Manga Bookshelf

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Sean Gaffney

Accel World: The Carbide Wolf

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By Reki Kawahara and Hima. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Jocelyne Allen.

After last volume’s short story collection, we’re back to the main plotline, as Silver Crow is (finally) cleared of the accusation of hosting the Chrome Disaster. Of course, now that they know he’s not evil, the leaders all get together to try to use Silver Crow for their own purposes. It’s a very Haruyuki-centric book as he tries to gain a new ability, learns his companion’s tragic backstory, prepares for the upcoming culture festival at school (yes, Accel World has a real life aspect as well), and worst of all, deals with getting utterly humiliated in a duel against a Level 1 who has super strength hard armor. This lets all his previous doubts and self-hatred come to the fore, though thankfully he has allies now who won’t let him slip too far into that. Essentially, it’s a good, solid volume of Accel World.

Kawahara does apologize in the afterword for Haruyuki getting all the character development so far in this series, and promises to work on developing the others soon. It’s a fair point – even Sword Art Online paid more attention to its other cast members than Accel World does at times. We do get to learn more about Utai here, and as a drama major, I appreciated the fact that she came from a family of Noh theatre performers – though that also meant that I could guess why she was so upset as a child, Japanese theatre being very male exclusive. The death of her brother is one of those freak accidents that sounds a bit more ridiculous than it probably was, but once you learn about him, the way he died, and the life she grew up with, almost everything about Ardor Maiden comes into clear focus. If this is the sort of character development we’ll get in the future, I’m looking forward to it.

And then we have the titular Carbide Wolf, aka Wolfram Cerberus. No, he’s not related to Wolfram and Hart from Angel, but he does seem to be related to Accel World’s big bads, the Accelerated Research Society. I enjoy the themes between personality and armor that Kawahara gives us – the name is wolf-themed, the armor has a wolf’s head… and the actual player sounds like a big friendly puppy when he’s dueling other people, or rather when he’d kicking other people’s asses. It’s hard to fight against something when you can’t do damage to it, and that also gives us the opportunity to dwell on various metals – this had also come up earlier, when Haruyuki was being asked to learn about mirrors in order to master a new ability. Haruyuki being who he is, of course, he grows and learns, with the help of some harsh training, and the rematch, though it ends in a cliffhanger, is another solid fight scene.

Accel World has always been the more consistently written of Kawahara’s two series, and that remains the case here. There’s occasionally some tortured exposition (the animal club member teaching Haruyuki about the different kinds of reflective mirrors really seemed like a reach to me), and Haruyuki’s self-deprecation can wear on the anime fan who wants all cool all the time, but overall this is another very good entry in the series.

Hayate the Combat Butler, Vol. 30

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By Kenjiro Hata. Released in Japan as “Hayate no Gotoku!” by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz. Translated by John Werry.

This is the first volume of Hayate the Combat Butler to be released in North America after the manga has already ended in Japan, and it will be interesting to see how it does going forward. (ominous thunder rumbles in distance) We are, of course, nowhere near finished here in North America, where Hayate is not quite Kaze Hikaru, but pretty close. Last time we were discussing how long Hata would drag things out before Hayate’s true gender was finally revealed to Ruka, and we get an answer here. It’s actually a good question when you’re dealing with Hata, who is a master – for good and ill – at dragging things out long past when you’d expect the punchline or point to be. Sometimes this works well for comedic effect, sometimes it feels like his editors are forcing him to extend things forever, and sometimes you sense he’s a bit of a troll.

The missing suitcase of money is dealt with fairly quickly at the start (and does a good job of inserting Fumi and Sharna, everyone’s favorite characters (it’s a shame sarcasm is hard to show in text), into the narrative. The majority of the volume, though, continues the interlocking narrative of Nagi and Ruka’s doujinshi competition. Ruka gets the benefit of a stern critic in Hina, who not only gives her honest opinion about what’s wrong, but goes on to do research into popular kinds of manga so that she can give better advice. Hina is a good, honest girl who I sometimes feel deserves better than this comedy harem manga. Speaking of girls who deserve better than this, Nagi has Ayumu giving advice, and while it’s not nearly as good, it does seem to inspire her. Whether this will actually lead to good manga remains to be seen.

And yes, Ruka does eventually find out that Hayate is a guy. The reaction is more low-key than I was expecting, but then Ruka in general tends to be more low-key than I’d expect. As a late arrival harem girl, you can’t avoid the sense that she’s being added to the narrative because the series is too popular to wrap up this quickly – Hayate may be a twice-a-year series here, but it did really well in Japan, and there are references in the volume to the movie Heaven Is a Place on Earth, which was due out in 2011 when this volume came out. (Yes, we are now six years behind.) I like Ruka, but there’s not really much she adds as a romantic lead that Hayate could not also get from Hina, or Ayumu, or Maria, or Athena. Or Nagi, I will reluctantly add, but we’ll get to that 20 volumes down the road.

And so Hayate the Combat Butler’s strengths remain its humor, and its romance can be a strength or a weakness depending on Hata’s writing. We get a bit of both in this volume, making it a fairly average volume in the series. See you in the winter for Vol. 31.

Also, the back cover says that Ruka is ‘plumb worn out’, and I feel sad that they didn’t go whole hog and say ‘plumb tuckered out’.

Bookshelf Briefs 9/18/17

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Akashic Records of Bastard Magica Instructor, Vol. 1 | By Hitsuji Tarou, Tsunemi Aosa and Kurone Mishima | Seven Seas – Combining a magical academy story with the ‘eccentric guy who ends up being a good teacher’ story that manga likes so much isn’t a bad idea, and Akashic Records does a decent job of it, though it gets off to a sluggish start. Frankly, Glenn is far too irritating to bear, and this one of the rare times where you are 100% behind the angry tsundere from the start. Of course, what he really needed was something to snap him out of his funk, and once he decides to actually turn on his brain and start teaching, things get exponentially better. It’s still a standard light novel adaptation, but I’m interested in seeing where it goes next. – Sean Gaffney

Anonymous Noise, Vol. 4 | By Ryoko Fukuyama | Viz Media – A good deal of this volume is devoted to a flashback showing us how the band In No Hurry came to be, and while a lot of the narrative points I was expecting were absent (why were they all hospitalized long-term?), the emotional beats were there. Certainly it was more entertaining than the love triangle we’re getting here. Not that it’s not well-written—in fact, the reverse may be the case. I’d rather go back to the standard shoujo cliche of having one person have it all together while the others flail. Seeing all three characters do stupid things and then immediately castigate themselves can be exhausting. On the bright side, we get more of Nino screaming, which remains the book’s high point. – Sean Gaffney

Anonymous Noise, Vol. 4 | By Ryoko Fukuyama | VIZ Media – I think I may only enjoy this series when Nino is performing, because the best moment in this volume is the brief one in which she accompanies herself on Momo’s guitar. The rest of it involves romantic angst from the two boys who have appropriated Nino’s voice as their personal property, unsuccessful attempts at comedy, and some (vague and improbable) backstory about how the band came to be. I did appreciate that Nino comes to see herself as a caretaker of her bandmates’ dream, and the parallel that while Nino has been hoping that her singing would bring Momo back to her, Yuzu has been hoping that his music would do the same with her. While this volume was a little on the meh side, I do look forward to the rock festival performance coming up in volume five. – Michelle Smith

Bloom Into You, Vol. 3 | By Nakatani Nio | Seven Seas – The first half of this volume is far more light-hearted than the rest of the series to date, which is fun but may be to its detriment. When it’s relaxing and showing the characters being happy, Bloom into You is like any other yuri series. But when Touko is being so aggressively forward that you want to slug her, or when Yuu is once again reminding us that she may very well be asexual (though that does not stop her from being lonely, as someone else pointedly notes), the series takes it to the next level, albeit a very uncomfortable one. There’s also another pairing casually introduced here that startled me, but I suspect the reason for it was more to have more adult ‘mentors’ the kids can ask for advice. Good stuff. – Sean Gaffney

Complex Age, Vol. 6 | By Yui Sakuma | Kodansha Comics – Complex Age has been pretty upsetting at times, so I confess that I totally looked at the last page to make sure Nagisa looked happy before I committed to reading this final volume. Its pace is somewhat accelerated, covering about a year after Nagisa’s meeting with her mother’s loli-loving friend as she tries to figure out what it is she loves best about cosplay and what kind of new shape it might become in her life. True, her conclusion is somewhat bittersweet, but it’s hopeful too, and I think that’s just the right combination for this series. If you were put off by the rough going in the middle volumes, take heart that this final installment remains realistic, but isn’t gloomy. I’ve really enjoyed this series. – Michelle Smith

Demon King Daimaou, Vol. 2 | By Shoutaro Mizuki and Souichi Itou | J-Novel Club – It’s finally happened: I’ve come across a light novel with so little to say about it that it’s only getting a brief. The light novel world is not exactly littered with deep, meaningful stories, but even among the fluff Demon King Daimaou is still pretty throwaway. That said, it’s not actively bad, and reads quickly—I don’t feel a need to drop it, I just feel no need to worry about what happens next. It’s at its best when at its least serious, such as Akuto’s constant desire to not seem like a villain, and the fact that he always does. (He’s desecrating hundreds of hero’s graves… but for good reasons!) As for the girls, we get a new one here, whose first scene amused me, but they’re as forgettable as anything. Only if you really liked the anime. – Sean Gaffney

Everyone’s Getting Married, Vol. 6 | By Izumi Miyazono | VIZ Media – This series is in somewhat of a holding pattern, despite a few changes. Asuka keeps coming into contact with Kamiya, who keeps trying to wear her down on marrying him despite the fact that she’s told him in no uncertain terms to back off and that she isn’t interested, and Ryu continues to be troubled by this. There are a few new elements in this volume with the introduction of Asuka’s protective 18-year-old brother Kanade and the fact that she and Ryu officially move in together, but since a) Kanade puts forth Kamiya as an alternate candidate and b) oopsies, they moved into Kamiya’s building, it’s really just more of the same. Everyone’s Getting Married is still fairly entertaining, but it’s not at all surprising or exciting, even with the possibility that Ryu will be transferred overseas. – Michelle Smith

Golden Time, Vol. 8 | By Yuyuko Takemiya and Umechazuke | Seven Seas – Linda returns in this volume… though it’s more about Banri returning, as he goes with her to a class reunion. The reunion itself goes off fairly well, and doesn’t really bring back too much. Unfortunately, he does have a bit of a breakdown later on in the middle of a festival dance, which leads to disaster. (And holy crap, that festival guy yelling at the cast was appalling. I really really hated him.) As for Banri and Kouko, it seems they’re doing very well, though I suspect both are trying just a little too hard—I have a nasty suspicion the next volume will be even more dramatic, especially after the medication discovery. Golden Time is heavy-duty romantic drama, but worth the slog. – Sean Gaffney

Haikyu!!, Vol. 15 | By Haruichi Furudate | Viz Media – Answering the cliffhanger from last volume, we get a few chapters showing us who Karasuno will be facing in the semifinals. The actual winner is not a surprise, but the author does a good job at keeping things tense anyway. As for the main event, it’s what you’d expect from a sports manga. Our heroes have shown off that they’re not the team they were before, but their opponent also has a few tricks up their sleeves, and so things could go either way. I like the constant emphasis on how important momentum is to a game. And of course things end with Yamaguchi, on the sidelines, desperate to make up for his earlier play. Classic Jump sports manga, and you should be reading it. – Sean Gaffney

Kimi ni Todoke: From Me to You, Vol. 27 | By Karuho Shiina | Viz Media – Credit to Pin, he is doing his best to make sure the ship with Ayano does not get further—something Ayano is tearfully aware of as well, though at least she’s started to openly admit her feelings. That said, Pin is up against the author here, and so I’m not sure how things will go. I’m not… TOTALLY against the ship, but I want it to wait till he’s not her teacher in any case. The other big news is that Kazehaya finally confronts his father, and the two learn a lot more about their similarities. They both communicate poorly, though Kazehaya has gotten better now that he’s dating Sawako. As for Sawako, after a long sweet date she admits she’s applying to the educational university, and he can how happily cheer her on. Sweet stuff. – Sean Gaffney

No Game No Life, Please!, Vol. 2 | By Kazuya Yuizaki and Yuu Kamiya | Yen Press – This is pretty much exactly what hardcore NGNL fans would want out of a spinoff manga, which means about half of it is not my cup of tea, because heavy fanservice and fetishes just don’t do much for me. I’m also not fond of the suggestion that Fi and Chlammy is a yuri pairing, and this book really loves to suggest it in unsubtle ways. It’s at its best when developing the characters, be it Steph thinking on her feet (or with her bladder) to escape a dungeon that Jibril has created, or Izuna continuing to learn from the masters—our sibling heroes—on how to both improve her gaming skills and also have more fun. Lacking a proper manga version, this is a decent alternative for those who want pictures. – Sean Gaffney

One-Punch Man, Vol. 12 | By ONE and Yusuke Marata | Viz Media – The tournament is perhaps the least interesting part of this volume. In that, it’s not dissimilar to many other tournament battle manga, though those lack the deadpan blaseness of our hero. Fortunately, there’s also a slew of monsters and villains attacking outside the arena, which allows Genos to remind us he’s still really tough despite being Saitama’s self-appointed lackey. The best scenes, though, involved Blizzard and her sister Tornado, whose family issues certainly seem to be deeply seated—Blizzard’s almost jaded “don’t worry, she’ll be coming to save me anyway” is well done, and you really sympathize with her here, especially with Tornado at her most arrogant. Essential, despite the tournament. – Sean Gaffney

Pick of the Week: Flower Girls

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KATE: This week’s manga haul has something for everyone: new installments of digital-only releases like Tokyo Tarareba Girls, new volumes of perennial favorites like Nichijou and Master Keaton, and a handful of debuts like Kiss Me at the Stroke of Midnight and Sweet Blue Flowers. And while I’m intrigued by Sweet Blue Flowers, my vote goes to volume nine of A Bride’s Story, Kaoru Mori’s gorgeously illustrated chronicle of life on the Silk Road. What say the rest of the MB gang?

MICHELLE: Despite the handful of Seven Seas titles that I’m genuinely looking forward to, I really can only choose Sweet Blue Flowers. I’ve been looking forced to reading this series in English for years! (I even bought the Japanese volumes for a while!) Thanks, VIZ!

SEAN: It’s light novel week, so you know I want to say Baccano!. And there’s a bunch of other titles I want in this monster week. But as with Michelle, my choice goes to Sweet Blue Flowers finally getting the treatment it deserves. Can’t wait.

ASH: Like Kate, I’m certainly looking forward to the next installment of A Bride’s Story, and there are plenty of other manga being released this week that I’ll definitely be picking up (such as Descending Stories), but I’ll be joining Michelle and Sean in choosing Sweet Blue Flowers as my official pick. Shimura’s Wandering Son was an incredibly important series for me personally, so I am thrilled that more of her work is be released in print.

ANNA: There are quite a few great series coming out this this week! I’m going to have to go with the last volume of Master Keaton. Urasawa is always at the top of his game, and I’m going to miss all the insurance investigation shenanigans.

MJ: I find myself echoing what others have said so far regarding Takako Shimura’s Sweet Blue Flowers. A real release of this series has been a long time coming, and I’m thrilled to see it finally hitting the shelves. I can’t wait to read it.

Invaders of the Rokujouma!?, Vol. 6

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

First off, going back to my worries from the last review, I am delighted to see that Yurika’s character development from the previous book is not only kept but noticed by others. Yes, she is still sometimes the butt of the joke – this is a comedy, after all – but she’s far more content with her lot in life now, talking easily with Koutarou and realizing that using her abilities secretly so that no one knows about it may actually be the best thing she can do right now. The other cast members are also keeping their growth – Koutarou is noticeably less formal with Harumi here, and the cast is all starting to realize they’re in love with Koutarou without having it become their defining trait, always a worry in harem titles. Rokujouma may be light as air at times, but there’s more depth here than I was expecting.

Of course, sticking with the ‘heroine is the cover girl of the previous book’ rule, the main focus here is on Kiriha, the last of the ‘main girls’ in the room to be fleshed out, provided you’re not counting Harumi, who’s sort of the plus one in this situation. (I’m not sure if Shizuka is going to do anything but be the landlord who knows lots of martial arts – she certainly gets more do do in this book than usual, but her feelings for Koutarou are not brought up.) Kiriha has been the teasing older woman sort in the series, but naturally we discover that this is mostly a front to disguise her true motives, which are actually pretty pure and noble given she was supposed to be a vanguard for a race trying to invade the Earth’s surface. In reality, what she has in mind is more like immigration than anything else, and Koutarou is relieved to discover this.

She also has a childhood dream she wants to fulfill, as when she was a kid she ran away to the surface and met a young man who she immediately fell in love with. Now, I have been saying how much I enjoy Rokujouma here, but it does have a few downsides, and the biggest one is that it’s about as subtle as a brick to the head. Time travel has not really come up yet in the series, though given the amount of weird tech we’ve seen so far it would be no surprise. Also no surprise is the fact that the boy Kiriha fell for all those years ago is clearly ‘our’ Koutarou, who no doubt will find a way to slip back in time in some future book. Then again, I’m not sure that subtlety and mysteries are what the author is going for here. I think we’re meant to be winking along with the narrative.

Of all the ‘light, fluffy romance series with no real point’ I’ve been reading in light novel form, Rokujouma is probably my favorite. It’s always a relaxed, easy read, and some of its jokes made me laugh out loud this time (particularly Koutarou’s reaction to the five-team sentai squad when they first show up). If you don’t mind harems, it’s an excellent light novel starting point.

Queen’s Quality, Vol. 1

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By Kyousuke Motomi. Released in Japan by Shogakukan, serialization ongoing in the magazine Bessatsu Comic (“Betsucomi”). Released in North America by Viz. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

This is, of course, not so much Vol. 1 of a new series as a reboot of an old one, which is why I’ll continue to use the QQ Sweeper tag for it. Just looking at the covers might show a difference, though – the first QQ Sweeper volume had Kyutaro front and center, with Fumi getting less attention. But now the Q in the title has changed to refer to Fumi herself, and she is front and center. It’s also a more dramatic, serious cover, which is appropriate, as while there are still many lighthearted moments in the book, the overall mood is darker, particularly towards the end. The series examines the popular idea of negative emotions manifesting themselves and how to fight that. And, also a popular idea, the answer is to get in touch with the darkness in your soul without letting it overwhelm you.

While the essential plot is much the same – under the guise of cleaning around the school and residence, Fumi and Kyutaro seek out bug infestations, and work out where they may have come from. But Fumi’s true nature is revealed now, making her more self-conscious, but not nearly as badly as it affects Kyutaro, who has no idea how to act around her anymore, especially given their past together – a past he’s not allowed to talk to her about. Sometimes it’s best not to rip the band-aid off all at once. They even bring in an expert to test Fumi’s ability, though I wasn’t too fond of him – but that’s mostly because I just don’t like his type. That said, they do grow closer, especially in the shopping sequence, the most fun adn heartwarming part of the volume, where we discover Fumi’s dreadful fashion sense.

Things get dark fast, though, and the last chapter is showing us just how terrifying the Black Queen can be when she’s active. And active she has to be, as Fumi can’t learn how to control her dark side without knowing what it is and how it can take over. The scene of her gleefully torturing her teacher – who is, to be fair, a nasty piece of work – and ordering her to never close her eyes again for the rest of her life is chilling, reminding me a bit of Delirium at her worst in the Sandman comics. Fortunately, Kyutaro reminds us that he’s not just there to be a potential romantic lead, he’s also got the experience and determination to bring Fumi back from this, even if afterwards she’s terrified.

And so we get what will likely be the plot going forward: teaching Fumi to use her powers for niceness instead of evil, with the villains (who pop up here and are somewhat generic, though there’s a hint they’re not truly black-and-white evil) trying to corrupt her over to their side. Balancing this sort of serious drama with cute romance is what Motomi does best, of course, as readers of Dengeki Daisy will no doubt remember. I’m not quite sure why the series rebooted itself, but I am happy to see it back, and look forward to more volumes.

Rokka: Braves of the Six Flowers, Vol. 2

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By Ishio Yamagata and Miyagi. Released in Japan by Shueisha. Released in North America by Yen Press. Translated by Jennifer Ward.

(Despite the fact that this isn’t a whodunnit beyond page 1, I won’t reveal the culprit’s name in the first paragraph of the review. After that, though, I will. FYI.)

The first volume of this series was strongly concerned with the ‘whodunnit’, and did a decent job, but also left us with a cliffhanger that made me worry we’d have to go through the whole thing again. Sensibly, the second book dispenses with the ‘who is the traitor’ question right off the bat, for the most part (there are still hints there’s yet ANOTHER traitor, but I’ll leave that for now) and tells us on the very first page. And then we get a flashback as to how we got to that situation, though there’s no record scratch noise, nor does the guilty party look towards the camera. So instead of whodunnit, or why did they do it, we have a sort of ‘how are they gonna get out of it?’ situation, as a very nice person has been personally put through the wringer the past three years and may have to commit the worst act to save those they hold dear.

Mora was presented to us in the first book as an overly serious woman, perhaps a bit stubborn, but determined to fill her role as a Brave and defeat the Evil God. And to be fair, she really IS a Brave, rather than a fake. That said, she’s being blackmailed, and being (I think) the oldest of the Braves, she has to deal with a very old and familiar form of blackmail. Do what the villain says or your daughter will die horribly. The strongest part of the book is taking us into her head and her tortured motivations for doing exactly what she has to do to save her family and yet also try not to take a life. Tellingly, the book still keeps some information secret from us, but it’s obvious why, and I don’t blame it a bit, as suspense novels need, well, suspense.

As for the rest of the book, there is still a ‘who is it?’ aspect to the book, and lots of debate about same, but as with the first book, the debates are interspersed with enough action so as not to be tedious. Also, unlike the first book, we get a great number of scenes of our heroes fighting demons… though they don’t do as well as they could, given that they still suspect each other of being a traitor. Adlet remains the ‘hero’ type character, but is a bit more likeable here, possibly as he refers to himself as the Strongest Man in the World slightly less. I did have one egregious moment of “OK, I call no way” involving searching for a ludicrously tiny thing across the ruins of a battlefield, but every book leads at least one time when the disbelief suspension bridge breaks and you plummet to your death.

The main reason I’m still interested in reading this is that it’s not very much like a lot of the other light novels we’re getting these days. Yes, it’s a fantasy with fiends, magic, etc. but style-wise we’re a long way removed from ‘I am in another world and dungeon crawling’. That said, I do wonder how many volumes it will drag out “one of us is a traitor”. But overall, well worth your time, and if you missed the insane bunny girl, there’s a cliffhanger here with your name on it.

Kiss Me at the Stroke of Midnight, Vol. 1

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By Rin Mikimoto. Released in Japan as “Gozen 0-ji, Kiss Shi ni Kite yo” by Kodansha, serialization ongoing in the magazine Bessatsu Friend. Released in North America by Kodansha Comics. Translated by Melissa Goldberg.

It’s a cliche, but it’s true: the best type of success is meant to look effortless. We always admire those who manage to achieve things with nothing more than a hair flip and a cool smile. But unfortunately, the reverse is also true. We look at those who strive, who struggle to achieve by any means necessary, and we think: they’re trying too hard. So not cool. You can see the sweat. And this is sometimes a shame, because those folks are trying just as hard as everyone else. but there you have it. And I got that feeling as I read this new shoujo manga. I finished the first volume, and my thought were “that was pretty good, but it’s trying too hard so it doesn’t quite come off”. It looks a bit too calculated, and the calculation’s off. That said, it’s still quite good, just not reaching the next level.

First off, a word of warning: this book does feature a blonde girl paired up with a blond guy. This is actually so unusual in shoujo manga that it attracted my attention: usually one of the couple will have darker hair for the ‘contrasting’ look. Hinana is our heroine, a high schooler with a reputation as a perfect and gorgeous student. Of course, this is just a reputation – in reality she’s as boy crazy as everyone else, she just hides it better. But fate smiles on her when an up-and-coming actor and ex-idol appears at her school during break to shoot scenes for a movie, and she’s chosen as an extra! He’s hot! He’s next to her! He’s… looking at girls’ butts? Yes, Kaede is also not quite what he seems, and his list of what he desires in a woman finds ‘DAT ASS’ in the first position. Can these two people who both project a false exterior find love with each other?

There are some very amusing things in this manga, which I enjoyed quite a bit. The running gag of how Hinana wakes up every morning made me chuckle, and the faces she makes are eccentric enough to get a montage on the back cover. Kaede’s ludicrous butt fetish is also funny, even more so when we see Hinana’s reaction to the “butt alien from the planet Butt”, as she goes on to describe him. The issue, I think, is that the humor doesn’t really go far enough. When it plays things for drama, such as when Hinana is falsely accused of putting a picture of Kaede’s shoes online it tends to fall into the “this is like every other dramatic shoujo” box. Hinana herself is also not as eccentric as you’d expect given the introduction showing how she’s not really the perfect princess – it reads more like “I’m secretly just like you, reader, so please identify with me”. And sometimes the punchlines are too telegraphed – the identity of Scarlet was pretty obvious to me.

Despite my misgivings, this was a decent beginning, and there are a few plot points that will hopefully bear fruit when they’re developed. I just hope that future volumes manage to have a bit less drama and a bit more weirdness. Also, what on earth does the title have to do with anything in the manga?

Manga the Week of 9/20/17

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SEAN: They did it again, so let’s talk Kodansha Comics. I love their digital line, even if I can’t keep up with it. I love it, but the short turnaround time on solicits/announcements means that I can never get it into Manga the Week of on time. And Amazon is also frequently very late with solicits (or absent with them), so sometimes I miss even more. So let’s start with what’s already out digitally.

Magical Sempai (Tejina Sempai) is a gag manga about a magician’s club that runs in Young Magazine.

And Grand Blue Dreaming is a title from good! Afternoon which combines the writer of Bakas, Tests and Summoned Beasts with the artist of the Amagi Brilliant Park manga. It’s about scuba diving (and romance, and ecchi situations – come on, look at the creators).

Now onto next week’s titles. J-Novel Club has the 5th volume of I Saved Too Many Girls and Caused the Apocalypse, which is not as good as it once was, but let’s see if more girls can solve that.

As the Gods Will 2nd Series is another one of those titles that have been sneakily getting digital all along but which Amazon only recently started listing. Vol. 20 is out next week. And no, the first series was not licensed.

Descending Stories gets a 3rd volume, and will no doubt have a great story to relate.

ASH: I’m still so glad this series is being translated!

SEAN: Hotaru’s Way gets a 3rd digital volume, House of the Sun gets a 7th, and Kasane gets a 5th. (Sorry, have to streamline, too much stuff this week).

Kiss Me at the Stroke of Midnight (Gozen 0-ji, Kiss Shi ni Kite yo) is a shoujo debut for Kodansha, from the Betsufure magazine. It is a “comedy romance”, and the creator also does Love’s Reach, which Kodansha is putting out digitally.

MICHELLE: I was kind of looking forward to this one ’til you mentioned Love Reach, which I didn’t enjoy too much. Oh well. I’ll give it a shot, at least.

ANNA: Huh, I’m usually good for at least the first volume of a new shoujo series.

SEAN: More digital. Peach Heaven 6 and Tokyo Tarareba Girls 7. Enjoy getting further behind!

MICHELLE: At least Tarareba has gotten less depressing!

ANNA: ARRGH, still need to read the first two volumes!

SEAN: And some print, with the 22nd Seven Deadly Sins, as well as the 7th Welcome to the Ballroom. Two titles unlikely to get a gimmicky crossover with each other anytime soon.

ASH: That’s probably true.

SEAN: Seven Seas has a quartet of titles, mostly for their female readers (yes, Seven Seas has female readers). There’s a 3rd Bloom into You for yuri drama, a 3rd Dreamin’ Sun for cishet drama, a 2nd High School Life of a Fudanshi for not-really-BL comedy, and a 2nd Plum Crazy for KITTY! fans.

MICHELLE: I’ll be picking up three of the four!

ASH: That’s pretty good odds! I still need to give Plum Crazy a try. I like High School Life of a Fudanshi more in concept than execution but largely enjoyed the beginnings of both Bloom into You and Dreamin’ Sun.

SEAN: We have reached the final volume of Nichijou with Vol. 10, surely one of the more bizarre comedies to get licensed over here. But fear not, its spinoff, Helvetica Standard, is coming soon, also from Vertical Comics!

The second volume of Golden Kamuy is out from Viz, and I understand it’s slowly transitioning to a cooking manga.

ASH: I think at heart it was always a cooking manga. (And of course I’ll be picking it up.)

ANNA: Really??

SEAN: Goodnight Punpun has its 7th and final volume out next week. A gripping and well-told narrative that I found myself absolutely unable to read, but that doesn’t negate its power.

ASH: Once I’m feeling brave enough, I’ll read the sixth and seventh volume together. It’s a tremendous series, but not at all an easy read.

SEAN: Master Keaton also reaches an end with its 12th volume. Will we ever get more insurance investigator manga?

MICHELLE: Someday, I really will read this.

ASH: And someday I will finally finish reading it!

ANNA: It is so good!

SEAN: Sweet Blue Flowers had a sort of aborted digital release from DMP a while back, but this omnibus edition from Viz is the real deal, and in print. It’s a great story and I can’t wait to read it.

MICHELLE: Yay!!!

ASH: One of my most anticipated releases this year!

SEAN: Yen On has a series of light novels, several of which I have dropped from my reading list. So fans of things that are really dark/evil will have to enjoy Black Bullet 7 and Overlord 5 without me, and fans of isekai-by-numbers will need to read Death March to the Parallel World Rhapsody’s 3rd volume.

As for series I am still reading, Accel World’s 11th volume will kick off a new arc. Baccano! surprises readers by jumping forward about 70 years (don’t worry, it’ll be back to the 1930s soon enough). Is It Wrong To Try To Pick Up Girls In A Dungeon? has a 9th volume that sees if Bell Cranel really can do something to piss off the entire cast.

There’s also the 3rd My Youth Romantic Comedy Is Wrong As I Expected, which refreshingly was not delayed. And a 7th Strike the Blood, which remains generic but highly readable.

As for Yen proper, let’s start with adaptations of light novels. We have a 5th Asterisk War, a 10th Devil Is a Part-Timer!, a 6th OreGairu (which is shorthand to avoid having to type out My Youth Romantic Comedy Is Wrong As I Epxected again), a 2nd of the No Game No Life Please! spinoff, an 8th Strike the Blood, and Vol. 3s of SAO titles Mother’s Rosary and Phantom Bullet.

There are non light novel adaptations as well, believe it or not. Alice in Murderland gives us a 7th volume of Kaori Yuki at her Kaori Yuki-est.

Barakamon has a 14th volume, and if you want to read the prequel, now’s your last chance, as we also have the 7th and final Handa-kun out in print.

MICHELLE: I watched some of the Barakamon anime recently, which convinced me I will love the manga when I finally get around to reading it.

ASH: I think you’ll like it!

SEAN: Big Order’s 3rd omnibus brings us closer to world domination, maybe?

A Bride’s Story may come out once a year here and in Japan, but it’s always welcome, and I will definitely want to read its 9th volume, even if I still find its main female lead a bit dull.

ASH: I really love this series. Mori’s artwork is stunningly beautiful in it.

ANNA: The art really is such a standout on this title.

SEAN: In titles I have nothing to say about, there’s a 4th Bungo Stray Dogs, an 8th Dragons Rioting, the 2nd Kakegurui – Compulsive Gambler (now in print), a 4th Kiniro Mosaic, a 3rd Royal Tutor (now in print), the 8th School-Live!, and a 5th Today’s Cerberus (now in print).

ASH: I need to catch up on Bungo Stray Dogs for the sake of all its J-Lit references if nothing else.

SEAN: Madoka Magica continues to push out spinoffs, with the 3rd Homura Tamura and the 4th Tart Magica.

Lastly, Rose Guns Days begins its 3rd Season, which presumably will feature a new main character to interact with Rose and her brothel of eccentrics.

Sorry for the compressing, but come on, look at all those titles. I have to save space. What’re you getting next week?

Infinite Dendrogram: The Beasts of Undeath

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By Sakon Kaidou and Taiki. Released in Japan by Hobby Japan. Released in North America by J-Novel Club. Translated by Andrew Hodgson.

Much as people criticize the warnings on the back of manga noting when there is sex, nudity or violence, sometimes I do think it’s worth telling people in advance, particularly if it’s something that would upset a fairly significant chunk of the audience. So let’s get that out of the way first. This second volume of Infinite Dendrogram contains multiple grotesque and graphic murders of children – in fact, for the first half or so, child kidnapping and murder is the plot. It reaches his zenith when Ray and Nemesis come across skeletons and zombies with the remaining souls of the murdered children inside, and have to destroy them all to move on. This ties in with the main theme of the book, which I’ll get to in a bit, but boy howdy could I have used a warning. So, warning: LOTS OF MURDERED CHILDREN.

That said, of course, they’re not ‘real’ children, but ones designed by the game developers. I spoke before about the fact that Dendrogram is about the only light novel around that has a normal hero playing a game without getting caught in it, or the game being the actual fantasy world, or any one of a thousand other light novel game tropes. Ray still has to log out and eat/sleep, though that’s given somewhat short shrift here. And this means that we the reader view this as a game a bit more than we do in, say, Sword Art Online. Ray’s death means that the quest may not be completed, and some NPCs may suffer, but it doesn’t mean his actual death. As a result, Ray and his new friend Hugo find that no one has actually tried to stop the child murder scheme because it would be a pain in the ass to fix and likely not worth the cost. That said, Ray (and Hugo, it turns out) are of a different stripe. The “maiden” support they have, in the form of Nemesis and Hugo’s companion, means they are “too caught up” in the story. They’re the sort who would rescue the doomed children in a game, even for little reward and high difficulty, because it’s morally heinous.

Ray is helped along here by his brother, whose actions we helpfully see in a flashback. Ray’s brother hasn’t done much in the series besides introduce him to the game and make bear puns, but we see that he is definitely “the protagonist of another story”, as he gets a grievous injury right before a martial arts match, then goes on to win it anyway through the sheer power of GUTS! I take that back, he’s not the hero of another story, he’s the cool mentor who gets killed off midway through – ominous sign. But it does also signpost why Ray acts the way he does, and why he comes to the conclusion that it’s OK to treat the NPCs as real people. Admittedly, his main concerns may need to be the other players – the final scene in the book reminds us that there are various sections of the map all poised to wipe out Ray’s section, in a very ‘Horde vs’ Alliance’ sort of way.

Dendrogram is well-written, with a likeable hero, and I’ve even gotten over the underage pimp and his PG-rated pimp squad. It’s worth a read, but I have to admit the main thing I took away from it was “wow, that was some graphic child murder description I did not need”.

Frau Faust, Vol. 1

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By Kore Yamazaki. Released in Japan by Kodansha, serialization ongoing in the magazine Itan. Released in North America by Kodansha Comics. Translated by Stephen Paul.

There is a scene towards the start of this manga where the title character is quizzing her protege about the history of their land that he had read. He parrots what he learned perfectly, but she quickly corrects his facts, saying that the actual reality wasn’t what was in the history books. This is something every kid growing up is going to come across sooner or later – certainly my generation learned a very whitewashed history in elementary school – and is always well worth pointing out. Don’t always take facts that you’re given at face value. The manga itself is another example, as it takes place seemingly in a world where the classic story of Faust is well known. But into this story comes our heroine, Johanna Faust, who most certainly is not the antihero we expected. And as we get further into the story, we find that a lot of other Faustian bargains may also be more than they seem.

The narrative of this story is not unfamiliar to manga readers, or indeed any reader of classic stories. Frau Faust comes to a small town on a mission, and happens to run into a boy, Marion, who’s being chased for stealing a book. After helping him escape, he explains that it was in fact his family’s book – their stuff was sold off, and he was trying to get it back. Needing a pasty – sorry, partner in order to achieve what she wants, she decides to become his tutor for a few days, and quickly blows his mind with both what she can teach and the way that she teaches it. Of course, she does have an ulterior motive in mind – she needs a pure-hearted boy like him to invite her into the local church, there to meet the demon Mephistopheles. Or at least a part of him. And their relationship seems to be somewhat more complicated than you’d expect.

As mentioned on the front cover, this is by the author of The Ancient Magus’ Bride, another series I greatly enjoy. This is a bit less introspective, but just as concerned with the nitty gritty of magic and the supernatural. And as you would expect with this author, the artwork is evocative and attractive, giving Faust and her co-stars excellent expressions. As for Faust herself, I was sort of expecting her to be a sly woman who turned out to be a big softie at heart, but I wasn’t expecting it to happen quite so fast, and the second and third chapters had moments of real sweetness in them. Be warned, like a lot of first volumes of shoujo and josei series (this is the latter – Itan is a supernatural/fantasy-oriented josei magazine), there is an unrelated short story at the end. But it’s good, dealing with a young girl whose family has divorced, whose mother drinks a lot, and who isn’t quite as mature as she wants to be, and her encounter with a museum of oddities. The mood fits well with the rest of Frau Faust.

I’ve been looking forward to this series since the moment I heard it was licensed, and it did not disappoint. Definitely any fans of fantasy should pick it up, but even if that’s not your thing give it a try. This makes you want to read the next volume right away.

The Irregular at Magic High School: Summer Vacation Arc +1

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By Tsutomu Sato and Kana Ishida. Released in Japan as “Mahouka Koukou no Rettousei” by ASCII Mediaworks. Released in North America by Yen On. Translated by Andrew Prowse.

Yes, just like Maou-sama and DanMachi in April, it’s now Mahouka’s time to have a short story collection. As such, the stories in this volume are highly variable. That said, there are two that manage to be relevant to the ongoing story, so I’ll deal with them separately. As for the rest, we get a story with the grumpy guy who hates Tatsuya, Morisaki, who rescues a young woman from being abducted and then has to be her bodyguard; Eimi, who we met in the Competition stories, having a nasty amusement park encounter with thugs trying to steal her family spells; Ichijou and Kichijouji trying to recover after their loss last time, and making annoying lolicon jokes simply as Ichijou’s younger sister likes George; and a jaw-droppingly syrupy date between Tatsuya and Miyuki that seems to do nothing but take the incestuous subtext this series is filled with and rub it in your face. These stories are all readable but not great.

The first story in the collection, which is a beach episode, also starts off pretty fanservicey and pointless, and seems to be about Honoka trying to attract Tatsuya’s attention by almost drowning herself, which backfires in a typical anime “you saw my swimsuit fall off” way. The surprise, and actual plot relevance, comes towards the end. First of all, Shizuku, who’s mostly been in Miyuki’s corner, decides to ask Miyuki the rude question: does she like her brother in a romantic way? The answer is not really satisfying to me, but very much in character for Miyuki, so that’s acceptable. Better is Honoka actually working up her courage and confessing, and Tatsuya’s honest answer: he’s incapable of emotions like that. Of course, this is not stopping her from carrying on liking him till she finds someone better, as Tatsuya says he’d feel the same way about anyone else. I honestly wasn’t expecting one of the main pairings of this series to be shot down this fast, and it’s somewhat refreshing.

The longest story here is the last one, which deals with the fact that Mayumi is retiring, and would like to pass on the Student Council President position to someone she trusts. Hattori is the first that comes to mind, but he doesn’t want to do it. This leaves Azusa, but she’s simply too terrified to do it, having always been the meek one in the group. This is eventually resolved by one of the most blatant yet hilarious scenes in the book, which I will try not to spoil. More importantly, the successor is also carrying on Mayumi’s will by seeking to eliminate the prejudice against Course 2 students by allowing them to hold Student Council Positions. It’s a good reminder of the prejudice that still exists in many ways, which we haven’t really focused on since the first book. It also shows us that Miyuki’s immaturity is still hanging around, and that she can be TERRIFYING when lashing out – there’s a reason she wasn’t chosen to succeed as President. Yet.

The Irregular at Magic High School has likely locked in its audience already. If you enjoy the series, you’re going to pick up and enjoy this. If you’re one of those who despise Tatsuya, this is not going to change your mind (I didn’t even get into the politics occasionally on display here). Recommended to the former group – this isn’t an easy series to hate read, so the latter should move on.

Bookshelf Briefs 9/11/17

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Absolute Duo, Vol. 1 | By Shinichirou Nariie, Takumi Hiragiboshi, and You Asaba| Seven Seas – In general, fans tend to dislike a couple of things in the manga they read, especially Western fans. The first is the tsundere female lead, and the second is the super-powered male lead. Not sure yet whether we’ll get the second, but Absolute Duo seems to be free of the first. Unfortunately, that does sort of make it clear why manga and light novel authors enjoy writing tsundere female leads—the conflict here is rather mild and undramatic, with our hero fighting against a nice girl, and when she loses, she just… says bye and leaves. As for the actual heroine, she’s nice and shy and sort of self-sacrificing. Absolute Duo is decent, and I like everyone, but if you didn’t see another volume you’d barely care. – Sean Gaffney

A Certain Scientific Accelerator, Vol. 6 | By Kazuma Kamachi and Arata Yamachi| Seven Seas – I said last time we were down to the final fight, and we’re still on it by the end of this volume. Index is filled with long, drawn-out battles, but in Railgun and the main series they tend to be separated by more mundane matters. Accelerator, true to its antihero, never really lets us relax, and humorous escapades are at a minimum. It also makes it rather difficult to review. I mean… the fights were cool? I actually understood the action, which is not always the case with heavy action manga. The villain is bad and you want to see them go down? And I’m pretty sure one of our team of heroes is going to die, though I’m also pretty sure it’s the girl who’s already dead. A good spinoff that’s not as good as Railgun at its best. – Sean Gaffney

Delicious in Dungeon, Vol. 2 | By Ryoko Kui| Yen Press – I’m enjoying this second volume more than I did the first, I think. We get a bit more backstory on the characters which makes them a bit more likeable, and Marcille is no longer whining at absolutely everything. On the opposite tact, Laios gets to do some truly ridiculous things showing that he’s a lot more impulsive than we expected (and we get flashbacks showing that his sister really was a major part of their party—I wonder if she’s actually died by now?). And Senshi, while he’s still the wise sage of the group, is also shown to sometimes be wrong. But of course the main draw here is the ridiculous food, detailed in loving “this is actually a cooking manga” detail. A lot of fun. – Sean Gaffney

Girls’ Last Tour, Vol. 2 | By Tsukumizu| Ywn Press – This volume sets itself up much like the last one did, with about 2/3 devoted to Chito and Yuuri’s slice-of-life adventures among the ruins of the world, and the last third has them meeting with another living person and helping them try to achieve a dream. Both times they do this the dreamer fails, though it’s not really the girls’ fault. It does make me wonder what sort of mood the author wants to convey here. There are occasional scenes of Yuuri being an airhead or Chito a grump in that Chika and Miu sort of way, but the air of melancholy you’s expect to hover over this world is more prevalent here. Is there an endpoint the author wants to get to, or when they run out of cute situations will we just have the girls quietly die? Good but odd. – Sean Gaffney

Haikyu!!, Vol. 15 | By Haruichi Furudate | VIZ Media – Karasuno has advanced to the semifinals of the Miyagi Prefecture qualifier tournament. Will their next opponent be Aoba Johsai or Date Tech? Readers are treated to some of that match-up before Aoba Johsai emerges victorious. There are some nice moments here, particularly one in which Kageyama actually admits to Hinata that he’s scared to face Oikawa again and a brief interlude where Sugawara is brought in to shut down a high-scoring newcomer, but not quite as many as in the last volume, which fleshed out background team member Ennoshita. There’s no such thing as a bad volume of Haikyu!!, and this has plenty of excitement and a cliffhanger ending, but the final page suggests I will like next volume’s payoff even more than this volume’s setup. Looking forward to it, as ever! – Michelle Smith

Kase-san and Shortcake | By Hiromi Takashima | Seven Seas – Well, the girls have gotten together in book one, and gotten to know each other more closely in book two. Book three has a double shot of plot, with Yamada realizing that Kase-san is going to a Tokyo university on a sports sholarship, while she’s going to a local college. This… really doesn’t sit well with her, and she frets about it as best you can do when your manga is meant to be cute and fluffy. We also deal with Kase-san wanting to take things further physically, but not wanting to pressure Yamada, and being somewhat stymied by Yamada’s complete ignorance of what to actually do—at one point, she even googles how to have sex with a girl, with hilarious results. Still adorable and fluffy even when everyone is crying. – Sean Gaffney

Kiss & White Lily for My Dearest Girl, Vol. 3 | By Canno | Yen Press – We’re back to the first volume’s couple at the start of this new book, and it’s become pretty clear that their story will tie into all the others we see in this series, which is also why it’s not official as such. Ayake is still overdramatic and difficult to like, though you sympathize with her having to deal with the blase Yurine. As for Yurine, she’s dragooned into the gardening club, which is short on members and about to lose its garden to the sports clubs. And, as it turns out, is also being sabotaged. Luckily, Yukina is the utterly straightforward sort of ojou-sama type, and so it doesn’t end quite as badly as it possibly should. The series continues to detail how absolutely EVERY girl at school is falling for another girl, but that’s not uncommon in this genre. – Sean Gaffney

Log Horizon: The West Wind Brigade, Vol. 6 | By Koyuki and Mamare Touno | Yen Press – It is not a good sign when the best, most interesting part of the spinoff is the one that’s basically telling the events of the main series. I have no doubt that we see Raynesia because she’ll be interacting with our heroes in future volumes, but seeing her and Krusty here made me wish that we had a side series focusing on them instead. Instead, we get a predatory lesbian who seems to be in the West Wind Brigade for only that reason, though Soujiro can still calm her down. The other minor plot is the newbies training at the beach, and how Kawara may not be a dependable sempai but that her type of personality is probably just as good in the long run. I wish this was more consistent. – Sean Gaffney

Murcielago, Vol. 3 | By Yoshimurakana | Yen Press – This series continues to be super violent and super uncaring about the status of its victims—TWO loving fathers are graphically butchered, one right next to his daughter, and we don’t even stay behind to see the horror and grief. It’s all about the killing and the killers. Now, that does not mean that we can’t have fun—seeing Kuroko go to town is the purpose of this series, and it’s nice to watch her be cool and take down actual monsters. And you get the feeling that the next volume, involving Kuroko infiltrating a girls’ academy, will be funnier. But you really need to not really care what happens to anyone at all in order to get into Murcielago. It’s pure rush, but the rush is filled with sociopaths. – Sean Gaffney

One-Punch Man, Vol. 12 | By ONE and Yusuke Murata | VIZ Media – Even though hero-hunting Garo is on the cover, he barely appears. Instead, this volume mostly consists of glimpses of Saitama’s progress through the martial arts tournament intercut with various heroes fighting against a slew of monsters. Genos handles quite a few himself, including a skittering bad guy called Roach Awakening who is wonderfully icky, and it’s also fun to see a few other Class-S heroes in action, especially Watchdog Man, who I bet would get along well with Saitama when and if they actually meet. The tournament stuff is okay, and the action scenes are great, but it all seemed to zoom by so quickly without leaving much of an impact. I’m not sure what exactly I’d change about it, though. Could the answer be as simple as Saitama doing more punching? Maybe so… – Michelle Smith

Tokyo Tarareba Girls, Vol. 6 | By Akiko Higashimura | Kodansha Comics (digital only) – The last time I reviewed Tokyo Tarareba Girls, I found it to be majorly depressing. As a result, I let a few volumes accumulate and, honestly, kind of dreaded reading them. To my surprise, I didn’t find them depressing at all, despite Rinko and friends still being in the same awful relationships as before. I think the difference is that they’re beginning to see the truth, and there’s a strong suggestion that they’re going to do something about it. In this volume, for example, it’s Key to the rescue again as he helps Kaori finally (hopefully) break free of Ryo. Interestingly, though, when Rinko seems about to reunite with Mr. Hayasaka—and they’re genuinely cute together—and Key is poised to intervene again, I suddenly found his interference very unwelcome. Very eager for volume seven! – Michelle Smith

Yowamushi Pedal, Vol. 6 | By Wataru Watanabe | Yen Press – As I’ve mentioned before, this is one of those sports series that runs in a shonen magazine whose Western audience is predominately female, and the BL fandom is huge. (Pity poor Kanzaki…) I was not really expecting to see quite as much of why the BL fandom was huge till I got to this volume, the last half of which is Makishima and Toudou’s race, which may in fact be the gayest thing I’ve ever seen in a non-explicit manga. It’s incredible. The first half is also very good, involving Onoda getting into a crash which leaves him in last place, and having to pass 100 bikes in order to catch up. Which he does, because of course he does. The series is a pure exhilarating thrill ride, and I desperately want to read more. – Sean Gaffney

Pick of the Week: Butlers, Cosplayers, and Sunspots

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SEAN: It’s a light week with no first volumes. A few books I’m looking forward to, but I’ll be Don Quixote again and give my pick to Hayate the Combat Butler. All my other lost causes have either ended or been dropped, but Hayate is still there, trickling out.

KATE: Whoa… I reviewed the first volume of Hayate back in 2006, when I was writing for PopCultureShock. I remember enjoying it, reading a few more volumes, and then… well, I think I lost track of it. Sean’s comments, however, reminded me that VIZ has been good about continuing series that never quite found the audience they deserved. (See Kaze Hikaru.) So my vote goes to Hayate the Combat Butler as well.

MICHELLE: My pick this week goes to the final volume of Complex Age. It’s been riveting and it’s been truly upsetting, but my hope is that it’ll end on an empowering note, too. I’m looking forward to it!

ASH: I’ve never actually read any of Hayate the Combat Butler (although perhaps I should). However, I have read the first part of Complex Age and found it to be surprisingly relatable and personally meaningful. I’m a few volumes behind in reading the series, but I join Michelle in choosing the final installment as my pick this week. I’m very glad that Kodansha Comics brought the series to my attention.

ANNA: It is such a light week! Of the titles that are coming out, Complex Age is the series that I’m most likely to finish, although like Ash I need to catch up. That’s my pick as well.

MJ: I’m still in catch-up mode from the summer when I was directing an opera, and since there’s nothing on this week’s pack that really grabs me, I’m going to dig back into the stuff I missed and finally take a look at One Peace Books’ I Hear the Sunspot. It sounds like exactly my kind of BL (if it is, in fact, BL). So let the catching up begin!

Nisemonogatari: Fake Tale, Vol. 2

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By NISIOISIN. Released in Japan by Kodansha. Released in North America by Vertical, Inc. Translated by James Balzer.

Despite being almost as long as the first in this series, Karen Bee, the second Nisemonogatari book, Tsukihi Phoenix, only got adapted into four episodes for the anime. As you can imagine, therefore, there’s a lot of content that got omitted or severely cut in order to fit it into the timeframe, particularly in the first half of the volume. As such, anime fans will find much to enjoy here. In particular, I think they’ll be amused at Araragi’s description of Senjogahara post-Karen Bee, who he describes as no longer caustic and sharp-tongued at all but now sweet and devoted, and how all of her formerly cruel and spiteful actions (which, let’s face it, the reader is aware were broken attempts at flirting) are replaced with normal girlfriend responses. Anime fans may be wondering what the heck happened, since the next time we meet Senjogahara in the series she’s still much the same.

In fact, Nisioisin seems a bit conflicted about the series getting turned into an anime – there’s a sense he tries to take things too far here in order to avoid having the anime continue, though obviously that didn’t work. Nisemonogatari has a reputation for being the sleaziest of the series, though, and it’s not inaccurate. Most of that reputation comes from this volume, which features the now infamous “toothbrush scene”, where Araragi and his sister Karen have a bet that he can’t brush her teeth for five minutes without her crying out. It’s obviously meant to suggest sex, and in particular incest, which earlier in the book Araragi had been mocking himself. Several times in the book he says that he feels no sexual desire towards his sisters before doing something sexual to them (he later steals Tsukihi’s first kiss, which horrifies her). Araragi is becoming a somewhat unreliable narrator, to be honest, though we won’t really see how much till later books in the series with other character’s narration.

This volume features his “younger younger sister” Tsukihi, who so far has been defined mostly by her temper and her mood swings, which we certainly get plenty of here. It’s also a good introduction to her personality in another sense – Araragi notes that Karen is the one with the actual sense of justice, while Tsukihi “just likes to run wild”, and it’s true – she tends to go along with what others do rather than making her own firm choices. The reader may wonder how much this ties in with the main plot, which suggests that – surprise, surprise – Tsuhiki is not who she seems. In the end, though, this book is about family in the good ways as well, which means that it’s not just about suggestive incest but also about loving your family even if they’re not what you thought they were – and Araragi, as a human who still retains vampiric powers, should know about that. Here he goes up against Kagenui, a “specialist” like Meme Oshino who specializes in eradication, and Yotsugi, a deadpan reanimated corpse who is her assistant. We’ll see a lot more of Yotsugi, not so much of Kagenui.

Speaking of Yotsugi, we can briefly talk translation. The issues are much the same as Karen Bee – dagnabbit mad is still there, and it’s still really annoying, but it didn’t appear as much as I feared. Tsuhiki also sounds like Yosemite Sam when she catches Araragi and Karen brushing teeth, but that’s more clearly deliberate comedy, and the anime watcher likely heard the heavy ‘fake accent’ she was using then, so it makes more sense. As for Kagenui, she too uses a fake, overdone accent, but it’s subtler, and the translator seems to go with “old-time Northern England”. It doesn’t jar much at all, and reminds me how much anime subtitles tend to gloss over accents. Speaking of which, Shinobu still sounds old-timey, as she always does, whether she’s Kiss-Shot or no.

Overall, I was quite pleased with this volume, a few issues aside. It also does sort of feel like he was trying to wrap up the series once more, but he failed again, and now tells us he has two more stories after this to write, about Hanekawa and Hachikuji. In fact, the Hanekawa story grew so large it got split into its own two-part book. Stay tuned for Nekomonogatari Black in November, when we FINALLY see what happened Golden Week.