 16 million volumes in print. [Otaku USA]

Dog lovers rejoice: Seven Seas has licensed Shibanban: Super Cute Doggies which is pretty much what it sounds like: a parade of adorable Shiba Inus doing adorable things. Volume one is slated for a May 2023 release. [Seven Seas]

If you’ve been on the fence about Taiyo Matsumoto‘s work, let Jocelyne Allen’s generously illustrated review of Tokyo Higoro persuade you to give him a second chance. “Pretty much every page is filled with such thoughtful detail to make even minor characters seem fully fleshed out,” she notes. “It’s one of those books that I kept flipping back and forth in, just to drink in the details, the art, and the many, many perfect pages.” [Brain vs. Book]

VIDEO OF THE WEEK

I’m not a big MangaTuber, but I make an exception for BakaBoysClub, a new-ish YouTube channel featuring lively, thoughtful reviews of manga, old and new. In particular, I thought that host GrunWho did an exceptional job of explaining why The Girl from the Other Side: Siúl, A Rún is such an engrossing story, making great use of the video format to highlight Nagabe’s beautiful artwork:

Check out the BakaBoys’ other videos here: https://www.youtube.com/channel/UCnmtMpN3E2LGnz_Mef4zCCw.

REVIEWS

Thinking about starting your own manga blog or podcast? One great way to build an audience for your work is to contribute to an established site like The Fandom Post, which is currently looking for reviewers. Site founder Chris Beveridge notes that “we get a good range of books from publishers and have a bit of a backlog we’re looking to clear out… There’s a good mix of one-offs and ongoing series that we’re looking for people to take on and new series starting up all the time.” For information on how to apply, click here.

New and Noteworthy

Complete and Ongoing Series

When Supernatural Battles Became Commonplace, Vol. 4

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By Kota Nozomi and 029. Released in Japan as “Inou Battle wa Nichijoukei no Nakade” by GA Bunko. Released in North America by J-Novel Club. Translated by Tristan K. Hill.

As always, this series tends to run on character-based comedy that is 50% decent, 30% good with a side of heartwarming, and 20% godawful. Usually the godawful part involves Andou doing something mind-numbingly stupid, but aside from one poorly-delivered euphemism that causes dangerous searches on the internet, he’s mostly fine now. It’s Sagami that gets the bulk of being awful. That said, it’s good in this case, because it’s showing off that he really IS the villain of this piece. For the most part the overarching plot of this series has been very hit and miss, and we haven’t seen that gang that attacked Hatoko since her book. But Sagami’s preening, salacious inability to see anything except as a fictional construct does make him a good antagonist. And of course this IS a fictional construct that is also a romantic harem comedy, so he gets the added aggravation of being correct. I think most readers were thinking the same thing Sagami was: in a harem of four girls, Sayumi is a distant fourth place.

Each volume has focused on one of the girls in the Literary Club, and as the cover suggests, this is Sayumi’s book. The actual present-day dilemma is fairly easy to resolve, but it also ties back to the past, so we see flashbacks, from Sayumi’s POV, of how she first met Andou and immediately did not get on with him. Unsurprising, this is Andou. In the present, the girls all present Andou with a game that they’ve been coding and ask him to play test it, which gives us a string of great humiliating gags as well as a wonderful sweet heartwarming bit at the end. As for the conflict, Andou discovers that Sayumi was going to run for Student Council President in high school, but never did… and he thinks that he’s the reason for this.

Sayumi is the most mature of the cast, meaning that thankfully we get less of the antics that we got last volume (though they’re still there, sadly, but at least Andou is NOT involved in the stupidity this time). It makes sense that her arc is resolved by simply telling Andou he’s gotten things wrong and that she doesn’t regret what happened. Of course, that’s not really what this book is doing. This is the fourth volume, so we’ve run out of heroines. It’s setting up the next arc, and doing so pretty well. All four girls are explicitly in love with Andou by the end of the book. Chifuyu doesn’t really know what it means, Hatoko knows what it means and who the “best girl” is and is ready to go to war, and Sayumi is getting advice from the devil himself. That just leaves Tomoyo, and if Sagami was here he’d no doubt say that she’s “best girl” at this point, or at least the most likely winner, if she can stop tsunning it up.

As always, I don’t recommend this book to anyone but those who are buried so far into otaku culture that they don’t really notice the bad things. If you’re that sort of person, this is a solid volume.

Bookshelf Briefs 10/6/22

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Falling Drowning, Vol. 3 | By Yuko Inari | Kodansha Comics (digital only) – It’s the final volume and, inevitably, Honatsu has begun to regain her memories. With them, she remembers that Shun was once her most precious person. Unfortunately, she’s currently dating Toma. Seasoned shoujo readers might expect that Honatsu choosing one of them would be the culmination of the series, but it’s actually her relationship to her past self that has the biggest payoff, as she eventually comes to recognize that young Honatsu was never really as invincible as everyone thought, and the past six years have taught her how to talk about her weakness and sadness without hesitation. It’s clear from the author’s notes that she was told to wrap things up quickly and that there had been more she wanted to draw. While things do feel somewhat rushed, Falling Drowning still comes to a satisfying conclusion. – Michelle Smith

Kubo Won’t Let Me Be Invisible, Vol. 3 | By Nene Yukimori | Viz Media – This is an improvement on the second volume. There is still the occasional mention of Shiraishi lacking any presence, but for the most part we’re moving on from that and starting to show WHY Kubo seems to be so over the moon for him. Because she 100% is, far more than the Takagis and Nagatoros of this world. It can be embarrassing, as she would no doubt freely admit when her older sister starts drunkenly teasing her in front of Shiraishi (who now worries this is his fault somehow). I’m not sure when these two cuties are going to get together, and I’ve no doubt it will be a few more volumes. But guaranteed money they’ll do it before the other two girls I mentioned above. – Sean Gaffney

Lost Lad London, Vol. 2 | By Shima Shinya | Yen Press – To be honest, the central mystery of Lost Lad London—who is framing Al Adley for the murder of his biological father, the mayor of London?—doesn’t move forward much in this volume. The most significant thing that happens is that the cops decide Al’s their prime suspect, haul him in for questioning, and search his residence without a warrant. The real charm is the atmosphere. This feels like a proper mystery, for one, but there is also some amusing interplay between Al and Ellis that makes me yearn for an adaptation of some kind. Too, I appreciate that the characters discuss the racism and sexism they’ve had to contend with in their lives. I look forward to the third and final volume for the solution (and to see if my guess is right) but I’m bummed our time with these characters will have been so brief. – Michelle Smith

Queen’s Quality, Vol. 15 | By Kyousuke Motomi | Viz Media – Suddenly Queen’s Quality has gotten a lot more depressing. Certainly this helps with the aimless feel we’ve had the last few books, and the cast is now winnowed down to people I can remember. But man, when the “good end” is your hero protecting everyone by destroying all the memories he’s ever had, that’s bleak. Fortunately, I doubt that Fumi and company are going to let Kyutaro get away with that. Unfortunately, all their alternatives also seem to involve sacrificing themselves. Hell, even some of the terrible villains are falling to horribly gruesome deaths. I don’t THINK this is the sort of manga to end with its main couple dead or dying. But I guess we’ll have to see. – Sean Gaffney

Spy x Family, Vol. 8 | By Tatsuya Endo | Viz Media – Not gonna lie, this is THE best arc of Spy x Family to date, and the entirely of this book is right in the middle of it. Not only do we see Yor take out dozens of assassins, either in public (so she has to incapacitate them) or in private (where she can murder them). She is simply amazing, and it’s also stunning to see a Jump series show off this much blood, gore, and death—expect the anime to cut this heavily. At the heart of this, though, is the core of Yor’s story arc—her goals in becoming an assassin are mostly fulfilled now, or can be fulfilled by the family that she loves dearly but doesn’t know it yet. She wants to give it up. Unfortunately, she can’t right now, as she has to save the mother and daughter from death. Amazing book. – Sean Gaffney

We’re New at This, Vol. 11 | By Ren Kawahara | Kodansha Comics (digital only) – Aside from one chapter right at the start of this volume which tries to get into the topic of fetishes and flounders badly, this is a very good entry in the series, mostly because of a discussion I don’t think I was expecting it to have, even if it doesn’t dwell on it ling. When our married couple go to buy a car and Ikuma has to take a call, he returns to find that the salesman was “waiting for the man” to offer his card and start the pitch—something Sumika notes happens ALL THE TIME. Indeed, when Ikuma does the bare minimum of pointing out that women should be treated as equals, he gets a round of applause from every woman in the dealership. An unexpected surprise in this otherwise cutesy volume. – Sean Gaffney

Manga the Week of 10/12/22

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SEAN: Manga the Week of is brought to you this week by Weetabix.

MICHELLE: I will never not associate Weetabix with Spike and Giles.

ASH: Now that you mention it!

SEAN: We start with Yen On, which gives us In the Land of Leadale 6, Magistellus Bad Trip 2, and Sasaki and Peeps 2.

While Yen Press has The Hero Laughs While Walking the Path of Vengeance a Second Time 2 and Kaiju Girl Caramelise 6.

ASH: Oh, I somehow didn’t realize that Kaiju Girl Caramelise was an ongoing series.

SEAN: Viz Media debuts Dandadan, a Shonen Jump + title. A boy believes in aliens, but thinks ghosts are the bunk. A girl in his school believes the exact opposite. Together they will discover… that aliens and ghosts are too spicy for Shonen Jump’s app, I can tell you that.

ASH: Ha!

Also from Viz: Case Closed 84, Kaiju No. 8 4, Komi Can’t Communicate 21, Sakamoto Days 4, and Splatoon 15.

Tokyopop has a shoujo debut, Formerly, the Fallen Daughter of the Duke (Moto, Ochikobore Koushaku Reijou desu). J-Novel Club releases the light novel of this. The manga runs in MAGCOMI. It’s essentially a Villainess story, even if the lead isn’t evil in the original.

They also have a new one-shot, Hyperventilation. This BL manwha features two guys who meet again at a high school reunion and rekindle things.

Titan Books debut Atom – The Beginning, which runs in Shogakukan’s Heros magazine. It is, as you may have guessed, a prequel to Tezuka’s Astro Boy.

ASH: I am intrigued.

SEAN: SuBLime has Black or White 5 and Moon & Sun 2 (the final volume).

ASH: Which reminds me that I’ve been meaning to read the first volume.

SEAN: Square Enix Manga gives us Beauty and the Feast 4, Hi Score Girl 9, and My Isekai Life 3.

Seven Seas once again has a number of debuts. Black and White: Tough Love at the Office (Shiro to Kuro) probably has that subtitle to set it apart from other manga with similar titles. Two women at the same office who can’t seem to stop a) beating the shit out of each other or b) having sex with each other have to team up to solve a mystery. It runs in Comic Ruelle.

ASH: Not the type of yuri series we often see.

SEAN: Hunting in Another World With My Elf Wife (Hokkaidou no Geneki Hunter ga Isekai ni Hourikoma Rete Mita – Elf Yome to Meguru Isekai Shuryou Life) is a MAGCOMI title. A hunter gets killed by a bear and ends up in a fantasy world… but he still has his shotgun!

SHWD is also from Comic Ruelle. It stands for Special Hazardous Waste Disposal, and has been described as “yuri buddy cop story meets horror”.

ASH: Another atypical combination!

SEAN: Seven Seas also has Cat Massage Therapy 3, Creepy Cat 4 (the final volume), The Duke of Death and His Maid 3, The Girl From the Other Side: Siúil, a Rún Deluxe Edition II, Kemono Jihen 2, Magic Artisan Dahlia Wilts No More 3, The Saint’s Magic Power is Omnipotent 6, and This Is Screwed Up, but I Was Reincarnated as a GIRL in Another World! 3.

MICHELLE: I enjoyed the first volume of Kemono Jihen so look forward to the second.

ASH: I’m buying The Girl From the Other Side again; the deluxe edition is lovely.

SEAN: One Peace Books debuts Usotoki Rhetoric, a Bessatsu Hana to Yume title (!) about a girl who can hear lies teaming up with a detective in the mid-1920s.

MICHELLE: Ooooh. This sounds potentially fun!

ASH: It does!

SEAN: They’ve also got I Belong to the Baddest Girl at School 5.

Kodansha debuts Last Gender (Last Gender: Nanimono demo nai Watashitachi), an LGBT title about a hidden bar where people can explore different sides of themselves. It ran in Evening Magazine.

ASH: My curiosity is piqued.

SEAN: And they also have Shonen Note: Boy Soprano, a Morning Two title from the creator of Shimanami Tasogare. A middle school student with a wonderful soprano voice runs into issues growing up. This has been nominated for awards.

MICHELLE: I’ll definitely be checking this out.

ASH: I’ve really been looking forward to this one, too.

SEAN: And they have this weird poster book/artbook/massive thing, AKIRA: Art of Wall.

Also in print: The Ghost in the Shell: The Human Algorithm 3, Island in a Puddle 4, Lovesick Ellie 6, The Seven Deadly Sins: Four Knights of the Apocalypse 5, and Something’s Wrong With Us 11.

Digitally, we see The Fable 7, Giant Killing 33, Girlfriend, Girlfriend 10, Medaka Kuroiwa is Impervious to My Charms 4, My Maid, Miss Kishi 4, Police in a Pod 17, Quality Assurance in Another World 6, The Shadows of Who We Once Were 5, Tokyo Revengers 27, and Vampire Dormitory 7.

MICHELLE: One day I really will succeed in getting caught up on Giant Killing.

SEAN: J-Novel Club has a light novel debut. Yuri Tama: From Third Wheel to Trifecta (Yuri no Ma ni Hasamareta Watashi ga, Ikioi de Futamata Shite Shimatta) features a girl who is best friends with her school’s yuri power couple. Sadly, that means everyone else hates her. She doesn’t like herself much either. Then… both of her friends, separately, ask her out. And she says yes. To both of them.

ASH: Oh, my!

SEAN: Also digital: The Apothecary Diaries 6, the 8th manga volume of An Archdemon’s Dilemma: How to Love Your Elf Bride, Full Metal Panic! Short Stories 2, In Another World With My Smartphone 26, My Quiet Blacksmith Life in Another World 4, and The Reincarnated Princess Spends Another Day Skipping Story Routes 5.

Drawn and Quarterly are reissuing all four volumes of Shigeru Mizuki’s Showa: A History of Japan, with new cover art, as well as single volume Onward Towards Our Noble Deaths.

ASH: Very glad to see Mizuki’s work staying in print.

SEAN: And now we jump to Airship, which has some print light novels. We see the print debut of The Case Files of Jeweler Richard. There’s also Berserk of Gluttony 7, Failure Frame: I Became the Strongest and Annihilated Everything With Low-Level Spells 5, and I’m in Love with the Villainess 5 (the final volume).

ASH: I’ve been waiting for The Case Files of Jeweler Richard.

SEAN: And in early digital we see I Swear I Won’t Bother You Again! 2, I’m the Evil Lord of an Intergalactic Empire! 3, and Kuma Kuma Kuma Bear 12.

Please enjoy this delicious manga made from whole grains. What are you eating next week?

My Stepmom’s Daughter Is My Ex: “First Kiss Manifesto”

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By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

Last time I mentioned that the anime was just starting, and I wondered how it would be handled. Well, now we know, and we also know that apparently the anime producers like Akatsuki as much as I do. Almost the entire third volume was jettisoned from the anime, which decided it really did not need multiple episodes focusing on the world’s most toxic ex-couple. More to the point, they knew something had to go if they wanted to adapt this volume, which turns out to have the perfect “open ending” for an anime that might eventually get a second season. It focuses squarely on our main couple… well, OK, no it doesn’t. It focuses squarely on Yume. The back and forth narrative voices are skewed very much towards the feminine thins time around, because Yume wears her heart on her sleeve and is really easy to figure out, but Mizuto bottles everything up and is not. It takes a family reunion to finally crack the “my stupid ex” facade.

Mizuto and Yume have now gotten comfortable with each other, and with arguing. Perhaps a bit too comfortable, as their parents note they act like a couple that’s fallen out of the “honeymoon” phase. Because Yume is Yume, she looks up online how to deal with this, which apparently involves going with Mizuto to try on swimsuits. The reason for the swimsuit is that they’re making the annual trek into the rural hinterlands of Japan to see Mizuto’s extended family, and this is the first year Yume and her mother will be making the trip. Meeting the in-laws goes well enough, but unfortunately they also come with a hot older cousin, who Yume seems to be convinced was Mizuto’s first love. And in fact Mizuto has been acting even more remote and uncaring than usual lately. Is there something going on?

I don’t want to spoil one of the major emotional parts of the book, which involves Mizuto’s great-grandfather, but suffice it to say it’s really well handled and offers some insight into Mizuto himself. But what this book is really about is Yume coming to terms with the fact that she’s in love with Mizuto. I enjoy the way that it’s framed, as it’s not a case of “oh, I’ve been in love with him all this time”, but rather that the Yume here and now loves him, and her biggest rival turns out not to be Higashira (who is busy trying to write AO3 fanfics of herself and Mizuto, and failing) but her younger self, the one who first captured Mizuto’s heart. The reason that most of the narrative is from her perspective is because we need Mizuto to be mysterious and remote here. I do wonder what his reaction will be in the next book.

I may need to wonder longer, of course, given that the cover art and back cover copy of Volume 5 imply it’s a 100% Higashira focused book. In the meantime, this was an excellent romantic comedy volume… unless you’re Akatsuki and Kawanami, I guess. Sorry, guys, cute pool antics aside, you’re just not important enough.

A Late-Start Tamer’s Laid-Back Life, Vol. 4

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By Yuu Tanaka and Nardack. Released in Japan as “Deokure Tamer no Sono Higurashi” by GC Novels. Released in North America by J-Novel Club. Translated by Yuko C. Shimomoto.

At long last, Yuto and his tamed monsters are finally starting to get good at the sort of combat that everyone else figured out three days into the game. Sure, later in the book he runs into two top-tier players who remind him that he’s still really weak by comparison, but there’s more here of him and the others actually defeating a lot of monsters. That said, fear not, because the main reason to read the book is still here, by which I mean Yuto telling Alyssa about everything he’s done recently and watching her reaction. I’m not kidding, this has become the highlight of the series, and I love it every time. He simply cannot accept that he is breaking the game in ways no one would ever think of before… but that also allows other players to do things the normal way, so everyone benefits. Indeed, another running gag, which has Yuto casually giving away powerful intel and items because he wants to, is all present and correct.

At long last, after three books hanging around the starter town like Lloyd Belladonna, our heroes finally move on to the next set of towns (though they maintain their farm back at the start as well). This allows Yuto to accidentally figure out how to access two powerful areas, where he can tame an undine (who is, of course, incredibly cute), gain odd new skills that will work out down the line, and have his monsters level up and evolve by the secret method of being nice to them and treating them like equals. We also meet the rest of Alyssa’s intel group, and they’re all as fired up about him as you’d imagine. And he runs into the game’s other top tamer, Amimin, and her summoner friend Mattsun, who both happen to fill the ‘shy girl and her aloof tomboy friend’ stereotype this series has desperately needed. Yuto’s circle of friends is opening up!

We do see the occasional sign that reminds us that Yuto is actually a middle-aged salaryman, and that it’s probably a good thing he’s unlocking so many things, as soon he will have to go back to the grind. For now, though, he’s essentially walking around this game like Maple from Bofuri, accomplishing things the development team had made ludicrously impossible by accident. The devs, at least, seem far more sanguine about it than Maple’s do – especially about Sakura’s evolution, which was supposed to be super incredibly rare and which (as we see in a battle near the end) proves to definitely be life saving. And… yeah, sorry. This is still a slow life book about a game, so I don’t really have much to analyse here. He makes lots of fish dishes. The treant from the last book evolves, but is a stay-at-home treant, so we don’t learn much about it. The undine seems nice, but the fact that none of the monsters speak makes character development more obscure.

Still, this is another volume of the series that does whatever the hell it wants, and does it in a way that I want to read more of it. For fans who would like to play this game themselves.

Surviving in Another World As a Villainess Fox Girl!, Vol. 1

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By Riia Ai and Mucha. Released in Japan as “Scenario Nante Iranai! Rival Chara no Kitsunekko” on the Shousetsuka ni Narou website. Released in North America by Cross Infinite World. Translated by Miki “Zombie” Zuckerman.

It’s always tough when a word ends up being shorthand for a genre. There’s no “villainess” in this book. Indeed, the Japanese romanji uses “Rival Chara”, which is far more accurate. But, as with “isekai” books that aren’t really isekai, “villainess” has become shorthand for a genre of books that this series falls under, so here we are. That said, it’s also intriguing for other reasons. First of all, as the blurb suggests, we have two different “reincarnated into a game” characters butting heads in order to save the game from a bad end, which honestly is mostly used for comedy here. Secondly, the “villainess” is NOT one of the reincarnated Japanese people, and she’s the narrator. Just having a reincarnation book from the POV of someone else is refreshing, but it turns out that the villainess is sweet as pie, and makes everyone around her want to protect and love her. Honestly, it’s no surprise that the actual “heroine” doesn’t even show up in this volume.

Miku and Claire are sisters, and both are Fox Girls, one of many demi-human races in this world. That said, Miku was rather startled when Claire, back when she was 4 years old or so, fell over, hit her head, and then started talking about her past life from Japan! Miku doesn’t really get all this talk about otome games and airplanes, but she loves her sister, so if her sister wants her to train her magic so that they can fight monsters and save the village from a theoretical attack, then that’s what they’ll do. Things get complicated when the love interest from the game arrives, and he too also appears to be attempting to change the narrative to suit his tastes. Both Ektor and Claire have Miku’s best interests at heart… even if they want to solve things in different ways. After all, if they don’t do anything, Miku will die!

I will be honest, this is a book that lives and dies on its ideas, because its writing style and characters are somewhat basic and bland. I had to look at the cover to remind myself that Claire did not have red hair, simply because she fills the “red-headed anime girl” slot so well. As with many books in this genre, Claire and Ektor both don’t really seem to realize that by changing things so much, they’ve probably already achieved their goal. That said, the “gimmick” behind Miku’s powerful light magic is a dangerous one, and while I get that they wanted to wait till she was mature enough to handle it, I appreciate it that they told her immediately once the truth came out. Mostly, though, this is a story of Miku walking around charming everyone in her wake by being adorable, naïve, kind, and earnest. The reader wants to protect her as well.

As noted above, the cliffhanger ending of this volume implies that the “heroine” of the games (there’s more than one genre, something that comes as a surprise to Claire, who only played the original) will show up and make things difficult, though given that Ektor is firmly on Team Miku, it’s hard to see how.Till then, this is a standard webnovel with a decent gimmick of having the narrative come from the non-isekai character.

Pick of the Week: Viz Favorites and Horror Classics

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MICHELLE: There’s so much good stuff coming out this week. I find that what I find most appealing is the prospect of a nice big Yona of the Dawn binge to get caught up, so that’ll be my pick this week.

SEAN: I’ll be going with “comfort manga” as well, as my pick is the new My Hero Academia.

ASH: Both solid choices! As for me this week, I’m particularly interested in Be Very Afraid of Kanako Inuki! Shojo horror manga is one of my favorites and this is just in time for spooky season.

ANNA: Did someone say Yona of the Dawn, I shall say it too!

KATE: Gotta go with Ash’s pick, as I’m a big Kanako Inuki fan!

The Ideal Sponger Life, Vol. 8

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By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

The Ideal Sponger Life is doing a pretty good job of trying to strike a balance between fantasy (after all, this is a series with magic and dragons and the like) and realistic political outcomes. And one of the realistic political outcomes that comes up in this volume is Aura having to give up some of her power. This comes in two different ways – the first is appointing her general/rival as military leader, an unfortunate necessity now that she is pregnant with her second child. The second is finally giving in and admitting (and Zenjirou also has to admit this) that Freya has won the battle, and that she is now definitively going to be his first concubine. Ironically, this means that competition for additional concubines is heating up even MORE, as it means that he has a type other than “tall, strong, buxom amazon”, meaning there’s a larger pool of potential nobles stepping up to the plate. Starting with one who is probably going to be on the next few covers.

Freya is on her fourth straight cover, however this is effectively the end of her arc, as she and her crew have now finished repairs, and have to get back home to not-Sweden before the winter arrives there. She’s quite happy with Zenjirou himself, especially the way that he treats her as an equal, which I think she not only finds affirming but also arousing. That said, the heat is something that she’s going to have to get used to, and we see her and Skaji suffering through a typical “blazing season” here. Meanwhile, Nilda has arrived in the capital and needs training in how to be a noble, so ends up being hired as a palace maid – meaning, once again, that the three comedy maids are forced to step up their game and be more mature. As for Zenjirou, he finally masters teleportation – which means another mission to another country.

I must be honest, even if it weren’t for her name making me wonder if she was going to assassinate someone, I don’t think I’d be looking forward to the arrival of Lucrezia Broglie all that much. She’s far younger than his other love interests, and is deliberately being deceptive by pretending to be clumsy and naïve – something that, I suspect, is going to bite her in the ass when she gets to know the real him. Honestly, I’d be far happier with Bona as his next choice, but that does not appear to be happening, possibly as Aura thinks that she and Zenjirou are a bit TOO compatible. I do also wonder if we’re setting up for a throne war in the future – Aura is correct in that she’s going to have to start giving up some of her power, but in a heavily patriarchal society like this one, that’s power she’s likely never going to be able to get back. I worry about them.

All this plus, worst of all, no sex, as Aura is confirmed to be with child. Still, anyone reading this series for sex long since stopped, as I’ve said before. The politics is still first rate.

Though I Am an Inept Villainess: Tale of the Butterfly-Rat Body Swap in the Maiden Court, Vol. 2

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By Satsuki Nakamura and Kana Yuki. Released in Japan as “Futsutsuka na Akujo dewa Gozaimasu ga: Suuguu Chouso Torikae Den” by Ichijinsha Novels. Released in North America by Airship. Translated by Tara Quinn.

I want to be able to talk about the rest of the cast when I review these books. After all, it can’t ALL be about Reirin. I could talk about Keigetsu, and how my opinion of her went way, way up with this book, when we finally get to delve deeply into how she’s being used as a tool. I could discuss the wonderful flashback showing us Kenshuu and Gabi, which takes a mystery with a rather obvious culprit and turns it into a sad tragedy. I could mention Leelee, who goes from reluctant servant and straight man to … well, less reluctant servant and straight man, to be fair, but she does it beautifully. Hell, even the prince, who is literally said to be most appealing to Rinrin when he’s weak and pathetic, manages to carry off some really good moments. That said, all of this is going to have to get around the insurmountable wall that is Reirin, because OH MY GOD, Reirin.

We pick up immediately where we left off at the end of the first volume. Someone else may have figured out that Reirin is in Keigetsu’s body, but that does not really help things because there’s far more to it than just that. Even if Keigetsu was willing to undo the bodyswap and blithely go off to get tortured and executed, it rapidly becomes clear that, as with Leelee, someone is manipulating things behind the scenes to make sure that, somehow, Reirin dies. And when that doesn’t happen, we actually get a worse outcome, as the next in line for vengeance is the Empress herself. Can Reirin manage to fix things so that no one dies – not her, not the Empress, not Keigetsu, not even the actual culprit? And can she do this despite almost everyone now realizing that she’s in the wrong body?

Last time I wondered how on earth this was going to be spun out into an entire volume given that the secret was out, and kudos to the author for managing to do it. It helps that we would honestly read 89 volumes of this if it meant to got to experience the tornado that is Reirin some more. Her attempts to pretend to be Keigetsu are laughable, especially as she is describing herself as a villainess, but by the end of the book it’s pointed out that she really *is* one – in that she has everyone wrapped around her finger with no idea that that’s what she’s doing. Including the two hottest men in the palace. She may be most attracted to Gyoumei when he’s pathetic, but we love Reirin most when she’s being strong, righteous, and kickass. You get the sense that the reason she’s so desperately ill all the time is that without that handicap, she’d have taken over the world by now. And filled it with potatoes.

The original story ended with this volume, but apparently it was such a success that the author is continuing it with more, and I’m glad, even as I know that this will likely mean more bad things happening to our heroine. Oh well, at least she has a friend now, in addition to her cadre of family and attendants who would absolutely die for her if she asked them. The friend is more important.