Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Sean Gaffney

Bookshelf Briefs 9/12/18

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Again!!, Vol. 4 | By Mitsurou Kubo | Kodansha Comics – Just as the ouendan members are beginning to communicate and share ideas for how to set their cheering apart, Imamura falls down the flight of stairs again and finds himself back where he started, temporally speaking. What follows is a neat split timeline, with Imamura in 2014 trying to figure out whether what he experienced was real or a dream, and Fujieda in 2011 watching everyone gradually forget Imamura and his influence in their lives. It’s still not 100% conclusive that it is real, or whether Imamura’s actions will in any way affect the present, but he’s still determined to try. Armed with knowledge of how Usami ends up causing a disaster and dropping out of school, an accidental plummet from a window sends him back again. This was an exciting volume, and a big improvement over the previous one. – Michelle Smith

Arakawa Under the Bridge, Vol. 4 | By Hikaru Nakamura | Vertical Comics – As always, I’m grasping at straws to avoid having every review be simply “this series is really weird but pretty funny,” and this time around it’s noticing that despite living under the bridge mostly involving Rec playing the straight man, it’s actually pretty much been a good thing for him, both in terms of his physical and mental health. Rec was the sort of person who was headed for an early nervous breakdown, and while one can argue that he has about ten of these in this omnibus alone, he’s also maturing in a weird way by being immature. He’s also a good fit with Nino, who gets a rival in a huge Amazon this time around but is otherwise power-faced. Best read in bits, but still great fun. – Sean Gaffney

Chio’s School Road, Vol. 1 | By Tadataka Kawasaki | Yen Press – Although Chio is a high school student who would rather not draw too much attention to herself, somehow the complete opposite always seems to happen. She can’t even make it to school on time without something astonishingly absurd happening first–thus the title and premise of the series. Chio’s School Road can be incredibly funny. The titular heroine repeatedly finds herself in over-the-top situations which she unintentionally makes even more outrageous due to a potent mix of exceptionally creative problem solving, a nearly complete lack of common sense, and an obsessive love of video games. While not as overly-sexualized or fanservice-laden as it could be, Kawasaki’s background as a hentai artist is readily apparent in Chio’s School Road, mostly in how characters’ facial expressions are portrayed during times of intense physical exertion. Some of the humor is a bit lewd or risqué as well, but some elements are more innocent. – Ash Brown

D-Frag!, Vol. 12 | By Tomoya Haruno | Seven Seas – It’s been almost a year and a half since the last volume of D-Frag!, and I’ve honestly forgotten half the cast. But that’s fine, as the reader will quickly get back into the spirit of things, as the premise remains the same—gags happen, and they are funny. Much of the volume involves the main cast going to a festival held at the Girls’ Private Academy they’ve occasionally battled, and no prizes for guessing that they have to play games there. And there’s also many, many jokes about Takao’s breasts, which remain nearly invincible (in fact, the fact that they can come to harm is a gag all to itself.) D-Frag! is never going to have a serious plotline or any character development, but it’s dumb fun. – Sean Gaffney

My Monster Secret, Vol. 12 | By Eiji Masuda | Seven Seas – First off, I get the feeling that the manga really is going to go for the teacher/student relationship with Akari and Sakurada, and I’m not sure how I feel about it, though it would at least stop the old maid jokes. The best part of this volume, though, is Youko and Asahi’s first date, which is absolutely adorable despite a bit of ominous foreshadowing near the end, which seems to imply that Youko’s vampire tendencies may actually be tied to her lust for her boyfriend. We also start a new year, and thus have new freshman, including Asahi’s sister, who I’d forgotten existed, and Momochi, an over-the-top ninja who seems to fall in love at the drop of a hat. Dragging on a bit, but still good. – Sean Gaffney

Yowamushi Pedal, Vol. 9 | By Wataru Watanabe | Yen Press – Day two of the inter-high continues! The teams from Hakone and Sohoku make their triumphant return to the head of the pack, much to the consternation of a hothead on the Kyoto-Fushimi team. Midousuji insists all is within the scope of his simulations, however, and employs various tactics to ensure his victory. It’s initially satisfying watching Midousuji be thrown off by just how strong Fukutomi and Kinjou really are—I was particularly amused when he called them “sewer gnats!!”—but once he gets a tragic backstory, I felt a little less gleeful about it. Fukutomi and Kinjou have a very healthy rivalry born of mutual respect that leads to greater heights, whereas Midousuji has nothing like that. Watanabe-sensei, I can’t believe you made me feel bad for Midousuji. Well done! – Michelle Smith

Sorcerous Stabber Orphen: The Wayward Journey, Vol. 1

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By Yoshinobu Akita and Yuuya Kusaka. Released in Japan by TO Books. Released in North America by J-Novel Club. Translated by Andrew Hodgson.

Most of the time, when reviewing books this old (Fujimi Fantasia Bunko put out the first volume in May 1994), I have to remind myself not to think of things that may have been newer or fresher as hopelessly cliched. I had less of an issue here, though, possibly as Orphen is such an old-school fantasy it actually feels slightly fresher these days. The tropes are taken mostly from a) fantasy BOOKS, and b) your typical comedic anime cast. This means that the usual RPG nattering is entirely absent, and no one mentions hit points at all. It’s a very direct and straightforward book. Unfortunately, there is one thing the creator does that does still resonate here in 2018: the book starts to grate when it’s being “funny”. There is overly plucky girl, put-upon nerd, and above all, obnoxious, angry and “lovable coward” guy, all of whom made my teeth grate a bit as I read the book, though the first two not nearly as much as the third. But setting that aside, this was a good, solid debut volume.

As you may imagine, Orphen is our hero, though it’s a name he took on when leaving the fancy school of magic in protest, saying he’s an orphan now. (Magic is his specialty, but spelling is apparently not.) Five years earlier, he watched in horror as his mentor turned into a horrible monster, and the magic users vowed to destroy her rather than try to return her to normal. Now he roams the land looking for her. Unfortunately, currently he’s dealing with two dwarf brothers who owe him money and are very bad about finding “schemes” to pay it back, which include things like “pretend to be a merchant and marry the local rich lady’s daughter”. This ends up being fortuitous, though, as the rich family is also the home to endless ancient artifacts, one of which is desired by both the sorcerers who are still hunting the “monster” down, and the monster herself, still presumably looking for a cure.

I’m going to get this out of the way right off the bat: Volkan, one of the two dwarfs, almost caused me to stop reading this book entirely. He is very loud, very annoying, abuses his brother in what is supposed to be a funny way, is not particularly bright, and is also a coward. Now, this is deliberate. He’s meant to be annoying, and well done! But he’s meant to be annoying in a “look at this funny annoying guy!” way, and that did not happen for me. I want him to fall in a pit. Dortin, who has comedy “manga nerd” glasses and spends most of the book whining about his brother’s abuse but not saying it out loud for fear of provoking more abuse, and Claiomh, the younger sister in the rich family and (I suspect) future love interest of Orphen, who is bright and impulsive and very much a “bratty younger sister” sort, are far more tolerable. But the reason to read the book is the main plot, which deals with Orphen’s tormented relationship with Azalie, his mentor and crush, which is both admirable and frustrating, and causes him to make some teeth-grinding decisions that turn out to pay off in a well-written ending.

I’m not sure I’m going to continue with this – Volkan was THAT annoying, my friends – but for those looking for a nice old-school fantasy light novel, Orphen would be a very nice choice.

Pick of the Week: Lots and Lots of Stuff

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ASH: So many interesting manga are being released this week, it’s difficult to pick just one! A couple in particular have especially caught my attention, though. There’s Dementia 21 which should be… memorable, and then there’s Dragon Goes House Hunting which has a premise that delights me utterly.

MICHELLE: I am also really, really delighted by Dragon Goes House Hunting, but I know that I will love the latest volume of The Ancient Magus’ Bride, so that’s my official pick this week.

KATE: I can’t limit myself to a single pick, especially since there are so many intriguing debuts! Topping my list would be Dragon Goes House Hunting followed by The Delinquent Housewife! and Tomo-chan Is a Girl!, though I’m also curious about Radiant. I’m also curious about — and wary of — Dementia 21, which looks like the stuff nightmares are made of.

SEAN: As others have noted, there’s an embarrassment of riches this week. I think I will throw my lot in with The Delinquent Housewife!, whose cover art and description combine to make it look like it was written just for me.

ANNA: I agree, The Delinquent Housewife! looks hilarious just judging from the cover! That’s my pick as well.

MJ: I feel a bit iffy on this week’s releases as a whole, but I think I’ll throw in my vote for Radiant. Wizards are generally a win for me, so I’m going to bet that I’ll like it!

Kokoro Connect: Hito Random

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By Sadanatsu Anda and Shiromizakana. Released in Japan by Enterbrain. Released in North America by J-Novel Club. Translated by Molly Lee.

I had enjoyed the manga version of Kokoro Connect when it came out a few years back, so was delighted to hear that I’d get a chance to read the novel version that spawned it. And for the most part it does not disappoint me. Ostensibly a book about an alien being who toys with a high school club by causing them to swap bodies at random (each book, in fact, will have the title _______ Random), in reality it’s a good example of the turbulence that is life as a hormonal teenager with issues, some of which are larger than others, but all of which are the most important thing in the world for that person. It also has a very likeable cast, including a fascinatingly flawed hero (Taichi is our 3rd-person viewpoint character, so I’ll call him a hero even though the series is about the five kids as a unit) whose selflessness is called out as nothing of the sort.

The club is one of those sorts that was created mostly because everyone HAS to be in a club, and it functions more as a hangout for the main cast than anything else. Iori is happy, joking, and energetic; Inaba is serious, foul-mouthed, and seems to exist in a perpetual state of near-fury; Yui, who is a pint-sized powerhouse whose knowledge of karate can’t quite make up for a terror of men; Aoba, the big goofy guy who loves Yui but is mostly there to be “the friend everyone picks on”, and Taichi, who I’d mentioned above, another serious guy whose function so far is to be “the male lead”, something I suspect we aren’t quite done with even as the cast does call out his “martyr complex” over the course of this book.

But of course the point of the book is that each of these kids are more complex than you’d expect. I love series where the protagonist is boggled by the fact that their friend may have more than one side to them, and we get that here – in fact, Iori’s main concern is that she’s spent so long showing other sides to people that she can’t remember who she’s supposed to be. Her monologue about loss of identity is one of the highlights of the book, along with the climax of the book where the characters all have to decide, literally, who lives and who dies, and Iori shuts them right down. Meanwhile, the most interesting thing about Inaba (who is my favorite, sorry to be predictable), whose panic about her own personal issues, which are not related to a “traumatic past” like Iori and Yui, is that everyone will hate and pull away from her, is that it really IS overblown. This is quite a funny book when it tries to be, but the funniest line may be Iori’s blithe “So basically… you have anxiety?”.

I also want to give props to the translator. These kids sound like high school kids, and their dialogue does not read like it’s written by someone who grew up in a different time. It’s also not afraid to get coarse for realism – Inaba is meant to curse like a sailor to a degree, and she does. That said, the main reason to pick up Kokoro Connect is the characters, who make you root for them and want to see how they handle whatever’s coming next. I’m very happy this is being released.

Legend of the Galactic Heroes: Tempest

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By Yoshiki Tanaka. Released in Japan as “Ginga Eiyū Densetsu” by Tokuma Shoten. Released in North America by Haikasoru. Translated by Daniel Huddleston.

This volume seems to be the best at balancing out the political; intrigue and the cool space fighting, as both really get a good chance to capture the attention of the reader. On the political side, we see the final decline and fall of the Free Planets Alliance, and much snarking about the negatives of democracy. But Yang is also there to remind us that even with all those negatives it’s still worth fighting for, and the author does a much better job of reminding the reader that the only reason the dictatorship is looking like the better option in this series is that Reinhard is not evil – that’s pretty much it. We see a few scenes where he reminds everyone who’s trying to do dictator-ey things that this is what leads to rebellion and unrest. That said, Reinhard may not be evil but he’s still having trouble with the whole “what’s next?” thing. Luckily, Yang may help him there, as the end of the book seems to tell us we’re headed for one final confrontation.

Last time Yang got more to do than Reinhard, so it’s appropriate that we get the reverse here. It’s interesting seeing all of his aides worry about his seeming passivity, and we see that it’s not just Reinhard worrying about what to do once he’s conquered everything – none of the Empire wishes to follow a bored leader. That said, behind the scenes machinations may be taking care of that soon. Someone is out to get von Reuentahl, and they’re being helped along by the man himself, who seems to have no interest whatsoever in self-preservation. He’s safe for the moment because of Reinhard, but there are seeds being sown here, and I’m wondering if he’s going to end up an antagonist sooner rather than later. Poor Mittermeier, who tragically has to be the one persona in the Empire with a happy, satisfying personal life.

Meanwhile, on the other side, we see Bucock make one final awesome stand against the Empire. It’s a futile one, but he does absolutely everything right, and the admirals on the other side are filled with praise for him. It must have looked fantastic animated, especially Bucock’s final “screw you” before his death. Unfortunately, his death briefly sends Yang into a tailspin. Yang is trying somehow to avoid the role that fate keeps spelling out for him. He does not want to be a leader of anything, and yet here he is. Fortunately we also see a bit of the Admiral Yang of old, as his retaking of the fortress is both impressive and a bit hilarious. And he’s also reunited with Julian, meaning the family is together again.

So it looks like we’re headed for one big Reinhard vs. Yang battle – again. We’ve got three more books left in the main series, can it really be strung out that long? Probably not. Something else is bound to happen to upset the apple cart. What that is, we’ll have to see. Till then, enjoy another excellent (if dryly written, as always – we get a lot of history textbook stuff this time around) book in this space opera series.

The Devil Is a Part-Timer!, Vol. 11

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By Satoshi Wagahara and 029. Released in Japan by ASCII Mediaworks. Released in North America by Yen Press. Translated by Kevin Gifford.

This book can mostly be divided into two parts, and while I won’t say that they’re good and bad, I will say that they’re good and less good. The less good involves three large scenes that serve as giant infodumps, telling us a lot about the backstory of some of the characters and revealing most of the worldbuilding and machinations that have been going on. It’s framed all right (at least the first two – the third is just the landlord blatantly spelling things out for them), but it can read awkwardly at times, as it amounts to a lot of listening to other people talking, and, unlike Emi and Suzuno, I am not particularly lovestruck by how Emi’s mom and dad fell in love. I’m not entirely sure that writing Alas Ramus and company out of the series is a thing that’s going to be happening, but certainly it’s the next big crisis, and will no doubt carry us through the next book or two. Hopefully along with some McRonald’s antics, as that’s where this volume shines.

Honestly, Emilia working at McRonald’s is such an obvious plot complication that I’m amazed that it hadn’t come up before now. She’s not living at the apartment complex yet (the explanation apparently involved her swank apartment being haunted or something, so the rent is cheap – I think the author just likes keeping them separated), but having her work with Maou and Chiho will certainly add to the fun of this series, and help keep us from, well, long infodumps. This is all kicked off by Maou possibly being the stupidest he has ever been, misunderstanding Emilia’s pride and acting (seemingly) like such an ass that Chiho tears him up one side and down the other. Of course, his goal and Emilia’s are the same, but she’s absolutely right in that she needs to get the job and commit to it on her OWN terms, not his. Maou spends much of this book getting yelled at and humiliated, and it’s actually pretty fun.

There is also some attention paid to the love comedy in this title, which honestly takes a backseat a lot of the time. The question is whether Maou actually has romantic feelings for anyone. With Emi he’s having enough trouble simply acknowledging her as a friend, so we have a long way to go there. With Chiho it’s far more practical – he doesn’t want to get a normal human involved with everything that being the lover of Satan of Enta Isla, and there’s also the fact that he and the other demons are very long-lived, and Chiho as a human isn’t. Honestly, though, all this boils down to “I am keeping her at a distance”, and I get the feeling Chiho is somewhat aware of this. Despite the snarking of the other male McRonald’s employees, the harem does not appear likely to be resolved anytime soon.

The cliffhanger ending (of a sort) promises even more backstory revelations in the next volume, but I hope that it finds time for fast food wars as well. Devil Is a Part-Timer! is at its best when it’s thinking small, and not dealing with demons vs. angels and where Enta Isla actually is in relation to Earth.

Manga the Week of 9/12/18

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SEAN: There is, it has to be said, a bit of manga out next week. Just a wee bit. A dram.

MICHELLE: A smidge.

ASH: A skosh, perhaps.

SEAN: And also some light novels, starting with Cross Infinite World, who have The Champions of Justice and the Supreme Ruler of Evil, which seems to be on the humorous side. It’s also got some steamy scenes, be warned!

Fantagraphics gives us the one-volume Dementia 21 by famous (infamous) manga artist Shintaro Kago. Best described as ‘surreal horror’, I’ve wanted to see Kago’s works over here for some time. This volume is a great start.

ASH: I’m always glad to see more manga released by Fantagraphics! Kago’s work can be pretty intense.

ANNA: Me too! I feel that they target manga no other publisher would take on.

SEAN: J-Novel Club have two debuts. The first is Amagi Brilliant Park, from the creator of Full Metal Panic. It’s about an amusement park and also involves magic, I think?

The other new title is Der Werewolf: The Annals of Veight. Seems to be another reincarnation isekai. But werewolves!

And there’s also Infinite Dendrogram 7 and The Magic in This Other World Is Too Far Behind! 6.

Kodansha’s debut is actually a new edition of a title that’s now been debuted 3 times. Sailor Moon: Eternal Edition. Larger trim! Different translation! More bells and whistles! Buy it again for the first time.

ANNA: Sailor Moon!!

MICHELLE: Oh, I didn’t know there was a different translation! Maybe I do need to buy it again.

MJ: Well, damn.

SEAN: There’s also Golosseum 3, Nekogahara: Stray Cat Samurai 4, and Waiting for Spring 8.

Digitally there’s no new debuts, but we do get Peach Girl 9-18, as well as Tokyo Alice 3.

Seven Seas has a lot of interesting stuff. We get Dragon Goes House Hunting (Dragon, Ie wo Kau), whose title alone makes me want to read it. It’s from Mag Garden’s Comic Blade.

MICHELLE: I’ve been eagerly anticipating this one!

ASH: I’m looking forward to it, too!

SEAN: Tomo-chan is a Girl! (Tomo-chan wa Onnanoko!) is the other manga debut next week. About a tomboy girl who can’t convince her childhood friend she likes him romantically, it’s a 4-koma from what I believe is an online site, but Kodansha collects the volumes.

ASH: Oh, I didn’t realize it was a four-panel manga! I’ve heard good things about it, though.

SEAN: There’s also the debut of J-Novel Club’s biggest breakout hit in print, How a Realist Hero Rebuilt the Kingdom.

But there’s also a 9th volume of The Ancient Magus’ Bride, a 12th D-Frag! (the first in 17 months), Didn’t I Say to Make My Abilities Average! Novel 3 (in print) and 4 (digitally), The Testament of Sister New Devil STORM! 4, and Toradora! manga 8 (the first since June 2015).

MICHELLE: Yay for The Ancient Magus’ Bride!

ASH: Yes, indeed!

SEAN: SuBLime debuts Escape Journey, a BL series from Libre Shuppan’s Be x Boy filled with dubious consent and drama.

MJ: Why always dubious consent, whyyyyy?

SEAN: And a 7th Don’t Be Cruel is out next week too.

Tokyopop has the 2nd Konohana Kitan.

And Udon has a 7th volume of the Persona 4 manga.

Vertical debuts The Delinquent Housewife (Futsutsuka na Yome Desu ga!), a slapstick comedy from Shogakukan’s Big Comic Spirits about a man who discovers his new sister-in-law is, shall we say, not the perfect Japanese wife.

Viz has Radiant. It’s actually a French manga, but Akaneshinsha releases it in Japan. It’s got wizards, monsters, and the Inquisition. Sounds pretty manga to me.

ANNA: OK!

MJ: Interesting!

ASH: It really is!

SEAN: There’s also a 32nd Hayate the Combat Butler, a 4th Legend of Zelda: Twilight Princess, and a 4th Splatoon.

See? Barely anything. A doddle. What are you getting?

The Asterisk War: Festival Symphony

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By Yuu Miyazaki and okiura. Released in Japan by Media Factory. Released in North America by Yen On. Translated by Haydn Trowell.

The author admits in the afterword that this was supposed to end with the start of the next school battle, but that things got out of hand. As such, we have another volume that is theoretically marking time and having fun before the next round of fights. In reality, of course, what we get here is more insight into the six other schools, with attention paid to almost all of them. We finally find out what Claudia’s wish is, and why the entire world seems to want to stop her. And Ayato gets another girl falling in love with him, and like the others, she’s intensely likeable. The drawbacks of the series remain the same – every plot twist is quite predictable, and the characters sometimes seem to be types rather than real people. But as a book that puts the “light” in light novel, it’s fun.

The majority of the book, as the title might suggest, is taken up with the Culture Festival that all six schools are giving. Ayato has agreed to take Sylvia on a date around the schools, something which the other girls in his orbit are all very well aware of. I liked the differing approaches to dealing with their jealousy – Julis hides from the entire festival and works on training, Saya does a bunch of events where she can just destroy everything, etc. Ayato, meanwhile, being terminally clueless about romance, has no idea why any of this is going on, which can sometimes be a problem, as he and Sylvia put on disguises but he keeps breaking their cover. The date itself also serves as an excuse to talk a bit more about the different schools and the types of students they attract, and we also meet some new recurring cast members, both comedic (the idol group that’s trying to top Sylvia) and serious (Jie Long’s new powerhouses, though Hufeng’s “long suffering” attitude is sometimes funny).

We’re gearing up for the next tournament, the Gryps, which depends on teamwork. As such, Claudia discusses her weapon and what the drawbacks to it are, and also shares why she wants to win: she wants to talk to a supposed criminal that’s been imprisoned. Ayato and Sylvia, meanwhile, may not be at the same school, but their desires also hinge on the book’s later plotline, with Ayato being offered a way to wake his sister up that involves a “deal with the devil” sort of bargain, and Sylvia finding out that her old teacher is not who she once was. Sylvia seems to have a large amount of “I don’t want to burden others with my own problems” to her, which I’m sure will get her in danger sooner rather than later.

The Asterisk War is never going to be among the best light novels out there, but it’s always readable and fun, and I’d argue it’s perhaps the most “typical” example of the genre.

Otorimonogatari: Decoy Tale

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By NISIOISIN and VOFAN. Released in Japan by Kodansha. Released in North America by Vertical, Inc. Translated by Ko Ransom.

This was one I was always going to be very interested in. Long-time readers of this blog will know that “Sean loves to defend hated characters” is a thing I do, especially when the characters are young women and the haters are mostly men. And while I’d argue that the most recent Monogatari anime has meant that Nadeko Sengoku isn’t hated anymore, I think there’s still a lot of ambivalence about how to react to her in the fandom. Now, having read the book that features her, I can see why that’s the case; Nisioisin is trying to lead you that way himself. There are a LOT of elements in this book designed to set the reader up to viciously turn on Nadeko. Rumor has it that the story idea came to Nisioisin after Kana Hanazawa, the voice actress who played her in the first Bakemonogatari series, said she’d like to play a Nadeko who’s turned evil. And that’s what we get here, even though I can’t help but see it as a stressed introvert at the end of her rope finally snapping.

Even Nadeko’s narrative voice is leading the reader to think “OMG, FAKE CUTE!”. She thinks of herself in third person, and speaks that way as well, which is common for children in Japan, as well as “girls who are trying to be cute”. She also has a tendency to quote and misspell certain words, which I’m not sure about – is it something to do with katakana? I’d like translation notes on that, but again, I think it’s meant to be seen as an affectation. Most notably, though, when she uses the personal pronoun ‘I’ it’s in lower case, showing off the fact that Nadeko debases herself to a large degree. That said, for all the narrative tricks, Nadeko is basically going through the ever-popular “middle school syndrome” to a large degree, and most of her personality problems that aren’t “is a terminally shy girl” are based around that. It’s telling that she gets called out big time by Tsukihi, who one can argue is the extroverted version of Nadeko, but also owns that and doesn’t try to deny it.

There are a lot of great set pieces in this book. Tsukihi’s teardown of Nadeko, which is not so much about Nadeko’s fake cuteness – Tsukihi even praises that – so much as Nadeko’s desire to not try to move forward or have a goal. (There’s some light subtext here, not helped by Nadeko wondering if she actually fell in love with Tsukihi rather than Araragi.) And then there’s Nadeko finally losing it when her asshole teacher asks if she’s managed to fix their classes’ problem, as she starts screaming, swearing, and kicking in doors in one epic tantrum that is, frankly, awesome. Unfortunately, things go south after that. For all that the “villain” of this piece points out that he’s imaginary and this is all Nadeko’s delusion, we can finally start to see a sort of arc villain: Ogi Oshino seems to actively be pushing against Araragi, and it’s concerning, especially as this book ends unresolved – Nadeko is now a Missing Person, and the god that took her place is holed up at the shrine fantasizing about blockbuster action-filled finales that, I hate to break it to her, are not going to take place.

Next time, after Hanamonogatari leapt forward nine months, and Otorimonogatari about 2-3, we finally go back to August to resolve a few plot points there. In the meantime, enjoy Nadeko Medusa, but try not to think of evil scorned Nadeko as her “real” personality any more than cutesy Nadeko was. If we see a “real” Nadeko in this story, I think it comes from a repeated line of dialogue: “It’s just… tiring.”

Pick of the Week: Beat Surrender

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MICHELLE: For me, Skip Beat! will always win any week in which it appears. I do love it so.

SEAN: I have to agree, Skip Beat! is what has me most excited for this week.

KATE: This is a Shonen Jump week for me: I’ll be picking up volume two of Demon Slayer — the monster manga with heart! — and volume one of Dr. STONE, which has been garnering good reviews around the web.

MJ: I was a big fan of the too-short trilogy, QQ Sweeper, which hit a lot of my supernatural investigator-type buttons. I haven’t kept up with its sequel (reboot?), Queen’s Quality, but I think that is my mission this week!

ANNA: Any week that features a new volume of Skip Beat is a week to celebrate!

ASH: So many great releases this week! Skip Beat is always welcome, but I have some catch up reading I need to do before I can get to it, so my pick this week goes to Demon Slayer, which is still so early on in the series that I haven’t had a chance to fall behind yet. Although I am curious about Dr. STONE, too…

Silver Spoon, Vol. 4

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By Hiromu Arakawa. Released in Japan as “Gin no Saji” by Shogakukan, serialization ongoing in the magazine Weekly Shonen Sunday. Released in North America by Yen Press. Translated by Amanda Haley.

Through the beginning of Silver Spoon, we’ve seen Hachiken interact with the other agricultural college students, and gradually learn wheat they do and how tough a job it is. He has a reputation, as is stated in this book, for being “stupidly honest”, but doesn’t quite have the life skills that are needed yet to wear that well – he just comes across as stressed most of the time. Still, he is slowly making an impact, and we see that the graduating third years know that he can use those skills if given the chance when they choose him to be vice-president. What’s more, his own ideas are starting to influence the others – we get the resolution of the “pig meat” arc here, and it shows off the way that he forces others to think of new ways to try things and new options to explore, as well as proving Hachiken is never going to become stoic about the slaughter of animals.

Of course, while Hachiken is the main character, there are others to think of. And not everyone wears their heart on their sleeve the way he does. We already know that Mikage is coping with needed to take over her family’s farm even when she’d rather be working with horses, and now it looks as if Komaba is having issues as well. Since they’re both farm kids who grew up together, it’s natural they’d confide in each other. Since they’re both very good at pretending everything is fine in front of other people, it’s natural they’re both unwilling to confide in Hachiken. Still, they both need social skills development, as the blunt “it’s nothing to do with you” they give him over and over pretty much eats into his heart. Unlike Hachiken, who is still a bit lovestruck, I don’t think that this means Mikage and Komaba are dating, I think it just means they’re not good at showing weakness. Which is why, in the end, Mikage ISN’T picked to vice-president of the club.

There are a lot of things going on in this series, and it seems planned out in advance quite well. The chapters do a good job alternating between character drama that advances the plot, learning about farming and agriculture, and goofy fun comedy. The goofy comedy this time around involves all the guys escaping so they can go to “Area 51” to see the amazing spectacle that only comes there at night. Yes, that’s right, it’s… not UFOs. It is, of course, something that would excite everyone except Hachiken (and Tamako, for an extra added punchline). At this point, Silver Spoon seems like a series brimming with its author’s self-confidence. Next time around it looks as if we’re getting the Ag School equivalent of a Culture Festival. Let’s hope Hachiken remembers to have fun. (Who am I kidding, he’ll be a wreck.) Every volume of this is a joy.

Konosuba: God’s Blessing on This Wonderful World!: Princess of the Six Flowers

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By Natsume Akatsuki and Kurone Mishima. Released in Japan as “Kono Subarashii Sekai ni Shukufuku o!: Chūnibyō demo Majo ga Shitai!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kevin Steinbach.

The subtitle of this volume should be very familiar to Yen On fans, as it’s a take on the light novel series Rokka: Braves of the Six Flowers. Whereas in the Rokka series you spend each novel wondering who’s going to be accused of being a traitor, in KonoSuba you spend each novel wondering who’s going to be the designated straight man. Here it’s Darkness, who is forced to act the noble lady far more than she’d like, given that most of the book takes place in a royal castle or in the homes of noble lords. That said, Megumin is mostly under control here as well, with a few notable exceptions. Heck, even AQUA, of all people, shows off her skills during a big battle and is revered by the city for keeping casualties to a minimum. Yes, the entire cast are fantastic… with the exception of Kazuma, who as usual needs to descend to his lowest point before he can rise again.

The cover girl is Iris, the young princess of the realm, who Kazuma desperately wants to see as a little sister so he can add to his list of fetishes (no, really, that’s basically what he says, though at least he has no romantic interest in the 12-year-old princess). She is, for the most part, content to go along with this, as her real big brother is away fighting the demon lord and Kazuma treats her like a normal little girl rather than a royal princess. Unfortunately for Kazuma, he rapidly runs out of cool stories to tell her, and the stories he does tell, as we’ve seen, involve him being clever but the others doing the heavy lifting. And then there really IS a demon lord attack, and Kazuma proves why whenever he’s headstrong and impetuous, he is the absolute worst. Given the rest of the squad saved the day, he’s basically ripped a new one by the princess’ bodyguard in a vicious yet 100% accurate takedown.

She has a point. Aqua, Megumin and Darkness, in a group of four, are all eccentric, impossible to handle weirdos. The same group, however, in a pack of 200 adventurers, are able to function far better. But of course, for better or worse, Kazuma *is* part of their group, and they wouldn’t have it any other way. And he does get to show off his actual talent, finally, in the last quarter of the book, where he helps Chris the thief (remember her?) try to steal a dangerous artifact that has made its way to the princess. When he’s in trouble and actually thinks, Kazuma is very impressive. He’s the opposite of a hero like Luffy. There’s also the standard KonoSuba humor here, which most of the audience is expecting, but it’s a sign of good writing that I’m ignoring it in favor of discussing Kazuma’s character and how he can be incredibly frustrating at times.

A cliffhanger makes me think that the next volume will be Darkness-oriented, and I hope she gets to be silly again. Till then, KonoSuba fans will like this even as they yell at Kazuma for being… well, Kazuma.

I’ve Been Killing Slimes for 300 Years and Maxed Out My Level, Vol. 2

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By Kisetsu Morita and Benio. Released in Japan as “Slime Taoshite 300 Nen, Shiranai Uchi ni Level MAX ni Nattemashita” by Softbank Creative. Released in North America by Yen On. Translated by Taylor Engel

The afterword for this second volume has the author telling us that GA Bunko’s editors told them that the first volume was the biggest seller in the history of the publishing label. Which, given this is the same publisher as Is It Wrong to try To Pick Up Girls in a Dungeon?, is quite impressive. But I can see it. Unlike DanMachi, the average reader does not have to deal with any of those pesky male heroes, and the girls are all cute/sexy/maternal (delete where applicable). [EDIT: It turns out that DanMachi is on a different imprint at the same company, so the two may not be comparable after all.] The series is still trying, for the most part, to keep a “my pace” sort of drama, with plotlines taking the form of things like “we’re opening a maid cafe” and “we have to design a dress for a ghost”. And, of course, the heroine is still an amazingly powerful person but absolutely does not seek to show it off or take advantage of it unless absolutely necessary. Which it is one or two times here. This is such a peaceful series.

The cast remains the same as the first book, with one or two additions. Halkara, the busty elf who was the weakest part of the first book, is better here – there’s still a lot of focus on her bust, but doubling down on the clumsiness and bad luck makes her a more entertaining comedic figure. It can also lead to drama, as with the longest story of the volume, where Azusa and company go to the Demon Lord territory to accept an award (for achieving peace in Vol. 1 by stopping the dragon war) and Halkara accidentally headbutts the demon lord to the brink of death, something punishable by execution. Fortunately, Azusa is clever, and even more fortunately, Azusa is a Level 99 powerhouse, showing off her amazing fighting skills and taking out all the demons trying to arrest them. It all ends up good anyway, as the demon lord (who is also female, to go with the rest of the main cast) proves to be more of a troll – in the internet sense – than actually evil.

New cast members include the ghost I mentioned before, who (like everyone that falls into Azusa’s orbit) proves to be friendly and eager to please, and can even help with the cooking. And there’s also Flatorte, the blue dragon who was the antagonist of the first book. She’s now back and tricked by the demon lord into being Azusa’s slave, though Azusa nips that in the bud immediately, to her credit. If nothing else, she will offer a different kind of personality – the main flaw of the book is arguably that everyone is far too nice and sweet. Now, that is the POINT of the book, which is why I said ‘arguably’, but it can all feel very pat. There’s one story where Halkura gets herself in trouble (again) and our heroes have to take out a corrupt governor. They do this in the space of about 5 pages, in what must be the fastest takedown of this sort of character ever. It’s almost embarrassing.

If you like exciting adventures, run, don’t walk away from this series. If, on the other hand, you want the light novel equivalent of a nice hot cup of tea, this is a great buy.

Manga the Week of 9/5/18

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SEAN: Back to School! You’ve bought all your school supplies, but save money for manga too!

Ghost Ship starts us off with a 4th volume of Yokai Girls.

J-Novel Club has one debut this week. Gear Drive stars a young woman in a world where magic is commonplace. However, she doesn’t have a specialty… yet. Could her specialty be gears? Bet it’s gears.

There’s also a 3rd volume of The Master of Ragnarok and Blesser of Einherjar (watch the anime!) and a 5th volume of Outbreak Company (anime aired some time ago).

Kodansha has a whole pile of digital stuff, including Peach Girl Next, the sequel to the just re-released Peach Girl. It’s about… what happens next.

MICHELLE: Heh.

ANNA: I barely remember Peach Girl, and don’t think I am going to reread the digital version, but I am sort of curious about what happens next!

SEAN: There’s also Beware the Kamiki Brothers! 5, Can You Just Die My Darling? 4, Cosplay Animal 7, I’m Standing on a Million Lives 2, My Boy in Blue 2, The Prince’s Romance Gambit 2, and Those Summer Days 4. Getting so far behind.

MICHELLE: Desperately far behind.

SEAN: In print, there’s only one: Persona Q: Shadow of the Labyrinth Side: P4 Volume 3. If you can translate the code of all those letters and numbers, you can get the manga’s secret message.

ASH: It’s a fun addition to the Persona franchise.

SEAN: Seven Seas has a digital debut with the 6th Boogiepop novel, Boogiepop at Dawn.

ASH: Released in print a decade ago, and to be released in print again in an omnibus in the near future, I rather liked the volume.

SEAN: Vertical gives is an 8th Mobile Suit Gundam Wing.

And there’s Viz! A lot of Viz, as always. The debut is Shonen Jump this time, with Dr. STONE, a manga that’s been a big hit in Japan. It’s got the writer from Eyeshield 21 and the artist from Sun-Ken Rock, and it’s a post-apocalypse adventure.

MICHELLE: Oh, interesting! I’ve been meaning to finish reading Eyeshield 21.

ANNA: That does sound interesting!

ASH: The creative team involved certainly caught my attention if nothing else. I generally enjoy a good post-apocalypse adventure, too, though.

MJ: I’m interested!

SEAN: Also Jump or Jump-esque: Astra: Lost in Space 4, Boruto 4, Demon Slayer 2, Haikyu!! 27, Kaguya-sama: Love Is War 4, One Piece’s 25th 3-in-1, Seraph of the End 15, and Twin Star Exorcists 13.

MICHELLE: Haikyu!!

ANNA: My kids are so devoted to this series they wanted to get their own volleyball to start practicing in real life.

ASH: Haikyu!! and Demon Slayer are both high on my list.

SEAN: On the shoujo end, no new debuts, but we get Anonymous Noise 10, Queen’s Quality 5, Skip Beat! 41, and The Young Master’s Revenge 3. Skip Beat! Is always wonderful whenever it comes out.

MICHELLE: Skip Beat! I’ve really been dying to see how Kyoko’s latest audition turns out. I need to get caught up on Queen’s Quality, too.

ANNA: No surprise, I’m excited about all these series!

ASH: I quite enjoy a fair number of them myself.

MJ: I’m also planning to get caught up on Queen’s Quality!

SEAN: What manga are you secretly reading under your desk during class?

Ultra Kaiju Humanization Project, feat. POP Comic Code, Vol. 1

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By Tsuburaya Productions, POP, and Shun Kazakami. Released in Japan as “Ultra Kaijuu Gijinka Keikaku – Feat. Pop Comic Code” by Akita Shoten, serialization ongoing in the magazine Young Champion. Released in North America by Seven Seas. Translated by Thomas Zimmerman. Adapted by Janet Houck.

Yes, I know. I don’t know why I do this to myself either. I’m sure many people who are used to me saying that I haven’t seen the anime/game this is based on will be completely unsurprised to know that when it comes to Ultraman in particular and tokusatsu in particular, my experience with it is zero. So naturally, I am the perfect audience for a series that reimagines the classic villainous monsters from the series as high school girls in a fairly standard light comedy high school series. It’s not even the first time this premise has been done! One of the Dengeki magazines also has a series where the kaiju are humanized. So, with all that in mind, I can’t tell you whether a hardcore fan of the Ultraman series will get a great deal out of this. I can tell you that as a fan of all-girl high school light comedies, it was okay.

The other gimmick here is that the planning and character design are by POP, the creator of the insanely popular Moetan franchise which helps teach English to Japanese folks. This probably explains why their name is added to the title in the style of a rap single. The premise is that when the various kaiju are destroyed on Earth by the good guys, they die and wake up as a cute high school girl in your average everyday school. Here most of the girls concentrate on drinking tea, having fun, eating manju, etc. The newest arrival, Mefilas, is seemingly made of sterner stuff, and occasionally tries to get the others to be interested in obtaining the Earth’s heart, etc. For the most part, though, there’s antics involving a kaiju who’s afraid of water (she was drowned in the Ultraman battle), a kaiju with tea rooms seemingly everywhere, and Mefilas’ growing yuri crush on her friend Eleking, which is pretty much completely one-sided.

The manga does a decent job of trying to bring in individual quirks that match up with the original kaiju episode, and the character profiles helpfully give us a picture of what they looked like before. There’s also a vague semblance of a plot, as Melifas and her fellow fired-up partner Alien Temperor investigate a new, mysterious kaiju girl who seems to be a villain, though it’s not quite clear why yet. As for the comedy, well, it’s silly stuff. If you’ve read any of the many series that run in Manga Time Kirara _____, then you’ve seen what’s going on here. We get trying to start a club, eating too many sweets and needing a dentist, etc. So if you’re a tokusatsu fan, I’d only pick this one up if you like cute girls being cute. If, on the other hand, you’re a fan of cute girls being cute but have no idea what tokusatsu is, you’d probably still find this entertaining.