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Sean Gaffney

Pick of the Week: Sweet Witches

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MICHELLE: No matter which way I go this week, my pick will be from Kodansha. Ultimately, while I really look forward to more Cells at Work! and House of the Sun, it’s Sweetness & Lightning that beckons most strongly.

SEAN: The most tempting thing for me this week is Flying Witch Vertical’s new series about a witch adjusting to life in a rural town. It’s been called a Japanese Sabrina the Teenage Witch.

KATE: I second Michelle’s recommendation for the fifth volume of Sweetness & Lightning. I just binged on the first four volumes this weekend, and was genuinely impressed by the storytelling: it’s sweet and funny and sometimes very sad, but I never felt manipulated into sniffling or laughing. I also agree with Michelle’s observation that Sweetness & Lightning is one of the few food manga that focuses on stuff that an ordinary reader could make — another plus!

ASH: I’ll definitely be reading the next volume of Sweetness & Lightning, but since this is the only time I’ll be able to pick the Otomo tribute artbook, that’s the release I’m going to go with this week. Based on a volume that was presented when Otomo won the Grand Prize at the Angoulême International Comics Festival in 2015, and presented in a full-color hardcover, I expect it to be great.

ANNA: I’m not seeing a ton that is inspiring me this week, although it sounds like I should give Sweetness & Lightning a try for sure. I’m going to join in with Sean in picking Flying Witch, because often one can’t go wrong with new Vertical releases.

MJ: Count me in with the Flying Witch crowd! A cat on the cover will get me every time.

Bookshelf Briefs 3/27/17

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It’s the Affordable Briefs Act!

The Boy and the Beast, Vol. 3 | By Mamoru Hosada and Renji Asai | Yen Press – This novel, and in turn this manga, is at heart about an adopted dad and son who have issues that cause them to lash out, but get along well anyway. Kyuta has the excuse of being a teenager who has met a nice girl and also runs into his birth father again but can’t pick up where he left off. Kumatetsu is simply a bear man with massive anger and abandonment issues. But they both manage to man up and evolve to another level in this book, which is immensely satisfying until the cliffhanger, where everything goes horribly wrong. This should wrap up next time, and it’s an excellent adaptation, with nicely expressive art and some cool fight scenes at the end. – Sean Gaffney

A Centaur’s Life, Vol. 11 | By Kei Murayama | Seven Seas – I’m still reading this series, mostly because I want to see how many times it makes me stare at the page in disbelief. Half of its is still slice-of-life monster girls, with chapters like “little girls’ first day at school” and “are the main cast good enough to try being idols?.” And then you get chapters with frog terrorists breaking into a brothel and slaughtering nearly everyone in order to rescue one of their own, or the human soldier who’s involved in a war with the same frogs and runs into phenomenal prejudice from the other soldiers, which is clearly meant to be a commentary on World War II. Either of these genres might be interesting by itself. Together they’re a hopeless mishmash, and I mostly just end up frustrated. – Sean Gaffney

Complex Age, Vol. 4 | By Yui Sakuma | Kodansha Comics – If there was an award for introducing a character to a series and immediately making you hate her so much that every time you see her on the cover you’re filled with the urge to kick her face in, then Yui Sakuma would surely win it. Rui is the girl whose shabby cosplay Nagisa shamed back in volume one, and now she’s back, having become a perfectionist herself. Clearly unhinged, she’s outraged by newbie Aya receiving Nagisa’s attention and sics internet trolls on her. I might hate her, but I love that Nagisa must compare herself to Rui and articulate how she’s different. Because of this interaction, and the way Nagisa breaks things off with her boyfriend after he’s critical of a chubby friend enjoying cosplay, I’ve got a stronger sense of her character than ever before. I can’t believe there are only two more volumes of this series! – Michelle Smith

Everyone’s Getting Married, Vol. 4 | By Izumi Miyazono | VIZ Media – Guess what? Asuka still wants to get married and Ryu still doesn’t. Shocker, I know. A sizable portion of this volume focuses on the insecurities each has regarding someone else in the other’s life—for Ryu it’s Kamiya, a banking-industry comrade of Asuka who sees her as his perfect woman and has proposed to her, while for Asuka it’s married actress Yuko Sakura, Ryu’s former lover and co-host of a new music program. The resolutions to these situations are sweet, and there’s one comment by Ryu that suggests a bit of thawing on the marriage question, but I admit it’s all beginning to feel a bit repetitive to me. That said, I did like the oneshot at the end, and will definitely continue reading the series. – Michelle Smith

He’s My Only Vampire, Vol. 10 | By Aya Shouoto | Yen Press – We’ve reached the end of this series, and I will definitely give it credit for not ending the way that I was expecting to. The school life is not making a comeback, as the final battle between Aki and Eriya proves to be life-changing and not something that you can walk back. As for the battle itself, it’s filled with last-minute plot twists and turns that unfortunately did not have as much impact on me as they should have. This series has an unfortunate habit of being interesting while I read it but immediately forgettable otherwise. But it looks quite pretty, and certainly those who love vampire romance got their money’s worth. Probably my favorite Shouoto series, though it still had a lot of issues. – Sean Gaffney

Kiniro Mosaic, Vol. 2 | By Yui Hara | Yen Press – Slice-of-life fluff is always difficult to review, even in brief format. “The cute girls do cute things” doesn’t really tell you anything. We do see more of their teacher, who appears to be well-meaning but a bit ditzy, and Youo seems to settle into her role as the closest this series has to a normal girl. For the most part, if you liked volume one you’ll like the second—there’s still yuri tease that doesn’t really go beyond “I really like you in a blushy way,” there’s still “these girls are all airheads in various ways” humor, and Karen continues to be the only one who suffers from not being a strong enough stereotype. If you enjoy this sort of series, it’s good fun, but it’s quite inessential, even for yuri fans. – Sean Gaffney

Love at Fourteen, Vol. 6 | By Fuka Mizutani | Yen Press – It’s been a year since we last saw this series, but not much has changed. Kanata and Kazuki still awkwardly pursue a secret relationship, even as Kanata realizes that “I love you” has never actually been said. A lot of Japanese romances involve the idea that deeds are always more important than words, and this proves to be the case here as well. We also discover that there is more than one lesbian character in the series, which is surprising, and nice to see. As for Nagai and Hinohara, that’s there as well, and we see she’s not above abusing his obvious crush on her to get him to do something for the school, though it backfires on her somewhat. Ignoring the power issues with that ship, this remains a great manga for romance fans. – Sean Gaffney

Of the Red, the Light, and the Ayakashi, Vol. 6 | By nanao and HaccaWorks* | Yen Press – Oh dear, and now we’re running in place again. There’s a lot that goes on here, but there’s less forward progression than I like. We do get some nice backstory between the fox-tailed miko of the shrine and the ayakashi killer, and we also learn, and I shouldn’t have been as surprised as I was, that there is more to Tsubaki’s sister than it appears. (If nothing else, I guess that means I can rely on her to not get killed for the sake of drama in the next book.) But I have similar issues with this series and He’s My Only Vampire, in that I find it very hard to keep track of everything that’s happening, even with the release being relatively fast in North America. For fantasy fans. – Sean Gaffney

Of the Red, the Light, and the Ayakashi, Vol. 6 | By HaccaWorks* and nanao | Yen Press – Akitoshi and Akashi have partnered together to infiltrate the shrine of Utsuwa, but once Akitoshi realizes Akashi doesn’t care if other people get hurt, he joins up with Yue instead to look for their missing friend, Tsubaki. Once everyone gathers inside, Akashi and Mikoto have a standoff, and some of their past is revealed. Honestly, although I found this volume to be fast-paced and interesting, it’s also still fairly confusing at times. Some of what puzzles me are mysteries yet to be explained, but I’m also not sure why Yue, a vessel of someone important like Shin, was also destined to be someone else’s meal. I strongly suspect this series will benefit from a straight-through reading rather than in installments. Still recommended, though! – Michelle Smith

That Wolf-boy Is Mine, Vol. 4 | By Yoko Nogiri | Kodansha Comics – And so, a heartwarming tale comes to a close. Komugi’s memories of Yu and friends have been buried by Yata-sensei, but thankfully it doesn’t take too long for her to recover them. I very much liked seeing the other ayakashi boys arguing in favor of their relationship, and we finally learn what happened twelve years ago. It’s a pleasant and non-surprising ending, and it is satisfying, though I confess I still kind of hoped Komugi would end up with Rin. What pleasantly surprised me, though, was the absolutely lovely bonus story about Senri, the two-tailed cat who has been most distant from the main narrative, and the time he loved and was loved by a human. I enjoyed this series very much and hope we see more of Nogiri’s work here in the future. – Michelle Smith

Fruits Basket Collector’s Edition, Vol. 11

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By Natsuki Takaya. Released in Japan by Hakusensha, serialized in the magazine Hana to Yume. Released in North America by Yen Press. Translated by Sheldon Drzka.

This is the penultimate omnibus of Fruits Basket, and has most of the things you’d expect to see. Kyo finishes telling Tohru about his past with her mother, and because he hates himself, is really upset that Tohru doesn’t get mad about it. Akito is also dealing with self-hatred, and it’s to Takaya’s credit that the resolution to Akito and Tohru’s talk is not being stabbed with a knife (though admittedly, the crumbling cliff feels VERY deus ex machina, and I could do without the ‘kissing the concussed girl’ too). And of course the curse breaks for everyone, which allows those in couples to hug their loved ones, or those who aren’t in couples to wander the streets alone in tears because I dunno, Takaya is just mean. In any case, it’s Fruits Basket. All the feels are contained within.

Ren has the cover but doesn’t feature in the book personally. Her presence is felt throughout Akito and Tohru’s confrontation, though. Tohru realizes what the reader has, which is that Akito is in many ways similar to the other Sohmas, i.e. she’s dealing with emotional trauma from parental abuse. This doesn’t excuse what she put everyone through, but it does help Tohru to understand why her declaration of “I’m going to break the curse” meant, to Akito, “I’m going to destroy your life”. Tohru is still reeling from Kyo’s “disillusionment”, but more power to her for talking Akito down, and helping her to understand that the paralyzing fear of being rejected is what love is all about. And then there’s that cliff fall, which is *so* ridiculous that Shigure has to ask Akito if Tohru was pushed.

The remainder of the volume has Tohru in the hospital, and Kyo undergoing a huge torrent of abuse because, thanks to Yuki, everyone knows what he said to Tohru right before the accident. This does allow Kyo to attempt to move on from his past, which means confronting his birth father, who is an amazingly awful monster, but who Kyo also now sees as sad and small. It’s one of the better scenes in the book, and shows off that, despite what the rest of the cast has been screaming at him, Kyo has matured. Of course, the best scenes in the book are those where the curse breaks, and we see the aftermath from everyone’s eyes. Kyo and Tohru reuniting and declaring their love for each other is wonderful, but it’s easily topped by realizing that Kyo, despite being hugged, isn’t transforming, and his ripping off his bracelet. Tohru’s face as he does this may be the best panel in all of Fruits Basket.

Things aren’t perfect. Aside from the deus cliff machina, Takaya’s side pairings aren’t always developed as they should be, and she relies on the audience connecting dots that she hasn’t actually put into the manga itself. Thus while I like the basic idea of Kureno and Uotani, there’s no real feeling or emotion behind their getting together. (I do agree with his thoughts that he needs to be far away from Akito). Yuki and Machi fares a little better, and certainly she tried to develop it in the later books, but it still feels rushed. I did like the idea of Yuki calling her out to explain the curse, only to have to break right as she arrives. And now we have only one volume left to go, and given there’s only one regular book left to put in it, I expect there should be some extra content included as well. What will it be? Find out next month. In the meantime, still one of the top shoujo manga, despite its faults.

In Another World with My Smartphone, Vol. 1

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By Patora Fuyuhara and Eiji Usatsuka. Released in Japan as “Isekai wa Smartphone to Tomo ni” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Andrew Hodgson.

It’s a bit difficult to know where to begin. I guess I’ll start by saying that by the end of this book, I was enjoying it immensely and had a big smile on my face. The second thing I should say is that this does not actually make the book “good” in any sense of the word. For a few years I’ve had to review the occasional awful manga, and people have sometimes asked me “do you mean that it’s bad in an MST3K way or bad in a bad way”. Sadly, I’ve always had to say that it’s actually the latter. Most terrible things are not remotely entertaining. In Another World with My Smartphone is an exception. Every ridiculous power the hero has, each new cliched heroine that appears, every time the plot rearranges itself so that everything is as “awesome” as possible, and most importantly the complete lack of any sense that things are about to get difficult for anyone makes this book bad in an absolutely wonderful, hilarious way. Everyone who says Kirito or Tatsuya are overpowered self-insert wannabes need to read this immediately.

I should lay out the plot here, though if you have read any isekai you’ll get the gist. Touya (no, not the Touya from Mixed Bathing in Another Dimension, though I now wonder if the name has significance for isekai works) is accidentally killed by a lightning bolt. He’s granted an audience with God, who offers to reincarnate him in a fantasy world where he can have adventures. Touya, a modern thinking sort, asks if he can keep his smartphone, and God obligingly allows it to remain working and gives it unlimited battery. He then arrives in a new world, where he quickly meets up with Kyou and Ryou Fujibayashi… (cough) sorry, with Elze and Linze, two beginning adventurers who he joins forces with. Joining an adventurer’s guild, he gradually adds incredible powers, more cute girls, and heroic feats that make everyone’s jaws drop. In fact, the author literally apologizes for not using the smartphone enough in the first volume – why would Touya need it, when he can fight like a champ, use every single kind of magic, and summon Heavenly Beasts that then become adorable tiger cub mascots?

This is taken from a webnovel, and it’s really, really obvious. Usually with most conversions to published works they at least try to get rid of the excited sense of “I’m going to put absolutely everything into this book!”, but not here. Touya has impossible magic powers. Touya can read the moves of other fighters so he’s able to dodge or counter them. Touya can heal the blind. Touya can solve crimes, provided the suspect is an obvious cliche of an evil Duke. Touya is so pure of heart that the Princess of the land immediately falls in love and declares that he will be her husband. (Touya’s complete panic at this idea is possibly the best he’s written the whole book, and I hope (probably in vain) that future volumes throw him off his game like this.) Touya can read ancient scripts (just like Bob Hope and Steve Allen!), and can make magical reading glasses to allow other to do so. Touya can even accidentally look as if he’s been to a brothel and get lectured by all his girls, because this is still a harem comedy. Is there anything Touya cannot do? Sadly, yes. Touya cannot stop his friends’ menstrual pain. Some things are simply beyond any power.

I mentioned Touya’s purity of heart, and I think the same thing applies to the book as a whole. The reason that this is fun bad and not bad bad is that it’s so innocent of the normal cynicism you tend to see in these works. I joked on Twitter that this was “Baby’s First Isekai”, and that’s not far off. I think authors are allowed to write this sort of thing to get it out of their system. Being mean to it would be like kicking a puppy. There’s apparently an anime of this coming in the summer, and I cannot WAIT to see how the typical male anime fan who hates Kirito is going to react to this. I think I’ll bring popcorn. I’ll also be reading more, because this proved to be insanely fun. Which makes it a big success after all.

Kiss & White Lily for My Dearest Girl, Vol. 1

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By Canno. Released in Japan as “Ano Ko ni Kiss to Shirayuri wo” by Media Factory, serialization ongoing in the magazine Comic Alive. Released in North America by Yen Press. Translated by Jocelyn Allen.

Those who follow my reviews know that I have a certain penchant for mocking the monthly manga magazine Comic Alive, which has always seemed to cater to the audience who wants fanservice, tie-ins, and the latest trends, and they want them now. Sometimes that can be a disaster, but on occasion Comic Alive will throw me a curveball and give me a series I can truly enjoy. Kiss & White Lily for My Dearest Girl is one of those series. I came to it at the end of a glut of yuri manga volumes (and who’d ever imagine I’d be typing that phrase even two years ago?), and was worried that a lot of this review would be finding ways to say the exact same thing again. But this title is different enough from its predecessors that there’s some interesting things to discuss.

The cover is somewhat deceptive, leading me to believe that we’d be seeing one of the common default yuri pairings (or CDYP for short), the shy easily embarrassed girl and the overly genki enthusiastic girl. Luckily, that’s not the case. The premise is actually similar to the old shoujo manga Special A – Ayaka is a hard-working diligent student who always gets the best grades, but now in high school she’s up against Yurine, a lazy and apathetic girl who nonetheless always manages to get first place in everything. Ayaka’s competitive nature (instilled by her parents, it’s hinted) won’t allow her to accept this, and so she grows more and more frustrated with Yurine. As for Yurine herself, nothing challenges her anymore, and therefore nothing is interesting… except maybe Ayaka.

By itself this would probably be enough to sustain a series, likely about 2-3 volumes. But halfway through we shift to Ayaka’s roommate and cousin Mizuki, who’s athletic, handsome, and the male half of the Takarazuka pair she has with her friend Moe, who manages the track team and is angling to get Yurine on it. Yes, you guessed right, this is a School Full Of Gay (TM), and so the second half of the story focuses on another couple and their own travails. This one is more easily solved, while it appears that Ayaka and Yukine will be the developing pairing we keep coming back to after wandering away for a bit. There’s also a few one-page shorts detailing that yes, everyone in this school is indeed gay, and while it’s unrealistic, it’s also quite cute.

As I said above, the thing I enjoyed best about this series is the way that Canno’s characters don’t quite go the way I expect them to. They’re still types to a degree, but this first volume gave them a bit more depth than I’d expect for a series like this, particularly Yurine, who also gets a chapter near the end where she hangs out all day with the exceedingly hyperactive Ai, partly in an effort to try to be more open and sociable. (She’s lucky she tried it first with Ai, who plows through social cues like a train.) I have a sneaking suspicion I’ll see more of ai and her own romantic travails in a future volume. In the meantime, Kiss & White Lily for My Dearest Girl may walk on some well-worn paths, but there’s surprising depth here. A must have for fans of yuri.

Manga the Week of 3/29/17

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SEAN: The 5th week of the month used to be a very quiet week, but this is manga boom time, so don’t expect quietness.

Dark Horse has the 2nd RG Veda omnibus, filled with early CLAMP pretty boys.

MJ: This never gets old for me.

Kodansha has a number of new titles. Cells at Work! has a 3rd volume.

ASH: The first volumes were a lot of fun, and surprisingly informative, too!

MICHELLE: Indeed!

ANNA: We got the first couple volumes in my library, but I have not yet read them due to them being perpetually checked out.

SEAN: And House of the Sun continues to be a very fast digital release with Vol. 3.

MICHELLE: Huzzah! Not that I have read the first two volumes or anything.

ANNA: Should I be happy about this? I haven’t read it either but I feel I should be excited if Michelle likes it!

MICHELLE: It’s shoujo from Dessert magazine, which also brought us Say I Love You. and My Little Monster. So, I’m basically just assuming it will be good because of that connection.

SEAN: There’s also a 9th volume of L♥DK, in case you’re reading the new digital Gakuen Prince volumes and want even more like that.

Otomo: A Global Tribute to the Mind Behind Akira is a new artbook from Kodansha dedicated to said mind, with lots of famous artists coming together to pay tribute.

ASH: I haven’t read much of Otomo’s work beyond Akira, but I’m really looking forward to this volume.

SEAN: Real Account gives us a 6th volume.

And there’s a 5th Sweetness and Lightning. Sorry for the lack of witty comments, I just don’t have much to say about these.

ASH: Awww, but Sweetness and Lightning is delightful!

MICHELLE: It is! As much as I love food manga, only Sweetness & Lightning regularly features things that I feel like I could conceivably make myself.

SEAN: Seven Seas also has a pile of titles, starting with the 4th volume of Monster Musume spinoff I Heart Monster Girls.

And the 4th and final volume of The Other Side of Secret, which is so very, very Comic Alive.

Servamp has a 9th volume, and rumor has it vampires still figure in it.

I know very little about the new debut, Species Domain, except that it runs in Bessatsu Shonen Champion and is another “Monster Girls” type series.

ASH: Personally, I’ve lost most of my interest in the various monster girl manga, but I know it’s a popular niche and so am glad for those who enjoy it.

SEAN: And the 5th Testament of Sister New Devil shows that Shonen Ace can be even worse than Comic Alive if it really wants to be.

MJ: Wow.

SEAN: Vertical debuts Flying Witch, which runs in Bessatsu Shonen Magazine and has both an anime and good word of mouth.

MJ: i’m probably interested in this.

ANNA: I’m maybe interested in this.

And there’s the now standard “Yen delayed these till one week later” releases. A 9th volume of Sekirei is out digitally.

And out in print, we have a 5th How to Raise a Boring Girlfriend. (Spoiler: girlfriend still boring.)

Lastly, there’s a 6th Prison School omnibus.

ASH: Assuming someone isn’t simply outright offended by Prison School (which would certainly be more than understandable), the series can actually be legitimately funny.

SEAN: Something for everyone next week. What are you getting?

Durarara!!, Vol. 6

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By Ryohgo Narita and Suzuhito Yasuda. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Stephen Paul.

When you write a book that creates a series of events that spiral into chaos, as Narita specialized in, particularly in this series, it can be many things to many people. For every character that’s involved in wacky hijinks, there’s another who’s undergoing a traumatic life-changing event. The skill is to keep those balls up in the air, and more importantly, to make everyone distinctive and memorable. As the books go on, we introduce more and more new cast members, and you need to be able to care about everyone without consulting the wiki to remember who they are (A Certain Magical Index suffers from this quite a bit). Luckily, Narita is quite good at this, so we can empathize not only with our heroes, but even the passing villains who get curbstomped by yakuza, and said yakuza, who are finding all of these gangs and Russian assassins simply exasperating. It’s all things to all people.

And so Durarara!! can be a comedy. There’s lots of great humor here, even if some of it is pretty twisted. Shinra’s diary of Celty fetish outfits, and her reaction to same. Chikage’s absolutely ridiculous chivalry, with equal measures of “knight in shining armor” and dumb sexism. Speaking of sexism, Erika gets to play the depraved bisexual in this one, groping Anri for no reason other than she wants to and to give the illustrator some fanservice to draw. Not OK, Erika. There’s also her and Walker namechecking Index and Shana in the middle of a pitched fight. And Mairu and Kururi’s chatroom gabbling is always worth a smile.

But Durarara!! is also ridiculously heartwarming. The fact that Shizuo has grown and changed as a person is a literal plot point here, as that very growth is what spoils Izaya’s plans. I loved the way that he bonded with Akane at the end, after saving her from Vorona and Slon. Celty might be weirded out by all the talk of Akane killing him, but it’s sweet in a Ryohgo Narita way. Anri may not be able to admit how close Mikado is to her, but her attempts to protect him are wonderful to see, as are Mikado’s absolutely pathetic attempts to protect her and also stop the Dollars gang from kidnapping Rio and her friends. For all that I like to say that Durarara!! is about terrible, twisted people, a lot of them have a good heart. Oh yes, and who doesn’t get a warm feeling in their heart when they see Izaya get what he deserved at the end of the book? I know I smiled. Well, cackled, really.

But I’m avoiding the elephant in the room, and that’s the fact that Durarara!! Book 6 is also a tragedy. We see a bit of it in miniature with Akane, a genuinely sweet little girl who is broken by events (and helped along by Izaya) to the point where both Celty and Shiki are disturbed by her but can’t quite put their finger on why. Vorona is shown that she’s nowhere near strong enough to take on Ikebukuro (don’t worry, she’ll be back). And then there’s Mikado, who is being used as a pawn by both Izaya and Aoba, and who finally makes a decision to go to a very dark place. Several times in the book we see people seemingly know Mikado better than he knows himself, and he’s given several opportunities to back off, to do the right thing, to become a good person. And he absolutely rejects all of them, agreeing to become the Blue Squares leader so that he can “fix” the Dollars. The most chilling moment in the book isn’t when he stabs Aoba in the hand with a ballpoint pen (though that is the most famous moment). As Aoba also realizes, it’s right after, when he switches back to innocent, kindhearted Mikado like flipping a switch. Mikado has chosen to embrace the darkness, and I appreciate that the narrative shows us how much of a terrible tragedy that truly is.

So we’re at the end of another arc, and that means next time we’ll see a lot of wandering around and setting up future plotlines. Still, books like that are what lead us to books like this, which is a highlight of the series.

Ranma 1/2, Vols. 37-38

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By Rumiko Takahashi. Released in Japan by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz. Translated by Kaori Inoue, Adapted by Gerard Jones.

And so at last we come to the end of the great Ranma 1/2 reissue. Inu Yasha may have had a broader reach, Urusei Yatsura may have had a bigger impact on Japan itself, and Maison Ikkoku may have had more maturity and resolution, but Ranma will still be THE anime gateway for many fans, along with Sailor Moon and Bubblegum Crisis. Having read the series again, I am able to see why it was so wildly popular, as well as why revisiting it can be frustrating. Ranma does not have depth – in fact, it actively leaps out of the way of depth – which makes it perfect for creative fans who want to give it that depth. It’s no coincidence that more than AMVs or fanart, it was fanfiction that was the biggest part of the mid-90s Ranma boom. Still, this does not mean that Takahashi’s manga is not good. It’s very good indeed.

Please do not be fooled by the cover – yes, there is a wedding at the end of the book, but we don’t even get to the ceremony before everything is completely destroyed and we return to the status quo. Well, status quo except that it seems that if there had not been chaos, Ranma and Akane might have gone through with the wedding. But there is always chaos in Ranma, it’s practically the main cast member. This manga ends much the same way that many of the classic UY anime episodes ended – with more and more of the cast showing up, each trying to beat up somebody else, until everything finally turns into a giant pile of destruction. Ranma 1/2 is not a romantic comedy, or a harem manga, or even a martial arts comedy. It’s pure slapstick.

The martial arts gets a good workout in the main part of this volume, though, as we return to China to battle another major villain. You get the sense that Takahashi is trying to figure out a way to top Herb, and she doesn’t manage it, really, but A for effort. The whole main cast is there (poor Ukyou, guess you were supporting after all), and there’s lots of cool fights and dramatic kicks and Akane and Shampoo in distress a lot of the time. That said, even when captured or dehydrated down to the size of a doll, Akane is still thinking hard and trying to get herself out of her predicament. Shampoo, alas, is merely mind-controlled most of the time. (I will note that Akane not noticing Ryouga transforming several times in this beggars belief, but hey.)

And so Ranma ends with our main couple waving goodbye to the readers as they head off to school again. It’s never quite confirmed that they do have mutual feelings for each other, mostly as I think Takahashi hoped people could read between the lines and see that she’d had them show their love without saying their love several times. (UY did this too – Ataru in particular was the poster child for “show, don’t tell”.) It didn’t quite work, and fans who disliked Akane were always quick to point out the open-endedness of the ending meant that they didn’t end up together. Takahashi later did one of those “character relationship charts”, filled with one-sided arrows, except for two – Ranma and Akane, and Ryouga and Akari. So she knew they loved each other.

But we don’t read Ranma for resolution of romantic tension. We read it for genderswapping and bizarre martial arts contests and so many fights and “Ranma no baka!” and in order to flesh out our 800,000 word epic fanfic with smatterings of actual canon. And we read it because we love the characters, flat as they are. Of course, we may not always love the SAME characters, but any Ranma fan is obsessed with at least one of them (except Happosai). Ranma 1/2 was a roadmap to modern anime fandom, and the road may be less traveled these days but it’s worth walking back over.

Accel World: The Seven-Thousand-Year Prayer

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By Reki Kawahara and Hima. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Jocelyne Allen.

And so, at last, we come to the end of the Armor of Catastrophe arc, which was not only deliberately meant to be a long arc but also grew out of the author’s control, as he’s admitted himself in the afterword. The volume gives us a lot of what readers like about this series: good battles with some nice analysis from Haruyuki, some amusing harem comedy, some heartwarming romance with Kuroyukihime, and an examination of the nature of negative emotions and how to cope with them every day, because they don’t just magically go away merely because everyone believes in you really hard. That said, it also has some things that fans tend to not like as well: Haruyuki is not only the bestest person to ever be possessed by the evil armor, but he’s a shining magical beacon of hope for all. Oh, and he gets another girl confessing to him, and is caught with her lying on top of him, because harem comedy. It’s a balance.

The significant development here is a bit of a spoiler, but worth talking about. We learn the true identity of Ash Roller, which turns out to be somewhat confusing, meshing up a tragic tale of an introverted girl and her comatose brother with the nature of the neurolinkers that are omnipresent in this world. It’s left deliberately up in the air what’s going on here, whether Rin is literally being possessed by her brother while in the Accelerated world, or if she’s merely taking on his role to an almost absurd extent. (She genuinely seems to be unaware of what transpires without wearing her brother’s neurolinker, so odds are on the first.) That said, I admit to a bit of irritation at the fact that one of Haru’s only male friends turns out to really be a shy young girl who’s in love with him in real life. (The shyness is conveyed via an odd speech pattern – Rin talks in sentence fragments, and it’s unclear if this is a mental issue like Utai’s or if it’s meant to be natural introversion.)

That said, once again after a lot of harem tease we are reminded that at the end of the day there is only one who is top of the heap, and it’s Kuroyukihime. We get a little more insight into her real-life background – she lives alone in a very rich neighborhood, and it’s implied that the murder of the Red King in the Accelerated World had a counterpart in real life as well. That said, just as Haruyuki is a Pillar of Hope for All despite his omnipresent self-hatred, Kuroyukihime tends towards the perfect accepting girlfriend much of the time, listening calmly as Haru pours out his fears, getting the crap beaten out of her in the AW waiting for him to overcome the Disaster, and bushing cutely when he’s accidentally proposing marriage to her without actually realizing it.

So in the end Accel World has much the same strengths and weaknesses as the author’s other series, Sword Art Online. Which means fans of one will enjoy the other, and those who hate Kirito with a passion probably will find themselves getting annoyed at Haruyuki here. The next book should be standalone and lighthearted, and I fear that may mean MAXIMUM HAREM ANTICS. We shall see.

Pick of the Week: Delectable Digital

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SEAN: As I noted i n Manga the Week of, I think this week breaks the record for most volumes in one week, helped along by Kodansha’s burgeoning digital lineup, which I’m sure the rest of the team will be talking about below. My pick of this week is Barakamon, though, which is seemingly a slow-moving, relaxed series but in reality has moved from strength to strength, and the development of its characters in this volume in particular is amazing. It’s become one of my favorite manga series.

MICHELLE: There are several debuts this week that I’m really looking forward to, but the single volume I most want to read is the fourth and final That Wolf-boy Is Mine! The series surprised me with how good it was, and I wouldn’t miss the conclusion for anything.

KATE: I’m most excited about Kodansha’s latest digital offerings. The swoon-worthy covers for Altair: A Record of Battle and Hozuki’s Coolheadness are calling out to me.

ASH: Agh! I’m so conflicted! Once again, I’m probably most interested in Kodansha’s digital releases this week, but I don’t generally read manga digitally. I really hope to see some of these like Altair: A Record of Battle and Hozuki’s Coolheadness eventually make their way into print. In the meantime, my official pick for this week goes to Goodnight Punpun which continues to be an incredibly surreal and uncomfortable but powerful and resonate work.

ANNA: I have to say, I’m finding Kodansha’s digital releases very compelling, although so much is coming out, I can see myself losing track of titles I want to read fairly easily. That being said, Altair: A Record of Battle is what looks most interesting to me, so that’s my pick.

MJ: Like Kate and Ash, I’m pretty interested in Altair: A Record of Battle, but I think I’ll put my vote in for Hozuki’s Coolheadness, which seems likely to ping a lot of my personal preferences all at once. And if I only wish these were being made available in print, I guess we take what we can get.

Bookshelf Briefs 3/20/17

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Barakamon, Vol. 13 | By Satsuki Yoshino | Yen Press – For a relaxed slice-of-life series set on an out-in-the-boonies Japanese island, Barakamon has had a surprising amount of character development, mostly coming from its lead, Seishuu Handa. He and Naru go to Tokyo as promised in the last volume, and he meets his supposed arranged marriage fiancée, who turns out to have lost about 150 pounds since she had the photo taken that he saw. They get on very well, but, as is noted in the text, it’s bizarre to see two people with so little sexual tension. (I assume Barakamon‘s BL fandom in Japan is as large as it is here, which might explain why.) Meanwhile, his decision to become a calligraphy teacher is pitch-perfect and flows well with what he’s been doing. A fantastic volume. – Sean Gaffney

Everyone’s Getting Married, Vol. 4 | By Izumi Miyazono | Viz Media – This series continues to tie all of its various plots together with ease, ranging from serious events like Kamiya’s aggressive courting of Asuka and the fact that Ryu is a celebrity and being seen with him would have a backlash on both their careers to lighter fare such as Asuka being upset that Ryu paying too much attention to her belly during sex reminds her she’s gained weight. Speaking of sex, we get the dreaded “here’s a story from earlier in the author’s career to pad out the volume” extra. Fortunately, it’s good. Moreover, it’s HOT—possibly the most erotic thing Viz has published in some time, with a frankness that blows away both the reader and the heroine. An excellent adult romance series. – Sean Gaffney

Happiness, Vol. 3 | By Shuzo Oshimi | Kodansha Volume three of Happiness offers further proof that Shuzo Oshimi’s teen vampire drama may be the best manga you’re not reading. Though Oshimi has a knack for introducing surprising plot twists, he never takes short cuts to get there; as volume three demonstrates, Oshimi makes these narrative twists and turns effective through meticulous character development and world-building. By the end of the volume, we have a clearer sense of what might happen to Makoto’s family and friends if he continues to live among them as a normal teenager. Expressive, trippy artwork adds special urgency to Makoto’s story, giving us a better sense of how hard it is to be a hormonal fourteen-year-old vampire with a conscience. Edvard Munch would approve, I think. – Katherine Dacey

Haikyu!!, Vol. 9 | By Haruichi Furudate | Viz Media – The tournament is over, and our heroes lost—not uncommon in long-running sports series. So it’s back to aggressive training—provided, of course, our two young phenoms can pass their midterms, as they won’t be allowed to go to Tokyo to practice otherwise. Fortunately, the team has a new team manager who’s learning the ropes from the old one, and gives us—horrors!—a second female regular in the series. Yachi is cute and somewhat introverted, and reels a bit from dealing with overtly in your face people like Shoyo. She’s also smart, though, and has an eye for design. I like her. Meanwhile, there’s a new rival on Nekoma’s team, a Russian kid who’s just as phenom as our heroes. What will we learn in the next volume? – Sean Gaffney

Nisekoi: False Love, Vol. 20 | By Naoshi Komi | Viz Media – We’re beginning to wrap up Nisekoi, and much as the fandom may have wanted it to end with an actual harem, that ain’t happening. The first to fall is the last one in, which is to say Yui, Raku’s older sister figure and teacher. She’s required to either marry Raku in a week or return to China for an arranged marriage, which is annoying as she’d just given Chitoge the “I want my beloved to be happy” speech. The best moment in the volume belongs to Marika, who heard said speech and finds it infuriating that Yui would simply leave her feelings unexpressed and not try her hardest to win Raku. And, of course, Raku is still clueless about the fact that Chitoge is now Best Girl, though the narrative will spin that out a bit longer. Very well-written if frustrating. – Sean Gaffney

Sword Art Online: Progressive, Vol. 5 | By Kiseki Himura and Reki Kawahara | Yen Press – Last time I noted that the manga changed a few things from the end of the first novel. This new volume, adapting the second novel, goes even further, adding a whole raft of new scenes that give more added depth to the Dark Elves—particularly Kizmel’s doomed sister and her fiancé. This allows us to have more extended fight scenes, and also gives the whole thing a feeling of growing tragedy, but it also helps emphasize one of the big plot points of book two—are the NPCs really sentient? Kirito says no, and points out that Tilnel, Kizme’s late sister, may have even been ‘modeled’ on Asuna after they encountered each other. Asuna, who is far more of a dreamer than Kirito, thinks differently. This has become essential. – Sean Gaffney

Welcome to the Ballroom, Vol. 3 | By Tomo Takeuchi | Kodansha Comics – After a couple of volumes that seemed to try to balance out possible romance with dancing, this third one tilts firmly towards the ‘dancing’ side of the equation, and it’s all the better for it. Tatara is a faster learner than anyone had really given him credit for, though he needs to build up his stamina, a fact that I suspect will come back to bite him in the next book. He also learns that as the male partner in a ballroom dancing team, his job is to better bring forth the beauty of his female partner. And then there is the art, which is the series’ main strength and reason to buy. It’s brilliant, making the reader feel as if they’re right there in the room. This series has gotten very good very fast. – Sean Gaffney

Hana & Hina After School, Vol. 1

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By Milk Morinaga. Released in Japan as “Hana to Hina wa Houkago” by Futabasha, serialized in the magazines Comic High and Weekly Action. Released in North America by Seven Seas. Translated by Jennifer McKeon, Adapted by Shannon Fay.

This is the third of four quite similar yuri titles due out in February/March. I’ve already discussed Secret of the Princess and Kase-san And Morning Glories, and I have to save some of my energies and words for Kiss & White Lily for My Dearest Girl. Here today we have the new series from Milk Morinaga, author of many other yuri series that have been brought over to North America. It gives fans of sweet yuri exactly what they want – these are cute girls, one short and brunette and one tall and blonde, having a difficult first meeting but gradually growing closer, and the first volume ends with a lot of “but we’re both girls” angst. It doesn’t break any rules or step outside the box, but it performs its function well.

Hana is the short one, and she’s diligent and nice but tends to overthink things, and she works after school at a shop that sells what I’ve always called tchotchkes, borrowing from the Yiddish. Stuffed animals, mugs, things like that. One day she gets a new co-worker in Hina, a tall leggy blonde who appears very standoffish and cold. Of course, this is merely Hana’s read on her. As we learn more about Hina, including her love of all things cute (to the point of almost being a cute otaku), it’s clear that Hina is acting this way around Hana to avoid getting too close – which makes it all the more awkward when the new school year begins and Hina shows up at Hana’s school – yes, the tall leggy blonde is an underclassman to the petite girl. The minimal plot here involves the fact that part-time jobs are against the rules, and this is doubly bad for Hina, who’s also a model, though she’s going to give that up.

What follows is, as I indicated above, predictable, in a way that many Milk Morinaga titles are. Hana is adorable and upbeat, and every time they interact it becomes increasingly difficult for Hina to keep her hands off her. That said, Hina also has a tragic past where she’s been called out for this before, if the minimal flashback we see is any proof, and when she asks some other classmates if they’d think a confession from another girl was weird, they say no… provided it’s just the typical admiration that Japanese schoolgirls are supposed to have. If it’s real romantic feelings… yes, they think it’s weird. And so Hina’s stuck, and stressing about it as the volume comes to a close.

Actually, I’d argue this is a step forward from some other Milk Morinaga series we’ve seen that are even fluffier than this. Real life brings real problems, especially if a girl decides she likes other girls, and they can complicate a relationship even more than “but what if she doesn’t like me that way?”. I’m hoping that the remaining two volumes of the series go into that deeper. In the meantime, this is definitely recommended for fans of yuri.

I Saved Too Many Girls and Caused the Apocalypse, Vol. 2

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By Namekojirushi and Nao Watanuki. Released in Japan as “Ore ga Heroine o Tasukesugite Sekai ga Little Mokushiroku!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Adam Lensenmayer.

This was a surprising license for J-Novel Club. Not because of the premise – honestly, the combination of harem parody along with the genre mashing of fantasy, SF, school life, and everything in between is highly appealing to North American markets. No, it’s just that this novel series is 16 volumes long in Japan, which is pretty lengthy, especially for a budding LN publisher. Thankfully, the 16th book seems to be the final one, so we don’t need to worry about it becoming a massive behemoth like A Certain Magical Index. And to be fair, judging by the lengths of these first two novels, 16 Little Apocalypses may be the equivalent of eight Devil Is a Part-Timers. The reason I bring all this up is because we not only get three heroines introduced here, but roles also for the first book’s heroines, and the introduction of (presumably) the next heroine at the end. By Book 16, what will the pileup look like? Well, probably like an apocalypse.

Of course, not all heroines are created equal. Poor Harissa doesn’t really get to do much here except fret and use the occasional spell, and Iris is sent off until the thrilling finale requires her. Satsuki plays a larger role, but that’s more due to her magical wikipedia ability than anything else. This makes sense, given that we get three new girls here, and have fun seeing Rekka try to intertwine their stories in order to solve the problem. Fortunately, two of them are already intertwined: Tetra is essentially a shrine maiden devoted to doing something about the seal that is currently holding back a powerful monster, and Leviathan (aka Lea), the monster in question who turns out to have been imprisoned there falsely. The third heroine is more down to earth: Akane Tendo (cough) pardon me, Tsumiki Nozomuno, who family owns a failing restaurant and needs her to come up with a dramatic menu item to save the day, despite the fact that anything she cooks ends up as a poisonous black sludge, and also the fact that she’s a massive tsundere.

This volume is not quite as good as the first – I suspect the author forgets that he’s writing a parody of the harem genre at times, and when he does, things get rather tedious. The villain was quite good, but the introduction reminded me a lot of Kyubey – possibly deliberately, as I think Madoka Magica was airing when this was being written. There are funny gags, although Rekka in a magical girl outfit is not as funny as the author – and indeed the rest of the cast – think. Worst of all, R’s snark is few and far between here, though when she does make a comment it’s as hilariously sarcastic and bitter as ever. She’s still easily the best part of the book.

As I said, we get a cliffhanger ending to this book, which seems to introduce the subject of the third book. Will it limit itself to just one girl this time around? If we assume 3 girls per book, that would be 48 girls, which is edging close to Negima territory, so I’m hoping that we back off a bit. I’m also hoping for a bit more making fun of the harem comedy and less conforming to it. Still, this is easy reading and fun enough for those who enjoy the genre.

Anonymous Noise, Vol. 1

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By Ryoko Fukuyama. Released in Japan as “Fukumenkei Noise” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz. Translated by JN Productions.

It was always going to be difficult to live up to that cover, let’s face it. Manga readers, even in North America, have been somewhat trained to think of one thing when they see high school girls wearing cold masks: gang members. That’s not the case here, but I’d argue that Nino, the girl on the cover, does not need to convey her repressed emotions through violence, like many shoujo gang members. She can do so through song, and in fact the best thing about this new manga is the way that her voice is portrayed. Nino loves to sing, but due to the events of the first chapter, her voice comes out as a cry from the heart, a scream to be heard, a cry of loneliness. It’s primal, and the art portrays it beautifully.

The premise will be very familiar to readers of manga – in fact, it may remind people of Chihayafuru, which debuted last month. Nino and her best friend and next door neighbor Momo sing together to try to forget about the fact that their parents fight. But then one day Momo’s family moves away suddenly, and if devastated. The cold mask is to stop her simply screaming out in rage and distress at what’s been taken from her. Fortunately, she meets another young boy, Yuzu, who’s not much like Momo, but he likes to write music. Nino can sight read even at that age, and begins to sing his songs after a brief argument (Yuzu is a lot less nice and cute than Momo was, being more of a brat). But then he has to vanish suddenly too (why are childhood goodbyes always avoided in stories like these?), and all Nino has left is her voice.

Cut to high school, and the hot new band is called In No Hurry To Shout, a terrific name, which is unfortunate as the band is breaking up. No, it’s not Nino’s band – she’s an anonymous high schooler, and still wearing the cold mask. But it is Yuzu’s band, and it quickly becomes apparent that the songs are being written for Nino, even if they’re being sung by her substitute, Miou, who I suspect is going to take Nino coming back into Yuzu’s life very badly. For indeed the two reunite, and before you know it Nino has to be the band’s lead singer at the high school event. This was the scene I alluded to earlier that’s the best in the book – Nino doesn’t even try to follow the actual lyrics, and her hands clutches her face as if she’s doing the Careful With That Axe, Eugene scream by Pink Floyd.

By the way, if you know shoujo you know what happens by the end of this volume – yup, Momo shows up as well, and he heard Nino. This seems to be one of the more dramatic Hana to Yume manga, a magazine that usually has a few more jokes in its material. But honestly, I’m totally on board as long as I can see more of Nino singing. It turns out the cold mask on the cover was holding her back from the reader as well – once you see her pouring her soul into her voice, you’ll have to read more. Definitely recommended.

Mixed Bathing in Another Dimension: The Fervent Sand Baths

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By Nagaharu Hibihana and Masakage Hagiya. Released in Japan as “Isekai Konyoku Monogatari” by Overlap. Released in North America digitally by J-Novel Club. Translated by Sophie Guo.

The difficulty with coming up with a really wacky idea or gimmick in your otherwise fairly standard light novel is that you need to keep coming up with fresh new ways to use the gimmick. After all, that’s why some readers are there in the first place. So it is somewhat disappointing for me to say that in this second volume of a series where a hero is transported to another world with nothing but the ability to make a bathroom appear out of nowhere, there’s not nearly enough bathroom used here. We do see it “level up”, so to speak, as it’s now essentially a small hot tub with a changing room (and sleeping room by the end), and the villain is disposed of rather gruesomely via the bath, but really our hero ends up solving most problems through his newly learned earth magic. Which is fine, but makes him a bit more generic.

Having set up the premise in the first volume, much of this second is devoted to world building, as Touya and his companions set out to discover the truth about what happened five hundred years ago and the missing kingdom that is shrouded in myth and legend. Indeed, there may be a bit TOO much world building – the book could have used another good fight, and suffers occasionally from Touya feeling the need to tell us every action that’s being done as he does it – “We did this and this and this and this and this”. We see him in a different city which looks like it might be interesting in future books – the concept of semi-slavery used here is still uncomfortable – but it doesn’t really end up going anywhere.

I’m still enjoying the book, mind you. The hero is a nice guy, if obsessed with nude bodies the way a teenager would normally be. The girls are nice girls, sometimes to an unbelievable degree – Clena in particularly is like a tsundere that forgot to pack her tsun. We do check in with Haruno, the girl from Book One, and it’s nice to see that the two of them still really like each other – Touya is adding to his harem (sorry, party), but it’s clear that Haruno is Best Girl, and the others are having to come to terms with that. Again, the hero is very good about communicating whatever he’s about to do, searching for discomfort and consent. I still appreciate that. But the trouble with nice people traveling through a world nicely is there is a need for conflict. The Goldfish who is the villain of this book (no, really) is refreshingly duplicitous and evil, and it was nice to see.

So yes, the bloom is off the rose a bit. I wasn’t as taken with this as I was with Book 1. But it’s still a good series, and I really like everyone, despite that making them the teensiest bit dull. And now we appear to have added loli #2 in the form of the Goddess of Darkness. That should go well. Recommended to those who like harems but hate tsunderes.