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Sean Gaffney

Bookshelf Briefs 1/14/19

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After Hours, Vol. 3 | By Yuhta Nishio | Viz Media – The scenes in this book of the rave, before, after and during, as well as what comes next, are fantastic, and the volume is worth picking up for that reason alone. That said, the romance in this third volume is the weak point. Kei abruptly disappears from Emi’s life right as Emi is ready to move into Kei’s life permanently, and while the family issues that Kei has to deal with are understandable, the author seems to think it’s 1959 and not 2019. You have phones! The journey by bus is a long one, but completely doable! There is no need for the ambiguous “maybe ever after” of this ending. That said, overall I found this series highly enjoyable, and if they want to do a sequel with Emi alone running raves, I’m cool with that too. – Sean Gaffney

Chihayafuru, Vol. 14 | By Yuki Suetsugu | Kodansha Comics (digital only) – Mizusawa has made it to the semi-finals of the national tournament, facing a team led by Megumu Ousaka, a candidate for Queen. Although Chihaya ultimately loses against her, she makes quite the impression on her opponent and others, causing one observer to think, “I never knew another girl this good existed.” I loved that it’s Desk-kun who seals the team’s ultimate victory, but less than an hour later, they’re facing formidable opponents in the finals. Fujisaki is full of Class A players but Chihaya’s opponent has an additional advantage: her grandmother is the reciter and she’s especially attuned to her nuances. Tense, fun, addictive, emotionally rewarding… I always want more when I get current with this series. – Michelle Smith

Kuroko’s Basketball, Vol. 29-30 | By Tadatoshi Fujimaki | Viz Media – In Japan, sports manga tend to have varying endings, with either the team winning it all or losing in the semis and resolving to try harder. North America tends to see a lot more of the former, so hope you like our heroes winning. It’s as well-handled as you’d expect, and I really enjoyed the development shown in Kuroko, Kagami, and Akashi here. There’s also a nice epilogue where Riko reminds us there’s a new tournament in the Spring, and they have to recruit! But for now let’s enjoy both their victory and the fact that the old Miracle Generation have mostly resolved their differences. The last shot has the old middle school picture balanced with his high school team, which is lovely to see. Do we get the sequel? – Sean Gaffney

Lovesick Ellie, Vol. 7 | By Fujimomo | Kodansha Comics (digital only) – Last time, I was a little worried that drama fueled by misunderstandings would become the norm for Lovesick Ellie, but I’m happy to report that no longer seems to be the case. While it is true that Ellie’s classmates get the wrong idea about her relationship with Kaname and Ohmi is freaked out by this rival, never at any point does Ohmi think she’s actually cheating on him. In fact, he opens up to Kaname about his insecurities, potentially making a friend in the process, and takes a good look at the kind of boyfriend Kaname could’ve been to her that he presently can’t be. With his focus on acting how other people expect, and remaining the other girls’ princely ideal, he’s never acknowledged Ellie as his girlfriend. Now, he’s ready for people to know how special she is to him. I’m so glad this series is back on track! – Michelle Smith

Magi: The Labyrinth of Magic, Vol. 33 | By Shinobu Ohtaka | Viz Media – I will admit the high point of Magi for me was the resolution of my ship, and the rest is just gravy. (Though I did enjoy the naive Alibaba being horrified at having a fight with Morgiana—that seems to have lasted five seconds.) But yeah, Sinbad’s still trying to make the world be at peace, and his methods are growing more and more horrible, as Kou’s dramatic cessation from the Alliance causes him to challenge God and emerge with the “it’s OK if I just mind control everyone to see it my way” solution. Sadly, Aladdin does not see this as anything but despotism. Aladdin is right, of course, but this is still Alibaba’s title, so he gets to mediate between these two. Who will he side with? – Sean Gaffney

Mob Psycho 100, Vol. 1 | By One | Dark Horse – There were several reasons why I was interested in reading Mob Psycho 100, the two most prominent being that One is the original creator of One-Punch Man (which I have been greatly enjoying) and that there was so much excitement surrounding the Mob Psycho 100 anime (which I still need to watch). But the main reason that I’ll continue to read Mob Psycho 100 is that I absolutely loved the first volume. Shigeo is a young man with superhuman powers which he tends to control by suppressing his emotions. Life being life, and middle school being middle school, there’s only so much he can bottle up before exploding. His mentor is Reigen, a spirit medium whose only extraordinary skill seems to be the ability to somehow convince others that he’s a legitimate exorcist despite all evidence to the contrary. Mob Psycho 100 is terrific, with a great sense of quirky humor and heart. – Ash Brown

Queen’s Quality, Vol. 6 | By Kyousuke Motomi | Viz Media – The volumes of Queen’s Quality seem to alternate between characters saying that Fumi is too weak and characters saying Kyutaro is too weak, and this time around it’s the latter, as he really gets put through the ringer here. The training they have to take on may involve some unsettling looks at Fumi’s background and heritage, which to be fair we’ve known was coming since the first volume. I admit I am somewhat surprised by Ataru’s promotion to sidekick-type character, but he serves it well, though there’s also a nasty flashback to his past I’m sure he’d rather do without. This wasn’t the best volume of Queen’s Quality, but that’s likely as it was transitional, and it’s still pretty solid. – Sean Gaffney

The Water Dragon’s Bride, Vol. 8 | By Rei Toma | VIZ Media – Asahi’s time as a captive in the underworld is brief, though it does afford us a few nice scenes in which the worried Water Dragon God is trying to find her. Instead, most of the volume is focused on Kurose, a boy from our world who seems to have become the plaything of Tokoyami, the god of the underworld. Kurose had a horrible home life and after potentially dying, he wakes in the underworld and is promptly whisked off to a village where he experiences kindness and a loving family for the first time. That is, until war comes and the Water Dragon God refuses to notice his desperation to save someone he cares about. I’m left to wonder… did this all really happen, or was Tokoyami mentally torturing him to create an ally in a vendetta against the Water Dragon God? Very intriguing! – Michelle Smith

The Water Dragon’s Bride, Vol. 8 | By Rei Toma | Viz Media – There was a surprising swerve in this volume. After dealing with rescuing Asahi from turning into a rotting zombie, and seeing the Water Dragon God have to deal with these pesky things called feelings, the rest of the volume is devoted to sketching out the tragic backstory of Kurose, the mini-villain from the end of the last volume. Not only is he merely a useful puppet to the true Big Bad, but he’s also a lot closer to Asahi than she might suspect, and has a suitably tragic backstory—in more than one world. I was expecting the adorable little girl he befriends to be horrible killed, and she is, but that may not be the end for her, unfortunately. Riveting. – Sean Gaffney

Legend of the Galactic Heroes: Desolation

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By Yoshiki Tanaka. Released in Japan as “Ginga Eiyū Densetsu” by Tokuma Shoten. Released in North America by Haikasoru. Translated by Matt Treyvaud.

Before we discuss the events of the second half of the book (which I will spoil out of necessity), let’s talk about the fairly normal first half. Reinhard is headed with his entire fleet towards Iserlohn, and Yang and company are doing their level best to try to at least slow them down. There are a few more times when we see Yang being the master tactician and manipulator that he is, and a lot of the Empire’s finest being hotheads when they shouldn’t be. The stage is set for Reinhard and Yang to negotiate terms. We even get one last debate, in Yang’s head, about the need for democracy vs. a dictatorship. Yang is well aware that Reinhard is a kinder, gentler dictator, and that forcing democracy is likely to make people far more unhappy than they would be under the Emperor’s hand. But it’s notable that the Empire only seems the better option because of these circumstances, and we’ve also seen Reinhard’s petulant side as well. Plus he’s STILL not married. What of the future?

But in amongst this, you’re getting the foreshadowing. LOGH is many things, but subtle it ain’t, so we get several scenes showing us the Church setting Yang up to be assassinated (using a character I had honestly forgotten about – this cast is too damn big) and setting the audience up to expect another near escape like Yang had a couple of books ago. But then we get things like “this was the last time the two would ever speak”, and you start to realize what’s going to happen. And then it does. Yang is killed on his way to the peace talks. Not even in a pitched gun battle or anything, but shot in the leg and slowly bleeding to death. Given that it’s a series about the horrors of war, among other things, it seems fitting, but everyone agrees this was not the way that Yang should have died (Frederica’s dream of the death of Yang as an 85-year-old grandfather is possibly the most heartbreaking thing in a heartbreaking book.)

As you can imagine, the rest of the book deals with the fallout from this. Iserlohn is devastated, of course, and many of their allies flee. The cause is kept alive, with Frederica on the political side and Julian on the military side, but both agree they’re only doing this because they know it’s what Yang would do; Frederica’s saying that she’d be happy to let democracy go hang if it meant getting her husband back is chilling. And the ominous foreshadowing is not done yet. Mittermeier and von Reuentahl also get a “they would never speak again” foreshadowing, and I suspect the latter is going to turn on Reinhard soon, or at least be made to seem like he is. And Reinhard spends much of the book in bed with a high fever… not the first time this has happened. He’s been ill QUITE a bit, which is another reason he’s being pressured to marry. With the Republic in tatters, is the Empire far behind?

There’s two more books in the main series, and lots more to resolve. It’s hard not to leave this book feeling depressed, though, and I will admit that most of the reason I read this was to read about Yang Wen-Li. Like his family and allies, I’ll continue to read the books, but also like them, I’m not looking forward to it nearly as much. A well-written equivalent of a drive-by gangland killing.

Katanagatari: Sword Tale, Vol. 1

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By Nisioisin and take. Released in Japan in three separate volumes by Kodansha BOX. Released in North America by Vertical, Inc. Translated by Sam Bett.

This is the third major series of Nisioisin’s to come out over here as a novel, after the popular Monogatari Series and the cult classic but poor selling Zaregoto Series. These books reunite Nisio with the artist for the Zaregoto books, and the art is sufficiently stylistically awesome. As for fans of Nisioisin’s wordplay, not only do they get tons of that in these volumes, but we get footnotes from the translator (which he indicates are totally optional) explaining many of the original lines and why they’re puns, as well as his own translation choices. It’s the sort of thing I wish that we could have seen with the Monogatari books, as it might have made several readers less dagnabbit mad. The book is also very metatextual, a common thread in Nisio’s work, with suggestions that certain elements will be followed up with in future books, or announcing the tragic backstory of one of the characters is coming. That said, it’s a very Nisio series, but how does it hold up as an actual book?

Our hero is Shichika, who lives on a little-known island with his older sister Nanami. He’s the heir to a school of swordsmanship, the Kyotoryu, that does not use swords – but aside from not using swords, it’s handled exactly like a classic sword school. As a result, Shichika is essentially a blade himself, which makes sense given that sometimes he tends to have the emotional depth of an inanimate object. Into this island steps Togame, who is there to hire Shichika to help her locate twelve Mutant Blades, katanas that rightfully should belong to the Shogun but are instead being used by twelve other people. After the events of the first book, which involve the first of those swords, Shichika agrees to accompany her, leaving the island and his sister and going to get each sword one by one – though that always means a battle.

As I hinted before, Shichika is almost a parody of the “simple country bumpkin’ type who isn’t so simple, and much is made of the fact that he has never really had to think before now, so isn’t used to it. This makes him a pleasing contrast at least to super-genius Ii-chan and overly florid Araragi. He’s fine with leaving the thinking to Togame, who is a self-titled “schemer” but whose schemes haven’t really been able to do much but postpone the inevitable fights so far, and whose fragility makes her easy to use as a hostage or a distraction. She’s also less clever than she thinks, as the best gag in the book, a misuse of a British greeting she has, attests to. Together they make each other more interesting, which is all one can ask. As for the sword wielders, by the end of the first omnibus three are dead, though you are only meant to feel sympathy for the last one – indeed, the ninja clan that start the book as the main antagonists have become, at the author’s own insistence, the comic foils of the story.

It’s clear who this book is meant for: fans of the anime, as well as fans of Nisioisin’s eclectic narrative style. Both should find this series very entertaining, though even I found Shichika somewhat wearing by the end. I’ll definitely be getting the next set of three this spring.

The Irregular at Magic High School: Visitor Arc, Part II

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By Tsutomu Sato and Kana Ishida. Released in Japan as “Mahouka Koukou no Rettousei” by ASCII Mediaworks. Released in North America by Yen On. Translated by Andrew Prowse.

This is very much a book of two halves, and I must admit that I preferred the first half to the second, though they both had issues. The first half is a continuation of the plot from the first book in this arc, as Tatsuya and Lina separately and together try to figure out what’s “possessing” these people and how to stop them, but are almost undone by a traitor in Lina’s midst. The traitor is… a character we met once before in the last book, but I must admit “minor character X’ does not really make it very dramatic – I was expecting it to be Lina’s aide Sylvia, which would have been more tragic. There’s also a pretty nice fight with said minor character traitor at the climax of the first half of the book, which actually gives Mizuki something to do. And we get a great way to present boring exposition and still make me laugh – Shizuku calls from California to give intel to Tatsuya, but she’s shitfaced drunk when she does so, and he’s trying to explain things to her as she slurs her words more and more. It’s pretty funny.

I was less impressed with the second half of the book, as it’s Valentine’s Day at the school, and you know what that means: wacky hijinks. I’ve talked before about how I’m not fond of Honoka being defined just by her love of Tatsuya, and I realize that the author is trying to let her and Shizuku get developed by the Honor Student manga author in that regard, but man, here her love for Tatsuya is literally weaponized by the runaway parasite, who possessed a robot named Pixie that’s part of the school’s robotics experiment. As you can imagine, instead of being driven by self-preservation and killing witnesses like the other possessed folks, she’s driven by the intense and disturbingly submissive love for Honoka that Honoka accidentally activated her with. That said, most of the valentine stuff was merely okay, and not actually irritating. And Mayumi’s revenge chocolates made me smile.

The irritating, as so frequently happens in this series, was saved for our two leads. I realize that Miyuki gets jealous sometimes, but what she did with Tatsuya’s chocolates was so petty and immature my jaw dropped. This is not helped by Tatsuya basically saying “welp” and just going along with it. (Tatsuya is not at his most likeable throughout the book – there’s a sequence where he lets Miyuki answer a difficult conundrum they have as he wants her to be “more than a pretty doll” that made me want to punch him.) And, of course, Miyuki is also dealing with her incestuous feelings for her brother, which are sometimes used as the usual gag (Lina’s reaction to Miyuki saying she and Tatsuya are just siblings) but in Miyuki’s inner thoughts are very much taken seriously. She feels guilty about these feelings, but honestly the whole thing makes me feel deeply uncomfortable.

When you add in some “Japan is good, everyone else is less good” speeches, and Lina getting chewed out for daring to fall in love with Tatsuya (a fact that she denies, but no one believes her, least of all the reader), and you have a typically easy to read but frustrating volume of Mahouka. Next volume should wrap up this arc, at least.

An Invitation from a Crab

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By panpanya. Released in Japan as “Kani ni Sasowarete” by Hakusensha, serialized in the magazine Rakuen Le Paradis. Released in North America by Denpa Books. Translated by Ko Ransom.

Iev always been a fan of those sketchy, semi-slice of life (except they’re too weird) manga that you see towards the back of a lot of seinen and josei manga magazines. It used to be that the chances of such works getting licensed over here was nil, but Denpa has quite a few eclectic titles coming out now, and An Invitation from a Crab is one of the first. It’s more of a collection of interconnected short stories, along with the occasional essay discussing the importance of paying attention to things. Our unnamed heroine is theoretically a high school student, and occasionally we do see her in class. But the world she’s in is not quite the same as ours, featuring normal humans but also animal-headed people, as well as the bizarre lemon with an eye that seems to be a ‘boss’ sort of type. Essentially, An Invitation from a Crab is a “what kind of stories will the author spin next?’ sort of book. And they’re good stories.

The stories here range from a few pages long to larger chunky narratives. The title comes from the first story, where our heroine follows a crab that is lying in the road and seems to know where it’s going. That said, the “punchline”, as it were, amounts to not much, and that’s also the case with most of the rest of these stories. You’re reading this for mood, not for jokes or characterization, and so frequently the stories feel like “shaggy dog” stories, where the ending does not justify the effort expended. Which is absolutely fine given much of this is about enjoying the journey. We see our heroine wearing a Chinese communist outfit in a factory breaking coconuts so they can be used to create electricity. That is a sentence I can’t believe I just typed, and it’s probably the weirdest of the stories in here, but there’s other dreamlike sequences as well, including one that literally is a dream, where our heroine’s spirit gets off a train but her body doesn’t.

There is quite a bit of humor here, despite my saying earlier that there weren’t punchlines per se. Sometimes simply seeing the situation makes me laugh, such as our heroine and her dog/roommate/whatever searching to try to find anyone who knows where pineapples come from, or the heroine gleefully preparing for her Sunday day off by doing piles of things (this reminded me of the Zetsubou-sensei chapter where the class had a “preview” of their field trip). And sometimes the mood can be disturbing – there’s a lot of dark shadows in this world, and while the coconut and lost body stories are not dark in any way, they’re unsettling and have a sense of unreality to them. Even some of the shorter stories in the volume, such as when our heroine is sold a giant salamander and tries to return him to the Amazon (a plot that lifts directly from an old Bugs Bunny cartoon), has an ominous feel to its humorous ending.

If you’re interested in a skewed look at life in a world that’s not quite this one, or wonder what it would be like if you did follow that crab into the side alley, you should definitely pick this up.

Manga the Week of 1/16/19

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SEAN: The third week of January has the most variety. What’s in it? Well…

Dark Horse gives us a 2nd volume of Wandering Island.

ASH: Oh, excellent! The first volume was lovely.

SEAN: Ghost Ship has more ecchi monsters with a 6th volume of Yokai Girls.

J-Novel Club revs it up after a brief winter break, with Amagi Brilliant Park 3, Demon King Daimaou 9, and Infinite Dendrogram 8.

Kodansha, in print news, has the 9th Clockwork Planet, the 5th Golosseum, the 11th Sweetness and Lightning, and a 2nd volume of Die Wergelder. There’s also Yamada-kun and the Seven Witches 17-18 – seems to be omnibuses now, after a long break.

MICHELLE: Hooray for more Sweetness & Lightning!

ASH: Yes, Sweetness & Lightning is a delight! I’ll also admit that I’m looking forward to the next volume of Die Wergelder in all its violent, pulpy glory.

MJ: I feel like I need to check out Sweetness & Lightning if both Ash and Michelle are such fans.

SEAN: Digitally we see Back Street Girls 7, Kira-kun Today 3, A Kiss For Real 6, Shojo FIGHT! 6, and Tokyo Revengers 3. I know which one of those Manga Bookshelf wants.

MICHELLE: Yep, though I also intend to read A Kiss for Real at some point.

ANNA: One of these days I will get caught up on Shojo FIGHT!.

SEAN: Seven Seas gives us, finally, the 2nd No Game No Life manga, which was delayed for years in Japan. There’s also a 5th Please Tell Me, Galko-chan!.

Udon has the 9th Persona 9… erm, Persona 4.

Vertical hits us with the 2nd APOSIMZ, and a 10th Mobile Suit Gundam Wing.

Lastly, Viz puts out its “cool person” titles, as we see Children of the Whales 8, Dead Dead Demon’s Dededede Destruction 4, Fire Punch 5, and Ultraman 11.

ANNA: Looking forward to Dead Dead Demon’s Dededede Destruction.

ASH: Same.

SEAN: I’m interested in quite a bit of that. How about you?

MICHELLE: A more modest amount, methinks.

Accel World: Snow White’s Slumber

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By Reki Kawahara and Hima. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Jocelyne Allen.

I was a little grumpy with the last volume of Accel World. After feeling that the Armor of Catastrophe arc went on far too long (a fact the author also agreed with me on), seeing it return as a Mark II made me slap my hand to my forehead. Fortunately, we were near the end of this arc when it appeared, and so it’s taken care of in one volume, though not without considerable sacrifice. More importantly, there’s a lot of really interesting discussion about the nature of Accel World in general, as well as its forbears. Striving for a meaning and purpose in life is something we see a lot of in the real world, but in the Accel World, the meaning and purpose of life may actually be a tangible thing, given that it was created. What’s more, the nature of Metatron reminds me very much of the nature of Kizmel in Sword Art Online; a sense of “these supposed NPCs have gone way beyond what everyone thought they would do’.

A lot of this volume, given that Haruyuki is separated from Kuroyukihime, focuses on the relationship between him and Metatron, who would likely have risen up fairly high on the list of ‘harem candidates’ were it not for the events later in the book, and even so the epilogue shows there may be hope. I admit I could have done without the “I speak like a tsundere princess” thing, but I really did like the discussion they had, which also shows how clever Haruyuki is, piecing together stuff that’s been bubbling around inside his head for the last 15 volumes or so. She also gives him the strength to finish off the bad guys before they get even more powerful, and (hopefully) get ris of the ISS kits making everyone lose it in the real world as well, though that last part remains to be seen. Everyone else got a lot of good stuff to do as well, and there was some nice development of Nico, who gets her armor back… mostly. There’s even a heartwarming festival to end things!

Except that what most everyone will be talking about is the arrival of White Cosmos, the White King who we’d never seen before, the power behind the Accelerated Research Society, and Kuroyukihime’s real-life sister. Given this is a Kawahara villain, it’s no real surprise that her goal appears to be to drive everyone in the game to total despair. Subtlety is not why you read this author. I suspect that she’s mostly going to be used to drive character development for Kuroyukihime, who wisely (and with Haruyuki’s help) chooses not to fight her just now. And of course to contrast the ‘girl shrouded in black who’s really kind vs. girl who looks white and kind but is secretly manipulative and awful’. Again, subtlety is not on display here. But it makes for a nice, dramatic scene, and would look pretty cool animated.

Given that we’ve wrapped up a long arc here, I would not be surprised if the next volume is lighter in tone. In the meantime, fans of the series shold enjoy this new volume, especially the talk between Haruyuki and Metatron.

After the Rain, Vol. 2

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By Jun Mayuzuki. Released in Japan as “Koi wa Ameagari no You ni” in two separate volumes by Shogakukan, serialized in the magazine Big Comic Spirits. Released in North America by Vertical Comics. Translated by Jocelyne Allen.

As you might imagine given the title of the series is After the Rain, it rains an awful lot in this manga. This not only creates an appropriate atmosphere, but allows both of its protagonists to come down with bad colds. This causes both Akira and Kondo to lose control of their emotions a bit, allowing suppressed feelings to boil over – nothing going beyond hugging, mind you. No one is quite ready for this relationship to advance that far yet. (Well, Akira may want it to – her fantasies when she’s in bed with a cold verge close to a masturbatory scene.) Plus both Akira and Kondo have things in their life they need to work out first. Akira is still trying to untie herself from her previous track team life, despite her friend Haruka insisting they can still be friends. And Kondo has a hidden side – he writes. But doesn’t want anyone to find out about it.

It’s no coincidence that both of these plotlines resemble each other – our leads are very much alike despite the age difference. Akira is determined to move on from her injury, but feels like the only way she can do that is by completely cutting out that part of her life. This naturally upsets Haruka, who is reduced to tears hearing Akira essentially deny everything they had. As for Kondo, seeing Akira recommend a book by his college friend Chihiro brings up old memories, and causes him to reunite with said friend and discuss their old literature club, which also apparently had his ex-wife in it. The reunion allows him to give advice to Akira on her fight, which is, essentially, “even if you do never speak again, this will not change the precious moments you once had with each other”. Which is good, if non-confrontational, advice – I’m sort of rooting for Haruka here.

We also meet Akira’s father in this volume (complete with a great “stop telling people I’m dead!” joke), which is good, because it shows us that her dad really isn’t much like Kondo at all. (So he’s not a replacement father figure, which I was fearing.) She’s also a lot more outgoing with her dad, sort of like the flashbacks of her and Haruka that we see before the accident. Like most high school kids, she’s ready to grow up and be taken seriously as an adult, and is frustrated by people who still want to treat her as a kid – not realizing that the reason they’re doing it so much is they know they don’t have much time left to pamper her. She’s almost an adult, but you want to stop time just so that you can still have her need you in the same way. It amounted to my favorite chapter in the book.

This story continues to be a sweet, slow burn, and my misgivings about the May-December romance have faded a bit. More to the point, I just like the writing of the characters. Even if the romance doesn’t happen, I want to see what happens next in their life anyway.

Reborn as a Vending Machine, I Now Wander the Dungeon, Vol. 3

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By Hirukuma and Ituwa Kato. Released in Japan as “Jidou Hanbaiki ni Umare Kawatta Ore wa Meikyuu wo Samayou” by Kadokawa Shoten. Released in North America by Yen On. Translated by Andrew Prowse.

This third volume of Reborn as a Vending Machine tries to expand the world that we’re in and give our hero a bit more insight into goals for the future. As we’ve seen, a lot of his “what should I do next” thoughts involve collecting points to level up, get new products, etc. Here, after a very amusing eating contest, Shui from the mercenary group wins the right to have Boxxo for the entire day, and takes him to the first floor of the dungeon, home to (try to contain your surprise) a group of poor yet plucky orphan children. The dungeon, it turns out, needs to have someone reach a certain level in order to get to the second floor. So for the unwanted kids, or whose whose parents have died, they have this. It reminds Boxxo to, if you’ll pardon me, think outside the box and realize this is a real life world he’s now in, not just a game RPG.

There’s also his relationship with Lammis, which continues to be chaste (he’s a vending machine) but still have that “I am a harem manga protagonist” feel to it. Lammis is clearly deeply in love with Boxxo, and as such will try to overcome her limits in order to stay by his side (she’s terrified of the supernatural, and the last half of the book involves nothing but that) and also gets easily embarrassed around him (she tries to hide her heavy period, which doesn’t work but does allow Boxxo to show off that he can also dispense sanitary pads). As for Boxxo, his emotions are still a bit flat, but it’s pretty clear he likes Lammis quite a bit. I’m not entirely sure where the series’ endgame is here, but am content with it simply being cute and chaste – it really does get pretty adorable.

Less adorable is the climax to the third book, where our heroes defeat a skeleton lord and then discover the demon behind the skeleton lord, who is vastly more powerful. For a moment I wondered if the book was actually going to kill off a few regulars – the villain actually stops Hulemy and Shui’s hearts, and you briefly think the book might be going in a dark direction. But no, it’s just an excuse for Boxxo to recall that AED stations can also be part of a vending machine, and that he can use that to save their lives. Also, he has telekinesis now, though we don’t get too much of a sense of how he’ll use that. Honestly, you don’t want this series getting too dark – it’s about a guy reincarnated as a vending machine – so I’m fine with his breaking out vaguely deus ex vending machina powers so that everyone is fine again.

While the series has a number of volumes after this in its webnovel version, Kadokawa hasn’t published a new volume in about two years, so this may be all the vending machine we see. (The author has been writing KonoSuba side story volumes, which may explain it.) Which is a shame, as despite its truly ridiculous premise I found myself drawn into each book, trying to see what would be happening next. I’ll miss you, Boxxo.

Bookshelf Briefs 1/7/19

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Bad Friends | By Ancco | Drawn & Quarterly – Only a few Korean comics have so far been released in translation by Drawn & Quarterly, the most recent being Ancco’s internationally award-winning Bad Friends. The work is a devastatingly powerful one, hard-hitting and at times difficult to read due to its emotional heaviness and unflinching portrayal of physical abuse. Bad Friends is told from the perspective of Pearl, a young cartoonist reflecting back upon the good and the bad of her middle school and high school years. At the forefront of her mind is her incredibly important and formative relationship with Jeong-ae, a close friend she hasn’t seen or been in contact with for over a decade. As teenagers, they were both delinquents, finding their own ways to survive in a harsh, cruel, and ugly world; as adults, their lives have taken drastically different paths. Bad Friends isn’t necessarily an easy or comforting read, but it is exceptionally well done. – Ash Brown

Blue Exorcist, Vol. 21 | By Kazue Kato | Viz Media – “Son of Satan” has always been part of the core of Blue Exorcist, and though Rin is the one who this is talking about, Yukio is apparently not free from Satan. At all. In fact, Satan is apparently talking to people from his eye. So, since his allies aren’t helping him or telling him the truth (well, they’re trying to help him), clearly it’s time to… join the bad guys? Renzo, a natural-born traitor, can help with that. Meanwhile, Mephisto’s getting shot in the head, which doesn’t stop him, but does mean he has to remove the barrier keeping the gate of Gehenna shut. As for Rin, he’s exposed to the full brunt of his power, and it’s almost too much for him, despite Shiemi helping by conjuring up an entire forest. Basically? There’s a LOT here. – Sean Gaffney

A Certain Scientific Accelerator, Vol. 8 | By Kazuma Kamachi and Arata Yamaji| Seven Seas – The shoe is on the other foot, and now a girl is telling Accelerator that he should stay away from HER because she doesn’t want him to get involved with her. Naturally, having this flipped around is irritating to Accelerator. Things aren’t helped by his brain starting to bleed because he’s overworked himself, leading to some of the creepiest POV art I’ve seen in a long time. Also, this new arc promises to feature a lot more of Last Order, who has mostly been a mascot for the series so far. But she’s bonding with Matsuri, who is a classic “I am pretending to be arrogant” princess type, and also runs into an overly affectionate young woman who says she’s a chef but may be a villain. For Index fans. – Sean Gaffney

The Demon Prince of Momochi House, Vol. 13 | By Aya Shouoto | VIZ Media – Unsurprisingly, the cliffhanger of Himari being shot by Kasha at the end of volume twelve does not stick. It turns out that he used some kind of ayakashi weapon that expels her soul from her body, allowing him to take over and cast her spirit out of Momochi House. She makes her way back just in time to see him kidnap Aoi. I must say that for a volume where a lot happens, none of it actually lands with any sort of dramatic impact. It’s diverting, I guess, but it’s just not meaningful. (Or memorable, apparently, since there was a character in this volume whom I’d completely forgotten.) However, the next volume does seem to promise the backstory between Aoi and Kasha and I guess I’m at least marginally interested in that. I’ll keep reading for now. – Michelle Smith

Golden Kamuy, Vol. 7 | By Satoru Noda | Viz Media – There’s some amazing horse racing in the first half of this book, which shows off the difference in how the races were run, and also allows Shiraishi to humiliate himself once more. But it’s somewhat overbalanced by the second half, which features our heroes trying to take down not one, not two, but three killer bears, all around the estates of an American Southern Gentlemen. We get the usual reasons we read Golden Kamuy—horrific violence that is also somehow amusing, disgusting-yet-useful discussions of rectal plugs, and two yakuza who are also flamboyantly gay in a stereotypical but nevertheless interesting way. Golden Kamuy is many things, including violent and sometimes gross, but it is never dull. – Sean Gaffney

Haikyu!!, Vol. 30 | By Haruichi Furudate | VIZ Media – It’s day two of the spring tournament and Karasuno is up against Inarizaki. The player who gets the spotlight this time is Tanaka, who hasn’t played great so far, and we get the backstory of his first year on the team. I really appreciated this look into the mindset of a mentally tough player who admits he’s not the best at anything, but refuses to give up. “I got totally down on myself for whole seconds!” he confesses later. Of course, he gets his moment of vindication and Karasuno wins set one. Next, we check in on Nekoma and delve into Kenma’s backstory. While I’d ordinarily be kind of annoyed at a shift away from our leads at a pivotal moment, this is a really affecting exploration of the disaffected-seeming setter who will give his all for his friends. I might’ve sniffled a time or two. – Michelle Smith

Hungry for You: Endo Yasuko Stalks the Night, Vol. 2 | By Flowerchild | Seven Seas – While this is another in what seems like a lot of manga series lately that read like they were cancelled rather than naturally ended, this second volume is pretty satisfying. We get some backstory for Yasuko, as well as a mastermind who turns out to be a lot closer than folks were expecting. That said, I found the ending most interesting, as I was very much expecting that Shizue was going to join Yasuko in her undead life, and that just doesn’t happen; Yasuko says she wants to be there with Shizue, but admits she’s going to get married, have children, and die eventually. It’s a more melancholy ending than I thought, but it fits this series, which is still cute and sweet. – Sean Gaffney

Kaguya-sama: Love Is War, Vol. 6 | By Aka Akasaka | Viz Media – The anime is starting possibly as you read this, and I hope it’s a good adaptation, especially for the faces. The faces in this series are absolutely amazing, and this volume is here to provide a bevy of brilliant ones, mostly from Kaguya. She’s learning, but it’s a long and difficult process, and Miyuki is, frankly, much better at flirting when he’s unaware he is, as the rooftop Princess Kaguya story entails. That said, the student council has moved on now… or have they? Will our heroes come together for a new student council? Or will the girl who we see on the last page and is clearly meant to be a new character throw a spanner in the works. Don’t know, but this hilarious series makes me want to read more. – Sean Gaffney

One-Punch Man, Vol. 15 | By ONE and Yusuke Murata | VIZ Media – The martial arts tournament is finally over! Unfortunately, Saitama is bummed because he didn’t meet anyone who could challenge him. He felt nothing, learned nothing, and gained nothing. While he’s lamenting having gotten too strong, he even ends up defeating the hero hunter with one kick without even realizing it. I don’t know where ONE is headed with Saitama’s massive ennui, but the rest of the plotline features the Monster Association demanding that the Hero Association send its strongest fighters to rescue the kid (son of an important donor) that they’ve taken hostage. I keep waiting for Saitama to finally achieve recognition, and I don’t know whether to hope this’ll be his chance or to feel like I ought to know better than to expect that from this series. Still a lot of fun! – Michelle Smith

Pick of the Week: Full Circle

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SEAN: It’s hard this week for me to pick between my perennial lost cause Hayate the Combat Butler and the final volume of Spirit Circle. I think I’ll go with the latter as Hayate will no doubt still be coming out ten years from now.

MICHELLE: Seeing as how there’s not much else that calls out to me, my pick this week is volume seven of Lovesick Ellie. I was a little concerned about the direction the series was taking in the last volume, so here’s hoping that this next one offers some reassurance.

KATE: There’s nothing on this week’s list that floats my boat, so I’m going to recommend a title that was released just a few days before Christmas: ABARA. It’s a beautiful, haunting, and strange manga that’s stayed with me longer than any of Tsutomu Nihei’s other series — and that’s saying something, considering Nihei has at least *two* series in which a talking bear is a significant character.

ASH: ABARA is indeed an engaging manga and probably my favorite work by Nihei to be released in English so far. But this week I’m with Sean in picking the final volume of Spirit Circle. I’ve really been enjoying the series.

MJ: There’s nothing that really draws me in this week, so I’m going to use my pick to boost the signal about something cool going on in another area of publishing right now, which is the Kidlit for Trans Rights auction ending tonight at midnight. Some of the prizes you can bid on are very writer-specific, like query or first pages critiques from agents, but there are also a slew of signed books and annotated copies from authors to bid on, and it could not be for a better cause. If you’re a fan of children’s, middle grade, or YA books, check it out!

I Saved Too Many Girls and Caused the Apocalypse, Vol. 11

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By Namekojirushi and Nao Watanuki. Released in Japan as “Ore ga Heroine o Tasukesugite Sekai ga Little Mokushiroku!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Mana Z.

By the end of this volume, we have five left to go before the series ends. It’s started to make me wonder what the endgame is actually going to be. Oh, I’m still convinced it will end with him not choosing anyone. But it has to be said, if he is going to choose one of the girls, it has to be someone the reader has a strong attachment to as well. And, well, First Girl Wins is not just a trope for nothing. Satsuki has an advantage that the other girls do not. She’s a childhood friend, she has magical wikipedia powers and is therefore involved in Rekka’s life rather than being kept in the dark. And she gets a big focus in this volume as well, as she and Rekka are accidentally sent to a deserted island for a while, where they can wax nostalgic, almost get eaten by a leopard, and come close (but not close enough) to a confession.

Satsuki is not on the cover, of course. The interesting thing, though, is that both girls on the cover, while heroines that Rekka “solves”, are not romantic heroines that we can see. Yulia is a nun who, like many Japanese nuns in fiction, is also an exorcist and a bit of a fanatic. Given she’s ended up in Rekka’s hometown, which is teeming with otherworldly inhabitants, particularly the vampire Rosalind, you can see why Yulia is flipping out a bit. In fact, dialing back her fanaticism is the point – she’s mistaking the Church’s vendetta for her own, and Rekka has an actual Angel to tell her “no, God says the Church is wrong”. (A very common thing in light novels lately.) As for Poppy the fairy, “staying hidden” and avoiding a group of kids trying to capture her is the sole goal she has. Compared to prior volumes, the stakes are very low key here.

Back to Satsuki, a surprise in this volume was that we not only see her parents, but get art showing what they look like. (In fact, the author wondered if there were enough interesting scenes for the artist, which may be why we see her parents as well as the kids harassing the fairy.) The other plot-heavy part of the book involves L, who has been abandoned by her villain friends and is on her own in the past, and essentially homeless till she gets picked up and adopted, for the moment, by Satsuki’s family. She’s still trying to kill Rekka technically, but it is interesting that whereas R is going for “hammer Rekka with as many heroines as possible to create a crisis point”, L is more “I am in one heroine’s corner”. And that heroine is Satsuki.

Will she win? Likely we won’t know till Book 16. Will R ever be seen? And of course the one question that absolutely has to wait for the last book: will Rekka get a clue that everyone is in love with him and do something about it other than change the subject? We do apparently get a girl in a top hat, though, so that’s nice. If you’ve been reading this, keep reading it. It’s fun froth.

Silver Spoon, Vol. 6

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By Hiromu Arakawa. Released in Japan as “Gin no Saji” by Shogakukan, serialization ongoing in the magazine Weekly Shonen Sunday. Released in North America by Yen Press. Translated by Amanda Haley.

It’s going to be very hard to discuss this volume without talking about the final chapter that overshadows the rest of it, but I will do my best to save that for later. In the meantime, there is still festival prep, and horse races! The racing is a highlight of the book, mostly as, despite getting distracted by family, studies, and Mikage, Hachiken is finally learning how to ride. This is despite the fact that he almost falls off Chestnut 3/4 of the way through, creating a dramatic moment when everyone panics he’s going to fall and get trampled. But he survives, and ends up in fourth place! Which is interesting, because it’s really good for a newbie, but it still irritates him. He wants more. He’s getting competitive spirit. This is especially good news given that he’s fallen for Mikage, who gets third in her own race and actually agrees to go on a date with him during the festival (though she may not have realized that’s what it was).

It would be remiss of me not to mention Ayame, who is introduced in this volume and is FABULOUS, in all senses of the word. Trying her hardest to have wandered in from a Rose of Versailles manga, and consumed with an intense rivalry with Mikage (who merely sees her as a good childhood friend), Ayame is pure hilarity the moment she steps onto the page. She’s basically the “ohohohohohoho” laugh given human form. She rides slowly and perfectly through her race, not understanding or even really caring that she’d doing it wrong. And when Hachiken manages to get fourth in a race (and thus finish ahead of her), Ayame admits that she’s rivals with him as well. For all that I praise Silver Spoon for its depiction of agriculture and compelling characters, there’s also no doubt that Arakawa can make things incredibly funny.

…and then Hachiken collapses and is taken to hospital, right before the festival begins. Frankly, the astute reader should have guessed this was going to happen. He hasn’t been brought up on a farm, and he got goaded into taking charge of eighty different things. He was ridiculously exhausted, and now he’s paying. That doesn’t make this any less depressing, though. His look as he wakes up in the hospital is almost heartbreaking. And that cliffhanger, showing the arrival of his dad, promises that the next volume is not going to be starting with laughs either. Still, I like that we are shown the start of the festival anyway – the manga is not just Hachiken, and I’ll lay you even money that his incredibly detailed and easy to understand festival plan is going to be noticed by someone at some point (there’s even a shot of the notebook sitting there like Chekhov’s gun.)

So the festival looks to be a success, but will Hachiken get to see any of it? And will his dad demand he pull out of the school? Can his dad, in fact, find it in him to not be a complete dick this time? I cannot wait to find out, because Silver Spoon is still amazingly addicting.

Manga the Week of 1/9/19

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SEAN: It’s a quiet week unless you like Kodansha’s digital-only titles. What’s out next week?

J-Novel Club gives us a 5th volume of The Master of Ragnarok & Blesser of Einherjar.

Kodansha, print-wise, has a 15th Attack on Titan: Before the Fall. This is one long prequel.

ASH: The manga adaptation adds more to the story than is found in the original light novel. Actually for the better, I think.

Digitally, there’s quite a bit. Kasane finishes up with Vol. 14, and Fuuka comes to an end with the 20th volume. There’s also Alicia’s Diet Quest 2, Boarding School Juliet 7, Kamikamikaeshi 7, Lovesick Ellie 7, Starving Anonymous… 6, and Tokyo Alice 7. Boo, Starving Anonymous, you need to get with the 7s program!

MICHELLE: I’ll at least be reading Lovesick Ellie! I need to check out Tokyo Alice one of these days, too.

ANNA: I have come to peace with the fact that there are many series that I will never be familiar with, and this list represents many digital manga I am not reading.

SEAN: Seven Seas debuts Dragon Quest Monsters +, a sequel to the old Gameboy video game. It ran in Shonen Gangan back in 2000, so is something of a surprise license.

ANNA: Sounds fairly obscure!

SEAN: We also see Captain Harlock Dimensional Voyage 7, Himouto Umaru-chan 4, and the 6th and final Spirit Circle.

ASH: I’ve fallen behind with Dimensional Voyage but have recently caught up with Spirit Circle. I eagerly look forward to the next (although sadly last) volume. The series has been excellent.

SuBLime has an 11th volume of The World’s Greatest First Love.

And Viz gives us Case Closed 69, Hayate the Combat Butler 33, and Radiant 3. Always happy to see Hayate getting volumes published and not kicked to the curb like a dog.

ANNA: My kids like Radiant!

SEAN: And that’s it. See anything interesting there?

MJ: No, but maybe one of you will persuade me.

The Asterisk War: Idol Showdown

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By Yuu Miyazaki and okiura. Released in Japan by Media Factory. Released in North America by Yen On. Translated by Haydn Trowell.

I must admit, of all the minor characters introduced in the last book when Ayato toured the festivals, I was not expecting the comic relief idol band to be the most important. Yet here we are, with said band trying to shame Ayato for being a clueless harem protagonist, getting into fights with other, more delinquent contestants, discovering secret underground battle rings, and taking on our heroes in the final part of the book. Actually, possibly the most interesting part of their story is the fact that their weapon is so powerful, even divided into five bits, that it literally makes them more eccentric and difficult. They have weaponized being cloud cuckoolanders! They also put up a damn good fight, forcing Claudia to use a lot more of her precognitive powers than I think she wanted, which will no doubt come to haunt her in the end. That said, this is really Saya’s book. So I will save her for later.

But first, let’s stay with Claudia, who stuns everyone by announcing her goal in front of the press. This certainly unnerves many people in power, especially her mother, who it turns out if in charge of most everything. As you can imagine, Claudia and her mother do not get along, and yet their confrontation is a highlight of the book. It also seems to tie into what Sylvie is searching for – as does the aforementioned underground battle ring, which is shut down for now but I’ll bet you even money will be started up again in a few books so that Ayato and Julis can fight forbidden illegal battles. Much of the rest of the book is the start of this tournament, with various groups fighting and showing off their dangerous points. This includes Claudia’s team as well, usually with her as the ‘team captain’, though that changes for the final match of the book.

Which brings us to Saya, who gets a lot of focus here. She’s both the childhood friend love interest and the ‘stoic’ one, so brings a lot of popular cards to the table. Her stoicness masks a lot of emotion, though, both in her desire to be able to bring everything she can to the battles with her weapons (which works out wonderfully in the last battle with her homing bazooka thing), and in her desire to be closer to Ayato. She spends a lot of the middle of the book convincing the idol group girls that Ayato is not, in fact, a playboy (well, not deliberately) and explaining all the times he’s been there for her. Which seems to lead her to the big cliffhanger, where she confesses to him. Now, I have a feeling that Saya is aware of the cliches of harem novels like this, and knows that by both being a childhood friend *and* confessing first, she’s out of luck. Still, it’s super impressive, and I hope that Ayato is able to give her a response that’s not just hemming and hawing.

Asterisk War is still very light and fluffy, but this was a particularly strong volume of the series. If you only watched the anime to make fun of it, you might be surprised by this book.