Manga Bookshelf

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Michelle Smith

Pick of the Week: Dreamy Picks

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MICHELLE: There are a few digital volumes from Kodansha that I’ll be reading, but my official pick is the debut of For the Kid I Saw in My Dreams. MJreviewed it in our latest Off the Shelf column and I am definitely intrigued.

SEAN: I’ll be going for another in the Monogatari Series this week. Koimonogatari is a bit of a fakeout, allegedly about Senjogahara trying to stop the possessed Sengoku but in reality it’s a character study of minor-villain-returned Kaiki Deishuu. The novels not from Araragi’s POV are always great.

ASH: Like Michelle, For the Kid I Saw in My Dreams is my pick this week. I enjoyed Erased, so I’m curious to read another dramatic mystery by Sanbe.

ANNA: I agree, For the Kid I Saw in My Dreams is intriguing to me this week.

MJ: I’m definitely on board with all the interest in For the Kid I Saw in My Dreams, which I reviewed in last week’s Off the Shelf, but I feel like it’s my job to say, “CLAMP still exists” so I’ll make the new omnibus edition of Wish my pick for the week. I’m looking forward to a new translation, and Dark Horse always does a beautiful job with these omnibuses, so I’m sure it will look fantastic.

Bookshelf Briefs 1/28/19

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Ace of the Diamond, Vol. 19 | By Yuji Terajima | Kodansha Comics (digital only) – It’s the West Tokyo finals, determining which team will represent that region at Koshien. Seido is up against the team that barred their path the previous year, Inashiro Industrial, and since it’s a hugely pivotal game, it spans several volumes. This particular installment covers the fourth through seventh innings, during which Seido loses its early one-point lead and eventually falls even further behind when Tanba, ostensibly the ace, takes over pitching duties from a struggling Furuya and immediately gives away a home run. Seido’s not completely out—there are some excellent plays by Furuya (in outfield, trying to atone) and Kuramochi—but it’s definitely going to be a nail-biter. It was also pretty neat that our protagonist, Eijun, only appears when he’s cheering on his teammates. I’m so glad that he finally matured and learned some humility. – Michelle Smith

Dive!!, Vol. 1 | By Eto Mori and Ruzuru Akashiba | Yen Press – This was pretty good, but not good enough for me to have a full review’s worth of things to say about it. It hits all the right sports manga beats, and has some nice pictures of handsome high school boys diving. Their club is about to be shut down, though, unless they can get one of the divers to the Olympics. Enter Kayoko, their new coach, who is ready to make them fantastic divers even if it kills them. There’s a few really good kids there, but our hero is no doubt the one everyone will be watching—he has a very flexible body—and don’t forget the guy trying to get over a head injury while diving in the past. It’s a sports manga, and if you’re a lover of the genre, or like diving, check it out. – Sean Gaffney

Dr. STONE, Vol. 3 | By Riichiro Inagaki and Boichi | Viz Media – A much stronger volume of Dr. STONE here, which has ditched the boring part of its cast and reboots itself around its science hero and the village that he’s going to lead into the future. Everything about this works better—there’s a lot more humor now that we’re not dealing with a guy going around shattering humans all the time, and Senku’s mastery of science leads to some great Bobobo-esque faces from the other cast members. Also, there’s a little girl who wears a watermelon on her head, and who promptly ends up on Senku’s side because he doesn’t ask her why she’s doing this. I liked that. This series has gotten a lot more ludicrous, which is all for the better. – Sean Gaffney

Haikyu!!, Vol. 30 | By Haruichi Furudate | Viz Media – Lots of volleyball here, and not much else, meaning as always I’m struggling with things to say other than “that looked pretty cool.” I liked the focus on Tanaka in this book, and how his ability to bounce back from getting down on himself is a big strength. (That said, I think his attempt to hook up with the childhood friend may have just died.) We also get a good long look at Nekoma, who do end up advancing, much to my surprise (they had a few death flags). Who will they be facing? Oh, probably Karasuno, but that game is still going on, and the other team has figured out a weakness in Nishinoya, who’s usually one of the best on the team. How is he going to bounce back? For once, we have a month or two to wait to find out. – Sean Gaffney

High School Prodigies Have It Easy Even in Another World!, Vol. 2 | By Riku Misora and Kotaro Yamada | Yen Press – First of all, this manga desperately needs a character sheet at the front, as I’d already forgotten half the cast. Secondly, what is it with isekais needing to show that the local feudal lord is the evilest of all evil guys? So let’s roll out the usual tropes, including a sneering advisor and the jus prima noctis run wild, which allows them to try to rape Lyrule. Of course, it doesn’t happen, because all our heroes are ridiculously brilliant and awesome and can do things like creating nuclear power within their first week of arrival. I assume this is the sort of series for folks who don’t care about OP heroes—if you do, you may burn this. It’s deeply ridiculous. – Sean Gaffney

Himouto! Umaru-chan, Vol. 4 | By Sankakuhead | Seven Seas – There’s a lot of focus on Umaru’s school rival, Tachibana, in this volume. As is fast becoming a trend, Tachibana is seemingly an arrogant ojousama type but in reality is quite a nice person, even if she has a major grudge against Umaru. Fortunately, a easy to see through disguise is able to fool her. There’s also a beach trip, which focuses on the fact that Umaru’s outside persona and her indoor sloth persona are apparently not merely mental states—she literally seems to shrink. This is probably for humor value, but still… it reminds me of The Wallflower. Actually, the whole series does, though in Umaru’s case there are no hot guys coming along anytime soon to rescue her. Cute. – Sean Gaffney

Monthly Girls’ Nozaki-kun, Vol. 10 | by Izumi Tsubaki | Yen Press – I enjoyed this volume a lot, largely because we got very good scenes between my favorite not-quite-couple, Hori and Kashima, at the beginning and end. They’re great, and the school trip stuff is pretty good too, especially Nozaki realizing he has some kind of special feelings for Sakura (even though it might just be maternal instinct), but what really surprised me was that a scene between Ryousuke (Seo’s older brother) and Miyako (the tanuki-drawing mangaka), two characters I care nothing about, ended up yielding a couple of laugh-out-loud moments as Ryousuke dramatically misunderstands her job and relationships and ends up concluding that Nozaki’s editor, Ken, has a… very interesting occupation. Ken’s reaction to this is priceless and executed with perfect comic timing. Bravo, Tsubaki-sensei! – Michelle Smith

No Game No Life, Vol. 2 | By Yuu Kamiya and Mashiro Hiiragi | Seven Seas – This is the second volume of the manga. Since the first came out, we’ve seen seven volumes of the light novel and four spinoff volumes of a different manga. It’s been over four years—both here and in Japan—between volumes. As such, a review seems almost irrelevant here. If you want a continued adaptation of the first novel in manga form, this is the book for you. The art pretty much still seems like Kamiya’s (I’m assuming his health problems are one reason why it’s so late). and there are some nice designs in the battlefield chess that [ ] has to play. Still, given that there’s no sign of the third volume anytime soon, I’d suggest fans either read the books or watch the anime instead. – Sean Gaffney

Sacrificial Princess and the King of Beasts, Vol. 4 | By Yu Tomofuji | Yen Press – There’s a nice fakeout here, which I sort of suspected halfway through but was pleased with in any case. It reminds you yet again that Sariphi is not simply going to be able to be pure and sweet and win over everyone who goes against her… except she totally is, because this is that sort of shoujo manga, and she’s basically Tohru without the mother issues. Here we see her practicing a ritual dance that needs to be done perfectly, and when she fails to do so she just requests a do-over and everyone just lets her do it, likely as they’re stunned that she’s even trying to. This is a series that weaponizes the Pollyanna for good, and it’s still a great deal of fun. Shoujo fans will love it. – Sean Gaffney

10 Dance, Vol. 1 | By Inouesatoh | Kodansha Comics – Along with Memeko Arii’s Hitorijime My Hero, Inouesatoh’s 10 Dance marks Kodansha Comics’ initial foray into the BL genre in print. (It is not, however, the first time that the publisher has released a manga about ballroom dancing.) 10 Dance is a series I’ve had my eyes on for a while, so I was absolutely thrilled when it was licensed. The story follows the relationship between two men, Shinya Sugiki and Shinya Suzuki, both exceptionally skilled ballroom dancers. Sugiki specializes in standard while Suzuki focuses on Latin, their contrasting personalities mirroring their chosen dances—Suzuki is generally fiery and bombastic while Sugiki tends to be cool and reserved. Sugiki goads Suzuki into entering the 10-Dance Competition, requiring each of them to master the other’s style. Dancing demands a certain amount of physical intimacy and trust and as they begin training with each other their dancing and complicated rivalry evolves in unexpected ways. – Ash Brown

Off the Shelf: Cautiously Optimistic

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MJ: Well, hello, Michelle! Can you believe we’re back again in just two weeks? I hope you’ve had time to come up with a new joke.

MICHELLE: That last one I made was so very bad, I’m starting to feel remorse for inflicting terrible dad jokes on people at the start of these columns. So, you get a reprieve, everybody!

MJ: I dunno, I think you may be disappointing more people than you know!

MICHELLE: If you actually miss the terrible jokes, leave a comment and I’ll do better next time. How about that?

MJ: Fair enough! Well, if we’re not telling dad jokes, I suppose we’d better talk about some manga. What have you been reading this week, Michelle?

MICHELLE: I finally took the plunge and read the first two volumes of Fruits Basket Another, the three-volume Fruits Basket sequel by Natsuki Takaya. I was wary about this one, but though it has some significant flaws, I liked it more than I expected to.

In volume one, we’re introduced to Sawa Mitoma, an exceptionally meek girl who spends so much time thinking things like “Why do I always irritate others without even realizing it?” and being perhaps the most passive protagonist I’ve ever seen that she actually becomes irritating to the reader. She has just started her first year at Kaibara High School, and soon encounters “an incredibly sparkly boy” when she drops her student ID. This boy looks a lot like Yuki Sohma and, surprise, it’s his and Machi’s son, Mutsuki. Be prepared for a bunch of this sort of thing, because in short order we learn that Hanajima’s little brother is Sawa’s homeroom teacher and that Makoto Takei (remember that overzealous student council guy?) is a teacher whose obsession with Yuki has now transferred to Mutsuki. (He’s really creepy about it, too, and desperately needs to be fired.)

Sawa next meets Hajime, the son of Kyo and Tohru, who is serving as student council president. Mutsuki is the vice-president, and soon Sawa’s been drafted to be the first-year member. Over time, she meets more Sohmas, including Riku and Sora, the twin children of Hatsuharu and Rin. She gains confidence by being useful to the council and Riku helps her realize that by always keeping her head down, she’s missing opportunities available to her, like the nice girls in class who want to ask her to have lunch with them.

By the end of the second volume, Sawa has become a much more sympathetic character. Not just because she finally starts taking the initiative and actually engaging with life, but because readers can finally see what Takaya-sensei was doing. It turns out that all of Sawa’s issues stem from her abusive mother, who doesn’t come home for long periods of time, and when she does deign to appear, demands gratitude and apologies from the daughter she viciously belittles. No wonder Sawa got warped into thinking everything she does is wrong and that she’s a useless lump who causes trouble for others!

In the end, the not-very-subtle premise of the series seems to be “this generation of the Sohmas all love their parents very much, so this time they’re going to be the ones to save and accept a girl cursed with a shitty home life.” The execution is rather clumsy, however, as the Sohma offspring talk about their parents way too much for normal teenagers. I did like that Ayame’s son, Chizuru, struggles because he’s the normal one in his eccentric family, and that Mutsuki’s love for his parents is partly due to realizing not everyone has it so good. There’s one worrisome panel that suggests young Mutsuki witnessed Akito protecting her and Shigure’s son, Shiki, from Ren wielding a butcher knife! I hope that’s explained in the third and final volume, as well as whether Shiki was responsible for getting Mutsuki to help out Sawa in the first place.

In any case, I liked it enough to finish out the story, and that’s more than I expected.

MJ: Okay, so I’ll admit that the parade of Sohma children just reminds me how irritated I was by the neat pairing-off of everyone that happened at the end of the original series (Ayame, seriously??) so it’s probably getting off on the wrong foot with me from the start. But more than that, I’m struck by your description of the kids talking soooo much about their parents, like some kind of weird collision of “let’s make more money off of Fruits Basket” and “let’s assume that nobody actually read Fruits Basket and we have so much explaining to do!” Or maybe it’s just “let’s make more money off of Fruits Basket, but in only a few volumes, so DUMP THAT INFO.”

Honestly, the only thing that gives me hope is that butcher knife. Akito with a butcher knife is keeping me alive here. I might read it just for that. Do we have to have the creepy teacher-student obsession, though? I let that stuff go with older manga, but seriously. It’s 2019.

Or wait. Is it Ren with the butcher knife? I think I added a comma in my mind to draw my attention. Without the comma, I’m suddenly less interested.

MICHELLE: Yeah, it was Ren with the knife. She didn’t go away just ‘cos the curse was lifted, so she’s still around being horrible, apparently.

And yes, after everyone paired off neatly at the end of the main series, all of the couples seem to have stayed together for the next twenty years, judging from the age of Hatori’s daughter. At least Hanajima didn’t marry Kazuma! The parent talk isn’t as bad as recapping the events of the original series, at least, but there is a little bit of explanation when introducing new Sohmas to Sawa. Like, no one says Momiji’s name or what particular business he’s doing, but we know he’s extremely successful at it, which is kind of nice.

It’s more like someone saying, “I want to be like them,” which is still more than teenagers generally say, in my experience.

MJ: So, okay, you’re enjoying this more than you expected and you’ll likely read to the end. Should I be following your lead, or should I just reread Fruits Basket? I do suddenly have an urge to reread, especially since I recently lent out the first few volumes to one of my teen students!

MICHELLE: I honestly don’t know. I think it might bug you somewhat more than it did me. Maybe wait until volume three comes out and I can give a definitive answer as to whether this series adds anything to the Fruits Basket experience.

What have you been reading this week?

MJ: This week, I dug into the debut volume of For the Kid I Saw in my Dreams, a new series from the creator of Erased, Kei Sanbe. Like Erased, it was originally serialized in Kadokawa Shoten’s Young Ace and is being published in English by Yen Press.

Senri Nakajou had a twin brother, Kazuto, with whom his connection was so strong, they experienced shared vision and literally felt each other’s pain when the other was beaten by their abusive, alcoholic father. As the older of the twins, Kazuto was intensely protective of Senri and would manipulate his way into taking the beating for both of them, to spare them “double the pain.” He’d also insert himself between their parents when they were fighting, to spare their mother from the father’s abuse. On those nights, Senri, hidden in the cupboard under the stairs, would experience Kazuto’s pain as he took their mother’s beating on himself, until one night, when the expected beating never came. Instead, Senri emerged from the cupboard to find both his parents murdered and his twin missing. Based on the two brief visions he shared with his twin afterwards, Senri is certain that his brother was kidnapped and murdered as well. Now, Senri is a high school delinquent, still searching for the man who murdered his brother.

It takes a chapter or two for Sanbe-sensei to introduce Senri’s twin into the story—a choice that pays off, I suppose, by denying us full insight into Senri’s state of mind, which makes his morally-gray existence hit a bit harder in the beginning. The first things we find out about him are that he was discovered sitting in a pool of his parents’ blood as a child and that he now helps run an ongoing con in which his partners steal someone’s money and then Senri gets paid to pretend to recover it. He’s so cold and remorseless, we’d wonder if he might have murdered his parents himself if we weren’t also looking at his terrifying childhood drawings in which he repeatedly depicts the murderer (whose head he eventually lops off with a pair of scissors). Then the twin revelation transforms him from typical anti-hero into a scarier but more sympathetic anti-hero, which works much better, at least for me.

While Senri and Kazuto’s extreme twin connection doesn’t so far reach the supernatural heights of the protagonist’s time-traveling in Erased, there is a bit of a similar feel in this series that I admit I’m hoping might pan out into something just as fantastical, because an average tale of vengeance doesn’t much interest me. That said, there’s a lot going on here, and I am not at all sure where it’s leading. There is quite a bit of mystery introduced in this volume, beyond the identity of the murderer, and there are some supporting characters of whom I’m already very fond, including Senri’s grandparents, who raised him after he was orphaned, and his childhood friend, Enan, whose backstory is nearly as tragic as his own.

MICHELLE: Aside from an aborted attempt to read volume one, I haven’t read any of Erased, which I’m hoping to rectify this year. And this certainly sounds a worthy successor! I’m a little concerned I’ll have trouble getting into it, as I generally don’t love narratives that focus on remorseless anti-heroes, but it seems like the mystery of what happened to his parents will compel me forward. I confess that, even with this brief synopsis, I’m already expecting kind of a Loveless outcome with the older brother.

MJ: Well, maybe I’m overstating the antihero-ness? Senri’s got a lot of compassion in him (he’s the one who reached out to Enan when they were young and accepted her when nobody else would). He’s just very much intent on being the one to kill his brother’s murderer and it’s what drives his whole narrative at this point. He also tends to inflict physical pain on himself, and I don’t know whether it’s an attempt to recreate the pain he can no longer share with his brother or a survivor’s guilt thing, but he’s definitely a sympathetic character.

You’re not the only one thinking Loveless here, though. I’m also absolutely expecting that the brother is alive.

MICHELLE: Alive and potentially culpable! This really does sound pretty neat, though. I do like a good mystery.

MJ: I’m certainly intrigued! So would you like to talk a bit about our mutual read this week?

MICHELLE: Sure!

Ran and the Gray World is a seven-volume seinen series by Aki Irie. In this first volume, we’re introduced to Ran, a headstrong fourth-grader, who lives with her father and older brother, Jin. Ran and Jin’s mother, Shizuka, doesn’t live with them because her presence is required elsewhere to keep a pair of mysterious giant doors from opening. She’s a Grand Sorceress and it soon becomes apparent that Ran, at least, has inherited her mother’s abilities (and impulsivity). I’m assuming Shizuka also gave her the sneakers, currently far too large, which allow her to transform into a teenage version of herself. For his part, Jin has a magic coat that allows him to transform into a wolf, perfect for tracking Ran when she goes off on ill-advised adventures.

Insisting she’s already grown-up, Ran dons the shoes and hitches a ride with strangers to go visit her mother and, inspired by a special lesson from her kindly science teacher, attempts to fly from the school roof. She has some success at the latter and winds up in the garden of a rich guy named Otaro, who doesn’t endear himself to me when he returns to his apartment building naked, exposing himself to a couple of kids in the lobby in the process. Jin rightly pegs him as fishy, and it’s clear by the end of the volume that he’s become obsessed with Ran. Despite declaring he’d never touch a kid—she’s in teenage form for the entirety of their acquaintance—he soon suggests they become more than friends. He’s a creep, and I’m so glad Ran whisks herself off when he embraces her (“I’m outta here!”) but I do worry about what lies ahead.

MJ: I love a lot of things about the premise, and the art is freaking gorgeous, which is what drew me to the book in the first place. I’m also pretty into what’s going on with Ran’s family dynamic, MAGIC (always a winner), and wow, her mom and brother are both absolutely fascinating characters with so much going on. But I am super creeped out by Otaro and worried about what’s going to happen there. It’s funny as someone from the Big generation, I suppose, that I’m so disturbed by a story in which a young girl is inhabiting a much older body. But at least in Big (and I suppose also in something like 13 Going On 30), the young character is at least at an age where they are already experiencing sexual attraction and an interest in romance, so it somehow didn’t feel quite so incredibly wrong as this. So I’m worried about where this story is going to take Ran in that regard, but I’m trying to be optimistic, I guess?

MICHELLE: Yeah. At the very least, she’s able to extricate herself from these kinds of situations when they arise, but I can’t say I have any faith that she’s going to get any more savvy any time soon.

Jin is hands-down my favorite character in the series. He’s like a Doumeki type or something. Knows that magic exists, but sensible. Looks dour, but actually kind. And so, I side with him where Shizuka is concerned, finding her to be profligate with her magic when she comes to their house. I mean, it looked like people genuinely had car accidents when she rained giant desserts down upon the town!

MJ: You have hit the nail on the head with Jin as the Doumeki type! And that explains why I like him so much, too. I always identify with the Watanuki characters, but I adore and crave a Doumeki for reasons that are probably obvious. Kind of ironic, isn’t it, that the loose canon character here shares her name with him. Shizuka is a terrifying mess and her power lets her get away with it, so I feel that we can count on her to provide plenty of conflict here. We don’t need the creepy dude!

MICHELLE: Definitely not. Perhaps she’ll do us all a favor and turn him into a turnip.

MJ: I could get behind that!

Despite my reservations about Otaro and where that storyline might lead, I am probably more excited and intrigued about this series than anything else we’ve discussed here today. It’s whimsical, original, filled with mysterious potential (what’s behind those doors??), and I can’t overstate how beautifully drawn it is. With the artwork alone, I’m besotted.

MICHELLE: I failed to say this the first time you mentioned the art, but I absolutely agree. There’s a certain retro, Moto Hagio-ish quality to it that’s very appealing.

MJ: Yes, it’s sort of Heart of Thomas meets Bride of the Water God, art wise—detailed and ornate, but also flowing, always in motion, like Ran’s personality. I’m definitely looking forward to more!

MJ is running another Off the Shelf giveaway! Comment to this post or on Twitter with the answer to the question, “Are you a Doumeki or a Watanuki?” and enter to win volume one of Ran and the Gray World! Continental US only, we’re so sorry!

Manga the Week of 1/30/19

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SEAN: It’s the last week of January, theoretically it should be light. What is with all this stuff?

Cross Infinite World has the 2nd volume of the Gleam manga.

Dark Horse releases Wish, the CLAMP manga from years ago, now in one big omnibus. Enjoy the gender pronoun wars all over again!

MICHELLE: Oh, jeez. I kind of forgot Wish even existed.

SEAN: Given that the solicit date from Diamond Comics is Summer 2017, I think everyone did.

ANNA: I read it the first time around, don’t need to read it twice. I’ll just lurk here in a corner, still feeling bitter over X/1999.

MJ: I sort of feel like as the resident CLAMP obsessive, I should take one for the team and do some kind of comparison read with the older version. Can I muster the will? Time will tell.

ASH: I’m picking the omnibus up specifically because of the new translation! I enjoyed Wish the first time around, but I’m looking forward to my side of the pronoun wars winning this time instead of having a specific gender foisted on some of the characters.

SEAN: J-Novel Club gives us a 2nd Arifureta Zero and a 7th Outbreak Company.

Kodansha, print-wise, has the 3rd Sailor Moon Eternal Edition and the 30th Seven Deadly Sins.

ASH: I’d lost track of how long Seven Deadly Sins has become!

SEAN: Digitally, we finish Ayanashi with its 4th volume. There’s also Altair: A Record of Battles 9, Elegant Yokai Apartment Life 10, Forest of Piano 10, Hotaru’s Way 7, My Boy in Blue 6, and Princess Resurrection Nightmare 2.

MICHELLE: I’m not actively reading any of these, but there are at least three that I intend to read at some point.

Seven Seas has a debut and a done-in-one with Now Loading…!, whose punctuation makes every sentence look strange. It’s from Ichijinsha’s Comic Yuri Hime, and given the magazine you know what to expect. This involves a game company, but promises a bit more actual yuri than New Game!.

Seven Seas also has the 5th Magical Girl Spec-Ops Asuka, the 2nd Ultra Kaiju Humanization Project, and the 3rd and final Voynich Hotel.

ASH: I finally got around to picking up Voynich Hotel; I plan on reading the whole thing in one go.

SEAN: Udon has a 4th volume of Infini-T Force.

Vertical has the 5th Arakawa Under the Bridge omnibus.

ASH: This series continues to delight me.

SEAN: The Inc. part of Vertical also has Koimonogatari, the latest in the Monogatari Series novels. Will we finally get Senjogahara’s POV? I have some bad news for you…

Yen has a couple new digital volumes with Saki 18 (we’re caught up with Japan, I believe) and Toilet-Bound Hanako-san 9.

Yen On has the 11th Log Horizon, which is also caught up with Japan.

Debuting from Yen is For the Kid I Saw in My Dreams (Yume de Mita Ano Ko no Tame ni), a new series from the creator of Erased. It runs in Young Ace. I’m guessing it’s dark.

MICHELLE: I’m very intrigued by this one! Also, I must read Erased.

ANNA: I know Erased is popular at my library.

MJ: I’ll be reviewing this for our next Off the Shelf column, and I’m pretty into it.

ASH: Oh, excellent!

SEAN: They also have Aoharu x Machinegun 14, High School Prodigies Have It Easy Even in Another World 2, and Kiniro Mosaic 8.

How are you celebrating the end of January?

ASH: With plenty more manga, obviously.

Bookshelf Briefs 1/21/19

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Anonymous Noise, Vol. 12 | By Ryoko Fukuyama | Viz Media – Lots of things going on in this new volume. First of all, it’s a new year, and that means there’s potentially new club members—despite the band giving an absolutely wretched performance to the school. I’ll be honest, An feels a bit like she’s being introduced in order to be able to pair off one of the spares, but so far I’m pretty fine with that. Meanwhile, Nino seems to be maturing a little bit, but her relationship with Momo is still touch and go, and both Momo and Yuzu have a definite need for it to be Nino and only Nino who sings their songs. Yuzu is finally back towards the end of this book, but it feels right that he was away—the space has moved the plot forward. Not quite sure where yet, but forward. – Sean Gaffney

The Demon Prince of Momochi House, Vol. 13 | By Aya Shouoto | Viz Media – The most recent story arc of The Demon Prince of Momochi House starts off with a literal bang—after being shot by the villainous Kasha, Himari finds her spirit forcibly separated from her physical body. Understandably, it’s a dangerous state in which to exist, especially with the number of malicious ayakashi that pass through and by Momochi house. This certainly isn’t the first time that Himari has been in trouble, and I’m doubly certain that it won’t be last, but neither is she a helpless heroine. Himari’s underlying strength often seems to be overshadowed by the astonishing abilities of the other characters in The Demon Prince of Momochi House, supernatural and otherwise. In this particular case, however, Himari must not only save herself but the ones she loves, too—she’s not the ultimate target of Kasha’s schemes and many of the people she would normally rely on for help can’t. – Ash Brown

My Hero Academia: Vigilantes, Vol. 3 | By Hideyuki Furuhashi and Betten Court | Viz Media – To my surprise, this volume mostly seems to dial back the main plot in favor of character development with Koichi. But that’s fine, as these are solid chapters and help show why he’s being The Crawler despite not being a licensed hero. It also gives us more attention devoted to Captain Celebrity, the American All Might who is a selfish publicity hound and basically awful. And much to my surprise, it has some excellent backstory of why heroes came to be and why most people with powers aren’t heroes. It’s fascinating and makes sense. I also like the new girl, though her overly wide mouth makes me think of Tsuyu. This side series is growing on me. – Sean Gaffney

My Monster Secret, Vol. 14 | By Eiji Masuda | Seven Seas – I’m not sure whether I’m ready for actual drama in My Monster Secret, a series that still works best when it’s being as funny as possible. But they’ve been to the future, and it’s hinted it’s not a happy one for everyone involved. Sometimes this is played for comedy, as with Shiho finding that her future husband is the most annoying of “those three guys,” but there’s also a hint that Asahi and Youko are not going to get together. That said, when the series IS doing humor, it’s still pretty hilarious, even when the punchline is “please admire my awesome ass.” We’re clearly going to be dragging this on for at least a few more volumes, and may also be adding to the “I’m in love with Asagi” harem, but as long as it stays funny. – Sean Gaffney

Nyankees, Vol. 1 | By Atsushi Okada | Yen Press – Nyankees is “a tale of street cats portrayed as hoodlums.” When Ryuusei, a “dark tabby,” comes to Nekonaki Town in search of a male calico with a scarred eye, he first tangles with members of a gang led by Taiga, an orange tabby. Although winning a fight against Taiga entitles Ryuusei to take over as boss, he comes to respect the other kitty, and together they go to rescue a female cat who has been kidnapped by the calico’s gang. I wanted to like Nyankees but sadly it didn’t click with me. Probably its best attribute is that, after several pages of the characters in human form, a dramatic panel sometimes depicts them as cats, like the two-page spread in which Ryuusei and Taiga send a couple of adversaries flying. I didn’t find it funny—the “It’s pawback time!” line made me groan aloud—and the story’s not interesting, either. Too bad. – Michelle Smith

One-Punch Man, Vol. 15 | By ONE and Yusuke Murata | Viz Media – Saitama is back, but that doesn’t necessarily mean that he’s bringing all the laughs, as he’s back to being in a funk about everything being so boring because he can easily defeat everyone. Of all people, King has the best moment of the volume, when he tries to convince Saitama that there are reasons to be a great hero other than finding stronger and stronger people to fight. Unfortunately, Saitama is not ready to accept that lesson yet. Meanwhile, the whole “become stronger by becoming monsters” movement is hitting up some of the older minor villains/heroes from prior chapters, sometimes with amusing results and sometimes not. Solid, but I desperately want this to be silly again. – Sean Gaffney

Shojo FIGHT!, Vol. 6 | By Yoko Nihonbashi | Kodansha Comics (digital only) – So much happens in the characters’ personal lives this volume, some of it monumental, that it almost feels like a soap opera. Michiru and Odagiri accidentally overhear that Shigeru has retinitis pigmentosa and is experiencing vision loss, causing Michiru to realize how blind he has been to why their father has been expecting more from Shigeru all these years. I love how often Michiru cries in this volume and nobody gives him crap for it. I also love that he gets more determined to win the spring tournament while Shigeru can still see it happen. On top of this, we get a lot more background about Hasegawa’s family and her friendship with Itami, which ties in to Odagiri’s brother the aspiring mangaka and to Atsuko and her contentious relationship with her stepmother. Every character gets some development and they improve at volleyball, too! Recommended. – Michelle Smith

Sweetness & Lightning, Vol. 11 | By Gido Amagakure | Kodansha Comics – It’s the penultimate volume of Sweetness & Lightning and things are winding down! After Inuzuka-sensei and Tsumugi work out some communication issues and visit family, the focus shifts to Kotori. She’s about to graduate high school, so the time seems right for her to confess to Inuzuka. I like that he evinces palpable dread about having to hurt her, but in the end she essentially proclaims her undying regard for him, Tsumugi, and food all at the same time. And she tells her friend “it was something more complicated” than love, so I guess that’s a relief. Too, though the restaurant will briefly close for remodeling, there are promises of cooking together in perpetuity. I’m not sure what the twelfth and final volume will contain, since this seemed plenty conclusive, but we’ll see all too soon. – Michelle Smith

Teasing Master Takagi-san, Vol. 3 | By Soichiro Yamamoto | Yen Press – I spent this volume admiring the cleverness of the title character. She clearly can read Nishikata like a book, but is also trying, in her teasing and bets, to get him to understand her feelings. That said, she is also content to merely tease him when he doesn’t get them—she’s not frustrated, and knows this is a long game. Possibly as Nishikata may not actually realize what’s going on till the end of high school. But it’s still middle school, so there are tests of courage, and measuring their height, and calligraphy, and even tickling. And even if they aren’t a couple, everyone else certainly seems to think they are, as the last chapter shows. This remains utterly fun and adorable. – Sean Gaffney

Pick of the Week: Perfect 10

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SEAN: It’s rare that I dive into BL, much less make it a Pick of the Week. And I am, I admit, really excited for delinquent/cat manga Nyankees. But the cover and premise of 10 Dance just looks SO good that it’s turned my head. I’m buying it, and it’s my pick this week.

MICHELLE: I absolutely concur. Anytime we get BL about grown men pursuing their professional goals, I will be 1000% here for it.

ASH: That all pretty much sums it up for me, too! I’m prepared to be delighted by the debut of Nyankees (and the most recent volume of Monthly Girls Nozaki-kun), but it’s 10 Dance that has really caught my attention this week.

KATE: Word.

ANNA: I concur!

MJ: I only have eyes for 10 Dance. Sorry, cats!

Manga the Week of 1/23/19

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SEAN: (collapses under pile of manga) (muffled voice) Yen Press week, gang.

Dark Horse has a 2nd volume of its manga adaptation of the 2nd Dangan Ronpa game.

J-Novel Club has the 2nd and final volume of Apparently It’s My Fault That My Husband Has the Head of a Beast, and the 12th and nowhere near final volume of In Another World with My Smartphone.

Kodansha has a bunch of debuts, and they’re even print! We start with 10 Dance, which combines BL and ballroom dancing, so sounds AMAZING. It runs in Young Magazine the 3rd.

MICHELLE: I am so looking forward to this. The cover and concept makes me think of the works of est em.

ANNA: I am intrigued.

ASH: Yes! I am so excited for this one!

MJ: YES to this! I’m so excited!

SEAN: Hitorijime My Hero is a spinoff of a title that used to be released digitally here by JManga, but no doubt stands up fine on its own. I gotta be honest, this student/teacher BL story excites me far less than 10 Dance. It runs in Ichijinsha’s Gateau.

MICHELLE: I’ve seen a couple episodes of the anime and liked it, but I never got far enough for anything particularly problematic to happen. We’ll see how it goes, I guess.

SEAN: And on the yuri end (hey, when Kodansha decides to do new genres, they go all in), we have Yuri Is My Job! (Watashi no Yuri wa Oshigotodesu!), from Ichijinsha’s Comic Yuri Hime. A girl ends up working at a yuri café, but behind the scenes things aren’t quite as yuri… or are they?

ASH: I’m very happy to see Kodansha starting to release BL and yuri titles in print. I hope the venture does well for the company so we might see even more!

MJ: Agreed.

SEAN: Kodansha also has Golosseum 5 and Waiting for Spring 10 on the print end, as well as Ace of the Diamond 19, Ao-Chan Can’t Study! 4, the 8th and final Aoba-kun’s Confesssions, Blissful Land 2, Kakafukaka 4, and PTSD Radio 6. Looking forweard to Ao-chan and Kakafukaka.

MICHELLE: For a second, my brain interpreted the word “radio” to mean that we were getting more Wave, Listen to Me, but not yet, sadly.

ASH: That would be nice.

SEAN: Seven Seas has a mere two titles next week. We get the manga adaptation of I Want to Eat Your Pancreas, which should be as heartrending as the book was. It’s a complete omnibus edition, and ran in Futabasha’s Monthly Action. There’s also the 2nd print volume of light novel How a Realist Hero Rebuilt the Kingdom.

ASH: I still need to pick up I Want to Eat Your Pancreas in one form or another; I’ve heard good things.

MJ: I should do the same.

SEAN: Vertical gives us a 3rd volume of The Delinquent Housewife!.

MICHELLE: Woot.

ANNA: Nice!

SEAN: And now Yen. There were a few titles delayed till the final week in January, but for the most part it’s all next week. On the light novel front, the most interesting title may be The Kids Are Alright: A Turks Side Story. This is a Final Fantasy VII novel.

Also out in novel form is Death March to the Parallel World Rhapsody 7, Goblin Slayer 6, Overlord 9, A Sister’s All You Need 3, and Strike the Blood 11. An off month for me, as Strike the Blood is all I’m getting of those titles.

There are four debuts next week, some of which may even interest the rest of Manga Bookshelf. First we have DIVE!!, which is, oddly, a remake of a manga that ran in Shonen Sunday back in the 00s. This one is from Young Ace, and the premise is the same: let’s save the diving team from getting shot down. If you like sports manga, or the anime Free!, you’ll like this.

MICHELLE: What troubles me is the long list of credits on this one. I’ll give it a shot.

ANNA: Hmmmm.

ASH: I’m hoping the original light novels will be licensed and translated at some point, too.

SEAN: From the sublime to the ridiculous, we then get Monster Wrestling: Interspecies Combat Girls. It runs in Monthly Comic Ride. I guess if you like the other vaguely softcore Yen monster titles you’ll like this? Hard pass from me.

Nyankees is the delinquent manga you never knew you wanted, showing stray cats as if they were in teenage hoodlum gangs. I must admit I really want to read this. It runs in Shonen Ace.

MICHELLE: I really want to read this, too!

ANNA: Based on the description, I feel happy that something like this exists in the world.

ASH: I’m so looking forward to this series!

MJ: I’m so on board for this.

SEAN: Lastly we have The Witch’s House: The Diary of Ellen. This may sound like an OEL project like the James Patterson books, but no. It’s Majo no Ie: Ellen no Nikki, a harror manga that ran in Kadokawa’s Dragon Age.

There’s more Yen too, of course; Based on light novels, we see A Certain Magical Index 16, Death March to the Parallel World Rhapsody (manga version) 6, DanMachi 10, DanMachi Sword Oratoria 6, and The Saga of Tanya the Evil 5.

There’s also Black Butler 27 (remember Black Butler? It’s back! In pog form…), BTOOOM! 23, The Case Study of Vanitas 5, Kakegurui – Compulsive Gambler 8, Monthly Girls’ Nozaki-kun 10 (yay!), Murcielago 9, Sacrificial Princess and the King of Beasts 4, the 7th Sekirei omnibus, Teasing Master Takagi-san 3 (yay!), and Today’s Cerberus 11.

MICHELLE: Yay for Nozaki-kun!

ANNA: Yay!

ASH: Huzzah, Nozaki-kun!!

SEAN: A lot of debuts next week. What interests you most?

Pick of the Week: Sweetness or Destruction?

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MICHELLE: It’s been eight months since our last serving of father-daughter culinary adventures, so my enthusiastic pick this week is for volume eleven of Sweetness & Lightning, a series I once described as “eyebleach in manga form.”

SEAN: It has to be Dead Dead Demon’s Dededede Destruction for me, a series that gets more riveting with each volume, though I think the ‘lighter and fluffier’ promise the author made about this one may be leaving town soon.

KATE: Since Sean has beat the drum for Dead Dead Demon’s Dedededestruction, I’ll recommend the second volume of Wandering Island instead. The first volume arrived in stores way back in 2016, and barely registered with manga readers. That’s a shame, because Kenji Tsurata’s artwork is flat-out terrific, as is his plucky aviator heroine Mikura. A few critics caviled about the fanservice and the plot, but this Grumpy Old Feminist gives it two thumbs way up.

ASH: There are a lot of great manga being released this week; I’ve got my eye on every series that’s been mentioned so far. I’ll take the opportunity to highlight one more, though, since it’s been more than three years since the release of the first volume of Die Wergelder in English. The series is essentially a pinky violence film in manga form. Steeped in extreme brutality and exploitative eroticism, it’s understandably not for everyone.

ANNA: I’m going to joint with Sean in picking Dead Dead Demon’s Dededede Destruction. I procrastinated reading this series for a long time, and once I tried it I was absolutely riveted.

MJ: I’ll admit that I don’t have a solid pick this week, and even with the title I’m most interested in, I’m already eleven volumes behind. But I’ll just go ahead and back Michelle up here on Sweetness and Lightning. I think I really do need to check it out.

Bookshelf Briefs 1/14/19

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After Hours, Vol. 3 | By Yuhta Nishio | Viz Media – The scenes in this book of the rave, before, after and during, as well as what comes next, are fantastic, and the volume is worth picking up for that reason alone. That said, the romance in this third volume is the weak point. Kei abruptly disappears from Emi’s life right as Emi is ready to move into Kei’s life permanently, and while the family issues that Kei has to deal with are understandable, the author seems to think it’s 1959 and not 2019. You have phones! The journey by bus is a long one, but completely doable! There is no need for the ambiguous “maybe ever after” of this ending. That said, overall I found this series highly enjoyable, and if they want to do a sequel with Emi alone running raves, I’m cool with that too. – Sean Gaffney

Chihayafuru, Vol. 14 | By Yuki Suetsugu | Kodansha Comics (digital only) – Mizusawa has made it to the semi-finals of the national tournament, facing a team led by Megumu Ousaka, a candidate for Queen. Although Chihaya ultimately loses against her, she makes quite the impression on her opponent and others, causing one observer to think, “I never knew another girl this good existed.” I loved that it’s Desk-kun who seals the team’s ultimate victory, but less than an hour later, they’re facing formidable opponents in the finals. Fujisaki is full of Class A players but Chihaya’s opponent has an additional advantage: her grandmother is the reciter and she’s especially attuned to her nuances. Tense, fun, addictive, emotionally rewarding… I always want more when I get current with this series. – Michelle Smith

Kuroko’s Basketball, Vol. 29-30 | By Tadatoshi Fujimaki | Viz Media – In Japan, sports manga tend to have varying endings, with either the team winning it all or losing in the semis and resolving to try harder. North America tends to see a lot more of the former, so hope you like our heroes winning. It’s as well-handled as you’d expect, and I really enjoyed the development shown in Kuroko, Kagami, and Akashi here. There’s also a nice epilogue where Riko reminds us there’s a new tournament in the Spring, and they have to recruit! But for now let’s enjoy both their victory and the fact that the old Miracle Generation have mostly resolved their differences. The last shot has the old middle school picture balanced with his high school team, which is lovely to see. Do we get the sequel? – Sean Gaffney

Lovesick Ellie, Vol. 7 | By Fujimomo | Kodansha Comics (digital only) – Last time, I was a little worried that drama fueled by misunderstandings would become the norm for Lovesick Ellie, but I’m happy to report that no longer seems to be the case. While it is true that Ellie’s classmates get the wrong idea about her relationship with Kaname and Ohmi is freaked out by this rival, never at any point does Ohmi think she’s actually cheating on him. In fact, he opens up to Kaname about his insecurities, potentially making a friend in the process, and takes a good look at the kind of boyfriend Kaname could’ve been to her that he presently can’t be. With his focus on acting how other people expect, and remaining the other girls’ princely ideal, he’s never acknowledged Ellie as his girlfriend. Now, he’s ready for people to know how special she is to him. I’m so glad this series is back on track! – Michelle Smith

Magi: The Labyrinth of Magic, Vol. 33 | By Shinobu Ohtaka | Viz Media – I will admit the high point of Magi for me was the resolution of my ship, and the rest is just gravy. (Though I did enjoy the naive Alibaba being horrified at having a fight with Morgiana—that seems to have lasted five seconds.) But yeah, Sinbad’s still trying to make the world be at peace, and his methods are growing more and more horrible, as Kou’s dramatic cessation from the Alliance causes him to challenge God and emerge with the “it’s OK if I just mind control everyone to see it my way” solution. Sadly, Aladdin does not see this as anything but despotism. Aladdin is right, of course, but this is still Alibaba’s title, so he gets to mediate between these two. Who will he side with? – Sean Gaffney

Mob Psycho 100, Vol. 1 | By One | Dark Horse – There were several reasons why I was interested in reading Mob Psycho 100, the two most prominent being that One is the original creator of One-Punch Man (which I have been greatly enjoying) and that there was so much excitement surrounding the Mob Psycho 100 anime (which I still need to watch). But the main reason that I’ll continue to read Mob Psycho 100 is that I absolutely loved the first volume. Shigeo is a young man with superhuman powers which he tends to control by suppressing his emotions. Life being life, and middle school being middle school, there’s only so much he can bottle up before exploding. His mentor is Reigen, a spirit medium whose only extraordinary skill seems to be the ability to somehow convince others that he’s a legitimate exorcist despite all evidence to the contrary. Mob Psycho 100 is terrific, with a great sense of quirky humor and heart. – Ash Brown

Queen’s Quality, Vol. 6 | By Kyousuke Motomi | Viz Media – The volumes of Queen’s Quality seem to alternate between characters saying that Fumi is too weak and characters saying Kyutaro is too weak, and this time around it’s the latter, as he really gets put through the ringer here. The training they have to take on may involve some unsettling looks at Fumi’s background and heritage, which to be fair we’ve known was coming since the first volume. I admit I am somewhat surprised by Ataru’s promotion to sidekick-type character, but he serves it well, though there’s also a nasty flashback to his past I’m sure he’d rather do without. This wasn’t the best volume of Queen’s Quality, but that’s likely as it was transitional, and it’s still pretty solid. – Sean Gaffney

The Water Dragon’s Bride, Vol. 8 | By Rei Toma | VIZ Media – Asahi’s time as a captive in the underworld is brief, though it does afford us a few nice scenes in which the worried Water Dragon God is trying to find her. Instead, most of the volume is focused on Kurose, a boy from our world who seems to have become the plaything of Tokoyami, the god of the underworld. Kurose had a horrible home life and after potentially dying, he wakes in the underworld and is promptly whisked off to a village where he experiences kindness and a loving family for the first time. That is, until war comes and the Water Dragon God refuses to notice his desperation to save someone he cares about. I’m left to wonder… did this all really happen, or was Tokoyami mentally torturing him to create an ally in a vendetta against the Water Dragon God? Very intriguing! – Michelle Smith

The Water Dragon’s Bride, Vol. 8 | By Rei Toma | Viz Media – There was a surprising swerve in this volume. After dealing with rescuing Asahi from turning into a rotting zombie, and seeing the Water Dragon God have to deal with these pesky things called feelings, the rest of the volume is devoted to sketching out the tragic backstory of Kurose, the mini-villain from the end of the last volume. Not only is he merely a useful puppet to the true Big Bad, but he’s also a lot closer to Asahi than she might suspect, and has a suitably tragic backstory—in more than one world. I was expecting the adorable little girl he befriends to be horrible killed, and she is, but that may not be the end for her, unfortunately. Riveting. – Sean Gaffney

Off the Shelf: Shoujoriffic!

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MICHELLE: Hey, MJ! You know what time it is. Time for my first really terrible joke of 2019. Are you ready?

MJ: Michelle, I was born ready.

MICHELLE: Okay, then. How do you find Will Smith in the snow?

MJ: Um. I don’t know, Michelle. How do you find Will Smith in the snow?

MICHELLE: You follow the fresh prints!

MJ: Okay, I know that was a terrible joke, but since I’m a pretty big fan of the Fresh Prince, I can’t help but appreciate it.

MICHELLE: It is exceedingly terrible but somehow it makes me happy! Anyways, we’ve once more dusted the cobwebs off the shelf because there’s some new manga we want to talk about. Would you like to go first?

MJ: I would! So, I just finished reading Kakuriyo: Bed & Breakfast for Spirits, which was adapted from the light novel series of the same name and as such, comes with a slew of credits: art by Waco Ioka, original story by Midori Yuma, and character design by Laruha.

Aoi was adopted as a kid by a man named Shiro whom she describes as her grandfather. Shiro was a notorious philanderer, who wandered Japan fathering countless children with his many lovers, so he was hardly wanting for progeny of his own, but he raised Aoi faithfully, even providing for her college tuition after his death. Now alone, Aoi is prepared to make it on her own, but before she can even begin, she’s kidnapped by an ogre named Ōdanna, who whisks her away to the Ayakashi (spirit) world. As it turns out, Ōdanna is the proprietor of a well-respected inn, which Aoi’s grandfather once trashed on a bender. Unable to pay for the damage, Shiro promised Aoi’s hand in marriage as compensation, and Ōdanna’s come to collect. When Aoi refuses, she is offered the opportunity to work off the debt herself, but to do so, she has to find a job somewhere among the Ayakashi, most of whom hate humans, especially her grandfather.

Manga adaptations of light novels are not usually a big draw for me, but they’re also a bit of a rarity for Viz, so I figured it was worth a shot, especially since the supernatural setup is the type of thing I generally enjoy. My immediate reaction was regret. This adaptation begins with pages of narrated exposition that may work perfectly well in the novel but are clunky and awkward in manga form. The setup feels rushed, as though the artist knows that it’s awkward and wants to just push through it to get to the parts of the story that will be easier to tell, which unfortunately renders Aoi as a pretty generic protagonist with no personality in particular outside of a soft spot for Ayakashi and an interest in cooking.

Thankfully, the artist does seem to find their footing about halfway through the volume, and there are some fairly compelling mysteries set up, especially regarding a shape-changing nine-tailed fox named Ginji, who seems to be a friend. Or is he?

MICHELLE: My immediate reaction to your summary is that Shiro sounds like quite the asshole!

I’m sorry to hear that it gets off to a disappointing start. Are the mysteries sufficiently compelling that you think you’ll bother to pick up volume two?

MJ: Shiro indeed seems to have been quite the asshole, though certainly there is a lot of mystery surrounding him as well. For instance, he carefully taught Aoi how to avoid being kidnapped by an ogre, which would indicate that he never intended to surrender her as “payment” after all, and I get the sense that there’s more to the story than Aoi’s being told. And yes, I do think I’d give it at least one more volume. As lukewarm as this began, by the end I really did want to know what was going to happen next. Would Aoi find a job? Is Ginji as harmless as he appears? And what’s up with Akatsuki, the inn’s cranky general manager who really hated Shiro, and his adorably tousled hair?

Oh, and lest our shoujo-loving readers fear, despite being an ogre, Ōdanna is a total hottie with red eyes and cute little horns, which honestly is kind of a disappointment for me, but will probably sit well with the intended demographic.

MICHELLE: Probably. I should also note that a 26-episode anime version aired recently and is available on Crunchyroll last I heard.

MJ: I suspect that an anime adaptation might be more effective, especially for the exposition sections, so perhaps that’s the way to go. I will stick with the manga a bit longer, though!

So, would you like to share what you’ve been reading, Michelle?

MICHELLE: Continuing with the VIZ shoujo trend, I just finished the first two volumes of Shortcake Cake by a duo creating manga under the name suu Morishita. The series runs in Margaret, which is typically a very good indicator that I’m going to like it.

Ten Serizawa is from a very small town where local schools only go through junior high, so she’s had an extremely long commute for her first month of high school. Her long-time friend Ageha has been trying to persuade her to move into the boardinghouse where she lives and finally, after visiting the place, Ten agrees. Because this is shoujo manga, it turns out that the gorgeous, bookish boy that all the girls are obsessed with turns out to live there, too. His name is Chiaki Kasadera.

By the end of the second volume, it’s clear that Ten likes Chiaki, but how we get there is a pretty interesting and complicated route. One of the other boarders is a flirtatious boy named Riku Mizuhara, and he’s intrigued when Ten shuts down his attempts at flirtation. Soon, he’s developed a crush on her that she finds out about almost immediately. She rejects him and to his profound credit, Riku backs off. “I don’t want to pester her and make her hate me.” Chiaki, however, wants the two of them to be happy, so when Riku’s estranged little brother Rei—a wholly odious and imperious little shit who calls Ten by the name “Ugly”—commands Ten to be his girlfriend (just to make Riku miserable), Chiaki claims that he and Ten are actually dating, hoping that this pretend relationship will convince Rei that Riku is already suffering enough. Then, the kid will back off and maybe Riku and Ten can make it work.

Still with me? I grant that all these boys have feelings for Ten incredibly quickly—well, only Riku has officially admitted that he likes her, but I imagine it’s only a matter of time before Chiaki and Rei are forced to examine their real motivations—but at least she’s not an annoying protagonist. What’s really neat, though, is that we actually see inside the boys’ heads! This is exceedingly rare in shoujo manga, so a little bit of narration from a potential love interest goes a long way. I’m sure that it’ll be Chiaki in the end, but Riku is so thoroughly charming that I really want it to be him.

MJ: Okay, so from your summary, I admit that, like you, I’m currently a fan of Riku. I always like the boy who isn’t going to end up with the girl. It’s a lifelong curse. Mostly, though, I’m thinking that this sounds so gloriously shoujo, I must read it right away. I mean, seriously. A boardinghouse. I’m so here for this.

Is there other stuff going on besides the romantic drama? Like, at school?

MICHELLE: Not even a little. Ten’s mother only puts in a brief appearance to consent to the arrangement (though it’s at least suggested that her parents did go have a look around the place and all before she moved in) and school pretty much only exists as a backdrop for Chiaki and Riku to both attempt to walk Ten home so that she doesn’t get menaced by Rei. On the one hand, the protagonist having a well-rounded life is nice, but on the other hand, maybe it means we’ll be spared some of the by now too-familiar shoujo story beats like sports and cultural festivals.

MJ: Fair enough. Sounds like a fun read, in any case. I’ll definitely be digging into these volumes myself.

MICHELLE: I look forward to hearing what you think!

So, to conclude our VIZtacular trio, our mutual read this week was the first two volumes of Ao Haru Ride by Io Sakisaka, who also brought us Strobe Edge. Would you like to do the summation honors?

MJ: Sure! Here we go.

Futaba Yoshioka was a shy junior high school student with no interest in boys, except for Kou Tanaka, whose quiet sweetness mirrored her own. She thought something might happen between them, but when she turned up to meet Kou for a summer festival at his invitation, he never showed, and then his family moved away. Now, she’s in her first year of high school, and when she discovers that Kou is at the same school, she imagines them starting over. But the truth is, they are both so changed, they might as well be different people. He’s become a prickly underachiever to cope with his broken family life, and she’s become a tomboy to stay on the good side of her catty group of friends.

Then everything goes wrong, and Futaba finds herself friendless and isolated in a new class. But when she makes the rash decision to volunteer as class representative, she begins to find new friendships among a collection of loners, one of whom is Kou.

MICHELLE: Nicely done! This series ran in Bessatsu Margaret so, of course, I like it. There are a number of things about the initial setup that are pretty neat. For one, the action doesn’t start on the first day of Futaba’s first year but rather in the last semester, meaning she’s been at the same school with Kou for a very long time without noticing him. He’s in the honors class, which convenes on a different floor, but has definitely noticed her. Secondly, instead of the heroine starting friendless and gradually acquiring them (like Kimi ni Todoke or Waiting for Spring, to name but two recent examples), she starts with some friends. They’re just not really friends because she’s been duping them about who she really is. It’s true that both of those girls are not very nice, but I also appreciated that the dissolution of their friendship was not accompanied by mean-girl antics. Futaba just has to start over, and we’re shown glimpses of two other isolated girls who seem destined to become her true friends.

MJ: I’m struck by the differences between this and my first read here. This series, too, starts off with a lot of narration, but it’s utilized so effectively in Ao Haru Ride. Because Futaba is so shy, most of her thoughts are kept to herself, especially in the beginning, but instead of delivering an exposition dump, this narration is guiding us through Futaba’s realization about her crush on Kou and her interactions with other kids at school. We’re experiencing her thoughts and feelings much the way we would if she were the POV character of a YA novel, but only exactly as much as we need to. We’re shown what’s happened and told how she feels about it. This isn’t something that’s unique about the series at all—it’s exactly what we want to see in shoujo manga, and when it’s done well, it’s kind of invisible. But after reading Kakuriyo, I’m struck by how skillfully Sakisaka utilizes Futaba’s inner monologue.

MICHELLE: And some of the things she thinks are so poignant, too. She spends much of these volumes looking for signs of the old Kou and there’s one moment when she’s looking at him and thinks, “The nape of his neck is familiar but he sounds like a stranger. It makes me feel like crying.” Physically, someone she used to know and love is standing in front of her, but the connection they had has been cut off. I have been there and I thought Sakisaka captured that kind of feeling very well.

And then Kou rightly tells her, “You’re acting like you want to move forward, but you’re holding on to the past,” which I liked, as well. Eventually she decides that only his words are harsh, but that his heart is kind. I was glad she came to that realization in the second volume, because I didn’t want to keep rehashing the contrast to his past self and also, it’ll be nice to see Kou grow, as well.

MJ: Things do seem to happen in this series exactly when we most need them to. Just when I was becoming impossibly frustrated about Futaba’s attachment to the friend group that forced her to hide her true self, she broke free of them. And as you say, just as I was done with her mooning over the boy Kou used to be, she finally let that go as well. The pacing in these volumes is somehow exactly right.

Just as I was typing this up, I saw Shōjo Beat mention on Twitter that the third volume will be out next month, and I felt a surge of glee, so Sakisaka is definitely doing something right.

A bit of an odd confession: I admit that I’ve come to a place as a reader where I’m a bit bored by stories that lack queer characters, so from the beginning I found myself personally casting Kou as trans to help me get into it a little better. Queer readers, If you haven’t tried this with Ao Haru Ride, I wholeheartedly recommend it!

MICHELLE: That’s interesting, especially when he comes back with a whole new name and she keeps using the one he doesn’t identify with anymore!

I had a surge of glee when I was researching Sakisaka and read a little about her current series. Now I really want that one to be licensed here, too!

MJ: Yeah, I really didn’t expect that, but it did capture something poignant and relatable there.

I’d very much like to see more of Sakisaka’s work make its way here, so I guess we’ll cross our fingers!

To celebrate the return of Off the Shelf, MJ’s running a Shortcake Cake giveaway on Twitter! Follow the link to enter!

Bookshelf Briefs 1/7/19

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Bad Friends | By Ancco | Drawn & Quarterly – Only a few Korean comics have so far been released in translation by Drawn & Quarterly, the most recent being Ancco’s internationally award-winning Bad Friends. The work is a devastatingly powerful one, hard-hitting and at times difficult to read due to its emotional heaviness and unflinching portrayal of physical abuse. Bad Friends is told from the perspective of Pearl, a young cartoonist reflecting back upon the good and the bad of her middle school and high school years. At the forefront of her mind is her incredibly important and formative relationship with Jeong-ae, a close friend she hasn’t seen or been in contact with for over a decade. As teenagers, they were both delinquents, finding their own ways to survive in a harsh, cruel, and ugly world; as adults, their lives have taken drastically different paths. Bad Friends isn’t necessarily an easy or comforting read, but it is exceptionally well done. – Ash Brown

Blue Exorcist, Vol. 21 | By Kazue Kato | Viz Media – “Son of Satan” has always been part of the core of Blue Exorcist, and though Rin is the one who this is talking about, Yukio is apparently not free from Satan. At all. In fact, Satan is apparently talking to people from his eye. So, since his allies aren’t helping him or telling him the truth (well, they’re trying to help him), clearly it’s time to… join the bad guys? Renzo, a natural-born traitor, can help with that. Meanwhile, Mephisto’s getting shot in the head, which doesn’t stop him, but does mean he has to remove the barrier keeping the gate of Gehenna shut. As for Rin, he’s exposed to the full brunt of his power, and it’s almost too much for him, despite Shiemi helping by conjuring up an entire forest. Basically? There’s a LOT here. – Sean Gaffney

A Certain Scientific Accelerator, Vol. 8 | By Kazuma Kamachi and Arata Yamaji| Seven Seas – The shoe is on the other foot, and now a girl is telling Accelerator that he should stay away from HER because she doesn’t want him to get involved with her. Naturally, having this flipped around is irritating to Accelerator. Things aren’t helped by his brain starting to bleed because he’s overworked himself, leading to some of the creepiest POV art I’ve seen in a long time. Also, this new arc promises to feature a lot more of Last Order, who has mostly been a mascot for the series so far. But she’s bonding with Matsuri, who is a classic “I am pretending to be arrogant” princess type, and also runs into an overly affectionate young woman who says she’s a chef but may be a villain. For Index fans. – Sean Gaffney

The Demon Prince of Momochi House, Vol. 13 | By Aya Shouoto | VIZ Media – Unsurprisingly, the cliffhanger of Himari being shot by Kasha at the end of volume twelve does not stick. It turns out that he used some kind of ayakashi weapon that expels her soul from her body, allowing him to take over and cast her spirit out of Momochi House. She makes her way back just in time to see him kidnap Aoi. I must say that for a volume where a lot happens, none of it actually lands with any sort of dramatic impact. It’s diverting, I guess, but it’s just not meaningful. (Or memorable, apparently, since there was a character in this volume whom I’d completely forgotten.) However, the next volume does seem to promise the backstory between Aoi and Kasha and I guess I’m at least marginally interested in that. I’ll keep reading for now. – Michelle Smith

Golden Kamuy, Vol. 7 | By Satoru Noda | Viz Media – There’s some amazing horse racing in the first half of this book, which shows off the difference in how the races were run, and also allows Shiraishi to humiliate himself once more. But it’s somewhat overbalanced by the second half, which features our heroes trying to take down not one, not two, but three killer bears, all around the estates of an American Southern Gentlemen. We get the usual reasons we read Golden Kamuy—horrific violence that is also somehow amusing, disgusting-yet-useful discussions of rectal plugs, and two yakuza who are also flamboyantly gay in a stereotypical but nevertheless interesting way. Golden Kamuy is many things, including violent and sometimes gross, but it is never dull. – Sean Gaffney

Haikyu!!, Vol. 30 | By Haruichi Furudate | VIZ Media – It’s day two of the spring tournament and Karasuno is up against Inarizaki. The player who gets the spotlight this time is Tanaka, who hasn’t played great so far, and we get the backstory of his first year on the team. I really appreciated this look into the mindset of a mentally tough player who admits he’s not the best at anything, but refuses to give up. “I got totally down on myself for whole seconds!” he confesses later. Of course, he gets his moment of vindication and Karasuno wins set one. Next, we check in on Nekoma and delve into Kenma’s backstory. While I’d ordinarily be kind of annoyed at a shift away from our leads at a pivotal moment, this is a really affecting exploration of the disaffected-seeming setter who will give his all for his friends. I might’ve sniffled a time or two. – Michelle Smith

Hungry for You: Endo Yasuko Stalks the Night, Vol. 2 | By Flowerchild | Seven Seas – While this is another in what seems like a lot of manga series lately that read like they were cancelled rather than naturally ended, this second volume is pretty satisfying. We get some backstory for Yasuko, as well as a mastermind who turns out to be a lot closer than folks were expecting. That said, I found the ending most interesting, as I was very much expecting that Shizue was going to join Yasuko in her undead life, and that just doesn’t happen; Yasuko says she wants to be there with Shizue, but admits she’s going to get married, have children, and die eventually. It’s a more melancholy ending than I thought, but it fits this series, which is still cute and sweet. – Sean Gaffney

Kaguya-sama: Love Is War, Vol. 6 | By Aka Akasaka | Viz Media – The anime is starting possibly as you read this, and I hope it’s a good adaptation, especially for the faces. The faces in this series are absolutely amazing, and this volume is here to provide a bevy of brilliant ones, mostly from Kaguya. She’s learning, but it’s a long and difficult process, and Miyuki is, frankly, much better at flirting when he’s unaware he is, as the rooftop Princess Kaguya story entails. That said, the student council has moved on now… or have they? Will our heroes come together for a new student council? Or will the girl who we see on the last page and is clearly meant to be a new character throw a spanner in the works. Don’t know, but this hilarious series makes me want to read more. – Sean Gaffney

One-Punch Man, Vol. 15 | By ONE and Yusuke Murata | VIZ Media – The martial arts tournament is finally over! Unfortunately, Saitama is bummed because he didn’t meet anyone who could challenge him. He felt nothing, learned nothing, and gained nothing. While he’s lamenting having gotten too strong, he even ends up defeating the hero hunter with one kick without even realizing it. I don’t know where ONE is headed with Saitama’s massive ennui, but the rest of the plotline features the Monster Association demanding that the Hero Association send its strongest fighters to rescue the kid (son of an important donor) that they’ve taken hostage. I keep waiting for Saitama to finally achieve recognition, and I don’t know whether to hope this’ll be his chance or to feel like I ought to know better than to expect that from this series. Still a lot of fun! – Michelle Smith

Pick of the Week: Full Circle

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SEAN: It’s hard this week for me to pick between my perennial lost cause Hayate the Combat Butler and the final volume of Spirit Circle. I think I’ll go with the latter as Hayate will no doubt still be coming out ten years from now.

MICHELLE: Seeing as how there’s not much else that calls out to me, my pick this week is volume seven of Lovesick Ellie. I was a little concerned about the direction the series was taking in the last volume, so here’s hoping that this next one offers some reassurance.

KATE: There’s nothing on this week’s list that floats my boat, so I’m going to recommend a title that was released just a few days before Christmas: ABARA. It’s a beautiful, haunting, and strange manga that’s stayed with me longer than any of Tsutomu Nihei’s other series — and that’s saying something, considering Nihei has at least *two* series in which a talking bear is a significant character.

ASH: ABARA is indeed an engaging manga and probably my favorite work by Nihei to be released in English so far. But this week I’m with Sean in picking the final volume of Spirit Circle. I’ve really been enjoying the series.

MJ: There’s nothing that really draws me in this week, so I’m going to use my pick to boost the signal about something cool going on in another area of publishing right now, which is the Kidlit for Trans Rights auction ending tonight at midnight. Some of the prizes you can bid on are very writer-specific, like query or first pages critiques from agents, but there are also a slew of signed books and annotated copies from authors to bid on, and it could not be for a better cause. If you’re a fan of children’s, middle grade, or YA books, check it out!

Manga the Week of 1/9/19

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SEAN: It’s a quiet week unless you like Kodansha’s digital-only titles. What’s out next week?

J-Novel Club gives us a 5th volume of The Master of Ragnarok & Blesser of Einherjar.

Kodansha, print-wise, has a 15th Attack on Titan: Before the Fall. This is one long prequel.

ASH: The manga adaptation adds more to the story than is found in the original light novel. Actually for the better, I think.

Digitally, there’s quite a bit. Kasane finishes up with Vol. 14, and Fuuka comes to an end with the 20th volume. There’s also Alicia’s Diet Quest 2, Boarding School Juliet 7, Kamikamikaeshi 7, Lovesick Ellie 7, Starving Anonymous… 6, and Tokyo Alice 7. Boo, Starving Anonymous, you need to get with the 7s program!

MICHELLE: I’ll at least be reading Lovesick Ellie! I need to check out Tokyo Alice one of these days, too.

ANNA: I have come to peace with the fact that there are many series that I will never be familiar with, and this list represents many digital manga I am not reading.

SEAN: Seven Seas debuts Dragon Quest Monsters +, a sequel to the old Gameboy video game. It ran in Shonen Gangan back in 2000, so is something of a surprise license.

ANNA: Sounds fairly obscure!

SEAN: We also see Captain Harlock Dimensional Voyage 7, Himouto Umaru-chan 4, and the 6th and final Spirit Circle.

ASH: I’ve fallen behind with Dimensional Voyage but have recently caught up with Spirit Circle. I eagerly look forward to the next (although sadly last) volume. The series has been excellent.

SuBLime has an 11th volume of The World’s Greatest First Love.

And Viz gives us Case Closed 69, Hayate the Combat Butler 33, and Radiant 3. Always happy to see Hayate getting volumes published and not kicked to the curb like a dog.

ANNA: My kids like Radiant!

SEAN: And that’s it. See anything interesting there?

MJ: No, but maybe one of you will persuade me.

Bookshelf Briefs 12/31/18

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After Hours, Vol. 3 | By Yuhta Nishio | VIZ Media – Well, After Hours is over already. Ultimately, it just doesn’t feel like three volumes was enough. I suppose if you look at this more as the story of Emi finding something to be passionate about, then it was the right length, but in terms of really understanding the two leads and their relationship, I don’t feel I ever really got there. I should’ve felt something when Kei mysteriously disappeared, suddenly deciding to be a dutiful daughter and help her parents recover from a business loss, but I didn’t. Possibly because it seemed like one page she was ready to call it off with Emi, and by a couple of pages later, the crisis was averted and they were trembling thinking about their future together. It was an enjoyable series, but sadly not a favorite. – Michelle Smith

Ao-chan Can’t Study!, Vol. 3 | By Ren Kawahara | Kodansha Comics (digital only) – The series continues to toe the line but not actually cross it, which is good as crossing it would make this an entirely different sort of series. So even though our hero is inadvertently slipped an aphrodisiac, and really want to bang our heroine, he is a good boy and tells her to get away from him for the time being. Ao, meanwhile, is still very unclear as to what she wants—and it is genuinely affecting her studies. This means the climax of the book is Kijima thinking that it’s for he best if he stays away from her, even though he’s clearly fallen for her. How is Ao going to balance having a good education with her boiling hormones? We’ll see next book, and I think an anime is coming as well. – Sean Gaffney

CITY, Vol. 4 | By Keiichi Arawi | Vertical Comics – A stronger volume of Nichijou than the previous one. The “main” plot, such as it is, involves Nagumo being locked in a tower and forced to have a massive award ceremony telling her she’s amazing. Since this is clearly not to be trusted, she resolves to escape. Sadly, escape turns out to be… ridiculously easy, so much so that there’s a lot of desperate tsukkomi going on. Meanwhile, Niikura races all over the city trying to retrieve a pendant with an embarrassing photo that has gotten tangled with a cat. Even the stories that aren’t about the trio are pretty good this time around, with my favorite being the school playing a “mock detective” game. CITY is built on weird humor, and this volume gives you that in spades. – Sean Gaffney

Dragon Half, Omnibus 3 | By Ryusuke Mita | Seven Seas – Much to my surprise, the plot does gain more importance as we reach the end of Dragon Half, though it will never quite be as important as sheer dumb humor. And I do mean the dumbest humor—some of these jokes are so amazingly lowbrow you laugh from sheer shock that the author bothered. This is, of course, the point—who wants Dragon Half with subtle intelligent humor? That said, Mink clears her name, defeats the demon lord, does not transform into a hideous monster, and marries her beloved Dick Saucer, whose backstory actually manages to be tragic. There’s even an epilogue showing off the next generation. Dragon Half was a terrific series for fans of old-school manga, and I’m very happy it was licensed. – Sean Gaffney

Giant Killing, Vol. 15 | By Masaya Tsunamoto and Tsujitomo | Kodansha Comics (digital only) – The flashback to ten years ago continues! Tatsumi has emerged as the ace of ETU and his performance in the derby against Tokyo Victory draws a lot of attention. For his part, Tatsumi is (even then) seeing chances others can’t and coordinating his teammates to take advantage of them and never once plays like he’s the star. Once he’s injured and ETU falters, it hurts him to hear angry fans lambasting his teammates. Meanwhile, the president of the club wants to show as many people as possible Tatsumi’s entrancing soccer, which seems like a good thing, but we end the volume with this guy ordering the coach to put a not-fully-recovered Tatsumi in the next game so as not to disappoint the fans. I have a feeling the next volume is going to be hellaciously frustrating. What a great series, though. – Michelle Smith

Missions of Love, Vol. 16 | By Ema Toyama | Kodansha Comics – Kodansha may not cancel series for low sales, but series that aren’t performing do tend to come out veeeeeeery far apart. That seems to be the fate of Missions of Love, which now seems to be down to twice a year. Fortunately, it’s almost done. Everyone has confessed, but that’s hardly the be-all and end-all, even in shoujo manga. Yukina has to meet the parents. Hisame is back to behaving like an absolute ass. And Yukina’s literary career… and her use of her own life as a template for it… is finally coming out into the open. Is this something that can be forgiven? Oh, probably, but I imagine there will be even more drama next time around. Which is good, as overblown drama is why this series exists. – Sean Gaffney

Outdoors | By Yuichi Yokoyama | Breakdown Press – The three nature-themed stories collected in Outdoors were originally published online in 2009, the first and so far only time that Yokoyama created manga for a website. Interestingly, according to the short interview by Ryan Holmberg also included in the volume, Yokoyama doesn’t own a computer and strictly works using traditional media—he’s never even seen the site on which his manga was released. In general Yokoyama’s work tends to be something that I appreciate more than enjoy. While the short manga in Outdoors are visually striking—especially important as they contain no dialogue and almost no story—they also have a sense of cold detachment. In the interview Yokoyama notes that he has no interest in portraying human emotions or drama, so I think the effect is a deliberate one. I can recognize Yokoyama as an accomplished artist, but when experiencing his work I personally miss having that emotional core. – Ash Brown

Sleepy Princess in the Demon Castle, Vol. 4 | By Kagiji Kumanomata | Viz Media – If this series were even one small molecule less silly than it is, Syalis would be a hateful monster. The things she does to the demons in this book absolutely boggle the mind. Fortunately, this is absolutely a silly, silly manga and therefore Syalis’ sociopathic attempts for the perfect sleep are absolutely hilarious. She tries to hibernate, carves up even more ghosts, and gets kidnapped by Hades, which as you can imagine does not go very well for him, because Syalis is a law unto herself. Even when she shows a smidgen of humanity, such as when trying to get chocolates on Valentine’s Day, it’s still funny. I want to see this get even more over the top and sadistic. Fun, fun manga. – Sean Gaffney

Yowamushi Pedal, Vol. 10 | By Wataru Watanabe | Yen Press – If there’s anyone that can make Midosouji somewhat more redeemable, it’s Onoda, and he manages to achieve it here. Day Three may be a little more difficult, though. Not only do we meet a new rival who’s an absolute creep, hitting on Kanzaki and reminding us briefly that women do exist in this manga. (And then she goes away again.) But even more importantly, the third day is not about teamwork and working together, it’s ‘the fastest one wins.’ So Onoda finds himself overwhelmed by a whole new experience. Fortunately, he’s reminded how much he loves this and recovers. Still, this final day looks to be the most mentally exhausting. Will it end in the next omnibus? I doubt it somehow. Great sports manga. – Sean Gaffney

Pick of the Week: Brides, Beds, and Breakfasts

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ASH: It’s the first week of the new year and I’m already behind! So many great manga were released last year and it seems that trend will continue this year as well. For me the debut that’s caught my eye this week is Kakuriyo: Bed & Breakfast for Spirits. A yokai and food manga? There’s no way I could resist.

SEAN: I’m interested in that as well, and also new volumes of Kaguya-sama: Love Is War and One-Punch Man. But after a humdinger of a volume last time, I’m going to be picking up The Water Dragon’s Bride the moment I get it, so that’s my pick this week!

MICHELLE: Yes, yes, yes! The Water Dragon’s Bride has always been good, but volume seven was especially so and even thinking of one particular moment gives me geekbumps. Can’t wait for volume eight!

KATE: I’m still excavating my pile of unread manga, too! If I had to choose something — and death was not an option — my pick would go to the third volume of Dr. STONE, an awesomely silly Shonen Jump title with a hero so dumb he makes a ham sandwich look good by comparison. I know, I know — I’m not doing a good job of selling it — but it’s a fine bit of escapism if you need it. Lord knows I do!

MJ: I’m firmly with Ash this week, since basically everything about Kakuriyo: Bed & Breakfast for Spirits sounds like my kind of manga. Count me in for this!

ANNA: I’m interested in Kakuriyo: Bed & Breakfast for Spirits, but I’m so invested in the complex story of Water Dragon’s Bride, that it has the edge. That’s my pick!