Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Sean Gaffney

Baccano!: 1710 Crack Flag

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By Ryohgo Narita and Katsumi Enami. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Taylor Engel.

Yeah, I avoided this one for a while I will admit. I don’t like tragedies, even when I know they’re coming. What’s more, this book was famous among Baccano! fandom as the pinnacle of the series, and therefore had a lot to live up to. Does it do that? pretty much, yeah. Balancing out the mystery of exactly what’s going on, the achingly sweet and awkward romance between Huey and Monica, and the creeping feeling of impending doom that powers the 2nd half, Crack Flag is a huge winner. And that’s not even mentioning our villain. Pardon the language, but “Fuck Fermet” has been a refrain among the fandom for years, and while we’ve seen why in other books, no more is it driven home than here. Fermet wants nothing more than to bring despair to people, and with Huey and Monica we get the ultimate example of that in action. Izaya only wishes he were this evil. (I may have said that line before.)

The book says 1710, but it actually begins in 1707, two years after the events of The Ironic Light Orchestra. The poet and playwright Jean-Pierre Accardo is at a party for nobility, feeling very out of place, until he runs into Lebreau Fermet Viralesque and his 6-year-old charge Czeslaw Meyer. Through a relaxed, easy conversation, the two form a bond. At the same time, Huey and Monica’s bond is deepening as well, even if he’s still reluctant to admit it. Unfortunately, the arrival of a huge galleon from the Dormentiare family drives Monica to despair… though, as with most tragedies, we quickly learn that if the parties involved had actually spoken to each other, there’d be little she had to worry about. Will Huey be able to break through her walls? Can Huey break through his own walls? And, whatever you do, don’t go to the theatre tonight…

This is a brutal book (the author says in the afterword he won’t be getting quite this dark again, which, OK, 1711 would like to have a word with you), so let’s concentrate on things that are happier – Huey and Monica. It’s so WEIRD seeing Huey like this given, well, 1711 to the present, and it drives home how much she and Elmer mean to him. And yes, I don’t want to leave Elmer out – he does his best here, and while his own thoughts are still rather terrifying, he’s a terrific character. We also see here how Maiza went from “this alchemy stuff is all bullshit” to suddenly becoming ALL ALCHEMY ALL THE TIME, and I am rather amused that all it took was just a throat-slitting (and recovery). And Carla is fantastic, taking no shit from any men around her and doing her best to figure out what’s going on in Lotto Valentino. We’ll be seeing more of almost all of them in future books, thank goodness.

So yes, this book hurt to read, but it was also one of the best in the series. Narita says 1711 is next, and I guess in terms of stuff he had to write from scratch he’s correct. But first we’re getting another bonus volume. Just as Another Junk Railroad was an expanded version of the freebie that came with the audio drama, the next book is an expansion of the 5-part novel that came with the Anime DVD releases. It answers that hideously terrifying question: “what if Elmer and Graham met?”.

Reset! The Imprisoned Princess Dreams of Another Chance!, Vol. 1

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By Kei Misawa and poporucha. Released in Japan as “Torawareta Ōjo wa Nido, Shiawasena Yume o Miru” on the Shōsetsuka ni Narō website. Released in North America by Cross Infinite World. Translated by Evie Lund.

If Japanese light novels are good at anything, they’re good at “take a premise and do slight variations on it for years”. As such, it can sometimes be very hard to read a book without thinking of that OTHER book you just read. Three are few readers who will pick this book up and not think “huh, this sounds just like Tearmoon Empire”, a series that also has a princess who is imprisoned end up traveling backwards in time to when she’s a child and trying to fix things so that she doesn’t die. Fortunately, the two books do not take the same approach. Reset is not a comedy, for one, and everyone pretty much sees our heroine accurately for who she is: a spoiled young princess who was sheltered her whole life and is now trying to be a slightly less sheltered young princess and not always achieving it. Mostly this succeeds, though there is one major head slapping moment towards the end.

Annabel is the princess of a country called Najir, and has recently married Daniel, the prince of a neighboring country. Unfortunately, one day he shows up furious, accuses her of betraying him, and she in thrown into the dungeons. If only she knew why this happened – she has no idea. What’s worse, her knight and protector Ed is brutally beaten and killed, causing her latent magic (which she’s never been able to use) to explode, destroying a huge chunk of the castle. Then… she wakes up as a twelve-year-old. Now she has to figure out how to change the future. But she doesn’t have a magical diary to help her, or any clue whatsoever. She’ll have to rely on the natural intelligence of a young girl who was home tutored her entire life and rarely left the castle till the day she died. This will go well!

The book’s chief strength is also its chief weakness, which is Annabel herself. She’s not from Japan, she’s not a reincarnation, and she’s not remotely snarky or sarcastic. She is an innocent lamb who is trying her best to figure out how she got from what seemed like a happy and loving marriage to “you are evil and I am imprisoning you”. She decides that ‘sheltered’ is the thing to work on first, so leans on her family to allow her to go to the same school as her older brother. From here she tries to activate her still latent magic (which does not go well most of the book), tries to research the neighboring country to figure out why they did this to her, and also falls in love with Ed, who is also in her school, and is quietly wonderful. Unfortunately, while less sheltered, she is still naive as heck, so there is a scene where, searching for an important item she lost, she allows two men to lead her down a dark alley and try to sell her to pimps. It’s such a jaw-droppingly stupid moment you want to scream. Yes, it’s there for plot reasons so she can activate her magic, but man alive, there must have been a better way.

This is a series still being written, so I’m not sure when we’ll get the next volume. Certainly the main problem has not been solved. Still, if you like Peggy Sue stories (called yarinaoshi loop stories in Japan, thank you, helpful afterword), this should entertain, though be aware that Annabel is very, very “young naive princess”.

Manga the Week of 1/20/21

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SEAN: Well, that was a nice break this week, huh? Next week is back to a giant pile, I’m afraid.

J-Novel Club has a quintet of light novels. We get Can Someone Please Explain What’s Going On?! 5, Holmes of Kyoto 3, The Master of Ragnarok & Blesser of Einherjar 14, Outbreak Company 16, and Slayers 5.

In print, Kodansha just has Life Lessons with Uramichi Oniisan 2.

Digitally, of course, there is far more. The debut is Will It Be the World or Her? (Sekai ka Kanojo ka Erabenai), a Bessatsu Shonen Magazine title. A guy tries to confess to his childhood friend… but another girl shows up and says she’s his girlfriend. What’s more, he has to forget about the other girl… or else the world will end! This sounds like an updated UY, but the cover art sort of puts me off.

We also get Dolly Kill Kill 10, Dr. Ramune – Mysterious Disease Specialist – 3, GE: Good Ending 13, I Guess I Became the Mother of the Great Demon King’s 10 Children in Another World 2, I’m Standing on a Million Lives 10, Kakushigoto 11, Orient 10, Saiyuki 4, and We’re New at This 2.

ASH: I’m still pleased that Saiyuki is being re-released; I’d love to see even more of Minekura’s work in English.

ANNA: I’m glad that Saiyuki is being re-released too!

MJ: I am, too!

SEAN: Two debut manga from Seven Seas. The first is Rozi in the Labyrinth (Roji Meikyuu no Rozi), from Mag Garden’s Comic Garden. It’s another “innocent girl in a world of supernatural beings” series along the lines of Nicola Traveling the Demon’s World.

ASH: This is a sub-genre that appeals to me. Nicola is a delight, so I’ll probably give this series a try, too.

MJ: Same here.

SEAN: Tamamo-chan’s a Fox! (High School Inari Tamamo-chan!) runs in Niconico Seiga, and has a fox spirit try to blend in as a human so that she can enjoy high school life. Unfortunately, her disguise is not all that great. This looks cute?

ASH: I’m intrigued?

MJ: This does sound potentially adorable.

SEAN: Also from Seven Seas: The Ancient Magus’ Bride: Jack Flash and the Faerie Case Files 2, A Centaur’s Life 19, Classroom of the Elite 7 (in print), GIGANT 4, The Hidden Dungeon Only I Can Enter 2 (manga version), Kuma Kuma Kuma Bear 4 (manga version), Monster Girl Doctor 7, and Mushoku Tensei 9 (digitally).

ASH: I haven’t actually read the first volume yet, but I’m definitely interested in Jack Flash and the Faerie Case Files.

SEAN: Tokyopop has two volume 2s. BanG Dream! Girls Band Party! Roselia Stage (a final volume) and A Gentle Noble’s Vacation Recommendation (not a final volume).

Vertical has a number of titles. APOSIMZ 6, Blood on the Tracks 4, Don’t Toy with Me, Miss Nagatoro 5, and Weathering with You 2.

Viz’s debut is Asadora!, a new series from Naoki Urasawa that runs in Big Comic Spirits. This seems to be one of those “follow a girl from childhood into her adult life” series, so this first volume should be full of adorable little scamps.

MICHELLE: I’m looking forward to this!

ASH: Likewise!

ANNA: Me too!

MJ: Hurray!! Totally into this.

SEAN: There’s also BEASTARS 10, Children of the Whales 16, Dead Dead Demon’s Dededede Destruction 9, Hell’s Paradise Jigokuraku 6, and Mobile Suit Gundam Thunderbolt 15.

ASH: I need to catch up on BEASTARS.

ANNA: I need to catch up on Dead Dead Demon’s Dededede Destruction.

SEAN: Yen On has a debut light novel: King of the Labyrinth (Meikyu no Ou). This seems to be a dungeon crawl light novel, only from the perspective of the monster, a powerful minotaur.

ASH: Okay, I do like a good minotaur story…

SEAN: They’re also reprinting the Haruhi Suzumiya light novels, in paperback but with the original cover art that was used for the hardcovers. The first two are out next week.

ASH: I’d somehow missed that particular news!

Yen On also has The Asterisk War 15, High School Prodigies Have It Easy Even in Another World 3, I’ve Been Killing Slimes for 300 Years and Maxed Out My Level 9, Kingdom Hearts III: The Novel 3, My Youth Romantic Comedy Is Wrong As I Expected 10.5, Strike the Blood 17, Sword Art Online 21, That Time I Got Reincarnated As a Slime 10, and Wandering Witch 4. Phew.

Yen Press has no fewer than four debuts next week. Wow! We’ll start with The Dark History of the Reincarnated Villainess (Tensei Akujo no Kuro Rekishi). This runs in LaLa, and has an amusing and also horrifying premise: our heroine is, yes, reincarnated as the villainess… but it’s from her own story she wrote in middle school!

MICHELLE: Huh. The premise and the fact it runs in LaLa piques my interest a little.

ASH: That does sound like one of the better variations on the theme I’ve heard lately.

MJ: This sounds kind of great, potentially.

SEAN: Dear NOMAN is from Kadokawa’s Comic Walker, and it’s about a girl who can see supernatural creatures but pretends not to. Then, one day, it becomes impossible to keep pretending. This is semi-yuri, and also only two volumes long.

ASH: Count me as curious.

MJ: Same!

SEAN: Mama Akuma (Akuma no Mama) is a Gangan Online title about a demon who prides himself on granting any wish… then a fourth-grader wishes for him to be her mama? Well, if that’s the wish, then that’s how it’s got to be. This looks fun.

MICHELLE: I will probably have to check this out.

MJ: This sounds very much like my thing. FYI, Sean totally called this in my DMs.

SEAN: Mint Chocolate is from HanaLaLa Online, and is the old standard “oh no, the guy I like is now my step-brother, how will we live under the same roof?” sort of series. Sounds like the classic “jerk slowly becomes not jerk” shoujo title, too…

In non-debuts, we get Combatants Will Be Dispatched! 4 (manga version), Delicious in Dungeon 9, Heterogenia Linguistico 2, Interspecies Reviewers Comic Anthology: Darkness, Trinity Seven 22, and The World’s Strongest Rearguard 3 (manga version).

Lots of debuts nxt week. What catches your eye?

Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town, Vol. 4

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By Toshio Satou and Nao Watanuki. Released in Japan as “Tatoeba Last Dungeon Mae no Mura no Shonen ga Joban no Machi de Kurasu Youna Monogatari” by GA Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

Clearly someone has been listening to my review, as after last volume’s weird hotel detour, this one gets back to what I expected the series to be about: Lloyd and company’s time in the academy. Not that we spend much time there, as the town’s cleaned out and empty starter dungeon is suddenly teeming with terrifying dragons and monsters and the like. There’s also the issue of a man wandering around and asking people what he looks like, and then dealing with them if the answer is wrong. And there’s the usual dose of over the top humor and goofy fun from all our regulars. Unfortunately, when you live by the silly cliche you can also die by the silly cliche, so I have to warn in advance that the main antagonist of this volume is an obsessed lesbian who ends up turning evil. Which, I get it, is also a character type to parody. It’s just not one I want to see again.

As noted, the academy has gotten word that their empty dungeon is suddenly dangerous again, and sends Lloyd and company to check on it, figuring he’s ridiculously strong enough, even if he still has crippling self-esteem issues. To no one’s surprise, there does turn out to be a top-tier monster in the dungeon – a giant snake. To everyone’s surprise, Lloyd is not able to defeat it, and gets kicked around a bit. There may be more to this monster than meets the eye. There’s also the man walking around killing people… erm, sorry, testing them and then making them disappear. He turns out to be an old foe of Alka’s, and he and the smiling friend of Lloyd we met in the previous volume are here to be the Big Bads for the series as a whole. And for this volume, it means taking one woman’s obsession with Marie and turning it into a monstrous nightmare.

There are some really good action scenes here. As noted above, Lloyd for once is not One-Punch Man, and seeing him have to actually struggle is excellent, and hopefully will show off some character development. There’s also a lot of hilarity involving the King, who has recovered from being possessed but seems to have turned into a middle manager, and whose “reward catalog” is roundly attacked, and justifiably so given one of the rewards is “marry whoever you want” without giving thought to the other person. As for Micona, she has an irrational hate-on for Lloyd, mostly as he’s living with Marie, and it turns to a massive grudge when she’s merged with a treant by the bad guys. (Who remove her at the end, so I’m sure she’ll be back down the road). And of course, when you have a tree monster who attacks using roots, well, yes, there’s Marie tentacle attacks as well, though not too explicit, thank God.

So something of a mixed bag in the end, but I’m pleased to see the book actually buckling down and getting to its long-term plot. The implication is that the next volume will bring the main cast to Lloyd’s village, which promises to be quite fun in a sadistic sort of way. Much like the rest of the series, really.

Accel World: Kuroyukihime’s Confession

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By Reki Kawahara and Hima. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jocelyne Allen.

I suspect how much readers enjoy the first half of this book depends on how invested they are in awkward teen romance. Last time we ended with Kuroyukihime inviting Haruyuki over to spend the night at her place, and he ends up accepting here, though he’s not quite sure how long he’ll be staying. As it turns out, the answer is “all night”, and there’s also a bath scene involved, which, as with everything else about this series, gets 80 times more awkward when you remember they’re both 13-14. But they are pretty sweet dorks, and things don’t really go anywhere beyond “I am depressed and want to take comfort in you”. And, as it turns out, Kuroyukihime has a lot more to be concerned about than being caught in an Unlimited EK, as her friend Megumi, aka Orchid Oracle, seems to be held hostage by the enemy… which has caused her real-world self to fall into a coma. Can they rescue her? And can Haruyuki get yet another girl to fall for him without trying?

Yes, we can add another “don’t read this in public” volume cover to the pile. In any case, one of the more important things that comes up here is Kuroyukihime opens up to Haruyuki about the circumstances of her birth, and we finally, definitively put to rest the rumor that her parents are Kirito and Asuna. (I’m not sure why anyone ever found this acceptable, unless they like grim ‘n gritty.) In any case, we don’t get her name, or the names of her parents, but we do discover that Kuroyukihime was a “machine child”, incubated in an artificial womb. While the direct SAO connection isn’t happening, fans of the Alicization arc may recognize some of the discussion here about the nature of the soul. According to Kuroyukihime, her parents regard her as an experiment rather than a child – she even has a barcode on her neck to drive the point home. It’s pretty heavy.

The weaker part of the book is in the middle, when most of the cast gets together virtually to try to figure out how to fix the huge trap they’re in. This involves lots of banter, some jealousy, and a whole lot of talking, but essentially boils down to “no, we can’t do this, no we can’t do this, hey, why don’t we try this”, only over the course of 50 pages. Things pick up again when Haruyuki teams up with Rose Milady in order to rescue Orchid Oracle, her sister, from the clutches of the White Legion. This amounts to a bunch of cool battle scenes, and Kawahara is quite good at those. Haruyuki tries to do the whole “I’m not really good at anything I just have a lot of help” whining, which promptly gets smacked down. That makes me happy. More importantly, they actually succeed in both the rescue and waking Megumi up, meaning this volume does not leave us hanging. (Well, everyone’s still in the deathtrap, but…)

So a decent volume, with some much needed revelations, but the core issue here is still not resolved, so the arc continues. Recommended to those already reading the series.

The Devil Is a Part-Timer!, Vol. 18

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By Satoshi Wagahara and 029. Released in Japan by Dengeki Bunko. Released in North America by Yen Press. Translated by Kevin Gifford.

This book is definitely front-loaded with stuff that I am here for. Much as I appreciate the machinations and plans for avoiding destruction going on on Enta isla, I will admit I’ve always been more drawn to the Japan side of this series. And just as everyone is working to ensure that they have a future for humans, angels and demons over there, others need to work to ensure that they have a future going forward in Japan. Even if that future may not involve Maou. As you might guess by the cover art showing her with her hat off, Chiho finally gives her notice to McRonald’s, as she needs to prepare for college, and then move on to her dream of… well, that’s the problem, isn’t it. Which college does she want to try for? Does she want to keep doing archery? Does she have a career in mind at all? And most importantly, can she find a way to stand at Maou’s side rather than just admiring him from afar?

It’s not just Chiho either – McRonald’s is suddenly down FIVE people after a bunch of resignations, and Maou and Emi – their two most important part-timers – have to take all of July off to, well, save the world. They also have a new manager, and while she’s a perfectly good normal manager sort, she is not the exceptional, once-in-a-lifetime manager that Kisaki was. This causes her no small amount of anxiety. Now Maou has to find some part-time help for the business. More importantly, he has to simply be patient and not worry too much as his allies are busy putting everything in place. It’s something he’s not used to, and he apologizes to Chiho at one point, as she is very used to it. And there’s also a disturbing new revelation that implies that not only might Alas Ramus and Acieth not be able to help in the final battle, they may be turned to the other side.

Not gonna lie, my mind keeps drifting back to the frank conversation Rika has with Chiho about her future, and about her love for Maou. If only as the author seems to take the time to sink what is probably the series’ most popular pairing – Rika says that Chiho’s only real competition for Maou is probably Suzuno, and that Maou and Emi aren’t happening. It’s worth actually quoting:

“What, am I wrong? I mean, some people say a lot of good relationships start from less than nothing, but I think Stockholm syndrome would work only so much with those two. It’s a miracle they’re acting like friends right now, even. I can’t see much more than that happening.”

Other than that, the book is quite good, with some very funny bits – the new part-timer at McRonald’s being the best – but it does suffer a bit from Maou and Emi being necessarily sidelined at the moment. The stage is set for the final battle… but we have three volumes to go, not two, so I suspect we’ll have wacky unrelated shenanigans next time. Till then, Chiho fans should really enjoy this book.

Pick of the Week: Sports Manga on a Light Week

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MICHELLE: There isn’t a whole lot that appeals to me from this week’s releases, but what always does appeal to me is the chance to have a mini-marathon of one of my favorite sports manga series in order to get caught up to the most recent volume. I love doing this no matter the series, and next week it’ll be Ace of the Diamond‘s turn, so that’s my pick this week.

SEAN: My choice is also a sports manga… sort of. I’ve been delighted with Practice Makes Perfect from Day One, with its premise of two dumb jocks who treat having good sex the way they would treat becoming the best at any other major Olympic sport. Equal parts hilarious and sexy, the fourth volume is the last, so expect them to finally get the Gold. So to speak.

ASH: This week will largely be a week for me to catch up on me reading, too, without adding too much more to the to-be-read pile. But if Practice Makes Perfect ever makes it into print it would probably be by my pick, so I’ll just go ahead and pick it now.

The Sorcerer’s Receptionist, Vol. 2

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By Mako and Maro. Released in Japan as “Mahousekai no Uketsukejou ni Naritaidesu” by ArianRose. Released in North America digitally by J-Novel Club. Translated by Roko Mobius.

It should go without saying, really, but fans of this sort of light novel should also be fans of shoujo manga that also runs along these lines. If you, as a reader, read manga where the lead couple are constantly at odds? The girl is constantly angry at the smug arrogant guy? Everyone seems to think they’re already a couple even though she hates his stupid guts? Yeah, that’s this series in a nutshell, it’s just in prose rather than in Hana to Yume. So yes, if smug arrogant guys constantly mocking the heroine are not your cup of tea, don’t read this, because we know who the end guy is going to be and it’s him. The other thing to mention here, which I believe I also did in my first review, is that you’d better love “oblivious to love” and “everyone can see it” as tropes, because the book is drenched in them. When it’s not actually dealing with Nanalie’s actual work, it’s watching everyone smirk at her cluelessness.

As noted above, the book is divided in half. Half the time we are seeing Nanalie at her job at Harre, growing better at it, learning valuable magical skills, and beating up lesser demons. At one point she’s sent to the southern branch for a month to see what it’s like there, and the answer is basically “hot, with added exorcisms”. The other half of the book is her interactions with Rockmann, who always seems to be around despite her best efforts to not see him, and is always there to rub it in her face that he’s still Number One and she is Number two. This even applies to alcohol – Nanalie has an amazingly high tolerance… but not as good as Rockmann’s. The one worrying plotline is that a neighboring kingdom is asking – rather aggressively – for ice witches, and Nanalie is being asked to hide that she is one. What’s really going on here? Also, why is Nanalie being asked to meet the King?

This book is not without its problems. the ending to the first book implied that there was some dangerous demon possession going on… but it’s solved quickly and then dropped. More importantly, the nature of the “Ice Witches Wanted” plotline involves Nanalie not knowing anything about it, and so the climax of the book, frustratingly, takes place offscreen, with most of it explained to her in a “yeah, sorry about this” way by the director. It’s realistic that they would take such steps, but as a reader it is incredibly anticlimactic. Also, Rockmann heals up far too quickly and far too well given they’re making this out to be the first time Nanalie might actually feel something for him. Fortunately, the rest of the book is filled with fun banter and situations, and Nanalie when she’s furious and snarky is the best Nanalie.

There is a suggestion of a few ongoing plots, with some backstory dropped to help the reader along, so I don’t expect this will be ending soon. It’s a fun little series, if a bit uneven, and recommended for those who like shoujo manga where the leads yell at each other all the time.

Our Crappy Social Game Club Is Gonna Make the Most Epic Game, Vol. 1

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By Oriori Siki and Azuri Hyuga. Released in Japan as “Jakushou Soshage-bu no Bokura ga Kamige wo Tsukuru Made” by Overlap Bunko. Released in North America by J-Novel Club. Translated by Mikey N.

Sometimes you just have to power through even when your initial impression is bad. This novel started off iffy for me. A sad-sack protagonist who had difficulties communicating with others. A perky, happy ball of sunshine who ends up dragging him back into a world he was desperately trying to avoid. Even the world the book takes place in didn’t impress me; it’s not a fantasy or isekai, but it does take place in a world where education has become driven by “gacha”, that game mechanic where you spend money to get a cool thing – possibly. I’m not sure why it needed to jump through the extra hoops, unless a pre-reader asked why everyone cared so much about social games. Fortunately, after a rough start it settles into what the book is actually about: the trauma of past failures crippling your ability to move forward and recognize your own worth, and how others can help you move past that.

Kai has just moved far from Tokyo after being driven from his previous school, one of the best in the country, for sabotaging a popular social game for reasons we are not immediately privy to. He’s trying to move on and have nothing to do with social games, but unfortunately, he’s arrived at one of those “everyone has to be in a club” schools, and the girl showing him around, Aoi, is head of the Social Game club, which consists of her, programmer and gacha-addict Aya, and perpetually angry artist Eru. The club is about to be shut down, and the Student Council President hates it, so Kai joins up impulsively. Unfortunately, the club is a mess – Eru is angry at Aoi, Kai, and most everything else, Aya is never there as she has to gacha all the time, and Aoi’s bubbly, happy side masks a girl who fears she is useless and a burden. Can the club be saved in time?

As I said, when you get past the original cliches (there’s also a pervy older sister who loves to tease Kai, and the arrogant/snarky student council duo are pure 100% cliche), there’s more to like here than expected. Kai, of course, did not sabotage the game back in Tokyo because he was being a villain, it was for a very good reason. Both he and Aoi suffer from crippling self-doubt, and both of them have to have it demonstrated to them, explicitly, that their fears are unfounded. Kai really does have terrific value as a planner, as his sempai at the Tokyo school (who is awesome, and has a great semi-robotic speech pattern) demonstrated to him, and while Aoi’s art is still not as good as Eru’s, she is improving constantly and is ready to take the next step. They make their game better AND they step in to help save the original game that Kai sabotaged. It’s quite the feel good ending.

So yes, there’s gold to be found here, though I’d recommend liking gacha games a whole lot more than I do if you really want to get the full experience.

The Genius Prince’s Guide to Raising a Nation Out of Debt (Hey, How About Treason?), Vol. 5

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By Toru Taba and Falmaro. Released in Japan as “Tensai Ouji no Akaji Kokka Saisei Jutsu ~Sou da, Baikoku Shiyou~” by GA Bunko. Released in North America by Yen On. Translated by Jessica Lange.

This volume was always going to have trouble living up to the high point of the previous one, and it does. It’s a very short light novel, coming out at not even 160 pages. And that, I think, is the problem – this volume is too rushed, leaving everything sort of half-baked. The joy of these books is seeing Wein come up with plans, wriggle around as they’re upended by a surprise disaster, and then come up with even more clever plans. but you need time for each of those things to simmer, and we don’t get that here. There’s also very little of Falanya, who was the star of the fourth book, and also a minimal amount of romantic tension between Wein and Ninym. There’s nothing wrong with the book, it’s reasonably fun to read, and gets exciting a few times. But the reader is left with the feeling that “that could have been better”.

Natra has been doing very well for itself under Wein’s leadership… VERY well, and has started to attract attention to itself, both good and bad. It also has to worry about Marden, its recent acquisition, which is far better located than Natra itself, and could easily wind up surpassing Natra itself. They need more allies. So he turns to the nations beyond Marden, Soljest (which is run by Gruyere, the very obese Holy Elite we briefly saw in Book Three, and Delunio, which is basically being ruled by its slimy Prime Minister. Wein heads to Marden, expecting Zenovia to try to solve Marden’s problems by a marriage proposal, which he plans to turn down, and then goes to Soljest, where he ends up suggesting that the two nations ally themselves to each other, something Gruyere quickly agrees to. And then… well, everything falls apart for Wein.

By now, the strengths and weaknesses of this series are pretty well locked in. Sadly, I find the art a weakness, as it’s frequently just too goofy for my tastes, and also leans into fanservice when it shouldn’t (there is a low-angle shot of Zenovia sleeping on her tits at a desk that should be taken out back and shot). The plotting and scheming is fun, both when Wein is being brutally clever and also when he’s being out-thought, and I really liked the idea that Zenovia *is* in love with him but refuses to marry him if she’s not his equal at being a clever person. Gruyere is also a lot of fun, and I did like the introduction of his daughter, who appears to be there mostly so that she can be a rival to Falanya in future books. But… everything happened too fast. The battles, the scheming, the dialogue, even the dumb goofy comedy. Ninym screws up Wein’s hair in an amusing way! Why was nothing done with that?

The series is still worth reading, and I look forward to the next book, but this one just feels… half-baked.

I’m in Love with the Villainess, Vol. 2

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By Inori and Hanagata. Released in Japan as “Watashi no Oshi wa Akuyaku Reijou” by GL Bunko. Released in North America by Seven Sas. Translated by Jenn Yamazaki. Adapted by Nibedita Sen.

(While I try not to spoil TOO much, this does talk about events in this book a bit more than some might be comfortable with, so this is your spoiler warning.)

When we last left Rae and Claire in the first volume of this series, things were still great fun, with lots of teasing and tsundere antics, but there was also excellent discussions of LGBT identity and a few hints of ominous rumblings on the horizons. This second volume proceeds – immediately – to walk up to our heroine’s happy, relaxed life and clever plotting and scheming and kick at it till it falls over, requiring a stronger structure. Things do not relax from that point forward. Even a trip back home to visit Rae’s parents, the slightest chapter in the book, is still filled with economic inequality and the difference between the haves and have nots. Rae’s past in Japan, which barely came up in the first book, gets an amazing flashback in the third chapter, which also gets into transgender rights. And all of this? Is before the Revolution that is the subject of the original otome game. Rae may be trying to save Claire… but is that what Claire wants?

There is a certain amount of ridiculousness to the plot that you are just going to have to accept. I won’t spoil everything, I will just note that there is a volcano eruption that is only fourth or so on the list of ridiculous things. It is also clear that the author has an agenda, and is here to push it, and honestly that’s great as well. I mentioned Rae’s past – as Rei – and it gets into the nitty gritty of coming out – internally and externally – and how that can be for good and ill and both. It also has a literal love square, the kind that you see arrow diagrams of, and also has Maria-sama Ga Miteru novels (or a very thinly disguised version of) as the gateway into this. So as you can see, it manages to combine the heartfelt and the over the top without sacrificing either.

Things definitely get more serious as the book goes on, though we know they’re going to right from the start, when Rae is forced to deal with her love for Claire, something that she states out loud multiple times a day, and how dedicated to it she really is. First as comedy, and second as tragedy, events conspire to force Rae to abandon her cool, logical, and calculating persona and admit that she does, in fact, not only love Claire but want to be with Claire for the rest of her life – fuck “I want my beloved to be happy” tropes. Once the actual revolution revs up, there’s no time for school – first Rae has to maneuver events so that Claire can avoid being executed for being the symbol of all that is bad as aristocrats, and then watch in horror as Claire’s growth, acceptance and love of Rae results in all those plans being shattered to bits.

Claire’s growth is, in my opinion, even more stunning than Rae’s because we get so much of it filtered through Rae, who gets it but also does not. She knows that Claire is far nicer than she pretends to be. She shows her what their country is really like, whose lives it is built on top of, and what the commoners really feel about all this. And Claire then resolves to make things better. She helps ferret out corrupt nobles with Rae. She helps pass out food to those who are starving with Rae. And, in the end, she makes a decision that Rae can’t do, which is to accept that she is a symbol of everything that was wrong with the class system, and go to her execution in order to take responsibility. As in the first chapter, Rae is devastated and almost gives up. Seeing how far Claire has come from the standard arrogant ringlet girl is my favorite thing about this book. It even pays off in the epilogue and side story, which shows Claire adapting to commoner life rather well – indeed, a bit better than Rae is.

There’s more I can talk about, like the whole plot with Yu and Misha, which revolves around (like, honestly, a lot of this book) a metaphor that turns out to be literal. There’s Manaria, who has gallant Takarazuka vibes up the wazoo, and without whom everyone would likely be dead. There’s the young cardinal who is in love with Rae and is also… well, I’ll leave that for now. There is the fact that the book has a large number of characters who are not only yuri, but also queer, a word used by Rae in the book. (As is lesbian.) There’s the fact that there is apparently a third volume in Japan, which surprises me given that this reads very much like an ending. Above all of this is the fact that the book is simply unputdownable – it has a very large page count, but I was forced to finish it in one day anyway. It may be the best light novel of 2021, and it’s only January 8th. Read it, please. You won’t regret it.

Slayers: The Battle of Saillune

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By Hajime Kanzaka and Rui Araizumi. Released in Japan by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Elizabeth Ellis.

The first three volumes of Slayers are filled with humor and wackiness, but they are also very, very dark, with the third one ending in the destruction of an entire city and everyone in it. It often feels like a fantasy version of Dirty Pair, with Lina and Gourry accidentally spreading chaos as they go from town to town. This volume, which introduces another one of our “regulars” (I use the word in quotes because everyone in the novels except Lina and Gourry tends to be mostly absent half the time.) also features a lot of dead bodies, and has Lina almost die at least three times, to the point where her waking up in a hospital bed is almost a running gag. Despite that… this feels like an attempt at a lighter, fluffier volume of Slayers. Sure, there’s assassination attempts on royalty, assassination attempts on Lina, betrayal, and lots of death… but any book with Prince Phil and Amelia in it is by definition lighter. Even if Amelia feels a bit odd at first.

When this book was first published, both in Japan and North America, it had a much more serious cover, featuring Lina and Gourry. But J-NC has licensed the updated reissues, and they know what readers want, and so we get Amelia pointing at us for justice. As for the plot, Lina, Gourry and Sylphiel arrive in Saillune and are caught up in a royal struggle, as someone is trying to kill Prince Phil. Lina, who has met the prince before, is underwhelmed, but she and Gourry quickly agree to help him try to resolve things, despite the fact that his brother seemingly has a mage on his side who can do all sorts of lethal things to our heroine. But how many “sides” are there in this battle? And why would the villain be trying to kill Lina personally as well?

As stated, Amelia shows up here for the first time, and seems… surprisingly savvy and clever. Honestly, it feels like her characterization takes a step back as the book goes on, with the author realizing on the fly that she’s funnier when she’s goofier, hence the additional cries of justice and the pratfall towards the end. The book is funny, though sometimes it’s not as funny as it would like to be – the way Sylphiel is written out of the book is simply dumb, no two ways about it. I was also very impressed at the traps that are created for Lina in the book, with the endless corridor you can’t get out of (which Lina promptly does), the evil bug that nearly succeeds in annihilating Lina and puts her in the hospital, and an assassin that really, really wants to kill her. We do get some reasons as to why this is happening towards the end, but a lot of it is still vague, and no doubt will be examined in the next book.

This book is very 1990s at times, and “ha ha, it’s funny because he’s not handsome!” is not the laff riot it’s meant to be, but this was a very solid Slayers, and introduces one of my favorite regulars, even if she’s not quite cooked characterization-wise. Next time we’ll meet another regular, a certain “priest”, and things should get even more chaotic.

Manga the Week of 1/13/21

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SEAN: Next week is a very quiet week. I’ll take it!

ASH: A chance to at least pretend I can catch up on my reading!

SEAN: Cross Infinite World has a debut light novel, Reset! The Imprisoned Princess Dreams of Another Chance! (Torawareta Ōjo wa Nido, Shiawasena Yume o Miru), a “Peggy Sue” style story along the lines of Tearmoon Empire, about a princess whose life and kingdom are destroyed finding herself a 12-year-old once more.

J-Novel Club has quite a few ongoing titles. Campfire Cooking in Another World’s 2nd manga volume, Der Werwolf 10, The Epic Tale of the Reincarnated Prince Herscherik 3, Fushi no Kami: Rebuilding Civilization Starts with a Village 2, Record of Wortenia War 9, Sorcerous Stabber Orphen: The Youthful Journey 2 (this is the manga), and A Wild Last Boss Appeared! 3.

In print, Kodansha has Beyond the Clouds 3 and The Quintessential Quintuplets 12.

Digitally, the debut is A Couple of Cuckoos (Kakkou no Īnazuke), the new series from the creator of Yamada-kun and the Seven Witches. It combines “accidentally switched at birth” and “arranged marriage”, and sounds sort of like an updated Marmalade Boy.

ANNA: Hmmmm…

SEAN: Also digitally: Ace of the Diamond 30, Peach Boy Riverside 3, Practice Makes Perfect 4 (the final volume), Saint Young Men 9, The Story of Our Unlikely Love 2 (also a final volume), and We Must Never Fall in Love! 5.

MICHELLE: At last here are a few I plan to read!

SEAN: One Peace has Hinamatsuri 11.

ASH: Speaking of needing to catch up – I enjoyed the first few volumes of Hinamatsuri but keep falling further behind with the series.

SEAN: SuBLime has two Volume 3s, Coyote and Jealousy.

Lastly, we have Viz, who have Case Closed 77, Fly Me to the Moon 3, Persona 5… erm… 5, Pokemon Sun & Moon 9, Rin-Ne 37, Splatoon 11, and Yo-Kai Watch 16.

ANNA: My kids like Splatoon!

SEAN: See? Super short. Anything here for you?

Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 3: Adopted Daughter of an Archduke, Vol. 3

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By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America digitally by J-Novel Club. Translated by quof.

Last time I talked about how Rozemyne, try as she might, is not going to drag this world kicking and screaming into the 20th century anytime soon. Indeed, anyone reading this series hoping for a class war starting between the elite nobles and the clever commoners has probably already checked out by now. Rozemyne may tell Ferdinand that she will never be comfortable with killing another person – and thank God for that! – but she is still going to stay a noble and try to follow noble rules. Of course, there are other ways to subvert society, and we find that her cards and picture books are doing this far more than most people are ready for. Kids are learning fast. Very fast. Heck, even Angelica, her bodyguard who took the job because it would mean she didn’t have to study at school – ends up learning with a sufficient reward dangled in front of her. The Revolution Will Be Printed.

As you can see by the cover, much of this book takes place in winter, though fortunately Rozemyne only has one “and then I was in bed for days” incident in the book. She’s gathering ingredients for her cure, which can involve fighting a massive snow leopard monster who can create hideous blizzards, or can involve collecting nectar from a hot spring that proves to be a lot more sentient than Ferdinand was expecting. So there’s actually a fair bit of action here. We also get to see Rozemyne play politics, as she gets the noble kids to work together, teaches them without it being overt (the best kind of teaching), and starts to create the idea of lending libraries, getting one poor noble’s daughter books in return for hearing new stories that her mother had told her. Honestly, if it were not for the resolution of what happened with the Mayor last book, this would be a light and fluffy volume.

It is not a light and fluffy volume. Rozemyne is forced to not only watch the Mayor, his wife, and a few people who had shown (thank to Ferdinand’s magic) that they were disloyal be killed, but also to see how nobility in general regards commoners as little better than animals, and their lives absolutely do not matter. Much as we would like to see her fix this, Rozemyne is still about 7 years old here, and cannot bend the world to their will quite that much. The execution itself is fantastical in nature but also horrific, and much is made of the fact that those killed with be unburied and unremembered. Fortunately, we do move from this to the Hot Springs episode, which, fortunately, does not lead to a bunch of fanservice as it would in any other title. The closest we get to fanservice is Rozemyne giving Brigitte a present of a fashionable dress, and remarking on her large chest. As for the hot springs ingredient gathering, it’s honestly hilarious, especially in retrospect. Even Rosemyne and Brigitte getting eaten by a giant toad just made me think of KonoSuba (it’s OK, they get out).

There’s two more volumes to go in this arc, and I’ve really no idea where it’s going to go, other than better printing, more books, etc. But that’s fine. Even the chapters discussing springs and leverage are interesting in this series. It remains a must read.

Bookshelf Briefs 1/4/21

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Black Clover, Vol. 23 | By Yuki Tabata | Viz Media – Given we came to the end of a very long arc last time, it makes sense that there’s a lot of goofy comedy before we start the next arc (which has a timeskip!). Fortunately, Black Clover is pretty good at being dumb and goofy in a shonen way—I’ve said before that it’s ripping off every single shonen series in the world, but it’s not doing it badly. Therefore we get a lot of silly love confessions, and priestesses who wear spiral “nerd” glasses like Mousse from Ranma 1/2. Oh yes, and Asta is not executed—for now. They still think he’s totally evil, though. Hopefully fighting a devil may help to change that opinion. This has become one of the longest-running Jump series now, and it’s easy to see why it’s still going. – Sean Gaffney

Days of Love at Seagull Villa, Vol. 1 | By Kodama Naoko | Seven Seas – Another yuri series from this author, this book starts with one of our heroines fleeing to the countryside after her boyfriend gets her best friend pregnant. She’s there to teach (and boy, her class could use some lessons in “don’t slutshame and don’t bully”), but she’s also staying with a young woman who’s raising a kid alone after her whole family was killed. The two are seeming opposites, but turn out to possibly have much in common. The yuri so far here is just a drunken kiss, but I’m sure there will be more to it. That said, the series seems content to introduce its cast and then start to simmer things to a slow boil. That’s good too. I want to learn more about this village. – Sean Gaffney

Didn’t I Say to Make My Abilities Average in the Next Life?! Everyday Misadventures!, Vol. 1 | By FUNA and Yuki Moritaka | Seven Seas – I was expecting this to be a 4-koma sort of volume, but it isn’t. Instead it’s just goofy comedy chapters without the ongoing plot that we get in the normal series. So you get things like Reina trying to learn to cook, and Mavis getting hit on by women again, etc. The usual stereotypes apply—Pauline has large breasts, Mile is… well, Mile, Reina is hot-headed, etc. There’s also a flashback to Adele’s experiences at school, where it turns out that all the school’s “Seven Mysteries” are just her being stupidly overpowered. No one should get this who’s not a fan of the original, but those who are should be quite pleased. – Sean Gaffney

Dr. STONE, Vol. 14 | By Riichiro Inagaki and Boichi | Viz Media – Most of this volume is trying to rescue everyone from the evil village “god” and his even more evil minion, who is unfortunately more overpowered than most of our team. On the cool side, most of the rest of the group gets un-petrified after recovering their bodies from the ocean floor, thanks to the power of Taiju being really strong and really dumb. On the less-cool side, Kohaku and Ginro are now petrified, though frankly that’s a good thing in Ginro’s case, as he was bleeding to death. This is probably the biggest villain that Senku and company have had to face before, so it makes sense that he’s finally taking a very dark step (as he himself says) and bringing guns into this world. Great fun. – Sean Gaffney

Eniale & Dewiela, Vol. 1 | By Kamome Shirahama | Yen Press – I was told when I saw who the author of this series was that I should not expect it to be much like Witch Hat Atelier, and that’s an understatement if anything. Oh, the art is still amazingly gorgeous, but the content is very much designed for those who enjoy the dynamic of, say, Gabriel Dropout. An angel and a demon are best friends despite sniping at each other the entire volume. Eniale is a bit of a featherhead. Dewiela has a bit of a temper. Together, they get involved in Very Wacky Situations. How much you enjoy this will depend on how wacky you find the situations. I found it fun, but I think I would enjoy it better in a magazine chapter by chapter than in volume form. – Sean Gaffney

Hatsu*Haru, Vol. 13 | By Shizuki Fujisawa | Yen Press – This series about four couples—heavily overbalanced towards two of them—finally comes to a close by going back to its leads, as Riko’s mom is moving due to her job and… is NOT asking Riko to come with her. Yes, the final volume involves everyone trying to self-sacrifice the most, with lots of tears and angry words. Of course we know that Riko really needs to be with her mom, even if they may not have the best relationship, which of course means that she and Kai are now far from each other. Fortunately, it’s the final volume, so this can be resolved with a flash forward to college. This was a solid series, but I’ll remember it for Takaya and Ayumi more than anyone else—in fact, possibly just Ayumi. – Sean Gaffney

I Love You So Much, I Hate You | By Yuni | Yen Press – Ayako Asano and Saori Fujimura are both accomplished, successful career women working closely with each other at their company. But outside of the office they’re even closer—they’ve actually started sleeping with one another. Two women becoming romantically involved isn’t so much of an issue, but the fact that Ayako is both married to a man and is Saori’s boss poses some significant problems. I Love You So Much, I Hate You is a mature manga dealing with some mature themes. Initially, there are definite imbalances in Ayako and Saori’s relationship, each woman approaching it from a different starting point and hoping to get different things out of it. However, over the course of the volume their needs and desires begin to align. But it’s not easy for either of them for a variety of reasons; granted, a relationship that starts out as an affair is bound to be complicated. – Ash Brown

An Incurable Case of Love, Vol. 5 | By Maki Enjoji | Viz Media – Nanase and Dr. Tendo are a couple now, so, inevitably, we must introduce the rivals. This volume gives us the first one, a rich young man with a medical condition who cynically says that people only care about him because of his money. He runs into Nanase, who is, well, herself, and falls head over heels in love with her. I was impressed how the author took this old-standard josei manga trope and simply… had the leads act like adults. There are a few misunderstandings and small fights, but there’s no huge blowup or breakup, mostly as Dr. Tendo is very familiar with who Nanase is. That said, Nanase still has self-image issues, and the cliffhanger implies a stronger rival on the way. Maki Enjoji is always good. – Sean Gaffney

Kaguya-sama: Love Is War, Vol. 17 | By Aka Akasaka | Viz Media – While we’re still dealing with the consequences of Miyuki and Kaguya dating, the series really has gotten very good at the tiny little jokes. Including possibly the DARKEST ‘in between chapters’ gag I’ve ever seen, where Iino talks about how she enjoys pain as it makes her “feel safe.” As for Chika, I think she has realized that the author increasingly doesn’t know what to do with her. She probably does not have a big character-building arc like the other four, so she’s essentially the goofy one that annoys people, something she is catching on to. Though the funniest chapter in this book features Karen invading the main title from her spin-off manga—still sadly not licensed—and almost getting everyone arrested. – Sean Gaffney

Practice Makes Perfect, Vol. 3 | By Ui Hanamiya | Kodansha Comics (digitial only) – This volume has our lead couple finally going all the way, but that doesn’t mean there aren’t problems. For one, the first time HURTS, and even successive attempts are nine parts pain to one part pleasure for Nohara (who, amusingly, is still trying to handle this in a “sports” way, as is Yano). There’s also the fact that Yano thinks that Nohara is going to break if he tries to be anything but super super gentle, which… also is not helping, though it leads to the volume’s best joke. Fortunately, the next volume is the last. Unfortunately, it appears that we’re going to get a “hey, the girl I love spends her days surrounded by hot guys!” chapter. Still, this Rated-R manga is still a lot more fun than I expected. – Sean Gaffney