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Sean Gaffney

Manga the Week of 3/8/17

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SEAN: There’s been a lot of digital-only releases lately – first from Yen, and now from Kodansha and J-Novel Club. Kodansha in particular is picking up a lot of old Del Rey series that I haven’t been mentioning here and finishing them in digital mode. For example, Gakuen Prince is getting a rush release of new volumes for fans of trash – um, I mean dramatic shoujo. I’ll try to keep up, but may forget – apologies if I miss your favorite.

Meanwhile, let’s talk new volumes rather than rescues.

Ichi-F: A Worker’s Graphic Memoir of the Fukushima Nuclear Power Plant is the important release of next week, being pretty much what its title says, though it’s a memoir of someone involved in the cleanup, not the initial disaster. It should be fascinating.

ASH: I got my hands on an early copy and it is indeed fascinating. Important, too, as you mentioned, and it strongly resonates with what I’ve heard about Fukushima and the recovery efforts from my friends who live in the area.

MJ: Wow, this sounds intense.

SEAN: Interviews with Monster Girls has become popular now that its anime is running, good timing for Vol. 3.

We also get a 4th volume of Ninja Slayer Kills!.

And a 2nd digital-only volume of fluffy Nakayoshi series A Springtime with Ninjas.

Kodansha finishes up with a 3rd volume of sports manga Welcome to the Ballroom. (Everything is sports manga if you squint enough.)

MICHELLE: I’m super happy that sports manga seems to be having its day, and I look forward to more Welcome to the Ballroom in particular.

ANNA: Me too!

MJ: When the sport is dancing, I’m always more interested.

SEAN: Seven Seas has a 5th volume of popular spinoff A Certain Scientific Accelerator, which features even more property damage.

And a 4th Masamune-kun’s Revenge, also the winner of the “it has an anime this season” sweepstakes.

More Nichijou from Vertical! A 7th volume that will make you want to draw sharks.

And now Viz. So much Viz. Starting with the debut of Anonymous Noise, a new manga from Hana to Yume by the author of Nosatsu Junkie and Monochrome Boys and Girls. I’ve heard it leans heavy on the drama.

MICHELLE: I haven’t read her other titles, but I’m looking forward to this one.

ANNA: The cover looks great. It is at the top of my to-read pile.

ASH: The cover is great and I can’t resist the music connection.

MJ: I’m very much on board with this.

SEAN: Bleach has a 69th volume, though any readers who might make a dirty joke have long since abandoned it, I suspect.

ASH: Heh.

SEAN: Bloody Mary recently announced it’s finishing in Japan. Here’s Vol. 6.

Everyone’s Getting Married has a 4th volume of no one getting married, or at least that’s my guess.

ANNA: I love this series, it is much more thoughtful than the title suggests.

MJ: Maybe I should check this out after all?

SEAN: Haikyu!! has a 9th volume. Expect grueling training montages.

MICHELLE: I’m always happy to get a new volume of Haikyu!!.

ANNA: Yay!

ASH: Woo!

SEAN: A mere three years after the last volume, we get a new volume of Hunter x Hunter. I try not to mock the mangaka as much, as I know he’s got tremendous back issues, but still. That’s a long time between volumes.

Kimi ni Todoke’s 26th volume. Will we approach a climax soon?

Naruto: Sasuke’s Story: Sunrise is another in the series of Naruto novels we’ve been getting.

Speaking of delays, it’s been over a year since the last Natsume’s Book of Friends, so this 20th volume is very, very welcome.

MICHELLE: Man, so much good stuff this week! I need a Natsume fix.

ASH: I really need to get caught up with Natsume.

SEAN: Nisekoi’s 20th volume is starting the climax, so we need to start letting down the other heroines gently.

One Piece has a 19th 3-in-1, and I think is reaching the three year time skip.

I’m torn. I love One-Punch Man, but am always bored by tournament arcs. Which will prevail with Vol. 11?

ASH: If nothing else, at least the artwork will be great.

SEAN: Platinum End has a second volume to try to convince me to read more of it.

ANNA: I will approach reading this cautiously.

MJ: Same. Ugh. I wish Takeshi Obata would pair up with someone new so I didn’t have to feel so sketchy about it.

SEAN: Skip Beat! has a 38th volume, which features, be warned, the dreaded “let’s explain why the parent was abusive” flashback.

MICHELLE: I’m still so happy to see it, and finally deal with this aspect of the story.

ANNA: Me too. Always happy to see a new volume of Skip Beat!

SEAN: Tegami Bachi finally comes to an end with the 20th and final volume.

Lastly, a title I sometimes forget, we have a 7th Yo-Kai Watch!.

Want a whole lotta Viz? Next week is your week. What’re you getting?

Occultic;Nine, Vol. 2

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By Chiyomaru Shikura and pako. Released in Japan by Overlap, Inc. Released in North America digitally by J-Novel Club. Translated by Adam Lensenmayer.

This volume of Occultic;Nine does what it needs to do, which is begin to draw together the many and varied elements of the first book and show they’re all part of the same main plotline. It does actually shift genres a bit, as signposted by the end of the first book; that one may have been a mystery, and there are certainly still mysterious elements, but this second volume crosses over into outright horror much of the time. Unfortunately, its faults are still carrying over from the first book as well. While it does begin to draw together said elements, everything still changes viewpoints and tonal shifts a bit too much for my liking. And it’s still left with Yuta Gamon as the protagonist, and he’s really, really aggravating – yes, it’s deliberate, but that doesn’t actually make it easier to take.

To be fair, he’s had a bad day – he’s right in that any sane police officer who has his presence in the room and his fingerprints on the murder weapon would have arrested him by now. Luckily we have another one of the eccentric cast members as the detective, and he enjoys playing with his food, I guess, preferring to torment Yuta with cryptic conversations. Unfortunately, Yuta’s coping mechanism is to double down on being obnoxious, something which is fine by Ryoka, who still gets nothing to do this volume, but is starting to worry his new friend Miyuu, who was already somewhat wary of him (her friend basically says he’s a creep and why do you care?), but he’s falling back into familiar behavior patterns to cope, even if they’re bad ones. Also, he clearly hasn’t read any genre fiction at all, or he’d know that introducing everyone to the mystery radio voice only he can hear was never going to fly.

As for the main plot, the corpses in the lake that were briefly signposted last time become a big deal when they’re discovered this time around, and the clever reader will start to realize what’s actually going on when it takes forever and a day to actually identify said corpses. There’s a lot of somewhat interesting talk about acceptance of the occult versus looking for an actual realistic reason for said corpses, but the fact that said reason also sounds ludicrous and the reader is also getting the mystery organization of evil talking about their corpse plans tends to ruin it. Again, as with the first book, the ending is the strongest part – first, the darkest and most horrible part of the book (which completely rips off the movie Se7en, but is still well written), and second, the final revelation that Yuta figures out when he gets all the names of the bodies in the lake. What will Volume 3 bring us?

Good question, but one we’ll wait a while to answer – the third volume is not out in Japan yet, and I suspect the author is concentrating on finishing the visual novel, which is due out this year. In the meantime, there are bits of good and bad here. I’d recommend it to fans of this creator.

Monthly Girls’ Nozaki-kun, Vol. 6

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By Izumi Tsubaki. Released in Japan as “Gekkan Shoujo Nozaki-kun” by Square Enix, serialization ongoing in the online magazine Gangan Online. Released in North America by Yen Press. Translated by Leighann Harvey.

In terms of the Nozaki-kun fandom, one of the fortunate things about it is that there really aren’t very many ship wars. For the most part, this is because the main pairings in the manga, even though none of them are actually romantically paired, are so blindingly obvious – Nozaki and Sakura, Hori and Kashima, and Seo and Wakamatsu. The one wild card has always been Mikoshiba, and it’s therefore no surprise that fan writers love him. I’ve seen him used as an alternate pairing with Sakura, just in case she ever tires of Nozaki (doubt it will ever happen, but hope springs eternal), and I’ve also seen quite a few Nozaki/Sakura/Mokoshiba OT3 fics. But the addition of Nozaki’s brother Mayu gave BL fans someone new to focus on, and this volume must have delighted them, because not only are Mikoshiba and Mayu comedy gold but they’re also very, very shippable.

A lot of the humor in Nozaki-kun relies on building from previous gags and characterizations, as you’d expect. Mikoshiba is the inspiration for the heroine in Nozaki’s manga, so when Nozkai discovers he’s getting cute texts from someone else, and that he’s responding as “Mamiko”, he gets fired up in the best Nozaki way. Meanwhile Kashima is having trouble dealing with her new role, which requires “wistfulness”, and when given the choice between Sakura’s practical advice and Nozaki’s romantic, thinking like a writer advice, she knows exactly who to turn to. Nozaki has the brilliant idea (no, really, it is this time) of having her avoid and not speak to Hori for three days. Sure enough, this nearly kills her just by the end of one day – and, even better, Hori is somewhat poleaxed by it as well.

Elsewhere, we get Wakamatsu’s amazingly inept acting, the dangers of playing a visual novel and not using the default names, and Miyako’s fellow mangaka relationship with Nozaki continuing to be misunderstood by the guy who’s crushing on her… who, because this manga is very close-knit, turns out to be Seo’s big brother. We also meet several other author’s in the magazine that Nozaki’s published in, and they all seem to have their own eccentricities, though they can all agree on one thing – Nozaki’s manga is generic and dull. Honestly, it’s something of a surprise it hasn’t been cancelld by now, but I think that the ‘Nozaki tries to find the idea for a new series’ plot is being saved for a rainy day – that and the tie-ins to real life are too much fun to drop. Possibly best of all, Mikoshiba needs to have someone pretend to be his girlfriend, and each of the three main options are hilarious.

Nozaki-kun remains hilarious, and the hilarity is because of its character-based humor. Unless you can’t stand anything to do with 4-koma or tsukkomi-0style humor, you should be reading this every time it comes out.

Very few tanukis this time around – we are running a tanuki defecit.

A Certain Magical Index, Vol. 10

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By Kazumi Kamachi and Kiyotaka Haimura. Released in Japan as “To Aru Majutsu no Index” by ASCII Mediaworks. Released in North America by Yen On. Translated by Andrew Prowse.

This picks up immediately after the end of the previous volume, as befits a two-part arc. In fact, Kamachi helpfully provides a recap for anyone who may have somehow skipped the previous book. I had wondered if we’d get more athletic events for the festival, but no, sadly the festival is mostly offscreen for Touma, as he spends 4/5 of the volume chasing after Oriana Thomson, watching her nearly kill his friends, and arguing with her on the nature of doing good and how it’s impossible for everyone to share the same view, ethics, or religion – it’s all influenced by their own head. Luckily, the Roman Catholic Church is coming to the rescue to change everyone’s minds into their own! For some strange reason, Touma objects to this…

Introduced in this volume: no one! Given this is the second in a two-parter, we get no new characters. That said, Lidvia certainly gets a lot more to do here, and she’s really not a pleasant person at all, though when given Lady of the Tiger choice she at least attempts to do the right thing by choosing Lady AND Tiger. We also see Laura Stuart (or rather hear Laura Stuart) at her most devious and cunning – Lidvia has a long way to go to get to Laura’s level. Himegami also gets a larger role in this book, and it once again reflects on her status as a “failed heroine” – she wants to do romantic things with Touma, but he’s too busy saving the world, and in the end she ends up an innocent victim who Touma doesn’t even have the time to rescue – Stiyl and Komoe-sensei have to do it. (I will simply ignore the ship tease between Stiyl and Komoe in this book, because eurgh.)

Luckily she’s cheered up by Index, who also gets very little to do this book, but that’s by design, as most of the Magic Side know that Index is a plot maguffin and so they have to keep an eye on her to see what’s going to happen. Of course, finding out Touma is once again getting himself hospitalized without her knowing anything makes her grumpier. I find Index far more tolerable in prose form – no offense to Yuka Iguchi, but I think Index herself simply sounds less stupid in the books as opposed to the anime. She’s the emotional core of the series, and it’s her purity that inspires many other characters – most obviously Touma and Stiyl here. (She also gets a great line about Peter Pan when looking at the youthful looks of Touma and Mikoto’s mothers, which the anime sadly cut.)

The book itself does its level best to conceal its big secret: this entire runaround was pointless, and chasing after Oriana was meant to be a distraction. Luckily, like follows like, and pointless follows pointless – for all that Lidvia succeeds in her ritual, it’s useless due to Academy City’s fireworks show lighting up the sky. I think one reason Index is so upset is that she could have saved him a lot of running around and injuries by simply having hm ask her, but then when you’re a walking magic wikipedia… In any case, a good volume, and less magic theory than the 9th book (though we still get some, mostly related to astrology). Next time, Index Does Italy!

Bookshelf Briefs 2/27/17

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Anne Happy, Vol. 4 | By Cotoji | Yen Press – I am beginning to wonder if the goal of this class filled with luckless idiots is not so much to improve their bad luck as to simply get them to find joy in little things anyway, as this fourth volume mostly involves a school trip that ends up in a giant keep away gave of tag, with the losers sleeping outside and foraging for food. Take a wild guess which team ends up losing. There’s also Karaoke (Anne breaks the equipment by merely attempting to use is) and woodcarving (Anne is quite good, but it shatters fairly easily). In order to appreciate these sad sacks, one must turn the brain off, but if you do, it can be cute and adorable, and a culture festival sounds fun. Recommended if you like moe stuff. – Sean Gaffney

Fate/Zero, Vol. 4 | By Gen Urobuchi, Type-Moon, and Shinjiro | Dark Horse – One of the biggest reasons to read Fate/Zero is too see the contrast in heroes between Shirou, the naive, hardheaded yet lovable hero of Fate/Stay Night, and Kirutsugu, the cool, pragmatic, “greater good” protagonist of Fate/Zero. And while Saber falls pretty hard for Shirou, it’s pretty clear that Kirutsugu fills her with rage and disgust, which is very well drawn here by Shinjiro. I also enjoyed seeing Irisviel’s attempts at being his balance, which I suspect are doomed to failure, and was weirded out by Sola-Ui, possibly as she looks like Bazett and has a crush on Lancer like Bazett. Oh yes, and we have more lovingly detailed child murder. Fate/Zero is classic Gen Urobuchi, which is to say death and pain, but so well-written. – Sean Gaffney

Haikyu!!, Vol. 8 | By Haruichi Furudate | Viz Media – In general, most sports manga that revolve around “it’s our chance to win the big tournament” invariably involve losing in the first tournament they try to win, because otherwise the manga would be quite short. And so it is for Haikyu!!, as despite various stratagem, and almost having a shot, our heroes still go down to defeat. But they can learn from it and let that frustration fill them with the desire to improve. And the graduating teammates may stick around a little longer after all, if they get permission, because yes, college is important, but this is volleyball. All that and we get cool poses, facial grimaces galore, and so much sweat you could float down it in a boat. Haikyu!! is powerful and fun to read. – Sean Gaffney

Kamisama Kiss, Vol. 23 | By Julietta Suzuki | VIZ Media – I’ve always enjoyed Kamisama Kiss, but I was never particularly excited about it. That has officially changed with this volume. Suzuki-sensei manages to strike the perfect balance between action, plot resolution, and feelings. Instead of the focus being on Tomoe and Nanami’s relationship, it’s on the friendship Tomoe and Akura-Oh once shared and how both of them were able to change through coming to love and understand humans. It’s quite lovely, actually. Creepy Yatori, who still looks like a villain out of Basara, is still in play, though, so our heroes are not entirely out of the woods yet. Having a high-quality ending like this really bolsters my opinion of the series as a whole. – Michelle Smith

Kuma Miko: Girl Meets Bear, Vol. 3 | By Masume Yoshimoto | One Peace Books – Kuma Miko is becoming a lot less weird and a lot more moe. Unfortunately, this has the effect of also making it far less interesting, as the story beats it’s hitting are ones that we’ve seen done better elsewhere (albeit with fewer talking bears). It also means we pay more attention to the interpersonal relationships, which can be somewhat creepy (Yoshio towards Machi, which is thankfully called out by Hibiki) or disturbingly co-dependent (Machi and the bear). We do get an occasionally funny gag (“they’ll throw rocks at me!” seems like country naivete till it gets a callback. I’m beginning to be reminded of another series set way out in the country, Non Non Biyori, and am asking: is there a point to this? – Sean Gaffney

Kuroko’s Basketball, Vols. 7-8 | By Tadatoshi Fujimaki | Viz Media – The crushing defeat from last volume still weighs on both Kuroko and Kagami, and Kuroko in particular is finding it hard to move past and get to the next level. Luckily there are ways to fix that, such as INTENSE TRAINING. We get sand basketball, which is as rough as it sounds, and poor Kagami running and running and running and then running some more. And then we get to watch more of the winner’s in the tournament, as the battle between Aomine and Kise, which is incredibly badass, and also helps to show that yes, Kuroko and Kagami DO have a ways to go. Luckily, we’ve a number of volumes to go as well. Having this and Haikyu!! coming out at the same time means we’re hitting similar beats, but they’re both good. – Sean Gaffney

Magi: The Labyrinth of Magic, Vol. 22 | By Shinobu Ohtaka | Viz Media – The heroes of Magi are filled with shiny shonen idealism, and they run up hard against the cynicism of the real world in this volume. Even Sinbad, who’s been presented till now as at least a reasonable ally, is starting to show signs that he may be, if not just as bad, certainly just as problematic. Alibaba is not yet strong enough to refuse offers that he can’t refuse. To the rescue comes Aladdin, who gives everyone a giant flashback to show what happened in the universe he’s from, a parallel one where humanity is fighting evil Mr. Potato Heads, and we also get Solomon and Sheba, because I was wondering when they would show up in this manga clearly influenced by Biblical as well as Arabian Nights myth. Magi is terrific; you should know this by now. – Sean Gaffney

Maid-sama!, Vols. 13-14 | By Hiro Fujiwara | VIZ Media – Y’know, Maid-sama! is certainly not a great manga, but damned if it isn’t immensely satisfying when things finally happen! I suppose that’s owing to the fact that Misaki is a stubborn tsundere, which can be frustrating, but I cannot deny that her confession of love and Usui’s reciprocation, followed by their becoming an official couple and eventually revealing their status to the school is all the sweeter because it took so long. There’s plenty of other stuff in this volume, including a school trip with appearances by random supporting characters and more boring drama about Usui’s family background, but even the plot wherein he transfers schools for his final year is redeemed when Misaki is 100% not cowed by some rich girl claiming Usui is her fiancé. The endgame is afoot! – Michelle Smith

Monthly Girls’ Nozaki-kun, Vol. 6 | By Izumi Tsubaki | Yen Press – I suppose it might seem like an insult to say that this volume of Nozaki-kun is pretty much the same as the others, but I actually mean it as a compliment. Tsubaki continues to spin out amusing scenarios for her characters with no dip in quality. In this volume, Nozaki is doing a lot of research into horror themes, in anticipation of having to incorporate some into his manga, but there are other silly gags like Wakamatsu being transformed into a confident guy via an eye patch, doing summer homework at Nozaki’s house, and finding a suitable girl to pretend to be Mikoshiba’s girlfriend in order to persuade a persistent admirer to back off. Each new volume of this series is like the best kind of brain balm and I’m grateful for it! – Michelle Smith

Pick of the Week: A Short Month Long on Picks

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ASH: Originally my pick for this week was so clear! I simply couldn’t pass up a gorgeous, deluxe box set of the Revolutionary Girl Utena manga (even if the contents might not live up to their presentation). Alas, the release date has been delayed until April. That being the case, I’ll fall back on one of my favorite manga series currently being released; Monthly Girls Nozaki-kun never fails to delight.

SEAN: I loves me some Nozaki-kun too, and I’m also very interested in the digital debut of House of the Sun. But my choice is the 2nd volume in Nisioisin’s Bakemonogatari novel, featuring Suruga Monkey and Nadeko Snake. There will be words. Oh so many words.

MICHELLE: I’m definitely interested in House of the Sun, and several other titles from Kodansha, but what I’m most asquee about is the continuation of Nodame Cantabile in digital-only releases, starting with volume seventeen!

KATE: My pick is the fourth volume of Sweetness and Lightning. It isn’t in the same league as my all-time favorite food manga — really, can anything top Oishinbo? — but its sincerity and appealing characters more than compensate for the occasional ham-fisted scene. In fact, I’m getting hungry just thinking about Sweetness and Lightning right now…

ANNA: I think out of everything coming out this week, I’m most excited about Monthly Girls Nozaki-kun. Bring on the wacky antics!

MJ: I’m always on board for more Nozaki-kun, but this week I have to join Michelle in celebrating the digital return of Nodame Cantabile! I was devastated when that series was dropped in the US, and I’m beyond thrilled to see it back, even if it won’t be able to fill my physical manga shelves.

Hayate the Combat Butler, Vol. 29

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By Kenjiro Hata. Released in Japan as “Hayate no Gotoku!” by Shogakukan, serialization ongoing in the magazine Shonen Sunday. Released in North America by Viz. Translated by John Werry.

Hayate Ayasaki is a very good butler. That’s pretty much the premise of the entire manga. As a butler, he’s smooth, always knows what to do, and provides the girls he waits on with whatever they desire. I wouldn’t go so far as to say that’s why they fell for him, as in fact each of them has different, non-butler reasons for that. But it’s striking if only because in Hayate’s other role as a harem protagonist in a romantic comedy manga, he’s absolutely terrible. He’s very good in terms of what Hata needs to convey in the writing. But much of Hayate’s so-called “bad luck” can also be put down to wishy-washiness, cowardice, and the complete inability to understand the trembling of a pure maiden’s heart. It’s why we’re 29 volumes in and disasters keep piling up for him.

The disaster doesn’t happen in this particular volume, but we know that at some point in the near future, Ruka is going to discover that Hayate is a guy, and there will be hell to pay. Of course, this is played for max comedy – every time he thinks he can confess, she says the one thing that stops him from doing so – but it’s still a case where you want to put your face in your hands. She also, by the way, is trying to earn a large pile of cash to get herself out of debt because her parents are suckers – a similarity Hayate is quick to catch on to. It’s not the first time Hata has done this – Hina, too, has lost her birth parents due to “we abandoned you because of our debt” – but that at least had the excuse that it was part of his original outline for the series. Ruka’s past seems more like overegging the pudding.

The rest of the volume is for the most part a series of one-shots focusing on the cast, which I think Hata enjoys best. Alice talks with Hayate, and there’s some discussion of who she is, but not much – she says she’s lost her memories of Athena, but clearly knows she *is* Athena in some way. Also, don’t let dogs eat chocolate. Wataru and Saki also have money troubles, and even Sayaka literally loaning them a giant pile of money doesn’t help, particularly when Hayate gets involved. Speaking of Sayaka, she’s rather annoyed to find that the position of “Nagi’s (relatively) sane best friend) has been stolen by Chiharu, particularly since Chiharu is HER OWN MAID. As for Maria, well, she gets nothing to do except pose naked for the camera as pre fanservice, something Hata lampshades almost immediately. These are all pretty good chapters, not hilarious but quite amusing.

In the end, though, the plot will have to advance soon. Ruka will find out Hayate’s gender. Athena will eventually stop being a girl. And, one assumes, the manga will end. It’s coming to a close in Japan, but Viz still has a long way to go. See you in the fall for another volume.

Is It Wrong To Try To Pick Up Girls In A Dungeon? On The Side: Sword Oratoria, Vol. 2

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By Fujino Omori and Suzuhito Yasuda. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka? Gaiden – Sword Oratoria” by Softbank Creative. Released in North America by Yen On. Translated by Andrew Gaippe.

After a first volume that was good but a bit too much side story by the numbers, the second volume of Aiz’s book series ups the ante, and really shows us how similar and yet totally different Aiz and Bell both are. This is less tied into the main series than the first book was – we can tell it’s at the same time as Book 2 due to Aiz giving Bell a lap pillow (at the suggestion of her companion) when they find him collapsed. And that’s all for the best, as we begin to develop the rest of Loki’s badass crew, including Loki herself, who is allowed to become a bit of a detective as she tries to track down who’s responsible for the plant monsters we saw in the prior book. That said, the core of this book is all Aiz, as she finally finds someone she can’t defeat, and it nearly breaks her.

Frustratingly, at last for the reader, we never get a name for this mystery assailant, who is clearly set up to be an ongoing antagonist. She’s definitely in charge of the plant monsters, though, and is strong enough to take out Aiz, though to be fair she’s already injured when they fight. Their main battle happens barely halfway through the book, though, so it’s not the point. The point is not just that Aiz lost but that Aiz lost to someone who knows the name of her mother, Aria. Aiz’s past is a mystery to the reader, though we know she’s been dungeon crawling since she was seven. Here we see a flashback to happy family times before that, and can sense there’s a tragedy here we haven’t quite heard about. More to the point, that trauma combined with the loss drives Aiz to make a suicidal charge on one of the lower floor bosses, which she insists on taking out all by herself. It’s an absolutely brutal sequence, and it’s also fascinating to see Aiz actually struggle given how perfect she’s seen to be in the main series.

As for the rest of the cast, they all get their cool moments. Lefiya still has a tendency to need rescuing, but is less self-deprecating here, and helps out Aiz more than once. (She’s also still very gay for Aiz, something I doubt will ever go anywhere but I also suspect will continue as the books go on.) They have their own murder mystery to solve, but unlike Loki’s the murder is not that mysterious, just gruesome, and the culprit shows herself almost immediately. There’s also some nice little world building and ties to prior books – Hermes’ follower who pops up here as an incidental part of the murder investigation reveals that Hermes is having her hide her higher status, something that doesn’t surprise me at all knowing him, and we meet Ouranos, the God who rules the city, and he’s one mysterious character.

Honestly, not much else to say beyond this is a really good, enjoyable book from one of my favorite light novel authors. Also, lots and lots of cool fights. Fans of the series have to pick it up. It does have a typo in regards to Lefiya’s level at the very end (she’s a 3, not a 5), but I’m ignoring that because the book was so much fun.

Fruits Basket Collector’s Edition, Vol. 10

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By Natsuki Takaya. Released in Japan by Hakusensha, serialized in the magazine Hana to Yume. Released in North America by Yen Press. Translated by Sheldon Drzka.

Yen Press’ rush release of these omnibuses has been a bit disorienting at times, and because I’m giving each of them full reviews it sometimes feels like I was only just talking about the last book and here’s another one. (It’s been about 3 1/2 weeks since I reviewed Vol. 9). That said, one can never, ever run out of things to talk about when discussing Fruits Basket, so no worries on that end. As Takaya herself says, we’re beginning the home stretch here, and many mysteries are being cleared up now that the biggest of them all has been revealed. We see why Kakeru has been so on edge around Tohru, and finally meat his semi-mythical girlfriend Komaki (who for a moment looks as if she may stay with a ‘hidden face’ before getting revealed a bit later), and we get Kyo starting to explain exactly why he feels tremendous guilt and pain when he thinks about Tohru’s mother.

Speaking of Tohru, this volume is probably her low ebb. Her inability to reveal the fact that she loves Kyo is shown to have explicit ties to her idolization of her mother and the trauma of her passing, as well as a somewhat understandable complete misunderstanding of how loving someone actually works. Shigure, who in the past gave her nice, calm, friendly advice, is perhaps getting a bit too attached to her, as he now proceeds to slam at all of her buttons at once, trying to break past her traumas and get her to admit what she doesn’t want to. It hasn’t worked on Akito, and there’s no reason it’d work on Tohru, but it does show how he may feels about her now, and winds up with Shigure wondering, to the reader’s horror, what might have happened if he’d dreamt of Tohru rather than Akito.

As for Akito, well, much of the book is spent with her holed up and avoiding everyone, having a massive sulk after recent events. We finally get some backstory regarding his father (who reminds me of Yuki quite a bit, something I think Akito herself is also aware of), as well as, unfortunately, more insight into Ren, who we see Akito seems to get her selfishness and tendency towards insane tantrums from. Akito at least is seeing the cursed Sohmas gradually break away from her – more on that later – but Ren is given no real reason for her abusive nature beyond being a petty, selfish and violent person. Her attack on Akito is unfortunately, not so much for her as because it gives Akito a knife, which leads to bad things later on.

I’d mentioned two more curses break here, one right after the other – Momiji and Hiro’s. Hiro, possessing an actual warm and loving home life and with his angst over Kisa and Rin mostly being resolved, is not much of a surprise, and the revelation is quite heartwarming. Momiji is more startling, particularly in the somewhat unrealistic way he’s grown up and, frankly, become almost unrecognizable – I’ve talked before about when Takaya’s art morphed from its early Furuba faces to late ones, and despite her hurting her hand after Vol. 8, I think it’s more around here that we see it. Momiji is no longer cursed, but of course he can’t return to his family, and he already knows he’s not going to win Tohru’s love, despite his words to Kyo. So what’s left is a deep loneliness, but also a yearning to make a brilliant future for himself.

More to discuss, as always! Ayame angering an already angry BL fandom by admitting that Mine is his girlfriend, and showing off some casual cruelty towards a love confession when he was in high school that will make your jaw drop (Hatori is appalled, Shigure just amused). Kagura may barely appear in the series anymore, but she makes her appearance count, getting upset at Tohru waffling about her love for Kyo to the point where she belts Tohru in the head – which a) should give Tohru a concussion and possibly hospitalize her, given this is Kagura, and b) leads to a wonderful bit where Rin witnesses this and loses her shit, screaming that Kagura has no right to hit anyone. (Kagura, very pointedly, apologizes to Rin but not Tohru.)

And now everything is terrible, basically. (I didn’t even talk about Shigure’s scenes with Ren, in which acid meets… well, even more corrosive acid.) Kureno is stabbed (and hey, that maid wasn’t fired after all!), Akito is walking around town with a knife and not in the best frame of mind, and Kyo is telling Tohru that he a) thinks he killed his mother, and b) thinks he killed HER mother. Can things possibly get worse? Hell yes. In any case, Fruits Basket: still wonderful.

Psycome: Murder Maiden and the Fatal Final

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By Mizuki Mizushiro and Namanie. Released in Japan by Enterbrain. Released in North America by Yen On. Translated by Nicole Wilder.

The good news is that this is a much more tonally consistent book than the first two, and has a better idea – most of the time – as to when to be over the top funny and when to have the reader genuinely disturbed. Renko remains the best character, getting in so many hilarious lines I can’t even bother to count them but also getting a really surprising amount of character depth (though I could have done without the epilogue telling rather than showing us all that character depth). Eiri continues to be the girl that Kyousuke SHOULD end up with, and I am very happy to hear that she’s the focus of the next book. Maina was less annoying as well this time around, and though Shamaya is back she seems to have lost the unpleasant implications of the end of the last book and just become another garden variety psycho. What I’m trying to say here is that I enjoyed everything about this except for the two lead characters and the main plot.

I knew going in that I wasn’t going to warm up to Ayaka. The “little sister obsessed with her big brother to an unnerving degree” is something already greatly exaggerated and overused by anime in general, and so turning the dial to 11 is not as successful as I think the author wants it to be. We’re meant to be amused at first and then gradually horrified as we realize that Ayaka is far more mentally unbalanced than she really should be for a “comedy” light novel, but since she enters the book hitting the high note and then only gets higher after that, we’re merely exhausted. That said, the larger issue here is Kyousuke.

There are hints, particularly at the end of the book, that Kyousuke’s entire family is, shall we say, a bit unusual, but even so, his reactions to Ayaka’s behavior beggar belief. I could be wrong here by dint of being an only child, but I’m fairly certain even the most doting brother would have noticed what was going on with Ayaka long before he did. It’s one of those cases where the revelation can’t come until the climax of the book, and so the hero ends up being unnecessarily stupid. The plot – when it arrived – was actually quite interesting, involving Ayaka deliberately being recruited into the school by their teacher, who can see a future assassin in her no doubt, but the fact that we didn’t find out about that until 90% of the way through the book is frustrating. And the subplot – involving everyone studying for finals, which have awful punishments for the bad students and setups for the next volume for the good students – was simply dropped at the end, making the “Fatal Final” a giant anticlimax.

And so, having spent much of this review being annoyed, let’s return to my original paragraph. This is a better book than the first two. The writing is more consistent, and there were some nice heartfelt scenes almost despite itself. But I don’t think Psycome will ever stop teetering on the edge of being a flaming ball of disaster, as seen in the Kamiya Family this time around. As long as it teeters and doesn’t fall off, I’ll keep reading.

Manga the Week of 3/1/17

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SEAN: Next week is the biggest “5th week of the month” I’ve seen in quite some time. There’s another huge pile here, be warned.

Dark Horse gives us a 25th volume of Vampire Hunter D, the great-granddaddy of the vampire craze.

ASH: I’ve been meaning to read the Vampire Hunter D novels for a loooooong time now, but I don’t see me tackling all twenty-five any time soon.

SEAN: J-Novel Club has a 2nd volume of My Little Sister Can Read Kanji. Further, deponent sayeth not.

Kodansha has a lot of stuff. First, we get the 2nd and final volume of the Attack on Titan: Lost Girls manga adaptation.

ASH: I was surprised by how much I enjoyed the first volume! Lost Girls may very well be my favorite Attack on Titan spinoff right now.

SEAN: There’s also a 58th volume of Fairy Tail, which we’ve just heard is in its final arc.

There are three new “digital only” series debuting next week. The first is another josei title from Kiss, The Full-Time Wife Escapist, aka Nigeru wa Haji da ga Yaku ni Tatsu. It’s technically another “fake marriage” title, but this looks like it has lots of depth, and inspired a live-action drama.

From Dessert, we have House of the Sun, aka Taiyou no Ie. This looks like a cute and fluffy romance series, and is 13 volumes. I think it’s also won awards.

MICHELLE: I’m really interested in both of these!

ANNA: As am I, surprising no one!

MJ: I might be? These are sometimes a wild card for me.

SEAN: Back briefly to print, we have the 9th volume of Kiss Him, Not Me!, which can be cute and fluffy romance, but honestly should be read for the laughs.

ASH: Definitely not a series to be taken too seriously, but it can be a lot of fun.

SEAN: Our final digital debut is Peach Heaven!, also a 13-volume romance from Dessert, but this one seems more in the “how much do I like jerks?” L♥DK mode. I hope I’m wrong.

MICHELLE: Here’s one Kodansha digital title I’m going to pass on.

MJ: Ugh.

SEAN: And back to print again, with the third volume of Ouran’s dark mirror, The Prince in His Dark Days.

And there’s a 4th Sweetness and Lightning as well.

ASH: Yay! Still loving the series’ combination of family and food.

SEAN: Seven Seas has another Freezing omnibus, collecting volumes 13 and 14.

And the second volume of Holy Corpse Rising.

MICHELLE: Is that what they do the morning after a Corpse Party?

ASH: Hahaha!

SEAN: Their first debut is the last of the “month of yuri” titles, this one from Hirari magazine. Kase-san and Morning Glory looks sweet and adorable, and I look forward to it.

MICHELLE: It does look cute!

ASH: It certainly does.

SEAN: The second debut is There’s a Demon Lord on the Floor, which is an ecchi comedy, and for once involves a demon being summoned to OUR world rather than an “average school student” being summoned there.

Vertical gives us the 2nd Bakemonogatari novel from Nisioisin, which introduces us to enthusiastic Suruga Kanbaru and shy and moe Nadeko Sengoku. (No spoilers, please.)

And also the 7th Cardfight Vanguard, which I think will now resume regular releases after a long hiatus over here.

Viz gives us a gorgeous-looking deluxe boxset of the entire Revolutionary Girl Utena manga, including the movie volume. I am conflicted, to say the least, about the content of said manga, but as a hardcore Utena anime fan, I will be getting it anyway, and seeing if the years have been kinder.

ASH: Surprisingly, I actually haven’t read the Utena manga series, but I did love The Adolescence of Utena (the movie volume) which is also included in this set. From the pictures Shojo Beat has been posting online, this should be a stunning release.

MJ: I’m probably putting this on my list.

SEAN: Yen Press says “Hey, we have digital-only releases too!”, and they do indeed, with the 8th Aoharu x Machinegun, 9th Corpse Princess, and 8th Saki.

ASH: Saki!

There are also two print stragglers. Anne Happy has a 4th volume of “how miserable can we make everyone for comedy?” antics.

And Monthly Girl’s Nozaki-kun never has to worry about that, it’s always funny. Here’s the 6th volume.

MICHELLE: Yay!

ASH: I love this series so much. Reading it makes me so happy.

ANNA: I’m behind already. One day I will catch up!

MJ: Woot!

SEAN: That’s a lot of stuff. Are you prepared? Can you handle so many manga volumes?

JoJo’s Bizarre Adventure: Stardust Crusaders, Vol. 2

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By Hirohiko Araki. Released in Japan as “Jojo no Kimyou na Bouken” by Shueisha, serialized in the magazine Weekly Shonen Jump. Released in North America by Viz. Translated by Evan Galloway, original translation and adaptation by Alexis Kirsch and Fred Burke.

I had worried with the last volume if I wasn’t going to like Jotaro as much as his predecessors, and indeed that still seems to be the case, though I’ve somewhat come to terms with it. Things are still “we must do as many cool things as possible”, but there’s a notable element of humanity missing from this new series, instead relying on set piece after set piece and slowly moving the story around the globe, presumably ending up confronting Dio, though he barely shows up here. I also noticed the first major “we have to change this or the band will sue us” adaptation fix, as Soul Survivor (a Santana reference, so clearly the translators did an excellent job there) replacing the Japanese Devo. (Couldn’t they just say Deevo or Divo or something? They did with Kars, after all.)

It’s always worrying when I’m discussing translation choices in the first paragraph of a review. JoJo’s is one of those series I decided to write full reviews for every volume, but that was much easier in the days of Jonathan’s histrionics and Joseph’s amusing banter. The trouble with Stardust Crusaders is that while it’s not exactly bad, there’s nothing to really grasp and think deeply about. It’s all surface. Now, to be fair, Araki does surface very well. There are some striking fights here, and some of the gory deaths are both horrifying and somewhat amusing, in the best JoJo’s tradition. But even when a major plot point does appear, such as Kakyoin supposedly still being under the influence of Dio, it ends up being a bit too confusing for its own good, as it turns out that the Kakyoin that’s betraying them is actually a spy. (Also, is he named Rubber Soul or Yellow Temperance? Was the name adapted out as well?)

We also pick up a bratty little kid along the way, which I don’t really have too much of an objection to – bratty kids hanging out with heroes is very much a shonen manga trope. I was rather annoyed when she randomly decided to take a shower in the face of ever-present danger, which seems to have been solely to have her be named when faced with such danger. She looks to be about 11 years old, so this was especially annoying. We don’t need that kind of fanservice. I’m not sure how long into the series she’ll last – she doesn’t even have a name to date – but she certainly seems to have taken a shine to Jotaro. As for everyone else, they pose, they shout, and I can’t even remember most of their names.

After spending its first two volumes influencing the majority of modern Jump manga, Stardust Crusaders seems to be coasting, confident that it’s popular enough not to worry about getting cancelled, and relying on violence, set pieces, and attempting to look cool. I miss the earlier style.

Konosuba: God’s Blessing on This Wonderful World!: Oh My Useless Goddess!

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By Natsume Akatsuki and Kurone Mishima. Released in Japan as “Kono Subarashii Sekai ni Shukufuku o!: Aa, Damegami-sama” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kevin Steinbach.

In the current light novel boom that North America has been experiencing, there have been many novels that fall under the broad category of ‘funny’. They either take a relatively serious plot and give it a funny touch (The Devil Is a Part-timer!), expand on a completely ludicrous situation (Psycome), or are an outright parody (I Saved Too Many Girls And Caused the Apocalypse). KonoSuba’s first volume is most like the latter of these options, but I have to say as I was reading it that I can’t think of a single series, even Little Apocalypse, that was as dedicated to wringing as many laughs out of everything as KonoSuba is. Never mind plot complications or depth of characterization. This series is damned funny, and that’s why you should read it.

The archetype being parodied will be most familiar to readers of the manga Mushoku Tensei. A young man who is something of a loser dies performing one noble act, and is given an option to reincarnate in a fantasy world so he can be a hero. Except here, Kazuma’s death turns out to be so pathetic that even the doctors who tried to save him and his own parents laughed when they heard about it, and the young goddess who wants to send him to a fantasy world seems to be doing it so that she can fill her quota more than anything else. She’s so annoying, in fact, that Kazuma, rather than wishing for a fantastic sword or unbeatable magic powers to go along with him into this world, wishes for… the goddess herself. Fans of Oh My Goddess will be especially amused, showing that the subtitle of the first volume isn’t just for show. Kazuma and Aqua could not be more different than Keiichi and Belldandy, though, and when they both arrive in Generic Fantasy world X, he finds this goddess to be a lot less help than he’d hoped.

Everything that follows amps up the comedy, as it should be. Kazuma, because he didn’t pick an insane superweapon but a useless goddess, as average stats and minimal weapons to defeat a giant demon king. He has luck… but that merely seems to allow him to use thief abilities to steal girl’s panties. (Yeah, sorry about that, it’s still written for guys.) We meet Megumin, a teenage overdramatic girl who likes explosions and not much else. We meet Darkness, a knight with elite defensive powers who can’t hit the side of a barn door with her sword, and who seems to get off on just about anything. Together, these four take on giant frogs (which I won’t spoil), supposedly evil lichs (another great scene), and in the end a demon general who is a dullahan (were these always in anime even before Celty, or is their resurgence all Ryohgo Narita’s fault?). And what’s more, they win!

It’s tricky to review this, because I don’t want to give away the best gags. I will note that, while I’m sure this will change, I was pleasantly surprised at the utter lack of romance in this first book. Kazuma and Aqua act like bratty siblings, Megumin is too young for him, and while Darkness is basically what he finds attractive, her masochism creeps him out. That plus his tendency to yell at everyone and everything makes this party dynamic more family than harem, and I appreciated that. But when all is said and done, you read this book because it will make you laugh. Even if you aren’t familiar with the tropes of isekai and reincarnation novels, you’ll still like this.

Bookshelf Briefs 2/20/17

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Kamisama Kiss, Vol. 23 | By Julietta Suzuki | Viz Media – As we get ever closer to the ending, everything is getting ramped up a notch, and we’re seeing the true villain of the series is not Akura-Oh. Indeed, the humanity that Akura-Oh has inherited by Kirihito leads to some of the best scenes in the book, as the young girl lost in the Underworld turns out to be someone far more important than we thought. And then there’s Nanami, who continues to be told what to do and then just does what she wants to anyway, and usually ends up turning out all right. Best of all, though, is Yatori, who’s always been awful but really goes above and beyond to become a truly hateful villain, the sort you really want to see Tomoe and Nanami destroy. Which will have to wait for next time. – Sean Gaffney

Magi: The Labyrinth of Magic, Vol. 22 | By Shinobu Ohtaka | VIZ Media – It continues to impress me how complex Magi has become. In this volume, Alibaba learns about the Kou Empire’s plan to achieve peace through domination and homogenization, and is pressured into an alliance for the sake of Balbadd. When the world’s leaders gather at a conference, Aladdin finally reveals what happened on the world of Alma Tran, with direct parallels to what Kou is trying to achieve. It’s an affecting tale, with an adorable kitty beast, but what I liked best about the volume was Alibaba learning about and reacting to the terrible things Kou and Sinbad have done to others in pursuit of their goals. Both use essentially the same line about having to get their hands dirty in order to protect their countries, and one wonders how far Alibaba’s own ideals will be compromised for the same reason, especially given his new allegiance. Fascinating stuff! – Michelle Smith

Maid-sama!, Vols. 13-14 | By Hiro Fujiwara | Viz Media – Continuing from my last brief, it’s not just me—Misaki’s sister is definitely sweet on Hinata, which I suspect will pay off nicely next time in a “Pair the Spares” way. And you can tell the next omnibus will wrap things up, as we’re definitely headed towards an endgame, defined in part by Usui deciding to stop fighting against everything and transfer schools. The big reason that you can tell things might be ending, though, is that we finally get the confession from Misaki, and it’s as awesome as you’d expect. Misaki may still struggle with maturity and the fact that everything seems to embarrass her, but she’s come a long way. Maid-sama! has had issues, but I’m pleased we are getting the chance to read it to its finish. – Sean Gaffney

My Hero Academia, Vol. 7 | By Kohei Horikoshi | Viz Media – We wrap up one arc and begin another here, so there’s a bit of shifting gears and some cute school scenes in between. The kids learn the value of secrecy and propaganda, especially when it applies to schoolchildren who have technically broken the law. They also move on to midterm exams, which involve a practical portion that involves battling their teachers in sets of two. Naturally, Midoriya and Bakugo are paired up, because everyone has noticed Bakugo seemingly can’t stand Midoriya. Expect lessons to be learned, as this fight is definitely going to carry over into the next book. But most importantly, the chief of police in the city appears to be McGruff the Crime Dog. I approve. – Sean Gaffney

My Love Story!!, Vol. 11 | By Kazune Kawahara and Aruko | Viz Media – This volume continues the development from the last one, as Yamato spends a lot of time trying to gently get through to Takeo that she is, in fact, OK with it if he tries to go further physically in their relationship. He gets it in the end, but we don’t really have them go any further—this continues to be one of the purest shoujo series ever, so I’m not surprised. Instead we introduce a new rival, but it’s not another love rival this time around. It’s a new transfer student who immediately seems to bond with Suna… in fact, it looks like he’s doing it on purpose. Could the new guy be using Suna? I’m definitely looking forward to the next book to find out, as Suna’s motivations fascinate me. – Sean Gaffney

Please Tell Me! Galko-chan, Vol. 2 | By Kenya Suzuki| Seven Seas – This is not quite as much fun as the first volume, and when it attempts to add new characters you can sort of hear the gears turning loudly in the author’s head. It’s at its best when it focuses on our core trio and their adorable if somewhat overly awkward interrelations. My favorite part was probably Ojou’s concert recital, where she really shines, and also manages to show off that she actually has friends from school. It’s also adorable when we see her get pissed off for never arguing with Galko or Otako, if only as it means she actually changes expression. And there’s still a bit of sex talk but not nearly as much as the first volume. It’s a fun gag series, and the colors are fantastic. – Sean Gaffney

Re:Monster, Vol. 2 | By Kogitsune Kanekiru and Haruyoshi Kobayakawa| Seven Seas – I’m not entirely sure why I kept reading this after the first volume, and if I want to be honest I’m still not sure after getting through volume two. Its flaws are many and obvious—it is a massive overblown male power fantasy, the narrative is unemotional and stoic (though to be fair this sometimes works, usually when Gob-Rou is required to be clueless about women), and the idea of “it’s not rape if they’re drugged into horniness” is appalling in every way. But I dunno, there’s still a compulsive readability to this, and given the large numbers of what amount to orgies in the series it could have been even less tasteful. If you’re going to read a screwed-up male power fantasy, this isn’t a bad choice. Also, T for Teen, Seven Seas? Really? – Sean Gaffney

A Springtime with Ninjas, Vol. 1 | By Narumi Hasegaki | Kodansha Comics (digital only) – Sometimes, a shoujo series asks its readers to swallow a ludicrous premise but rewards them with solid characters and emotional arcs. Not so, here. Benio Kasugami is the sheltered daughter of the richest family in Japan, which has the tradition that she will have to marry the first guy who can get past her ninja bodyguards and steal a kiss from her. She rails against her confinement, but naturally, the moment she steps outside she is insta-kidnapped and nearly kissed before her protector (and childhood first love, naturally), Tamaki Kageshita, swoops in for the rescue. Rinse, repeat. There are quite a few clichés here, but the real issue impacting my enjoyment was Benio herself, who is equal parts clueless and reckless, which gives me no reason to root for her. I’ll be passing on the rest of this series. – Michelle Smith

Ten Count, Vol. 3 | By Rihito Takarai | SuBLime – Volume three was to be the deciding factor in whether I’d continue reading Ten Count. I had hoped that more subtle and insightful characterization would be forthcoming, but alas, it was not to be. In her author’s note, Takarai makes it clear that she sees what Kurose and Shirotani are doing as a “dom” training his “sub,” and the result walks a line between run-of-the-mill smutty BL and an icky erosion of the notion of consent. What does it say when in one panel Shirotani is declaring “no means no” and a few panels later, is shown to be willing after all? Kurose continues to be baffling, too, showing concern for Shirotani and pride in his efforts to conquer his OCD one moment, and telling him that if they were lovers, he’d “do even more things to you that would make you cry” in the next. I’m done. – Michelle Smith

Pick of the Week: Erased and Others

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SEAN: There’s quite a few titles I’m getting this week, but I’m not sure any of them really set themselves up above the rest as a Pick. As such, I think I’ll go with an old favorite and pick the 10th omnibus of Fruits Basket, which has Shigure’s nastiest speech to Tohru, and is therefore fascinating.

MICHELLE: I’m definitely all aboard for Fruits Basket, but after reading more about it, Erased sounds really interesting! Plus, it’s been nominated for all sorts of awards. I think I’ll be optimistic and pick it this week.

KATE: I’m torn between the latest volume of Dimension W and the first volume of Erased. I’m leaning ever-so-slightly towards Dimension W, if only because Yuji Iwahara draws manga like nobody’s business. Every detail on the page pops, and the characters are drawn with flair. And his world-building! You could read Dimension W just for the elaborate cityscapes. The story isn’t quite as engrossing as the art, but it’s fundamentally impossible to dislike an adventure in which Nikola Tesla’s research is frequently referenced.

ASH: I’m glad that Michelle picked Erased (which I will definitely be reading) because that means I can mention Magia the Ninth without feeling guilty. I can’t say it’s a great series–at times it’s barely coherent an I suspect that it was ended earlier than the creator originally intended–but I enjoyed the first volume immensely. I find it hard to resist the combination of music, magic, and historical references. The manga is absolutely ridiculous, but I’m getting a huge kick out of it and it makes me smile. Sometimes, that’s exactly what I need.

MJ: I have eternal love for Fruits Basket, of course, and I’m also interested in Dimension W. But I was absolutely thrilled to see Erased on the list, and that’s unambiguously my pick for the week. My husband and I watched the anime adaptation last year, when it was released for streaming in the U.S., and it was absolutely enthralling. This is a release I will not miss!

ANNA: I agree with many of my colleagues that Erased certainly sounds like the most interesting thing coming out this week. Looking forward to it!