Michelle Smith

Anonymous Noise, Vol. 9 | By Ryoko Fukuyama | Viz Media – The tour begins, but it’s already on the verge of falling apart. Nino simply isn’t playing very well, and Yuzu is falling apart because of his love for Nino, something that he is trying desperately to hide from her. Indeed, he ends up getting in such a swivet he loses his voice, prompting a trip to the doctor that may lead to him missing the start of the concert. And then there is Momo, dealing with his own career, and irritated as he waits for In No Hurry to reach the level they sho0uld be able to achieve. I was frequently frustrated by this volume, but the book’s last chapter works exactly like a great song, pushing closer and closer to a climax until it finally hits the last chorus in triumph. And then there’s a cliffhanger. End of song next book! – Sean Gaffney

The Bride & the Exorcist Knight, Vol. 1 | By Keiko Ishihara | Seven Seas – I wasn’t too sure about this premise. Anne is a young woman destined to be the bride of a demon. Instead, she’s saved by Haru, who is a male exorcist. He’s also twelve, and he says he’s going to marry her instead. The book, fortunately, emphasizes over and over not only that he’s too young to be talking about marriage but also that he really is an immature kid, despite being an amazing exorcist. Anne too is a good character, not content to be a helpless damsel but fighting in her own way to change fate. We don’t see much of Mephisto, her intended groom—though the cliffhanger suggests that will change. But provided you don’t mind the age issue too much, this is a cute and action-filled debut. – Sean Gaffney

Gabriel Dropout, Vol. 4 | By Ukami |Yen Press – the majority of this volume involves our four leads returning to heaven/hell (delete where applicable) in order to report on their time down in the world of humans. The gags are predictable but still fun—Gabriel is unable to bring her games to heaven, which proves rather dull, but at least she can bullshit her way past an easily suckered God. Meanwhile, Vignette is dealing with her adorable little pet being a lot bigger than she remembers (I was reminded of Gintama here), and Satanya has to deal with being herself—she tries to break into heaven and fails. Fortunately, we find out that the rest of her family (bar the “normal” younger brother) are just like her. This remains a very silly but amusing series. – Sean Gaffney

Go For It, Nakamura! | By Syundei | Seven Seas – Although there have already been several BL-adjacent manga released by Seven Seas, Go for It, Nakamura! is the publisher’s first real foray into the genre. The volume is an absolute delight. Nakamura is a gay high school student who has developed a crush on his classmate Hirose, but Nakamura’s introverted nature and general awkwardness mean that the two of them have barely even talked to each other. Go for It, Nakamura! is the perfect title for this manga–I couldn’t help but root for Nakamura as his friendship with Hirose slowly develops. The story is funny and charming and the characters immensely likeable. A bigger deal is made out of Nakamura being a fan of octupi than out of him being gay, a refreshing twist that is also resolved sweetly. Nakamura does occasionally have a dirty daydream, but overall, Go for It, Nakamura! is rather chaste and wholesome. I loved it. – Ash Brown

Haikyu!!, Vol. 25 | By Haruichi Furudate | Viz Media – Last time I commented on how delighted I was with Hinata’s character development and growth. That continues here, but as the training camps end and we resume practice it’s Kageyama who’s given a volume to really show off. In this case it’s not just that he’s grown, but the series also looks at the attitude that got him in trouble in middle school—the whole arrogant “King” thing—and wonders if it was the attitude or the rest of the team? After all, the Haikyu!! kids are unlikely to be cowed by Kageyama at this point. Particularly Tsukishima, who may need enough people being jerks towards him in order to really take off. Good stuff, though I suspect we may be getting more tournament games soon. – Sean Gaffney

Little Devils, Vol. 1 | By Uuumi | Seven Seas – This is supposed to be more than one volume, though I do wonder where it’s going to go from here. The premise is that the hero has defeated the demon king… which is now split into eleven adorable and bratty children (and one egg). Each chapter of this first volume introduces one of the children, shows off their eccentricities, and moves on. Some of the cast make reappearances (Asuka is clearly the “star” of the children), but for the most part this reads very much like an anthology. Fortunately, the kids’ eccentricities are enough to disguise the fact that the hero is super boring. The said, this really feels like it could have ended with the first volume, after the egg hatches and we get our twelfth devil. Can it keep up being sort of cute? – Sean Gaffney

Log Horizon: The West Wind Brigade, Vol. 9 | By Koyuki and Mamare Touno | Yen Press – We continue to deal with the odd golem creation that was introduced in the last book here—turns out Kuroe is part of a pair, and is not all that excited to join up with her other half, which is filled with hatred and despair, now that she’s gotten kindness from Soujiro and company. The evil golem creature is a pretty nasty opponent, eating Isaac’s black sword among other things, and the fact that it sort of looks like Soujiro with cat ears doesn’t help. I suspect this may be the final arc of this spin-off title, so I’m pleased it’s emphasizing the family aspect of the series rather than the comedy. Also, really nice fights. – Sean Gaffney

My Hero Academia: Vigilantes, Vol. 1 | By Hideyuki Furuhashi, Betten Court, and Kohei Horikoshi | VIZ Media –I was a little wary of this My Hero Academia offshoot, but it turned out to be more enjoyable than I expected. Nineteen-year-old Koichi Haimawari has a modest quirk—the ability to glide along surfaces—and has been spicing up his boring life by doing good deeds. One night, he runs into a grizzled old vigilante who calls himself Knuckleduster and becomes his apprentice. Knuckleduster is on a mission to track down the source of a drug called Trigger, which causes users to spontaneously undergo monstrous transformations. I didn’t expect this much plot, and Betten Court really nails Horikoshi’s art style. My only complaint is the fanservicey costume for the female vigilante, Pop-Step, who ends up in villainous clutches more than once, but I definitely like the family vibe the trio have going by volume’s end. I will surely be checking out volume two. – Michelle Smith

My Solo Exchange Diary, Vol. 1 | By Nagata Kabi | Seven Seas – One of the most critically acclaimed manga released last year was Kabi’s My Lesbian Experience with Loneliness. The sequel series My Solo Exchange Diary was therefore a welcome and perhaps obvious addition to Seven Seas’ catalog. Like its predecessor, My Solo Exchange Diary is an autobiographical work that will resonate strongly with many readers. Through the short essay manga collected in the series, Kabi continues to explore her experiences with anxiety, depression, and intense feelings of loneliness and how they impact her relationships and day-to-day life. Each chapter is framed as a diary entry written to her past self, at times offering advice and encouragement while at other times seeming to despair that she couldn’t have done some things differently. My Solo Exchange Diary can be brutally honest as Kabi struggles to find love, happiness, and self-worth, but it’s that honesty and authenticity that makes the series so compelling. – Ash Brown

Spirit Circle, Vol. 4 | By Satoshi Mizukami | Seven Seas – Spirit Circle has an overarching plot, but the way it’s being told also makes it feel like an excuse to do a series of short anthologies with a wraparound. Once again, the majority of this book is devoted to another of Fuuta’s past lives… and this one seems to be a future life, as he’s now Lafalle, a young man in charge of cleaning the chambers in a giant monolithic tower that house the brains of those that were killed but may one day be revived. As he gets older we see him interact with Kouko’s other self Lapis, and the two of them continue to have an odd bond that seems to lack any romantic feeling whatsoever—they even get married here, but it’s never consummated. This is well-written, but where is it going? – Sean Gaffney

Cutie Honey a Go Go! | By Shimpei Itoh | Seven Seas – Over the years Go Nagai’s Cutie Honey has seen numerous incarnations, including live-action, anime, and manga adaptations. Cutie Honey a Go Go!, a collaboration between manga creator Shimpei Itoh and Hideaki Anno, is directly based on Nagai’s original manga. The short manga series has been collected in its entirety along with additional material in a single, action-packed volume. Although I have been aware of Cutie Honey for quite some time, Cutie Honey a Go Go! was actually my entrée into the franchise. It’s a tremendous amount of fun, even considering that Itoh had to wrap up the manga earlier than hoped. The story about an endearing super-powered android and the gun-toting investigator keeping tabs on her ends rather abruptly as a result, but the series’ likeable characters and terrific sense of humor more than make up for that fact. The manga is full of capable, kick-butt women. – Ash Brown

Fairy Tail S, Vol. 2 | By Hiro Mashima | Kodansha Comics – A good number of Fairy Tail spin-offs, sequels, and prequels have already been translated with even more to come, a testament to the franchise’s popularity. While some of those manga are accessible to those unfamiliar with the original, Fairy Tail S is definitely intended for established fans. It’s a short series, only two volumes, collecting a variety of omake, side stories, crossovers, four-panel comics, and other short Fairy Tail manga. One of the crossovers in the second volume of Fairy Tail S is with Hitoshi Iwaaki’s Parasyte (also recently published in the Neo-Parasyte M anthology) while another is with Hiro Mashima’s own Rave Master. Most of the stories tend towards the humorous and include a fair amount of fanservice, but some do have more serious, heartfelt moments, too. Lucy features prominently in the second volume though many of the other characters get their time in the spotlight as well. – Ash Brown

Go For It, Nakamura! | By Syundei | Seven Seas –The retro-looking Takahashi-esque cover for Go For It, Nakamura! promised a cute story and that’s exactly what it delivers. Sixteen-year-old Okuto Nakamura has known since he was very young that he’s gay, and when he spies adorable Aiki Hirose at the opening ceremony, he falls in love. Nakamura is shy, however, and has trouble approaching Hirose. After a couple of incidents that go awry, he soon begins to make some headway, courtesy of things like filling in for a dramatic performance, scaring off some bullies, and being the victim of an overly friendly cockroach. It’s adorable and sweet and completely teen-rated, which makes it a good choice if you’re in the mood for standalone brain balm. – Michelle Smith

Haikyu!!, Vol. 25 | By Haruichi Furudate | VIZ Media – Hinata continues to use the opportunity to observe at the prefectural rookie camp to great advantage, and ends up seeing something that actually enables him to help one of the participants. This serves him well once he’s back with his regular team, as he notices that Tsukishima is capable of more, which prompts Kageyama to (after some arguing and angst) decide that maybe it’s okay to bring back his king persona if it means he can demand the best from his teammates. Everyone’s getting better, which is nifty, but I’m especially keen to see how much better Hinata really has gotten at defense after his time away. I thought Haikyu!! was good before, but now it feels like it’s getting even better! I am so down for that. – Michelle Smith

Himouto! Umaru-chan, Vol. 2 | By Sankakuhead | Seven Seas – The series here (despite the presence of a few “pilots” at the end) seems to have settled into what it wants to be. We get Motoba fully integrated into the cast, becoming convinced that the blobby “indoor” Umaru is actually the little sister of the Umaru she knows. We get a bit of backstory for Ebina, and find out why she seems to be crushing on Taihei so hard. (He’s the only one who didn’t greet her by staring at her large breasts.) I do wish we’d see a bit more of the contrast between the two Umarus, and perhaps a bit more school stuff (the two could combine, in fact), but I understand why it’s easier to write for blobby Umaru. This is not high art, but is amusing moe fun. – Sean Gaffney

Kaguya-sama: Love Is War, Vol. 3 | By Aka Akasaka | Viz Media – The cover this time has Ai, Kaguya’s childhood friend, maid, and minder, not in that order, and she gets a couple of chapters to herself. The bigger deal here, though, is the introduction of Yu Ishigami, another member of the student council, who is a capable treasurer but filled with depression and paranoia. He has a great ability to read the room except when it will get him into trouble, and he’s absolutely terrified of Kaguya, who thinks he gets in the way of her machinations against Miyuki too much. And then there’s Chika, still my favorite, who manages to be super innocent while at the same time more worldsly than Kaguya, and also discovers that training Miyuki will always bring pain. Hilarious. – Sean Gaffney

Kiss Him, Not Me!, Vol. 14 | By Junko | Kodansha Comics – Kiss Him, Not Me ends here, and it does a very good job of wrapping up its storylines. We see Kae and Mutsumi as nervous virgins (the high point of the book may be Yusuke, the non-virgin, having to advise everyone else on sex). We negotiate the dreaded “I am going to college far from you” speedbump, and see Kae actually abandoning her BL obsessions for study so that she can eventually join him. And we see a wedding—and yes, Kae is fat for it, but it is for once not for the sake of comedy (much), and given she fits in her dress fine you suspect they planned for it anyway. We even get to see a kid, who is (of course) named Shion. And, though there were annoying hints, they avoided making Shima het at the last minute. Good job. – Sean Gaffney

One-Punch Man, Vol. 14 | By ONE and Yusuke Murata | Viz Media – One-Punch Man puts its humor on the back burner for the most part in this volume. It helps that Saitama is absent from about 2/3 of it. The gist of it is Goketsu, a monster who used to be human, showing up at the tournament to offer the other participants a chance to turn into monsters as well—or die. What follows shows off the difference between those who are heroes to protect or save people, and those who are heroes to show off how powerful they are. Suiryu gets the bulk of the character development here, though he mostly gets his ass kicked. But let’s face it, the main reason to read this is the absolutely gorgeous action sequences, which are almost works of art. I’m hoping for more funny stuff next time, though.-Sean Gaffney

The Water Dragon’s Bride, Vol. 6 | By Rei Toma | Viz Media – This went from “solid shoujo” to “lights-out fantastic” in one volume, and I’m still stunned. When the dragon god realizes that just being his priestess is putting Asahi in danger, he tries to fix it. And tries again. And then tries again. Each attempt is amazing to read—he tries putting her in a fake life back on Earth where fun times keep repeating, but she notices. Then he tries memory erasure, which doesn’t work. Finally he does something I was honestly not expecting to see—he genuinely sends her home. Home a good decade or so later, apparently, and she now has a rather grumpy little brother. But her heart is still back in the fantasy world, and with the Water God. My guess is she’s back at the start of book seven. Fantastic. – Sean Gaffney

Ace of the Diamond, Vol. 12 | By Yuji Terajima | Kodansha Comics (digital only) –Seido had been sure their opponent for the quarter-finals of the East Tokyo qualifying tournament would be Ichidai, but when that team is taken out by Yakushi in a surprise upset, Seido is suddenly facing a team full of fearless batters. In this tense volume, Yakushi fields their fiercest batter first, and I was bracing for Furuya to crumble under the pressure, but instead he has a lot of fun, having faith in his reliable upperclassmen and demonstrating some growth in his fielding capabilities. In an effort to keep Yakushi from becoming accustomed to one pitcher’s style, Sawamura is switched in but before he can do too much, the volume’s over. This is really a series that benefits from being marathoned, for though it’s great fun the way that it is, it’s probably going to be immensely satisfying to binge 40+ volumes back-to-back. – Michelle Smith

After Hours, Vol. 2 | By Yuhta Nishio | Viz Media – This second volume does a nice job alternating between Emi and Kei trying to put on a live event and Emi trying to decide what to do about her relationship, if that’s what it is, with Kei. I was pleased that the manga chose to negotiate a fairly melodramatic path without going overboard—the emotions feel fairly realistic given what Emi is going through, and Kei is not ignored either. There’s also some great scenes of Emi meeting more members of the dance club crew, and making friends and bonding with them. Usually with yuri manga you’re following it for the romance and that’s about it. But this is a more mature yuri title, and that doesn’t just mean sex, it means career motivations and such. A keeper. – Sean Gaffney

Anonymous Noise, Vol. 9 | By Ryoko Fukuyama | VIZ Media –Anonymous Noise, Vol. 9 | By Ryoko Fukuyama | VIZ Media – It took me a long time to get to this point, but I think I’m finally ready to declare Anonymous Noise a keeper. In No Hurry has embarked on their first national tour, which is interesting in and of itself, but it also feels like Fukuyama has achieved a good balance between her characters’ professional growth—Nino’s gotten more experience, Momo has decided that he wants to release music that’s true to who he is—and their personal angst. Yes, the main love triangle is still going, and though Yuzu attempts a few times and Momo declares his intentions, neither boy has made clear their feelings to Nino. But now I at least care a little more about that, while predominantly being excited for what might happen for them career-wise. I’m glad I grew to truly enjoy this series. – Michelle Smith

As Miss Beelzebub Likes, Vol. 2 | By Matoba | Yen Press – It can be difficult when you’re rooting for a cute couple to get together in a series and that series is, at heart, a goofy comedy. It’s a shame, because when the series is focusing on the cute Beelzebub and her secretary Mullin, it’s pretty adorable. But that’s not what the author is here for, really. As such, we get some new characters in this volume, including a shotacon (bleah) and a shota for the shotacon to obsess over (meh). Belphegor’s crush on Azazel is more promising, mostly as there’s a bit less about how nervousness makes her want to pee and more actual affection. This is a cute series, but at heart it’s a comedy, and the comedy is hit-or-miss. It should try to be more of a romance. – Sean Gaffney

Claudine | By Riyoko Ikeda | Seven Seas – For a variety of reasons, one of my most anticipated manga releases of 2018 was Claudine. First of all, it’s by Riyoko Ikeda, one of the Magnificent Forty-Niners, a group of women who were extraordinarily influential to the development of shoujo manga in the 1970s and many of whom continue to create exceptional work. I was also particularly interested in Claudine due to its sympathetic, albeit tragic, portrayal of a transgender man, a rarity in comics of any country or era. First published in 1978, the manga follows the titular Claudine, a young man growing up in France who struggles with the perceptions others hold of him in regards to his gender and sexuality. Claudine repeatedly finds and loses love over the course of the short manga, acceptance and betrayal often following one after the other. Claudine is gorgeously illustrated and heartwrenchingly melodramatic, a beautiful and at times troubling work. – Ash Brown

The Elder Sister-Like One, Vol. 2 | By Iida Pochi | Yen Press – Strangely, given this is still based on a porn doujinshi, the author and editors have done a very good job at making it mainstream while keeping a goodly amount of fanservice. The core relationship between Yuu and his demon sister is familial here, despite the occasional suggestiveness, and the best scenes in the book show off the family connection that he desperately needs. There’s also hints of something darker, and the clever reader will realize this is not a lifestyle that is going to be sustainable for much longer. Something is bound to go wrong. Till then, I’m happy with Yuu’s heart slowly being healed, as long as the creators remember to avoid getting too salacious. – Sean Gaffney

Giant Spider & Me: A Post-Apocalyptic Tale, Vol. 2 | By Kikori Morino | Seven Seas – Despite the attempt of various dramatic events to make us think otherwise, at heart this is a cooking manga, and the core of each chapter shows off the various recipes. We get an addition to the cast of Belle, who is the grumpy snarker that sets off Nagi’s perky optimist nicely, and the two become fast friends. There’s also a stroll into town, which surprised me, and the town reacts to a giant mutant spider about the way you’d expect it to. Fortunately, the giant spider is a sweetie pie, and indeed might be a baby giant spider, which helps to explain why Nagi’s TLC is helping. Of course, there’s another cliffhanger with Nagi being kidnapped, but given how the last cliffhanger resolved, I’m not TOO worried. – Sean Gaffney

Monster Tamer Girls, Vol. 2 | By Mujirushi Shimazaki | Yen Press – As with a lot of series that end after only two or three volumes, there’s a sense of “please wrap this up as quickly as possible” to the ending of the book, but it’s still rather cute and romantic, with Koto and Tsukiko’s relationship getting as close to canonical as a series like this is going to get. I also liked the backstory for Sora, as we see that she was rescued by a monster as a child, and then we see that same monster needing to be “rescued” in a different sense. At heart a series more about building and continuing relationships than about monsters, two volumes was probably about the right length for it. Still a good read if you like cute girls and monsters. – Sean Gaffney

My Monster Secret, Vol. 11 | By Eiji Masuda | Seven Seas – Yes, Asahi and Youko are together, but this series isn’t even half over yet, so don’t expect a lot of dating and holding hands here. Instead it’s more comedy, which is good as My Monster Secret does comedy very well. Even the melodramatic drama is comedy, as Nagisa’s tearful return to her home planet is undercut by a) a running gag of her worried about public spankings, and b) the punchline. There’s also a return of Youko’s hyperprotective father, which leads to an endless string of amusing gags. About the only time that My Monster Secret misses is when the gags it relies on are too tired, such as Akari’s age. This still has the capacity to make me laugh a good deal. – Sean Gaffney

The Troublemakers | By Baron Yoshimoto | Retrofit Comics – Only a few manga have been released by Retrofit Comics, the most recent of which is The Troublemakers, a collection of Baron Yoshimoto’s short manga curated and translated by comics historian Ryan Holmberg. Along with an accompanying essay by Holmberg placing Yoshimoto and his work into historical context, The Troublemakers collects six stories originally published between 1966 and 1974. The volume isn’t necessarily intended to be a “best of” collection. Instead, the manga included are meant to be a representative sample of not only Yoshimoto’s creative output but also of the types of gekiga and seinen manga being published for men in Japan around the 1970s. The stories are engaging and provocative, sex and violence featuring prominently as part of intense and dramatic narratives with protagonists who are frequently society’s outsiders. Based on the manga collected in The Troublemakers, I’m intrigued and certainly interested in reading more work by Yoshimoto. – Ash Brown

Astra: Lost in Space, Vol. 3 | By Kenta Shinohara | Viz Media – Two things are the most notable about this volume of Astra, which otherwise sees our heroes going to more alien worlds and slowly firming up into the obvious romantic couples. The first is the big reveal that Luca is intersex, which comes out after a confrontation with Ulgar over Luca’s father, the senator. We’ve seen intersex characters in manga before, but it doesn’t usually hit Jump titles. The other reveal is back with the parents discussing their kids, who have now been missing for a month. It’s clear that there is some sort of big conspiracy going on here. That said, I’m not sure I’d really be continuing with this if I didn’t know the next volume was the last. I look forward to it ending, but also want to see the end. – Sean Gaffney

Battle Angel Alita: Mars Chronicle, Vol. 2 | By Yukito Kishiro | Kodansha Comics – Having recently started reading and enjoying the original Battle Angel Alita, I was naturally curious about Mars Chronicle. While the first volume of Mars Chronicle served as a prequel to Battle Angel Alita, taking place during Alita’s childhood as a war orphan on Mars, the second volume is a sequel set after the events of the Last Order series. Tying the volumes together are the characters and the Martian landscape. Alita finds herself caught up in a dramatic battle with Erica, her childhood friend and another expert martial artist, while larger efforts to establish a unified Mars are in danger of collapsing, Alita herself framed for an assassination attempt of the emerging leader. For the most part, Mars Chronicle is a fairly accessible series even for those who haven’t read the earlier manga, although some basic familiarity with the franchise can still be useful. – Ash Brown

Food Wars!: Shokugeki no Soma, Vol. 24 | By Yuto Tsukuda and Shun Saeki | Viz Media – One of the more iconic things about Food Wars! are the images that are drawn by the artist summing up the preparation of food. Sometimes, when it involves the judges eating, it’s pure fanservice, but not always. There’s two terrific portraits here of the different types of cooking that two of the teams do—the one with Gin, Takumi and Megumi is shown as a sort of cocktail jazz band, while the one with Soma, his dad and Erina is shown to be avant-garde Jackson-Pollock style painters. It’s great stuff, and helps get us into the big final matches, which start with Soma immediately having rotten luck destroy him, as he’s challenging a soba expert and the meal they’re doing is soba. Ah well, he’s the hero, I’m sure he’ll come up with something. – Sean Gaffney

Ghost in the Shell README: 1995-2017 | By Takuma Shindo | Kodansha Comics – Despite being subtitled 1995-2017, the recent Hollywood live-action Ghost in the Shell film is oddly the first incarnation of Shirow Masamune’s manga to be addressed by the README guide and artbook. The rest of the volume is devoted to the various anime films and series by Mamoru Oshii, Kenji Kamiyama and, most recently, Kazuchika Kise. Each of the adaptations is given a chapter of its own which includes general information, story summaries, character, mechanical, and landscape designs, an abundance of full-color artwork, and more. For me the most interesting parts of README were the essays, the interview with Atsuko Tanaka and Maaya Sakamoto (the voices of “The Major,” Motoko Kusanagi), and the roundtable featuring all of the Ghost in the Shell anime directors in conversation with one another. README will likely appeal most to established fans of the franchise, but it provides a terrific overview and general introduction, too. – Ash Brown

Horimiya, Vol. 11 | By Hero and Daisuke Hagiwara | Yen Press – It really is impressive how the author of Horimiya is just not letting go of the fact that Hori really gets turned on by being dominated/struck, and that this really seems to bother Miyamura. It’s one reason, perhaps, why the volume ends with a short chapter that shows that, though they love each other, they still have tremendous difficulty figuring out how the other thinks. And there’s also Hori’s rage issues, which they at least acknowledge but don’t really deal with. As for the other couples, well, Ishikawa and Yoshikawa (Ishiyoshi?) are still struggling a bit, mostly due to embarrassment and embarrassing family. Horimiya isn’t as fantastic as it once was, but it’s still fun. – Sean Gaffney

Kuroko’s Basketball, Vols. 23-24 | By Tadatoshi Fujimaki | VIZ Media – We begin with the conclusion of the Winter Cup semifinal game, during which Seirin manages to defeat Kaijo by a one-point margin. It’s tense and exciting and there is a lot of manly crying. Rather than move right into the finals, however, the story diverges into flashback mode, with Kuroko telling the story of his time at Teiko Middle. This arc is fabulous and I’m a little bummed we didn’t have it earlier, as it would’ve informed so many of Kuroko’s interactions with his former teammates. However, putting it before his big matchup against Akashi makes sense, since Akashi was the one who sensed his potential to develop a unique style in the first place. In particular, I wasn’t expecting to come out of the arc loving Aomine so much. It’s nice knowing he finally did find someone who could defeat him. One of the best volumes in a while! – Michelle Smith

Kuroko’s Basketball, Vols. 23-24 | By Tadatoshi Fujimaki | Viz Media – As you might expect, Kuroko solves things, and is even allowed to make the winning shot—something that stuns him a bit. We’re clearly getting near to the end of the series, which means it’s now time for a biiiig flashback showing how the Generation of Miracles actually came to be. As you might imagine given everyone we’ve seen, it was not free and easy. Kuroko is almost put off the team a few times and the others barely work together at all. (It’s also cute seeing a middle-school, pre-sexy knockout Momoi falling for Kuroko.) I’m glad that this flashback is coming now, as we’ve come to know all the leads, and it also gives us a break from the tournament while still being filled with basketball. – Sean Gaffney

Mushroom Girls in Love | By Kei Murayama | Seven Seas – If it weren’t for the length, this could easily have fit right into the middle of A Centaur’s Life, a series that seems to enjoy randomly wandering off into whatever the hell for a few chapters on end. Instead of animal-human hybrids, this time it’s fungi-human hybrids, as our heroines try to stay married and in love despite root rot, royalty trying to break them up, and evading gunfire and the world seemingly being against them. As with A Centaur’s Life, this is not so much comedic or dramatic as just plain weird. And then there’s the girls riding tarantulas like horses… I guess what I mean to say is that if you like A Centaur’s Life and wish that the lesbians were the main characters, give this a shot. – Sean Gaffney

Princess Jellyfish, Vol. 9 | By Akiko Higashimura | Kodansha Comics – In many respects, this is a satisfying finale. Jelly Fish is back in business and it’s great to see the girls, particularly Jiji, finally able to don fancy clothes without hesitation in order to help Tsukimi’s visions become reality. In fact, I pretty much cried straight through from that point on. Reveals and reunions occur, but when one looks closer, one sees that several things remain unsettled. Amamizukan is still owned by Kai Fish, we don’t know whether Jelly Fish will actually be a success, and we don’t know how Tsukimi feels about Kuranosuke being in love with her (though I do love that he recognizes she doesn’t need a man right now). The feeling is all very optimistic, though, and perhaps it’s for the best that we just imagine a happy outcome without worrying about the details. It’s hard to believe it’s over! – Michelle Smith

Wotakoi: Love Is Hard for Otaku, Vol. 2 | By Fujita | Kodansha Comics – If you enjoyed the first volume of Wotakoi, this second one gives you more of what you enjoyed. The four leads are still all otaku types, but realistic and not caricatured. We get to see how Hanako and Taro met, which temporarily turns Wotakoi into Haikyu!! for a bit, and also see the couples accidentally getting swapped thanks to a haunted roller coaster. And there’s a new character, introduced (I thought) to be a gay love interest to Naoya, but no, she’s just a shy girl who dresses like a schlub. Still, there’s some comedy to be mined from hiding this from Naoya for the time being. As an anime and manga geek, reading Wotakoi is both fun and heartwarming, and I like it a lot. – Sean Gaffney

Wotakoi: Love Is Hard for Otaku, Vol. 2 | By Fujita | Kodansha Comics – I really liked the first Wotakoi omnibus, but I flatout loved this one. All of the characters are so great and so vivid, and there was an interesting structure to the two volumes included here. In the first, the continuing story of Hirotaka and Narumi’s first real date is interspersed with short vignettes and the story of how Naoya makes a friend. I came away with a much stronger idea of why Hirotaka loves Narumi, and how he feels like an inferior adult compared to her. In the second volume, the continuing story is an amazing flashback to Kabakura and Koyanagi in high school, with all the tsundere goodness one could wish for. Ordinarily, characters who bicker this much would bother me, but these two are the exception. This is a fabulous series that everyone should be reading. Get on it! – Michelle Smith

Yuuna and the Haunted Hot Springs, Vol. 2 | By Tadahiro Miura | Seven Seas – If nothing else, Yuuna is proving to be a slightly better ecchi Jump title than To-Love-Ru has, possibly as there’s slightly less emphasis on falling into everyone’s breasts all the time. Only slightly, though, and Yuuna still positions itself for one type of reader and one alone—the horny teenage boy. But if I were a horny teenage boy, I’d like this—Kogarashi is a bit less hapless than the typical ecchi protagonist, the girls are for the most part fun (I was amused that the drunken Kitsune wannabe is a manga artist), and there is the occasional sweet romantic tease. Still, if you’re expecting romance, read Nisekoi. If you want boobs, this is the book for you. – Sean Gaffney