Ash Brown

Manga Giveaway: Oi, Oishinbo! Winner

June 4, 2014 by Ash Brown

And the winner of the Oi, Oishinbo! manga giveaway is…AshLynx!

As the winner, AshLynx will be receiving a copy of Oishinbo, A la Carte: Japanese Cuisine by Tetsu Kariya and Akira Hanasaki. Oishinbo is one of the most successful and well-known food manga out there (at least in Japan), so for this giveaway I asked that people tell me a little about their own favorite food manga. Check out the giveaway comments for everyone’s responses. As usually, I’ve also taken the giveaway as an opportunity to compile a list. Below you’ll find some food-centric manga, as well as a few manga where food isn’t the focus but still plays an important role.

Some of the food manga licensed in English:
Antique Bakery by Fumi Yoshinaga
The Drops of God written by Tadashi Agi and illustrated by Shu Okimoto
Eat For Your Life! by Shigeru Tsuchiyama
Food Wars!: Shokugeki no Soma written by Yuto Tsukuda, illustrated by Shun Saeki
Gente by Natsume Ono
Iron Wok Jan by Shinji Saijyo
Kitchen Princess written by Miyuki Kobayashi, illustrated by Natsumi Ando
Mixed Vegetables by Ayumi Komura
Moyasimon: Tale of Agriculture by Masayuki Ishikawa
Neko Ramen by Kenji Sonishi
Noodle Fighter Miki by Jun Sadogawa
Not Love but Delicious Foods Make Me So Happy! by Fumi Yoshinaga
Oishinbo, A la Carte written by Tetsu Kariya, illustrated by Akira Hanasaki
Project X: Cup Noodle written by Tadashi Kato, illustrated by Akira Imai
Ristorante Paradiso by Natsume Ono
Seiwa High School Bento Club! by Umitamako
Takasugi-San’s Obento by Nozomi Yanahara
Toriko by Mitsutoshi Shimabukuro
What Did You Eat Yesterday? by Fumi Yoshinaga
Yakitate!! Japan by Takashi Hashiguchi

I love food, and I love manga, so food manga is a great combination for me. Thank you to everyone who shared their favorites; now we all have something to tide us over until the next manga giveaway!

Pick of the Week: Buy all the things?

June 2, 2014 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ 1 Comment

SEAN: There’s so much stuff coming out this week that it’s simply impossible to narrow it down. So I apologize to the 87 other Shojo Beat titles I’m passing up this time. But I have to go with the 2nd volume of Shigeru Mizuki’s Showa, which does a fantastic job of showing just how appalling and grueling to everyone involved the Second World War really was, and also what a personal toll it took on Mizuki himself, even if he does try to present it as comedically as possible. One of the best manga history/biographies I’ve ever read.

MICHELLE: I, too, have had a hard time making a pick this week. I narrowed it down to two, but in the end the 16th volume of Natsume’s Book of Friends (thoroughly excellent though it truly is) got edged out by volume 71 of Eiichiro Oda’s One Piece. I mean, the fact that it’s still genuinely fun and exciting at volume freakin’ 71 surely qualifies it as a masterpiece, right?!

ASH: Well, since Sean has Showa covered, I think I’ll take this opportunity to pick one of this week’s debut titles: New Lone Wolf & Cub. Same author but with a different illustrator than the original, I know a lot of people who are excited for this series.

ANNA: There are so many good things coming out this week! I think I’ll have to highlight the rerelease of Millennium Snow just because it is so rare for a mangaka to go back and finish an unfinished series. (Excuse me for a minute while I give CLAMP the stinkeye over X/1999). I enjoyed Millennium Snow when it first came out, so the new omnibus followed by a third volume sounds like a treat to me.

MJ: I’m interested in pretty much everything that’s been mentioned so far, and had figured I’d put my vote behind the long-awaited third volume of Millennium Snow. But since Anna has taken care of that so nicely, I’ll give a little shout-out to the latest volume of Vertical’s Knights of Sidonia. I’ve been a fan of this beautifully-drawn, emotionally frenetic series since the beginning, and I’m always thrilled to pick up a new volume.

What looks good to you this week?

My Week in Manga: May 26-June 1, 2014

June 2, 2014 by Ash Brown

My News and Reviews

Last week was a slower week at Experiments in Manga, which is just as well because I spent a long weekend with my family in Ohio for my youngest sister’s high school graduation. I was pretty busy with things there, but I was still able to post a few things here. The most recent manga giveaway, for example. There are still a couple of days left to enter for a chance to win Oishinbo, A la Carte: Japanese Cuisine, too. All you have to do is tell me a little about your favorite food manga (if you have one). May’s Bookshelf Overload was also posted. Interestingly enough, I think I actually bought more comics last month than manga. (I largely blame TCAF for that.) As for reviews, I took a look at Yoshikazu Yasuhiko’s Mobile Suit Gundam: The Origin, Volume 5: Char & Sayla. Char happens to be one of my favorite Gundam characters, so it probably shouldn’t be too surprising that this volume is one of my favorites in the series thus far.

There were a few things that I found to read online last week that were particularly interesting, too: Manga Therapy is writing and hosting a series of posts for Mental Health Month, including Lauren Orsini’s article about Mushishi as a metaphor for mental illness. FanboyNation had an interview with Tokyopop. Brigid Alverson interviewed Akira Himekawa for Comic Book Resources. And finally, Revealing and Concealing Identities: Cross-Dressing in Anime and Manga, Part 3 was posted at The Lobster Dance. I’m sure there were plenty of other interesting articles and new to be found last week, but as I mentioned I was rather occupied with traveling, helping out at home, and visiting with family. If I missed anything major, please do let me know!

Quick Takes

Fujosports! by Various. The most recent anthology from the Love Love Hill collective, Fujosports! collects six sports-themed comics with a female-gaze. These aren’t necessarily the sports you might be expecting, though: logging competitions, roller derby, free-form rollerblading, Turkish oil wrestling, field hockey, and competitive dodge-ball. All of the stories tend to be generally upbeat and optimistic, but the artists’ styles are distinct. As might be expected from the “fujo” in the title, the anthology includes a bit of bromance and boys’ love potential, but there’s some girls’ love, too, and plenty of general team bonding. Each comic is followed by a short freetalk by the creators, which is a very nice addition and makes the stories even more personable Fujosports! is a cute, sweet, and humorous collection. Every contribution in the anthology left me with I huge grin on my face, or at least a smile. Simply put, Fujosports! is a lot of fun; I’m really glad that I picked it up.

Gangsta, Volume 2 by Kohske. I enjoyed the first volume of Gangsta so much that I immediately went out and preordered the second. The series is quickly becoming one of my favorite manga currently being released. Gangsta has plenty of action in addition to a wide range of interesting characters (both women and men, young and old), many of whom have dark, tragic pasts. More characters are introduced in the second volume, some of them even manage to survive to the end of it, and the larger, overarching plot continues to develop. The Three Laws binding the Twilights (should they actually choose to follow them) are directly lifted from Asimov’s Three Laws of Robotics, nearly word-for-word. While this certainly emphasizes the inhuman characteristics of the Twilights, I did find it to be an odd choice. Still, the Three Laws provide excellent narrative frameworks for robot and android stories, so I’m willing to reserve my judgement and wait to see how Kohske uses them Gangsta.

The Legend of Zelda: Ocarina of Time, Volumes 1-2 by Akira Himekawa. After meeting Akira Himekawa at TCAF, I realized that although I was familiar with some of their work, I hadn’t actually read much of their manga. Granted, only The Legend of Zelda has been licensed for print release in English so far. I actually happen to be a fan of the Zelda video games, so I wasn’t surprised that I’m enjoying the manga series, too. Ocarina of Time was the game which inspired Himekawa to pursue The Legend of Zelda manga. The Ocarina of Time manga is accessible even to those who haven’t played the game, but those who have will be able to appreciate the nods to the original more. The manga follows the same basic plot as the video game, though Himekawa adds a few touches of their own. The Ocarina of Time manga is definitely an adventure story aimed at younger readers, there’s more action than there is nuanced character or plot development, but it’s fun.

K-20: The Fiend with Twenty Faces directed by Shimako Satō. K-20 is a live-action film based on the novels of Soh Kitamura (which sadly haven’t been translated into English) which were in turn inspired by the works and characters of Edogawa Rampo, specifically his famous detective Akechi Kogorō and his nemesis “Twenty Faces.” Akechi’s young assistant Kobayashi also has a role to play. It was because of this Rampo connection that I decided to watch the film in the first place, but even those unfamiliar with the references will be able to enjoy the movie. Packed with action and stunts, a little bit of romance, a great cast, and a large dose of humor, K-20 was extremely entertaining. The film is set in the late 1940s in an alternate history in which the Second World War was never fought but in which a strict hierarchical class structure is enforced. The story follows Endo Heikichi, an acrobat who is arrested for being the master thief K-20 after being set up, and his attempts to prove his innocence, basically by becoming as skilled as K-20 himself.

Bookshelf Overload: May 2014

June 1, 2014 by Ash Brown

Not counting the big box of review copies that arrived at the very end of the month, May actually has the distinction of my comics acquisitions outnumbering my manga acquisitions for the month. This is partly due to the fact that I went to TCAF and came away with a lot of goodies. This included picking up the first volume of Hotblood!: A Centaur in the Old West by Toril Orlesky, which is one of my new favorite things, as well as est em’s doujinshi Carmen among many others. As for the preorders that I was particularly excited to receive in May: the third-to-last volume of Blade of the Immortal and the second volume of What Did You Eat Yesterday? were released (reviews to come very soon), as was the second volume of Gangsta, which is a series I’m really looking forward to reading more of. It wasn’t exactly a preorder, but Massive also recently released Caveman Guu by Jiraiya. It’s only sixteen pages, but it’s pretty great. (Caveman Guu will actually be included in Massive: Gay Erotic Manga and the Men Who Make It from Fantagraphics later this year, too.)

Manga!
Android Angels by Kosuke Kabaya
Attack on Titan: No Regrets, Volume 1 written by Gun Snark, illustrated by Hikaru Suruga
Blade of the Immortal, Volume 29: Beyond Good and Evil by Hiroaki Samura
Carmen by est em
Caveman Guu by Jiraiya
Clan of the Nakagamis, Volumes 1-2 by Homerun Ken
Devils and Realist, Volume 1 written by Madoka Takadono, illustrated by Utako Yukihiro
An Even More Beautiful Lie by Kei Kanai
Fairy Tail, Volume 38 by Hiro Mashima
Gangsta, Volume 2 by Kohske
Hard Rock by Akane Abe
Haunted House by Mitsukazu Mihara
Hetalia: Axis Powers, Volume 6 by Himaruya Hidekaz
Kine In! by est em
Monster Musume, Volume 3 by Okayado
Monster Soul, Volume 1 by Hiro Mashima
My Little Monster, Volume 2 by Robico
No. 6, Volume 7 by Hinoki Kino
Otomen, Volume 18 by Aya Kanno
Palepoli by Usamaru Furuya
Sankarea: Undying Love, Volume 7 by Mitsuru Hattori
Say I Love You, Volume 2 by Kanae Hazuki
The Seven Deadly Sins, Volume 2 by Nakaba Suzuki
Sherlock Bones, Volume 5 written by Yuma Ando, illustrated by Yuki Sato
Ultras by est em
What Did You Eat Yesterday?, Volume 2 by Fumi Yoshinaga
A Wish of My Sister by Masahiro Itosugi

Comics!
All You Need is Kill adapted by Nick Mamatas, illustrated by Lee Ferguson
Andre the Giant: Life and Legend by Box Brown
Before You Go by Denise Schroeder
By Chance or Providence by Becky Cloonan
Carciphona, Volumes 1-4 by Shilin Huang
Dinner Ditz by Alexis Cooke
Erogenous by Creative Alchemy
Finn and Charlie Are Hitched, Volume 4: Everyone Is Someone’s Fetish by Tony Breed
Foodwise by Tony Breed
Fujosports! by Various
Hotblood!: A Centaur in the Old West, Volume 1 by Toril Orlesky
The Less Than Epic Adventures of TJ and Amal, Volume 3: Ten Days of Perfect Tunes by E. K. Weaver
My New Fighting Technique is Unstoppable by David Rees
Oafanthology: A Collection of Wuvable Oaf Drawings & Stories edited by Ed Luce
This One Summer written by Mariko Tamaki, illustrated by Jillian Tamaki
The True Lives of the Fabulous Killjoys written by Gerard Way and Shaun Simon, illustrated by Becky Cloonan
Yuri Monogatari, Volume 2 by Various

Novels!
Malice by Keigo Higashino
You and the Pirates by Jocelyne Allen

Collections!
Akiba Anime Art Magazine, Volume 00
Granta: The Magazine of New Writing, Issue 127: Japan

Anime!
Yukikaze, Volumes 1-3 directed by Masahiko Ōkura

Mobile Suit Gundam: The Origin, Vol. 5: Char & Sayla

May 30, 2014 by Ash Brown

Creator: Yoshikazu Yasuhiko
Original story: Yoshiyuki Tomino and Hajime Yatate
U.S. publisher: Vertical
ISBN: 9781939130198
Released: March 2014
Original release: 2009

My knowledge of and exposure to the massive Gundam franchise has admittedly been limited, but so far Yoshikazu Yasuhiko’s manga series Mobile Suit Gundam: The Origin has easily been my favorite work to come out of it. The manga is a retelling of the original 1979 anime series, with which Yasuhiko was also involved, and will soon have its own anime adaptation as well. Part of The Origin was initially published in English by Viz Media, but now the series is being released by Vertical. Based on the Japanese collector’s edition, Vertical’s release of The Origin is of very high quality, making the manga one of the best-looking comics currently being published in English. Mobile Suit Gundam: The Origin, Volume 5: Char & Sayla was originally released in Japan in 2009 while Vertical’s edition was released in 2014. The bonus content collected in this particular volume of The Origin includes an essay by Yasuhiko explaining why he chose to delve so deeply into some of the characters’ backstories as well as an amusing short manga by Koji Kumeta, the creator of Sayonara, Zetsubou-Sensei.

Nine years before the Republic of Zeon began its war of independence from the Earth Federation, before the republic even existed, the charismatic anti-Federation leader of the Munzo space colony on Side 3, Chairman Zeon Zum Deikun, was assassinated. Said to have been coordinated by the Federation, Deikun’s assassination may have actually been the work of House Zabi, another family vying for control in Munzo. Deikun’s death ignites a vicious power struggle between House Zabi and House Ral, the allies of House Deikun and of the chairman’s young son and daughter Casval and Artesia. For their protection, and with great effort, the children are separated from their mother and smuggled off of Side 3. The chaos surrounding the death of their father and their escape leaves neither one of them untouched and they must grow up far too quickly, navigating hostile political machinations and surviving multiple attempts on their own lives.

I won’t lie–Char is one of my favorite characters in Gundam and so I was very happy to see Yasuhiko thoroughly address his past in Char & Sayla. The volume explores his formative years and how Casval comes to be Char, one of Zeon’s most formidable, and manipulative, commanders. Even as a child he is extraordinarily intelligent, perceptive, fearless, and cunning. The turmoil of his childhood, which forces him to fight for his own life and for the life of his younger sister, awakens his potential and hones his natural talents even further. Ultimately he is driven to seek revenge against House Zabi for the destruction of his family. He is willing to do anything that is required of him to attain this goal, readily using and sacrificing the lives of those around him to achieve his vendetta. The transformation of Casval into Char is a tragic and terrifying one. He and Artesia, who will become Sayla and eventually join the Federation’s forces, have no chance of ever having an innocent childhood.

While Char and Sayla’s story is a very personal one it is only a small part of the greater whole of The Origin. One of the things that Yasuhiko does best with this series is develop the characters as individuals while showing how the roles that they play affect the overall direction of the story. While Casval is fighting his own battles, the tension between Zeon and the Federation continues to mount, something that has an impact on everyone, even those who are only tangentially involved. House Zabi is gaining more and more control, but there is some dissension among its ranks. With these internal conflicts, its rise to power isn’t a smooth one. War is coming and it doesn’t seem to be avoidable–or at least it is already known by the readers that it couldn’t be, or wasn’t, stopped. Char & Sayla gives Yasuhiko the opportunity to explore the past of the characters, some of whom won’t survive the upcoming conflict, as well as the chance to examine the history and precursors of the war itself.

Manga the Week of 6/4

May 29, 2014 by Sean Gaffney, Ash Brown, Anna N, MJ and Michelle Smith 1 Comment

SEAN: Are we ready? Deep breaths, everyone. Here we go. BUY ALL THE THINGS!

Dark Horse gives you the first volume of New Lone Wolf & Cub, in case you had finished all of the Old Lone Wolf & Cub.

ASH: I’m certainly interested in this one! (Confession: I actually haven’t finished reading the original yet…)

ANNA: I’m glad this is being translated! I only read a few volumes of the original series!

MJ: Count me in!

SEAN: Drawn & Quarterly is releasing the 2nd volume of Shigeru Mizuki’s Showa, this one covering the Pacific War (Japan’s term for WWII), 1939-1944. Ending with a major cliffhanger, it’s amazing how so much dry description of battle and history can be so riveting and involving. I reviewed it here.

ASH: Showa is excellent! The second volume covers history that I’m more familiar with, so I’m curious to see what Mizuki does with the material.

ANNA: I feel like I should read this but I’m too distracted by the piles of shoujo manga I need to read to invest the time in it.

MJ: I wish I’d read the first volume. I need to make a commitment here.

SEAN: DMP has the fourth volume of Private Teacher, which I like to imagine has its own USA Up All Night-esque tag lines. “He’ll give you tutoring… in gay.”

Given we’re being buried in Alice spinoffs, it’s always nice to see a new volume of Circus and Liar’s Game, which I consider to be the best of the sequels. Vol. 5 lands next week.

A Centaur’s Life has been getting more slice-of-lifey and less creepy, which is a good thing, as its weird worldbuilding is the main reason to get it. Vol. 3 is out next week.

ASH: The worldbuilding in A Centaur’s Life really is interesting.

SEAN: If you like girls and tanks, then Girls Und Panzer is the series for you. Set in a universe where tank warfare is a martial art and done at high schools, it looks to be in the Strike Witches tradition, but with less anthropomorphism and I am hoping fewer panty shots.

MJ: Is it weird that I might consider reading this?

SEAN: Vertical has the 9th Knights of Sidonia volume, and I hope will not be killing off another likeable cast member.

MICHELLE: I have fallen a few volumes behind on this one, somehow. Must catch up!

ASH: Yes, you must!

ANNA: Me too! I will catch up! I do enjoy this series!

MJ: I’m always happy to see a new volume of this series!

SEAN: Everything else is Viz. Dengeki Daisy continues to try to balance thrilling suspense and its odd February/May romance. It’s top-of-the-line shoujo in my book.

MICHELLE: Or not-so-thrilling suspense, as the case may be. But the Teru/Kurosaki stuff is good!

ASH: I’m a few volumes behind, but Dengeki Daisy is a series I really enjoy.

ANNA: Dengeki Daisy is the best.

SEAN: There is the 5th Dragon Ball 3-in-1 omnibus, because why not?

We also have the 3rd Dragon Ball Full Color book, which I think is actually Z, but I’m still not sure. In any case, want some color in your manga? Here you go.

We’re halfway through Happy Marriage?!, so things are bound to get fluffier and more lovey-dovey for our lead couple. Right?

ANNA: Viz is a champ for bringing out more commercial josei romance. That’s all I have to say.

MJ: Agreed!

SEAN: We’re almost halfway through this list, by the way. How’s everyone doing? Need a break?

ASH: A break from manga? Never!

MJ: Maybe a small one? Hold on… okay, I’m good.

SEAN: Kamisama Kiss 15 is likely to stay stuck in the past, but that’s not a bad thing with this series, as it’s giving us tons of backstory.

ANNA: I love the character designs and the wandering yet interesting storyline in this series. I’m actually looking forward to a binge reread of this series. I tend to read each volume as it comes out, but I think it might be more fun to read 3 or 4 at a time.

SEAN: Kimi ni Todoke remains completely adorable and heartwarming, and I do not expect that to change merely because we’ve gotten to Vol. 19.

MICHELLE: Seriously, is basically EVERY Shojo Beat series (except Skip Beat!, alas) releasing a volume on June 3rd?!

ANNA: So adorable. So much blushing and teenage awkwardness.

SEAN: It’s been so long since the last volume of Millennium Snow, which got sidelined by the huge success that was Ouran High School Host Club, that Viz has decided to re-release the first two volumes as an omnibus, followed by the 3rd volume (which is new). Find out why we enjoyed the series when it first appeared 7 years ago!

MICHELLE: I look forward to seeing how this series is different now.

ANNA: I liked the first two volumes back in the day!

MJ: I missed this series originally, so I’m looking forward to going back for the first two volumes.

SEAN: Natsume’s Book of Friends is doing its best to make me very happy with its 16th volume, as my OT3 is on the cover! I wonder if they’ll be in the actual volume as well…

MICHELLE: <3

MJ: Here’s hoping!

SEAN: Nura: Rise of the Yokai Clan continues to attempt to kill absolutely everybody we care about in horrible ways, and luckily has been failing so far. Will Vol. 21 be different?

One Piece is at Vol. 71. Really, what more is there to say? Only that it’s still one of the best shonen titles out there.

MICHELLE: Yep.

ANNA: I’ve only read the first 6 or so volumes and it was great, but I’m sort of terrified of a 70+ volume long shonen series. If only Glass Mask was this universally popular.

SEAN: In case you were unaware of this, here’s the 9th One Piece 3-in-1, which I think is up to the Skypeia volumes.

And let’s have another shonen manga debut! Seraph of the End, I feel I should tell everyone, has vampires in it. But it’s in Jump Square, so I’m not sure how pretty they will be.

ASH: I’m not sure either, but I have heard good things about the manga.

MJ: After reading Derek’s columns, I’m looking forward to seeing this for myself.

SEAN: After all this manga, I’m feeling very hungry, so I am gratified that we are now at the 22nd volume of Toriko.

And at last, we are done, as Viz has the 5th volume of Voice Over: Seiyu Academy, which has far less denseness than the author’s previous series S.A., but there’s still enough denseness to satisfy.

MJ: Denseness ftw?

SEAN: Buy *all* the things? :/

Manga Giveaway: Oi, Oishinbo!

May 28, 2014 by Ash Brown

May seems to have gone on forever for me and I’m really ready for it to be over. I’ve been traveling so much recently that all I really want to do is to curl up at home for a good, long manga binge. Happily, the end of May finally is approaching, which means it’s time for me to help someone else out by providing manga to read. For this month’s giveaway I offer you a chance to win a copy of Tetsu Kariya and Akira Hanasaki’s Oishinbo, A la Carte: Japanese Cuisine. As always, the giveaway is open worldwide!

With Vertical’s release of Fumi Yoshinaga’s What Did You Eat Yesterday?, I’ve recently been thinking quite a bit about food manga. And when I think about food manga (which, like food, I love) I think about Oishinbo–the long-running, award-winning series by Tetsu Kariya and Akira Hanasaki. In fact, just a few weeks ago I brought the series up in my random musings about sake. (Also, Oishinbo specifically and food manga in general were the subjects of May 2012’s Manga Moveable Feast two years ago. There were some great posts, so I encourage you to check it out!) Oishinbo made headlines not too long ago, too: it’s publication was suspended due to the controversy over its depiction of health issues in the Fukushima area. It’s not the first time that the manga has made political or social commentary, either. I’m actually rather fond of Oishinbo. The series hasn’t and probably never will be released in its entirety in English (it’s already over 110 volumes long in Japan), but seven A la Carte volumes have been published by Viz Media. Basically, these are thematic, “best of” collections. Oishinbo, A la Carte was the first of these to be released in English and it makes a great introduction to Japanese food culture as well to Oishinbo itself.

So, you may be wondering, how can you win a copy of Oishinbo, A la Carte: Japanese Cuisine?

1) In the comments below, simply tell me a little about your favorite food manga. (If you don’t have one, or haven’t read any, you can simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

There you go! Each person can earn up to two entries for this giveaway and has one week to submit comments. If you have trouble leaving a comment, or if you would prefer, entries may also be submitted via e-mail to phoenixterran(at)gmail(dot)com. (The comments will then be posted in your name.) The giveaway winner will be randomly selected and announced on June 4, 2014. Bon appétit!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Oi, Oishinbo! Winner

Pick of the Week: Chickens, Nightmares, & Soap

May 26, 2014 by Michelle Smith, Anna N, Ash Brown, Sean Gaffney and MJ 10 Comments

MICHELLE: Oh, jeez. Do I pick Goong, whose virtues I have extolled in the past, or My Little Monster, which includes a pet chicken. Aw, who am I kidding? Pet chickens all the way!

ANNA: I will pick Goong! I enjoy pet chickens as much as anyone, but manhwa soap opera is hard to resist.

ASH: I’m going with My Little Monster, too, and not just because of the pet chicken (though that certainly doesn’t hurt!) I enjoyed the first volume and am legitimately curious to see how the relationship between the two leads continues to develop.

SEAN: No question about my pick of the week: it’s the 20th volume of Soul Eater. We’ve got 6 volumes to the end now, so should be kicking into the final arc soon. And as I hinted in Manga the Week of, this volume may inspire nightmares.

MJ: So, despite the fact that “pet chickens” sounds almost as good as “talking cactus” (I say almost, because c’mon), I’m going stay true to my manhwa-loving heart and join Anna in choosing the 15th volume of Goong as my must-buy for the week. I have loved this series (and its difficult, bickering protagonists) for many years now, and I’m always happy to see them turn up on my doorstep, especially since Yen Press shifted to omnibus releases, making each volume substantial enough to tide me over ’til the next. Hurray for Goong!

What looks good to you this week?

My Week in Manga: May 19-May 25, 2014

May 26, 2014 by Ash Brown

My News and Reviews

After a week full of random musings comes a week full of reviews. Well, that is if you consider two reviews “full.” Either way, there were two reviews posted at Experiments in Manga last week. First up was Lucy Birmingham and David McNeill’s Strong in the Rain: Surviving Japan’s Earthquake, Tsunami, and Fukushima Nuclear Disaster. Originally released in 2012 as a hardcover, it is now available as a trade paperback. The volume is very approachable and makes an excellent overview of many of the aspects of the March 2011 disaster. As promised, I also reviewed the first omnibus of Takashi Ikeda’s yuri manga series Whispered Words. So far, I’m really enjoying the series (it even has karate in it!), but One Peace Books’ edition is rather disappointing in regards to quality control. Check out the review’s comments for more specific details.

As for other interesting things online: Oishinbo has certainly made some political and social commentary in the past, but the manga recently managed to get suspended amidst nuclear furor. The latest ANNCast features the return of the super manga pals Deb Aoki and Rebecca Silverman. The Gay Manga tumblr has a great post about how language impacts the way that sexuality is thought and talked about, looking at the terms “bara” and “gei” among other things. (The discussion reminded me quite a bit about my random musings on translation and queer theory.) Another fantastic post (well, series of four posts) is Revealing and Concealing Identities: Cross-Dressing in Anime and Manga over at The Lobster Dance. So far, Part 1 and Part 2 have been posted.

Quick Takes

Bunny Drop, Volume 10 by Yumi Unita. Oh, Bunny Drop. I love parts of the series while other aspects frankly piss me off. I personally don’t mind incest plotlines in my fiction (and technically there’s no incest in Bunny Drop), it’s just that it was handled so incredibly poorly. It’s been a while since a manga has gotten such a visceral reaction from me. But even though Bunny Drop left me seething, I was still looking forward to reading the tenth volume–a collection of short side stories as well as an extensive interview with Unita about the series and its anime adaptation. Most of the volume is devoted to when Rin and Kouki were small (including the story of how he got the scar on his forehead), which I enjoyed. I also rather liked the story that focused on Rin’s mother and the man who would become her husband. However, the final story takes place sometime after Rin and Daikichi are married–a development that I continue to be completely unconvinced by, a sentiment this final story does nothing to alleviate.

Carciphona, Volumes 1-4 by Shilin Huang. Another splurge purchase from TCAF, Carciphona is a self-published manga-style series of graphic novels which are also available to read online. It was Huang’s spectacular artwork that caught my eye. (Her artbook Toccata is simply gorgeous.) Though the interior art isn’t as stunning as the series’ covers, it is still excellent. Huang considers herself more of an illustrator than an comics artist; though it was fairly strong to begin with, her storytelling improves greatly from volume to volume. Occasionally Carciphona falls prey to infodumps in order to establish the setting, especially early on in the series, but the worldbuilding and characters are interesting. Carciphona is high fantasy with magic and religion, assassins and political intrigue, and tension between races. The story follows Veloce Visrin, a young, powerful sorceress living in a world where common magic–magic which relies on demonic spirits–has been prohibited. Her life has not been an easy or happy one, so she’s a bit surly (and understandably so), but she is also very loyal and protective of those who become her friends.

Devils and Realist, Volume 1 written by Madoka Takadono and illustrated by Utako Yukihiro. William Twining comes from a prestigious family and has done everything he can to meet, and surpass, all expectations so as not to disgrace his family’s name. He’s brilliant and at the top of his class…and recently lost most of his wealth due to his uncle’s bankruptcy. Perhaps even more problematic is that he’s somehow also responsible for selecting the next ruler of hell, despite being scientifically minded and refusing to believe in the demons right in front of him who are trying to bribe him. The artwork in Devils and Realist is attractive, though the more action-oriented sequences, while pretty, can be somewhat difficult to follow. It was amusing to see many of the demons introduced become transfer students at William’s school, but personally I’d like to see the story focus less on school antics and more on the struggle for control of hell. Then again, I actually did enjoy the sillier aspects of the manga. Devils and Realist has some potential; I’ll probably be giving it at least one more volume to see which direction it takes.

I’ve Moved Next Door to You by Fuhri Misasagi. There were two things that particularly appealed to me about I’ve Moved Next Door to You and which led me to pick up Misasagi’s boys’ love one-shot: the somewhat “reversible” nature of the characters and their polyamorous relationship. At least it’s described as being a polyamorous relationship–it’s really more of a pseudo-love triangle. Sadly, neither of those things could save this manga for me. With the aid of his secretary Kamoshida (who is in love with him), Takumi has recently moved into a rundown apartment after leaving his company. Up until now he’s led a very privileged and sheltered life and so has no idea how to live on his own. However, his new neighbor Renji is more than happy to help him out, which apparently also includes sexually harassing him any chance he gets. Even though the manga is supposed to be a comedy, tragic backstories are also added to the mess of unbelievable characters and plot. I’ve Moved Next Door to You isn’t sexy or romantic, and it’s not even very funny, though it does try very hard to be all of those things. I can’t say that I enjoyed the manga much at all.

Sengoku Basara: Samurai Kings, Season 1 directed by Itsuro Kawasaki. A little to my surprise, I enjoyed the Sengoku Basara: Samurai Legends manga so much that I decided to track down more of Sengoku Basara. I still haven’t gotten around to playing any of the video games, which is where the franchise started, but I have been happily watching the Samurai Kings anime. Sengoku Basara is based on the actual historic figures and events from Japan’s Warring States period, but it is delightfully irreverent and over-the-top with its portrayals. Honestly, Sengoku Basara is ridiculous and doesn’t at all take itself too seriously, but because of that it’s also a tremendous amount of fun. I mean, it has literal battle auras, impossible feats, absurd amounts of damage, nearly indestructible warriors, epic battles, and constantly shifting alliances, not to mention a healthy dose of improbable technology and anachronisms. I get a kick out of it all, though, and find Sengoku Basara to be highly entertaining. Samurai Kings might not be a series that I’ll watch over and over again, but I’ll definitely be checking out the second season.

Whispered Words, Omnibus 1

May 23, 2014 by Ash Brown

Creator: Takashi Ikeda
U.S. publisher: One Peace Books
ISBN: 9781935548454
Released: May 2014
Original release: 2007-2008

Whispered Words is a nine-volume yuri manga series by Takashi Ikeda published in Japan between 2007 and 2011. It’s probably his most popular work, or a least his best-known work, and the early part of the manga was even adapted as a thirteen-episode anime series in 2009. Despite my interest in yuri manga and the series’ following, I actually didn’t know much about it until I discovered that One Peace Books had licensed the work for English release. Whispered Words, Omnibus 1, released in 2014, collects the first three volumes of the series originally published in Japan between 2007 and 2008. Considering that comparatively few yuri manga have been released in English, I was happy for the opportunity to read more in translation. Because of the excited murmuring from fans surrounding the licensing of the series, I was particularly glad for the chance to read Whispered Words. And, except for some poor editing and lettering by One Peace Books, generally I was not disappointed. Plus, it even has karate in addition to yuri!

Sumika “Violence” Murasame, a high-school first year, is in love with her classmate and best friend Ushio Kazama. Ushio likes girls, too, but the problem is that she only likes “cute” girls. Unfortunately, Sumika has come to the conclusion that she is decidedly un-cute. She’s taller than most people, athletically and academically gifted, and a genius at karate (which is what earned her her nickname). But Sumika would gladly give all of that up to become small, delicate, and cute in order to fit Ushio’s type. That’s not really a possibility, though. So instead of admitting her feelings to Ushio and potentially ruining their friendship, Sumika has chosen to keep them to herself. It’s difficult and can be painful at times, but more than anything else Sumika wants Ushio to be happy. Eventually, other classmates become aware of Sumika’s feelings for Ushio, so it seems that it’s only a matter of time before they become obvious to Ushio as well.

Although at its heart Whispered Words has a fairly serious story about friendship and unrequited love, there is also a very strong comedic element to the series. Personally, I found the silliness of the manga and the characters themselves all to be very charming. For the most part, the underlying story and relationships in Whispered Words are actually fairly realistic. However, Ikeda regularly throws in something completely outrageous, such as an impeccably timed exploding SUV or indulging in his penchant for finding any excuse to dress everyone up in maid costumes. Whispered Words can admittedly be a bit ridiculous at times, but it’s not necessarily a bad thing. Ikeda strikes an excellent balance between the series’ humor and its more serious aspects, making for a read that is both entertaining and heartfelt. Ikeda’s artwork also reflects this duality. He effectively captures the more emotional moments–the tears, the pining, and the heartbreak, as well as the happiness and joy–but he can just as easily slip into a more comedic mode with over-the-top reactions, dynamic expressions, and exuberant poses.

The characters in Whispered Words are what really make the series work for me–not only the two leads, but their friends, families, and classmates, too. I am particularly fond of Sumika and her development, though. She so desperately wants to be something the she’s not, but it’s when she allows herself to really be who she is that she shines. This growth and the evolution of her relationship with Ushio is explored in stages in Whispered Words, often through her relationships with other characters. Tomoe Hachisuka and Miyako Taema, with whom she becomes friends, are a couple that show a lesbian relationship is not something to be ashamed of. Akemiya Masaki and Azusa Aoi are classmates who prove that others already think that Sumika is cute and admire her. The petite Charlotte Munchausen is devoted to karate, follows Sumika’s guidance, and provides an example that strength and cuteness aren’t inherently mutually exclusive. Even when played for laughs, all of these relationships are incredibly important to Sumika and are what allow her to grow as a person and will hopefully allow her to grow even closer to Ushio.

Manga the Week of 5/28

May 22, 2014 by Sean Gaffney, Ash Brown, Michelle Smith, Anna N and MJ 3 Comments

SEAN: Do you like stuff? Of course you do. Let’s look at some stuff!

ASH: I like stuff! I like lots of stuff!

MICHELLE: Stuff and junk and stuff!

ANNA: Stuff is awesome!

MJ: Bring on the stuff!

SEAN: If you’d wondered what the fuss was all about with Attack on Titan, and also wanted something heavy enough to beat small children to death with, have we got the release for you! Attack on Titan: Colossal Edition collects the first 5 volumes of the series into one massive, thousand-page TOME. And of course, it apparently has some added content so that obsessives must buy the whole thing again. If you haven’t seen this series before, get ready to see what all the fuss is about and ask “why is the art so crappy?”

ASH: This thing is going to be a HUGE monster of a book. I’m happy with my individual volumes, but I would be curious to see the the Colossal edition in person.

MICHELLE: Ugh. I must say the thought of hefting this thing doesn’t entice me to catch up on the series.

ANNA: I’m sort of tempted by this, since I bought the first book when the kindle version was on mega sale but haven’t gotten the subsequent volumes.

MJ: Hmmm… I’m tempted here. Kind of. Not sure I have a shelf big enough.

SEAN: Cage of Eden trundles along with Vol. 14. Will this be a monsters eating people volume? A fanservice-laden nude girls volume? A ‘I really liked Lost and want to rewrite it with Japanese students’ volume? Who can say? Most likely all three, I suspect.

My Little Monster was a lot of fun, even if I had issues with the male lead being a manic pixie dream guy to a certain degree, and I look forward to seeing how he and our heroine develop.

ASH: I rather enjoyed the first volume of My Little Monster. Plus, there’s a pet chicken!

MICHELLE: I love the pet chicken with every fiber of my being.

MJ: Pet chicken! How did I not buy this?

SEAN: Remember back in February when I discussed Wallflower 32 and they bumped it back to May without telling me? Well, here it is, still in May for now.

I apologize to Tokyopop. The fact that their one Japanese series is only available via Right Stuf now means I forget to add it to these lists, EVEN WHEN IT IS SITTING NEXT TO ME AS I MAKE THEM. Aheh. Anyway, Hetalia Axis Powers 6 was out last week.

ASH: I really do wonder how well this partnership between Tokyopop and RightStuf has been doing, and what other projects we might see because of it.

ANNA: Demon Sacred! Shinobi Life! Sky Blue Shore! Oh, how I miss you, but I have no hopes of reading you in English.

MICHELLE: Silver Diamond!

MJ: *sigh*

SEAN: BTOOOM! continues to make me count the number of O’s in its title, even now that Vol. 6 drops.

And now I want to add a third o to Goong, whose 15th volume is out, to the delight of the rest of the Manga Bookshelf team.

MICHELLE: Yay!

ANNA: Woo hoo!

MJ: Me me me me me me me!!

SEAN: In general, I have a better record with Yen than Seven Seas when it comes to otakubait series. And yet High School DxD – with its harem plot, promises of fanservice, and ‘angels and demons’ fantasy worldbuilding – seems to worry me. I’m watching you warily, Vol. 1.

MJ: That sounds… well, probably not for me.

SEAN: Jack Frost 10! Wow, how many decapitations have happened by now?

Kadokawa has decided they don’t want the manga to come up with new content that the novel hasn’t covered (bar the odd original short chapter), so The Melancholy of Haruhi Suzumiya will be ending its manga version soon while they wait for the next novel to appear. Here’s Vol. 18, featuring new character Yasumi on the cover.

Kazumi Magica has been one of the longer franchise spinoffs of the Puella Magi-verse, but it comes to an end here with Vol. 5. Will it have a happy ending? Our good friend Kyubey says he’s very happy!

Soul Eater has gotten up to Vol. 20, and I think is getting closer to its massive final arc. More to the point, this volume contains one of the scariest manga chapters I’ve ever seen – full stop, any series.

MJ: Really? Hm. Maybe I should check it out.

SEAN: Triage X has hit Vol. 6. See above about why I can’t always trust Yen when it comes to fanservice-laden series. At least I don’t think this is based on a series of light novels…

Lastly, we get another omnibus of Until Death Do Us Part, which features characters named Mamoru, Haruka, and Wiseman, yet is not actually like Sailor Moon at all.

MICHELLE: I need to catch up on this. I liked what I read of it.

SEAN: Stuff? Stuff!

Strong in the Rain

May 21, 2014 by Ash Brown

Author: Lucy Birmingham and David McNeill
Publisher: Palgrave Macmillan
ISBN: 9781137278944
Released: April 2014
Original release: 2012

Lucy Birmingham and David McNeill’s Strong in the Rain: Surviving Japan’s Earthquake, Tsunami, and Fukushima Nuclear Disaster was initially released as a hardcover volume by Palgrave Macmillan in 2012, a little more than a year and a half after the country’s threefold crisis that began on March 11, 2011. Both Birmingham and McNeill were established correspondents based in Tokyo who covered the March 2011 disaster–Birmingham writing for Time and McNeill writing for The Independent, Irish Times, and The Chronicle of Higher Education. Strong in the Rain, deriving its title from a poem by Kenji Miyazawa which became something of an anthem for the country and the disaster’s survivors, was later released as a trade paperback in 2014. It was this edition that I had the pleasure of receiving for review through LibraryThing’s Early Reviewers program. I had heard very good things about the original release of Strong in the Rain and so was looking forward to finally reading the work.

On March 11, 2011 an extraordinarily powerful earthquake occurred off of the northeast coast of Japan. Later estimated to have registered at at least a magnitude of 9.0, the earthquake was extremely violent. It moved the main island of Japan as much as eight feet in some areas and shifted the Earth’s axis. Aftershocks from the quake continued to be felt years later. However, the tsunami that was triggered by the earthquake accounts for much of the immediate damage associated with the March 2011 disaster. It wiped out entire communities along the coast and reached much further inland than anticipated. Japan has been subject to massive earthquakes and tsunami in the past, but what made the events of March 2011 particularly devastating was the resulting meltdown of the Fukushima Daiichi Nuclear Power Plant, culminating in one of the world’s worst nuclear crises. Japan’s recovery continues to this day; the country will have to deal with the impacts of the disaster for years to come.

Strong in the Rain is an excellent volume touching on many different parts of the March 2011 disaster. It’s written in an incredibly engaging manner but without sensationalizing the subject matter. Birmingham and McNeill incorporate their own personal experiences and have also conducted a great deal of research and investigative journalism. The narrative of what happened during and after the earthquake, tsunami, and nuclear disaster relies heavily on their interviews with six survivors: Katsunobu Sakurai, mayor of the coastal city of Minamisoma, who would become one of the most publicly recognized figures following the disaster; Kai Watanabe, a pseudonym of one of the maintenance workers at the Fukushima plant; Yoshio Ichida, a fisherman from Soma; David Chumreonlert, an American elementary school English teacher in Higashi-Matsushima; Setsuko Uwabe, a cook at a public nursery school; and Toru Saito, a recent high school graduate who was looking forward to attending Tohoku University that following April.

In addition to the personal accounts of the events surrounding Japan’s threefold disaster, Strong in the Rain also provides a scientific, historic, and cultural context for the catastrophe. The volume includes charts, maps, photographs, as well as a helpful index. Told in ten chapters (in addition to a prologue and epilogue), Strong in the Rain addresses many of the aspects and complexities of the March 2011 disaster: the quake, tsunami, and nuclear crisis themselves, but also the failure of the floodgates and other protective measures, the reaction of the imperial family, how news coverage was handled domestically and by the international media, the evacuation of foreign citizens, rescue and recovery efforts, how survivors dealt with the tragedy and death tolls, and the spirit and resilience of those living in the affected Tohoku region. Strong in the Rain forms a comprehensive overview of the March 2011 disaster and its ongoing effects. Even years after it was initially published, Strong in the Rain remains an approachable and informative work.

Thank you to Palgrave Macmillan for providing a copy of Strong in the Rain for review.

Pick of the Week: Shoujo & Seinen

May 19, 2014 by Sean Gaffney, Michelle Smith, Anna N, Ash Brown and MJ Leave a Comment

SEAN: My pick of the Week is definitely the 10th volume of DMP’s Itazura Na Kiss. I know it’s bad for me. I know I will spend half the volume asking why Kotoko can’t think before she acts or apply herself to any chosen path. And I will spend the other half wondering how Naoki plans to be a doctor when he has all the empathy of a rock, and has the complete inability to understand how people with emotions might function. I will get annoyed and frustrated. But I don’t care. It’s Shoujo Manga Classic time.

MICHELLE: I don’t know how I could possibly describe the joys and frustrations of Itazura na Kiss better than Sean has done, so please allow me to say “me too, all the way!”

ANNA: I’m really torn, because this is one of those weeks where a ton of great manga is coming out! I’m happy to see Itazura Na Kiss being released in print again! Gangsta is becoming slightly addictive for me whenever I want a seinen fix. But since Itazura Na Kiss seems to be getting plenty of love I’m going to have to go with Volume 2 of What Did You Eat Yesterday?.

ASH: I’m torn this week, too, but since Anna chose What Did You Eat Yesterday? (which I’m looking forward to a great deal) I’ll pick Gangsta to make sure it gets on the list. It’s not so often you get a manga with such a diverse cast in addition to interesting characters and plenty of action. I enjoyed the first volume immensely.

MJ: I’ll go with Anna this week, because though I’m interested in these other series, there is really no option for me that could eclipse the second volume Fumi Yoshinaga’s What Did You Eat Yesterday? I finally picked up a copy of the first volume a week or so ago, and I’ll never wait that long again (yes, I pre-ordered volume two). This series is an amalgamation of everything I love best about Yoshinaga’s work—lovingly-written dialogue, charmingly believable relationships, and FOOD. This is a book I will likely consume the second it hits my front porch. It’s absolutely my week’s must-buy manga.

What looks good to you this week?

My Week in Manga: May 12-May 18, 2014

May 19, 2014 by Ash Brown

My News and Reviews

Well, it was my intention to review the first omnibus of Whispered Words by Takashi Ikeda last week, but then Sean reviewed it the day before I was planning to post my review. So, to avoid making the Manga Bookshelf front page look a little strange, I decided to bump my Whispered Words review to later this week. But never fear, I had other posts in reserve! First up was my Toronto Comic Arts Festival 2014 recap, which is very, very long. If you don’t feel like reading the whole thing, that’s fine, but I do want people to know that TCAF is an amazing festival. A month or so ago I had the opportunity to attend a presentation given by Natsuki Kikuya, a sake sommelier and from a centuries-old family of sake brewers in Tōhoku, about the brewing of sake, its history, and current trend in the industry, so I posted some random musings about that as well–Cultures of Japanese Sake. I was quite pleased to discover that I actually had already had a strong introduction to the subject from reading manga, specifically Oishinbo, A la Carte: Sake and Moyasimon.

Now, going back to TCAF for a moment: Heidi MacDonald has an excellent summary of the festival at Publishers Weekly; the Beat has audio for a selection of the panels available for listening; and Okazu’s Erica Friedman has a great recap of the est em panel, which she moderated. Unrelated to TCAF, but still worth reading: Marvel, Yen Caught in Amazon-Hachette Crossfire; an interview with Leyla Aker, the editor at Viz Media responsible for Kohske’s Gangsta series; and Tokyo Government Declares Imōto Paradise! 2 Manga Unhealthy. Also, Deb Aoki has started updating her site Manga Comics Manga with some interesting new material, including Japanese to Spanish Manga Translation: Readers Speak Out and What Would Make Manga More Appealing to Comics Fans? + 24 Manga for New Readers.

Quick Takes

Dictatorial Grimoire, Volume 3: Red Riding Hood by Ayumi Kanou. The first volume of Dictatorial Grimoire, as ridiculous as it was, entertained me. The second volume was no less ridiculous, and it had some great moments, but I was frustrated by how trope-based it was. Fortunately, the series’ originality largely returns in the third volume and Dictatorial Grimoire once again becomes a glorious mess. The plot actually starts to make a little more sense and even becomes somewhat interesting, but just as things start to really get going the story is quickly brought to an end. It feels very abrupt and truncated, as if the series was initially supposed to be much longer. Still, I think the third volume of Dictatorial Grimoire was actually my favorite in the series. The demon from which the story Red Riding Hood comes is thoroughly introduced and he’s pretty great–a mix of the Wolf, Hunter, and Red. (He’s actually a decent guy once he gets his werewolf problem under control.) I also get a kick out of Snow White’s animal companions. Instead of the cute woodland critters that might traditionally be expected, he always has some poisonous creatures hanging about. Dictatorial Grimoire is far from the best manga out there, but it can be fun in all of its ridiculousness.

Dorohedoro, Volumes 10-12 by Q Hayashida. I continue to enjoy Dorohedoro immensely. It’s a strange, weird manga, and one that I find difficult to coherently explain to people. Dorohedoro is bloody, violent, and grim and yet at the same time it is also incredibly endearing, charming, and funny. It can even be heartbreaking from time to time. Occasionally something feels a little bit off about Hayashida’s artwork in the series–body proportions don’t always seem to be quite right–but for the most part I really enjoy the gritty look and feel of Dorohedoro. I was particularly impressed by how effectively dizzying and disconcerting the artwork could be when Aikawa’s magic comes into play. There’s quite a bit of plot development in these volumes and several of the characters have their backstories filled out–more is learned about the pasts of Nikaido, Asu, and the various members of the Cross-Eyes. There’s plenty of action in this part of the series, too, including excellent fight sequences and brutal battles. There are some significant deaths, as well, though it’s never certain that someone will stay completely dead in Dorohedoro. There are seven more volumes to go in the series; I really hope that Viz will be able to stick with it through to the end.

Hotblood!: A Centaur in the Old West, Volume 1 by Toril Orlesky. While at TCAF, I made the point to pick up a few things that I hadn’t heard about before or was otherwise unfamiliar with. One of those random splurges was Orlesky’s Hotblood!, a webcomic that currently updates twice a week on Tuesdays and Thursdays. I am absolutely loving it–the characters, the art, everything. The first print volume collects the series’ prologue and the entirety of its first chapter, as well as an exclusive appendix and other additional bonus material. Tremendous thought and care has been put into the worldbuilding of the comic–a sort of alternative history–especially in regards to the relationships and interactions between humans and centaurs and their cultures. The story begins in Wyoming in 1873 with James Rook, the titular centaur, and Asa Langley a steel magnate on the run as wanted men. It then jumps back two years in time to when they first met. In the prologue the two are obviously very close, but at the beginning of their relationship they didn’t get along much at all. Langley is a bit of a jerk, frequently making jokes in poor taste at Rook’s expense, but Rook needs a job so he puts up with it. He has been assigned to be Langley’s secretary; neither one of them is particularly happy about it, though.

No Matter How I Look at It, It’s You Guys’ Fault I’m Not Popular!, Volumes 2-3 by Nico Tanigawa. Overall, I do enjoy WataMote, but I will be the first to admit that it can be a harsh and uncomfortable read. (I get the feeling that the creators largely didn’t enjoy their high school years and that they don’t have many fond memories of that time in their lives.) WataMote can be very funny, but it’s not always very pleasant. So far the series has been fairly episodic, which is both an advantage and a disadvantage, but a few characters have been introduced in these volumes which may change that. I would like to see some actual character development in the series, though. Right now it seems as though Tomoko, her family, and classmates are stuck in a rut. This works in terms of the series’ premise–Tomoko is a misfit to put all other misfits to shame–but it’s a little painful and sad to not see her learn from her mistakes and experiences. Which, I suppose, is actually probably one of the points of the manga. Tomoko can be endearing in her extreme awkwardness, but that awkwardness can also be fairly alarming and embarrassing. WataMote is definitely not a series that everyone will be able to enjoy or even appreciate, but I do plan on following it further.

Random Musings: Cultures of Japanese Sake

May 16, 2014 by Ash Brown

I enjoy sake. I don’t have the opportunity to drink it very often, and I don’t really know much about it, but I do enjoy it and have an interest in it. Fortunately, I recently had the opportunity to hear Natsuki Kikuya, the founder of Museum of Sake, give her presentation “World of Sake: How It’s Created, and Where It’s Going.” Kikuya is from a family of sake brewers which is part of a collective in the Tōhoku region of northern Honshū. She currently works with chefs in the United Kingdom as a sake sommelier and is in the process of developing a sake documentary; her personal mission is to introduce and promote sake across Europe and the rest of the world. The craft and culture surrounding sake and sake brewing is broad and deep. A comparison can easily be made with wine culture, but Kikuya has found that in the West a “translator” is often needed for sake. Whereas wine has an extensive vocabulary already established to describe it, traditionally sake has had only two descriptors: dry and sweet.

So, what is sake? In Japanese, “sake” is a word that simply means “alcoholic beverage.” However, when the term is used in English, generally it is specifically referring to what is known in Japan as nihonshu. Sake is a fermented and filtered alcoholic beverage that is no more than 22% alcohol by volume. Typically, sake is brewed using only four ingredients: rice, water, yeast, and koji. Approximately 1% of Japan’s total rice production is devoted specifically to the brewing of sake. Though still edible, the rice used in sake is very different from table rice meant for consumption. When making sake the outside of the grains of rice is polished away, leaving behind the starches. In the highest quality sake, more than half of the rice is polished away. (In one exceptional case, only 7% of the rice remained after polishing.) Water is a particularly important ingredient as sake is made up of around 80% water. Water from different sources can significantly change the taste of the sake; generally water with softer qualities is desired. Up until the 20th century, sake production primarily relied on wild yeast, however more than 90% of sake fermentation now uses cultivated yeast. Koji is sake’s “magical ingredient”–a type of mold spore that transforms the starches in the rice into sugars for the yeast to ferment. Sake is often described as being “grown in breweries”; its quality very much depends on the human techniques involved and there is less emphasis placed on vintage as a result.

During her talk, Kikuya outlined a brief history of sake and its development in Japan. Sake had its beginnings over 2,500 years ago, originating as the “drink of the gods” and was associated with Shinto shrines. Between the 7th and 12th centuries, sake came under control of the court. During that time there were thirteen different grades of sake appropriate for the different ranks of nobility. In the Middle Ages the center of sake production moved to Kōfuku-ji in Nara and other Buddhist temples. At this point in history distilled spirits from abroad began to be introduced to Japan as well. The Edo period saw the rise of brewing specialists and the center of sake production once again moved, this time to Itami and Edo. Previously sake had been made year-round, but as the brewing techniques were refined during the Edo period it became a winter-specific process. The Edo period also saw the establishment of izakaya and the culture of eating outside of the home; sake was no longer just for nobles. Homebrewing was prohibited in 1899, mostly for tax reasons, and so sake brewing became more of a corporate affair during the Meiji era.

Oishinbo, A la Carte: Sake

The 20th century brought the “era of synthetic sake.” When rice was not readily available (during times of war, for example), techniques were developed to compensate for this lack, such as the introduction of syrups. The quality of the results were not always particularly good. And then there is sake industry today, which is focusing on modernization, localization, and globalization. This includes the creation of “new gen” sake, such as sparkling sake and sake with low alcohol content, as well as the use of sake in mixed drinks. At one point there were over 4,000 breweries in Japan. Sadly, the industry is dying and only around 1,200 breweries currently remain. Of those, the top twenty account for 80% of the sake production in Japan, however local breweries are beginning to gain increased support. There are several theories as to why interest in sake is declining in Japan: the continued Westernization of the country, the aging and shrinking of the population, and the fact that younger generations simply don’t seem to be drinking sake. Although the sake industry is still dominated by men, Kikuya knows of at least ten women heads of breweries. Interestingly enough, in addition to Japan, the United States is also a leading producer of sake and currently has seven to eight breweries of its own.

Prior to the Kikuya’s talk, my knowledge of sake had primarily been gleaned from what I myself had tasted as well as from manga like Tetsu Kariya and Akira Hanasaki’s Oishinbo (especially the volume Oishinbo, A la Carte: Sake) and Masayuki Ishikawa’s Moyasimon. I was quite happy to discover that those series have actually provided me with a fairly strong introduction to and basic understanding of sake and the sake industry, including some of the more unusual and interesting historical tidbits. So, even if you don’t have the chance to take advantage of the knowledge of a sake expert, picking up a copy of Oishinbo, A la Carte: Sake and following it up with a bit of Moyasimon (the manga or the anime) is not a bad place to start. (Toko Kawai’s short boys’ love series The Scent of Apple Blossoms also features a sake brewer, though I haven’t read it yet to be able to say how educational the manga might be.) For those interested in learning more about sake, Kikuya’s Museum of Sake is also worth a look, as is Discovery UK’s series Discovering Sake. And sometimes the best way to learn about something is to simply experience it for yourself. Have a taste!