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Strike the Blood, Vol. 22

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By Gakuto Mikumo and Manyako. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jeremiah Bourque.

Strike the Blood remains, to the end, a very good action series and a really lousy harem series. Kojou, despite the bloody nose indicating arousal, is one of the most asexual harem leads I’ve ever read about, and frankly I have no idea how he’s going to sire the two future children that we know about. The scenes towards the end where he does some sort of weird vampire mojo thing and makes all the girls have an orgasm (not explicitly stated, but implied) made me roll my eyes. But when it’s being a Shonen Jump style series, or when it treats his cast as an extended family, it’s much, much better. This pretty much wraps up all the outstanding plotlines with the exception of “who does he end up with”, which is left vague but implied to be twelve wives. Only one of whom bothers to say the words “I love you” directly to him in this book, so nice job, Asagi, you’re the winner in my eyes.

Yeah, for those hoping the final volume would have the entire cast on the cover, or at least more than one girl, I don’t know what you were expecting. In any case, the terrorists who have been driving the final arc’s plot are here, and they want Itogami Island. Kojou, who now has vampiric blood vassals again, is the logical choice to negotiate with them, though it’s worth noting that the obvious solution as to how to stop the terrorists is in fact “destroy the island”, not good. Meanwhile, Avrova is attending an upside-down high school in the sky… which makes no sense until halfway through the book or so… and then there’s Japan, who of course have several agents working for the government on the island, who saw what I said two sentences ago and agree with me.

Without question, the best scene in the book is halfway through it, when Natsuki, Yukina and her mentor, and Koyomi head down to the keystone holding the island together to destroy it. They can evacuate everyone in time, and with no island, the terrorists lose. The trouble with this idea is that literally everyone else hates it and regards it as giving up on Kojou, so the rest of the cast go to war against them. (This includes Sayaka, who is mind controlled into fighting, but it’s implied she would have agreed.) Seeing Yukina’s anguish and frustration as she ends up fighting half of Kojou’s love interests at once could almost sum up the series. As for the rest, yes, we get the “no, sempai, this is our fight!” line, so we’re good. The Nod stuff was a bit less interesting, with apologies to Those Two Girls And Their Dragon. It also comes with an almost literal Deus Ex Machina, as the daughters from the future help to do a spell that essentially makes everyone forget who Kojou is again. Well, except his love interests, of course.

The author says this series went on much longer than expected, and I can’t say it was entirely deserved. Still, in the end, Strike the Blood was exactly what it wanted to be, an action adventure series with vampires, girls kicking ass, and the occasional “whoops I walked in on you in your underwear” harem bullshit. Who could ask for anything more?

The Asterisk War: The Golden Bough Conflagration

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By Yuu Miyazaki and okiura. Released in Japan as “Gakusen Toshi Asterisk” by MF Bunko J. Released in North America by Yen On. Translated by Haydn Trowell.

OK, this took about a year longer than I was expecting it to when I wrote the review of Vol. 15 in February 2021. Part of the reason is that this took a long time to come out in Japan. The complete lack of interior illustrations may tell you why – the artist was ill, and the writer really did not want to change to a different artist. Still, we get a cover! Sylvia is on it! That said, you know what Asterisk War cover appearances are like. Fans of Sylvia will probably be unhappy with this book. The book itself tries to balance its three genres – harem romcom, tournament fighting, and counterterrorism thriller – but, to no one’s surprise, the last of those is going to get the attention in this penultimate book. We get set up to most of the big fights, with the help of our main cast, as well as Minato Wakamiya! You remember Minato. From the spinoff series? That never got licensed? Yeah. (She was briefly in Book 13-14.)

We begin with the fight between Saya and Orphelia, which… goes about how you’d expect, but Saya gets crucial information and also doesn’t die, so I’ll call that a moral victory. So now we know why Julis is pushing all her friends away, and also what the villains hope to achieve… though the villains are not really working together because they like each other. As such, while Julis prepares for her fight against Orphelia, which will no doubt be the centerpiece of the next volume, the others go to take out all the villains they can. Ayato, Saya and Kirin face off against Madiath Mesa… as well as his mind-controlled underling. Meanwhile, Claudia and Sylvia are fighting Varda-Vaos, bringing along Minato because they believe she will prove useful, and possibly also as her personality is basically “I’m gonna do my best!” with a massive anime hammer.

This series really works best when writing fights, and they are well-written, so I appreciate that. As for the villains, I feel it acknowledges that they’re a bit meh, though two of the three fights are still to come. And then there’s Dirk, who pretty much behaves exactly as you’d expect Dirk to behave. I’d say he’s a problematic fave, except this series has no fans anymore, so who really likes him enough to call him a fave? The fights basically exist to have the supporting cast do really cool things, but then end up unable to go on any further. Kirin wins but is unconscious, Sylvia… well, we hope she’s back to normal, and Claudia seems to have sacrificed the rest of her life in order to win. She’s probably the one I worry most about. As for Julis and Ayato (and Saya, but you know she’ll be written out fast), wait for the next book.

Which is the final book in the series. Hopefully it won’t take a year and a half to come out here, but given this is not one of Yen On’s top sellers who knows? The Japanese volume came out in June, and had the reaction you’d expect for a harem romcom with fans that get Very Angry Indeed. For those who enjoy this series (it’s pretty much just me, isn’t it?), this was a solid book. Which it had pictures, but oh well.

Manga the Week of 12/7/22

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SEAN: It’s the most wonderful time of the year! What manga is giving us good cheer?

We start with Viz Media. Rainbow Days (Nijiiro Days) is a new Shojo Beat title from Betsuma. The timing on this seems off, as the anime aired in 2016. And it’s a 16-volume series, so get ready to invest. It’s about four boys, all with different ideas about romance.

MICHELLE: Huh. Somehow this one had totally escaped my notice.

ASH: I’d missed it, too!

SEAN: Also from Viz: Black Clover 31, Dragon Ball Super 17, Ghost Reaper Girl 3, Ima Koi: Now I’m in Love 4, Kaguya-sama: Love Is War 24, One Piece 101, and Snow White with the Red Hair 22.

ASH: I really ought to catch up with Snow White with the Red Hair.

SEAN: Tokyopop debuts Love Circus, a single volume BL title from Canna. A man who has tried to help a sex worker, and only ended up in debt, tries to kill himself… and wakes up at a sex establishment that caters to gay men.

Tokyopop also has the 2nd manga of Formerly, the Fallen Daughter of the Duke.

(Yes, yes. They were bumped.)

Titan debuts Kamen Rider Kuuga, a new manga updating the classic title to the 21st century. It runs in Shogakukan’s HEROS.

ASH: Titan doesn’t license that many manga, so it’s interesting what’s released.

SEAN: Steamship has a 2nd volume of GAME: Between the Suits.

Seven Seas got its books back from the printers again. Our Torsos Align: Human x Monster Love (Toruso no Bokura) is from Libre’s Kurofune Zero, which seems to be its “shoujo but not quite BL” magazine. These are romance stories starring “monsters” – birdmen, mermaids, aliens, etc.

ASH: Seems to be a burgeoning sub-genre these days.

SEAN: Thunderbolt Fantasy is an omnibus of Vol. 1-2, and originally ran in Weekly Morning. Based on a wuxia show, it features a woman trying to protect a sword from evil men, and the strangers who help her.

ASH: The show was fantastic. I’m looking forward to giving the manga a try.

SEAN: Yakuza Fiancé: Raise wa Tanin ga Ii runs in Afternoon. A yakuza daughter with a resting bitch face is married off to a rival leader’s son to preserve the peace… but his son is a sadist! Now she has to give as good as she gets.

Also from Seven Seas: Arifureta: From Commonplace to World’s Strongest 9, The Case Files of Jeweler Richard 4, Citrus+ 4, The Dangers in My Heart 5, Hello, Melancholic! 3 (the final volume), His Majesty the Demon King’s Housekeeper 2, I’m a Wolf, but My Boss is a Sheep! 2, Reborn as a Space Mercenary: I Woke Up Piloting the Strongest Starship! 4, Seaside Stranger 5, and SPRIGGAN: Deluxe Edition 2.

MICHELLE: Looking forward to more Hello, Melancholic!.

SEAN: One Peace has the 6th volume of Higehiro: After Being Rejected, I Shaved and Took in a High School Runaway.

Kodansha’s calendar is still broken, so let’s go hunting. In print, the debut is Studio Ghibli: The Complete Works, an artbook/reference book that looks at all 26 of the studio’s films.

ASH: Oh! That should be nice.

SEAN: In addition, we see The Quintessential Quintuplets Part 2 Box Set (which has Vols. 8-14, the rest of the series), The Seven Deadly Sins Omnibus 7, Vampire Dormitory 8, and Whisper Me a Love Song 6.

Kodansha has a digital debut. The Shape-Shifting Witch’s Kiss (Toshi to Mahou wa Kiss Shidai) is a shonen title from Magazine Pocket, and involves a boy who seems to have been taken straight from Kubo Won’t Let Me Be Invisible, a witch, and daily kisses.

We also see The Abandoned Reincarnation Sage 8 (the final volume), Changes of Heart 8, Chihayafuru 35, The God-Tier Guardian and the Love of Six Princesses 4, Kounodori: Dr. Stork 30, Matcha Made in Heaven 2, My Master Has No Tail 8, and Raised by the Demon Kings! 3.

MICHELLE: I will never not be glad to see Chihayafuru continuing to plug along.

SEAN: Kaiten Books has a print edition of the 6th Loner Life in Another World manga.

J-Novel Club Has three debuts, including one title that they just announced last week! BLADE & BASTARD: Warm ash, Dusky dungeon is based on the Wizardry RPG game, is by the writer of Goblin Slayer, is by the illustrator of Overlord, and is coming out the same day as the Japanese release. Impressive!

ASH: That’s a quick turnaround!

SEAN: An Introvert’s Hookup Hiccups: This Gyaru Is Head Over Heels for Me! (Inkya no Boku ni Batsu Game ni Kokuhaku Shitekita Hazu no Gyaru ga, Doumitemo Boku ni Betahore Desu) is another in the “super sweet love story” genre.

Peddler in Another World: I Can Go Back to My World Whenever I Want! (Itsudemo Jitaku ni Kaereru Ore wa, Isekai de Gyoushounin wo Hajimemashita) is another in the “slow life by selling Japanese things in isekai land” genre.

We also see Der Werwolf: The Annals of Veight -Origins- 8, My Daughter Left the Nest and Returned an S-Rank Adventurer 6, Record of Wortenia War 17, Reincarnated as the Piggy Duke: This Time I’m Gonna Tell Her How I Feel! 8, and the 9th manga volume for The Unwanted Undead Adventurer.

From HarperVia comes The Tatami Galaxy, possibly the most famous of Tomihiko Morimi’s novels, and now finally available in English! Starring a loser college student (I know, in a Morimi novel, contain your shock), it’s actually about parallel universes.

ASH: I’ve been waiting for this one.

SEAN: Ghost Ship has DARLING in the FRANXX 7-8 (the final volume) and SUPER HXEROS 9.

Floating World Comics gives us Boat Life (Fune ni Sumu), a loose autobiography from the creator of Trash Market and Slum Wolf. This series screams “READ MEEEEEE!” to Ash.

ASH: Sean, you know me so well! This is absolutely on my to-read list.

SEAN: From Denpa Books we see Guyabano Holiday, the new travelogue title by the author of Invitation from a Crab.

ASH: It feels like it’s been a long time coming; glad to see it finally released!

SEAN: They also have Inside Mari 9 (the final volume) and Vampeerz 2.

Airship, in print, debuts Free Life Fantasy Online: Immortal Princess. We discussed this when the digital came out. ZOMBIE GAMER.

Also in print: 7th Time Loop: The Villainess Enjoys a Carefree Life Married to Her Worst Enemy! 2, The Case Files of Jeweler Richard 2, The Saint’s Magic Power is Omnipotent 7, Trapped in a Dating Sim: The World of Otome Games is Tough for Mobs 7, and Vivy Prototype 2.

Happy manga holidays! There’s at least two more festive Manga the Week ofs coming.

The Manga Review, 12/3/2022

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If you’re interested in writing about comics for a website that already has a sizable readership, there are a number of great outlets looking for contributors. Nola Pfau, Editor-in-Chief of Women Write About Comics (WWAC), took to Twitter earlier this week to encourage writers submit pitches. WWAC has won three Eisner Awards for Best Comics-Related Periodical/Journalism, and welcomes “pitches from anyone along the marginalized gender spectrum—women, NB, agender, trans men.” You don’t need experience to submit an idea; WWAC prides itself on publishing new voices, and has “a proven track record of training new voices in comics journalism and helping them achieve success at other outlets.” Interested? Take the first step by visiting WWAC’s Pitch Us! page.

Also looking for writers is The Fandom Post, which is in need of an Anime/Manga Reviewer, and Anime Feminist, which is always receptive to pitches.

NEWS AND VIEWS

If you’re curious about Glacier Bay Books’ latest project, click over to The Comics Journal, which has just posted an excerpt from PANDORA, a collection of short stories by Hagiwara Rei. The stories, which are rendered in delicate watercolors, “simultaneously reflect on current events as well as the 10th anniversary of the Fukushima Daiichi nuclear disaster.” [The Comics Journal]

Tony Yao reflects on the Cool Japan Fund‘s flawed efforts to promote Japanese pop culture here in the US. [Drop-In to Manga]

Journalist Madeline Blondeau posts a thoughtful reflection on transfeminine desire in Eguchi Hisashi’s Stop!! Hibari-kun. [Anime Feminist]

Get your holiday off to a good start by entering The Manga Test Drive’s Annual Holiday Review Giveaway! The winner will receive a $25 Right Stuf gift certificate. [The Manga Test Drive]

ICYMI: Justin shares his thoughts about “the good, the mixed, and the bad” at Anime NYC 2022. [The OASG]

The latest episode of Shojo & Tell focuses on Wotakoi: Love Is Hard for Otaku. [Shojo & Tell]

The Reverse Thieves name Rumiko Takahashi’s Urusei Yatsura their Manga of the Month. “For better or for worse Rumiko Takahashi’s later series always have a much tighter theme and flow,” Alain notes. “You have a fairly good idea what your going to get in any chapter of Inuyasha or Maison Ikkoku. But Urusei Yatsura feels much more like jazz in its freeform nature. One chapter could be a sexy comedy about aliens, the next is nothing more than a giant set up for a pun with folk creatures, and the next chapter a touching romantic interlude. The only main theme is that the Urusei Yatsura cast are horrible people who are very amusing when they are horrible to each other.” [Reverse Thieves]

REVIEWS

This week’s must-read review is Sarah’s take on The Gay Who Turned Kaiju, a collection of short stories about a teenager struggling to come to terms with his sexual orientation. “Some manga are so compulsive a read that you just have to keep feverishly turning the pages until you get to the end. The Gay Who Turned Kaiju is one of those special titles: well-written and aptly drawn,” she observes. “Even though several of the protagonists are far from sympathetic, especially in the way they treat Takashi, nevertheless they resonate as believable, complex individuals.”

 

86 –Eighty-Six–, Vol. 11: Dies Passionis

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By Asato Asato and Shirabii. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Roman Lempert.

And so we go back to the beginning of the series, and back to the Republic. Honestly, I’m sure many fans would have been perfectly happy to never have to see the republic again. That said, the 86 series is not about giving fans what they want, as the opening epigraph certainly shows. It’s about the horrors of war, what war can do to people as individuals and as a group, and the depths to which people are willing to sink to justify their moral righteousness and cowardice. This book is very well-written, delivering a series of emotional gut-punches. That said, holy Christ, it’s depressing. At the end of this book the entire cast is left wondering what the point of the previous ten books was, and if they’ve really achieved anything whatsoever. It’s a question that I’m asking myself as well. What do I want out of 86? It’s well-written, but is this going to be a “this will go full tragedy and everyone will die” series, or will their be a glimmer of future hope? Signs point to no right now.

The book starts off with bad news right from the get go, as the Legion starts dropping satellites from orbit onto the Federation and its allied countries. Devastation follows, and everyone is forced to retreat from the gains they’d made over the last several books. Oddly, there is one country that did not get bombed from above: the Republic. And now the 86 have perhaps their least appetizing assignment of all: go to the Republic and evacuate everyone. And yes, they’re aware that it’s likely a trap, but what other choice do they have? Needless to say, back in the Republic we are reminded of why we hate the Republic so much, though we also get glimmers of good people just trying their best. Unfortunately, we are also reminded that a lot of Legion soldiers are made up of Former 86. And they REALLY hate the Republic.

The last third of this book should probably have a content warning, as there is mass death and slaughter, with innocents napalmed, butchered, and otherwise murdered in a variety of ways. And this doesn’t even get into the fact that our heroes are there to escort some very reluctant Republican citizens to another country, and grateful is not part of their vocabulary, to the point where Lena has to essentially make herself an even bigger source of hatred to motivate them to not just sit down and die whimpering. By the end of the book, we’re as exhausted as the cast. This is the sort of book where the only thing that will make it feel better is to read the next book in the series. And that’s not out yet in Japan, so expect about a year till we hear from them again.

I don’t want to downplay how this is a very good book. The action is well-written, the emotions are powerful, and the heartbreak is real. It’s just… as with real war, it’s hard not to come out of it wondering why you’re here at all.

Sword Art Online Alternative: Gun Gale Online: 5th Squad Jam: Start

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By Keiichi Sigsawa and Kouhaku Kuroboshi, based on the series created by Reki Kawahara. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

It’s been about a year since the last volume of this series, and many might be forgiven for thinking that it ended. Including the author, who admits it was supposed to end about here. I mean, in terms of plot threads to resolve, there aren’t many left. Karen is no longer being forced to get married, though the denouement for that may not appeal to her. Elsa’s issues are, for the moment, somewhat resolved. The real world has never really been a big part of this series, but even so, I would not blame the author for wanting to move on and write a few more Kino’s Journey books. But here we are anyway, with another Squad Jam, and the sense that Dengeki Bunko is asking the author to please keep the series going because it’s selling well and Llenn merch is cute. As a result, we get this new volume, the first of a two-part (?) story which seems to have one purpose: mock the author mercilessly.

OK, technically every single volume of this series has done that, but this one really makes the effort to get nastier. There’s a new squad jam, and the teams are the same (meaning Clarence and Shirley are still part of the squad). There’s complicated new rules which basically amount to “one team member gets to carry alternate gear for another team member”. Oh yes, and there’s one brand-new rule that is sent to everyone BUT one player. Yes, after essentially being the poster child for every single Squad Jam since the start, Llenn has gotten TOO famous, so now the added rule is that she has a bounty on her head, and whoever kills her in this game will get a pile of REAL money. Now she not only has to try to survive, but she has to find the rest of her team – they were all separated as the event began, and there’s mist everywhere!

For all that everyone in the book hates the author for not just letting them fight, this is a fairly clever setup that allows for what people REALLY want to see in each Squad Jam, which is something different. Separating everyone in particular is a great idea, as it allows us to get interaction we would not normally see, as Llenn forms a reluctant alliance with Vivi, the leader of the machine gunner’s squad. Speaking of which, this is just a game, unlike the original SAO, but there’s still a fair amount of violent death or near death. Vivi’s fate towards the end of this book is horrifying, and would likely have to be edited from the anime if one ever gets to this point. There’s a small attempt at plot, showing Vivi and Fuka are rivals in another game, but that just sets up a cliffhanger more than anything else. It’s pretty much pure action scenes and small characterization.

So yeah, as a book it’s light as air, and you’ll be hungry again right after reading it, but it serves its purpose. Maybe wrap it up soon, please, though?

Bookshelf Briefs 11/30/22

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Frieren: Beyond Journey’s End, Vol. 6 | By Kanehito Yamada and Tsukasa Abe| Viz Media – The plotline of this volume is a dungeon crawl of sorts, where the examinees face off against doppelganger versions of themselves. Which is incredibly dangerous given that one of the examinees is Frieren, who is ludicrously overpowered, and therefore her clone is as well. That said, as always the plot is the title, as Frieren is still finding little things every day that remind her of the journey she took so long ago, and now that she’s matured (and most of her comrades are dead) she can finally really appreciate them. This is a series that gets by entirely on ‘vibe,’ and its vibe is fantastic. Everyone should be reading this. – Sean Gaffney

The Gay Who Turned Kaiju | By Kazuki Minamoto | Yen Press – Originally released as a series of short doujinshi, The Gay Who Turned Kaiju was ultimately collected and published as a single volume. And what a volume it is! On the surface the basic premise of the manga may seem somewhat goofy—a gay high school student literally turns into a kaiju after wishing so hard to be anything other than what he is—but the underlying themes are actually quite serious and treated with tremendous sincerity. With The Gay Who Turned Kaiju, Minamoto delves into the complexities of human nature and relationships, exploring what it means to be accepted or not and the assumptions people make about others as well as themselves. The emotions can be raw and visceral, the characters not always expressing themselves in the healthiest or most appropriate ways as they struggle and ultimately acheive understanding. The Gay Who Turned Kaiju is a compelling and honest work. – Ash Brown

Medalist, Vol. 5 | By TSURUMAIKADA | Kodansha Comics (digital only) – This volume starts with Inori being rather poleaxed to find that Hikaru isn’t at the next event—since she’s guaranteed a spot no matter what, she’s doing special training. What’s more, Inori ends up being second-to-last in the stages, meaning we don’t get to see her skate. (It’ll be the start of the sixth book.) The good thing about this is that we get to look at all the other skaters, see their triumphs and frustrations, and see how one person’s success can destroy three other skaters’ changes just like that. As always, the brilliant art helps, as well as the occasional dose of humor, such as Inori trying to be extroverted or the “does not understand dad jokes” gag. I shilled for this manga at Anime NYC< and will again. It deserves print. – Sean Gaffney

The Saint’s Magic Power Is Omnipotent: The Other Saint, Vol. 1 | By Aoagu and Yuka Tachibana | Seven Seas – The Saint’s Magic Power Is Omnipotent is in the genre of “whoops, we summoned the wrong person,” a small but solid subgenre of isekai. In the main series, we find that the person they thought was the mistake is actually the Saint. Here we see the POV of Aira, who is initially thought to be the Chosen One due to being a cute teenager and not, y’know, an exhausted OL, but then things turn out differently. Fortunately, Aira is not the “heroine” to Sei’s “villainess,” and this spinoff runs on the same relaxed vibe as the main series, with Aira drifting through the world looking for a purpose now that she’s not the Saint. This is nice, but not necessary. – Sean Gaffney

She Loves to Cook, and She Loves to Eat, Vol. 1 | By Sakaomi Yuzaki | Yen Press – I commented on Twitter last week (an old social media site, for the young ‘uns) that every manga starts off with a different premise, and then it gradually becomes “but it’s really about food.” This one cuts out the middleman, as the joy of cooking and also the joy of eating are paramount. Notomo has a tendency to stress-cook, but lives alone. Her neighbor Kasuga has a large appetite, one rarely satisfied by the dinners she’s been getting. And what’s more, Notomo simply loves to watch Kasuga eat. This is a yuri series, but aside from a few subtle hints there’s not much of that in the first volume. But it’s wonderful to simply see these two women interact. I want them to get closer. – Sean Gaffney

My Happy Marriage, Vol. 3

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By Akumi Agitogi and Tsukiho Tsukioka. Released in Japan as “Watashi no Shiawase na Kekkon” by Fujimi L Bunko. Released in North America Yen On. Translated by David Musto.

Good news! After two trauma-inducingly depressing volumes of this series, we finally get a volume of My Happy Marriage that is working towards the title. That’s not to say that this volume is all sweetness and light – honestly, this series is never going to be that, I expect, until the final 5 pages of the last volume. But compared to the first two books, this is a pleasant walk in the park. Indeed, I wonder if the author thought the same thing, given that the entire subplot that is being investigated by Kiyoka seems like something invented to give the book a bit more drama and heft. Miyo is still suffering, of course, but this time it’s straightforward, normal abuse that we’ve seen in many, many series like this – the abuse of a mother-in-law who hates her son’s choice of wife. And while she and Kiyoka are not quite on the same page yet, they do at least now understand how the other person thinks.

Kiyoka and Miyo are invited by his father back to the Kudou mansion, as there needs to be a “meet the parents” event. The only trouble is that Kiyoka and Hazuki seem to have minimal respect for their father, and they both absolutely despise their mother. Neither one wants Miyo to be anywhere near her. Unfortunately, Kiyoka also gets an investigation that’s in the same town that his family home is, so and and Miyo (Hazuki can’t make it) have to go and meet Mommie Dearest anyway. It goes about as well as you’d expect, especially since Kiyoka has to be away from the mansion for the investigation much of the time, leaving Miyo to deal with her all on her own. And while this is going on, there’s a huge horned monster terrifying people near an out-of-the-way shack…

How much the reader enjoys this probably depends on how much they can tolerate Fuyu, Kiyoka’s mother and a thoroughly unpleasant woman. Her verbal abuse towards Miyo is loathsome, and the novel’s resolution appears to be a combination of “I have seen that you can be useful so I will allow the marriage” and “I am a 50-year-old tsundere, the worst kind”. Miyo still has horrible self-hatred issues, which don’t help when Fuyu is belittling her (she simply agrees with everything Fuyu says), but she rapidly realizes that the reason Fuyu’s abuse actually hurts her is that she’s now experienced what it’s like to be loved. The joy of being accepted makes the pain of rejection harder to bear. That said, Miyo still tends to ignore her own emotional despair, something literally pointed out to her by Kiyoka… who, to be fair, does the same thing.

I can see people disliking this book, mostly as Fuyu does not really suffer any consequences for her abusive behavior. That said, it honestly felt like a lighter, softer volume? Which probably says more about the first two in the series than it does about this one. Still valiantly hoping for the title to be accurate one day.

Pick of the Week: Clear Moonlit Picks

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SEAN: My pick this week is The Food Diary of Miss Maid, because I have the first of many office Christmas parties this week and I will probably be overeating.

MICHELLE: This week is full of new volumes of series that I really should be reading. Witch Hat Atelier and Skip & Loafer are high on the list, but I think I’ll make Classmates my official pick, as I’ve been hearing good things about that series for years.

ASH: Most of what I’m planning on reading this week are new volumes of continuing series, but at least one print debut has caught my interest, too—my pick goes to In the Clear Moonlit Dusk!

MJ: I will admit to being kind of interested in Reincarnated as an Apple: This Forbidden Fruit Is Forever Unblemished!, because… I mean. Apple. But my pick is almost certainly In the Clear Moonlit Dusk, so I guess I’m going along with Ash this week.

KATE: It’s always a good day when there’s a new volume of Skip & Loafer!

The Holy Grail of Eris, Vol. 3

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By Kujira Tokiwa and Yu-nagi. Released in Japan as “Eris no Seihai” by GA Novels. Released in North America by Yen On. Translated by Winifred Bird.

Boy howdy, this wrapped everything up just the way I wanted. OK, I admit, there was not enough Abigail, but I’ve come to terms with that. (And we also get Kimberly Smith, who is James Bond, as the author admits, and also wonderful.) And unfortunately the plot demanded that Connie essentially be stuck in a cell for the latter half of the book. But this actually turns out to be important as it allows us to see that a) everyone around her knows what a good and forthright person she is, and b) it allows Scarlett to have to take action on her own, rather than just stand behind Connie and snark (and occasionally possess her). And while we don’t get Abigail, we do get her daughter Lucia, who is made of 100% pure awesome and who I desperately want to see a sequel series about. She even has her own sidekick! Who is a foreign prince, sure, but let’s not sweat the details.

After discovering the truth of why Scarlett was executed ten years ago, Connie and Randolph go off to confront Scarlett’s father. That said, knowing this doesn’t actually CHANGE anything. Especially as Ulysses’ kidnapping is coming closer and closer to bringing nations to war. Not to mention that Princess Cecilia is still around. Oh yes, and Abigail’s daughter Lucia is also accidentally kidnapped, and added to the pile of children in danger. Connie is very good at running around, finding clues, and getting into trouble, which is what’s needed to find the real culprits… which is why the culprits decide to blame her for the kidnapping, lock her up, and execute her. Problem solved! Except that, unlike Scarlett ten years ago, everyone adores Connie…

By the way, if you are looking for a series with kickass women in it, this is a great choice. Even the villains kick ass, and get dramatic yet thematically appropriate death scenes. The throne war in the neighboring kingdom ends in a way that made me laugh, and also want to go back and read the second book again. The little ‘Character biographies’ that appear throughout the book, designed to read like otome game bios where they update as events happen, are laugh out loud hilarious. The climactic finale is heartwarming and heartbreaking. If there’s one flaw here it’s that I think the author and publisher wanted to leave room for a sequel, so we get a somewhat tacked on addition near the end, featuring the very first thorn in Connie’s side returning like Sadako. But I’ll forgive it, if only as it leads to what is essentially a polyamorous marriage. One man, one woman, and one ghost, as God intended.

The series ends here, but there is a fourth volume in Japan that has a sequel, with Connie and company going to the land of Scarlett’s late mother. However… it only came out in Japan digitally. I highly doubt that GA Novels would let Yen release a print book when Japan hasn’t, and I doubt Yen would license a digital-only 4th volume. So I suspect this is it. Oh well. Great finale, great series. Highly recommended for fans of thrillers.