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Sean Gaffney

The Wallflower, Vol. 30

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By Tomoko Hayakawa. Released in Japan as “Yamato Nadeshiko Shichihenge” by Kodansha, serialization ongoing in the magazine Bessatsu Friend (“Betsufure”). Released in North America by Kodansha Comics.

Recently, Vol. 30 came out of two separate successful shoujo series. Yet while the reaction of most online fans to Skip Beat! 30 is “Yay! I’m so happy that it’s still running!”, the reaction the The Wallflower 30 tends to be more “EEEENNNNDD!!! EEEEEEEEEEEENNNNNNDDDDD!” Partly this is due to The Wallflower’s writer having little to no idea on how to resolve her romance without destroying her comedy, as I’ve noted before. But another reason is that The Wallflower is so episodic. If you jump from Vol. 6 of Skip Beat! to Vol. 25, you’re going to be somewhat lost. This is much less of a problem with this series, where even in this volume, where three of the stories interweave a small amount, each can be read on its own if you just happen to pick up that month’s Betsufure after a 4-year-hiatus.

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There is also, every chapter, the illusion that progress is being made and characters are growing. I’m not sure how much of it is deliberate, actually. But every chapter in this volume has that one moment where a character (either Sunako, Kyohei, or both) has that moment of realization where they understand what someone else is thinking and what needs to be done. Their empathy with Sunako’s aunt when she’s once again taken advantage of; Sunako noting that “I’ll just pretend we’re not friends” is a horrible strategy when trying to avoid having your friend get bullied; Kyohei realizing that there is a difference between ‘watching Sunako get embarrassed’ and real emotional and physical pain; and Sunako finding that regarding Kyohei as a ‘bright, shiny object’ as she always does is only what everyone else in the world has done to him forever, and he HATES it. You sense that everyone is gradually growing up… yet you aren’t surprised when they backslide next month.

Because everyone still serves the comedy. Which is how Ranmaru can be the most awesome fiance ever in one chapter and then (literally five minutes later in story terms) announce he’s going to go out and pick up more women. (By the way, props to Takenaga for calling him out on it – Noi wasn’t even there to impress!) Meanwhile, Tamao gets a bit more development here, but I’m not sure it’s to her benefit. She’s always been the nice, perfect princess who loves Ranmaru no matter what and doesn’t get angry, but now we see her life at school involves another, less perfect princess bullying her every day, and she simply takes it with a niceness that borders on surreal. Thank God Sunako shows up (looking gorgeous, by the way, one of the best ‘Sunako pinup’ shots in ages). Oh well, it could be worse – she could be Yuki, who the author has totally forgotten about.

This series continues to have all the weaknesses that it’s well-known for, and is not getting rid of any of them soon. (My favorite being the author’s complete inability to draw backgrounds half the time – the story could take place in a white void for all we know.) But it also continues to have all of the same strengths, and Kyohei and Sunako are both perfect for each other, even if they don’t see it. Best of all, the series is still funny, as everyone in this manga, except maybe Yuki and Tamao, are completely insane. Which is why we get shots of the leads dressed as PIRATES! in the first chapter here. Looking forward to the next 30 volumes!

Emerald and Other Stories

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By Hiroaki Samura. Released in Japan as “Sister Generator” by Kodansha, serialized in various magazines. Released in North America by Dark Horse Comics.

Well, first off, there’s not a samurai in this thing. It’s an anthology similar to the one we saw recently from Kaoru Mori, aka “I need to do something different occasionally and show off my chops”. As with most anthologies, the quality is highly variable, but the author is good enough that even the stories I didn’t really get into here had something to offer. It’s a good short story collection, all told.

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The collection itself was published by Kodansha, and it’s likely no coincidence that the three strongest stories in it ran in that company’s seinen magazine Monthly Afternoon, also home to Blade of the Immortal, the work that Samura is most famous for. This North American version uses Emerald as the title story (Sister Generator is an amusing title, but I think would convey the wrong image over here), and it’s a straight-up Western, with gunslingers, saloons, and an orphan playing a tortured game in order to save her family’s good name (and her chastity). As with the best Westerns, the morality is incredibly ambiguous, but there’s a heartwarming center to it despite it all.

The stories are interspersed with some short gag comics that ran in Ohta Shuppan’s QuickJapan for a while, all based around Japanese schoolgirls snarking around whatever fashionable trend they’re dealing with at the moment. It reminded me quite a bit of Furuya’s Short Cuts series, and while these aren’t quite ko-gals, there’s the same surreal quality to a lot of their conversations (probably my favorite is where two of the girls compare their fan fiction, and we find that one of them basically writes straight-up bad porn). I like these sorts of stories, but I can see how they might be a weak link for any other readers. Another weak link might be Shizuru Cinema, a short story from Media Factory’s Comic Flapper, which I think ended up being a little TOO weird and diffuse for me. (The same could be said about Brigitte’s Dinner, but that won me over with its stark imagery.)

The real winner, though, is “The Kusein Family’s Grandest Show”, a dark and twisted story about a family where all is not as it seems. I don’t want to give away too much about the plot – the way you can tell I really love a story is I either spend 5000 words or 6 describing it – but it shows a very dark take on daughters taking after their mothers, what we leave behind, and exactly what it means to fulfill a man’s dying wishes. The mood, dialogue, and sinister plot all combine to create something almost poetic – although it’s a subdued, erotic poetry. The whole volume is worth it for this story.

As with a lot of short story collections, you want to come out of them saying “I’ve got to get more of this author’s work!” As such, I’m really interested in both Blade of the Immortal and his other NA short story collection, Ohikkoshi. The man can certainly spin a tale. And if all else fails, you can take pride in his amazing mahjong hand, as seen in perhaps the most obscure manga in this collection.

Bookshelf Briefs 2/25/13

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This week, Sean and Michelle look at recent releases from Seven Seas, Yen Press, and VIZ Media.

alice-jokerAlice in the Country of Joker: Circus and Liar’s Game, Vol. 1 | By QuinRose and Mamenosuke Fujimaru | Seven Seas- It occurs to me that I’ve started several of the post-Country of Hearts series in this franchise, but haven’t yet made it to the second volume of any of them. It’s not that they’re bad, there’s just nothing about them that really compels me to continue. For the most part, the same can be said about Country of Joker. There are some things I definitely like, especially ominous hintings about both the past and the future, but this volume feels mostly like recap and exposition all at once, and so despite having much more at stake than Alice’s romantic prospects, it ends up being a little dull. Still, if there were any sequel/spinoff I’d be likely to continue, I reckon this is the one. – Michelle Smith

devil7A Devil And Her Love Song, Vol. 7 | By Miyoshi Tomori | VIZ Media – And so, for the moment, the Anna arc is over. And it’s as emotional as I expected, with Anna finally getting through to Maria that her sort of help is only making things worse, even if it’s with the best intentions. Anna has to do this herself, and can’t, so seeing Maria and her circle of friends is a fresh wound every day. In addition, the author has perhaps realized that Maria/Shin is becoming a bit too obvious as the endgame, so Yusuke gets a whole lot of face time here, confronting Maria about how she deals with things in ways that Shin doesn’t or won’t. And at the back of the plot is still Maria’s late mother, who appears to us in a nightmare that Maria’s having pretty much all the time. Also, no evil teacher this time, but we do get a new creepy adult to balance it out. Never has “technique” sounded so forbidding. Highly recommended.-Sean Gaffney

genbukaiden11Fushigi Yûgi: Genbu Kaiden, Vol. 11 | By Yuu Watase | VIZ Media – I’m so glad I finally got caught up with this series last October. Now I can enjoy the final volumes along with everyone else! Volume eleven is the penultimate volume in the series, which means that a ton of very important stuff happens. The revelation of truths, or of someone’s true intentions. The willingness of some to sacrifice themselves for the good of others. The feeling amongst your friends that, with all this heavy responsibility, you and the one you love deserve some stolen moments of happiness. It is perhaps a trifle rushed—we barely spend any pages with the final Celestial Warrior before he’s handing Takiko the scroll and they’re preparing to summon Genbu—but the feeling that we’re being carried along to something truly tragic and climactic makes up for it. Highly recommended. Michelle Smith

Haganai2Haganai: I Don’t Have Many Friends, Vol. 2 | By Yomi Hirasaka and Itachi | Seven Seas – This continues to be the most interesting of Seven Seas’ recent moe pickups, though it also continues to suffer from the same problems – you feel somewhat dirty reading it. This is not helped by the addition of Kodaka’s younger sister Kobato, who is as screwed up in the head as the rest of the cast. That said, the fact that they apparently aren’t incestual feelings here speaks volumes. The manga is going to play around with horrible moe and sexual tropes, but is not going to take that extra step into horrible. (It comes damn close, though.) This means that you’re allowed to get some character development and (gasp!) sweet scenes, particularly between Kodaka and Sena. I’ll pick up Vol. 3, and am interested in seeing what happens next. Still feel uncomfortable recommending it beyond otaku.-Sean Gaffney

misfortuneThe Misfortune of Kyon and Koizumi | By Various Artists | Yen Press – Unlike the Evangelion doujinshi anthology that was released the same week as this, the authors herein are not all that well-known, beyond “see who we can grab at the Kadokawa offices”. Unfortunately, despite having a variety of artists and styles, there’s a somewhat exhausting similarity between the comics. They’re clearly meant to appeal to a more female-oriented audience than Haruhi generally tries to attract, with lots of BL tease (but no delivery). The characterization is also at its baseline to drive the gag humor, meaning that the Haruhi we see here is the default Vol. 1 girl with no character development. There are a few cute gags here, but for the most part I’d recommend this only to the most hardcore Haruhi fans who must possess everything, or to BL fans who likewise must possess everything.-Sean Gaffney

nura13Nura: Rise of the Yokai Clan, Vol. 13 | By Hiroshi Hiibashi | VIZ Media – I’m getting rather weary of this Kyoto arc (has anyone done a list of which manga/anime series have “Kyoto arcs” in some way?), and I admit that the parts I found the most interesting were the darkest ones. The ongoing butchering of young innocents for their livers (is it implied that the TV reporter is added to that stack?), the tragic backstory of Aotabo, who became a yokai in order to protect those he loved (yokai who enjoy being evil are not the sort of yokai that Rikuo tolerates), and Yuki-Onna considering killing herself so that she won’t be “bait”. Oh yes, and some blatant Rikuo/Yuki-Onna ship tease (Kana who?). The rest of this volume is showing Rikuo that his power is all about the feelings of his friends/underlings, which we already knew, because this is Shonen Jump, and that’s how it works.-Sean Gaffney

Pick of the Week: Noncommittal

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To keep things consistent, we’re officially transitioning to Sean’s Manga the Week of lists as our source for Pick of the Week, in place of the Midtown Comics list we’ve traditionally used. That said… maybe we picked the wrong week?
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SEAN: Um… Cage of Eden? I guess? Whatever… you all can choose among the Yen stuff if you like, given what else there is… Zzzzzzzzzzzzz…

MICHELLE: I suppose I’ll throw in for Kitchen Princess. I’ve never read it, but I know David liked it, and that’s good enough for me!

MJ: Well, given the choices, I guess I’ll take advantage of the description of this as a “transition” and go for one of the Yen titles that’s turning up at Midtown this week (but appeared on Sean’s list last week). And that title would be BTOOOM!, a sort of adventure/survivalist story by Junya Inoue. I read it for Off the Shelf a couple of weeks ago, and found it to be great (if unoriginal) fun.

Readers, what looks good to you this week?

Umineko: When They Cry, Vol. 2

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Story by Ryukishi07; Art by Kei Natsumi. Released in Japan in two separate volumes as “Umineko no Naku Koro ni: Legend of the Golden Witch” by Square Enix, serialized in the magazine Gangan Powered. Released in North America by Yen Press.

And so the first arc of Umineko: When They Cry is finished, and even more than the first Higurashi arc, it shows us that what we’ve been reading for the last 1100 pages is simply a prologue for everything that is to come. It shows us the main players, allows us to see the family drama at the heart of everything, and of course has a number of gloriously gruesome murders, but you keep expecting the last page to be, with apologies to The Goon Show, Wallace Greenslade announcing “And this is where the story REALLY starts.”

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There’s a lot more emphasis on the mystery itself than there was in the Abducted by Demons arc, with each new killing propelling the remaining cast to desperately try to figure out how in God’s name they’re happening. This is made possible by the deliberate closed-in locked-room style of the series, which does not allow much in the way of escaping or trying to forget about everything. Thus Umineko is a more oppressive series than Higurashi, but it’s also more focused. Character allegiances shift rapidly, as Eva, one of the more sensible character in the first volume, proves to be incredibly nasty at trying to pin the crime on Natsuhi; Maria’s split personality is genuinely looked into as possibly being a product of her mother’s resentment; and Natsuhi herself finally takes control of the family at the expense of… well, a whole lot.

Jessica and Kanon are on the cover, but they really don’t get much of a look in beyond the fact that Jessica clearly has a crush on Kanon. (I understand the second arc focuses more on Jessica and George’s relationships.) But the inside cover tells the real story of this book, showing a frustrated and enraged Battler and a smug, grinning Beatrice wielding chess pieces at each other.

Then there’s the tea party. I’ve been reading through a couple of the Higurashi Visual Novels (available legally from Mangagamer, by the way – one of the few non-porn things they’ve done), and each of them ends with a short ‘tea party’ set in the cafe where the cast, out of character, go over what happened in the book and whether it was due to demon or human elements. That said, it’s totally independent of the VNs themselves, and was dropped from the manga adaptation as being irrelevant. Is was therefore a big surprise to me to see the tea party actually adapted for the manga… and it proved to be the biggest plot twist as well. It’s all very well and good to deny the existence of a witch who appears as shafts of light or butterflies, but her physical presence really throws Battler for a loop. And when he continues to deny her involvement… let’s just say things don’t end well for our heroes.

And so we seem to have a plot and a meta-plot, as Battler and Beatrice are now in competition to find the best explanation for the events at Rokkenjima (note that actually trying to stop the murders doesn’t seem to be an option anyone brings up this time). And then at the very end there’s a meta-meta plot, as Beatrice has her own tea party with another witch named Bernkastel… who we’ve seen in the Massacre arc breaking down the Higurashi plot with Rika. Indeed, Bernkastel looks exactly like Rika… and while Ryukishi07 has apparently said that the two are not the same, there’s clearly enough similarities that they’re connected in some way.

The balance between mystery and horror is what drives this series, as the author himself notes at the end. And while events may be more dramatic, gestures more declamatory, and events far more hopeless than Higurashi, the key is whether a reader wants to read on and find out more. I certainly do, especially since I want to find out more about Beatrice, who insists she’s behind everything, but hasn’t really given a reason why beyond “cause I’m evil like that”. I’m going to guess that’s not the real reason.

Hayate the Combat Butler, Vol. 21

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By Kenjiro Hata. Released in Japan as “Hayate no Gotoku!” by Shogakukan, serialization ongoing in the magazine Shonen Sunday. Released in North America by Viz.

I’ve given every volume of Hayate since I began this blog a full review, so want to keep up the tradition. Of course, that tends to mean I have to keep finding new things to say. Should I talk about how the North American audience views harems… no, wait, did that already. What about the relation between gags and serious… no, did that too. It doesn’t help that Hata is very slowly putting all his pieces into play for what promises to be an epic storyline… but it isn’t yet. As a result, we get a lot interruptions here, including some characters who haven’t appeared in so long that Hayate and Nagi have to direct readers to the appropriate volume.

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For those who like Maria, enjoy that cover, she’s barely in this volume. (To be honest, aside from one-shot chapters, she’s never really going to be relevant again, unless Hata comes back to her if/when he wraps this up.) The two major events in this book are a beach volleyball game challenge given by Gilbert, the aforementioned character who no one remembers anymore; and Sonia, the nun with a crush on Wataru, trying to steal the Ougyoku Stone. This Stone has come up once or twice since the series began, but here is where it starts to really play a major role, in that Nagi’s Machiavellian grandfather states if Hayate allows anyone to steal or destroy the stone for more than an hour, Nagi loses her inheritance. And there’s a lot of people who want that to happen, including Athena, now 10 years older and living in Greece. The stone is the gimmick that will drive the next few volumes.

The beach volleyball game is the funniest part of this volume. Gilbert immediately shoots himself in the foot by demanding Hayate partner with Hinagiku, as she’s so “weak and frail”. Unfortunately, Hina is dealing with her usual self-image and tsundere love for Hayate, so she decides to pretend to be as weak as Gilbert says she is. Complete with monotone “Eek” noises. Thankfully, Gilbert is *such* an ass that this only lasts for a couple of pages before she decides to kick his ass. (By the way, I note that now that Hata has revealed that Miki is in love with Hina, he’s allowing her to be a lot more open about it, demanding Hina wear a bikini and essentially lusting after her.)

The most romantic part of the volume is the one with Sonia, though she isn’t the reason why. She’s stealing the stone so that she can help Wataru get his *own* family fortune back, and therefore return Sonia’s love. Hayate is absolutely not the best person to figure this out, given that he has all the sensitivity of a hammer. Luckily, Ayumu is there with him, and once again makes you wonder why she isn’t the heroine of some other manga. She calms Sonia down, points out Wataru wouldn’t like her just for money, gets the stone back, comforts Hayate, *and* gets to kiss him (on the cheek) to boot. She would be the clear winner of any other harem manga, but is only a long-shot in this one. Which is a sign of how balanced Hata keeps his harem… and his readers.

Due to the typical low sales of almost all harem manga these days, the next volume will not be out till August. But Hata, for the most part, delivers what readers want – some fanservice, some laughs, some romantic tease, and a few sweet moments. If you read Hayate scanlated, get over the fact that your pairing may not win and buy the manga. As for new readers… why are you buying Vol. 21?

JManga the Week of 2/21 and 2/28

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SEAN: (I was away last week, so you get a two-fer this time around.)

I appreciate – I really do – JManga getting out all these Vol. 3s and 5s and 7s. For a while it seemed that we’d get Vol. 1 of selected series with nothing else, so it’s great to see that they’re moving on with many titles to further volumes.

That said, damn, it’s hard to come up with new ways to break everything down. But here we go…

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Joshi Kousei (High School Girls) has Vol. 6 this week and Vol. 7 next week. For those who are truly HSG fanatics, the release of Vol. 6 here means we now have all the reissued covers, including the ones DrMaster never reprinted. Woot! Funny series, too. Everyone should read it.

MJ: I will. I promise. Soon.

SEAN: More Elemental Gelade.

More PoyoPoyo’s Observation Diary.

A new Ninja Papa, which hopefully will avoid the gentle downward slide it’s had since its ludicrous beginnings.

The Mythical Detective Loki gets a 4th volume, and I continue to be confused as to whether it’s the original or the Ragnarok that ADV put out.

And Sun-Ken Rock has a 3rd volume for me to catch up on, and is easily the MANLIEST thing in this entire list – yes, it even tops Ninja Papa.

MICHELLE: I am sad to say I have absolutely nothing to say about any of these.

MJ: It’s getting difficult, isn’t it?

Anything catch your eye?

Manga the Week of 2/27

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SEAN: The main problem with my list of manga that’s coming out is it originated on my Livejournal page as a list to remind me what *I* might be getting at any given time, with the titles I wasn’t buying included because well, why not? As a result, I tend to keep these lists geared towards me. With that in mind, here’s a breakdown of the sources I use:

a) My comic shop in New Haven. This is mostly via Diamond Distributors. “But Sean,” (I hear you cry), “Diamond is showing Yen’s stuff coming out the week of 2/27, not 2/20!” Yes, but I got Yen stuff on Wednesday, including this Umineko volume that is as big as a small house. This is because Diamond sometimes splits its shipments over two weeks, shipping to some stores (such as the Northeast Corridor) before others. This happens to me a LOT with Yen, which I frequently get early.

By the way, rule of thumb for Diamond. Ships early: Dark Horse, Fantagraphics, Seven Seas. Ships late: Kodansha, Vertical. Ships on same date: Viz, Yen (except Northeast Corridor).

b) Midtown Comics list, which goes live sometime Wednesday Afternoons. They have their own distribution for many publishers (i.e., not Diamond), including Viz and Seven Seas. This is why they sometimes have Viz titles a week late, and frequently have Seven Seas titles very late. This is what allows Aaron to list the same Seven Seas titles in comments over multiple weeks. :)

c) Amazon, where I usually fill in the blanks from the other two lists.

With that said, almost everyone who isn’t me will get Yen Press titles the week of 2/27, so just port those over to this list.

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So what ELSE is coming out next week? Kodansha, mostly. We have the 27th volume of Air Gear, which ships only a few months before they try to entice in new readers with the Air Gear omnibus. For me, though, the prospect of Tenjo Tenge-style fanservice plus rollerblading has always left me a bit cold.

MICHELLE: Yeah, I have never been able to muster the fortitude to try Air Gear.

MJ: Nor have I.

SEAN: Battle Angel Alita: Last Order hits Vol. 17. I got way, WAY behind in this series (as in, I still have to finish the original non-Last Order Alita), so I suspect I’ll just wait for the omnibus. Which has new content anyway, apparently.

MICHELLE: I have the first three volumes of the original series, but I still haven’t read them. One day!

SEAN: Cage of Eden is up to Vol. 9, and will be resolving its psychic arc while no doubt showing that there are a lot of large-breasted females and hideous carnivorous animals in it. As I said, the perfect comic for 12-year-old boys.

MICHELLE: My Air Gear comment can easily be applied here as well.

MJ: Mine, too. Wow, I have so little of interest to say this week!

SEAN: And Kitchen Princess hits its third omnibus. I don’t have much to say about this, except it’s great shoujo that for once you could actually give to a young girl to read – well, mostly. It can get a bit dark at times.

MICHELLE: I can’t believe I’ve owned this series for so long without reading it even though I’ve heard very good things about it! Bad me.

MJ: I missed this series the first time around, so I’m pretty happy to have a chance to catch up now!

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SEAN: I have no idea if Bond of Dreams, Bond of Love is any good, but the covers are magnificent. The lead male, despite his gigantic chest of death, still appears to be the grumpiest man on the planet, and his companion is the perfect contrast, having a face that anyone would love to hit. Seriously, look at that “Oops!” face. Anyone would understand why the big guy is so mad. Well, besides “Why did they draw me so wide…?”

MICHELLE: I read the first two volumes of this and didn’t like it very much. The shrimpy guy is just as annoying as he looks and I have no idea what the grumpy dude could possibly find to like about him. I don’t intend to bother reading any more of it.

MJ: My biggest issue with this series (aside from finding it just kinda boring) is that the drawing style and the age difference—particularly in one scene early in the first volume—give it a shotacon vibe I just can’t stomach. It’s definitely Not For Me.

SEAN: Assuming anyone stuck around after the meandering opening, what’re you getting?

Knights of Sidonia, Vol. 1

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By Tsutomo Nihei. Released in Japan by Kodansha, serialization ongoing in the magazine Afternoon. Released in the United States by Vertical, Inc.

I will admit to being one of the few people reviewing this title who has not read either Biomega or Blame, the author’s previous series released here. As a result, I wasn’t quite sure what I was getting into, except that the series looked vaguely Gundam-ey. And I have to admit, after finishing the first volume, I’m still not quite sure what’s going on. That said, it’s the sort of manga that rewards trying to find out, and there’s lots of little things here and there that make this well worth a read.

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This takes place somewhere in the future on a World Spaceship, a la Heinlein’s Orphans of the Sky. Much of the plot is not told to us via exposition or narrative, but simply by immersing us in our hero’s day-to-day life and expecting us to figure it out as we go along. Our hero, Nagate, has been living secretly underground for years with his grandfather (I think), practicing blowing things up in a flight simulator. When he runs out of food (is his grandfather dead? And for how long?), Nagate goes to find some, and accidentally falls into the processing machine (one of the more morbidly funny scenes in the entire volume). After being discovered, he’s quickly indoctrinated into the military and added to a team whose mission is to battle the Gaunas, alien life forces intent on destruction.

Our hero is not much for words (or indeed facial expressions), so getting some battle scenes almost feels like a relief. My favorite part of the entire manga is probably the cruelest: we meet a new girl, Eiko, who is standoffish and avoiding all the superstition that the other pilots perform. Given she’s in the chapter title, we naturally assume she’ll be like Izana and come to befriend our hero, though given how prickly she seems it may require him to show initiative. But no! They go out to battle Gaunas, and she’s not only killed off immediately but her form is used to become a hideous monstrosity that almost kills off Nagate too. This fakeout was well-played, and I applaud the author for it.

Towards the end of the volume we get a few more new characters, who are a bit too new to really grasp on to, as well as an indication that Izana seems to have fallen hard for our hero. Clearly this is meant to be a series with a few volumes to it, and I imagine all will become clearer as I go along. I’m left, however, with a sense of distance about the whole thing. Nagate has difficulty emoting due to his upbringing (at least, that’s what I imagine), Izana seems naturally repressed, and through most of the volume I kept wishing that I could get closer to our heroes’ mindset while being unable to. I did enjoy Nagate defending Izana against a hotshot egotistical jerk pilot (who then breaks Nagate’s arm), and hope that we’ll see more elements like this. Knights of Sidonia as a series is cool rather than warm, but it’s still fascinating, and I look forward to working out what’s going on in future volumes.

More New Licenses from Seven Seas and Vertical

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OK, lesson learned. I will never go on vacation again. Sheesh.

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Seven Seas snuck out a 4th license right after I made my post the other day. Aoi Sekai no Chūshin de is being released over here as World War Blue, and is nine volumes long. It runs in Micro Magazine, which is owned by… well, Micro Magazine, and is about a war between Sega and Nintendo with the serial numbers filed off, featuring various anthropomorphic consoles. Honestly, compared with the other three titles Seven Seas talked about the other day, I find this the most intriguing.

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Vertical, meanwhile, has two new releases that are quite interesting. Satoshi Kon is better known for his anime productions, but in 1990 he did a short manga for Kodansha’s Young Magazine called Kaikisen, about a young man and the legend of a mermaid. It’s been re-released every few years or so in Japan, and Vertical will now be bringing it out over here, in one complete volume, as Tropic of the Sea.

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The other announcement is, surprisingly (to me, at least), from Hakusensha, who seem to finally be getting back into licensing titles to North America after a long Tokyopop hangover. Shi ni Itaru Yamai is a two-volume series from Hikari Asada and Takahiro Seguchi. The author only has one other title (a short ecchi school series), but the artist is well known for his saucy series, including maid series Enmusu, which ADV briefly published before dying, and a very popular series in scanlation, Oretama, which I refuse to discuss. (And no, don’t discuss it in comments, either.) This series, Sickness Unto Death (as Vertical will release it), is about a clinical psychologist who lives at a boarding house while he gets his degree, and a girl who also lives there who has the worst case of despair this side of Zetsubou-sensei. It looks to be a psychological drama, and is probably the title of the three of these that I’m looking forward to the most, despite the reputation of the artist and the fact that it ran in Young Animal.

Pick of the Week: Misanthropy & Other Stories

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ayako-paperbackMICHELLE: Wow, pickings sure are slim at Midtown this week. If you’re not interested in the latest Evangelion tie-in, volume 30 of Wallflower, or the paperback reprint of Ayako, you are out of luck. Of these, Ayako would be the one I’d choose (if I didn’t already own it in hardcover)—it may be misanthropic, but it’s definitely worth reading.

saga10ANNA This is somewhat sad. So sad in fact that I’m going to pick something that isn’t even manga at all! It looks like the 10th issue of Brian K. Vaughn and Fiona Staples’ Saga is coming out this week. I enjoyed the first trade paperback of this series very much, and it is nice to see more nifty titles coming out from Image Comics. I’m looking forward to the second volume of this adult space opera.

umineko2SEAN: Sheesh, I do all I can to expand Manga The Week Of, and everyone then proceeds to stick with Midtown’s paltry offerings. My pick this week is therefore the second Umineko omnibus, which wraps up the first arc. Less heartwarming than Higurashi so far, its grand guignol over-the-top style appealed to me, and you gotta love those screaming faces (from those still alive, that is).

nabari13MJ: I’ll admit that I feel hesitant about choosing from Sean’s lovely selection of Yen titles, as even online retailers list their release dates as yet a full week away, but I guess I’ll take this opportunity to highlight a series that rarely makes it into our Picks. That series would be Nabari no Ou—you know, the other ninja manga. I’ve been a fan of this series from the start and though I’ve fallen behind, now that its penultimate volume has arrived, I feel the time for a marathon is now. I’ll be setting up a “book club” marathon in the forums later today. Come join me?

Readers, what looks good to you this week?

New Licenses from Viz and Seven Seas

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Well, I’m off on a few days vacation, so naturally everyone decides to pile on licenses the moment I leave. Taunting me with their interestingness. But this will not stop me from breaking everything down, and keeping you, the reader, informed.

magiI’ve spent quite a few posts discussing Shonen Sunday, and Viz’s lack of enthusiasm about the titles as opposed to Shonen Jump. Of course, this is a vicious circle, as SS series tend not to be among the best-sellers or ‘fan-obsessive’ series. That may change with this new license, however. If ever there was a series running in Sunday that cried out to be licensed, Magi was it. The author has been seen on these shores before with Yen Press’s Sumomomo Momomo, but Magi is a better, more mature work with a manga take on Aladdin and the Arabian Nights. This has the potential to be the first really big Sunday title over here since Inu Yasha, and comes highly recommended.

Viz’s Shojo Beat line also announced four new titles, two of which are actually Josei Beat. Yoroshiku Master is a Hakusensha series from the author of Penguin Revolution, one of the old CMX shoujo favorites. This ran in LaLa’s sister magazine DX, and at 3 volumes is a decent investment (and the third volume apparently has a Penguin Revolution short chapter to boot.) As for the plot, if you like bishie demons, bishie vampires, and bishie catboys, you’ll love bishie reindeer boys! Viz is releasing the series as Sweet Rein.

seiyuu-academyI was always a big fan of S.A. and its dense as lead heroine, so I’m quite happy to hear that they’ve licensed Maki Minami’s next series that ran in Hana to Yume, Seiyuu Kaa!, which will come out here as Voice Over! – Seiyuu Academy. The title describes the series – our heroine is enrolled in a voice actor’s high school, and not only has to deal with her less than stellar voice qualities, but also the usual high school shenanigans. This being a Hakusensha shoujo series, I’m certain that there will be a few pretty guys to help her out. The series should be 11 or 12 volumes.

Then there’s the two josei series. Viz must have been at least somewhat pleased with the performance of Butterflies, Flowers, as we have not one but two new titles from the pages of Petit Comic, Shogakukan’s josei romance manga for women who have outgrown the already saucy Shoujo Comic. Maki Enjouji’s Happy Marriage?! is 10 volumes, and has ‘Shogakukan’ written all over it: an office lady, trying desperately to pay off her parent’s debt, finds herself engaged to her company president – who she’s never met before! I have a feeling that this title will be just as compelling *and* frustrating as Butterflies, Flowers proved to be, but at least can be assured that it will be quite spicy.

midnight-secretaryThe last, and possibly biggest license from Shojo Beat is Midnight Secretary, Tomu Ohmi’s 7-volume story of a secretary who becomes the personal assistant – and so much more – of her company’s president. Unlike Happy Marriage?!, however, this president is a vampire as well! Despite not having the word Vampire actually in the title, I predict this is going to sell like hotcakes, if hotcakes that have to be shrinkwrapped due to content – this, like Happy Marriage?!, will definitely be an M for Mature title. That said, there’s more here than just put-upon heroine and abusive-yet-oh-so-hot boss, and I am very pleased we’ll get to see this.

Of course, Viz was not the only one to drop new licenses on us, as we have three new titles from Seven Seas. Centaur no Nayami (out over here as A Centaur’s Life), is sort of like Seiyuu Kaa!, only instead of voice actresses it’s monsters and other mythological creatures. The juxtaposition of ordinary high-school comedy with girls with centaur bodies and angel wings is what drives this title.

loveinhellJigokuren – Love in Hell is from Futabasha’s Web Comic High, and features a guy who dies one day and finds himself in hell. But he has the chance to repent. Judging by the art and descriptions I’ve seen, however, this title seems to aim at the reader who enjoys seeing young-looking girls torturing guys in various ways. I’d put it in the I Don’t Like You At All Big Brother/Mayo Chiki category.

Lastly, we have another title from Tokuma Shoten’s Comic Ryu (where A Centaur’s Life also appears). Monster Musume is another harem title, regarding the integrations of mythological monsters (in the form of cute girls) into society. They all glom onto our hero, who I suspect is a nice yet unlucky guy, as these types usually are. Of course, the law prevents interspecies nookie, so the entire reason for this title’s existence would appear to be teasing but not delivering. Luckily, there’s a nice harem audience that this would appeal to. I also note that between Love in Hell‘s heroine and this series, we’re covering ‘breast fetishes’ at both ends – small and large.

As we get further into the year, more of the Fall 2013 licenses will become apparent, but this is already a great number of titles for all sorts of fans. Which of these excites you most?

Manga the Week of 2/20

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SEAN: Third week of the month, which is starting to traditionally mean that Diamond Comics ships Yen Press stuff a week early to me. So this Midtown list is augmented by the Yen stuff my shop will be getting.

evangelion-tributeDark Horse has run out of Evangelion spinoffs, so is dipping into the well of doujinshi anthologies, a type of manga we’ve previously seen over here with the Code Geass: Knight and Queen manga. They’re put out by real publishers, so don’t expect anything over 18 rated, and are by various artists and writers. I’m going to guess the majority will be humorous, but who knows?

MJ: Possibly this will put me on many fan hate lists, but… I’ll admit I’m tired of Evangelion. I loved the anime series (like everyone) and I’ve read some of the manga adaptation, but if it’s come to publishing doujinshi, can we just admit that there’s nothing left here to milk but fanfic? Which is fine—I’m pro-fanfic, but I kind of expect that to remain in fan circles. Am I being a big fuddy-duddy here?

MICHELLE: Not at all. I’ve consumed even less of Evangelion than you have and I’m still weary of it!

SEAN: Kodansha Comics has Volume 30 (yes, 30) of The Wallflower, which is to shoujo harems what Hayate the Combat Butler is to shounen harems. It will never ever resolve, and no one will have their character developed. But – funny things will occur! Love those funny things.

MICHELLE: Yeah, this is just not my kind of shoujo series. I wish I could like the funny things, but the lack of evolution wears me out after a while. Sayonara, Zetsubou-Sensei is another example of that happening.

SEAN: Seven Seas (like Yen, shipping via Diamond but not to Midtown) has the 2nd Dance in the Vampire Bund omnibus. The first one is still sitting in my to-read stack, so I can’t really tell you much about it. Maybe someday…

MJ: This series’ fanbase has made me reluctant to try it out, but I should probably look past that, shouldn’t I?

SEAN: Another softcover re-release from Vertical, this one of Tezuka’s Ayako. It’s still a brick, but may weigh a bit less.

MJ: Ayako has its issues, but it’s well worth reading. If you missed the hardcover, this is a must-buy.

SEAN: And now it’s time for a giant pile of Yen to hit comic shops. The Betrayal Knows My Name has hit five volumes. I guess the betrayal’s knowledge isn’t enough to end the series all that fast, so there must me more to the protagonists than just the name. (You can always tell which of the series I discuss I don’t read, can’t you?)

MJ: I featured this volume in my latest My Week in Manga, so I can make up the difference. :D

MICHELLE: I haven’t read any of this either, but I will someday!

btooom1SEAN: We have a new action series that will likely appeal to the Battle Royale/High School of the Dead crowd, this one with the compelling title of BTOOOM! The covers may have been changed to avoid lawsuits, but the contents inside still scream survival game.

MJ: Michelle & I discussed this in Off the Shelf last week. I found it unoriginal but decidedly fun.

MICHELLE: It looks uncomplicated, which is actually a compliment.

SEAN: The Misfortune of Kyon and Koizumi is the second doujinshi anthology we’re talking about this week, oddly enough. This one’s based off of the Haruhi Suzumiya series, and features the two guys in the main cast. I’m not actually sure how BL-heavy it’ll be – Haruhi‘s fandom still skews very male. But we shall see.

MJ: I’m going to contradict myself and admit that I’m actually kinda interested in this one. So Evangelion fans can start throwing heavy objects at me now.

MICHELLE: Not me. I avoid all manga iterations of the Haruhi story.

SEAN: I’ve long since lost track of what’s going on in Nabari no Ou, but this is the penultimate volume, and would seem to be flashback-tastic. Recommended to ninja fans who can’t stand Naruto.

MJ: That’s me! :D Seriously, though, I love Nabari no Ou. I’m behind on the series as well, but I plan to catch up soon!

MICHELLE: I don’t love Nabari no Ou, but I’ve still managed to read nine volumes so far, and will probably finish it. I don’t hate it, but it just doesn’t seem to stick with me.

SEAN: Pandora Hearts, of course, is nowhere near finishing, even as it reaches 14 volumes. I don’t follow this one either, so I’ll just note that the serious guy on the cover looks very serious indeed. I’d do what he says if I were you.

MJ: This series totally owns me. It’s a perfect example of how deeply I can love something that’s flawed. I love Pandora Hearts with my whole heart.

pandorahearts14MICHELLE: Again, I am stopping short of admitting that I love this series, but I am happy when I see new volumes of it.

SEAN: Triage X has managed to get out a 2nd volume. I’m not certain if its cover is as appalling as the first volume, but it certainly tries hard. Meanwhile, nurses, guns, motorcycles, and explosions.

MJ: Ugh.

MICHELLE: Double ugh.

SEAN: Umineko: When They Cry has hit the end of its first arc with this 2nd omnibus. I’m pretty much expecting everyone to die horribly, because that’s what this author does. But will they die horribly in a fascinating and endlessly debatable way? Oh, I hope so. A bit less uuu-uuu would be welcome, though.

MICHELLE: Gah, that “uuu!” crap was so annoying. I will probably read this, since I read the first half, but I am not anticipating loving it.

SEAN: Lastly, in the 3rd omnibus of Until Death Do Us Part, our hero and his charge go on the run from innumerable assassins and other killy things. Luckily, they’re the stars. That counts for a lot in a manga series.

MJ: I still haven’t tried out this series, but I’m thinking about it. Thoughts?

MICHELLE: I actually kind of like this series, but I find that I can’t really give a coherent explanation. I like the premise, I guess, and the supporting organization that helps the hero, etc.

SEAN: Omnibus? Doujin anthology? What’s your poison?

Wonder!, Vol. 3

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By Akira Kawa. Released in Japan by Futabasha, serialized in the magazine Women’s Comic Jour. Released in the United States by Futabasha on the JManga website.

When I left off with Vol. 2 of Wonder!, I was wondering whether the extremely uncomfortable plot twist that ended it would be brought up again in the third volume or just glossed over. In a way, it’s both. But I’m OK with how it resolved, as having it any other way would just give me the creeps (as indeed it does to Kaori at the start of the book). That said, it feels a bit of a cop-out, and makes Kaori’s mother even less sympathetic than she already was. But then, that’s one of the main things about this series: family are always there, even if you try desperately to avoid them, and they always bring their own issues to the table. And not all families are perfect.

wonder3

That said, the main family – Kaori, Taiyou, Kota and Miya – still tend to be a bit better than you’d expect. Problems that affect them mostly come from outside sources, and even the one time there’s a big screw-up – Taiyou trusts a mother that he bonds with at the zoo to take his girl to the ladies’ room, only for the mother to run off with her – it’s something that resolves in a rather pat way. As for Kota, when your worst flaw is that you’re sometimes too direct and a bit reserved, you’re clearly a great kid. He gets to show off how he deals with both kids and creeps in this volume, and his awesomeness is (so far) rewarded. Only Kaori really seems to have major issues here, and that’s mostly from the fallout from last volume. Everyone’s just a bit too perfect.

However, the author does seem to be trying to shake things up. Kota’s cousin Kaito, who looks very similar to Kota except for his height, arrives, and proves to be a giant pain in the neck. He’s under pressure from his mother to live up to his siblings’ success in school, and it’s driving him to acting up. He’s clearly meant to contrast with Kota, as the cast lampshades, and almost causes Kota to show an actual emotion. His mother, though, once revealed, explains much of his behavior – she’s even worse than Kaori’s mom (and in fact allows Kaori’s mom to have the upper hand for a bit), and makes your nerves grate. Kaori notes to Taiyo that part of the reason they agre4ed to their ‘open marriage’ at first was simply to avoid dealing with each other’s family, and we’ve come to see why.

And throughout all this there is the dog Wonder, who still has odd traces of the supernatural to him, being able to instantly show up whenever there is trouble, even if he’s also still at home playing with the kid. The family seems to have quietly accepted it as ‘awesome dog powers’, but given that said dog has saved their lives multiple times, I can see why they’d want to gloss over and explanations in case they ruin the fantasy. It does add an odd touch to this off-kilter soap-opera of a manga, which never quite allows me to find my footing. While the lack of stability can be annoying, it’s also probably why I find it so fascinating. I want to read more about these people to see how they tick. Yes, even if it means dealing with their families. Here’s hoping for Vol. 4 soon.

Bookshelf Briefs 2/11/13

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This week, Sean, MJ, and Michelle look at recent releases from Kodansha Comics, VIZ Media, and Vertical, Inc.

fairytail23Fairy Tail, Vol. 23 | By Hiro Mashima | Kodansha Comics – This volume can pretty much be summed up by: cool things happen. Seemingly every five pages. We’re still in the middle of the battle in Edolas, and we see Natsu, Gajeel and Wendy combine their dragon powers to take on the insane king; Erza fighting her doppelganger while also plummeting from a great height; Edolas Fairy Tail showing up just in time to be Big Damn Heroes and prove their mettle. In the middle of all this is Mystogan, aka the Edolas version of Jellal, who has a cunning plan to save Edolas that, much to my relief, is immediately exposed as being mind-numbingly stupid. And since the best way to combat stupid is with stupid, it’s up to Natsu to save the day. There’s a lot of fighting going on here, but it’s certainly never dull. And the next volume should finally wrap up this arc.-Sean Gaffney

flowersofevil4The Flowers of Evil, Vol. 4 | By Shuzo Oshimi | Vertical, Inc. – Though on the surface this series appears to be getting darker, for Nakamura and Takao this volume offers up the opportunity for a kind of camaraderie that hadn’t previously been possible. Where this leaves poor Saeki is another question, but though Takao and Nakamura are clearly headed down a perverted path, the tone is decidedly jubilant as this volume comes to a close—for better or worse. In a way, it just feels like their story is back on track, though I think it needed to fall apart in order to get there, and especially to put Takao and Nakamura on something closer to equal ground. Either way, I can’t deny that I’m more intrigued by this story than ever at this point, which indicates that things are going very much right. Readers who found the first few volumes a bit too dark to handle will not see any relief here, but for the rest of us, this volume is a must-read. Still recommended. – MJ

kamisama12Kamisama Kiss, Vol. 12 | By Julietta Suzuki | VIZ Media – A new arc starts here, as Nanami is abducted by the servents of a spoiled-brat yokai who is engaged to marry Himemiko. The trouble there is Himemiko is already in love with a human boy, Kotaro. Of course, she hasn’t actually told him who she really is. There’s some examination of the huge gulf that exists between kamis and humans, and why most people regard Himemiko’s affair as a mere fling. Nanami doesn’t, though, and she continues to be the best part of the manga simply by being herself. Laying the smack down on the spoiled yokai while trying to espouse the virtue of true love, it’s almost as if she has some other reason for wanting Himemiko’s marriage to a human to happen. There’s a lot of romantic angst here, as we try to resolve a minor subplot that’s been simmering for far too long…-Sean Gaffney

miles4Miles Edgeworth: Ace Attorney Investigations, Vol. 4 | By Kenji Kuroda and Kazuo Maekawa | Kodansha Comics – And so the second series of Phoenix Wright manga volumes comes to a close, with two more fairly typical cases. These have been good reads for those who merely want to see more of Edgeworth being cool, or Gumshoe being dumb. But they’re frustrating for anyone wanting long-term character development, as they can’t change (or even mention) their original source material, the games. The best chapter in this series was the one where Ema Skye returned from America, simply as it was a connection to past and future games we were being allowed to see. Most of the series, unfortunately, didn’t have that, leaving it as a series of cute one-shot crimes with little to no emotional content. Also, Phoenix makes a much better protagonist. Sorry, Edgey.-Sean Gaffney

sailor9Pretty Guardian Sailor Moon, Vol. 9 | By Naoko Takeuchi | Kodansha Comics – I firmly believe that there are no bad volumes of Pretty Guardian Sailor Moon, but this is an especially good one. The aim of the villainous Dead Moon Circus is to turn people’s dreams into nightmares, and so each of the “inner senshi” gets a chapter to herself in which she triumphs over an enemy attempting to instill doubt (and the notion that she should just find a nice boy and settle down) in her, earning a new attack phrase in the process. It’s great to spend some quality time with the girls individually, and there are some truly rewarding moments (especially concerning Artemis), but the best chapter is about the “outer senshi” and the little family they’ve become in the six months since they made a pledge to raise baby Hotaru. All in all, a truly great volume. My only complaint is that the Amazon Trio are vanquished so quickly! Tiger’s Eye in particular is barely a blip. Sniff. – Michelle Smith

skipbeat30Skip Beat!, Vol. 30 | By Yoshiki Nakamura | VIZ Media – Lory’s school of Enforced Method Acting to sure his proteges’ deep inner traumas has always been for everyone, not just Kyoko, and here we once again see the effects it’s having on Ren, who’s forced to relive the past that he’s been blocking out. Ren is not doing a particularly good job at this, and is starting to lose himself in the role – something that Kyoko is all too familiar with. And it’s not just the serial killer character of BJ, either – Ren and Kyoko’s roles as Cain and Setsu are blurring together as well, and the intentional incestual subtext is getting to be a bit too much to bear for both of them. Things seem to be reaching a boiling point, though I’ve said that before, and this series has now gone 30 volumes with no sign of romantic resolution. Still, maybe a kiss? Hrm? Sadly, no kiss here. Still great stuff, though.-Sean Gaffney