Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Sean Gaffney

Pick of the Week: Farmers, Brides and Villainesses

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MJ: In a stunning turn of events, I’ll begin this week’s column. I have only one cry to let out into the world, and that would be… “SILVER SPOOOOOOOOOOOON.” What I’m saying is that my pick is Silver Spoon.

SEAN: Technically I know I should be picking the final Silver Spoon, or the new A Bride’s Story, or a new Baccano!, or any other number of Yen Press stuff. But after seeing Erica’s review of the first volume of I’m in Love with the Villainess!, that’s gone to the top of my “books I want to know more about”. Despite 2020 being the year of villainess stories, this is still apparently a cut above.

MICHELLE: For the longest time, I wasn’t especially tempted by light novels, but lately there have been a few to catch my eye. And after reading Erica’s review, I immediately went to Amazon and pre-ordered the digital edition of I’m in Love with the Villainess!. The prospect of genuine character growth and development within a fantasy isekai (plus yuri!) is really calling to me.

KATE: Oof–this is a lot to take in! I’m going to join MJin reminding everyone to buy the final volume of Silver Spoon, which has been a consistently great series from beginning to end, with vivid characters, real-life drama, and just enough poop jokes to prevent the whole thing from being too heavy, but I’m also going to shamelessly plug the newest installment of A Bride’s Story. Kaoru Mori costume drama = win.

ASH: As I anticipate being able to declare A Bride’s Story my pick in the future, and to grant that honor to I’m in Love with the Villainess! when it’s released in print (yes, I have it preordered), and that this is the last time I’ll be able to choose Silver Spoon, that’s the series I will go with this week! It’s such a great manga for all the reasons Kate has already described, plus it makes me oddly nostalgic for the area of the United States I grew up in. If you haven’t given Silver Spoon a try yet, this is the time.

Monster Tamer, Vol. 1

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By Minto Higure and Napo. Released in Japan as “Monster no Goshujinsama” by Monster Bunko. Released in North America by J-Novel Club. Translated by Hikoki.

I will admit that the sole reason I gave this series a try was the Japanese light novel label it came from. A series from Monster Bunko! Titled Monster Tamer! Would there be… monsters? Rest assured, this book from the monster publisher with monster in the title has monsters in it. You may have guessed from the cover… possibly. Turns out the cute girl in the uniform is actually a monster as well. That said, what this genre really ends up being is the grim and gritty “abandoned by my classmates, I must soldier on, brooding and filled with hate, and monsters are the only ones that understand me” genre. Arifureta fans will find this very familiar. That said, Arifureta also has a heaping helping of humor that this book lacks. It wants to be taken seriously. Which is fine, but I must admit that emo teen’s emo narration made me rub my forehead a bit. There’s only so many times you can talk about how much you hate humanity, y’know?

Our hero (not on the cover as he’s a standard dull light novel protagonist guy) and his entire school are transported to another world one day. Some have cool, strong powers… and some do not. Very soon everyone starts to try to kill each other. Majima is essentially run over by a stampede of fleeing classmates and left for dead. He crawls to a cave and starts to get eaten by a slime… but then discovers he DOES have a power, as the slime is now his servant. His “monster party” ends up being the slime (who eats the corpse of fellow student Miho, which is why she looks like that on the cover), a ‘puppet’ monster that basically looks like a ball-jointed doll (helpfully, she makes armor with ‘breasts’ so we know she’s also female), and a non-monster, Mana, Miho’s underclassman and friend who they rescued from sexual assault by other classmates. Together they try to leave this forest and find other, non-murdering classmates… and avoid monsters that Majima can’t control.

As you can see, this book is the very definition of a high school kid wearing black so that he can be “edgy”. Majima does not let a chapter go by without telling us either a) he’s lost faith in humanity and hates them now, or b) how he has thrown aside his morals and become a terrible person. Certainly he does kill a few people, but as you’d expect with a Japanese light novel by now, they’re all rapists and bastards. Somewhat to my relief, the relationship between him and his monster servants is framed as more familial than romantic, at least on his end. The third monster we meet comes near the end of the book, and is… well, exactly what you’d expect given her monster type, but I assume we’ll develop her more in the 2nd book. I also appreciated that our hero’s power does not in fact mean he can fight at ALL – all the fights are his monster girls fighting to protect him.

That last bit might turn off other edgy teens who subscribe to the “I want my hero to win all the battles and bed all the women” school of thought. And honestly, given this is 16+ volumes and counting in Japan, I feel no need to read more. For those who enjoy this sort of “revenge/found family” story with a dark-ish tinge, this book will serve those needs quite nicely.

Didn’t I Say to Make My Abilities Average in the Next Life?!, Vol. 10

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By FUNA and Itsuki Akata. Released in Japan as “Watashi, Nouryoku wa Heikinchi de tte Itta yo ne!” by Earth Star Novels. Released in North America by Seven Seas. Translated by Diana Taylor. Adapted by Maggie Cooper.

I sort of shot myself in the foot in my last review by talking about how the author has been making Mavis more and more the co-star of these books along with Mile, and that’s a shame because it’s even more true in this book. I was expecting that she’d feature in the start, given the last book ended with a cliffhanger featuring her, but she also has a big role in the middle of the book. More to the point, while the author does say that Reina and Pauline’s magic is better than most, and we see that to a degree, Mavis is the one heading deep into Mile-only territory here. Sometimes this isn’t a good thing – we’ve given up on chiding her for her abuse of magical steroids – but sometimes it can also combine moments of tragic horror with utter silliness, such as when Mavis has her left arm completely destroyed by an elder dragon… and becomes, as Mile pastiches, the Six Million Dollar Woman.

We pick up where we left off, with Mavis making a Last Stand against the evil nobles trying to kill the princess… erm, the noble lady who is not a princess at all, ha ha ha. Naturally, despite Mavis thinking she did this on her own, the rest of the Crimson Vow are not far behind, and things are quickly settled, though not before a few more “a girl is crushing on me and this makes me uncomfortable” jokes. After that, as noted, they get challenged by three elder dragons, because their new leader is a young punk who wants to make a name for themselves. Naturally, the three dragons are taken out by the Crimson Vow, though not before Mavis loses her left arm defending Pauline, something that briefly causes Pauline to be devastated before it’s revealed Mile is a walking plot device. Finally, they meet up with the team that fought them for their academy exams, and for once get along with everyone, which is good as they have to face ANOTHER dragon.

Make no mistake about it, FUNA knows what we are here for, and it’s not drama or character development – possibly why Mavis’ addition to magical steroids is dropped here. The high point of this book, sorry to spoil, is everything about Mavis’ new bionic arm, which Mile whips up in an emergency so that she can continue to fight, and then leaves on because Mavis thinks that it’s cooler than regrowing her old, ordinary arm (which Mile can do as well). Again, this beggars belief were it not for the previous nine volumes of this series, and reminds you that there are other isekai OP protagonists, there is a big gap, and then there is Mile. That said, even Mile is not perfect, and I liked the end story showing that her “sure, let’s let the kids from the village trail along quietly” attitude can be deadly. Fortunately, well, Mavis has a bionic arm now.

As I said, this has, to an extent, come at the expense of Reina and Pauline, and I do hear that Vol. 11 focuses on the latter more. That said, this time around please enjoy the fact that, when they’re on the same wavelength, Mavis and Mile can be utterly bonkers and also complete powerhouses.

Kuma Kuma Kuma Bear, Vol. 3

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by Will Holcomb.

Last time I noted that Yuna didn’t really seem to have a purpose after coming to this world beyond wandering around. She seems to find one in this book, but it’s not what you’d think: her purpose is to make sure that people DON’T start talking about how strong and awesome and wonderful she is. Yuna values her anonymity, bear suit aside, and wants to have a “slow life” that becoming a famous adventurer would absolutely not give her. The trouble is that she also can’t seem to stop getting into trouble and/or having to save people, and she really is a nightmarish OP powerhouse. We gradually, by the end of the book, see her gravitating towards the traditional slow life job – she’s going to open a store – and yet there’s no doubt that the store is not going to be what we, the reader, will be seeing as the books go on. We will be seeing Yuna continue to acquire a fanclub of little girls. No, a literal fanclub.

The majority of this book takes place in the capital, which Yuna and Fina do indeed head towards as promised. On the way she captures a gang of bandits (who have been kidnapping and raping women, thus keeping to this series’ “one tonally awful event per book” quota), she meets Noa’s older sister, an academy student who is far stronger than most of her classmates, and thus Yuna is used to take her down a peg or two; manages to convince everyone that potatoes are not poisonous when prepared properly, and the same goes for cheese; draws an adorable picture book for the princess which is basically a childish retelling of her meeting Fina; and, oh yes, defeats ten THOUSAND goblins, orcs, wolves, wyverns, and one giant wyrm. By herself. On the bright side, this does actually get her to drain her magic a bit, though it’s still not enough to actually injure or trouble her.

This probably reads like a short story book, and to an extent that’s what the books are; Yuna does adventures, about 3/4 of which are warm fuzzy things, and 1/4 of which is fantasy game violence. Yuna remains rather emotionless at the best of times, but her heart is still in the right place, as the reason she kills all those monsters is that Noa was worried about her dad getting killed by them. By the end of the book, she’s returning to Crimonia, but I get the sense that the book will take us wherever Yuna can meet more guys who judge her by her appearance and thus have to be beat up, and young girls who are in awe of her. Noa has fan club cards made at the end of this book, as I noted, and I suspect numbers will go up fast. Which is probably a good thing; Yuna functions best when around others, and by herself can get somewhat callous and mean.

If you want a nice combination of slow life, ludicrously overpowered hero, cute girls beating up sexist jerks, and bears, this is your ideal series. If those things aren’t for you, your mileage may vary.

Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?, Vol. 6

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By Dachima Inaka and Iida Pochi. Released in Japan as “Tsujo Kogeki ga Zentai Kogeki de Ni-kai Kogeki no Okasan wa Suki desu ka?” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

Just as the grandfather in The Princess Bride has to reassure us that “she does not get eaten by the sharks at this time” (or eels, I was always more a book person), I feel a need to reassure those people seeing the cover and emitting screeches of rage and horror that “he does not marry his mother at this time”. This is not to say there isn’t teasing to that effect – remember what series you’re reading. But it always walks up to the line but never crosses it, and that’s the case here as well. What this volume is is a short story collection, with several stories written for Dragon Magazine as well as a larger story written for this book. As with most short story volumes where this is the case, the original content is much better than the magazine imports. That said, the short story nature of the book does also add a new interesting wrinkle: Mamako really doesn’t do much in this book.

The first story takes place prior to Medhi joining the group (with a “let’s have a flashback” section so awkward I winced) and is mostly about goblins, which leads to an amusing pun that is also very Japanese. The second story is the worst, taking us back to the classroom full of NPCs, this time with Mamako as the teacher. This is a story for you if you love fanservice and Masato at his most immature. The main story is a two-parter, the first of which involves our party helping a mother whose daughter is a little TOO spoiled… and it turns out that’s the only thing stopping her from destroying the world. After that we meet the character designer for the game, along with her mother (of course), who has entered the game as she’s in love with the Prince that she created and wants to marry him. This is treated more seriously than I expected.

As always, the book rises and falls depending on how tolerable Masato is. When he’s showing he’s learned from his prior experiences and is actually being a normal teenage boy, the book is quite entertaining. When he’s doing nothing but whining and moaning, I once again ask myself why the hell I am reading this. Fortunately, most of the bad stuff is front loaded. Mone, the girl who needs to be spoiled, is a type that we didn’t quite have in the series yet – a love interest for Masato who actually admits she likes him. This does not sit well with our two reluctant mages. The most interesting part was at the end (it’s also the most amusing part – I won’t spoil why, but it involves Medhi and embarrassment, and it’s possibly the funniest the book has ever been) when Rika, the character designer, has to defend falling in love with a character in a game. There’s discussion of the fact that, since games are THIS interactive now, it’s not the same as, say, marrying a body pillow, as well as discussion of when to let your child go (something Mamako struggles with, obviously).

There’s also a bit more plot tease – by now it’s very obvious Porta’s mother is being held back till near the end of the series (assuming this ever ends) and we once again see a fantastic opportunity for Mamako to mention her husband… which she does not do at ALL. This is not Do You Love Your Dad?, and – more to the point – Mamako is the heroine, and the author knows Japanese readers won’t want to see her obviously paired up with anyone. (She’s both virgin AND mother!) In any case, after a rough start, this was a decent book, provided of course that you’ve gotten over the basic premise.

Manga the Week of 9/23/20

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SEAN: Manga is here and nothing can stop it!

Except perhaps fire. Pacific Northwest-based Dark Horse has two manga releases currently scheduled for next week, but has already said the wildfires might delay releases. But we will note them anyway: Danganronpa Another Episode: Ultra Despair Girls 2 and Ms. Koizumi Loves Ramen Noodles 2.

ASH: Yikes, that is a completely understandable reason for possible delays.

SEAN: J-Novel Club once again has two debuts, one which I care about and one which I do not. The “do not” is My Instant Death Ability is So Overpowered, No One in This Other World Stands a Chance Against Me! (Sokushi Cheat ga Saikyou Sugite, Isekai no Yatsura ga Marude Aite ni Naranai n Desu ga). Leaving aside the fact that no light novel with the word ‘Cheat’ in the title should ever be licensed, this is by the author of My Big Sister Lives in a Fantasy World, and apparently ties into that story, but I’m still not interested enough to look at it. But it should appeal to those who like this sort of thing.

Far more to my taste is The Sorcerer’s Receptionist (Mahousekai no Uketsukejou ni Naritaidesu), a J-Novel Heart series about a commoner woman whose goal is to become a guild receptionist, and the duke’s son who she keeps running into while she achieves this.

ASH: That one’s more to my taste as well.

SEAN: Also coming out next week: I Refuse to Be Your Enemy! 3, Lazy Dungeon Master 12, My Next Life As a Villainess! 7, and Sorcerous Stabber Orphen 8.

Kodansha has a very light week next week. No print books, and the digital side is light as well. The debut there is Maid in Honey, a Dessert title whose synopsis and cover art makes me cringe, but I know there’s a big audience for series like these.

MICHELLE: Yeah, this is another of the “girl with a service job” titles I mentioned last week. The style of the cover looked familiar so I did a search on the mangaka and, yep, she’s the one who did Beauty Bunny also. I think I’ll be passing on this one.

SEAN: We also see Abe-kun’s Got Me Now! 4, Altair: A Record of Battles 22, DAYS 20, and the 20th and final Elegant Yokai Apartment Life, which I’m not sure if it completed or if it was simply cancelled.

MICHELLE: I’m hoping for the former! I have been meaning to read it for ages.

SEAN: KUMA has a print release of Canis: Dear Mr. Rain (which I thought we’d had before, but…)

MICHELLE: I am pretty sure it was supposed to come out earlier but got pushed back.

ASH: Yup, I think that’s the case. I’ll probably check it out at some point now that it’ll be available.

SEAN: Seven Seas has two debuts, one print and one early digital, but both yuri. The print is Our Teachers Are Dating! (Hayama-sensei to Terano-sensei wa Tsukiatte iru), a Comic Yuri Hime title about a gym teacher and nurse who are in a relationship… and the school is rooting for them! This looks cute, though future covers suggest it will also be ecchi.

ASH: I’m more in the mood for cute than ecchi at the moment, but I’ll admit to being curious.

SEAN: The digital debut, from GL Novels (you can guess what GL stands for), is I’m in Love with the Villainess! (Watashi no Oshi wa Akuyaku Reijou). As with many light novels recently, an OL dies and is reincarnated in an otome game. However, she’s the heroine. But she’s not interested in the guys… This looks fun, and I’ve been reliably informed is very well written.

Also out next week: Cosmo Familia 2, Gal Gohan 4, the 7th print volume of How a Realist Hero Rebuilds the Kingdom, the 2nd print volume of Kuma Kuma Kuma Bear, My Androgynous Boyfriend 2, My Senpai Is Annoying! 2, Peter Grill and the Philosopher’s Time 2, the 6th print volume of Reincarnated As a Sword, and the 8th and final volume of Tomo-chan Is a Girl!, which I have really loved from day one.

MICHELLE: Hooray for more My Androgynous Boyfriend!

ASH: I’m looking forward to reading more of that series, too!

SEAN: Tokyopop has a 2nd volume of Koimonogatari: Love Stories.

Vertical has the 1st volume of Weathering with You in print. Which I know I said 3 weeks ago, but this year has just been VERY BAD for release dates slipping.

There are a LOT of light novels from Yen due out next week. Including one debut, Banished from the Hero’s Party, I Decided to Live a Quiet Life in the Countryside (Shin no Nakama ja Nai to Yuusha no Party wo Oidasareta node, Henkyou de Slow Life suru Koto ni Shimashita). “Slow Life” in Japanese loan word has become “Quiet Life” in English for these sorts of books, but the intent is the same: the heroes shun him, so he goes off to do basic boring tasks. I’ve heard good things about this.

Technically there is another debut, but it’s a sequel to a spinoff. Konosuba: An Explosion on This Wonderful World! Bonus Story moves the timeline forward a bit, but still has the premise of “Megumin and Yunyun have side adventures”, this time with Princess Iris along for the ride.

Other light novels: The Alchemist Who Survived Now Dreams of a Quiet City Life 4, Baccano! 14, Combatants Will Be Dispatched! 4, The Devil Is a Part-Timer! 17, The Genius Prince’s Guide to Raising a Nation Out of Debt (Hey, How About Treason?) 4, A Mysterious Job Called Oda Nobunaga 2, Re: Zero EX 4, Suppose a Kid From the Last Dungeon Boonies Moved to a Starter Town 3, and Torture Princess 5.

ASH: Wow, it really is a full week for the Yen ON imprint!

SEAN: Yen Press has three manga debuts. If Witch, Then Witch? (Majo Raba Majo Reba) is a Shonen Gangan title about a boy whose life is saved by a girl donating her blood. He wants to repay her anyway he can… and finds to do this, he has to dress as a witch and help her pass the magic exams. My expectations are low but not zero.

ASH: Hmmm.

SEAN: The second debut is King of Eden, a Korean horror manga that got a limited release a few years ago but is now out in a two-in one omnibus (it’s 4 volumes total, so the 2nd should finish it). Given it’s horror, it’s not my thing, but… Ash?

ASH: Well, now that it’s made its way to print, I may very well take a look!

SEAN: Lastly, we see the manga version of Last Round Arthurs, which I have described as “King Arthur meets Haruhi Suzumiya”.

We also see A Bride’s Story 12, The Elder Sister-Like One 4, Kakegurui Twin 7, My Youth Romantic Comedy Is Wrong As I Expected 14 (manga version), Plunderer 5, The Saga of Tanya the Evil 11 (manga version), the 15th and final volume of Silver Spoon, Trinity Seven 21, and Yowamushi Pedal 15.

MICHELLE: Hooray for more YowaPeda!

ASH: Oh yes, and A Bride’s Story, too! And of course, Silver Spoon. Yen manga is where it’s at for me this week.

SEAN: Leaving aside MJ(SILVER SPOOOOOOOOOOOOON!), what are you all getting next week?

ANNA: I’m going to use this week as a breather to catch up on all my unread manga!

MJ: Hey, I think I missed my cue. SILVER SPOOOOOOOOOOOOOOOON!

Sword Art Online, Vol. 20: Moon Cradle

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By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

I’m not quite sure where the break is, but there was a big gap in time between Reki Kawahara starting the Moon Cradle arc in his webnovel version of Sword Art Online and his finishing it. The reason for the gap, of course, was that he was busy taking SAO and Accel World and making them actual published books. And I have to say, this book does feature a more mature style than I’m used to with this series, more in line with what he’d been doing with Progressive. There’s some wonderful prose descriptions of the Underworld here, and aside from a sneering villain (who even uses the word ‘confound’, a word only villains use), there’s not as much of the author’s usual bad habits. This book almost feels at times like it’s meant to be spinning off Ronie and Tiese into their own book series, serving as sort of a distaff Kirito and Eugeo for the next generation. But of course the issue there is that Kirito and Asuna are still around, and why call up Blue Beetle and Booster Gold when you can get Superman and The Flash?

We’re back in Centoria again after Kirito and Ronie’s adventures in the dark lands, but the threat of a civil war is still ongoing, and the investigation is proving frustrating, mostly as it would seem to involve people who can easily bypass the Taboo Index and also have tons of power. You would think it might be the Emperors and high nobles, but we’re shown a quick flashback at the start of the book that helpfully tells us they’ve all been killed off by our heroes. Fortunately, as it turns out, Tiese’s inability to let go of Eugeo sees her and Ronie visiting a mansion rumored to be haunted, and finding that it’s actually home to the very conspiracy they’re looking for. Can they stop the big bad by themselves? Well, no, it’s Kirito’s series still. But they do most of it. And their dragons are very cute.

The writing, as I noted at the start of this review, may be more mature, but the plotting still leaves something to be desired. He even admits in the afterword that most everything he sets up in these two books is left open-ended (including Ronie’s own love for Kirito, which Asuna muses on but never actually sits down with her to discuss), and it gives the whole volume a feeling of a series that got cancelled by Shonen Jump before it could really tell its story. There’s also a chapter with Ronie’s baby dragon going to get help, which involves befriending a rat and has a very Incredible Journey feel to it, but is also 100% pointless. I did really enjoy the scene with Kirito and Asuna getting ready for bed, which shows a relaxed ease to them as a couple (though honestly, Kirito still behaves like a kid a great deal of the time). Notably, they sleep in the same bed with pajamas on – after the first SAO book, any suggestion they’re a sexually active couple has been thoroughly absent.

So the prose is good here, but it leaves a reader dissatisfied if they were hoping for things to be tied up in a neat bow. But fear not, lovers of Kirito everywhere (there are some, right?), we’re getting a brand new arc next time that is not from a webnovel. Unital Ring brings us back to real-world future Japan, introduces a new game to confound everyone, and may bring back a few surprises from the past. But it won’t have Ronie or Tiese.

Wataru!!! The Hot-Blooded Teen and His Epic Adventures in a Fantasy World After Stopping a Truck with His Bare Hands!, Vol. 1

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By Simotti and RELUCY. Released in Japan as “Truck Uketome Isekai Tensei! Nekketsu Butouha Koukousei Wataru!!!” by Overlap. Released in North America by J-Novel Club. Translated by Adam Seacord.

There are times when you want a light novel that delves into the depths of the psychological consequences of being sent to another world, or what it means to have modern-day culture impinge itself on a medieval fantasy world. Perhaps you want to delve deep into what the power structures of a demon lord’s minions would really be like, and immerse yourself in gripping fights where you’re not even sure the hero will win. If this is what you crave… there are other light novels elsewhere, I’m sure. If, on the other hand, you love exclamation marks, shouting, and most everyone being as stupid as they can possibly be, including the author, then Wataru!!! is right up your street. This series is here to be dumb and loud and have a ton of fun, and nothing else. It can be a bit exhausting… indeed, I worry that future volumes may wear out the welcome… but it succeeds in what it wants to do. Which is mock isekais with everything it has.

The book begins with the subtitle, as our hero is suddenly accosted by a truck, and does indeed stop it, but then realizes that this would kill the driver, so lets himself be hit, and ends up… in another world! There he meets Aria, a standard heroine with a nagging tendency to get bloody head injuries (but don’t worry, she knows healing magic). She tells him that her parents have been kidnapped by the Demon Lord, who’s super strong. One of these facts seems to matter more to Wataru than the others, and so he sets off to defeat the demon lord to prove who’s stronger. In the interim, he gains another companion in enemy-turned-neutral friend Résistance, has a rap battle, has a battle of the bands, has a literary critique contest, and yes, also has quite a few fistfights. Throughout, though, he stays as hot-blooded as possible.

Gonna be honest, I enjoyed this book but I suspect its core audience is going to be small. Everything is shouting. An audiobook would be amazing but also the worst thing ever. Wataru is more nuanced than you’d think, being kind at heart, and also not the rock-headed muscle guy that you’d normally expect. (My favorite part of the book is the fact that he speaks his own sound effects, which are abbreviations of what he’s doing. He stops the truck while shouting “TRK!!!!!”.) Aria is a rather flakey heroine by design, and when she’s not getting devastating head injuries or cheering Wataru on, she also shows off her passion for Beyblade… erm, sorry, Payblade toys. (The book doesn’t have WcDonald’s, but we do get Tot Hopic, which also made me laugh.) Résistance is the closest to a normal character in the book, but even she has a soft spot for really tacky jewelry, which Wataru convinces her is not a character flaw.

So yes, there is more here than just shouting and silliness… but not much. I’m not sure it can carry a series. But for a single novel, it’s recommended. Read with earplugs.

Pick of the Week: La Belle Maison

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SEAN: Despite my thinking that this series is a good example of why you shouldn’t use comedic sociopaths in a serious manga, the pick clearly has to be Maison Ikkoku anyway. It’s iconic, beloved, and Kyoko vies with Madoka from KOR as the most beloved anime heroine by men of a certain age. I’m quite happy Viz is bringing it back.

MICHELLE: Yep, it’s Maison Ikkoku for me, too, but honorable mentions for Ping Pong and The Way of the Househusband!

KATE: I’m voting a straight VIZ ticket, too, Michelle! Maison Ikkoku, Ping Pong, and The Way of the Househusband are all on my short list for this week.

ASH: VIZ has an incredibly strong showing this week! The second half of Ping Pong is most likely the first volume that I’ll be reaching for, but I’ll definitely be reading everything that’s been mentioned so far!

ANNA: I agree, this is a great week for Viz. I’m excited about many of the titles that have already been mentioned, but I do especially enjoy that classic manga is getting released, so I’m going to go with Maison Ikkoku.

MEINDA: I want to care about other things, but this week, my heart belongs to Maison Ikkoku.

Rascal Does Not Dream of Petite Devil Kohai

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By Hajime Kamoshida and Keji Mizoguchi. Released in Japan as “Seishun Buta Yarou wa Chibi Devil Kohai no Yume wo Minai” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

This book had several hills to climb in order to win me over, to be honest. I enjoyed the romance in the first volume, and was not fond of it being torpedoed right off the bat in the cliffhanger. The heroine of this book, Tomoe, did not make all that good an impression on me in the first one. Time loop stories make me vaguely uncomfortable, hitting a certain level of “I get embarrassed reading this” in me. And fake dating stories also rub me the wrong way in actual books, though oddly I’m fine with it in fanfiction, mostly as it almost always leads to real dating. That said, it’s a testament to the writing skill of the author that I was able to enjoy the book regardless, and most of my objections stated above were put to rest fairly easily. (The one heroine per book thing is something I fear I will have to get used to.)

The time loop is helped by it only being relevant at the start and end of the book. Sakuta is caught in a loop of the same day… for three days, and then, when it breaks, he’s basically in the worst possible situation. This is due to the heroine of this book, Tomoe, who is not a literal devil but is a stand in for “Laplace’s Demon”. We saw her in book one kicking Sakuta’s butt (and getting kicked in the butt in return, something that Sakuta, being who he is, brings up over and over again in this book), and now she has a problem, one that she tried to get Sakuta to help with once the time loop breaks. In order to fend off the attention of another guy, they have to pretend to date for the rest of the semester. Of course, Sakuta is in love with Mai, which makes things just a bit difficult. And that’s not even getting into Tomoe hitting the “fanfiction” part of the trope and wanting to turn her fake dating real.

As with the first book, the main reason to read the series is Sakuta, who is both a very nice , upstanding guy and a completely terrible lech who just has no filter at all. This book provides a different heroine to react to this, and while Mai was basically doing her best Senjogahara impersonation, Tomoe is the sort of blush, stomp her feet and say “Geez!” at his antics. Tomoe is far more likeable in this book when she gets the entire novel to sell herself, and I really enjoyed her backstory, which also tied into the reason why Sakuta, who is still trying to tell Mai he loves her, agrees to do this at all. There are hints of future plot developments – the third book seems to feature Rio, and there’s some setup for that here, namely her not-so-hidden crush on her friend Yuuma, and there’s another shocking cliffhanger ending that will no doubt play out in future books somehow. And there’s a lot of fun humor, mostly because Sakuta exists.

To sum up, I was wary of this book, but it ended up being a lot of fun. I am definitely getting the next in the series.

Bottom-Tier Character Tomozaki, Vol. 4

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By Yuki Yaku and Fly. Released in Japan as “Jaku Chara Tomozaki-kun” by Shogakukan. Released in North America by Yen On. Translated by Winifred Bird.

We have reached the point in this series where Tomozaki is starting to get good at playing Hinami’s “game” of life, and for the most part he sails through her directives in this book. In fact, the first two thirds of this book are a great deal of relaxing fun, especially after the confrontation between our two leads in the last volume. Most of this chunk of the book revolves around the sports festival, where the boys and girls in the class will be competing. The role of girls’ captain is somewhat thankless, and is at first foisted off on one of the quiet wallflowers in the class, then by Izumi. The true stumbling block, though, is Erika Konno, the Queen Bee of the class, who does not want to try hard or care unless she has to. So Tomozaki’s task is to get Konno interested in the sports festival. And now that he’s become something of a social animal, he can even ask others for help as well.

Izumi gets a lot to do in this book, as she’s involved in every single plot and subplot. She and Nakamura make their relationship clearer, and they’re now going out. She’s also the one who’s most invested in another issue – due to Nakamura and his mother fighting, he’s not coming to school, and it’s taking a worryingly long time for them to make up. This was probably the funniest part of the book, as Hinami is very reluctant to get involved in this – until Atafami is brought up as the reason for the fight, when she suddenly changes her tune. As with previous books, Hinami is at her best as a character when we see her mask cracking, which it does several times here. The sports festival also goes well, and provides Tomozaki a chance to bond with the other boys in the class AND have a laughable anti-sports manga moment. Everything’s great, and the game is fun. What could go wrong?

…well, life is not a game you can stop playing when it ceases to be fun is the lesson we learn in the last third of the book, when Erika Konno moves from apathetic Queen Bee to nasty bully, picking on the shy girl in the class because, well, for the same reason that bullies always pick on the quiet kid. The book then gets really good again (the author is excellent at making the last fifth of so of each book really sing) when Tama-chan gets involved. She hasn’t been a big part of the series so far, and most of what we know about her is that she’s very serious and straightforward. That ends up being both a strength and a weakness when she confronts Konno, and we get an excellent look at how this sort of bullying can affect the mood of a classroom, and why the sympathy of a group is rarely with the bullied. We also see the previous crack in Hinami’s armor get larger – just as she was willing to get involved when Atafami was being dissed, here she’s ready to go to bat for her friend. That said, Tomozaki is not the only one growing and learning in this series.

The book ends with the problem unresolved, and given Tama-chan is on the next cover, I expect we’ll get a lot more of it. It’s a good way to end a great book in the series, one willing to deal with problems both small and large, and with an excellent view of classroom dynamics and mood. Forget “read this if you find Oregairu too depressing”, just read this, period.

86 –Eighty-Six–, Vol. 5: Death, Be Not Proud

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By Asato Asato and Shirabii. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Roman Lempert.

It’s only taken a few volumes for this to rise to near the top of my list of favorite Japanese light novels, and there are several reasons for it, but I’ll focus on one here: the author is very good at strong, memorable set pieces. I’ve talked before about how the most ordinary ideas can become magic with good writing and strong characterization, and that’s true here as well, though given the books we’ve seen lately trying to ape 86, perhaps the ideas aren’t that ordinary. But the best light novels also have one or two scenes that blow the reader away, something that when you are recommending the book to someone else you cannot help but gush over. 86 is particularly good at this, and there’s more than one in here, both dramatic and horrific. (If you’re looking for humor, this is not the series for you.) But a conversation between Shin, our hero, and Lerche, who is… well, a spoiler, upends the entire picture of what war is to an 86, and how war should be fought. Because don’t forget the main thrust of this series: war is awful.

The 86 and Lena are sent to the United Kingdom, which is a bit on the nose for books like these, but hey – which is also battling the Legion, and is now desperate enough to call in France… erm, the Federacy… because they’re running out of time to fix things. Fortunately, they have another genius to help guide the combat in Prince Vika, who will be leading an army of young women who are dead soldiers who have been resurrected, sort of, as essentially androids. They are there to fight the war, and are happy to do so, given that they’re not actually alive. The 86 find this a bit disturbing, but also do not seem to see the parallel between these girls and themselves. As for Lena, well, she’s still struggling with several issues – she still can’t understand Shin and tends to lean towards pity, that face that she’s clearly from the Republic earns her hatred, and perhaps worst of all, she’s forced to wear a skin-tight suit in order to better communicate and lead the soldiers under her command.

The last part is probably the one low point in this book – you get the sense the editors ask for one fanservice scene per book that they can hand to the illustrator. The high points in the book are numerous. The battles are vicious and nasty, with the Legion proving to be exceedingly clever even though they lack a personality. The way that the Sirins solve the problem of the siege is mesmerizing in its grotesqueness. There’s a secondary romance in this book starting between Anju and another soldier that manages to get farther than Shin and Lena have in five books. Indeed, by the end of the book they seem farther apart than ever, as Shin realizes that he knows absolutely nothing about Lena. But the highlight, as I said, is that scene between shin and Lerche, where Lerche, despite seemingly being an automaton, gradually grows more furious hearing about Shin vowing to continue the fight because if they let others fight for them they’d be “cowards”. It is, in its own way, an argument between two tools. But only one of these tools can stop being one and become human again.

This is still a brutal series, and if you dislike war-filled battlefields you may want to skip it. But it’s seriously one of the best books currently coming out, and I can’t wait for the 6th volume.

Bookshelf Briefs 9/10/20

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BL Metamorphosis, Vol. 2 | By Kaori Tsurutani | Seven Seas – The balance in this series is nearly perfect. You’d expect, given the premise, that there would be more focus on Ichinoi, and we do get a lot about her current life, her classes she teaches, meeting her daughter, etc. But Urara’s side of the equation is just as strong—she’s not simply there to introduce her elderly friend to the world of BL, as this isn’t that kind of series. The two enjoy discussing their passion for the work, but also find out more about each other, come see each other for other reasons, etc. Urara’s teenage friendships also permeate the volume, and the best exchange in it may be Eri hearing Urara call herself “nobody” and taking it personally, as she knows who her boyfriend really likes. Fantastic stuff. – Sean Gaffney

Bloom Into You, Vol. 8 | By Nakatani Nio | Seven Seas – With the emotional climax of the series coming at the end of the last volume, it’s tempting to simply call this an epilogue, but that isn’t quite right, as Touko and Yuu still have to negotiate the boundaries of their new relationship. To some (Sayaka), they’re really obvious, but not everyone knows about it. Moreover, how physical do the two of them want to get? (Turns out, they do want to get physical.) We then get a flash forward seeing them relatively happy, as well as the fate of some others. (Sayaka has a girlfriend, as you will find out if you read the third novel about her life.) Overall, this did not go quite in the directions I was expecting, but it improved with each volume, and I greatly enjoyed it by the end. – Sean Gaffney

I Love You So Much, I Hate You | By Yuni | Yen Press – As always, very happy to see a yuri manga that’s not about girls in high school with their touching first romance. Fujimura is an up-and-coming office worker. Asano is her hard-working, driven boss. They are secretly having an affair—Asano is married—and trying to keep things as “just a casual thing.” Unfortunately, events conspire against them, both externally (another office couple is caught and one of them resigns) and internal (their growing love for each other). The tension between the two leads is the main reason to read the book, and it feels quite real—though there’s not quite as much of the ‘I’m dating my boss’ power issues as I’d expected. If you’re looking for a solid portrayal of an adult couple, this is a good choice. – Sean Gaffney

Komi Can’t Communicate, Vol. 8 | By Tomohito Oda | Viz Media – This volume has the school trip, something Komi hasn’t done before (last time her class did it she didn’t go due to communication issues). Fortunately, she has Tadano with her this time. UNfortunately, the groups for the trip are segregated by sex, so she’s going to have to be on her own most of the trip, with two of the lesser-known cast members alongside her. We get to know those two, and their awkwardness but try-hard attitude around Komi, and as you’d expect the results are mostly heartwarming—a good time is had by all. She even gets a quiet moment with Tadano towards the end. This is a manga that knows exactly the mood it wants to set, a balance between funny and touching. – Sean Gaffney

The Man on the Other Side | By Poteto Ueno | Futekiya (digital only) – Takuma Sano is a rather boring salaryman who has trouble connecting with people. The only friend he has is “S,” a Twitter follower whom he hasn’t met in five years of chatting. Finally, S proposes a meetup and turns out to be Sayaka Narumi, a popular and handsome actor. They both want to become friends, but their relationship is hampered by Sano’s profound social awkwardness—I love how Ueno doesn’t depict him as shy or withdrawn, just oblivious to social cues—and Narumi’s paranoia, after having recently been in the tabloids, that Sano is going to blab. This is a very chaste title with only a couple of smooches, and the big payoff comes when they can both finally clearly communicate their feelings. I enjoyed it, and was particularly amused that a photograph of (presumably) roasted chicken served as a sort of bat signal for the couple. Recommended. – Michelle Smith

Our Wonderful Days, Vol. 3 | By Kei Hamuro | Seven Seas – I think I forgot to brief the second volume of this, and now it’s come to an end with the third. The series does a good job of showing us exactly what a series like K-On! or Lucky Star would be if it had genuine yuri in it instead of tease. Mafuyu and Koharu grow closer as a couple, thanks mostly to some nicely surreal dream imagery, but the series seems to be more dedicated to everyday life with friends than budding romances. Which is fine, as the friendships here are great, particularly the beta couple Nana and Minori—though the gag at the end shows off that those two aren’t actually a couple after all. (Honestly, given Nana’s brain, they may just not be aware of it.) This won’t be in a top-ten list, but it’s cute. – Sean Gaffney

Primitive Boyfriend, Vol. 2 | By Yoshineko Kitafuku | Seven Seas – After the first volume returned our heroine to the present, I wasn’t expecting to go back to the caveman era quite so soon. But most of this second volume has Mito once again bopping around the jungles and plains, sent back there to find Garhi. She runs into another primitive man, and manages to befriend him in much the same way, while also getting herself into peril, etc. Naturally, it turns out that she’s way in the future, and that this man may be Garhi’s descendant. She ends up back in the present at the end, and the implication is that she has to find Garhi’s soul in someone in modern times. Will it be one of her many potential boyfriends? We’ll know soon; this ends with the third book. – Sean Gaffney

Sacrificial Princess and the King of Beasts, Vol. 10 | By Yu Tomofuji | Yen Press – Well, we couldn’t go too far without another kidnapping, and that’s what we get here, with our favorite sacrificial heroine allowing herself to become a hostage to save the rest of the boat. That’s not something that can stand, and while the king is (for now) restrained, several are coming to her rescue, including the former villainous chancellor. There’s a lot in this series about vows of loyalty overriding most other reasons, and I really liked Sariphi showing her mettle against her captor, indicating that gifts and luxuries are nothing without the feeling behind it. This feels like it’s going to be wrapping up soon, but this is a typically strong volume, and an underrated series. – Sean Gaffney

Venus in the Blind Spot | By Junji Ito | Viz Media – I’m always glad for a new volume of Ito’s manga to be released, so it shouldn’t be surprising that I was looking forward to Venus in the Blind Spot, a “best of best” collection. The anthology brings together ten of Ito’s short manga as well as a small selection of illustrations, a few but not all of which have previously been released in English translation. It’s an interesting mix of stories ranging from original tales of horror to adaptations of work by other authors, including two which are based on stories by Edogawa Ranpo (“The Human Chair” and “An Unearthly Love”). As a fan of Ranpo, I was particularly excited to read these, but I was also especially delighted to discover the inclusion of one of Ito’s autobiographical pieces (“Master Umezz and Me”). Ito’s short masterpiece “The Enigma of Amigara Fault” is here, too, adding to an already great collection. – Ash Brown

Waiting for Spring, Vol. 13 | By Anashin | Kodansha Comics – Mitsuki and Asakura-kun officially became a couple in the previous volume, so now it’s time for Ryuji and Nanase to sort out their status. Although Waiting for Spring doesn’t do anything unexpected with its plotting, I do like how it focuses on communication issues for these couples, with Mitsuki somewhat troubled by Asakura’s perpetually calm exterior and Nanase worried about the age difference and the things that will be new for Ryuji that aren’t new for her. You never feel like either pairing is in actual jeopardy, but there will be things that they will have to talk through together. We also see Mitsuki successfully deliver a heartfelt speech to the incoming first-year students. The main story ends here, but there will be one more volume, featuring bonus stories and an epilogue. Anashin hasn’t started a new series yet, but I look forward to reading more by her someday. – Michelle Smith

With a Dog AND a Cat, Every Day Is Fun, Vol. 1 | By Hidekichi Matsumoto | Vertical Comics – This manga is mostly presented as a series of two-page strips. On the first page, Inu-kun, Matsumoto-sensei’s dog, will be full of innocence and energy on a given topic, and on the second page, Neko-sama, the cat, will be… a cat. Topics include things like laptime jealousy, bathroom visitors, the pets trying to cheer up Matsumoto-sensei, etc. I definitely snickered at a few different things, but wasn’t prepared to end up sniffling, too. The story about Matsumoto’s previous dog and how a friend’s comment revived happy memories that had long been obscured by sad ones really got to me, as did the part about lingering regrets affecting how a person interacts with pets who yet live. I know exactly how that feels. So, yes, it was the sad bits that really won me over in the end, but the cuteness is undeniably beguiling, as well. – Michelle Smith

Manga the Week of 9/16/20

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SEAN: Mid-September, and, for once, quite a light week. We do have some very impressive debuts, though.

J-Novel Club has two new digital light novels. The first, and more sensible one, is Mapping: The Trash-Tier Skill That Got Me Into a Top-Tier Party (Hazure Skill “Mapping” wo Te ni Shita Shounen wa Saikyou Party to Dungeon ni Idomu), a standard “my skill seems useless so everyone hates me but in reality it’s super overpowered” light novel. I’d planned on skipping this, but have been told it’s better than it sounds. We’ll see.

ASH: I mean, cartography is incredibly useful.

MJ: I kind of have a thing for maps, but I tend to NOT have a thing for light novels, so???

SEAN: The next one I am absolutely not skipping. This may be the most ridiculous license we’ve ever seen. WATARU!!! The Hot-Blooded Fighting Teen & His Epic Adventures After Stopping a Truck with His Bare Hands!! (Truck Uketome Isekai Tensei! Nekketsu Butouha Koukousei Wataru!!) is a massive parody of isekai works where the hero gets hit by a truck and dies. Wataru does not die, though, he’s JUST THAT TOUGH. I am hoping this is as silly as it sounds.

MICHELLE: I am amused by the phrase “the hot-blooded fighting teen.”

ANNA: I hope this is as silly as you are expecting!

ASH: I am amused by the premise, at least!

MJ: I, too, am amused. Probably not reading this, but still amused.

SEAN: We also get Deathbound Duke’s Daughter 2 and the 3rd and final volume of The Extraordinary, the Ordinary and SOAP!.

Kodansha has some print debuts, both of which have appeared before digitally. Sayonara Football is from the creator of Farewell, My Dear Cramer (in fact, it may be an noutright prequel), and came out digitally around the time the author’s other series Your Lie in April was doing well. Now it has a print release.

MICHELLE: Yep, Sayonara, Football came first, which is something I didn’t know when my first reaction to Farewell, My Dear Cramer was basically, “Why did the mangaka introduce these two girls and then quickly start focusing on someone else instead?”

MJ: That sounds frustrating.

SEAN: Sue & Tai-chan is, of course, the new cat manga from the author of Chi’s Sweet Home.

Also in print: Eden’s Zero 9 and Witch Hat Atelier 6.

MICHELLE: I still need to read Sue & Tai-chan and Witch Hat Atelier.

ANNA: I love Witch Hat Atelier, excited for the print volume. The art is so fantastic.

ASH: It is an astonishingly beautiful series, both art-wise and story-wise.

MJ: I’m behind on everything, but I like both cats and witch hats, so I feel like I should be on board for these.

SEAN: There’s two digital debuts, but one has print coming 2 weeks later. Whisper Me a Love Song (Sasayaku You ni Koi wo Utau) is from Comic Yuri Hime, and looks quite sweet.

Digital-only for now is Heroine for Hire (Heroine Hajimemashita), a Dessert series about a very strong girl who becomes bodyguard for her high school classmate, who says he will make her “the most important girl in the world!”. Any title that has the heroine suplexing people is always on my watch list.

MICHELLE: I will check out both of these. Kodansha has a couple more of these “girl with a service job” series coming out over the next couple of weeks, but this one looks the most promising.

ANNA: I enjoy this type of dynamic in shoujo, I might overcome my usual resistance to digital shoujo and check it out.

ASH: Likewise.

MJ: Same.

SEAN: Also: Dolly Kill Kill 6, GE: Good Ending 9, Kakushigoto 7, Men’s Life 4, Orient 6, and Saint Young Men 8. Also, Something’s Wrong with Us 3, which will also get print in 2 weeks.

MICHELLE: This is the final volume for Men’s Life, also. I never hear much about Orient.

SEAN: Seven Seas is taking a break, they have one print release, which we’ve discussed when it came out digitally: Sazan and Comet Girl.

ASH: Now that it’s out in print, I’ll likely be checking it out!

SEAN: Digitally they have the 3rd volume of light novel Magic User: Reborn in Another World as a Max Level Wizard.

Udon has Persona 4 12, meaning it is as strong as three Persona 4s.

MICHELLE: *snerk*

SEAN: Viz has the debut of one of the most beloved manga classics, now getting a re-release with all the bells and whistles. And digitally as well! Maison Ikkoku is the story of a guy who didn’t quite make it into college and his attempts to live at an apartment complex filled with eccentrics… and a gorgeous apartment manager! I have… very mixed feelings about this series, but cannot deny it’s super loved by everyone who isn’t me. Love to see it get this release.

MICHELLE: I’m not surprised that it inspires mixed feelings. There were definitely things I found kind of annoying, but on the whole I love it anyway. I’ve reviewed all of it before, but I will at least do briefs for the re-release.

ANNA: I’m glad it is getting a re-release too.

ASH: I had just finished putting together a complete set of the out-of-print volumes when the new edition was announced. Still, I’m glad it’ll be more readily available for others again!

MJ: This is THRILLING. I suppose I also have mixed feelings about aspects of this manga, but in most ways I adore it. I was never able to compile a complete set for myself, so here’s my chance!

SEAN: Ping Pong also comes to an end with its second and final omnibus, speaking of super beloved series.

MICHELLE: I decided to wait for the second volume and read it straight through. I’m looking forward to it!

ANNA: Haven’t read the first volume yet, but I have it!

ASH: I am absolutely thrilled we finally got this series in English.

MJ: Like Michelle, I’m behind, but I can’t pretend it was on purpose. I must catch up and read them both together!

SEAN: And we also get 20th Century Boys Perfect Edition 9, BEASTARS 8, Hell’s Paradise Jigokuraku 4, Levius/Est 6, No Guns Life 7, and The Way of the Househusband 4.

MICHELLE: I am steadily falling farther and farther behind on BEASTARS. Sigh.

ANNA: Always delighted by another Way of the Househusband volume.

ASH: Ditto and ditto! I’ve also been meaning to read more of Hell’s Paradise, too.

SEAN: Is your life being destroyed by Yotsuya-san? Or are you buying manga?

The Temptation of Marielle Clarac

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By Haruka Momo and Maro. Released in Japan as “Marielle Clarac no Saiai” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Philip Reuben.

There have been a lot of J-Novel Heart series by now, of various shades and types, and one thing that Marielle Clarac has over the rest of them is that it’s easily the biggest in terms of page length. These are all chunky books, a good 50 or so pages longer than the average light novel, and filled with lots of plot complications and twists. It’s nice to see the reader getting some bang for their buck. Especially as, as with previous installments of the series, we have to alternate between Marielle’s crime solving persona and Marielle being a complete flibbertigibbet, going on about romantic and BL-laced tropes while also sometimes missing the obvious. But that’s why we’re here, and we wouldn’t have it any other way. Last time I said the wedding seemed imminent, and it still is (the next volume is called “The Wedding of…”), but first we have to deal with a bit of a crisis that might put a wrench in things. It’s hard to marry when your fiance is under arrest.

To Marielle’s horror, Simeon has been taken into custody for allegedly selling state secrets, and while it’s fairly obvious he isn’t doing that, she is ordered not to interfere in the investigation. As you can imagine, she does not obey this order at ALL, twisting around various vows and promises she makes with an increasingly frustrated Prince to try to see who is framing her beloved. Is it the childhood friend who seems to have a troubled past? Is it the gorgeous woman who wears pants and seems to be very friendly with Simeon indeed? (And does this mean that Simeon has had other women before Marielle?) Is it the gorgeous blond who looks like he stepped out of Rose of Versailles, who Marielle keeps getting saved by at odd moments? Is it Simeon’s puppy-like brother? (OK, it’s probably not.) Or is it the angry Naval commander with a vicious hatred of Simeon? The answer… is not TOO surprising, but well handled.

Now that Marielle and Simeon are a couple, and know of each other’s feelings, but are NOT married yet, there’s a lot of tension between them. Part of this is simply that they are really lusting after each other, and there are several almost kisses here, along with Simeon trying to exercise great restraint in not pushing Marielle up onto his desk and having his way with her. Balancing this is Marielle’s poor self-image, which continues to balance with her extroverted confidence – she’s accepted her plain looks, and so doesn’t get upset when they are pointed out. (Simeon does, as his brother finds out in a painful way.) This leads to some doubt and jealousy when she meets Rose, who also could have stepped out of the pages of Rose of Versailles. Among this is the usual thriller stuff, including a visit to a brother far shadier than the one Marielle usually sneaks into, and another wonderful conversation with Marielle’s nemesis Lady Aurelia, who will be best friends with her by Book 5 at the rate they’re going.

So another fun entry in the series, provided you can tolerate the heroine basically doing whatever the heck she wants with no regards to the consequences.