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Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Sean Gaffney

Accomplishments of the Duke’s Daughter, Vol. 1

August 18, 2018 by Sean Gaffney

By Suki Umemiya and Reia. Released in Japan as “Koushaku Reijou no Tashinami” by Kadokawa Shoten, serialization ongoing in the magazine Young Ace Up. Released in North America by Seven Seas. Translated by Angela Liu. Adapted by Tracy Barnett.

There has been a bit of a backlash online about the constant flow of “isekai” stories into North America in the past few years. Of course, that’s because they’re incredibly popular in Japan. Indeed, they seem to be so popular in Japan that we’re starting to see authors who have an idea of a story that need not involve an isekai try to shoehorn it in anyway to get readers. This is a good example of it. Now, I may be wrong – it’s taken from a light novel that is itself taken from a webnovel, and future volumes may take more advantage of the fact that its heroine has been killed and reincarnated in another world. But honestly, if you removed the isekai aspect from this manga series, very little would change at all. Fortunately, the story is strong – which is probably why I’m complaining that an isekai wasn’t needed. I’m perfectly happy to watch Iris save the world.

As I mentioned earlier, it begins, as many series like this do, with a death by car accident. A young woman who works overtime at some company or other and spends her spare time playing otome games is killed, and suddenly finds herself in the climactic scene of the game she just cleared. Sadly… she’s the rival who’s just being taken to the cleaners. She knows what happens next – her character leaves the school and gets exiled to a nunnery for the rest of her life. Yeah, that’s not happening. Oh, she’ll leave the school, but she decides instead to confront her father with all the political machinations that have been going on in the game, pointing out that he had plans and backup plans. He’s impressed enough by this that he decides instead of exiling her to a nunnery to exile her to one of his fiefdoms, and basically tells her she’s in charge. So, with the help of a seeming army of orphans she’s picked up over the years, she sets out to make her country a better place.

I enjoyed this, but there are, let’s face it, a few moments that made me raise an eyebrow in disbelief. For a “villain” character who is seemingly an expert at verbal abuse in the game itself, Iris actually turns out to be a sweet girl who constantly wants to save everyone. Iris claims it’s “first love sickness”, and I guess we’ll go with that, but I’d have liked better use of the actual gimmick. Likewise, Iris immediately having a large force of bodyguards, maids, accountants and such that she can immediately marshal to the cause is a bit… easy? That said, honestly, if it’s going to lead to “let’s see how we’ve neglected the poor people and try to make it so they have a better life”, I’m fine with it. And the supporting cast seem fun, even though, as I noted, none of them seem to regard Iris as the villain type. Honestly, given this runs in a seinen magazine, the best audience for it may be those who enjoy the light novel How a Realist Hero Rebuilt the Kingdom. It has a similar vibe. In any case, I look forward to future volumes of this flawed but fun book, even if it did not have to be an isekai.

Filed Under: accomplishments of the duke's daughter, REVIEWS

Arifureta: From Commonplace to World’s Strongest, Vol. 7

August 17, 2018 by Sean Gaffney

By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou” by Overlap. Released in North America digitally by J-Novel Club. Translated by Ningen.

I’ve talked before about Hajime as Christ figure, and Hajime as simply another example of the overpowered hero going after the kids that bullied the author in middle school, but in this book it’s also worth taking a look at something that has remained a core part of Hajime’s character despite every possible attempt to extract it: Hajime the nerd. (Yes, yes, I know, chuuni. I never saw that anime, so feel uncomfortable using the expression.) Hajime’s inner monologue has had the occasional taste of otaku culture throughout the series, but this volume really sees it in full flower. When he’s in the bar gathering information, and has to impress the bartender, you can almost hear him squeeing. And while the core purpose of his “arranging a distraction” was to humiliate and get a bit of revenge on Shizuku for laughing at him, the fact that he dresses them all as a sentai team also shows this off. Hajime is badass, but still a nerd.

We seem to have run out of cover girls, as we’re back to Yue. (Technically it should be Liliana, but honestly ignoring her in favor of Yue is perfectly in character.) That said, in terms of content, Shea should really be the one on the cover, as she and her rabbit tribe own this book. Considering that turning the rabbits into savage killers was a passing joke in the 2nd book, it’s become quite a large thing, and the best running gag of the volume was everyone giving Hajime the stink-eye as they realize how much he brainwashed everyone into being Rambo. (They also inherited his nerd tendencies, coming up with hilariously bad “names” for themselves.) Since the Empire is doubling down on Beastmen being enslaved, the rabbits take matters into their own hands – with a little help from Hajime, admittedly, but mostly entirely on their own – to convince the Emperor to change his mind. Again, those who like over the top battles will be very happy.

The demons also get their asses handed to them by the rabbits, but they have a much stronger response, coming up with 400 or so of the Angels that Hajime had a little trouble with in Book 6. I suspect the eighth volume will deal with the fallout from that. One last thing that impressed me, though, was the final extra story. Usually in light novels these extra stories are pure fanservice, but this one not only advances the plot but makes a nice refreshing change from the “all religion is evil” trope we’ve seen in Arifureta and other light novels. A new pope is appointed to fill the void caused by the events of Book 6, and he proves to be an excellent choice, coming across both Yuka (the girl Hajime saved in Book 1) and Aiko and helping them get over their dithering and try to move forward. It comes across as a confessional, and this is exactly the sort of thing that confessions should be about. I really liked it.

A very strong Arifureta book. Except for Tio. God, I hate Tio. More accurately, I hate the way the author writes Tio.

Filed Under: arifureta, REVIEWS

Manga the Week of 8/22/18

August 16, 2018 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ Leave a Comment

SEAN: Let’s face it, even without Yen Press this would be a really heavy week. With Yen it’s absolutely terrifying.

But first, the non-Yen offerings. Dark Horse gives us the first Gantz omnibus, in case you want to catch up on your lycra.

Haikasoru has the 7th volume of Legend of Galactic Heroes. If it’s the one I think it is, oh dear.

MICHELLE: Someday, I really will read these. My intentions are good!

ANNA: I have good intentions about reading this as well.

ASH: I’m a few volumes behind, but I’ve been enjoying them!

J-Novel Club announced a bunch of stuff at Anime Expo, and this is what I was most excited about. I loved the Kokoro Connect manga when it came out years ago, and wished we could read the light novels. Now we can! The first one is out next week.

J-Novel Club also has the 3rd Infinite Stratos novel.

Kodansha has some print manga for all of you. Attack on Titan: Before the Fall 14, Battle Angel Alita Deluxe Edition 5, Love and Lies 7, and That Time I Got Reincarnated as a Slime 7.

ASH: Oh, print manga! The deluxe edition Battle Angel Alita is really nice, and I’ve been enjoying That Time I Got Reincarnated as a Slime more than I expected.

SEAN: There’s five debuts in their digital lineup though, all one-volume BL titles. They seem to be from their Honey Milk magazine, and are: Intertwining Lives, Keeping His Whims in Check, Key Ring Lock, Stray Bullet Baby, and Trap in a Skirt. Looking askance at that last one, but kudos to Kodansha for reaching out to a new audience.

MICHELLE: Very much the same re: askance looks, but otherwise I’m fairly intrigued.

ANNA: Glad the BL fans are getting some content!

MJ: I’m looking askance, mostly at some of these titles. Trap in a Skirt?

SEAN: They also have many ongoing digital titles, with DAYS 9, Giant Killing 13, Kakafukaka 2, Karate Heat 2, and Perfect World 5.

MICHELLE: All of which I intend to read at some point, probably starting with the soccer titles.

ANNA: I wish there was more print sports manga in general, my kids love it.

SEAN: Seven Seas has no debuts this week, but they do have a 4th Akashic Records of Bastard Magical Instructor, a 13th Arpeggio of Blue Steel, and a 3rd Saint Seiya: Saintia Sho.

Vertical gives us an 11th Devils’ Line.

Oh boy, more titles I have nothing to say about. Viz has Mobile Suit Gundam Thunderbolt 8, the 2nd RWBY Anthology (which focuses on Weiss), and Tokyo Ghoul: re 6.

ASH: I haven’t gotten into Tokyo Ghoul to the same extent that a lot of people seem to have, but I’m glad to see it doing well enough to bring in the other related series.

SEAN: And Yen. So much Yen, particularly if you read their light novels. A debut and a one-shot this month. The debut is Defeating the Demon Lord’s a Cinch (If You’ve Got a Ringer). A hero is summoned to another world, and he and his party need to defeat the demon lord. Sadly, the hero and his party are useless, so it’s up to the priest trailing behind to save them from their own awfulness. Expect comedy here.

ASH: That does sound rather amusing.

SEAN: The one-shot is another novelization of a popular movie, this one called Fireworks: Should We See It from the Side or the Bottom?. I’m thinking it’s your name-y.

But there’s more. So much more. The Asterisk War 7, Baccano! 8, A Certain Magical Index 16, The Devil Is a Part-Timer! 11, KonoSuba 6, I’ve Been Killing Slimes for 300 Years 2, Rokka: Braves of the Six Flowers 5, Sword Art Online 14, and That Time I Got Reincarnated As a Slime 3. That’s a lot of Yen On’s best-sellers. And also Index.

Believe it or not, Yen has some manga as well. Quite a bit, in fact. Debuts? Sure. Chio’s School Road is a Comic Flapper title showing our heroine walking to school every day and getting in the most amazing predicaments.

And deep breath, let’s pound through the ongoing titles out next week. ACCA 4, Angels of Death 4, Aoharu x Machinegun 12, Black Butler 26, BTOOOM! 22, The Case Study of Vanitas 4, Dimension W 11, Forbidden Scrollery 4, Hatsu*Haru 2, Re: Zero Arc 3 Volume 4, the 8th and final volume of Scum’s Wish (though there’s a sequel, as yet unlicensed), Silver Spoon 4, Tales of Wedding Rings 3, Today’s Cerberus 10, Trinity Seven 14, and Yowamushi Pedal 9. (breathes) In that list, Silver Spoon and Yowapeda are what excite me most.

MICHELLE: I share your enthusiasm for those particular titles, though I also want to get caught up on Hatsu*Haru and ACCA.

ASH: That is a lot! ACCA, Silver Spoon, and Yowamushi Pedal are mostly where I’m at.

MJ: Silver Spooooooooooon! I’ve fallen behind on The Case Study of Vanitas after being disappointed with its start, but I’ll always give Jun Mochizuki a chance, so I should get back to that.

SEAN: So, you reading anything? Or just giving up?

ANNA: I’m giving up! My to read manga pile got so big it toppled over the other day!

Filed Under: FEATURES, manga the week of

Yona of the Dawn, Vol. 13

August 16, 2018 by Sean Gaffney

By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

As we watch Yona and her bunch wandering through the nations doing good and saving people, it would be all too easy to cut back to the usurpers back at the palace and make them simple, cookie-cutter antagonists. But one reason that Yona of the Dawn is so strong is that Su-Won is not a cookie-cutter antagonist. In fact, the reader might occasionally be thinking to themselves, “You know, Su-Won being king may actually be a very good thing?” Yona is dealing with the world at the lowest level, going from small village to small village for the most part, while Su-Won takes on major threats to his kingdom and also tries to get the leaders of the various tribes to think better and learn more. It’s micro vs. macro, and neither choice is bad. And it also means that when Su-Won and Yona see each other towards the start of this volume, the tension involved is absolute dynamite – and it can only last a few seconds before being taken away.

If you do want a more typical evil antagonist, there’s always General Su-Jin, who cannot conceive of a situation where he loses to this upstart new king. But lose he does, as right from the very start we see horses dressed up as tigers (some nice historical research from Kusanagi-san there) and it just goes downhill from there. Su-Jin is the classic example of the obsessive who cannot let something go, and I felt sad that he did not have a moment where he threw up his hands and screamed “THIS CANNOT BEEEEE!”. The best part of his attack on Su-Won was actually when Yona confronted him, as her concern is not only t stop the violence but also to tell him how far Tae-Jun has come. Sadly, it’s all for nought, but it does lead to that beautiful shot of her and Su-Won seeing each other (there is some absolutely gorgeous art in general in this volume. I may not mention it all the time, but Yona of the Dawn is extremely pretty).

There’s also a bit of reverse harem here, but honestly, every single time that one of the other guys (usually Jaeha) shows that they’re in love with Yona, it’s there to underscore how obvious Yona/Hak is as the OTP. Here we see Yona getting a bit jealous when Hak uses his natural charm to get customers at a bazaar, and also tamping it down because she knows one day he’s going to leave her and go with someone else. That will never, ever happen, but hey, this is why you don’t hook up the main couple in the first book. Hak and Yona are perfect for each other. That said, the other guys all have their charms, and I am certainly content for things to simmer a bit as they are now. This is a bit of a transitional book, as we see that Tae-Jun, much as being a nurse is something he’s awesome at, having to return to the Fire Tribe to be temporary leader while his brother studies. As for Yona and friends, I’m sure we’ll be starting a new arc next time. I can’t wait.

Filed Under: REVIEWS, yona of the dawn

Me, a Genius? I Was Reborn into Another World and I Think They’ve Got the Wrong Idea!, Vol. 3

August 15, 2018 by Sean Gaffney

By Nyun and Sakana. Released in Japan as “Isekai ni Tensei Shitandakedo Ore, Tensai tte Kanchigai Saretenai?” by Overlap, Inc. Released in North America digitally by J-Novel Club. Translated by Shaun Cook.

Of all the places for Me, a Genius? to go in its third volume, I was not expecting it to go here. Note that I’m not talking about it suddenly becoming a tense techno-thriller a la Tom Clancy – given the fact that we spent much of the second volume in a cod-fantasy world, I barely raised an eyebrow to see that we’re suddenly back in Kouki’s home world and taking on Russians and international terrorist organizations. No, the main thing I wasn’t expecting was that Me, a Genius has gotten rid of the humor. You might argue that it’s trying to be funny and the jokes just aren’t landing, but I’m not sure that’s quite it. We do see one or two “lol!” situations in the book that aren’t funny (Baldy is a lolicon! Hilarity ensues!), but for the most part this seriously looks like it still has its bonkers premise, but is trying to deal with it realistically. Which is… weird.

Yes, that’s Alice on the cover again, despite appearing in the book even less than she does in the 2nd volume. This is especially frustrating given how much of the reason for all this is supposed to be The Alice Project and her illegal genetic creation. But given that’s just an excuse to have cool action and espionage sequences, I shouldn’t really be surprised. Honestly, everyone in this series aside from Kouki and his mother are superfluous to requirements. We do get a very interesting development, though, in that the head of the terrorist organization (who is basically an evil version of Kouki’s mother) has been researching reincarnation, and Kouki is forced to admit that yes, he was reincarnated with his memories. This being Me, a Genius, everyone misunderstands the nature of the reincarnation and things he’s trapped in a Higurashi loop, but I was still surprised, and it gave a brief shade of depth to people (which went away about a page later).

The book should be filled with taut action sequences, this being a pastiche of a techno-thriller, but they’re actually pretty absent – we just see people talking around them or the immediate aftermath. The book also ends with a lot unfinished, which is a shame as there’s no sign of a fourth book coming anytime soon – apparently the writer has hit a block, and so this is all we’re going to get. And to be fair, there may be only so far that you can take this premise. Trying to do a serious version of Me, a Genius? was intriguing for one volume, but let’s face it, if I’m going to be reading a serious light novel about someone reincarnated into another world who’s caught in a worldwide power game and has people constantly misunderstand what they’re thinking, I’m going to be reading The Saga of Tanya the Evil, not this. This is an interesting third volume, but it wasn’t all that funny, and I’m starting to ask how many tricks this pony has.

Filed Under: me a genius?, REVIEWS

Bookshelf Briefs 8/14/18

August 14, 2018 by Michelle Smith, Sean Gaffney and Ash Brown Leave a Comment

Black Clover, Vol. 12 | By Yuki Tabata | Viz Media – Boy, that wrapped up fast, didn’t it? This is very much a breather volume of Black Clover, and some of the conflict resolution is laughable–the Queen of Witches basically just walks away, and there’s even time to cure Kahono and Kiato (which is good, as Kahono works 100% better as a teasing (and talking)) girl who ships Asta/Noelle. More importantly, the Black Bulls are now the second-most-powerful guild. This… displeases some of the other guilds, and leads to a hot spring on top of a mountain of lava–something that only those with magic can climb. Sucks to be Asta, but guess what? He finds a way anyway. Black Clover is highly enjoyable given its negative originality, and I’m glad I still read it. – Sean Gaffney

Bloom Into You, Vol. 5 | By Nakatani Nio | Seven Seas – I love it when series get better with each volume, as Bloom Into You is doing. The cover image shows the adorable aquarium date that Yuu and Touko go on towards the start of the book, and it’s pure cute and adorable. But Yuu’s also trying to change the ending of the play so that Touko stops seeing herself in it, and Touko doesn’t like that. What’s worse, she’s lost her biggest ally in Sayaka, who agrees with Yuu (and is not petty enough to stop it merely to torpedo Yuu’s relationship with Touko). This all culminates in a big confrontation on the roof, when Yuu says that she doesn’t want Touko to kiss her “to prove she exists.” The cliffhanger is the debut of the play–how will it go? I absolutely can’t wait. – Sean Gaffney

Food Wars!: Shokugeki no Soma, Vol. 25 | By Yuto Tsukuda and Shun Saeki | Viz Media – There’s two matches that take up the entirety of this volume, and they’re both excellent. The soba battle between Soma and Nene is something where you learn the difference between doing what you’re taught and thinking on the fly, as they’re in a fairly cold stadium and need to take ambient temperature into account. Meanwhile, Isshiki’s opponent is an arrogant Italian specialist (sort of an evil Takumi) who makes the mistake of insulting not just Isshiki (he doesn’t care about that) but the rest of the Polaris dorm. And so Isshiki absolutely destroys him, using things the rest of the dorm residents were experimenting with. This reads better in volumes than as weekly chapters. Good stuff. – Sean Gaffney

Kaze Hikaru, Vol. 26 | By Taeko Watanabe | VIZ Media – The majority of this latest installment of Kaze Hikaru revolves around Kondo’s proud new mistress, Miyuki, and the schemes she employs to avoid sleeping with him after her freedom has been bought. She’s actually got a rather interesting backstory, and her arrangement with Kondo comes to an end in a bittersweet way, so it made for diverting, light reading. I can’t say nobody died in this volume, but nobody we cared about, at least. Also, Sei didn’t do anything stupid, and Okita came a little closer to admitting that he thinks she’s cute. I suppose if they were all this slice-of-lifey, the annual releases would get old fast, but in terms of a pleasant visit with some likeable characters, this was a good one. See ya next year, Shinsengumi! – Michelle Smith

Kuroko’s Basketball, Vol. 25-26 | By Tadatoshi Fujimaki | Viz Media – The flashback ends, and it’s as depressing as you’d expect. The “miracle generation” are so good that it’s actually damaging them–and what’s more, Akashi levels up so hard that it turns him into a completely different person. Kuroko can’t play in the final game, loses his friend because of the rest of his team, and even brushes off Momoi. That said, I enjoyed seeing that the rest of the team brushed this off and reminded Kuroko of what he has now. That said, Kuroko winning the last game may actually have done some damage, as Akashi points out–he’s no longer standing in the shadows. Can he still play his kind of basketball if he gets noticed? We’ve got two more omnibuses to find out. – Sean Gaffney

The Promised Neverland, Vol. 5 | By Kaiu Shirai and Posuka Demizu | VIZ Media – The Promised Neverland never ceases to surprise me. That said, if you want to be surprised, skip ahead now because there will be some spoilers. I won’t go into specifics, but the escape happens and it’s as riveting as you’d expect. I did not expect my heart to be broken by a brave four-year-old or for Mom’s backstory to render her, if not sympathetic exactly, then at least more nuanced. My favorite aspect going forward is how much emphasis there is on how this would’ve been impossible without Emma. She actually feels a bit like a shoujo heroine, in the Sarasa or Yona vein, and the terrain the kids now find themselves in makes me think of 7SEEDS. It was exciting before and now it’s even more so. What a great series. – Michelle Smith

Vinland Saga, Vol. 10 | By Makoto Yukimura | Kodansha Comics – With its engrossing story, compelling characters, and superb artwork, Vinland Saga somehow impresses me more and more with every passing volume. The manga is easily one of my favorite series currently being released in English. Thorfinn wants nothing more than to leave his violent past behind–not to forget it, but to atone for it–which is proving to be increasingly difficult. Numerous people want him dead or to enter into battle for a variety of reasons, some thinking nothing at all of using hostages to try to force Thorfinn’s hand. Yukimura continues to up the ante in this volume by introducing new characters, in particular Garm, an exceptionally skilled spearman who is determined to fight Thorfinn. Vinland Saga can be an incredibly violent series, but Yukimura skillfully balances that intensity with humor. The seriousness of the story isn’t diminished, but the comedic moments help keep the manga from becoming overwhelmingly oppressive. – Ash Brown

Filed Under: Bookshelf Briefs

Hakumei & Mikochi: Tiny Little Life in the Woods, Vol. 1

August 14, 2018 by Sean Gaffney

By Takuto Kashiki. Released in Japan by Enterbrain, serialization ongoing in the magazine Harta. Released in North America by Yen Press Translated by Taylor Engel.

This was really cute and fun. I mean, I knew going in that it was going to be – that’s the premise. It’s one of those slice-of-life series starring two girls, only in this case the life is fantasy life and they’re four inches tall. But all of the things I was expecting the series to do were done well, and I enjoyed all the characters. The premise is that Hakumei (the extroverted redhead) and Mikochi (the introverted black-haired one) live together in a tree in the middle of the forest, and we follow then as they do things like go shopping, do their jobs, hang out at a bar, and hitch rides on giant birds who also happen to be old forgotten childhood pets. This isn’t aa laugh riot, and not much of anything happens. And despite the fact that the two of them live together, there’s no real yuri subtext either. It just puts a smile on your face.

I think one of the big reasons I liked this so much is that it feels like a slice-of-life with grownups, as opposed to impulsive teenage girls. Hakumei and Mikochi are like Ritsu and Mio when they both grow up, sort of. Hakumei is impulsive and loud, but not obnoxiously so, and she’s likeable and endearing. Mikochi can be fretting and stressing as well, but it too never gets to the point where it’s too much. Despite being tiny creatures, they’re both functional adults. Hakumei works for a weasel as a repair person, and we see she takes her job quite seriously, which is not somethng you’d expect given her stereotype. Mikochi makes preserves and household stuff, and she ends up having more issues with the local tsundere songstress than with Hakumei. The cast is minimal – besides said tsundere songstress and Hakumei’s boss, the only other fellow we meet is a mad scientist sort who means well, but comes off as… well, a mad scientist.

You’re never quite sure if you’re going to be getting fantasy or regular old slice-of-life. Scenes like Hakumei and Mokochi on the sunset kite (which is the first chapter, and has some gorgeous art to show off) or dealing with the lake’s skeletal denizens are definitely fantasy, but other plotlines like Mikochi losing their wallet while out shopping or hanging out at a pub playing games in a blizzard barely need fantasy context at all. And throughout the entire volume there’s a warm feeling of peace while reading it. It’s like a nice hot soup. We do meet our two heroines when they’re already in their house, and I’d like to see how they met, but that’s why this series is six-plus volumes. There are lots of places you can go from here. I’m definitely content to follow the author, as long as I keep seeing these two tiny women going about their tiny lives with aplomb.

Filed Under: hakumei & mikochi, REVIEWS

Pick of the Week: Sleepy Blue Skies

August 13, 2018 by Sean Gaffney, Michelle Smith, Ash Brown, Katherine Dacey and Anna N Leave a Comment

SEAN: I’ve heard good things about That Blue-Sky Feeling, but feel fairly confident the rest of the team will be weighing in on that one. So my pick this week is Accomplishments of a Duke’s Daughter. I’m a sucker for isekai with a female lead, and this one has the basic premise of the heroine ending up in the otome game she’s played… as the main antagonist. Should be great fun.

MICHELLE: I don’t read much in the isekai genre, but Accomplishments of a Duke’s Daughter might be the exception. Still, Sean is right that I’m most eager to read That Blue-Sky Feeling. Slice-of-life sounds like just the thing.

ASH: Sean has me pegged, too! While as always there are multiple releases that interest me this week, That Blue Sky Feeling is without a doubt my pick. I’ve likewise heard great things about this thoughtful and sweet gay coming-of-age story.

KATE: Since it’s been hot and sticky this week, my vote is for fun. I’ll be picking up the third volume of Toppu GP, which I’ve been enjoying despite my total lack of interest in motorcycles, and the second volume of Sleepy Princess in the Demon Castle, which I just reviewed and adored.

ANNA: Sleepy Princess in the Demon Castle Volume 2 for me as well! I’m in the mood for a pleasant diversion, and I enjoy the way this fantasy comedy manga subverts the familiar trope of a princess in distress.

Filed Under: PICK OF THE WEEK

Didn’t I Say to Make My Abilities Average in the Next Life?!, Vol. 3

August 13, 2018 by Sean Gaffney

By FUNA and Itsuki Akata. Released in Japan as “Watashi, Nouryoku wa Heikinchi de tte Itta yo ne!” by Earth Star Entertainment. Released in North America by Seven Seas. Translated by Diana Taylor. Adapted by Maggie Cooper.

I don’t think I’ve read a series that’s as consistently funny as Make My Abilities Average. The author simply knows how to write humor and write it well (she also apparently makes a lot of tortured puns and wordplay jokes, which the translators make a valiant effort at adapting). The book starts off relatively sedately, but the entire battle with the Wyvern in the final third is comedy cold from beginning to end. You would think that “Mile suggests something incredibly off the wall” would get old fast, but she’s simply a walking font of ridiculous, and it helps greatly that she has three types of tsukkomis traveling with her. There is the occasional moment of seriousness, mostly involving the background for Pauline’s family, but for the most part Make My Abilities Average knows what the audience wants: laughs.

Mavis and Pauline share the third cover, which is appropriate as their backstories come back to haunt them at the same time. Pauline’s is more serious, involving the murder of her father and loss of her family business. Mavis’ family is still intact, but she is the only daughter of a Count, and as such they would rather she not be training to be the best knight she can be and get back to being a marriage prospect. And so the Crimson Vow heads off (unofficially this time) to deal with the problems and ensure that they can carry on as before. There’s some lampshading of obvious tropes here, which is where the humor is really mined. Mile shows up as Mavis’ teacher, Evening Gown Mask (yes, really) in order to take on the Count in swordfighting. Her disguise is… an eye mask. That’s it. Despite this, and without the use of magic, Mavis’ entire family fails to recognize that it’s Mile.

Then there’s the Wyvern fight, which ends up being a series of toppers. I had assumed that the high point would be the scene that is illustrated (quite well, I might add), but no, it gets better. And then gets better again. The absolute highlight may be the mastermind explaining his plans to (and for) Mile, which involves plans so deeply silly that Mile is forced to play the tsukkomi herself. I’m trying not to spoil because it was simply that funny to me. This isn’t a perfect book – as with a lot of light novels that need to pad out the word count, one of the short stories falls amazingly short, as we see Adele (yes, it’s a flashback to school #1) going on a date with a classmate, where the humor involves a) said classmate being a “nice guy” with extra quote marks, and b) the class rep being a wacky comedy lesbian. I hate wacky comedy lesbians. On the bright side, this does suggest that the series is determined not to have romance invade its fun. which is fine by me.

Last time I mentioned that the lack of a “main plot” was also a flaw, and you can say the same thing about this book – it still feels more like a short story collection that happens to be sequential. That said, the author seems to realize this, and is implying she will add more plot in the next book. In the meantime, if you want a laugh, or want to see a great all-girl fighting team, I highly recommend this series.

Filed Under: Didn't I Say to Make My Abilities Average in the Next Life?!, REVIEWS

Toradora!, Vol. 2

August 11, 2018 by Sean Gaffney

By Yuyuko Takemiya and Yasu. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by J.P. Sullivan.

Having had a first volume that could easily stand on its own, Toradora! now has a second that has to extend the series. So Taiga and Ryuuji are still spending their every waking moment together and even eating the same bentos, but they aren’t actually together, they are supposedly scheming to help each other get together with their crush – something no one buys for a minute, and nor should they, given the ridiculous chemistry of the two leads. And so naturally, in the second volume, we need an antagonist. She’s got to be something that will drive Taiga absolutely crazy with rage. She’s Kitamura’s childhood friend. She’s a tall, long-limbed beauty. She’s a famous teenage model. She acts “oblivious” in a cutesy way. SHE’S GOT THE SAME FIRST NAME AS SAILOR MERCURY. Clearly she is evil and must be punished. And, while technically there is a punishment scene, the beauty and wonder of this book is that it is not about taking down Ami at all.

I think Takemiya is well aware of the fictional tropes involving “new girl as rival”, and she leans on them in her writing to make for greater impact later. Because Ami and Taiga really do not like each other at all. I’ve mentioned Taiga’s reasons, but Ami has heard a lot about her from Kitamura as well, and Taiga is also beautiful in her own, slightly furious way. So seeing Ami rip Taiga apart in the family restaurant, we are not at all inclined to be favorable to her. Showing up as a new transfer student was possibly the most predictable thing that could have happened as well. And so, at some point, we knew the “mask” was going to come off and that Ami would be taken down in front of the class. Technically this does happen, as Taiga and Minori (who has been laying low this entire time to make the payoff better) humiliate Ami in front of the class by mocking her being blase about dieting.

But then there’s the real, genuinely serious plot. Ami is being stalked. And it’s really unnerving and scaring her. And so when Taiga sees the girl who’s been belittling and mocking her all this time beg her and Ryuuji for help… she immediately helps. Yes, this help might also involve having Ami do karaoke for six hours at her place and recording it for future blackmailing material, but Taiga is well-aware that being creeped on by a stalker is bigger than a petty feud. As things escalate, meanwhile, it’s Ryuuji rather than Taiga who is able to wear Ami’s mask down to the point that she finally snaps and goes after her fan in one of the more cathartically satisfying scenes I’ve ever read – even if Ryuuji correctly points out how foolish it actually was. So now the core cast is in place, and I really can’t wait to see how the third novel shakes out.

This isn’t perfect – it ends far too abruptly, in a scene that almost cried out for a sad trombone noise. What’s more, it runs a bit short, so there’s an extended short story attached about a new first-year student with absolutely terrible luck who somehow gets told that touching Taiga will make him lucky. (I think this was adapted to the anime and he DID end up lucky in a way. Here he’s just sort of a shmoe.) That said, those are the only two minuses in an excellent volume.

Filed Under: REVIEWS, toradora!

Attack on Titan: Junior High, Vol. 5

August 10, 2018 by Sean Gaffney

By Saki Nakagawa, based on the manga by Hajime Isayama. Released in Japan in three separate volumes by Kodansha, serialized in the magazine Bessatsu Shonen Magazine. Released in North America by Kodansha Comics. Translated by William Flanagan and Taka Tanaka. Adapted by Ben Applegate.

Regular readers of my blog may have noticed that my Attack on Titan reviews were getting less and less enthusiastic as the volumes went on, until they finally petered to a stop about 3 volumes ago. Was it the timeskip? Was it the death of [spoiler]? Was it [spoiler] being turned into a baby factory? All those and more, but mostly it’s the fact that I can’t stop turning a blind eye to the fascist tendencies this series has honestly had since the start. For a while it looked like it was going to subvert them – I mean, it does overthrow a corrupt fascist government – but yeah, that’s not happening. So goodbye, Attack on Titan. What will I remember from you? Killing my favorite girl? Throwing another dead lesbian on the pile of dead lesbians? No, I will remember that you had, at one time, excellent characters that we could not only identify with but also parody. And I’m here today, finally, to talk about that parody.

Attack on Titan Junior High ends as it began: by being absolutely ridiculous. Eren is still hating titans (and constantly being called out for racism, which made me smile). Mikasa is still perfect (and has never farted. It’s in this manga, so is therefore canon and 100% fact). Sasha eats, and eats, and literally turns into a villain in order to get more food. (And, let’s face it, probably farts enough for both her and Mikasa). Armin is a crybaby shut-in. Ymir and Krista (who does not get the Historia upgrade in this series) are still joined at the hip. Everyone who’s been dead in the main series for ages gets a chance to shine, especially Levi’s old squad. Heck, we even get chapters devoted to the spinoff characters, who are also not dead. (technically Before the Fall has not killed its entire cast yet, but come on, we know it’s a matter of time.) Junior High wants to put a smile on your face, and it does.

I should say a word about the translation. Or, more accurately, the adaptation. I haven’t seen a series this loosely adapted since Excel Saga. Also, like Excel Saga, I think it’s all the better for it. Purists may carp at references to Sacha Baron Cohen (and boy, did that joke get outdated fast), but it gives the whole series a rambunctious , anything can happen feeling that fits it very well. You want to keep things fast and furious in a gag series, especially one like this that is a three-volume omnibus, which is the worst possible thing for a broad comedy to be. Special attention must also be paid to the fact that this volume was delayed for almost two years. It became comical to see it almost get released… then suddenly have a new release date six months down the road. The translators are very aware of this fact, and mention it in the text several times. I like a series that can mock itself. And again, that’s not something you’d see with a more “literal” translation.

So, as I say farewell to Attack on Titan, this is how I want to remember it. With a bunch of fun, goofy characters doing dumb things. And everyone living happily ever after. That may be the opposite of the point that the original author wanted to make, but that’s fine by me.

Filed Under: attack on titan junior high, REVIEWS

Manga the Week of 8/15/18

August 9, 2018 by Sean Gaffney, Michelle Smith, Ash Brown and Anna N 1 Comment

SEAN: 30 manga enter! One manga leaves! It’s manga madness!

But let’s start with light novels, as Bookwalker has a 5th volume of The Combat Baker and Automaton Waitress.

Dark Horse has the 3rd and final RG Veda omnibus, after much delay.

MICHELLE: I actually forgot this was even coming out.

ASH: (Really) slow but steady, I guess?

SEAN: J-Novel Club’s debut is An Archdemon’s Dilemma: How to Love Your Elf Bride (yes, they sensibly changed the title after they first announced it), which is apparently cute and adorable.

There’s also new volumes of Grimgar of Fantasy and Ash (10), I Saved Too Many Girls and Caused the Apocalypse (9), and The Magic in This Other World Is Too Far Behind! (5). J-Novel cornering the market in long light novel titles.

Kodansha. A whole lot. Starting with print, we have an 11th Fire Force, an 8th In/Spectre (always a favorite of mine) and the 3rd Toppu GP (in which instead of a harem it’s just bikes.)

Kodansha’s digital debut is Back Street Girls, which I have to admit has one of the more “…what, really?” premises out there. Three yakuza guys who’ve failed one too many times are punished by… getting sex reassignment surgery and becoming an idol group. I admit I’m curious, but let’s face it: it’s morbid curiosity.

MICHELLE: *dubious face*

ASH: Dubious morbid curiosity about sums it up for me, too. (Also, I had completely forgotten about this license.)

ANNA: Feeling enthusiastic about skipping this manga!

SEAN: But there’s plenty of other digital volumes out next week. Aoba-kun’s Confessions 7, Boarding School Juliet 4, Drowning Love 10, Kamikamikaeshi 3, Kasane 13, Lovesick Ellie 6, Those Summer Days 3, and Tokyo Alice 2. Tokyo Alice interests me most in that stack.

MICHELLE: I’m definitely down for Tokyo Alice, and the covers for Those Summer Days make me think I’ll like it as well, but mostly I’m happy for more Lovesick Ellie.

SEAN: One Peace has the 12th The Rising of the Shield Hero light novel.

Seven Seas has a debut with Accomplishments of a Duke’s Daughter (Koushaku Reijou no Tashinami). Based on a sadly unlicensed light novel, it’s part of a rising trend of isekai books where a young girl is reincarnated into a fantasy world… as the villain. And she’s about to get the “bad end”. What is she to do? This runs in Young Ace Up.

MICHELLE: That sounds kinda neat.

ASH: It does seem to be a fresher take on isekai than some others we’ve seen.

SEAN: And there is a 5th Bloom Into You, and a 5th Species Domain.

SuBLime gives us a 4th volume of A Strange and Mystifying Story. Honestly, after four volumes it should be less mystifying.

ASH: This is the first newly translated volume, too!

MICHELLE: *snerk* They did switch up the main couple in volume three, so as to keep the mystification going, one assumes.

SEAN: Vertical has a 4th omnibus of deeply strange Arakawa Under the Bridge.

Viz has a debut this week with That Blue-Sky Feeling (Sorairo Flutter), a Gangan Joker series about a new transfer student who hears a rumor that his classmate is gay. I’ve heard very good things about this one.

MICHELLE: I flipped through a review copy the other day and it looks pretty great. Looking forward to getting around to reading it.

ASH: Same!

ANNA: Me too!

SEAN: Viz also gives us the 2nd hardcover collection of Fullmetal Alchemist, the 31st Magi, and the 2nd Sleepy Princess in the Demon Castle.

ASH: The first volume of Sleepy Princess in the Demon Castle was delightful. I’m looking forward to reading more.

ANNA: It was uncomplicated fun.

SEAN: Who won? Who lost? You decide!

ASH: I think we’re all winners here, Sean!

Filed Under: FEATURES, manga the week of

Lazy Dungeon Master, Vol. 1

August 9, 2018 by Sean Gaffney

By Supana Onikage and Youta. Released in Japan as “Zettai ni Hatarakitakunai Dungeon Master ga Damin wo Musaboru Made” by OVERLAP, Inc. Released in North America digitally by J-Novel Club. Translated by Quof.

I tend to review a lot of light novels, and try to keep up as much as I can. That said, with J-Novel Club recently taking it up a notch, I have to come to the conclusion that I can’t keep up with everything. Fortunately, their first new release in this huge batch of licenses, Lazy Dungeon Master, allows me to bow out gracefully. A work that seems designed entirely for the “is there snu snu?” reader, Lazy Dungeon Master has many faults, but its largest seems to be that the laziness of its titular hero is not just “wants to sleep all the time”, but also “his moral and ethical sense is that he can’t be bothered”. This is a shame, as the book made a valiant effort to get my interest in its last quarter, where I was genuinely entertained. But it can’t make up for the beginning, and the afterword suggests this is the toned-down version.

Keima is your average Japanese boy who is transported to a world where he has been summoned by a dungeon, whose core takes the form of a cute, busty girl (who can also transform into a far younger girl, but let’s not go there). He’s there to help save the dungeon from being destroyed. The problem is that the dungeon core, who he names Rokuko, has no common sense whatsoever. And the dungeon is already occupied by bandits, who are using it as a home base. It’s also just one room. As such, Keima has his work cut out for him. Fortunately, he may be lazy and morally bankrupt, but he’s rather clever, and so by use of several items, some tricks, and a dog-girl slave named Niku (more on that later), he is able to save the day and slightly expand the dungeon. As the series goes on, hijinks will no doubt ensue. And yes, Rokuko has already fallen in love with him, and I think Niku has as well. Sadly, all he cares about is their feet.

I’ll start with the good. The moment the dungeon battle begins, the series becomes genuinely entertaining, and I found myself smiling and laughing more than a few times. Well done. Now, the bad: the rest of the book. The bandits are scum, and take two sex slaves (no, really, they’re CALLED sex slaves) back to the dungeon to bang. Keima sees this… and does nothing, as his laziness and self-preservation overcome any horror he may have for what he’s seeing. And given his matter of fact “whoah, they’re raping that girl” narration, he’s not that horrified. Niku, the little girl slave (whose name literally means “Meat”, and I thank the Lord it wasn’t translated that way – leave that to Haganai) is introduced to us as basically a dead-eyed husk, and it’s clear what’s been happening to her before this. The afterword suggests that this book was edited so she’s “too young” and merely used as a servant while the bandits screw the older sex slave, but… you can’t remove a backstory but still have the obvious evidence that it happened. The whole thing is creepy.

There’s other things I didn’t like. Parts of the book where Keima and Rokuko simply sit and comment on the things they’re seeing from inside the dungeon core feel like a bad episode of Mystery Science Theater 3000. Haku is an interesting antagonist who turns out to not really be one, but the yuri scenes seem rather forced and “service, service!” to me. Most importantly: Keima is clever and has the potential to be powerful, but I suspect his uncaring attitude will also keep going. And I don’t trust the author not to make more bad decisions. Recommended for those who are the sort to have read the webnovel version already. I will be moving on.

Filed Under: lazy dungeon master, REVIEWS

The Promised Neverland, Vol. 5

August 8, 2018 by Sean Gaffney

By Kaiu Shirai and Posuka Demizu. Released in Japan as “Yakusoku no Neverland” by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz Media. Translated by Satsuki Yamashita.

One of the questions I asked last time is answered fairly quickly in this new volume, which is: will our gang of children really escape with everyone, including the little babies? And the answer is no, they won’t. There’s being idealistic and then there’s being realistic, and even Emma knows that. And what’s more, she and Ray actually trust Isabella enough to know that she’s not simply going to do anything to the little kids left behind out of spite. We see a flashback showing us Isabella’s past, and it’s somewhat like you’d expect – she believes there’s no escaping this, so she’s doing what she can to make everyone as happy as possible before they’re taken away. It’s a decision made with love, even if I disagree with it. And it means we leave Phil and company behind (and very nice scene of him understanding what’s going on) and make their escape.

The escape involves a nice fake-out: since the only way to escape the compound is the bridge, every security measure will be there. So the kids instead actually do go over the wall, using rope and various klugded-together implements to cross the chasm and enter a forest beyond. (As a side note, I love your multicultural cast, TPN, it’s really great, but: Jemima? Really? No one called you on that?) The difficulty, of course, is that they know nothing about the terrain beyond the orphanage, and it turns out that the forest is a lot more alive than they’d really like. Oh yes, and they also have to avoid demons. And the main bad guys themselves, who are still very much in the mood to eat their delicious brains. The Promised Neverland always seems to have a fresh new crisis at hand, which is good, as the premise is basically “jumping from crisis to crisis”.

I think the series spent just the right amount of time in the orphanage and planning to escape it, and now, five books in, I look forward to seeing where Emma and company manage to wind up. Of course, that company is getting a bit smaller, as this time it’s Ray who has to sacrifice himself so that the others might move on. It’s amusing seeing Ray do this given all the times he’s tried to in the past and been stopped, but as he himself says, this time he doesn’t plan to sacrifice his life. But that does mean that the group is now led by Emma… who is realizing that being a child, planning a daring escape and also cutting off your own ear can possibly lead to sickness. Fortunately, there’s a robed stranger who is NOT AT ALL SUSPICIOUS to help the rest of the kids. Can Don and Gilda carry on while Emma is ill?

This series is a sort of high-wire act, as you’re never quite sure when its thriller logic is going to run out. But for the moment, it remains one of the best Jump series out there.

Filed Under: promised neverland, REVIEWS

Invaders of the Rokujouma!?, Vol. 15

August 7, 2018 by Sean Gaffney

By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

The basic premise of this series is that all the many and varied girls who have their eye on Room 106 get together with Koutarou to form a family (yes, they all love each other romantically, but “family” is the first thing that comes to mind to describe themselves, and the reader has to agree). And they’re all beset by various types of villains. So it makes a certain amount of sense that the villains are also joining forces in order to fight our heroes. Of course, unlike Koutarou’s group, this is not a particularly equal partnership. Radical Faction leader Tayuma is a classic laughing villain sort, and you expect he’s going to get taken out in the following volume (this volume) is the first of a two-parter) and then quietly forgotten about. But the pairing of Elexis, Theia’s nemesis, and Maya, the Dark Magical Girl, looks more long-lasting, and there’s also some potential romance there. Yes, villains can hook up, too!

As for our “family”, they’re still getting along well. One thing that’s interesting about Rokujouma is the utter lack of inter-harem conflict compared to most series of this ilk. You don’t even have any scenes of people temporarily walking out in an angry huff. (Where would they go, they all live in the apartment.) It can lead to being a bit self-satisfied, as I noted in my previous review, but it’s also sweet and cute, which is what the author is going for, I’m sure. This group is very much still in the initial blush of first love, and it shows in their actions. Koutarou is getting more comfortable with showing physical affection top people not named Yurika, and the other girls are getting better about asking for it. They’re slowly maturing, and yes, that includes Yurika, even though she seems designed to always be whining and complaini9ng because, well, the author loves writing that.

The main plot of this volume involves our heroes teaming up with the sentai group from like 10 volumes ago (remember them? Yeah, me neither…) to take on the Radical Faction’s attempt at causing a natural disaster so great it will allow them to take over the surface once and for all. It’s a total “evil villain” scheme, but it’s treated seriously because of Kiriha, and because the others discuss the actual consequences of such a thing. One reason I enjoy reading Rokujouma so much is the amount of dialogue going on – now that everyone’s mostly revealed their true background and desires, they’re not hiding anything from each other and can be open and direct. Which I’m sure will lead to better solutions in the next volume. They’re not perfect – they were truly suckered in in the last third of the book, and now the bad guys have a better idea of how to fight Koutarou and company – but they’ll come up with something.

This is a short book in the series, and didn’t take long to get through. Fans of Rokujouma!? should enjoy it quite a bit.

Filed Under: invaders of the rokujouma!?, REVIEWS

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