Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Sean Gaffney

Restaurant to Another World, Vol. 1

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By Junpei Inuzuka and Katsumi Enami. Released in Japan as “Isekai Shokudou” by Shufunotomosha. Released in North America by Seven Seas. Translated by Elliot Ryouga. Adapted by Nino Cipri.

By now we have had enough of these “foodie” titles out here in the West that it’s not a surprise anymore. Indeed, the light novel was the last one to get a license here, as we’ve already seen Restaurant in Another World’s manga (on the Crunchyroll site) and anime over here. And there are any number of other titles doing very similar things, including Othewrworldly Izakaya Nobu, Cooking with Wild Game, Campfire Cooking in Another World, etc. That said, Restaurant in Another World seems the purest of the titles we’ve seen here. If you’re not fond of descriptions of people eating delicious food, this is absolutely not the book for you, because that’s all it is. Well, OK, that’s not ALL it is. There’s actually a very interesting and varied fantasy world being slowly laid out here. But there’s no plot beyond “fantasy people eat delicious food” until the very, very end.

If you’ve read the manga, or seen the anime, or hell, even looked at the cover art, you may be surprised at who isn’t in this book. Aletta does not show up until the very last chapter, and I believe the other adaptations wrote her into the earlier chapters specially. Instead we get a very simple premise, repeated over and over. Someone comes across a door with a cat picture on it, in the middle of a cave,. or a forest, or a basement, etc, goes through it, and finds themselves in a modern Japanese restaurant that specializes in “Western” cuisine, although how much that specialty is enforced is something of a running gag. There they discover that the food served there is much, MUCH more delicious than the food they get back in their world. The gimmick is that their world is a standard fantasy one, with elves, dwarves, magic users, and adventurers. Once every seven days… they can eat good food.

The chapters are self-contained to a degree. New person, new favorite food, new descriptions of how that food is the absolute best. But they stack on top of each other, so you see the regulars coming back and eating and arguing with each other about food, not necessarily in that order. Another running gag is that they’re known to each other only by their standard meal, so the adventurer girl is “minced meat cutlet”, and the knight is “fried shrimp”, etc. The cast, as I said, run the gamut. There’s dragons who arrive at the very end of the day for beef stew (don’t worry, she can assume human form). There’s vampires in a Romeo and Juliet-style runaway, only they get away with it. There’s Lilliputians who go as an entire village to eat pancakes. And there’s human kids living there too, who get what most human kids in a restaurant want… burgers and fries. And there’s the unnamed chef throughout, smiling and making their food, and occasionally enforcing the peace.

This light novel series is 5+ in Japan, and I’m not sure how long it can sustain its basic premise without adding SOME plot. That may be why Alette was added in the last chapter, so there’s some more regular regulars. But if you enjoyed the manga and anime, or just like food, you should enjoy this. Also, terrific illustrations by Enami, who also illustrates Baccano!.

Go With The Clouds, North-by-Northwest, Vol. 1

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By Aki Irie. Released in Japan as “Hokuhokusei ni Kumo to Ike” by Enterbrain, serialization ongoing in the magazine Harta. Released in North America by Vertical Comics. Translated by David Musto.

If you enjoyed Ran and the Gray World but wish it had 100% less of that one creepy guy, then this may be the title for you. It’s the author’s followup to that series, after she took a vacation around the world, including driving around Iceland. That informs this new work, which does star a tall, handsome and difficult to like fellow, but this one is the protagonist, and far easier to get along with. In fact, over the first half of this volume I was wondering if this was going to be an episodic title, with each chapter having Kei solving a different problem using his detective skills and ability to talk to machines (which might be the same as his grandfather’s ability to talk to birds). But it does pick up a plot in the second half, and it’s darker than I expected. His aunt and uncle are both dead, and his younger brother is in Iceland and says he’s innocent… but Kei is the only one who believes him.

There’s a sort of odd supernatural-ish tinge to this title, but unlike Ran and the Gray World it never quite dips its toe into the genre full speed. Kei, as I noted, seems to be able to speak to the soul of machines, particularly the car he’s driving around Iceland. There’s also Lilja, a young Icelandic girl Kei’s age, who’s introduced to us in a way that makes the reader wonder if she really exists or is some sort of spirit. Later on, she seems far more real – she’s the niece of a woman who’s dating Kei’s grandfather, and her introduction after the initial chapter is very much meant to be a “romantic interest ahoy” sort of thing, though I was very amused that after he interrupted her without clothing – twice – she insisted on ripping off his boxers to get her own back. Is she a normal girl? Probably as normal as Kei, and she seems to be good at hearing the truth behind sounds – which sets up the cliffhanger, which may put her at odds with Kei.

As you’d expect with this author, the art here is gorgeous. Lots of stunning Icelandic landscapes, striking men and women, and even an action scene or two – there are some lovely poses here. I suspect this may be the lightest volume of the series, which likely will get deeper into the behavior of Kei’s brother next time. But it’s a terrific read, never feeling boring even as you realize that not a lot has happened for the first hundred pages or so. Kei acts like an ass a lot of the time, but as his grandfather notes, that’s very much a front – and, I suspect, a contrast to his brother, who is seen in Kei’s flashbacks to be young, weak and somewhat hapless, but I’m fairly sure isn’t. That said, I’m not sure I’m ready to think him evil either.

This series does what most really good manga want to achieve – makes me really want to read more. Definitely worth a read. Also, what a title.

Invaders of the Rokujouma!?, Vol. 20

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

As was possibly easy to predict, after the excitement of the last two books, we’re getting a short story collection here. In fact, the author notes that the plot will basically alternate with these sorts of books from now on, so as not to alienate those who enjoy the lighthearted comedy bits. As such, we get three short stories that were first published online, and one original novella. They all pretty much fulfill the lighthearted part, but as with a lot of Rokujouma, comedy has slowly been replaced by heartwarming as the go-to thing. This is a sweet group of girls, all best friends, all in love with the same guy, and things are great. For a lot of people, this might be annoying, showing off a lack of conflict that helps to drive most series. I find it refreshing. The conflict comes from the enemies in the main plotline. As such, this is basically just pure cuteness.

To no one’s surprise by now, let me focus on my favorite character first. Yurika gets the first story as a focus, and it shows that even though she’s seriously matured and leveled up in the past few books, she is still the same old somewhat whiny, lazy girl who has to be prodded. The difference now is that she CAN be prodded… as well as now Koutarou realizes how he feels about her. The first story deals with the cosplay club hearing (by mistake) that Yurika is going to stop wearing magical girl “costumes”. They know the main reason why girls stop cosplaying – they get a boyfriend. The rest of the story is them hilariously finding they’re right – sort of. To the outside observer, Yurika has become a “reajuu” – she has a great boyfriend, a nice best friend, and a fulfilling life. To the outside observer only, of course. The other two short stories deal with a) Sanae and Ruth peering into Koutarou’s dreams, and realizing he has a ways to go to be healed, and b) Maki and Theia finding that though they may be opposites in many ways, they can still bond as good friends.

The story that takes up the second half of the book is a cooking competition for the school festival, with all the girls competing and Koutarou the judge. This ranges from the obvious (Kiriha and Ruth are great cooks) to the good character building (Yurika is forcibly taught by Shizuka, and her efforts pay off for Koutarou if not anyone else – she didn’t burn or otherwise ruin it) to amusing fun (everything about Clan’s SCIENCE! dish). Moreover, it helps to hammer home one of the main themes of this “harem” series – Koutarou likes them all equally. He gives everyone the same score – even Clan’s “meal” – as to him, they’re all great as the girls all put their heart into them. For a lot of other series, this would make Koutarou into a bland milquetoast protagonist, and to be fair he had elements of this at the start. But he’s developed too, to the point where the reader can smile and nod when this occurs.

So overall a really nice volume, and a good break before we no doubt go off into SPAAAAAAAACE! next time.

Manga the Week of 4/24/19

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SEAN: Sometimes publishers surprise you.

But before we get to the surprise, Cross Infinite World has the 2nd novel for Obsessions of an Otome Gamer. I found the first volume far better than expected… and far longer than expected. I look forward to this, but may have to set aside extra time for it.

J-Novel Club has a 5th volume of An Archdemon’s Dilemma: How to Love Your Elf Bride.

Kodansha, print-wise, has Attack on Titan: Before the Fall 16, The Heroic Legend of Arslan 10, and To Your Eternity 9.

ASH: To Your Eternity continues to be an excellent series.

SEAN: But let’s face it, it’s all about the digitals this week. Another “this will never get licensed” title has been licensed, digital-only. Saint Young Men is a typical slice-of-life comedy about two men sharing a small apartment in modern Japan. Oh, yes, and they’re Jesus Christ and Gautama Buddha. Which explains why this was not licensed for so long. It’s by the creator of Arakawa Under the Bridge, and is (believe it or not) far less weird than that title.

MICHELLE: Finally! I’m so excited for this.

MJ: I can’t remember the last time I was so surprised/thrilled about a release. I mean, I never thought this could happen in the US, even as a digital release.

ANNA: Me too! It is so nice to be surprised like this!

ASH: This really is fantastic news! Kodansha is technically calling this a digital-first release, so there may be a slim possibility that a print edition may eventually be released. It’s like a miracle that it was licensed at all, so I’m hoping for another one!

SEAN: In less controversial digital titles, we see Ace of the Diamond 22, Ao-chan Can’t Study! 6, Asahi-sempai’s Favorite 2, Blissful Land 3, Defying Kurosaki-kun 8, Elegant Yokai Apartment Life 12, Kakafukaka 6, Mikami-sensei’s Way of Love 4, My Boy in Blue 8, and Tokyo Alice 10. That’s a lot.

MICHELLE: Forsooth.

SEAN: Oh yes, and Kodansha license rescued Initial D and are releasing about 30 million volumes of it digitally. Which is, as Initial D fans known, only about 1/4 of the total volumes.

MICHELLE: I was literally thinking about Initial D earlier today!

SEAN: Seven Seas gives us Accomplishments of the Duke’s Daughter 3, Captain Harlock: Dimensional Voyage 8, How to Train Magical Beasts 3, Sorry for My Familiar 4, and Species Domain 6.

ASH: How to Train Magical Beasts has been a nice series so far.

SEAN: Tokyopop lists Aria the Masterpiece 2 and Konohana Kitan 4 as coming out next week, though Amazon seems to disagree.

Viz has, in a digital debut, the first seven volumes of Banana Fish, a somewhat obscure old shoujo series that I’m sure the rest of Manga Bookshelf has never heard of.

MICHELLE: *snerk*

MJ: What kind of title is that? “Banana Fish.” Huh. Though, okay, I wish we were getting a deluxe print reissue instead.

ANNA: Sweet, maybe I will finally read it!

ASH: I would absolutely buy the series again if it was getting a new print deluxe edition. But I’m really happy that it’s back in print at all, and now available digitally, too.

SEAN: It also has a 9th volume, digital-only, of élDLIVE, from the creator of Reborn! (remember Reborn!? Years ago? Cancelled by Viz?).

MICHELLE: I am really hoping VIZ does more digital-only titles.

SEAN: Yen has a digital debut of its own, as if to say that those other two aren’t good enough. ALL of Fruits Basket is out next week digitally. That’s twelve omnibuses. Now you can read it on your phone (and also probably start crying in public, so don’t do that).

MJ: This is pretty sweet.

SEAN: Yen’s print manga is the week after next, but we do get this month’s novels. The debut is Penguin Highway, another in Yen’s ongoing series of “license the novel with a recent popular movie”. The novel is apparently really good, though, and has won the Nihon SF Taisho Award. Expect coming-of-age adventure!

ASH: I’ll be picking this one up!

There’s also Baccano! 10 (we promise, Monica is in the one after this, Baccano! fans), The Devil Is a Part-Timer! 13, I’ve Been Killing Slimes for 300 Years 4, KonoSuba 8, Re: ZERO EX 3, and That Time I Got Reincarnated as a Slime 5.

Jesus Christ, that’s some good manga. (Sorry.) (OK, not that sorry.)

Mushoku Tensei: Jobless Reincarnation, Vol. 1

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By Rifuin Na Magonote and Shirotaka. Released in Japan as “Mushoku Tensei – Isekai Ittara Honki Dasu” by Media Factory. Released in North America by Seven Seas. Tranlated by Kevin Frane and Paul Cuneo. Adapted by JY Yang.

As the URL of this review may indicate, I had reviewed the first volume of the Mushoku Tensei manga when it came out back in the day. I wasn’t all that impressed with it. That said, having finished the light novel that the manga is based on, I am changing my tune slightly. This reads much better in prose. In particular, it works its isekai tropes into the plot better than the manga, which tended to gloss over Rudy’s every action being influenced by his previous life. This was one of the first really popular isekai novels, and to a certain degree many other series either rip off or parody what’s going on here, meaning that sometimes you can be reading things and waiting for a punchline that isn’t coming because it’s taking things seriously. On the bright side, that’s rather refreshing, and I also enjoy that the series has time to flesh out the rest of its non-Rudy cast.

The book starts with a portrait of our hero’s previous life, and I would not blame the reader for giving up here, as he’s rather loathsome. Luckily, Truck-kun is there to take care of things, and in no time he finds himself reborn in a different world, with his previous memories intact. He resolves that he’s going to do a better job with his life this time around, and sets about trying to learn magic, learn swordplay, and be a good son. All this before he turns seven years old! Rudy tends to be a bit too perfect, much to the consternation of the family maid, and contrasts with his flaky father. But he’s also allowed to have some standard light novel character flaws, most notably being a perv (which can be unsettling given his age) and also mistaking a young elf girl for a guy just because she has short hair and is wearing pants.

I figure most people reading this are very familiar with reincarnation/isekai titles, and you’re not going to be surprised at what happens within when it comes to the setting. Lots of discussion of magic to a somewhat tedious degree, etc. Rudy’s teacher Roxy is quite interesting, and I was annoyed that she vanished halfway through the book – she deserves a spinoff manga of some sort. Possibly one coming out next week. Most impressive to me was Rudy’s family, and the depth they all had – his father Paul has trouble keeping it in his pants, and this could have led to disaster were it not for peacemaker Rudy. That said, Rudy may grow up to be like dear old Dad. There are a few moments in this book where the author suddenly remembers he has to be perverse, and they stick out oddly (Rudy coming across Roxy masturbating while watching his parents having sex) and sometimes creepily (infant Rudy likes breasts based on his past life, and NO THANK YOU). At least the maid notices that it’s creepy.

I may not see much of Rudy’s family for a bit – in order to make sure that he and his somewhat codependent childhood friend don’t damage each otehr’s growth, his father sends him off to tutor some ways away, and that is presumably where the second book will start off. Moments of awkward sleaziness aside, I was pleasantly surprised with Mushoku Tensei, which takes its reincarnation premise seriously and doesn’t subvert, satirize or parody it.

Bookshelf Briefs 4/17/19

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Bloom Into You, Vol. 6 | By Nakatani Nio | Seven Seas – The bulk of this volume is the play, and I was very much reminded of the play in the Kare Kano manga, which filled much the same function. We see a woman wondering which of the “sides” she sees was the real her, and the answer of course is to look forward. It’s really well done, but it’s uncertain how this will affect relationships between Touko and Yuu. We’ve seen Yuu struggle to define how she feels towards Touko—and indeed love in general—and now she seems to have her answer, but it’s not making her very happy. (I do love the brief POV of her older sister, who gives her good advice and resolves to support Yuu whenever she decides to admit it to her family.) Still great. – Sean Gaffney

Chihayafuru, Vol. 16 | By Yuki Suetsugu | Kodansha Comics (digital only) – Mizusawa has managed to win the team portion of Nationals! Chihaya’s tearful happiness is heart-wrenching, and I loved that she was able to remind Arata of the joys of competing with teammates. She seems to have fractured her right index finger, however, and though she makes it through the first couple of rounds of the individual tournament by playing left-handed, when facing Shinobu she chooses to go with her right. She makes one really impressive play, but then the pain is too much and she loses by a huge margin. Still, she’s made an impression on Shinobu now, and we see how much it would mean to the latter to have a friend her age who doesn’t expect her to go easy on them. Meanwhile, Taichi has made it to the Class B finals and Arata will soon move to Tokyo. Tune in next time! – Michelle Smith

CITY, Vol. 5 | By Keiichi Arawi | Vertical Comics – After a fourth volume with a long-running story, we’re back to brief snapshots in this volume, which means, of course, it’s not quite as good. A lot of gags land. I liked the photography session chapter, as well as the one with the soccer team’s “accidental” ball control. And the names of the Tekaridake Troupe made me giggle. But a lot of this is random for randomness’ sake, and features recurring bits that I’m not as fond of, like the manga artist who is likely meant to be Arawi himself. I suspect he’s trying not to make it too much about the “main trio” as he wants to avoid having it be Nichijou Mk. 2, but the main trio are where the best chapters lie. Still worth reading, but very up and down. – Sean Gaffney

Juni Taisen: Zodiac War, Vol. 4 | By NISIOISIN and Akira Akatsuki | Viz Media – I didn’t brief the second and third volumes of this, but you can likely guess what happens. In this, the final volume, we’re down to the last few survivors. The best part of the book is the section dealing with, in my opinion, the two best characters—Tiger and Ox. Their backstory, and the discussion of “how to do the right thing,” resonates strongly. Sadly, the zombie rabbit and the almost deliberately personality-less Rat take up most of the end of the volume, and that’s not quite as good. In the end this seems to have been Nisioisin’s attempt to write a Battle Royale-style story, and it works best with his Medaka Box partner on it, but four volumes is definitely enough. – Sean Gaffney

My Hero Academia: Vigilantes, Vol. 4 | By Hideyuki Furuhashi, Betten Court, and Kohei Horikoshi | VIZ Media – As a neighborhood department store plans to reopen after a monster attack, Pop is invited to take part in a celebration. Makoto parlays this into an appearance from Captain Celebrity and, meanwhile, Hachisuka plans to crash the party with her Trigger-augmented monsters. I probably should’ve guessed the reveal about Hachisuka here, especially considering what happened with her classmate before, but it was fairly cool. I liked learning more about Knuckleduster, and it was nice seeing Pop give a competent (and pretty heroic!) performance at the concert. I’ll likely keep reading this series, as I enjoy how it’s fleshing out the world, but I am a little bummed that I just don’t love any of these characters like I do the kids in the main series. They’re not complex enough. I guess nothing will ever really measure up to the original. – Michelle Smith

Takane & Hana, Vol. 8 | By Yuki Shiwasu | Viz Media – The rule of thumb for this manga seems to be that whenever one of the two leads decides to seriously romance the other intentionally, it never quite goes the way they want it to. That’s certainly the case in this volume, where Takane is still on the rise, and he’s not quite out to romance Hana—he just wants his revenge. As a result, he runs her ragged, in what’s probably the funniest chapters of the book. I’m not sure how I feel about the final cliffhanger, though, which seems to be another setup on the part of Takane’s grandfather. The series is 16+ volumes in Japan, so it could simply be the author setting in for the long haul. As long as the power balance is kept even, this is still great. – Sean Gaffney

Wonderland, Vol. 2 | By Yugo Ishikawa | Seven Seas – At heart, this is survival horror, which is not really my thing. As with a lot of things that are not really my thing, I have a number of exceptions to the rule. And Wonderland is so weird and trippy that it fascinates me more than it depresses me. As could probably be predicted, Alice may be responsible for what’s actually going on here, even if she’s not telling the main group that. The “main group” also gets winnowed way down here—Yukko even loses her dog, though he does show up later, in the funniest scene of the book (especially for long-haired dog owners). And of course I haven’t even mentioned Alice’s evil twin, who can turn babies into ZOMBIE BABIES. Wonderland is a trip. It deserves its title. – Sean Gaffney

Kitaro: Kitaro’s Yokai Battles

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By Shigeru Mizuki. Released in Japan as “Gegege no Kitaro” by Kodansha and Shogakukan, serialized in various magazines. Released in North America by Drawn & Quarterly. Translated by Zack Davisson.

This is not the first time that we’ve seen Shigeru Mizuki write himself and his family into a manga. Heck, it’s not even the first time he’s been in Kitaro. But the story “Oboro Guruma”, which is the highlight of this volume, really takes it further and involves Mizuki in the most metatextual way possible. At a coffeeshop he’s going to to avoid work and family (remember, no one puts himself down quite like Mizuki does), he runs afoul of the yakuza, but is saved by… Kitaro and Nezumi Otoko, who are in the same coffeeshop. He brings them home and lets them stay with his family, and they start to bond with the local neighbors. But then the entire town is covered in a strange gas, isolating it from the rest of Japan. The story alternates between what’s actually happening (it’s a yokai – try to contain your shock) and how Mizuki is dealing with it (by being somewhat weak and lazy – again, try to contain your shock).

Every single review of these titles I seem to talk about Nezumi Otoko, so I will confine myself this time to noting that the volume opens with him seeing Kitaro on a horse, hitting him over the head with a club, dope slapping him, and stealing the horse. It’s so beautifully in character I wanted to cry. Instead, though, I will talk about Kitaro, who actually isn’t at his best here. Kitaro tends to be a cypher at the best of times, and while he can sometimes be pretty righteous for the most part he tends to go with the flow in a stoic sort of way. The usual Kitaro way of fighting is to somehow get killed/beaten up, come back in a weird supernatural way, and then find a way to defeat the yokai that did him harm. In this volume, though, he really seems to be put through the wringer, and there’s less of him being clever.

Kitaro as a manga tends to be somewhat silly, particularly in the resolutions, and this one tops itself quite a bit. I was highly amused at Kitaro almost getting killed by having teeth spit at him, and the poop gags that tend to be rife in shonen manga of this period are here as well, as at one point the victims of a yokai are excreted. Topping them all, though, is Kitaro getting the crap kicked out of him, to the point where his head is covered in bumps (cartoon-style)… and then having those bumps launch as missiles to counterattack. It’s so incredibly silly, and yet it also shows off the sheer brilliance of Mizuki’s imagination. He may confine himself to yokai here, but you see why – despite telling essentially the same story over and over (a yokai is doing bad things, Kitaro stops it), the series is never boring.

I believe that the next volume, out early next year, will be the final one in these omnibus collections. They’re all worth picking up. Kitaro is a style of manga that is both very reminiscent of the late 60s manga style and yet also timeless. It’s also very re-readable. Highly recommended.

No Game No Life, Vol. 8

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By Yuu Kamiya. Released in Japan by Media Factory. Released in North America by Yen On. Translated by Daniel Komen.

It’s a No Game No Life volume, so you sort of know what you’re going to get by now. A lot of faffing around and being stupid and/or appalling while Steph (and the reader) tries to figure out what Sora and Shiro are thinking. Sora being reprehensibly perverted, and honestly I think him being a cowardly virgin deep down makes it MORE annoying. The fact that this is a writer who writes awkward prose in Japanese being translated awkwardly into English, meaning sometimes you have to go reread the previous paragraph to figure out what was just said. In amongst this, however, there are the usual good things lurking near the bottom, including a good discussion of war games vs. actual war, and the “villain” of the book, whose road towards becoming more emotional in her constant inquisitiveness is a good one in the end. And Steph. Steph is always good, though you have to put up with her being constantly belittled by everyone in the world.

We pick up where we left off last time, with Sora and Shiro (and Steph) being forced to replicate the last War and understand how it was resolved. This is, of course, impossible, mostly as, despite the obvious attempts by the narrator to make us think it in Book 6, Sora and Shiro are not Riku and Schwi, nor can they be. More to the point, as Sora point out, there’s a big difference between a game of war and war in reality: a game ends. When you “win” in war, you have to think about what happens next, unlike your typical game of Axis and Allies. Moreover, while this is going on on Old Deus’ gaming board, the remaining players are all trying to betray each other in the real world, which doesn’t go well. For anyone. And then there’s the matter of the traitor who was mentioned before, which is actually one of the subplots I felt was handled quite well.

In any case, by the end of the book we have what appears to be a new regular, and we also have some old “friends”, Chlammy and Fiel, who are also going to be hanging around now that Sora has, in effect, ruined their lives. Steph helped, and possibly my favorite moment in the book was when she looked away guiltily – but not that guiltily. Steph may dislike Sora’s perversions – I do as well – but she gets how he thinks, and was the first to point out a major aspect of [ ]’s gaming strategy, as well as Tet’s, which is to have fun. A lesson that everyone else in the cast, as well as many “serious” gamers in real life, could use. Of course, now that we’ve resolved this plot another is coming, as we appear to be gearing up for another invasion by …German robots?

As ever, No Game No Life remains intensely frustrating and annoying (everything about the elves in the war game was appalling and awful, and I don’t care that it was deliberately so), and it’s genuinely difficult to read at times. But there are moments when you can see the talent of the author shine though, and they’re excellent. Mildly recommended.

Pick of the Week: Easter Manga Treats

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SEAN: Some good stuff this week: a 2nd Ran the Peerless Beauty, the Restaurant to Another World novel, a new Dead Dead Demon’s Dededededestruction and Golden Kamuy, but I’m going with the pretty debut, Go with the Clouds, North-by-Northwest, because man, it looks pretty.

MICHELLE: And it appears to be a mystery! Thus, it’s my pick as well.

ANNA: I’m halfway into the second volume of Ran and the Grey World and I’m probably going to drop that series, so I’m hoping that Go with the Clouds, North-by-Northwest has a better story to go with the beautiful art.

ASH: While I’m certainly interested in Go with the Clouds, North-by-Northwest, a new Junji Ito collection is being released upon the world in English this week. I can’t help it, Smashed is my pick! (Though I would guess it will likewise be visually striking, but for entirely different reasons…)

KATE: I’m gonna need a bigger boat–that’s an amazing manga haul! Ran and the Gray World didn’t do much for me, but I’m loving just about everything else on the MB Battle Robot’s shopping list, from the latest Dead Dead Demon’s Dedededestruction to Go With the Clouds, North-by-Northwest and Smashed.

MJ: I was a huge fan of the artwork in Ran and the Gray World, so I’ll join a number of my colleagues here and go with Go With the Clouds, North-by-Northwest as my pick this week! I’m very interested in this!

Witch Hat Atelier, Vol. 1

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By Kamome Shirahama. Released in Japan as “Tongari Boushi no Atelier” by Kodansha, serialization ongoing in the magazine Morning Two. Released in North America by Kodansha Comics. Translated by Stephen Kohler.

With a title like this, it’s tempting to leave the review at (flailing around) PRETTY!, which is certainly true, but there’s more to the title than the art – the story is also quite compelling, and I’m enjoying the characters. That said, boy is it pretty. I suspect most people were drawn to it by the cover, and the inside is even better. This is a world of magic, though at first our heroine doesn’t seem to have any. But there are magic pools and the like. And there are witches, who are both male and female here. Coco desperately wishes she was a witch, but doesn’t seem to have the power, despite having been sold a mysterious magical book at a fair years ago by a mysterious masked stranger, something that is completely not suspicious at all. So you can imagine her delight when a real witch shows up one day, and she gets to observe how magic is made. The delight has consequences, though…

For the most part, this is a title filled with whimsy and wonder, and Coco is a bubbly, happy hero. I say for the most part because the circumstances that lead to her becoming a witch are creepy and scary, and essentially a child’s worst nightmare. Fortunately the witch from the earlier chapter is able to help her, and she gets taken away to magic school to essentially start starring in Harry Potter. She gets a few new friends, and also a roommate who really does not like her, in the best boarding school tradition. Most of this volume hinges on the fact that Coco has absolutely no training in this sort of thing whatsoever, and things that are common knowledge to all witches are new to her. This allows the reader to receive an explanation, of course, but also helps to show off how Coco seems to be a prodigy as well – she soaks up the information quickly, and can extricate herself from life-threatening situations.

The rest of the cast is not as fleshed out as Coco, but it’s a good start. Mostly we focus on Qifrey and Agott. Qifrey seems to be the sort of pleasant mentor who will have a bit of a dark side later on, sort of like Dumbledore (well, hopefully not THAT much like Dumbledore). Agott makes the stronger impression, and it’s not a good one at first, with the line “such a shame about your mother” wriggling with unspoken contempt. Agott and Coco are meant to contrast heavily, and Agott is also clearly meant to be the favored student who gets shown up straight away by the new girl. Will they eventually bond as friends? Not sure, but things aren’t looking good right now, as Agott sends Coco out on a deadly test and does not seem to be punished for it at all.

So, to sum up: magical fantasy, spunky young protagonist, rivals and companions, a mysterious past, and excellent artwork. It’s a terrific start to a series.

Durarara!!, Vol. 12

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By Ryohgo Narita and Suzuhito Yasuda. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Stephen Paul.

Around about the time that Shizuo is seen to punch a forklift out of the way, it struck me that he is one of the most beloved characters in DRRR!! solely because it is set in “reality”. Now, it’s an urban fantasy, but you know what I mean. If Shizuo were a NEET who died and was transported into the world of DRRR!!, it would be appalling. He’d be the most overpowered male power fantasy imaginable. Heck, he even got a love triangle (of a sort) devoted to him a few volumes ago. All we lack are monsters… oh wait. This whole volume explores one of the series’ main themes, which is what makes a monster and what makes a human. Celty spends almost the entire book in a state of pure emotional rage, not even remotely resembling a human being. Anri is still (always) thinking that she doesn’t think or feel the way “humans” do. And then there’s Izaya, who finds the idea of Shizuo offensive, but let’s face it, is the most monstrous of them all.

Getting back to Anri, the scenes with her and Saki are some of my favorites in the series, if only as the whole thing is so anticlimactic. Saki arrives trying to gauge if Anri is a threat. Why wouldn’t she? Masaomi talks about her constantly, she’s cute, and is literally defined in the DRRR!! universe by her large breasts. But of course Anri is a sweetie-pie with no self-esteem, and once Saki gets that everything gets more relaxing. Anri also takes a large step forward by being the first of the trio of friends to actually break their “agreement” – she asks Saki to tell her about Masaomi’s past. Given that said agreement has only hurt everyone involved, I have to approve. Of course, Anri is still hiding some things (Saika is not brought up in front of Saki), but it’s still a step forward, and might lead to her making a big emotional leap forward.

Narita confessed in the afterword that this was meant to be the final volume and it got too long, which is not a surprise – there’s no more setup in this book, and though there are strings of long conversations as always, they’re not there to drop hints for the future. Haruna’s teacher is trying his hardest to become the Big Bad of the series, using Saika to possess half of Ikebukuro and create a “zombie attack”, but I suspect his chances of making us respect him are nonexistent. We’re far more interested in the final fight between Izaya and Shizuo, triggered by Izaya’s attempt to kill Shizuo accidentally injuring Vorona. The fact that Izaya is finally going to try to kill Shizuo is mentioned several times in the book by various groups and people, and they all have the same reaction: Izaya is going to commit suicide. Given that the two rarely confront each other in the novels, I expect the fight to be epic.

Oh yes, and Mikado’s got a gun, so things ain’t never gonna be the same. I didn’t talk about Mikado at all this book, but given that I suspect the 13th and final volume will revolve around him, it’s best to save something for later. Till then, enjoy a very good DRRR!!, though I’d sort of like it if Anri’s breasts weren’t a separate character of their own (complete with the usual “lol, molestation is funny!” interior art).

Manga the Week of 4/17/19

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SEAN: A Week of much excitement and prizes!

Dark Horse has a Berserk light novel (light? Berserk?) called The Flame Dragon Knight.

ASH: Ha! Surprising no one, I’ll be picking this up.

SEAN: J-Novel Club has a 13th Little Apocalypse and an 8th Outbreak Company.

Kodansha doesn’t seem to have any debuts, but we do get Aho-Girl 12 and Sailor Moon Eternal Edition 4.

Digitally there is All Out!! 9, Altair: A Record of Battles 10, Back Street Girls 10, DAYS 13, Kira-kun Today 6, Ran he Peerless Beauty 2, and Tokyo Revengers 6. I’m definitely reading another Ran.

MICHELLE: Me, too!

MJ: Okay, I still haven’t read the first Ran, but I need to!

MICHELLE: It has a certain Kimi ni Todoke quality about it.

One Peace has a 10th manga volume for polarizing title The Rising of the Shield Hero.

Seven Seas has a digital light novel debut with Restaurant to Another World (Isekai Shokudou). I’ve read the manga on Crunchyroll’s site, so am looking forward to a prose version. You can probably guess the premise.

ASH: You can probably guess that I’ll be giving the series a try later this year (when it debuts in print).

SEAN: They’ve also got the 4th Clockwork Planet novel (print edition), Getter Robo Devolution 3, Himouto Umaru-chan 5, and If It’s for My Daughter, I’d Even Defeat a Demon Lord 3 (manga version).

This should have been on last week’s list, but Sol Press have 2nd volumes for their light novels Battle Divas and Strongest Gamer.

ASH: I’d forgotten about Sol Press!

SEAN: Vertical Comics debuts Go with the Clouds, North-by-Northwest (Hokuhokusei ni Kumo to Ike), the newest series from the creator of Ran and the Gray World, runs in Harta magazine, and is apparently as gorgeous as its older sister manga.

MICHELLE: Ooh, neat!

ANNA: I haven’t read the second volume of Ran and the Gray World yet, but I suspect that series is going to be too male gazey for me, I’ll be checking out reviews of North-by-Northwest.

MJ: Sign me up for this!

SEAN: Viz, as if to say to hold off on Pick of the Week till they show up, debuts a Nausicaa of the Valley of the Wind artbook, as well as a new Junji Ito Story Collection, Smashed.

ASH: Smashing!

MJ: Oooooooh that artbook…

SEAN: And they have the 5th Dead Dead Demon’s Dededede Destruction, the 6th and mercifully final Fire Punch, a 9th Golden Kamuy (which can be as disturbing as Fire Punch was at times, but draws me in far more), and Tokyo Ghoul;re 10.

ASH: More Dead Dead Demon’s Dededede Destruction and Golden Kamuy for me!

ANNA: I’m excited for more Dead Dead Demon’s Dededede Destruction!

SEAN: Are you excited. I’m excited. (And I just can’t hide… sorry.)

Bookshelf Briefs 4/10/19

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Akashic Records of Bastard Magica Instructor, Vol. 6 | By Hitsuji Tarou, Tsunemi Aosa and Kurone Mishima | Seven Seas – I was sort of hoping that Rumia would do something other than hang around and get saved, but alas. Most of the character work in this goes to Re=L, whose past turns out to be not quite her own, and the brother she’s so devoted to also turns out to be not what he seems. It’s filled with tragedy and manipulation, but fortunately Glenn is able to see her through it. And thus we move on to the next arc, which seems to be introducing a dead past love for Glenn… who happens to be a dead ringer for Sisti! Who is pretending Glenn is the man she’s going to marry. This remains middle-of-the-road manga, but it’s still interesting enough to make me get the next book. – Sean Gaffney

Berserk: Deluxe Edition, Vol. 1 | By Kentaro Miura | Dark Horse – Due to the price point, Dark Horse’s deluxe treatment of Berserk will likely appeal most to already established fans of the series (a group to which I belong), but it is a striking release nonetheless. The first deluxe omnibus collects the first three volumes of the manga in a single, massive, hardcover tome with a large trim size that showcases Miura’s artwork. There isn’t really any new or added content, although the covers of the individual volumes are included as color pages. It’s been a while since I’ve read Berserk from the beginning. The initial chapters feel a little directionless at times, nothing more than an excuse to have an astonishingly badass swordsman with a mysterious but obviously tragic backstory taking out demons, but soon the manga builds and coalesces into something truly epic. What remains constant is that Berserk is a violent, brutal, horrifying, and frequently disturbing dark fantasy. – Ash Brown

My Hero Academia, Vol. 18 | By Kohei Horikoshi | Viz Media – This is definitely a manga of two halves. The first is serious as can be—we have a major hero death, Mirio does NOT magically get his powers back, and Eri is saved but traumatized. Our main cast are changed as well… Ochaco now wants to save people as a main goal, and Kirishima also notes he’s shaken up. Fortunately for the reader, we have the back half of the manga, which introduces the REAL Camie (whom Toga had impersonated) and has the Remedial Hero License Exam… which involves winning over a class of spoiled kindergarten brats. It’s pretty hilarious all round, with some great gags and also showing us that Bakugo CAN learn and grow as well. An excellent volume of an outstanding series. – Sean Gaffney

My Hero Academia: School Briefs, Vol. 1 | By Kohei Horikoshi and Anri Yoshi | VIZ Media – The things the cretinous Mineta says in this prose spinoff are so vile that they eclipse the things he says and does in the manga/anime, and that’s really saying something. I appreciate the reactions from some classmates, like Tokoyami glaring at him with “utter contempt” and Kaminari getting a chance to show that his own horniness has limits, but I must remind the author… Mineta didn’t have to get this much of the spotlight, you know? Anyway, Parents’ Day is at hand (which makes for some drama at the end of the volume) but first several of the boys rescue a girl at an amusement park while three of the girls go to a supermarket. The latter story was promising until was revealed that the shoplifter they caught had crapped himself. So puerile. I wanted to like this but in the end it just pissed me off. – Michelle Smith

My Monster Secret, Vol. 15 | By Eiji Masuda | Seven Seas – This mostly expands on the new plot twists from last time. Shiho is still trying to find a way to avoid fate, which doesn’t work, but she, Mikan and Nagisa all reveal their secrets to each other at the same time, which is probably the funniest scene in the book, and leads to a lot of “yeah, so, most of us are supernatural in some way” scene. There’s also a summer beach chapters, which leads (chanks to Akane) our main couple getting left behind and stranded. They grow closer, there’s a kiss…. and then there’s a bite. Now it’s time for Akane to point out that biting for vampires isn’t just kissing, it’s a lot more serious. And finally, a reminder—again—that Youko is a vampire. Are we finally going to dark places? – Sean Gaffney

Otherworldly Izakaya Nobu, Vol. 3 | By Natsuya Semikawa and Virginia Nitouhei | Udon Entertainment – The “cute food manga” is still there, but things get a lot more dramatic in this third volume. We actually get some backstory for Shinobu, the heir to a restaurateur who is fleeing and arranged marriage, and Nobuyuki, her restaurant’s cook who had just quit. In the fantasy world, the asshole villain from last time is back, and trying to get the izakaya shut down—and its owners executed—for the beer they’re selling, as it’s actually lager, which is illegal in this world. This is one of those “every minor character who had loved their food comes together to help” plots that I really love, and it makes this volume the best of the series to date. – Sean Gaffney

That Blue Sky Feeling, Vol. 2 | By Okura and Coma Hashii | Viz Media – Noshiro may be a giant bundle of extrovert, but that’s not always a good thing, as this volume demonstrates. Whether Noshiro is gay or not is still up in the air—certainly Sanada thinks he’s straight—but his attempts to solve Sanada’s problems just lead to more problems, as Ayumi and Sanada cannot go back to what they were before, and underclassman Makoto (who has a giant crush on Noshiro) is another spanner in the works. Noshiro has to be reminded that “Oh, he’s gay!” is not just something you can say in a modern Japanese high-school environment… and Sanada has to be shown that it’s not the end of the world. Still surprisingly sweet. – Sean Gaffney

UQ Holder, Vol. 16 | By Ken Akamatsu | Kodansha Comics – After a Vol. 15 that I gave a full review to as it wrapped up Negima properly, we’re back to the actual main cast of UQ Holder, who have been shown how to abuse time travel by Negi and company and are now abusing that for their own ends. It’s a good philosophical argument held here—we can’t save everyone vs. can we just let everyone die? We also get some insight into Jinbei and Gengoro and what kind of immortality they have, as well as the type of person they are—though honestly, Akamatsu tends to lean towards “battle crazy” a whole lot. One other thing I want to note is that, now that UQ Holder comes out in a monthly magazine rather than weekly, and the chapters are longer, it’s much better paced. – Sean Gaffney

Yona of the Dawn, Vol. 17 | By Mizuho Kusanagi | VIZ Media – A new arc begins in this volume, as the five-tribe council agrees to war with South Kai in order to reclaim Kin Province, lost in a previous war. Yona and company have befriended a kid from Kai and, after helping him get back home, witness firsthand the atrocities committed by the Kai soldiers after their defeat by Kohka. Meanwhile, several of the dragons have fallen ill and there is ominous talk (and, later, a bonus story about) what happens to the existing dragon when a new one is born. They decide to hide the fact that they are short-lived from Yona, and it’s perhaps because this put the idea of their demise into my head that I completely fell for a fakeout that ensues. I appreciate the opportunity to learn more about the mysterious Zeno, and continue to love this series very much. – Michelle Smith

Accel World: Cradle of Stars

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By Reki Kawahara and Hima. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Jocelyne Allen.

For the most part this is a “downtime” volume of Accel World, a breather after the action of the last few books. We get Niko and Kuroyukihime coming over to Haruyuki’s house for a sleepover, where he suddenly goes into great detail about his family, presumably in order to make a future arc not come out of nowhere. He and Takumu are also confronted by a classmate who wants them to join her in running for the student council, something that really hammers on Haru’s “I hate myself” buttons. There is, of course, a pool episode, with swimsuits galore and Haruyuki accidentally seeing more than he should. Nega Nebulus adds to its ranks with the Chocolat Puppeter trio (complete with an explanation of why her name is written wrong in English). And we get a big confrontation with the Green team, as they discuss how to defeat the Acceleration Research Society. The cliffhanger shows that one of Green’s group is very familiar to Nega Nebulus. Who could it be?

…and then it promptly shows us who it is in a short story set after the main book, where we see a younger Kuroyukihime getting ready to level up to Level Nine with the help of her teacher and companion in Nega Nebulus. It does sort of undercut the cliffhanger considerably. I’m also not sure I like our teasing creator suggesting something that clearly isn’t going to be true. Kawahara is already well aware that fandom thought Kirito and Asuna were Kuroyukihime’s parents, and went out of his way to shoot that down. But here we see a mysterious black figure, with two swords as his main feature, who pretty much describes himself as a sword, and who occasionally shows signs that he’s not in elementary school like the rest of them (such as his knowledge of what a pencil is). It screams “COULD THIS BE KIRITO?!” so much that it clearly isn’t, but I’m not sure I appreciate the author trolling in quite this way.

We see Nega Nebulus expand a great deal in this book, as I said earlier. In addition to Chocolat Puppeter’s group challenging Haruyuki so that they can ask to join their group (which leads to the funniest fight in the book, as even Silver Crow shows he is not above eating his way out of a problem), Metatron’s “bug” form is introduced to Kuroyukihime and Fuko, and there’s a brief amusing confrontation as to who gets to be his master/teacher. Haruyuki’s life in the Accel World is expanding, with friends and loved ones. He’s still having trouble transitioning that into the real world, though, despite the basketball game a few volumes ago (which is brought up here) and despite everyone literally pointing out all the great things he’s been doing. Once you start regarding yourself as pathetic, it’s really hard to stop it, and I appreciate that we’re seeing this with Haruyuki, even if it can be frustrating.

So, since the cliffhanger was sort of given away after the fact, the real question for next volume is why is their old friend now working for the enemy? Also, wasn’t he trapped in the palace the way that the others were? And will Haruyuki run for office? Or finally choose a level-up bonus? Still a good series, despite my criticisms.

Oh yes, and don’t spend 15 pages building up why the next world will be a Space world and then have it NOT be a Space world. What was the point?

Space Battleship Yamato: The Classic Collection

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By Leiji Matsumoto. Released in Japan as “Uchuu Senkan Yamato” by Akita Shoten, serialized in the magazine Bouken Ou. Released in North America by Seven Seas. Translated by Zack Davisson. Adapted by J.P. Sullivan.

There’s been a wonderful glut lately of both classic 70s manga and also Leiji Matsumoto’s works (frequently those are the same thing). We got Captain Harlock and Queen Emeraldas, and we’re getting the modern rewrite of Harlock. And now we’re getting the original Space Battleship Yamato, with the modern version of that coming out this summer. No sign of a rescue of Galaxy Express 999, but I suspect that’s more complicated. In the meantime, it’s time for more of the best of what Matsumoto has to offer as a manga artist… and also the worst, as Matsumoto is not perfect, nor is this collection. But it does give you exactly what the title promises: Space, and lots of it. Impressive battleships sailing through space. And, wonder of wonders, and ending that, although rushed, actually wraps up the series! Unfortunately, that ending is 1/3 through the book, and the actual ending is the open non-ending we’ve come to expect from Matsumoto.

For those who are unaware, Yamato was conceived as an anime, and Matsumoto was brought into it later on in development. He quickly made it his own, though, and the manga began about a month after the anime started. (The anime was also “adapted” into Star Blazers, for those with long memories…) The premise has aliens dropping radioactive bombs on Earth, and the only ones who can stop them is the Earth Fleet… which isn’t doing so hot. Fortunately, they have a secret battleship, Yamato, that can battle the Gamilans, as well as try to seek aid from mysterious blonde-haired, gorgeous, and mostly dead alien babes. (This isn’t Harlock, so the gorgeous aliens aren’t evil here.) Together with trusted old Captain Okita, young and impetuous yet destined for greatness Susumu Kodai, and only woman in the Earth Fleet Yuki Mori, they will defeat the Gamilans… and then have to escape Earth after it grows smug and proud in the aftermath.

The main reason to get this manga, in my opinion, are the many pages of the expanses of space. Each chapter features at least 5-6 pages of just space, planets, and stars, and it’s here to show off the wonder of it all. Characterization, on the other hand, fares less well, with everyone pretty much matching to a type. There’s a sense this is trying to adapt an anime rather than be its own thing (which may be true). In addition, I have to say it, I’m not a fan of the way Matsumoto uses humor. His leads tend to be the brooding, serious types, so he balances it out by having the dumbest Milton Berle-style comedy, complete with drunken vets butchering pigs, etc. An exception to this is the robot Analyzer, who would be an R2-D2 ripoff if this weren’t a good three years before Star Wars. His snarky comments did spark amusement from me, especially when they verged on verbal abuse.

This doesn’t really hit the heights that Harlock and Emeraldas do; it tries to be majestic, but can’t quite make it. But it’s entertaining as a space opera, and I do love those expanses of darkness with only stars. If you enjoy Matsumoto, give this a try.