Golden Time, Vol. 6 | By Yuyuko Takemiya and Umechazuke | Seven Seas – Getting past the fanservice of the volume—and not necessarily for guys, that’s Banri in the maid outfit on the cover—Golden Time always works best when it focuses on developing its leads, and it does a very good job. Banri is terrified the “old him” will take over again, Kouko is trying to change her old obsessive ways but it’s really hard, especially when she sees Bari and Linda pocky-kissing, and as for Linda, she’s trying to let go of her love for Banri without actually telling him about it, and just like Kouko, this is proving to be really hard. As you’d expect from this author, the manga does a really good job of providing depth to its romantic triangle. Recommended for romantic dramedy fans. – Sean Gaffney
Honey So Sweet, Vol. 5 | By Amu Meguro | Viz Media – I talked last time about how much I enjoyed the fluffy angst, and I do, but I feel that it doesn’t work as well when it’s obviously manufactured by the writer to create conflict that shouldn’t be there. Taiga’s mother pretending to be “a mean person” so that Nao could show her resolve was entirely unnecessary, especially since it only lasted about three pages. The rest of the volume fares better, especially with Nao’s fight with her brother, which spins its conflict very well indeed. And as with so many shoujo manga, we get to see the seasons pass, so get ready for Christmas dates and Valentine’s chocolate. Always good, but sometimes tries a bit too hard. – Sean Gaffney
Horimiya, Vol. 6 | By Hero and Daisuke Hagiwara | Yen Press – We’ve reached the stage where the lead couple is reasonably happy, so it’s time to focus on their friends’ romantic prospects. I was unexpectedly entertained by spending more time with Sengoku, who is every bit as scrawny and weak as Miyamura is, which doesn’t bother the girl who likes him one bit. Speaking of Miyamura, I think he and Hori manage to sleep together in this volume, but the fade-to-black is so demure that I’m not 100% sure. While I do celebrate how naturally the moment occurred, it does still trouble me that by the end of the volume he’s wearing a bandage because Hori went berserk when she thought a girl had called him. At least their friends are both telling Hori she’s to blame and Miyamura not to just let it go, but I wish her violent tendencies would be treated a little more seriously. – Michelle Smith
In/Spectre, Vol. 2 | By Kyo Shirodaira and Chashiba Katase | Kodansha Comics – There is a mystery here, and it’s a decent one, delving into the sordid business world of gravure idols and showing us how hard things can be for a practical girl who wants to get ahead in the business starting with “spunk” (and large breasts). But as with the first volume, the reader is likely more inclined to follow the hilarious back and forth between Kuro’s ex-girlfriend and his current girlfriend. As with the last volume, Kotoko is so comical in her arrogance and jealousy it’s actually hilarious, and Saki’s not much better. Kuro, being (mostly) a stoic, is the weak link. There’s also some cool fighting and amusing monsters. It’s a greatly enjoyable yokai series. – Sean Gaffney
Nichijou: My Ordinary Life, Vol. 6 | By Keiichi Arawi | Vertical Comics – In between volumes of Nichijou, I forget how passionately I hate the professor. And then I read chapters where she whines and throws a trantrum over getting an undeserved treat and Nano tries to stand firm, but eventually gives in and rewards her awful behavior. Or a chapter in which Sakamoto objects to, say, being put in the washing machine, but she won’t listen and eventually falls asleep and he just gives up on talking to her. I mean, she’s just a little kid. Why do I want to see a violent fate befall her?! It feels so wrong. There are a few other surreal and/or vaguely amusing stories this volume, but I honestly don’t think I even smiled. Perhaps it’s time to give up on Nichijou. – Michelle Smith
Yamada-kun and the Seven Witches, Vol. 12 | By Miki Yoshikawa | Kodansha Comics – Now that it’s clear that the series is trundling along with a whole set of new witches, new powers, but the same old Yamada-kun, I will try to get over my annoyance and find things to enjoy. I liked the first new Witch we meet, a basketball jock who finds that power corrupts. We don’t see much of Shiraishi, but what little we do see shows how much she’s struggling with Yamada-kun having to go around kissing all these girls, and unfortunately her stoicism is not helping. And the two new Student Council members are amusingly dumb. But again, this really seems like it’s spinning through the same old tricks, and it’s not as good as the first time around. – Sean Gaffney

My name is Saitama. I am a hero. My hobby is heroic exploits. I got too strong. And that makes me sad. I can defeat any enemy with one blow. I lost my hair. And I lost all feeling. I want to feel the rush of battle. I would like to meet an incredibly strong enemy. And I would like to defeat it with one blow. That’s because I am One-Punch Man.
The balancing act ONE and Murata achieve here is impressive. On the one hand, One-Punch Man is gloriously silly. Heroes and foes alike are apt to be ludicrous, and some of the former have terrific names like Tank Top Vegetarian or Spring Mustachio (although I actually think he’s pretty cool). On the other hand, there is a lot of excellent shounen manga storytelling going on. The way Saitama lives his life without criticism for others makes me think he’d get along well with One Piece‘s Luffy, and the devotion his pupil Genos shows for him means they can always rely on each other. Too, after Saitama joins the Hero Association, we get regular updates on how his rank is improving, and this puts him in contact with even more heroes, some of whom are inept, some of whom are capable, and one of whom might actually be an enemy. He doesn’t seek glory, so many are unaware of his true strength, but I assume that eventually he will attain the rank he deserves (currently, due to poor performance on the written test, he’s far below Genos).
As of volume eleven, there are several plotlines in play. Monsters are appearing everywhere, and appear to be organizing. Is this tied in with the prediction of an extinction-level event within the next six months? What about that hint of a possible traitor that was dropped a few volumes back? While a rogue martial artist named Garo is hunting heroes, Saitama is off at a martial arts tournament to learn more how to defeat Garo (not knowing that he totally already did) and seems destined to face off against another strong fighter who is desperate for a challenge. I admire how this story has widened in scope in a natural way, without compromising the balance of narrative and humor. It could conceivably go on for a very long time, and I deeply hope it does.


Shirotani is a lifelong germaphobe, resigned to his condition, though it keeps him isolated from others. Fortunately, with the help of his understanding employer, he is able to tolerate his job as secretary to a corporate CEO. It is in the corporate line of duty, then, that he first meets Kurose, a therapist at a local mental health clinic. Kurose notices Shirotani’s condition immediately, and suggests he seek help, but though Shirotani is able to make his way to the clinic, he can’t bring himself to go inside. Acknowledging this difficulty, Kurose offers to help him in a non-clinical capacity, as a friend, an arrangement to which Shirotani eventually agrees. As Kurose slowly helps him accomplish progressively difficult tasks (touching a doorknob with his bare hand, buying a book from a bookstore), the two become close in ways that complicates their relationship and threatens the fragile boundaries between them.
MICHELLE: Another thing that strikes me about the questions Kurose poses is how detached and clinical they can seem, even after a sexual act. One example is, “Were you more concerned with the possibility that I found you unpleasant than whether or not you found the situation itself unpleasant?” Leaving aside the tacit admission that he knows Shirotani could’ve been finding the situation unpleasant, attempting to reassert the therapist/patient dynamic at such a moment is, well, kind of creepy.















I admit that I initially judged this book by its cover, assuming that it was on the smutty side and aimed at a decidedly male audience. While it is true that Scum’s Wish is seinen, the mangaka (Mengo Yokoyari) is female, and the end result (for me, at least) feels more like dark shoujo.








