Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Sean Gaffney

Psycome: Murder Anniversary and the Reverse Memorial

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By Mizuki Mizushiro and Namanie. Released in Japan by Enterbrain. Released in North America by Yen On. Translated by Nicole Wilder.

It is somewhat odd that I feel reassured at Psycome’s lack of ambition. At heart, this is meant to be a broad comedy, and as such it can’t give in too much to its premise. Despite having an innocent man in a prison devoted to making teen murderers into assassins, despite befriending a truly insane timebomb of a gas-mask wearing girl, despite finding out that your little sister seems to be genuinely disturbed… despite all that, the tone of this series has been light. Everything skews towards the cliche, towards the trope, towards the predictable. And yet you don’t really mind, because despite its flaws it’s sort of fun. That especially holds true for the 4th book, where we meet Eiri’s family and find they are a machine-gun nest of cliches.

Eiri herself is already quite the cliche, ticking off all the tsundere boxes very neatly. In case you think that she earned marks good enough to be able to leave the school, save your breath: she came in second to last, beaten only by the mohawk guy who spent the midterms in the nurse’s office. But her family have called for her, and so she must go. They’ve also asked for Kyousuke, which she finds disturbing. As for Ayaka and Renko, their grades WERE good enough to let them go outside for the reward, so they come along as well, because leaving Kyousuke and Eiri alone together is unthinkable. (Sorry, Maina, you’re just not important enough, though you do get the cover of the next book.) So everyone’s off to visit Eiri’s palatial home, which has the inscrutable mother, the little sister whose love for her sibling has turned to hatred, and the big brother who is creepy and a bit of a pervert. Oh yes, and murderous twin 9-year-olds, one male, one female, who are at least not named Hansel and Gretel. Eiri’s been called back home to try to solve the big problem: her inability to kill.

The climax of this volume is actually a giant anticlimax – by design, to be fair – and so most of the meat is devoted to the relationship between Eiri and her younger sister, Kagura. The moment you see Kagura and she attacks Eiri, you can see the entirety of her plotline laid out from end to end, and sure enough it’s all there – the hero worship, the frustration at being second best, the anger at being second best to an assassin who can’t kill. And of course the buried love she still has for her sister, which ends up coming out even after Eiri refuses to kill an innocent child to prove herself. The point of this book is to get Eiri – and by extension her family – to admit that it’s not that she can’t kill but that she doesn’t want to – that she finds it wrong. This is tied into the murder of her father as a child – Eiri felt the agony of her father’s death and her subsequent grieving, and even though she wants revenge, every time she made the attempt she though of others going through that and stopped. It’s good character development. Honestly, it’s more earned than the “I guess I do love you” tacked on at the end, which seems designed to keep things on a more even keel romance-wise – Kyousuke having spent much of the volume wondering if he really does love Renko.

Psycome is never going to be “really good”, but it’s still reasonably funny, and I like many of the characters. And we keep getting hints of the endgame plot, which I suspect will happen in the final volume. Recommended if you don’t mind cliches.

Beasts of Abigaile, Vol. 1

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By Spica Aoki. Released in Japan as “Bara Kangoku no Kemono-tachi” by Akita Shoten, serialization ongoing in the magazine Princess. Released in North America digitally by Seven Seas. Translated by Alethea and Athena Nibley, Adapted by Marykate Jasper.

Once again, a manga I had very few expectations for manages to please me greatly. I always enjoy it when this happens, particularly when it’s shoujo. The premise of this seemed to be ‘Werewolf reverse harem’, which did not inspire confidence, and I admit that when I first read the words ‘Alpha, Beta and Omega’ midway through, my heart sank. But it won me over anyway, partly due to the art (the artist is really good at facial expressions, particularly in the case of Nina, the heroine) and partly due to Nina herself, who is a great combination of spunky, stubborn, and sort of goofy in the best way. We haven’t seen a title from the ‘Princess’ magazine in quite some time – Tokyopop used to do a lot of their stuff before they shuttered their manga line – and I like that it feels different from the Big Three’s shoujo titles.

The premise is that Nina and her uncle have arrived at the vaguely Mediterranean country of Ruberia, apparently to get a fresh start after getting bullied so bad in Japan she had to flee the country. Unfortunately, no sooner has she gone exploring then an escaped convict runs past her, and when she tries to stop him using her martial arts fighting skills (because yes, she’s that sort of heroine), he tackles her and bites her neck, causing her to pass out. After some brief suspicious guards catch the convict, they shove her into the paddy wagon as well. When she comes to, she finds herself on the prison island off the coast of the country, which turns out to be populated by werewolves, all of whom are prisoners of sadistic human guards, trained and tortured to be servants to the country’s human population. Which is troubling enough, except… Nina now has wolf ears and a tail too! Did the bite turn her into a werewolf? And how will she survive?

As you may have guessed by the description above, this title is gloriously silly and over the top. If you take it seriously, I’m not sure it would actually work. The characters are not blazingly original – we get the seemingly nice guy who’s actually in thrall to the Queen Bee, we get the incredibly jealous girl who hates Nina getting the attention of her love (no doubt she will attack Nina viciously in Volume 2), and of course we get Roy, who’s the sort of smug but sexy and mysterious jerk that every shoujo manga needs. Luckily, Nina fights back – in fact, the final moment in this volume made me laugh out loud at a shoujo cliche getting subverted, and I daren’t spoil it. Nina also ends up in a pack of trans werewolves, and while they tend towards the stereotypes and sometimes a punchline, they don’t seem to be there to be made fun of, which is nice.

Basically, as long as you don’t mind werewolf cliches (I did mention the alpha thing), this is a hell of a lot of fun, especially Nina. I look forward to the next volume.

If It’s For My Daughter, I’d Even Defeat a Demon Lord, Vol. 1

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By CHIROLU and Truffle. Released in Japan as “Uchi no Musume no Tame Naraba, Ore Moshikashitara Maou mo Taoserukamo Shirenai” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Matthew Warner.

The most popular light novel genre at the moment, both here and in Japan, is “generic RPG fantasy world”. In this genre, however, you can do all sorts of things. There are isekai variations, and novels where it really is a game. There are harem romances, and dark gritty tragedies. These days it seems like a popular editorial request is “do fantasy but with __________”. And with this particular title, we’re getting another type of popular Japanese genre, the “single dad raises his daughter/adopted daughter (it’s always a daughter) and she’s really really goddamn cute” genre. The dad can be bumbling or competent, but the adorableness of the girl is never in question. (The light novel genre being male-oriented, the single mom raising her adorable son has not to my knowledge had any series, but hope springs eternal.) And now we have this series, where the adopted girl is a devil abandoned by her people for mystery reasons, and she’s just cute as the dickens.

The first 2/3 of this book is basically running on that premise. Our hero is a seasoned young adventurer who looks like the standard ‘generic guy’ you see in these sorts of fantasy book (Smartphone guy looks exactly the same). He runs into Latina in the woods, starving and unable to speak human languages, and decides to bring her home on the basis of being unable to let her starve to death or be eaten by monsters. Then he and the couple who run the inn he lives in slowly watch her grow up, learn to speak and read human, show she can use magic, wait tables, and wrap absolutely everyone around her finger. Part of the fun in this book is seeing Dale (the dad) turning into a complete over the top loon about his new daughter. Actually, one drawback is that I wish we’d had a bit more of Dale as he was before he met Latina – we see flashes of it, but it loses a bit of impact as we barely know him before he’s a doting dad.

The last third is far more serious, and at first I thought it might be dealing with Latina being bullied by her peers, but no, she’s being emotionally and mentally abused by her new teacher, who lost her family to devils and has gone half-insane to rage and prejudice as a result. Latina’s attempts to hide what’s being done to her with “everything is fine” even as she looks more and more worn and exhausted will ring a bell with anyone who ever dealt with a bullied child “staying strong”. The whole section is brutal, and it wouldn’t have nearly half the impact it does without most of the book being variations on “look at the daily life of this cutie”. It is nice to see the entire town seemingly standing up to protect her, including Dale, whose cold rage is absolutely terrifying to the temple who employed the teacher.

There are 5 volumes in this series, and each one shows Latina slightly older, so I suspect we won’t have cute antics for the whole series. But if you enjoy series like Yotsuba&!, Sweetness and Lightning, or Bunny Drop (the first half – I hope) and wish it had more swords and sorcery, I think you’d greatly enjoy this series.

Chihayafuru, Vol. 3

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By Yuki Suetsugu. Released in Japan by Kodansha, serialization ongoing in the magazine Be Love. Released in North America digitally by Kodansha Comics. Translated by Ko Ransom.

There’s a lot going on in this volume of Chihayafuru, which is starting to find its feet. We gain a new member of the karuta club, which has now hit the required five. Tsutomu, aka “Desk-kun”, is an introverted, small, nerdy guy who seems to be devoted to studies and has few friends. But once Chihaya sets her sights on him (which involves, at one point, kidnapping him), and he realizes that one of the otehr players on the team is in fact the #1 stude3nt in the school, he wonders if karuta can help his focus in other areas as well. I like Tsutomu. He brings a rookie lack of confidence that this sort of series always needs, and his crisis of faith towards the end of the book is both dramatic and understandable. What’s more, his suggestion of playing karuta with the poem-side down leads to a match of pure memorization between Taichi and Chihaya, and gives him his first big triumph.

Chihaya’s learning a lot in this volume, mostly as they now have a full team of five, which means that they have to learn how to play Karuta as a team – not that they play together, but such things as setting the right order for the matches and having trust that your other teammates are going to be fine. She’s also thrown off by one of her first opponents, who even gets her precious Chihaya card, which makes you feel like she’s going to break. (Her inner monologue has everything sounding far away to her, thus ruining her hearing advantage. I like this detail, as it makes it sound like she’s about to pass out – I’ve had that feeling myself.) Oddly, the true heart and leader of the team ends up being Taichi, who always knows the right think to say to Chihaya to snap her out of whatever funk she’s in. I suspect this is meant to be a love triangle with Arata, but given Arata’s ongoing absence it’s easier to fall on the Taichi side.

This volume is almost all karuta, but not entirely – there’s a “training session” at Taichi’s house that is just an excuse to give Chihaya a surprise birthday party. Sadly, it’s ruined when his incredibly strict mother comes home early, and the girls have to take off, but they at least get to meet up later (and we get an Arata text message cameo.) Chihaya continues to be the main reason to read the manga – Taichi may be the heart of the team, but she’s the heart of this series, and her incredible emotional ups and downs make for thrilling reading. Karuta isn’t just ‘let’s have fun and make friends’ anymore – by the end of the volume, the entire team is thinking ‘I want to win’ like it’s a mantra. Playing in a competitive sport means pushing your limits, and not slacking off. There’s a cliffhanger here, and Vol. 4 isn’t on Kodansha’s schedule yet, but I hope it comes soon. Unmissable.

Manga the Week of 6/28/17

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SEAN: It’s the end of the fiscal year! The real 2016 ends on June 30th! What are publishers putting out before the end of the budget?

Bookwalker has been a site that distributes digital titles for many publishers, but they’ve decided to dip their own toe into the pond with a new light novel series, The Combat Baker and Automaton Waitress. It appears to feature delicious bread.

MJ: I do like delicious bread… Can a great title like this lure me into a light novel series? Stay tuned to find out!

SEAN: I’m always wary to list DMP titles these days given how iffy they’ve been with print the last two years, but The Tyrant Falls in Love 10 is still listed by Amazon as coming out next week.

ASH: Yeah… DMP’s distribution is almost nonexistent these days. The manga might eventually make it to other sellers, but The Tyrant Falls in Love, Volume 10 isn’t even available through June Manga’s website yet.

SEAN: J-Novel Club has another debut with Demon King Daimaou, a fairly old series that had an anime out back in 2010. It has a magical academy, a boy who will grow to be a demon king, a harem of girls who zzzzzzzzzzzzzzz….

Kodansha wraps up a license rescue next week, as Nodame Cantabile comes to an end with Vols. 24 and 25. There’s also a 14th Yozakura Quartet.

In print, there’s a 3rd volume of Clockwork Planet.

Back to digital for the 2nd volume of Giant Killing, which is not about killing giants in a fantasy way, just in a sports way.

MICHELLE: And it’s so good! I’m looking forward to this one.

SEAN: Kodansha’s print debut next week is Land of the Lustrous (Houseki no Kuni), a seinen series from afternoon about gemstones fighting in a war. From what I’ve seen, the gemstones are genderless, so be warned that there may be a translation fight here (remember Wish?).

ASH: I am rather curious about this series. (And speaking of Wish, I wonder if Dark Horse’s forthcoming omnibus edition will be using a new translation… )

MJ: So… like Steven Universe, but without Steven?

SEAN: And a new volume of Vinland Saga is always welcome, here’s the 9th.

ANNA: Yay! I have been buying these faithfully even though I have not read them yet. Waiting until I feel particularly vikingish to go on a reading binge.

ASH: It is SO GOOD. I’m thrilled that we’re getting more of the series! There were some really great female characters introduced recently, too.

SEAN: Seven Seas has not one, but two debuts next week. The first is Beasts of Abigaile (Bara Kangoku no Kemono-tachi), a shoujo manga from Princess (man, have we had any Princess titles since Tokyopop shut down its manga?) that’s a reverse harem with werewolves.

ANNA: OK, paranormal reverse harem does interest me.

MJ: Maybe, maybe…

SEAN: Concrete Revolutio: The Complete Saga, as the name might suggest, is a done-in-one omnibus from Young Ace. The subtitle in Japan is “Superhero Fantasy”, and that seems entirely correct.

MICHELLE: Both appear to feature protagonists with pink hair!

SEAN: Seven Seas also has a new omnibus of Freezing, Vols. 15-16.

And there’s also a 5th Hour of the Zombie, which has caught up to Japan, I believe.

Udon, like DMP, has constantly slipping and sliding dates on Amazon, but it does say the 4th Persona 3 is out next week.

ASH: I’m not enjoying the Persona 3 adaptation nearly as much as the Persona 4 adaptation.

SEAN: Vertical gives us the 4th massive tome in their BLAME! Master’s Edition.

And a 2nd volume of slice-of-magical-life series Flying Witch.

MICHELLE: I enjoyed volume one quite a bit, so I’m looking forward to this!

SEAN: Vertical Inc. has the next novel in the Monogatari series. Nisemonogatari is split into two volumes that deal with Araragi’s younger sisters – this is the first, Karen Bee.

Viz has a new digital release, at least “new” in terms of a collected volume. The Emperor and I runs in Shonen Jump+, and is, well, about an emperor. An emperor penguin, that is.

Yen Press has some digital titles as well, with the 11th Corpse Princess and the 10th Saki.

They also have two digital debuts. Gesellschaft Blue is a Young Gangan series filled with blood, gore and action. It’s a very dark fantasy.

IM: The Great Priest Imhotep seems more like a standard shonen fantasy, and appropriately it runs in Shonen Gangan.

There’s always one lone Yen title that’s pushed back a week from the others, and this month it’s Leg Horizon’s 8th novel, which focuses on the younger members of the guild and their adventures.

Lastly, Sword Art Online gets 3 more light novel digital releases with Vols. 5-7.

Did you budget properly? Do you have money left over to buy manga next week?

Paying to Win in a VRMMO, Vol. 3

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By Blitz Kiva and Kuwashima Rein. Released in Japan as “VRMMO wo Kane no Chikara de Musou suru” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Elizabeth Ellis.

The afterword mentions that this volume’s story was not part of the original webnovel, but was especially written for the books in order to try to flesh out Sakurako/Kirschwasser’s character, as she doesn’t get much to do in the main series. She gets a lot more to do here, and I like her determination and devotion to the game, but I wish that we’d gotten a little bit more of the mysterious backstory she has – it’s hinted she’s “had a rough life”, but that doesn’t really go anywhere, and we don’t have any flashbacks to how she met Ichiro. The author, in the afterword, notes that Sakurako’s age was a factor – not with him, but with the editors, who apparently think that being a Christmas Cake makes you unable to be a heroine. Bleah. That said, her scenes were good, even if the novel, understandably, feels like it’s just marking time.

The fight between Nem and Iris occupies most of this volume, and you feel frustration with both of them, though obviously far more with Nem. I kept feeling a sort of tension regarding their real-life identities – given Megumi’s irrational jealousy of Iris, finding out her real-life identity would be catastrophic, as she can and would destroy Iris’ life. Fortunately, this is likely not that serious a series, and instead the whole confrontation seems to be more of an object lesson than anything else. As for Iris, when she’s putting herself down adn indecisive she shows off her actual age – ironically, it’s only when tearing Ichiro apart verbally that she really comes alive, and I’m pleased that any romance, if there is any, is far away – I much prefer Iris wondering why on earth everybody else falls for him.

Ichiro himself spends most of this volume in the real world, meeting with the creator of Narrow Fantasy Online and also talking about his worldview with an AI that is one of the game’s sysadmins. This section serves more as setup for future volumes than anything else, but it does feature Ichiro being far less irritating than he was in the first two books. That said, his lack of presence in the game until the very end means that there’s not as much ‘parody’ in this story that’s meant to parody a certain type of genre, even if you add in obvious fanservice like the return of the Kirihitters. The main thing I enjoyed about this volume are the small details that come up throughout the book- I won’t go into specifics, but a description here, a character reveal there. It’s the sort of volume where the little things distract you more than the main plot and thrust of the book itself, which – as I said above – feels like it’s treading water. Which it is, that’s what it was designed to do.

So this is still a solid, but not great series. I hope the next volume features more of Ichiro being ludicrous and Iris screaming at him, which let’s face it is why I read this by now.

Bookshelf Briefs 6/19/17

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Ace of the Diamond, Vol. 4 | By Yuji Terajima | Kodansha Comics (digital only) – This volume might’ve set a record for “number of times Michelle got verklempt due to sports manga.” Eijun’s skills continue to improve, but moreso his character does, as he realizes that taciturn catcher Chris has really been looking out for his best interests all along. Eijun becomes determined to pay him back by showing him some improvement before he graduates, practically forgetting that two junior varsity players have the opportunity to move up in his desire to express his gratitude to his teammate. Sniff! And then Chris, who has missed a year of play due to injury, gets the chance to show how terrific he’s been all this time. Meanwhile, his former varsity teammates are all pulling for him to rejoin them for their final summer season. Did I mention sniff? Great stuff! – Michelle Smith

Black Clover, Vol. 7 | By Yuki Tabata | Viz Media – This is another of those transition volumes we see so often in Shonen Jump, wrapping up the last plot, taking out a supposed traitor (who merely seems to have been corrupt), and going to the beach to show off some fanservice. We also get a few new characters, the best of whom is Kahono, who may be too good to be true somewhere down the line, but for now seems to be just what Noelle needs to finally get past the baggage of her past. The rest of the team gets to fight a bevy of enemies, either winning easily or losing just as easily. This is a team of fighters, but so far Asta and Noelle are the only important ones. Still quite readable, though, and I look forward to seeing how the fights end next time around. – Sean Gaffney

Chihayafuru, Vol. 3 | By Yuki Suetsugu | Kodansha Comics (digital only) – I love Chihayafuru so much that each time a volume ends I feel legitimately bereft. In this volume, Chihaya and Taichi manage to recruit a couple of new members to their karuta club, giving them a sufficient number to receive official club status. Taichi is really the star of this volume, helping to bring on one of the new players, as well as moderating Chihaya when, in her earnest desire to help everyone become strong, she nearly works them past the point of exhaustion. And then it’s time for the Tokyo qualifiers for the high school karuta championship, and he once again proves to be the pillar of the team. I think Chihaya’s begun to see him in a new light, too. Anyway, all of the tournament stuff is fascinating and it ends on a most excruciating cliffhanger. Worse, there’s no release date for volume four yet! – Michelle Smith

Haikyu!!, Vol. 12 | By Haruichi Furudate | Viz Media – Most of this volume is dedicated to a battle against a team with a very, very tall guy, which has its obvious advantages in volleyball that get put to good use here to try to crush our heroes, particularly Hinata. Of course, we’ve spent a couple of volumes now seeing Karasuno improving itself more and more, and so it should come as no surprise to find David taking down Goliath by the end of this match. The team is beginning to feel in sync, Kageyama is feeling (gasp!) happy and confident again, and even Tsukishima continues to try to improve himself and put said improvement in practice. As with most sports manga, you enjoy seeing the obvious growth and development laid out in excruciating detail. We get that here. – Sean Gaffney

The High School Life of a Fudanshi, Vol. 1 | By Atami Michinoku | Seven Seas – I was already a bit wary of this series, not being familiar with the anime and wondering how many of the jokes would be variations on “no homo.” (Not as many as I thought, but still too many.) But making the series a 4-koma is absolutely the wrong decision for what it wants to be, as the gags just aren’t funny enough in that format and the characters need more development. I liked the relationship between Sakaguchi and his fellow BL enthusiast Nishihara, as their fandom talk reminded me of fandom talk I have seen. But it wasn’t really enough of a draw to keep turning the pages. The author has mostly done Gintama BL smut before this, and this seems to be a dip in the waters of non-smut. 65%, Must Try Harder. – Sean Gaffney

Kamisama Kiss, Vol. 24 | By Julietta Suzuki | Viz Media – The underworld arc ends here, and it’s as epic and exciting as you’d expect. The real teary drama is in the second half of the book, though, as Nanami realizes she can’t keep being Shrine God if she’s going to be with a human Tomoe. So she runs herself ragged trying to prepare for a future she hadn’t given much thought to so as not to turn out the way her father did. Mizuki, meanwhile, is simply unable to accept that Nanami is going to get old, die, and leave him behind, and has a truly in-character hissy fit that ends up not taking as long as I thought it would. Possibly as the next volume is the last one. I’ve really loved this series as it’s gained depth, and will be incredibly sad to see it end. – Sean Gaffney

Kuroko’s Basketball, Vols. 11-12 | By Tadatoshi Fujimaki | VIZ Media – Seirin has reached the final four of the Tokyo Winter Cup qualifiers, from which two teams will emerge to represent Tokyo at the Winter Cup. Kuroko debuts his nifty new “vanishing drive” move, which helps his team overcome a deficit and tie up the game with Shutoku. Next, they face Kirisaki Daiichi, a team that employs dirty tricks to win. It was in a game against them that Kiyoshi suffered his injury, and once the first years are informed of this, they’re fired up for payback. Kiyoshi really is front and center (no pun intended) this volume, as we learn about the formation of the basketball club the year before and his past with Hyuga, though I confess I most loved seeing Kuroko get to be not just mad but kind of a badass. Even better, we don’t end on a cliffhanger for once! – Michelle Smith

Red Riding Hood and the Big Sad Wolf, Vol. 1 | By Hachoujou Arata | Seven Seas – Like the Fudanshi release I discussed earlier, this has a lot of 4-komas in it, though it intersperses it with longer stories. It’s another one of those anthropomorphic personification titles, as we meet a Red Riding Hood who loves to burn things down and the straight-man wolf whom she sets her sights on. As the title goes on, we see a bunch of new characters, all various varieties of crazy. If you enjoy sadistic grins and seeing a cute guy cry, this may be the series for you. I would not recommend it, though, for the simple reasons that I didn’t like anyone in it. Usually I say with first volumes to wait on that one clearly unlikeable character. But when they’re all like that… I’m not going to wait. – Sean Gaffney

Species Domain, Vol. 2 | By Shunsuke Noro | Seven Seas – This was still very enjoyable—there are some characters I disliked in it, but they were clearly signposted as being deliberately awful, and felt bad later. Moreover, we’re finding that it’s not only Kazamori who is having confidence issues about her lack of obvious supernatural traits—Hanei is an angel who can’t fly, which causes her a more subdued amount of stress. The main focus of the book continues to be humor, and while not as funny as the first book I find it very good. More importantly, as we get to know the cast better they’re bonding as friends, which is the most important thing in titles like this. Species Domain won’t knock any socks off, but it’s a solid and fun title. Good art, too. – Sean Gaffney

Pick of the Week: Strike Up the Band!

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MICHELLE: I have read very few light novels and, to be honest, very few appeal to me. Sound! Euphonium is an exception, though. It’s about a high-school band—the kind with cumbersome brass instruments—and looks cute!

SEAN: Lots of my favorites, including Dorohedoro and Kitaro, and I’m also interested in Golden Kamuy. But like Michelle, my pick this week is definitely Sound! Euphonium. It’s not the sort of title you see translated to English at all, and I really want to see it succeed. Plus, brass band!

KATE: Is there a manga of Sound! Euphonium? Because I’d read that in a heartbeat. Until that arrives on bookshelves, I’m going to plug Golden Kamuy, a manly-man adventure in the vein of Kazuo Koike. The story takes place on the Hokkaido frontier in the waning days of the Russo-Japanese War. Though Golden Kamuy is violent — OK, really violent — it’s got a gonzo plot and great characters. Oh, and bears. Hungry ones. Here’s my two cents on volume one.

ASH: Wow! There are so many things being released this week that I’m interested in that it’s hard to choose just one. As for ongoing series, Dorohedoro is always high on my list, as is Kitaro. I’m really curious to see how Erased continues to develop, too. As for the debuts, I’m with everyone else so far–it’s Sound! Euphonium and Golden Kamuy for me!

ANNA: Thanks to Kate’s review, I’m definitely curious about Golden Kamuy. Manly adventure manga set in Hokkaido sounds like a fun summer diversion.

MJ: Add me to the Sound! Euphonium crowd, here! I’m interested in many of these (especially the second volume of Erased), and Kate’s mention of bears intrigues the John Irving fan in me, but for once, a novel is sounding the most appealing. I figure I should go with that and give it a try!

After Hours, Vol. 1

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By Yuhta Nishio. Released in Japan by Shogakukan, serialization ongoing in the magazine Hibana. Released in North America by Viz. Translated by Abby Lehrke.

There is something of a history in yuri manga of the protagonists realizing their feelings for each other while still in school. Sometimes it’s just them, sometimes we get another couple, and sometimes everyone in the school seems to be gay, but the theme is “students”. After Hours, therefore, with its relationship between a shy 24-year-old college graduate and the 30-year-old DJ she meets at a club, is a breath of fresh air for no reason other than the fact that it’s about two adults. Fortunately, there’s a lot more to it than just that, and in fact the ‘yuri’ part of the volume is touched on a lot less than it is in those school stories. These two meet, hook up that evening, and any angst or worry they have has nothing to do with the fact that they’re both girls. It’s great to see.

Emi is the blonde on the cover, and she and her friend are going out clubbing, something Emi is not really wild about. She’s even less wild when her friend hooks up immediately and leaves her to fend for herself. Luckily she’s saved by Kei, who works at said club. The first chapter may have been a one-shot that got turned into a series, as it’s really simple: they get on, Kei invites her to come over and look at her etchings… erm, collection of old records, and things end up progressing from there. Even the morning after, aside from a brief “OMG what did I just do!” look from Emi, is really sweet. Most of the rest of the first volume stays at that simmer, though it’s apparent that when Vol. 2 comes out there may be a bit more angst and drama. Emi is unemployed at the start, and dialogue hints that she’s living in an apartment with a guy… who she’s in the process of breaking up with. Much of this happens on the edges of the story, as Emi is understandably reluctant to bring this up with Kei, though she tries once or twice.

The other reason to read this manga is the excellent look it gives into Japanese club culture. Kei is a DJ, and shows Emi how to be a VJ and provide images for her songs about halfway through the book. It shows the fun and rush of doing these things, while a flashback of Kei’s shows how difficult it can be as well, particularly when you’re just starting out. (Kei is very laid-back and knowing for most of the present day stuff, and it’s nice to see that she used to be a ball of pent-up frustration and anger.) There’s a large group of clubbers here, almost all men, but they seem nice (accidental Jagermeister shots aside), and also seem to understand that Emi and Kei are in a relationship without it ever being brought up. After Hours is a yuri title, but the yuri in the first volume seeks, for once, to make things LESS awkward – Emi and Kei bond very fast, much faster than I think they would have if Kei had been a man. I really enjoyed the first volume, and hope Vol. 2 comes out soon (it’s not out in Japan yet, I believe.)

In Another World With My Smartphone, Vol. 3

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By Patora Fuyuhara and Eiji Usatsuka. Released in Japan as “Isekai wa Smartphone to Tomo ni” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Andrew Hodgson.

The author and reader are clearly settling in for the long haul here in this third volume of Smartphone. ON the author’s end, he’s become aware that he wants to tell a long, convoluted (if ridiculous) story, so is starting to add more key backstory and introduce characters who may not obviously influence the plot right away. Indeed, he goes a bit too far in the other direction – the new possible villain or possible ally, Kaworu… um, sorry, Ende… is casually introduced, implied to be important to both the past and present of this world, and then just goes away for the rest of the book. I’m all for foreshadowing, but again, Smartphone guy is keeping it real and making it as thuddingly obvious as possible. Fortunately, the rest of Smartphone is also the same as always, which means totally ridiculous and compulsively readable.

On the cover, as you can see, we have Sakura from Sakura Taisen… erm, Yae, whose country we visit at the start of the book. This allows Touya to singlehandedly put down a war with nothing but a few swipes from his phone – even finding out some of his foes are undead and can’t be killed by his normal go-to means is only a prelude to him trying something even more ludicrous and over the top, which works a charm, of course. He also manages to take out another “Monarch”, this one being a twofer combo of Gamera and a giant snake. Naturally, they soon become adorable plushie versions of themselves, as Touya owns them so hard the entire harem thinks he’s being too cruel. He gains access to a floating Garden of Babylon, complete with a gynoid servant who is easily the nest addition in the book. Touya’s main harem are all just as pure as he is, so a deadpan robot girl who constantly makes sexual innuendo and comes on to him was desperately needed. Unlike the stupid extra story from the last book, I don’t mind Cesca at all because both her dialogue and Touya’s reactions to same are entirely in character.

Speaking of the harem, I admit to being rather surprised at how fast things are advancing on that front. Clearly the author has realized that a) there’s no point in dragging out the ‘will they confess?’ any longer given that they’re all too pure to go any further than kissing anyway, and b) given this is a world where it’s OK to take up to 20 wives provided you can in fact be rich enough to support 20 wives, ‘who is best girl?’ is mostly irrelevant anyway. I was impressed with Linze for taking the advantage on the kissing front, showing off that she may be shy most of the time but is secretly the bolder of the twins. I was a bit less thrilled with Yumina basically already admitting that Sue, her little girl cousin, will also be part of the harem once she grows up, but I suppose I shouldn’t have been surprised. I was also amused that he asked advice from God (remember this all started with God?) on how to deal with this, and gets a pep talk not only from the main God but also the God of Love, who judging by the illustration and behavior, is Marielle from Log Horizon.

One of the themes of this book is that Touya completely does not realize how ridiculously OP and amazing he is, because he tends to think of it as “I did very little to achieve this, therefore it wasn’t all that great”. Combine that with him not realizing why the girls all like him, and he’s very much harem protagonist material. That said, it’s the rare harem novel that actually takes the hero aside and literally has two gods telling him he’s being foolish and to try being a bit more selfish once in a while. That brings me to my last shuddering realization about this series: I can’t in good conscience call it bad anymore. Yes, it is terminally ridiculous (the scene where our hero builds an entire hot spring for the hotel he used to stay in in approximately five minutes may set a new record for laughable), and the lead is such a ridiculously overpowered twink that anyone who takes isekai seriously will be grinding their teeth, but by god, it’s fun.

Manga the Week of 6/21/17

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SEAN: It’s that time again. Time for this list of titles to take forever, time for your wallet to scream in pain, time for Anna to wonder why Yen doesn’t license more shoujo. Yes, it’s that week of the month.

Dark Horse has another Hatsune Miku manga, this one called Acute.

Drawn and Quarterly gives us another Kitaro volume, The Great Tanuki War. I’ve reviewed it here.

ASH: I’m always ready for more Kitaro!

SEAN: Haikasoru has the 4th Legend of the Galactic Heroes novel, which seems more timely than ever these days.

ASH: That it does.

MICHELLE: Someday, I really will read these.

ANNA: I just got the first one!

SEAN: J-Novel Club has the 4th Grimgar of Fantasy and Ash out digitally.

Their debut this week is If It’s For My Daughter, I’d Even Defeat A Demon Lord, which is a very light novel title if nothing else. J-Novel’s founder described it as being “like Bunny Drop”, then had to hurriedly walk that back after fans recoiled in horror. The good parts of Bunny Drop, apparently.

Kodansha continues to rush Nodame Cantabile to its finish digitally, here’s Vol. 23.

MICHELLE: Woot!

SEAN: Kodansha in print has a 7th volume of Inuyashiki, which recently ended in Japan.

And an 11th volume of Kiss Him, Not Me!, which despite its cover is unlikely to end with anyone married.

There is also a 7th Real Account.

Seven Seas gives us a 3rd volume of “would you read this in public?” series Holy Corpse Rising. (Answer: no.)

The new title is Otome Mania!, a reverse harem series that runs in Sylph, and whose author has done a lot of Shonen Jump BL doujinshi. So, pretty much the opposite market to Holy Corpse Riding.

Viz gives us the 21st volume of Dorohedoro, which crawls closer to its conclusion, but I don’t mind it taking so long.

ASH: I continue to adore Dorohedoro. It will be sad when it ends, but it has been an astonishing ride so far.

SEAN: Viz’s big debut is Golden Kamuy, a Young Jump title which sounds absolutely amazing, and co-stars an Ainu woman? Sign me up.

ASH: I’m really looking forward to this series!

ANNA: This looks cool.

SEAN: The 6th Goodnight Punpun omnibus is also out next week.

ASH: We’re drawing near the end of this depressing yet compelling work.

SEAN: And an 11th Master Keaton.

Lastly (from Viz, don’t get excited), there’s a lucky 13th volume of Tokyo Ghoul.

That leaves Yen, but we’re not even halfway through the list. A huge number of light novels next week, starting with the 10th Accel World, which I hope is more lighthearted after the last few books.

Is It Wrong To Pick Up Girls In A Dungeon’s side story, Sword Oratoria, is not making viewers of the anime adaptation happy, but will they enjoy this 3rd light novel more?

The first of two debuts this month, Magical Girl Raising Project is one of THOSE series, featuring a lot of cute and determined magical girls who will be brutally slaughtered.

The 4th volume of Psycome goes off campus, as our heroes deal with Eri’s family and past.

Re: Zero’s 4th volume starts a new arc which no doubt means more deaths and save points for our hero.

The most exciting debut of the week for me is Sound Euphonium, a book about a high school band that was adapted into a beloved anime series. I believe this is the only volume licensed, though a sequel is out in Japan. Buy it, I hear it’s great.

MICHELLE: I don’t often go in for light novels, but for this I think I’ll make an exception.

ASH: I’ll absolutely be reading this. Band was the highlight of my high school years.

SEAN: Spice & Wolf turns out to be not quite over, as we get this 18th volume of the series.

And the first two Sword Art Online: Progressive novels are out digitally next week.

On to Yen’s manga. There’s a 5th Aoharu x Machinegun.

The Asterisk War has a 4th volume of its manga adaptation.

And Bungo Stray Dogs gets a 3rd volume.

The Devil Is A Part-Timer’s 9th manga volume is out as well.

And a 7th Dragons Rioting. Sorry, no witty remarks, no snark, just a long list of things I don’t read.

I do read Erased, though, and look forward to the 2nd omnibus.

ASH: It should be good! The first omnibus was a little slow for me at first, but by the end I was hooked.

SEAN: If you want to read Grimgar but hate books, here is the first volume of the Grimgar of Fantasy and Ash manga.

And there’s a 6th volume of Handa-kun.

The Honor Student at Magic High School is once again behind the light novels, to my relief. Here’s the 7th manga volume.

How to Raise a Boring Girlfriend has reached Vol. 6.

Kiniro Mosaic has a 3rd volume of basically not a lot happening to cute, yuri-ish girls.

My Youth Romantic Comedy Is Long As I Expected still has a long title, even 5 volumes in. (A reminder this sis the manga adaptation, though Amazon has gotten better at differentiating the two now.)

A spin-off of No Game No Life (whose own manga adaptation seems to be on hiatus in Japan), No Game No Life, Please! focuses on Izuna, as the title’s verbal tic likely gave away.

Of the Red, the Light and the Ayakashi may not make much sense to me, even after 7 volumes, but it’s got style.

MICHELLE: I’m enjoying it!

ASH: I’ve been enjoying it, myself.

SEAN: And we have a 7th Prison School omnibus.

ASH: I’m still reading this series, too. It’s definitely not for everyone, though.

School-Live! still has not run out of zombies, as we have Vol. 7 here.

And a 7th Strike the Blood manga will not surprise, but may satisfy anyway.

Today’s Cerberus gives us a 4th print volume of the already out on digital series.

Lastly, the your name novel gets a manga adaptation, and this is Vol. 1.

Phew. What’s for you next week? Or does the list just make you dizzy?

Yona of the Dawn, Vol. 6

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By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

One of the hallmarks of many a shoujo series is the idea of the man falling for a woman, among other reasons, because of her sheer stubbornness – the idea being that he no longer sees her as merely a weak girl who can’t do anything because of the fire in her eyes. And given that Jaeha is proving to be a tough nut to crack, it makes sense that we’d get one of these scenes with him and Yona as well. Of course, Yona of the Dawn is not your standard high school romance, and therefore the stubborn streak that Yona has involves truly death-defying walks along a sheer cliff face to acquire a much-needed herb. Jaeha can see how terrified Yona is of the whole thing, but also sees her reasoning behind why she still does it (mostly as she narrates it aloud to him, admittedly). It’s the best scene of the book.

The rest of the book is pretty nifty as well. We meet the pirate crew that Jaeha is working with, and they’re the ‘good’ kind of pirates, of course, led by a badass old woman who I hope we see more of but I suspect will be gone after this arc. The pirates are here to stop the evil slave traders kidnapping young girls, which makes Yona an obvious choice to be bait. (The other choice, equally obvious if you know this series, is Yun, who fills the tsundere role admirably and looks fantastic in women’s clothing (as he says himself). This does lead us to one of the series’ running themes, which is that it’s very difficult to conduct a secret mission to save the kingdom if you have fiery red hair that everyone knows is like the Princess. Yona’s solution here is very clever, and another sign of how she’s growing by leaps and bounds.

As for the romance side of the manga, well, Jaeha is falling for Yona, though he’s not quite ready to admit it. The second best scene in the book is when he talks to Hak and tries to get the measure of what the relationship between him and Yona is. Hak is very tightly wound, with most of his affection for Yona coming out as teasing and the occasional serious “dedication to duty” conversation, but it becomes clearer the longer he watches her that there is an intense pent-up desire there. This is normally the sort of thing that can’t stay pent up forever, but given this is a Hana to Yume romance, I expect it will likely stay pent up for quite some time. Still, it’s beautifully conveyed.

Ending with a truly loopy alternate universe omake (I love the idea of Yona as a ditz with a flower growing out of her head), this is another strong volume in an already strong series. Still one of the best Shojo Beat titles being released right now. I can’t wait to see what happens next.

My Big Sister Lives in a Fantasy World: The Melancholy of the High School Girl Light Novel Author?!

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By Tsuyoshi Fujitaka and An2A. Released in Japan as “Neechan wa Chuunibyou” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Elizabeth Ellis.

I will save my objections for later in the review, so let me start by saying that a lot of this book is fun as usual. The author is getting more blatant in his Haruhi rip-offs, from the title of this volume to the fact that the villain is disappointed at Yuichi’s proactive personality and says she wants someone who says “yare yare” all the time, and it’s still funny. Mutsuko gets a lot less to do here than she normally does, but is still amusing in a “if I start to take her seriously she will be a Cthulian horror’ sort of way. Aiko and Yoriko make a good double act, and I’m amused at people saying Aiko’s not as much of a threat in the ‘love interest’ category as she’s too passive. And the overarching plot, which looks like it will be the core of the rest of the series, is not all that bad, taking the metatextual Haruhi stuff and trying to spin it in a dramatic way.

But enough of that, let’s move on to Kanako, who gets the spotlight here at last. I admit I had been misreading her in the first couple volumes as something of an airhead type, but now it becomes apparent that it’s more ‘withdrawn from reality’. And more to the point, Kanako has suicidal thoughts, and the book begins with her attempting to kill herself (it’s when she first meets Mutsuko and Yuichi). I will be fair, this scene works quite well. Mutsuko’s flip “that’s boring!” grates, but her solution, although ludicrous, teaches an important lesson, one that I think Kanako grasps. No, the trouble I have with Kanako’s subplot comes later in the book. Her relationship with her mother is written in a completely serious, realistic way, with no parodic elements at all, and the scene where she sees her, happy with her new family, is devastating. Having the villain take credit for her entire past, including her mother wanting a son so much that it poisoned her entire relationship with her child, is frankly awful and makes light of Kanako’s pain.

As for the climax of the book, Yuichi pays some lip service to the fact that you can’t just magically fix a suicidal person’s thoughts with a few well-intentioned words, but then he goes ahead and does it anyway. And Kanako is now added to the love interest pile, and I have a sneaking suspicion that we aren’t really going to touch on her problems again. It’s maddening in many ways, and one reason I find it hard to fully embrace this series – if it’s going to be a parody of Haruhi and similar series, it shouldn’t be using darker subplots like this one and the kidnapped girls one from Book 3, and if it does use the serious plots it should commit to them seriously and not handwave it away with the power of Yuichi’s GAR. And so I’m left with feelings of ambivalence. I do hope the next book uses Mutsuko more, as I find the series at its most intriguing when it’s examining her incredibly broken mindset.

Bookshelf Briefs 6/12/17

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Anne Happy, Vol. 5 | By Cotoji | Yen Press – There’s a new character introduced in this volume who I thought at first was going to be an antagonist but it turns out is merely another one of our broken, unlucky heroes. That said, “terminally shy” is not really unlucky so much as a basic personality flaw. As for the class, we’re looking beyond graduation, and while I will marvel if some of these ditzes manage to survive in the adult world, it’s a good thinking exercise to get them to ponder dreams they’d like to achieve—Botan as a school nurse is amusing and obvious, Hibari’s “botanical research technician” a bit less so. As for the culture festival, they’re doing a play, probably to continue trying to force them to interact with others till they can do it more naturally. Mildly recommended. – Sean Gaffney

Captive Hearts of Oz, Vol. 2 | By Ryo Maruya and Mamenosuke Fujimaru | Seven Seas – As I noted in my review of the first volume, folks did not particularly read Alice in the Country of Hearts for the reverse harem—or if they did, the worst volumes of it were only concerned with that. No, they read it for the dark subtext, and I am pleased that Captive Hearts of Oz is well aware of that and turns the dark subtext into text. There are some sweet, heartwarming moments, don’t get me wrong, such as Leon finding his courage and Nick’s daring rescue of Hayward. But there’s also chilling stuff here, as one of the crows we met earlier is vanished into black mist, and after seemingly being killed in the rapids, Nick just… comes back wrong. I am fully down with this series now. – Sean Gaffney

Fairy Tail: Rhodonite | By Kyouta Shibano | Kodansha Comics – This says volume two on it, but it’s actually a single volume spinoff—volume one was Twin Dragons of Sabertooth. This second volume deals with Gajeel and his past, and as such has a lot of cool fights, disturbing revelations and shonen stubbornness. But of course I didn’t get it for that reason. I got it because Gajeel x Levy 5-evah. And I am pleased to note that fans of this pairing will have a lot to work with, from Levy’s realization that she’s never really asked much about Gajeel’s past, to Juvia’s straight-up shipping of the two of them (who can blame her), to Gajeel’s pure and honest respect for Levy. They’ve come a long way from his beating her to unconsciousness and crucifying her. Recommended for Gajevy fans. – Sean Gaffney

Food Wars!: Shokugeki no Soma, Vol. 18 | Story by Yuto Tsukuda, Art by Shun Saeki | VIZ Media – I was hesitant going into this volume since the beginning of the “Erina’s horrible dad takes over” arc was rather distressing. It isn’t over yet, and several research societies get squashed in the shokugeki they requested to challenge the order to disband. Still, Yukihira does prevail in his rigged showdown with the fate of Polaris dormitory on the line, so there’s some hope. Too, we learn that Azami at one point idolized Yukihira’s dad and is now doing all of this because the “rotten and corrupt” culinary world “dared to ruin” him. Oh, and Erina now knows that the person she looks up to more than anyone is Yukihira’s dad, causing her to reflect on all the times she’s treated him shabbily. Probably my favorite part of this volume is seeing her among the Polaris gang; I hope she loosens up a bit more under their influence. – Michelle Smith

Haikyu!!, Vol. 12 | By Haruchi Furudate | VIZ Media – Ah, what a tremendously satisfying volume! With little preamble, the first game of the Spring Tournament preliminaries begins. Everyone is much more confident now after spending so much time practicing against strong Tokyo teams, and Karasuno makes it through its two exciting games, earning a spot in the qualifier round. Essentially, this volume offers both in-game awesomeness as well as training montages, as the two months between tournaments pass quickly, with various guys making improvements, Hinata and Kageyama’s new quick set upping its success rate, and even Tsukishima asking for tips on how to effectively block a superior player. It’s also great to see Hinata getting respect on a wider stage. Sounds like volume twelve will be a great one, too! – Michelle Smith

Murcielago, Vol. 2 | By Yoshimurakana | Yen Press – Hinako is on the cover of this volume, and she does get a chapter of focus to herself, which mostly serves to make us wonder if she’s meant to be sixteen years old or six. It’s also unclear exactly what her relationship with Kuroko is beyond ‘buddy with car.’ Kuroko certainly seems like she can handle things herself, finishing up the murder mansion subplot with a few more corpses and a lot more gore—though less than I expected, as the murderous maid loses a few limbs but not her life—something it’s hinted she may regret. We also begin a new arc, trying to rescue a girl from her father, who may be a serial killer. If you like lots of over the top violence and lesbian sex, Murcielago STILL may not be for you—it’s pretty twisted. – Sean Gaffney

Please Tell Me! Galko-chan, Vol. 3 | By Kenya Suzuki| Seven Seas – As with the second volume, this one ramps back on the sex talk, though there is still some as we discuss pubic hair and the benefits and drawbacks to large breasts. Mostly what we get is more character-based gags, as Galko and company go video shopping, visit an art museum, and have a school festival, which brings about the majority of the drama in the latter half of the volume—Galko is excellent at reading aloud, so is drafted as narrator of the school play. But this means she can’t do the festival with Otako and Ojou! Fortunately, she has a childhood friend who, while he’s attracted to her, also understands her needs, and the problem is solved to a degree. A lot of fun. – Sean Gaffney

Rose Guns Days Season Two, Vol. 3 | By Ryukishi07 and Nana Natsunishi | Yen Press – This ended up being a lot more idealistic than I was expecting, even if there was a bit of manufactured drama when Zel’s real identity is revealed. The chase is on to try to rescue her father and also help Rose not surrender to the Chinese—something Lee is happy to help with provided he can consolidate his power base. Also, turns out a few of the cast from Season One are not quite as killed off as they appeared. The whole season is set up like a heist film, and a heist is what you get in the end. If there’s a problem, it’s that it all goes far TOO smoothly—you get the sense that even more was cut from the visual novel to squeeze this one. On to season three, which is in 1949. – Sean Gaffney

Pick of the Week: Manwha-Karuta

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SEAN: There have been a lot of yuri picks of the week this year, mostly as there have been a lot of yuri debuts this year. The latest is After Hours, a Viz title about a young woman who gets dragged to a club and finds her life turned upside-down! It’s my pick this week, despite putting the voice of Mo Tucker in my head.

MICHELLE: o/~ And someday I know someone will look into my eyes and say hellooooo… you’re my very special one…. o/~ I used to always close mix tapes with that one back in the day. Anyway, I am very excited about After Hours, but as usual my heart pines most strongly for sports manga and in this case it’s the third volume of Chihayafuru, due out digitally from Kodansha. I’m happy to see it coming out so soon after volume two and hope that becomes a trend.

KATE: My pick of the week isn’t a manga but a manhwa: Uncomfortably Happily, due out from Drawn & Quarterly on June 13th. It’s a semi-autobiographical story by Yeon-Sik Hong about a pair of artists who trade life in the big city for a rural retreat, only to discover that life in the countryside isn’t as simple as they imagined it would be. After reading Rebecca Silverman’s glowing review, I ordered myself a copy.

ASH: I’m definitely interested in After Hours, but I’m with Kate this week in picking Uncomfortably Happily. I actually ended up with an advanced copy of the work, so I already know it’s great! My own review of the manhwa should be posted in just a few days.

ANNA: How am I behind in my Chihayafuru reading!? Having two volumes to read to get caught up is exciting though. Volume three of Chihayafuru is my pick for the week.

MJ: Did someone say “manhwa from Drawn & Quarterly”? I’m pretty sure that’s my pick, even if I read nothing more about it. Combine that with the recommendations so far, and it sounds like it’ll completely make my week. Uncomfortably Happily is the comic for me this week!